#Rui Mario

[zemaribeiro]

Choro, Samba e Outras Bossas tem nova edição hoje

A cantora Regina Oliveira no centro da roda do ensaio com a banda Choro, Samba e Outras Bossas. Foto: Reprodução A Fundação da Memória Republicana Brasileira (FMRB), sediada no Convento das Mercês (Rua da Palma, s/nº., Desterro), recebe hoje (22), às 19h, a primeira edição do projeto Choro, Samba e Outras Bossas este ano – ao todo já são nove edições do encontro mensal, inaugurado ano…

[krinklefry87]

quick wxs doodles requests (feel free to request more!!!)

[sleepythegh0st]

Who Each Hatsune Miku: COLORFUL STAGE! Character Would Main in Mario Kart

Because it did so well on my Instagram

Ichika is the first of many who discovered that her main from 8 was cut from World. She used to use the female Villager. At first she wasn't sure what to do... that was until she saw Pokey, the literal cactus. She's not worried anymore.

Saki has been a Toadette girl her whole life and doesn't plan on stopping. She matches with Tsukasa =]

Honami was another victim of her main being cut, as she used to use Isabelle. She joined the Cow Crew pretty quickly though.

Shiho used to main Dry Bones. When she saw Nabbit's reveal however, she decided there was no turning back.

Minori uses Daisy, her favourite princess. She's always loved her because in her mind, they look alike. You know what they say, "What little girl doesn't dream of being a princess?"

Haruka used to use Kamek because he looked the closest to a penguin. Needless to say, the inclusion of an actual penguin in World is a dream come true for her.

Airi used to be a Cat Peach truther. She's hoping to find out that she's still there in costume form, but until then, she's settling for normal Peach.

Shizuku also has a favourite princess. You'll likely never see a day she doesn't use Rosalina.

Kohane, being a fan of cute little guys, is loving the new roster for World. She was very quick to abandon Tanuki Mario when she saw Monty Mole.

An is a big fan of Pauline. Need I explain why?

Akito is the resident Dry Bowser fan who is not happy to see he was cut, although you'll never see him admit it. He claims to not care, and is apparently perfectly fine with using normal Bowser in his absence, but secretly, he's hoping to see Dry Bowser return as a costume.

Toya has loved Yoshi since he was little. He was always partial to one of the blue variants, and he is very intrigued by the implication that all colors come with their own costume now.

Tsukasa has always, and will always use Toad, as mentioned before. The day Saki gives up Toadette is the day Tsukasa gives up Toad.

Emu used to use Bowser Jr. She was a big fan of the Koopalings. However, as soon as her eyes met Para-Biddybud, she fell in love. She almost doesn't want to play Mario Kart until she can use it she's so excited.

Nene was devastated at the loss of Link. She thought it would be impossible to choose a new main... because now she had to choose between two fish. Ultimately she chose Cheep Cheep because she thought it was cuter.

Rui used to use Pink Gold Peach largely because Nene complained about her inclusion all the time. He isn't particularly bothered about losing her, because he still has King Boo, his real favourite.

Kanade specifically liked the white Shy Guy. She isn't bothered by the colors being costume specific now, as she really only played for the music anyway.

Mafuyu used to use regular old Mario simply because she didn't care. For some reason she's keen on trying the Snowman...

Ena and Airi used to match, as when Airi would use Cat Peach, Ena would use normal Peach. When they found out Cat Peach was being removed, Ena decided to sacrifice her main and look for a new one because they did not want to use the same character. She thought it would be an impossible task, but so far, Swoop has caught her eye.

Mizuki uses Birdo. All of you know why, I'm sure.

[ink-the-axolotl-rabbit]

Man fuck all of y'all /j

*throws these two edited pngs I made at your ass*

[hotchocolatedoodles]

Welcome to the Mushroom Kingdom! 🍄

[shuttleman]

Did i do it right

[transformers-mosaic]

Transformers: Multiverse #14 - "CSI: Cybertron"

Originally posted on February 28th, 2013

Story - Mario Coleman Art - Rui Onishi Colours - Liam Shalloo Letters - HdE Edits - wadapan

deviantART

wada sez: On deviantART, Mario acknowledged that Perceptor’s characterisation here isn’t really remotely similar to how he’s been portrayed in any prior media; historically, he speaks with loquacious verbosity and never uses idioms. Really, this feels more like a Prowl or Nightbeat strip. Now, the version of the comic you’ve just read above is actually edited from the strip as originally posted (see below), which featured some blatant coloring errors on Liam Shalloo’s part; presumably, the script for this one would’ve called for a generic Autobot in the second panel with Ratchet, and Fracas (Scourge’s Targetmaster partner) in the final panel, but presumably Liam never got the script, leading him to color these characters as the Decepticon Hun-Gurrr and the Autobot Scattershot, cross-factional counterparts who have no reason to be in this story. Onishi appears to have drawn Fracas using the erroneous character model from classic ‘80s fiction; I expect that Shalloo misinterpreted the artwork as depicting Scattershot, (who he broadly resembles, particularly with the back-mounted gun barrel), then picked Hun-Gurrr for the second panel due to his prior association with Scattershot. I’m not sure who Onishi intended that background character to be, if anyone, but the details look fairly specific; for my corrected version of the strip, I’ve colored him as Fastlane, who has those wheels on the backs of the shoulders. It’s a shame that the strip as originally posted had all these little issues muddying the story, because I think the core premise here of a Targetmaster howdunnit that asks “what if the murder weapon transformed and hid itself” is really good, and Onishi’s art is gorgeous as always.

