#Review of Dear Mr. A

[detectivereads]

Manga Series Master List

Hi everyone, Ok I know If you go through this list a lot of these series has a 5/5 score. That's because these series are some of my favorite's series. I love these series a lot. I really wanted to share these series with others as well.

I do love My Hero Academia, SpyXFamily, One Piece and Komi Can't Communicate, I LOVE Case Closed. I might do reviews for the whole series for these one because these series are either still ongoing or they are massive.

Lately I have been finding some weird manga, but I am ok with it.

*update* I moved my mystery series that I am collecting to my Super Detective Master List.

New Manga/Future Reads:

Detective/Mystery Manga

Horror & Mystery manga Click here

Food/Cooking/Cozy:

Delicious in Dungeon/ Dungeon Meshi:

Click here to see my Delicious in Dungeon Idea page.

Delicious in Dungeon vol 1

Delicious in Dungeon vol 2

Delicious in Dungeon vol 3

Delicious in Dungeon vol 4

Delicious in Dungeon vol 5

Delicious in Dungeon vol 6

Delicious in Dungeon vol 7

Delicious in Dungeon vol 8

Toriko:

Toriko vol 1

Toriko vol 2

Superman Vs Meshi:

Click here to see Batman/Dc comic/Comic Heroes list

Superman Vs Meshi vol 1

Superman Vs Meshi vol 2

Superman Vs Meshi vol 3

One Shots (Series that only have 1-3 volumes):

One Piece Shokugeki No Sanji

Giant Spider & Me

Slice of Life:

Mr. Villain's Day Off:

Mr. Villain's Day Off Vol 1

Mr. Villain's Day Off Vol 2

New Game:

New Game vol 1

Adventure:

Welcome to Demon School! Iruma-kun:

Welcome to Demon School! Iruma-kun vol 1

Welcome to Demon School! Iruma-kun vol 2

Welcome to Demon School! Iruma-kun vol 3

Welcome to Demon School! Iruma-kun vol 4

Welcome to Demon School! Iruma-kun vol 5

Romance:

Let's Buy the Land and Cultivate it in a Different World:

Let’s Buy the Land and Cultivate it in a Different World vol 1.

Let’s Buy the Land and Cultivate it in a Different World vol 2.

Let’s Buy the Land and Cultivate it in a Different World vol 3.

Let’s Buy the Land and Cultivate it in a Different World vol 4.

Let's Buy the Land and Cultivate it in a Different World vol 5.

The Invisible Man and His Soon-to-be Wife:

The Invisible Man and His Soon-to-be Wife vol 1

The Invisible Man and His Soon-to-be Wife vol 2

The Invisible Man and His Soon-to-be Wife vol 3

The Savior's Book Cafe:

The Savior’s Book Café Story in Another World vol 1

The Savior's Book Cafe Story in Another World Vol 2

Love's in Sight!:

Love's in Sight! Vol 1

A Sign of Affection:

A Sign of Affection vol 1

[robynrileyart]

i'm normal so i think about my ocs reacting to each other in my head (where else do thoughts exist after all) and i just wanted to tell everyone that connie, my call of duty oc, is sitting next to eddie on her victorian-era couch, pricking himself as he tries to learn needlework from her, while he desperately tries to relay to eddie's open-minded daughter, lily, the dangers of lead, and why X medical practise is illegal in the 21st century. she isn't listening.

[nat-reviews-books]

Dear Mr. Knightley by Katherine Reay

So, this was my second time reading this book, and it was like a warm hug from an old friend, a fuzzy sweater, and a mug of hot cocoa with lots of marshmallows all at once.

I love this story and the characters, and this has me wanting to read another Austen novel in 2023.

[maddie-grove]

Little Book Review: YA/Children's Literature Round-Up (May-December 2022)

Dear Mr. Henshaw by Beverly Cleary (1983): Leigh Botts keeps up a years-long correspondence with children's author Mr. Henshaw, which becomes an important outlet after his parents divorce and he has to move to a new town with his mother. This is the book that won Beverly Cleary the Newberry Award, and frankly it's like when Leonardo DiCaprio won Best Actor for The Revenant instead of The Wolf of Wall Street. Cleary was a legend, but she excelled most at lower-stakes childhood (and sometimes adolescent) drama, like being bad at cursive, not owning enough cashmere sweaters, or (at worst) worrying because your father lost his job. This is still a sweet, sensitive problem novel, yet I feel like Judy Blume or Betsy Byars would've pushed it to the next level.

