#Richie Campbell 2024

[angola-musicas23]

Kel-P - Slow Motion (feat. Richie Campbell)

Já disponível a nova musica da autoria de “Kel-P feat. Richie Campbell” tem como titulo ”Slow Motion”  Confira agora o download em mp3 Baixar mp3 gratis no nosso site abaixo. Baixar musica nova : Kel-P – Slow Motion (feat. Richie Campbell) Download Mp3baixar 2024,baixar musica Slow Motion angolamusicas.com   Artista: Kel-P feat. Richie Campbell Titulo: Slow Motion Género: Afro…

[nicolerrichie]

Nicole Richie's Winter/Spring 2024 reads:

The Language of the Night by Ursula K. Le Guin

Once There Were Wolves by Charlotte McConaghy

Something Wild by Hanna Halperin

James by Percival Everett

Antarctica by Claire Keegan

Pilgrim at Tinker Creek by Annie Dillard

Open Water by Caleb Azumah Nelson

Walk the Blue Fields by Claire Keegan

I Who Have Never Known Men by Jacqueline Harpman

Spunk by Zora Neale Hurston

Remember Love by Cleo Wade

The Wager: A Tale of Shipwreck, Mutiny and Murder by David Grann

The Heaven & Earth Grocery Store by James McBride

The Waters by Bonnie Jo Campbell

[deadcactuswalking]

REVIEWING THE CHARTS: 16/03/2024 (Ariana Grande's eternal sunshine, 4batz/Drake)

For a fourth week, Beyoncé holds the throne on the UK Singles Chart with “TEXAS HOLD ‘EM”. Outside of that, it’s Ariana Grande week, so welcome back to REVIEWING THE CHARTS!

Rundown

Before we get to Ari or, well, anything else, we always start with our notable dropouts, those being songs dropping out of the UK Top 75, which is what I cover, after five weeks in the region or a peak in the more prestigious top 40. This week in particular, we bid adieu to: “Overcompensate” by twenty one pilots (not a surprise there, it seems like a pretty inaccessible lead single), “Forever” by Noah Kahan, “On My Love” by Zara Larsson and David Guetta, “Fast Car” by Tracy Chapman, “Perfect (Exceeder)” by Mason and Princess Superstar and finally, “Popular” by The Weeknd, Playboi Carti and Madonna.

As for our re-entries and gains, God, it was a big day for those this week, especially given not much else was going on between the top 20 and well, everything else. Mitski’s “My Love Mine All Mine” is back at #75, “Make You Mine” by Madison Beer is back at #53 (great!) and two well-deserved awards show boosts are present here - Jungle, the BRIT Awards’ Best British Group, re-enter at #43 with the incredible “Back on 74” and thanks to Billie Eilish getting her Oscar win for Best Original Song, the equally incredible “What Was I Made For?” zooms back at #16. It’s pretty impressive that there are four re-entries here, all in vastly different spaces of the chart, and they’re all fantastic. As for the gains, we see a lot, scouring pretty much all of the chart, so let’s any% speedrun this section: “Thank You (Not So Bad)” by FBI’s top six most wanted criminals at #68, “Anti-Hero” by Taylor Swift at #65, “Happier” by The Blessed Madonna and Clementine Douglas at #61 and okay, break - that song apparently samples “Du hast” by Rammstein, which I just didn’t hear last week when it debuted. Despite being a classic on rock radio all over Europe, the song never charted in the UK’s top 100, and I always preferred “Sonne”. Now back to the list: “Would You (go to bed with me?)” by Campbell and Alcemist at #60, “ONE CALL” by Rich Amiri at #59, freaking “Baby Shark” at #57, “I Remember Everything” by Zach Bryan featuring Kacey Musgraves at #55, “Green & Gold” by Rudimental and Skepsis featuring Charlotte Plank and Riko Dan at #54 (not really excited for how a trend of the 2020s is having so many artists credited), “FE!N” by Travis Scott featuring Playboi Carti at #41, “Evergreen” by Richy Mitch & the Coal Miners at #37, “Austin” by Dasha at #25, “Kitchen Stove” by Pozer at #22, and finally, thanks to the release of her album, “yes, and?” by Ariana Grande rebounds to #6, just outside the range for our next segment.

