we don’t acknowledge enough how dee used to be a pageant winner when she was a kid and how much damage it did to her. she worked her ass off and got recognition for being pretty and talented at a young age and it was the only source of self esteem she could garner in a family that constantly berated and talked down to her. she sought after that external approval because it was the only way she could prove everyone around her wrong. her dream of being a performer didn’t come from a self-aggrandizing delusion— she genuinely showed a lot of potential when she was younger. but she went through an unflattering puberty and her spinal condition got worse and that natural talent she had as a kid plateaued way too early. the “former gifted kid” dilemma. she slowly lost the thing that promised her that she was good, but she was so desperate to keep holding onto it that she tried anyway. again and again and again no matter how much people made fun of her because it was always about proving them wrong. but after a while she couldn’t jump anymore without anticipating the way it feels when she hits the ground face first. self-sabotage became her way out, choosing to rather live in the fantasy of her own unrealized potential and blaming those around her for her lack of success, than having tried and crashed again. she’d rather buy lottery tickets over and over and never scratch off the numbers than to see that she lost. that self-sabotaging behavior bled into other aspects of her life too, from friendships to relationships to therapy. her own short lived success is what made her grow into embodying the cycle of failure.
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So... I lied about getting a full fix-it to This → Part 1. Y'all get parts focusing on different characters for now as Hop traverses his guilt trip. I won't say it gets worse before it gets better but... kinda in places? I promise it's a happy ending though!!
What do you want from me I'm stressed and depressed and I like making my blorbos suffer (a.k.a projecting my trauma instead of doing the healthy shit my shrink tells me to)
You've been warned... But I do hope you like it.
So here we have Part 2 (Pride and Prejudices: Joyce Edition)
He goes to Joyce about it first. Thinks about her gentle herding of the trio that has become the Hopper-Byers brood. Thinks about how she put everything he was feeling about Mike and El and their giggling and the fucking door into words that kept him from looking like an imbecile (if he'd have ever used them instead of fucking it up 'winging it'). Thinks about the way her voice stays soft and kind of quiet even when she's spitting in his face about listening to her (and every time she's been right) and how that's translated to talking down government goons and wrangling the army of children that seems to get bigger each time they have to fight interdimensional terrors. So he goes to Joyce about what Murray said, the noise Steve made with That Look in his eyes and his bandages peeking out from under a shirt that looks like one of the Henleys he's been missing since coming 'back from the dead' and they dug out his clothes from storage. (El wouldn't let her throw anything out, not until she was ready to say goodbye. Thank whatever god[s] there may be she never needed to)
He doesn't expect Joyce to make a face like he suggested inviting Owens to family dinner. He doesn't expect the scoff and eye roll as her shoulders tense and her hands flex at her sides like she's about to let loose her (honestly really attractive) righteous fury. About the Harrington kid.
Maybe he should have asked when the kids weren't home. Before El quietly told them the bullying wasn't as bad as it was in California but some people still made fun of how she spoke and how all of her friends were boys (and just as quietly asked they not do anything. Asked that they let her and The Party handle it until they couldn't). Before Will came home sulking about something idiotic Mike said or did or something the kid missed (though lately the latest Wheeler mistake is followed by bashful mention of the Emerson kid doing something specifically to make Will feel better in the moment). Before Jonathan came home from 'job hunting' or 'volunteering at the school's relief center' reeking of weed and his long-haired friend in tow (less than usual but still enough to make Joyce feel guilty for missing it for so long, for making the boy grow up so fast that he spends his days out of his mind instead of the weekend bender like when they were kids). Before The Party had come by with what homework the school was still giving out and talking over each other about all the latest small-town gossip a teenager can get their hands on (Eddie's name has been cleared but he's still laid up at the hospital. Susan Mayfield has been noticeably absent according to every nosy housewife in Hawkins considering her daughter is in a coma. The Hagans, Carvers, Perkins and a handful of other 'well to do' families have skipped town taking most of the sports population with them. Steve has been letting people displaced by the damage crash at the Harrington mansion. Steve has kept up hours at Family Video somehow and is a regular volunteer at the various relief centers in town. Steve has been giving all of them rides and may have told Dustin he's thinking of trading in the Beemer for a bigger vehicle for all the kids and people he chauffeurs about. Steve keeps a room empty and waiting for when Max wakes up before her mother makes an appearance. Steve. Steve. Steve.)
He doesn't expect the way she spits his name like she's talking about Dick and Margaret under the bleachers over a smoke before the yard teacher catches them. The rant about bullies and broken cameras and trashed kitchens and dead monsters in her fridge. The crack in her voice when she crosses her arms to stop their shaking as she lays sin upon sin at this boy's feet.
And maybe before that would have been enough.