The Snow Angel by Suzanne Weyn (1996): In the eighth volume of a middle-grade series about four girls who are friends with angels, rich girl Molly is devastated when her boyfriend dumps her for hippie-dippy Christina. She distances herself from her loved ones, almost relapses in her recovery from anorexia, and ignores the gigantic snow-angel-turned-tourist-trap on her other friend Ashley's horse farm. Luckily, her dad just brought a catatonic Irish boy into their house! Can Molly help herself by helping him? I bought this book for a dime because it looked completely ridiculous, and it delivered on that front. I really didn't like any of the girls except for Molly, and with her it was mostly just the sympathy I'd have for any troubled teenager.

The Five Little Peppers and How They Grew by Margaret Sidney (1881): In a small New England town, widowed Mrs. Pepper and her five kids (Ben, Polly, Joel, Davie, and Phronsie) must work hard to keep their spirits up in the face of grinding poverty, measles, and monkey-related shenanigans. I made several gos at reading this book as a child, but always lost steam after the Peppers made friends with the wealthy King family. Little Emily was right on the money, because this classic is just not very good, especially after the rich folks start helping out. It's beyond treacly and only a few of the episodic chapters have a good amount of tension. Polly's almost-going-blind-from-measles-and-eldest-daughter-syndrome arc is still great, though.

Afternoon of the Elves by Janet Taylor Lisle (1989): Sheltered fourth-grader Hillary forms an unlikely friendship with her neighbor, outcast sixth-grader Sara-Kate, after the older girl claims to have elves in her backyard. I had to read this book for school in fourth grade and I did not like it. I felt like it was trying to lure me in with something fun (magic, miniatures), only to never deliver and hit me with the actual sad topic (poverty and mental illness of a parent) instead. I stand by my elementary-school opinion. The good version of this novel is Daphne's Book by Mary Downing Hahn (if you want to read about an average girl befriending the class outcast before losing her to Social Services) or Lucie Babbidge's House by Sylvia Cassedy (if you want to read about a troubled girl getting lost in the arguably magical miniatures sauce).

Ten Cents a Dance by Christine Fletcher (2008): Working at a meatpacking plant to support her arthritic widowed mother and little sister in early-1940s Chicago, pretty, scrappy teenager Ruby Jelinski takes a chance and becomes a dime-a-dance girl at the recommendation of a handsome neighborhood hoodlum. I read this book at some point in high school and vaguely remembered liking it, but this time I was blown away. Fletcher packs a mind-bogging amount of character development and historical detail into a fast-paced story that ventures into some unexpected territory. It's maybe one of the best historical novels I've ever read.

Mitch and Amy by Beverly Cleary (1967): Nine-year-old twins Mitch and Amy don't always get along, but, if an outsider messes with one of them, he better be prepared for double trouble. Class bully Alan Hibbler learns this to his sorrow. This is the kind of cute slice-of-life story that was right in Cleary's wheelhouse, although it's not her most memorable. There are lots of sweet moments between the twins; for example, Amy gets Mitch an exciting book from the library when he's sick because she senses it'll help him with his reading struggles, and Mitch goes to bat for her when the dreaded Alan spits in her hair. I do think it would've been ideal if Mitch had also done something to help Amy with multiplication, for the symmetry. Also, I can't believe I missed the beginning-of-the-late-1960s California setting. These are some Joan Didion babies.

Cleopatra: Daughter of the Nile by Kristiana Gregory (1999): Her older sister wants to kill her, her father is a severe alcoholic, and she's stuck living in Rome with a bunch of gross old men who don't take her seriously, but teenage Cleopatra doesn't let that keep her from learning and adapting. This is one of the Royal Diaries I didn't read as a kid, and I really enjoyed the characterization of Cleopatra, who's resilient, clever, curious, and conflicted about her thorny family relationships.