Now for our top five, starting with “Lose Control” by Teddy Swims at #5, “End of Beginning” by Djo at #4, and Ariana Grande landing her second top 10 hit in this week, the clunkily two-titled “we can’t be friends (wait for your love)” at #3. Obviously, there’s more on that later. As for the rest, it’s to be expected: Beyoncé leads and the pack and Benson Boone’s “Beautiful Things” isn’t far behind at #2. Now for… less beautiful things, let’s dissect some of the new entries we have here.

New Entries

#71 - “if u think i’m pretty” - Artemas

Produced by Artemas and Daintree

Alright, I’ll bite: who the Hell are Artemas? Or Daintree for that matter? Well, Artemas Diamandis is a budding singer-songwriter with a questionable moustache who’s popular on social media, with this being a breakout hit from October last year, though it now of course has slowed and sped-up versions because the world is not safe from TikTok’s impact on popular music. Daintree seems to be Artemas’ go-to producer, and the two wrote this alt-pop song about a toxic relationship where to put it bluntly, he needs to pick up his standards. There’s a unique androgyny to Mr. Diamandis’ voice and it actually meshes very well - at least his falsetto does - into the vaguely eerie synth distortion and haunting elements very fitting for a song released in late October. I think the effects end up a bit overdone sometimes, attempting to make up for an underwritten song, and I really don’t like how the snare sounds, even if the constantly repeating vocal chop, and the way the lead vocal melody ends up stuck in a jam with it, is really clever, there was a lot of effort put into the song’s sound design, it just doesn’t really translate into a full song for me, especially at barely two minutes. Cool ideas are definitely here though.

#70 - “Uh Uh” - Clavish and Fredo

Produced by KP Beatz

We don’t have many other new names here: Clavish, Fredo, Nathan Dawe - they’re staples of UK chart weeks in the 2020s - and Drake and Ari are inescapable, so this’ll be a pretty familiar episode I feel, which is kind of refreshing. I mean, I’ve been listening to ratrace90210 and Yeat and Butterfly Boy, there’s something relaxing about knowing partly what you’ll have to say about something going into it. With that said, even I was surprised with how cheap and basic the piano and flute sounds in this beat were, the piano in particular really sticks out and unintentionally sounds off-beat due to just how basic the loop is. I would prefer for more layers of the RPG-sounding flute, but once the trap beat comes in, it’s easy to ignore some of the lacking melodies, it goes pretty hard and has much more of a pace than Clavish’s usual output. He’s definitely improving as a rapper too, the sheer length that he goes on for considering the wordy flow and delivery he chooses is kind of impressive and there are some interesting lines, particularly when he… denies living the life in his raps which is just surprising if anything. The way the “uh-uh” ad-lib is implemented sounds a bit tacky sometimes but given the rhyme scheme often delivers a similar sound, it can be pretty seamless sometimes as a call-and-response, it’s just a shame that Clavish doesn’t have the personality to sell it more. Fredo does though and this is an incredible verse from him. His cold rhetorical questions, much more developed rhyme schemes than Clavish, and how much more command he has of his flow despite using a similar one to his fellow rapper and even taking time to be further off of the beat… it really shows who’s been in the game for longer. “I hit any girl I want like a woman beater” is a crazy bar though, I have no idea how to feel about that, and he doesn’t really give you the time to think about it.

#66 - “We Ain’t Here for Long” - Nathan Dawe

Produced by Nathan Dawe, Neave Applebaum and Punctual

Nathan Dawe and its three ghost producers are back in the top 75 with a song I… already had liked? Yeah, this song is from early February, and I don’t know in what context I heard it but I should say that this is, for Dawe’s standard, a pretty great track. The singer is Sam Harper, a songwriter who’s worked with… BTS? Damn, well, okay, make that bank, girl, you can probably live off of that and don’t need to take credit for the heavily filtered vocals here that stand out in a mix that feels a bit barebones: it has the boiled-down essentials of a modern Eurodance jam but not much more, and that really picks up the pace in an “end-of-the-world” kind of way. She sings that she’s barely holding on and she’s got to live her life before it’s gone, with every element of this song feeling like it wants to just make way with itself and flee, and that’s definitely a compliment in this case, there’s a certain frantic sense to how the ATB-esque acoustic guitar drop is placed into staccato formation like old video game music. With how much the song wants to be done, you’d think it’d peter out by two minute, but no, we get that fizzling and striking bridge where Harper laments how much she’s doing for other people just to feel empty in return. We immediately get back to dancing of course, but after that resonant bridge, it hits way harder than it did before, with both Harper and Dawe adding little tricks into the final chorus, whether that be a change in the inflection, an added refrain of “I gotta live my life” or a flashy pre-drop glitch. It’s all very obsessed with desperately wanting to stop existing and for a trance song in an ever-increasing dystopia of how we live now, this feels particularly relevant… and it would be pretty poetic for the UK in particular to make this a hit in 2024. And please do, it’s great.