He doesn't expect the stone in his stomach or the burning in his chest as he looks the woman he loves in the eye and says "So I guess we should tell Nancy to break up with Jonathan before he pulls a Lonnie, huh?" It's a low blow. He knows from the hurt anger on her face and on the purse of her lips. He knows that's why he said it. "That kid is lucky to be alive let alone walking and have we ever even thanked him for keeping the fucking kids alive each time they pull their dumb shit when the world goes to hell? Does that sound like anything his folks would have ever done for us? Hell for their own fucking kid they practically signed over to ME of all people?"
He's shaking now too and Joyce has her hands fluttering between them like she wants to reach out. To touch, comfort. Pull him close and tell him to take a breath.
"He called me 'His Hop', Joyce" He barely has enough breath on him to squeeze the words past his tight throat. "Called me His Hop and watched Ellie and the kids when I just couldn't and you were at work. I don't think I've seen his folks in town since the mall was opened and all the donors had that big party. Don't think I've spoken to them since '83 and they made me the kid's guardian when they aren't around cause they didn't want to fly down for a government sized concussion."
By now he knows El and Will are peeking around the corner, their eyes wide and worried. Jonathan has his door cracked and Angus (is that the hippie's name? He can't remember) is whispering something about heavy auras. Joyce is staring somewhere off in the distance, wringing her hands and biting her lips like she's facing an interdimensional portal shaped problem.
"The kids are planning to have one of their games in a few days." Her voice is brittle in a way he's not used to anymore. Not since she pulled her youngest out of hell and faced down a demon clawing through her walls. "He always drives them over and- and disappears until they need to head home. I can make sure he stays for dinner. Like the rest of the kids. I know Claudia has been having him over so I- I can get some recipes from her that he likes."
Something in his shoulders shakes loose and he reaches out to pull her practically shaking from into his chest.
"I don't know what to say to him Hop. He's not Mike and he's not like either of my boys. In my head he's just always been..."
"Dick and Margaret's brat." He sighs out and rests his cheek on the top of her head as she nods and presses herself in closer.
He's aware of eyes on them. Confused and worried and judgemental and he'll pay that piper next. These kids taught him how to be a dad again once, they can do it again, right?
Part 3
Part 4.1
@thelittleclare @jackiemonroe5512 @0body0disphoria0 @strangersteddierthings @lingeringmirth
Part 4.2
Part 5
If I missed you in the tag list I'm sorry I tried 🙃🫡 Tell me what you think? 🫣🥲
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in my heart of hearts mike wheeler is absolutely an athena kid but i also have to offer up a concept that i think has extreme comedic and dramatic potential aka: repressed gay teenager mike showing up at camp half blood unsure of who his godly parent is and feeling insecure about not having powers and one day when he’s making not-so-secret heart eyes at his best friend and son of apollo will byers is when a bunch of glowing floating hearts show up above his head. and that’s how mike gets claimed by none other than aphrodite, the goddess of love and sexuality, and is in full denial about it for three days because he thinks it’s some kind of sick and twisted JOKE
(on aphrodite’s end, she’s upset mike is throwing away the gift of true love and keeps trying to trick him out of repression by making more and more improbable and hilarious gifts appear when he and will are hanging out. mike hands will a book and it turns into a box of chocolates and he has to fling it away like a frisbee before will sees it. they’re having lunch and romantic music starts playing. she gives mike the same blessing she used to claim piper and will can’t even look in his direction for a full day because he starts blushing so hard. fifty bouquets of flowers show up at the apollo cabin’s doorstep with a note that says love, mike and by the end of it, mike isn’t even repressed and unsure about his sexuality anymore — he’s just trying to not throw himself into the bonfire out of sheer embarrassment)
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okay but the unexplored potential of a revali and purah dynamic
revali is so keen to be the best of the best and push himself past all conceivable limits, and purah wants to find the limits of sheikah tech and magic only to barrel past them and nearly become god
so one day, purah comes to revali "how high can medoh fly?" and he pauses bc he hasnt thought about that much, which he realises is asinine how has he not thought of taking her higher "well her resting altitude is x but its possible to go higher, though i dont know her limits" and they just look at each other bc well now they have too know-
and it continues like that, purah coming to revali with questions about medoh or the rito or his wind magic or eventually just requests for assistance "i need you to fly this up there for me, clear out this monster camp, ect ect" and revali loving the attention and the chance to show off, and that hes able to prove himself as truly better (he often tries to rope in the other champions to compare) and purah is loving all the data and the chance to work so closely with a pilot and they both compliment each others personalities quite well, both sassy and intelligent and where purah is overbearing and bubbly revali is insecure and sulky
anyway this is all pre calamity stuff, i want them to be very good friends and cause chaos together and push each other to constantly better each other, and purah would scoff at revalis creative insults but internally laugh and file them away to use later, and revali may act uninterested when purah talks for hours about conclusions shes come to and different approaches they could take hes actually paying complete attention and thinking of ways to use this knowledge in piloting or training
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