(The Snow Angel, The Five Little Peppers and How They Grew, and Cleopatra: Daughter of the Nile were all first-time reads; the rest were rereads.)

[scuffedgrannysblog]

Dear Mrs Bird by A. J. Pearce

A nice novel about Emmy Lake, a young woman in the London Blitz, who decides to answer letters for an agony aunt who finds them Unacceptable

Dear Mrs Bird is one of those novels that you can read quickly and easily, and which leaves you with a nice warm feeling: loose ends pretty much tied up, conflicts resolved or on their way to being sorted, happiness arrived at or on the horizon. Set in Blitz-besieged London, our heroine is Emmeline Lake, a young woman with ambitions to be a war reporter but struggling to find an opening. When…

[fushitoru]

chapter 1: the debutante a bridgerton!au

pairing ⸺ duke!satoru gojo x fem!reader

summary ⸺ dearest gentle reader, a new season is upon us as the ton gets ready for a season filled with drama, heartbreak, and passion. after being crowned diamond of the season, heir to a dukedom mr. satoru gojo⸺only looking to marry just to secure his inheritance⸺has his sights set on you, the easiest (and most obvious) option. later, when you catch his saying unsavory things about you on a terrace when he least suspected it, you swear to never marry gojo. as london's fashionable set goes through yet another wedding season, will there be hope for scandalous gossip, hate, and thinly veiled insults, or will we witness blooming love and passion?

warnings ⸺ nsfw, enemies to lovers, bridgerton au, angst, fluff, eventual smut, jealousy, misogyny, regency era au, gojo being infuriating, reader also being infuriating, both of them are clueless honestly

chapter summary ⸺ you begin to get ready for your presentation for your debut this season, and satoru steels himself to find a wife. you don't get the reception you'd wanted from some, and satoru will soon curse himself for letting his tongue loose (6.3k)

a/n tired of keeping this in the vault lol so I’ll just post it even if my perfectionist tendencies are screaming at me. thank you so much to @/sinn-clair for beta reading and lexi (@/ayyy-pee) for helping me brainstorm 💗

next. the aftermath

general masterlist | series masterlist

Dearest reader,

Another season comes as the ton descends to London yet again from the countryside. Young ladies and their mamas flock to the modiste in an effort to fluff their feathers to find a match.

The Itadoris are by far one of the most prolific families in the upper echelons of society. The sight of all the children at once⸺Miss Itadori, Lord Choso Itadori, and Mister Yuji Itadori⸺is enough to catch the attention of mamas and young suitors alike. Miss Itadori, making her debut this season, has much to be desired. The debutante is a meek and demure girl, but with many talents indeed. The oldest, Lord Itadori, has a quiet countenance that has ladies and mamas on their toes, counting the days until he finally joins the marriage market. Mister Yuji Itadori is quite the opposite; his physical prowess on horseback riding has had quite a few ladies swooning after.

Furthermore, the heir to the Duke of Gojo is a most interesting character.  Although he has not deigned to find a wife during any season yet, This Author has heard whispers that he will be looking for a bride during this one.  

Lady Mei Mei can certainly be expected to be on the prowl, waiting to sink her teeth into the wealthiest….

⸻ LADY WHISTLEDOWN’S SOCIETY PAPERS

“Seriously?” Choso scrunched his nose in displeasure. “Why would ladies want someone who’s quiet? I use it to convey my displeasure, not to be charming.”

On the other hand, the other brother relaxed on the opposite couch, proud. “I knew I looked good on horseback,” Yuji remarked smugly. “You and my dear sister are clearly jealous of how appealing my muscles look while I’m grabbing the reins.”

“Those ladies clearly hadn’t seen you drop yourself in dung when you were younger. Or the face you make when you are so oddly concentrated. As if you just stepped into a chamber pot.”

Before Yuji could come up with a snide remark to his older brother, the two heard an incessant pacing leading up to the doors of the drawing room they sat in. The door slammed opened to reveal their mother⸺Lady Itadori⸺with a hand to her face in clear distress.