#18 - “act ii: date @ 8” - 4batz featuring Drake

Produced by Untitled Beatz and 40

Okay, firstly: Official Charts Company finally correctly recognises a remix’s popularity and credits accordingly. Nice. Secondly… sigh. So I gave a lukewarm review to Bryson Tiller’s “Whatever She Wants” on its debut week but pretty much immediately, I’m talking the day after, it clicked with me and I’ve been slightly obsessed with it. It actually has me excited for how rappers, singers, rap-singers and sing-rappers are going to implement non-Atlanta trap elements into R&B and vice versa as we get more diversive rap landscape with hyphy, Detroit trap, drill, Jersey club, dembow, Afrobeats and more competing for further influence in mainstream rap. Tiller and the beat both chug at a constant level and only stop to murmur tensely before piling right back into action. The beat sounds like if Rick Ross was on a treadmill and instead of really trying to sing, Mr. Tiller just tries to keep up, even if it leads to him doing brief harmonic riffs and pausing for sound effects. The original “act ii: date @ 8” by 4batz, which lands on its chorus by accident, has a similar appeal in its vintage shimmering keys and more organic-sounding bass, though I hadn’t heard it before the Drake remix. 4batz goes for an adolescent delivery that makes its determined, one-minute-and-done young love feel even more weightless and fluttery. I wish it didn’t go for the cop-out not-really-all-that-chopped and only-technically-screwed outro of course, but otherwise, it’s pretty decent and oh, the big-name remix essentially plays the song unchanged and then has Drake rap over that exhausted, slowed-down version. The youthful, Hell, maybe even childlike, lovestruck song empowered by its brevity is extended to a lethargic nearly four minute track, the majority of which consists of what sounds like a reject from not even For All the Dogs, more like Certified Lover Boy. There’s an oddly homoerotic passage in the middle, then he interpolates the original just to rhyme it with “I’m a stand-up guy like Dave Chappelle”. Sure. If this helps a newer and more interesting R&B artist to launch a career, it’ll be a net positive, but this version is a butchering of the original’s spirit in my opinion.

#13 - “bye” - Ariana Grande

Produced by Ariana Grande, Max Martin and ILYA

Okay, let’s get this out of the way: I liked two tracks off of Ari’s #1 album eternal sunshine: “the boy is mine” and “I wish I hated you”. Like always, her intro was pretty sweet too. I have vaguely more long-form first impressions on RateYourMusic, but I’m mostly just turned off by the nothingness the album presents: a trendy, vaguely pleasant pop-R&B album for sure, but not one that takes many risks - which Ariana can do - or makes use of its more cinematic production to help the songs get any stickier. Sometimes she sticks the landing, but mostly I did not care for it and couldn’t get myself immersed. Yet I’ve been listening to abstract cloud rap, underground plunderphonics of both the folkish ambiance nature and layered nu-disco instrumentation, and primarily, nu metal, so take all of that with a grain of salt. Like I said about 4bats, sometimes I’m not sure why I still write this show. With that said, there’s a lot less I have to say about these Ariana songs than I think I’d have wanted to. This one, strikingly, has had Ariana speak on it being too emotional and her not wanting to erase ALL of the humanity from it. Huh. That’s definitely reflected in the rote disco groove and oddly fuzzy bass which does add some texture but doesn’t make the lead vocal melody in the chorus any less… obvious. In fact, that’s really my main problem with this record: it’s obvious. The pre-chorus sounds genuinely brilliant, this is a gorgeous vocal performance from Ari and that swell is fantastic, but it ends up going for a kiss-off that’s undetailed and non-specific outside of name-dropping her friend Courtney… who the fuck is Courtney? The whole album’s vulnerable but never in a way that fully immersed me, it feels a bit closed-off not in an aggressive way but in a “the bridge over the moat has yet to be lowered kind of way”. Drake’s whole passage about his three different Jasons in “Away from Home” accurately displays my emotional connection with eternal sunshine but the difference here is that Drake very much knows that you don’t know who these people or events are and plays into that to construct his narratives. These Ariana Grande songs just feel oddly distant, and for a triumphant dance-pop song, I want to be IN the moment, not a peasant looking up at a celebration in the tower. Just saying.

