#Rick Miller

[panneshirley]

giftober 2023 | day 2: coffee/tea

reservation dogs - elora's dad

[radicalrascals-gifs]

[GIF Pack] Ethan Hawke

Following this link you’ll find 150 gifs (245x150) of Ethan Hawke as Rick Miller in Reservation Dogs: Elora's Dad (S03E09) from 2023. Ethan Hawke is an American actor and was 52 at the time of filming.

Please reblog and/or like if you plan on using these. Do not claim as your own. Do not include in gif hunts. Thank you. For more Ethan Hawke gif packs click here

Trigger-warnings: cigarettes, drugs

[haveyouseenthisseries-poll]

[krispyweiss]

LA LOM at A&R Music Bar, Columbus, Ohio, Dec. 14, 2024

Bathed in red, then orange, backlights, the men of LA LOM were anonymous silhouettes as they introduced themselves with “Café Tropical” and “Danza de LA LOM.”

Soon, more-traditional lighting, white spots in front, primary colors in back, shone upon the Los Angeles League of Musicians, who brought music best suited for sun-drenched expanses of sand or grass to the early-falling darkness of mid-December Columbus, Ohio.

In the back sat Nicholas Baker, coaxing rhythmic patterns inspired by Santana, Los Lobos and Toubab Krewe. He was a percussion section unto himself, playing shakers, beating congas and cymbals with his hands and employing sticks, maracas and brushes on his drumheads.

Alternating between electric, four-string and double bass, Jake Faulkner was Baker’s rhythmic partner and LA LOM’s onstage cheerleader, hyping the audience that crammed into A&R Music Bar Dec. 14 with fist pumps, off-mic screams and wordless gestures of praise for Baker and guitarist Zac Sokolow, the band emcee whose surfing-south-of-the-border leads are the nominal words to the band’s instrumental music.

Conjuring sonic homages to the Shadows, Los Straitjackets, the Latin Playboys and Southern Culture on the Skids, though without the unique personality - not yet anyway - of Hank Marvin, Eddie Angel, David Hidalgo or Rick Miller, Sokolow nodded to his influences as he continues building a bridge to his own style.

So it went across 80 minutes of three- and four-minute offerings from 2022’s LA LOM EP, 2024’s the Los Angeles League of Musicians LP, covers and recent singles “La Tijera” and “Alacrán.” There were ballads such as “Rebecca” and raucous numbers like “El Casabel” that had the sardines in the audience pogoing and chanting to Faulkner’s raised-arm cues.

If there’s a knock on LA LOM, it’s that the trio tends to have a sameness in tone and style, leading to flatlines among the huge peaks. Yet the young trio is clearly at work at blazing a path that, when realized, is going to leave sonic scars in the ground it treads.

They’re on their way already.

Grade card: LA LOM at A&R Music Bar - 12/14/24 - B

12/15/24

[goldenispunk]

[winnysplayground]

“he’s so babygirl”

babe he just killed somebody.

[moonxnite]

y’all ever fantasize about a fictional character a little too hard to the point you’re convinced you should be admitted to a mental hospital?

[starsm00n]

Is he a scary man covered in blood? Or is he my baby girl? Spot the difference

[realangelahernandez]

I’m so sad… time for an x reader fan fiction

[moonpascal]

self insert x canon will always hold a special place in my heart

[thaliasthunder]

remember percy said boys and girls arent allowed to be alone in the same cabin? it makes me cackle that rule exclusively applies to only boys & girls when chiron literally taught achilles & patroclus in early chb and apparently it still never crossed his mind that one thing homosexuals sure have is audacity

[h2shonotes]

February 9,2020, I partnered with @rickmilleractor to create a LIVE theater experience on the pool deck. On this day, we performed TWO workouts based on the first show in Miller’s @boomtheshow trilogy. I adapted the entire show into a fitness event and together we created something special. 🤗💪🏽💦

Three years later Rick Miller is touring with the second chapter is his trilogy BOOM X.

And I have partnered with the off-Broadway show #Titanique for a fitness event based on their Hit parody.

I will forever be appreciative of Rick’s trust & belief in me. And grateful for the community of shO people for their enduring support.🙏🏽

[thebestbrunettee]

imagine chiron sitting in his cave, and peering outside for just a moment. he sees a boy with messy dark waves and another with golden hair, chatting under a fig tree. for a moment he thinks it’s achilles and patroclus.

no.

it’s will and nico.

achilles and patroclus are dead, chiron… dead.

[colmiillo]

I fear the day that my mom finds out that I don't read fantasy books on Tumblr/Wattpad/Ao3

[krispyweiss]

Southern Culture on the Skids at Rumba Cafe, Columbus, Ohio, Oct. 9, 2023

Bespectacled drummer Dave Hartman is standing in a darkened corner of the stage, holding it down on a small kit and offering occasional backgrounds, but otherwise leaving the antics to his bandmates.

Standing the middle is guitarist/vocalist Rick Miller, in a jeans jacket and ball cap, sharing the emcee and vocal duties with bassist Mary Huff, she of big red hair and funky, heartshaped sunglasses. Huff puts on a show within a show, primping, leading clap- and sing-alongs and generally acting as Southern Culture on the Skids’ hype woman while Hartman remains steady and Miller cuts loose for 95 minutes.

It’s Oct. 9 at a sold-out, rammed-full Rumba Cafe in Columbus, Ohio, and SCOTS are doing what they’ve done for 40 years - churning out self-depreciating numbers such as “Liquored up and Lacquered Down,” “Daddy was a Preacher but Mama was a Go-Go Girl” and “Dirt Track Date” in a delicious admixture of hilarious lyrics and serious musicianship, showcased on instrumentals such as “Meximelt,” where Miller handles lead and rhythm, leaving no holes in SCOTS’ sound, even as he lifts his axe high and digs into a lowdown solo.

The band did its own changeover following a well-received punkabilly set from Ohio-based quartet the Whiskey Daredevils and immediately showed its love for Link Wray on the instrumental “Skullbucket.”

From there, it was classic SCOTS as the band dedicated “My House Has Wheels” to a concertgoer from Detroit, whom it met years ago during a strike against that city’s Free Press; performed “House of Bamboo” in celebration of Columbus’ long-closed Kahiki restaurant; and nodded to its North Carolina roots with “Too Much Pork for Just One Fork” and “Banana Puddin’.”

Yum.

Combining a love of rockabilly, surf music and straight rock ‘n’ roll with equal parts irreverence and earnestness, Southern Culture on the Skids is the rare band that can make such antics as inviting fans on stage to dance and toss fried chicken into the audience on “8 Piece Box” and delivering a no-jokes version of “Dear Mr. Fantasy” that finds Miller kneeling on stage coaxing Hendrixian notes and feedback from his guitar feel entirely congruent.

Grade card: Southern Culture on the Skids at Rumba Cafe - 10/9/23 - B+

10/10/23

[goldenispunk]