Choso and Yuji exchanged glances before Choso calmly set down the single-page newspaper he was reading. “What is the matter, mother?”

Lady Itadori moaned and sat down on a chair raggedly. “Your sister is the matter. I fear the queen will have reviewed every person in London before your sister leaves her room.”

Before Choso could get a word in, Yuji suddenly stood up. “This is a serious matter, mother. After all, she should be punctual to her debut. I will go fetch her.”

“Wait, Yuji!” Choso and Lady Itadori followed Yuji to the grand staircase of the Itadori manor. Hurriedly, they reached the foot of the stairs to see Yuji tilting his head back to take a deep breath.

“SISTER!” Yuji had his palms up to his face, as if to amplify his already booming scream. “YOU! MUST! MAKE! HASTE!” After the quite of bit noise he'd made, he cleared his throat, looking to the side to see his dumbfounded mother and brother, and shrugged. “Well, someone’s got to the job.”

Then, the brothers and their mother look up to see a peek of white and a “Miss, be careful with the hem!” You, at the top of the staircase, grab the front of your ivory dress, with your maids helping you with the train, as you start stepping down the staircase with an irritated frown. “Must you always be such a nuisance, brother?” Traversing down the stairs until your family members were visible, all you saw were dumbfounded and tense expressions. After enduring hours of painting your face and dealing with your maid Nobara’s fussing over your coiffure, you wished for a more fond reaction. Annoyed, you stomped your way past them to the exit, where the carriage was waiting for you four.

“Dear!” your mother exclaimed, rushing to your side and taking your hand as you reached the door. Her eyes, filled with concern, met yours as she nervously asked, “How are you feeling? I know this is a momentous day for you, but remember, you’ve always excelled in your lessons. It’s only natural that you’ll win the queen’s approval, dear.”

“Yes, Mother, of course,” you sighed. “It is just such a hectic day.”

“But you shall dazzle them.” Choso comes behind you, patting your back gently in his reassuring, elderly brother ways. With a proud smile, he says, “The gentlemen are not prepared for your entrance this season.” 

“Indeed! They will be none the wiser to your snark, sister.” You see Yuji coming up on your other side, offering his elbow. You tentatively take it, eyeing him sourly as he continues, “I am simply elated that Mama’s attention will be on you, rather me.”

You reach to smack him on the head, eliciting an "Ow!" from Yuji just as your mother approaches next to him, frowning. "Of course, Yuji. But it won’t be long before I have to chase after you for your tutor’s complaints about your lack of proficiency⸺"

Yuji interjects hastily. "Well! Would you look at the time? The Queen is waiting!" 

"I'm surprised the gossip pamphlet didn't mention how much of a rake you are," Lord Geto mused, taking a sip of brandy. At his right, Duke Nanami was stoic as always, focusing on the tastes the gin was bringing to his mouth rather than  the two older men beside him.

"I'm severely offended you would even imply such a thing," Mister Satoru Gojo put a hand on his chest, feigning offense. Rather than a gin in his hand, Satoru preferred drinking water lest his mouth spilled something even more notorious than his signature calculative icy blue eyes.

He continued. "Honestly, I don't understand this whole Whistledown business. Some might even say the ton holds her words more in regards than the Holy Bible!"

"You're diverting the matter at hand, Gojo," Nanami took his tired eyes off of his drink to look at Satoru. "As the heir and first son, have your parents not urged you to cease your foolishness? There is a limit to the rakish behavior one can exhibit in your position.”

"Yes," Satoru sighed, "They have. That's precisely why I'm looking for a bride."

There was a silence in which Satoru looked up from his glass to see Kento and Suguru’s mouths agape. "What?"

Suguru leaned closer to Satoru, as if to inspect his countenance unsure if he was jesting or not. "So, is it actually true? You're going to get tied down?"

Nanami wrinkled his nose in disapproval. "Must you say it like that? Marriage isn't imprisonment, you know."