#3 - “we can’t be friends (wait for your love)” - Ariana Grande

Produced by Ariana Grande, Max Martin and ILYA

More than half of our debuts this week are in lowercase, I guess this really is a muted week. Speaking of muted, this was oddly a bit of a sleeper hit within the week, having its music video and SNL performance give a lukewarm first day room to breathe and a bit of a boost for the whole album but especially this… and it’s a blocky synthpop pastiche, and I MEAN blocky. One of my least favourite tracks on the album and really one of Ari’s worst ever in my opinion, this goes for the one thing I don’t think she could ever sell: a discussion of Ariana’s relationship with the media, doubling as a relationship story. You can see similar interpretations of thank u, next but even if I don’t like that record, I will give it props for its depths and honestly, its stakes and the tragedy that surrounds that album and its predecessor. This track though... what informed this? What informed the backlash-to-the-backlash towards critics in the chorus? What informed the tumultuous nature of Ariana’s pop culture ups and downs this time? What informed the grotesquely unwarranted orchestral outro? Oh, right, nothing to care about. I used to be a Kanye fan, artful self-indulgence is not something I’m opposed to - Hell, go for it and more - but when the writing is purposefully secretive and vague, the lead vocal melodies are so staccato that Ari has to push character out of them through just her inherent personality, which itself is a fragile beast and most importantly, it sounds a cloudy fuzz of parodic ass with conveyor-belt synths standing sore in the mix… I’m left questioning why I should allow myself to give it my time. Given that ending line of the second verse, it also makes me wonder if Ms. Grande even wants me to. Hard pass on this - “the boy is mine” was right there as a single, this feels like an easy cop-out for an album that had a shaky first week.

Conclusion

Yes, Ari gets Worst of the Week for “we can’t be friends (wait for your love)”, as much as I wish she didn’t, with a Dishonourable Mention to… Drake. Drake gets the Dishonourable Mention for ruining a promising song in “act ii: date @ 8” by 4batz. As for the best, it should be an obvious lock for Nathan Dawe with “We Ain’t Here for Long”, as Artemas taking an Honourable Mention for “if u think i’m pretty”, I could see some better songs coming from this guy if we give him more than one chance at a hit. I don’t envision much of intrigue in the coming week, but regardless, thank you for reading, rest in peace to Eric Carmen, and I’ll see you next week!

[petervc88]

Cappelle Calling - Country - 29 juli 2024

Met voormalig Heart For Country presentatrice Nancy Mahulette draaide ik in deze speciale thema-uitzending van Cappelle Calling twee uur lang alleen maar countrymuziek.

Volgende week is er een herhaling van deze uitzending te horen i.v.m. vakantie. Op 12 augustus is er weer een nieuwe uitzending van Cappelle Calling.

Terugluisteren kan hier.

Dit was de playlist:

Uur 1:

Sherrie Austin - Put Your Heart Into It Beyoncé - TEXAS HOLD 'EM The Chicks - There's Your Trouble Kenny Rogers - Me And Bobby McGee Johnny Cash - Sunday Morning Coming Down Rascall Flatts - What Hurts The Most (DisCovered) Ricochet - Seven Bridges Road Soggy Bottom Boys - I Am A Man Of Constant Sorrow (Filmplaat - uit 'O Brother Where Art Thou?') Lionel Richie ft. Little Big Town - Deep River Woman Billie Jo Spears - Blanket On The Ground Aaron Tippin - Kiss This Annita - Bigelow 6-200 Rowwen Heze ft. Flaco Jimenez - (Hey Baby) Que Paso

Uur 2:

Zac Brown Band - Keep Me In Mind Tish Hinojosa - Esperate (Wait for Me) Mark Wills - What Hurts The Most (DisCovered) Glen Campbell - Wichita Lineman Townes Van Zandt - Pancho & Lefty Loretta Lynn - First City Nickel Creek - When You Come Back Down Emmylou Harris - Together Again First Aid Kit - Emmylou Willie Nelson - Shotgun Willie Poco - Rose Of Cimarron The Flying Burrito Brothers - Wild Horses Chris Stapleton - Tennessee Whiskey

Cappelle Calling is iedere maandagavond van 20:00 t/m 22:00 te horen op Radio 90FM. Iedere woensdagmiddag wordt de uitzending herhaald van 18:00 tot 20:00. Ook wordt het programma op vrijdagavond van 20:00 t/m 22:00 uitgezonden op Slotstad Radio, waar het op zondagavond van 22:00 t/m 22:00 wordt herhaald. Suggesties voor DisCovered of De Filmplaat zijn welkom via de Facebookpagina van het programma of via cappellecalling@gmail.com.

[cbmchannel]

Kel-P & Richie Campbell – Slow Motion http://www.curteboamusica.info/2024/07/kel-p-richie-campbell-slow-motion.html?utm_source=dlvr.it&utm_medium=tumblr

[f0xd13-blog]

espetaculo

[reggae-vibes-com]

Jamaica's Reggae Chart - Top 25 Singles | May 10 | 2024

JA REGGAE TOP 25 by Richie B | Listen on our site! Top Position ** Been There Before - Romain Virgo ft Masicka ** 1. Been There Before - Romain Virgo ft Masicka 2. Tun Up - Ginjah 3. Praise Jah In The Moonlight - YG Marley 4. Purge - Dexta Daps & Jada Kingdom 5. Blessing - Jesse Royal ft Yohan Marley NEW | Shenseea - Neva Neva / Beres Hammond - Let Me Help You / Hopeton Lindo - Favorite Girl / Jahvante Campbell - Cry Peace | SOUNDS, CLIPS & BUY LINKS available |

Read the full article

[medinainternational]

(Motif-Radio) Reggae Pon Top # 14 2024 track listing:

SINGLES: VERSION JAH MASON & PAUL LUPA- WHATS THE DEALIN RICHIE SPICE- CRAZY WORLD KHALIA- TABOO ZION HEAD- POLICE A KILLER KING LONG, BURRO BANTON, PINCHERS- OLD SCHOOL FREDERICKA TIBBS- YOU DON'T OWN ME COOKIE THE HERBILIST- THE RAIN YEYO PEREZ- ESCUDO DE JAH INI KAMOZE & LILA IKE- I WANT YOU ASANTE AMEN- LOVE ZONE EXCO LEVI- BY ANY MEANS

RIDDIMS: HENNY & GRABBA RIDDIM FIRE RIDDIM SOUL RANGER RIDDIM

DANCEHALL: VENT RIDDIM KELLY- NOBODY ELSE CHRONIC LAW- SCARS FROM WAR PT ll ILEMENTS- FREEDOM FIGHTERS JAH MASON- NEVER LET ME DOWN STRANJAH MILLER- LIFE OF A GANGSTER DEVIL'S WORK RIDDIM SUKIHANA & VYBZ KARTEL- PILATES

ROOTS/ONE DROP/ LOVERS ROCK: UPTOWN LIVING RIDDIM LA GRAY- TREES NADIA MCANUFF & LIGERIANS- LOCK DOWN TENNA STAR- WORRIES IN THE DANCE MACKA B- UP YE MIGHTY PEOPLE RAS SHERBY- WARNING JUNIOR DREAD- LEADERS AL CAMPBELL- JAH LOVE CONQUERS ALL JOE YORKE- TIME JAHAZEIL- NEW GENERATION IFFA CUSH & ROE SUMMERZ- JAH LIVETH

[oceanmusings]

Shipuary | 2024

What is shipuary? Shipuary is a 2 week challenge where artist draw a ship everyday leading up to valentines day. When I don't feel like to drawing, I just write little stories instead! No word count needed, just write however short or long you'd like.