[kaitofan69]

walruigi

[byssa6]

Marx Fairywinkle intro

I came up with a Steven universe AU similar to the Vriska Undertale thing from last year but worse. Here’s the intro to the AU

[raspadoris]

i’m flying to lisbon tomorrowwwww 🫶🇵🇹

[piotr-zielinski]

Have some Mario Rui in your life!

Source

[football-collection-hqs]

[jun432]

Mario Rui

[transformers-mosaic]

Transformers: Multiverse #10 - "Just Good Friends"

Originally posted on January 15th, 2013

Story - Mario Coleman Art - Rui Onishi Colours - Liam Shalloo Letters - HdE

deviantART | TFW2005 | BotTalk

wada sez: This strip plays into an oddity from the original Sunbow cartoon; in The Transformers: The Movie, Hot Rod and Arcee are shown flirting onscreen for most of the film, but in the show’s third season, with Hot Rod’s narrative role having shifted with his transformation into Rodimus Prime, Arcee was instead typically written to have a closer connection with Springer. Mario Coleman offered this scintillating bit of behind-the-scenes commentary on this one: “I hate, hate, HATE the friend zone. I wrote this from experience unfortunately.” This strip just about predates widespread awareness of incel culture. Meanwhile, Onishi specifically noted having drawn the Dinobots into this strip out of love for their depiction in the show’s third season. That big looming hulk in the final panel is a rare appearance of Broadside, drawn to match his pre-final character models based on an early toy prototype. With this strip, Multiverse celebrated having ten pieces published. See below for clean inks.

[fragmentosdebelem]

Olga Savary (1933-2020)

"Imposições e problemas familiares, mas também saudade e o desejo de voltar a ver minha Belém do Grão-Pará [aos 17 anos, onde estudou o Curso Clássico], considerada a capital da Amazônia. Lá fiquei por dois anos, morando na casa de minha madrinha de batismo Hilda Pereira da Silva e sua mãe Alma, em um ensolarado e simpático sobrado da avenida Generalíssimo Deodoro, não muito distante da Basílica de Nazaré. De dia eu estudava e, à noite, escrevia meus poemas e contos, à luz de vela ou quando tinha luar, para que ninguém notasse que estava acordada até de madrugada, montada no telhado da casa. Mesmo com toda essa precaução, vendo uma réstia de luz por baixo da porta do meu quarto, a madrinha ralhava comigo, achando que assim eu estragaria a saúde. Era uma aventura, e sem sair do quarto, prova de que as grandes viagens são imóveis, sumidouros, sumidos ouros, como mergulhos que realizamos para dentro de nós mesmos, igual aos rios que desaparecem terra adentro. Esta metáfora do sumidouro foi a que escolhi para título de meu segundo livro. Mas pergunto eu: como estragar a saúde assim? Existe algo mais saudável do que criar?

(...)

Benedito Nunes foi meu professor de Filosofia e Francisco Paulo Mendes, de Português, no Colégio Moderno, dois incentivadores de meus textos e inesquecíveis personagens do meu elenco inicial. Eu era dos últimos alunos em Matemática, Física e Química, nas chamadas exatas, mas sempre fui a primeira da classe em Português e Desenho Livre. Com dezessete anos ganhei meu primeiro prêmio literário em concurso de poesia para alunos do então Clássico e do Científico de todo o Pará. Faziam parte do júri: Benedito Nunes, Francisco Paulo Mendes, e os poetas e críticos Mário Faustino e Ruy Guilherme Barata. Sobre a velha polêmica de chamar escritora que faz poesia de 'poetisa', já nessa época (1951) o esclarecido Benedito Nunes insistia na denominação 'poeta'', e assim se referiu a mim sempre. Benedito, pouco mais velho que seus alunos e com a cara de garoto que tem até hoje, se impunha pelo saber e pela dinâmica serenidade com que nos ensinava. Vive até hoje em Belém, embora sempre convidado a dar aulas nas universidades europeias e norte-americanas. Nos verdes anos da adolescência, estes dois professores foram fundamentais na minha vida, no meu aprendizado, verdadeiros mestres, e a eles sou grata por tudo que me ensinaram de conhecimentos e sabedoria, além de grande humanidade. Inesquecíveis foram também meus professores de Física (Djalma) e de Química (Maria Anunciada Chaves, diretora do Colégio Moderno, e hoje membro da Academia Paraense de Letras), por terem sido compreensivos com as notas baixas nas exatas, em que eu era fraca e eles sabiam que nunca seriam as 'minhas áreas”' e deixarem-me passar de ano assim mesmo. A eles sou grata também por terem sido esclarecidos e tido o bom senso ao afirmarem: 'Essa menina é a melhor em Português e Desenho, sempre com 9,5 e 10, com louvor, com certeza vai ser escritora ou artista''".

________________________________________

Entrevista de Olga Savary à Revista de Humor e Cultura PAPANGU, maio de 2007. Transcrita por O TEATROFANTASMA

[sirius-cloud7]

Cedric tho-