#rick miller

[panneshirley]

giftober 2023 | day 2: coffee/tea

reservation dogs - elora's dad

[radicalrascals-gifs]

[GIF Pack] Ethan Hawke

Following this link you’ll find 150 gifs (245x150) of Ethan Hawke as Rick Miller in Reservation Dogs: Elora's Dad (S03E09) from 2023. Ethan Hawke is an American actor and was 52 at the time of filming.

Please reblog and/or like if you plan on using these. Do not claim as your own. Do not include in gif hunts. Thank you. For more Ethan Hawke gif packs click here

Trigger-warnings: cigarettes, drugs

[kdo-three]

Southern Culture on the Skids - Camel Walk (1995) (AKA: SCOTS) Rick Miller from: "Dirt Track Date" (LP)

Rockabilly Revival | Psychobilly | Roots Rock and Roll

Tumblr (left click = play) (320kbps)

Personnel: SCOTS: Lead Vocals / Danelectro Guitar Mary Huff: Silvertone Bass David Hartman: Ludwig Drums

Produced by Mark Williams | Southern Culture on the Skids

Recorded: @ Reflection Studios in Charlotte, North Carolina USA 1995

Released: on August 8. 1995 DGC Records

[haveyouseenthisseries-poll]

[krispyweiss]

Southern Culture on the Skids Go Commercial for Shakey’s

- “8 Piece Box” soundtracks ad for pizza joint

Pizza and fried chicken go together like North Carolina and south California at Shakey’s Pizza.

The SoCal chain tapped into a remixed version of Southern Culture on the Skids’ “8 Piece Box” for a just-launched television-ad campaign on its home turf.

The band doesn’t appear in the advert; the chicken - as it is when the band plays the tune live - is the star.

SCOTS’ Rick Miller used to frequent the joint with his parents, who took him to Shakey’s for post-Little League meals. He was happy to remix and overdub to change french-fried potatoes to mojo potatoes to rightly describe the chain’s spuds.

“Shakey’s had a mix of barbershop quartet and Dixieland jazz styles going on,” Miller said in a statement.

“The employees wore straw hats and stripped red shirts. How that added up to pizza was beyond me - but it was fun to go there, I always looked forward to it.”

3/3/25

[goldenispunk]

[winnysplayground]

“he’s so babygirl”

babe he just killed somebody.

[moonxnite]

y’all ever fantasize about a fictional character a little too hard to the point you’re convinced you should be admitted to a mental hospital?

[starsm00n]

Is he a scary man covered in blood? Or is he my baby girl? Spot the difference

[realangelahernandez]

I’m so sad… time for an x reader fan fiction

[moonpascal]

self insert x canon will always hold a special place in my heart

[4ever-feral]

Older men with big noses, beards and wavy hair >>>>

[colmiillo]

I fear the day that my mom finds out that I don't read fantasy books on Tumblr/Wattpad/Ao3

[glennussy]

time to spend my night single and curled in bed reading x reader fics :)

ahahahaha i hate myself

[rememberwhouare]

These two…

[krispyweiss]

LA LOM at A&R Music Bar, Columbus, Ohio, Dec. 14, 2024

Bathed in red, then orange, backlights, the men of LA LOM were anonymous silhouettes as they introduced themselves with “Café Tropical” and “Danza de LA LOM.”

Soon, more-traditional lighting, white spots in front, primary colors in back, shone upon the Los Angeles League of Musicians, who brought music best suited for sun-drenched expanses of sand or grass to the early-falling darkness of mid-December Columbus, Ohio.

In the back sat Nicholas Baker, coaxing rhythmic patterns inspired by Santana, Los Lobos and Toubab Krewe. He was a percussion section unto himself, playing shakers, beating congas and cymbals with his hands and employing sticks, maracas and brushes on his drumheads.

Alternating between electric, four-string and double bass, Jake Faulkner was Baker’s rhythmic partner and LA LOM’s onstage cheerleader, hyping the audience that crammed into A&R Music Bar Dec. 14 with fist pumps, off-mic screams and wordless gestures of praise for Baker and guitarist Zac Sokolow, the band emcee whose surfing-south-of-the-border leads are the nominal words to the band’s instrumental music.

Conjuring sonic homages to the Shadows, Los Straitjackets, the Latin Playboys and Southern Culture on the Skids, though without the unique personality - not yet anyway - of Hank Marvin, Eddie Angel, David Hidalgo or Rick Miller, Sokolow nodded to his influences as he continues building a bridge to his own style.

So it went across 80 minutes of three- and four-minute offerings from 2022’s LA LOM EP, 2024’s the Los Angeles League of Musicians LP, covers and recent singles “La Tijera” and “Alacrán.” There were ballads such as “Rebecca” and raucous numbers like “El Casabel” that had the sardines in the audience pogoing and chanting to Faulkner’s raised-arm cues.

If there’s a knock on LA LOM, it’s that the trio tends to have a sameness in tone and style, leading to flatlines among the huge peaks. Yet the young trio is clearly at work at blazing a path that, when realized, is going to leave sonic scars in the ground it treads.

They’re on their way already.

Grade card: LA LOM at A&R Music Bar - 12/14/24 - B

12/15/24