-♡-♡-♡-♡-♡-

Prisma x Shadowheart | Link

Prisma x Gale Dekarios | Link

Emmaline Neilson x Arthur Morgan | Link

Arely Wesseck x Percy Jackson

Emmaline Nielson x Arthur Morgan #2 | Link

Adam Dorian x Celestino Valencia

Sayuri Tamaki x Yuki Sohma

Sayuri Tamaki x Saki Hanajima

Lori Holt x Charlie Bradbury

Ruto Williams x Willa Talbot

Arwen Valentine x Spencer Reid

Paige Evans x Steve Harrington

Paige Evans x Richie Campbell

Anna Diggory x George Weasley

[ao3feed-destiel-02]

Magic Is Real Part 1

Magic Is Real, Part 1 https://ift.tt/5GZAlnI by BirdBoneGirl After picking up the newly human Castiel from a farm town in Washington state they take Dean back home to his mother and brother in Lawrence, Kansas, only to discover his mother, Mary Campbell is a Watcher. Mary is not pleased to find her son in the care of an immortal and Watcher. Methos will have to tread carefully if he is to keep his job with the secret organization, or worse, expose himself as more than he seems. Words: 17639, Chapters: 6/6, Language: English Series: Part 3 of Magic Isn't Real Universe Fandoms: Supernatural (TV 2005), Highlander: The Series Rating: Explicit Warnings: No Archive Warnings Apply Categories: M/M Characters: Dean Winchester, Castiel, Duncan MacLeod, Methos, Sam Winchester, Mary Campbell, Samuel Campbell, Joe Dawson, Richie Ryan, Balthazar, Jack Kline, Ahriman (Highlander) Relationships: Castiel/Dean Winchester, Duncan MacLeod/Methos (Highlander) Additional Tags: Young Castiel/Young Dean Winchester, Kissing, Duncan/Methos established relationship, Established Relationship, Parallel Universe, Watchers, Watcher policy violations, Secrets, Clandestine Sex, Anal Sex, Rimming, impending doom via AO3 works tagged 'Castiel/Dean Winchester' https://ift.tt/NYtpfI0 January 16, 2024 at 02:10AM

[pacosemnoticias]

Metro do Porto e STCP reforçam serviço na noite de passagem de ano

A Metro do Porto e a STCP vão reforçar o serviço na passagem de ano, sendo que o metro circulará durante toda a noite, com exceção da linha Violeta, anunciaram hoje as empresas de transporte público.

No ano em que os festejos no Porto regressam à Avenida dos Aliados, o serviço de metro vai estar em atividade durante toda a noite para “assegurar uma boa despedida de 2023 e uma melhor entrada em 2024”, lê-se num comunicado enviado à agência Lusa.

A exceção é a Linha Violeta (E), que serve o aeroporto, cujo serviço terminará à 01:00.

O reforço da operação da Metro do Porto vai arrancar às 20:00 de domingo e a partir das 06:00 do primeiro dia do novo ano, acrescenta a empresa, passarão a vigorar os horários praticados nos feriados.

Em termos de frequências, na linha Azul (A), entre as 21:00 e as 03:00, as partidas acontecem de 10 em 10 minutos, nos dois sentidos, enquanto na Vermelha (B) e na Verde (C), também neste espaço horário, as passagens fazem-se de 30 em 30 minutos.

Já na Linha Amarela (D) estará garantida uma viagem a cada 10 minutos, entre as 20:00 e as 22:00, e de cerca de sete minutos entre as 23:00 e as 03:00.

Na Linha Laranja (F) estão previstas viagens a cada 20 minutos a partir das 21:00 e até às 03:00.

A Sociedade de Transportes Coletivos do Porto (STCP), também em nota remetida às redações, descreve que “ao serviço noturno habitual [37 linhas] junta-se a antecipação da Rede de Madrugada [exceto linha 9M], com o quádruplo da oferta habitual e, em média, com viagens a cada 15 minutos”.

A empresa garante que serão disponibilizadas as viaturas de maior capacidade nos principais eixos da rede STCP “para uma ligação rápida aos centros dos seis municípios servidos pela operadora”.

Já para garantir uma ligação “mais rápida e direta” entre os centros das cidades do Porto e Gondomar, a linha 800 (Bolhão-Gondomar) será reforçada com mais autocarros e irá prolongar o serviço até ao final da madrugada, isto em complemento à linha 9M (Rotunda AEP-Gondomar, via Hospital de S. João) que tem parte significativa do seu percurso ao longo da Circunvalação.

A pensar no público que quererá assistir aos concertos agendados para os Jardins do Palácio de Cristal, a STCP vai desviar a linha 1M (Av. Aliados-Matosinhos, Praia) em Massarelos, via Rua da Restauração, até à Cordoaria.

Na segunda-feira, acrescenta a empresa, a rede operará de acordo com os horários habituais de domingos e feriados.

A STCP decidiu, também, agrupar paragens de término na baixa do Porto a partir das 21:00 de domingo, tendo sido estabelecidos quatro locais: Cordoaria - Rua Dr. Ferreira da Silva, Bolhão - Rua do Bolhão, Mercado do Bolhão - Rua Sá da Bandeira e Batalha - Rua Alexandre Herculano.

A Metro e a STCP recomendam a compra atempada dos títulos de viagem.

Os festejos de passagem de ano na cidade do Porto terão como cabeças de cartaz Richie Campbell, Carolina Deslandes e Jimmy P.

O programa vai dividir-se em dois palcos: Avenida dos Aliados e Praça do Rossio dos Jardins do Palácio de Cristal.

Já o “monumental espetáculo de fogo de artifício” será este ano lançado a partir da Praça da República, onde a contagem decrescente terá como convidado especial o humorista Francisco Menezes.

A entrada é livre em todos os espaços.

No primeiro dia do ano, a cidade mantém a tradição com a Banda Sinfónica Portuguesa a apresentar, a partir das 16:00, o concerto de Ano Novo, na Avenida dos Aliados.

[angola-musicas23]

Richie Campbell - Born Rich (feat. Van Zee & Mizzy Miles)

Já disponível a nova musica da autoria de “Richie Campbell feat. Van Zee & Mizzy Miles” tem como titulo ”Born Rich”  Confira agora o download em mp3 Baixar mp3 gratis no nosso site abaixo. Baixar musica nova : Richie Campbell – Born Rich (feat. Van Zee & Mizzy Miles) Download Mp3baixar 2024,baixar musica Born Rich angolamusicas.com   Artista: Richie Campbell feat. Van Zee & Mizzy Miles Titulo:…

[dailyrugbytoday]

2024 Super Rugby Pacific Queensland Reds Squad, Fixtures, How to watch

New Post has been published on https://thedailyrugby.com/2024-super-rugby-pacific-queensland-reds-squad-fixtures-how-to-watch/

The Daily Rugby

https://thedailyrugby.com/2024-super-rugby-pacific-queensland-reds-squad-fixtures-how-to-watch/

2024 Super Rugby Pacific Queensland Reds Squad, Fixtures, How to watch

Queensland Reds squad for the 2024 Super Rugby Pacific, schedule and how to watch. The Queensland Reds have revealed their Super Rugby Pacific team for 2024 which consists of 41 players.

Fourteen players with international experience including eleven Wallabies, the All Blacks duo of Alex Hodgman and Jeffrey Toomaga-Allen and the Fijian international Peni Ravai have been named in Les Kiss first playing squad in charge at Ballymore.

Joe Brial, Frankie Goldsbrough and Hodgman are the three players in the squad who haven’t made their Queensland debuts. The Reds also have ten players without Super Rugby caps.

Nine members of the squad who average 24 years old and have played in 1224 Super Rugby games collectively have represented Queensland more than 50 times.

Queensland kick off their 2024 campaign with a blockbuster clash against the New South Wales Waratahs at Suncorp Stadium on Saturday 24 February.

2024 Super Rugby Pacific Queensland Reds Fixtures

Reds vs Waratahs Suncorp Stadium, Brisbane 24 February 2024

Hurricanes vs Reds AAMI Park, Melbourne 3 March 2024

Reds vs Chiefs Suncorp Stadium, Brisbane 9 March 2024

Rebels vs Reds Aami Park, Melbourne 15 March 2024

Western Force vs Reds HBS Park, Perth 23 March 2024

Reds vs Act Brumbies Suncorp Stadium, Brisbane

Moana Pasifika vs Reds 12 April 2024

Reds vs Highlanders Suncorp Stadium, Brisbane 19 April 2024

Reds vs Blues Suncorp Stadium, Brisbane 27 April 2024

Crusaders vs Reds Apollo Projects Stadium, Christchurch 4 May 2024

Reds vs Rebels Suncorp Stadium, Brisbane 10 May 2024

Fijian Drua vs Reds TBC, Fiji 18 May 2024

Reds vs Western Force Suncorp Stadium, Brisbane 25 May 2024

Waratahs vs Reds Allanz Stadium, Sydney 31 May 2024

Read More: 2024 July rugby union tests fixtures.

Queensland Reds 2024 Squad

Prop

George Blake – Bond University

Massimo de Lutiis – Easts

Sef Fa’agase – Sunnybank

Alex Hodgman – Sunnybank

Zane Nonggorr – Bond University

Peni Ravai – Easts

Jeffery Toomaga-Allen – Norths

Hooker

Richie Asiata – Easts

Max Craig – Easts

Matt Faessler – Brothers

Josh Nasser – University of Queensland

Lock

Angus Blyth – Bond University

Cormac Daly – TBC

Taine Roiri – Sunnybank

Ryan Smith – Brothers

Connor Vest – University of Queensland

Backrow

Connor Anderson – Wests

Joe Brial – TBC

John Bryant – Souths

Fraser McReight – Brothers

Harry Wilson – Brothers

Liam Wright – Easts

Seru Uru – Wests

Scrumhalf

Tate McDermott – University of Queensland

Kalani Thomas – University of Queensland

Louis Werchon – Wests

Flyhalf

Lawson Creighton – Brothers

Tom Lynagh – University of Queensland

Harry McLaughlin-Phillips – Souths

James O’Connor – Brothers

Centre

Taj Annan – Souths

Josh Flook – Brothers

Frankie Goldsbrough – Easts

Isaac Henry – Wests

Hunter Paisami – Wests

Outside Back

Floyd Aubrey – GPS

Jock Campbell – University of Queensland

Mac Grealy – University of Queensland

Jordan Petaia – Wests

Tim Ryan – Brothers

Suliasi Vunivalu – Wests

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The Masked Singer

2024

Rat- Shirley Ballas

Chicken Ceasar salad - Alexander Armstrong

Weather-Dionne Warwick

Owl- Lorraine Kelly

Bubble Tea- Julia Swalla

May Pole- Melody Thornton- the pussy cat dolls

Air Fryer- Keala Settle- from the greatest showman

Eiffel tower- Tiffany

Piranha fish- Danny Jones- Mcfly

Big Foot- Alex Brooker

Cricket- Lamar

Dippy Egg- Nicky Campbell

2023

Fawn- Natalie Appelton- All Saints

Rhino- Charlie Simpson- Busted

Pheoxix-Ricky Wilson

Jelly Fish- Amber Riley

Jacket Potato-Richie Sambora

Oter- Daisy May Cooper

Knitting- Clare Richard

Pigeon-Katherine Ryan

Rubbish- Stephen Hendry

Cat and Mouse- Martin Kemp and Shirlie Kemp

piece of cake- Lulu

ghost- Chris Kamara

2022

2022

Chandelier-Heather Small

rock hopper- Michelle Williams

traffic cone-Aled Jones

Fire work-Jamie Winstone

Doughnuts-Michael Owen

Leopard-Gloria Hunniford

Panda- Natilie Imburlia

Mushroom- Charlotte Church

Robo bunny- Mark Feeley- Westlife

Lion Fish- Will Young

bag pipes-Pat Cash

poodle-Tom Chaplin

Source: masked Singer

2020

Sausage- Joss Stone

Badger- Neyo

Robin-Aston Merrygold

Harlequin-Gabrielle

dragon-Sue Perkins

blob - Lenny Henry

viking-Morten Harket

bush-baby John Thomson

grandfather clock-Glenn Hoddle

wan-Martine McCutcheon

sea horse- Mel B

alien- Sophie Ellis Baxter

2019

Queen Bee-Nicola Roberts

hedgehog-Jason Manford

octopus-Katherine Jenkins

monster-Ceelo Green

fox-Denise van Outen

unicorn-Jake Shears

duck-Skin Singer

Daisy-Kelis

tree-Teddy Sheringham

chameleon-Justin Hawkins

Pharaoh-Alan Johnson

butterfly-Patsy Palmer

source masked singer

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Filtr By Richie Campbell e Van Zee - Born Rich http://www.curteboamusica.info/2024/06/filtr-by-richie-campbell-e-van-zee-born.html?utm_source=dlvr.it&utm_medium=tumblr