Gojo sighed. "Nanami, Nanami. It's clear that one year that separates us in age has also left a gap in experience." Nanami felt a vein pop as Satoru irritatedly continued in his know-it-all voice. "Marriage is an end. The dead end, in fact. It is when you are abroad in Paris, basking in all the fine entertainment and wooing ladies until you realize you are out of funds. Out of money. Marriage is coming home not to go out and drink, but to a wife that has endless needs of you and children that will have frustrating phases of life. An end to pleasure and an end of all jest."

Kento and Suguru exchanged a glance before Suguru asked, "So why are you looking for a wife?"

Satoru looked dejectedly at them, crossing his arms. "My parents insisted. Said they would freeze my funds and kick me out if I didn't get serious about my future." He continued on his desperate rambling, leaning back in his chair. "I don't understand. Must I have a wife to "get serious" in life? I’m serious about all the fucking mergers and dubious finances my father invests in! Look how well I managed his bets!"

"You know, Satoru, your outlook on marriage is awfully pessimistic," Suguru put down his glass to lean back as well, crossing his arms in seriousness. "Don't you wish for a love match?"

"That sounds ridiculous. Love matches are just a passing fancy young ladies have when reading their ridiculous romance novels."

"Well, of course you think that." Kento deadpanned. "No respectable lady in their right mind would fall for you and your attitude."

"Nanami, you wound me."

Suguru glanced at Satoru with concern. "My dear friend, you are making this harder for yourself than it ought to be."

Satoru groaned. "I came here for jest, not to receive words of so-called wisdom. I assure you both, all is well." He looked at both of his friends. "I do not need to be assured. I simply am looking for a woman fine enough to be my wife to appease my parents and their concerns of continuing on the line and handling the dukedom but for a woman so reserved that she'd respect my wishes and isn't so miserable. Or needy." Satoru shrugged. "I would believe these to be respectable requirements for a wife."

Suguru looked at him with mild displeasure. "It sounds like you are looking for a horse to ride, not a woman you would spend the rest of your life with."

Standing up, Satoru moved behind Kento and Suguru to give them a hearty slap on the back. "Trust me, my dear, dear friends. I will find what I am looking for and drink myself silly for the rest of my life!"

"You don't drink." Kento sighed.

"Never mind, you! Sir, more drinks!" Satoru grinned. "Here's to the bachelor life!"

The three men raised their glasses for the toast. Yet, only one of them contained thin water.

You restlessly arranged the feathers in your coiffure and adjusted the fabric essentially squeezing the breath out of your lungs to accentuate your bust. The palace waiting room was stuffy as ever as debutantes and their mamas fluttered across the room in an effort to catch the smallest of flaws on their person.

Before the Queen did, that is.

"Your feathers are fine, dear. Take deep breaths for me." Your mother raised her hands, prompting you to take a breath in and out as her hands lowered.

You gave her your practiced smile and curtsy to which your mother laid a hand on the small of your back in both approval and reassurance. With the other, she grabbed your own and rubbed comforting circles in the junction of your index finger and your thumb. "You have always excelled in your lessons, my dear. I could not be prouder of the woman you are becoming." She sniffed, and you smiled in appreciation. "The Queen will love you, I am sure of it."

You laughed. "Mama, that is what all these ladies think."

“But none of these ladies have poured in the determination you have, my dear.” Your mother holds your head gently by the cheeks. “Your character and proficiency⸺I am sure the Queen will see the promising young lady that I am proud to call my daughter.”

You felt a lump in your throat. While you appreciated your mother’s words, you could not help but think of the significance of this day. You almost felt dizzy thinking about messing up in front of the Queen; if you didn't find a suitable match as a result, what would become of you? 

Suddenly, there was some fanfare from the main room. "Now, presenting Miss Itadori and the Right Honourable Lady Itadori." Your heart jumped out of your throat as you heard the call for you and your mother to walk up. 

"Let's go, my dear." With a fond kiss to your temple, your mother led you by the hand to the center of the tall and ornate doors that opened to reveal the Queen and her audience. You couldn't help but notice that your mother's hand held a reassuring, yet tight vice. 

When the doors opened, your vision blurred. Your heartbeat got faster, and all you could register was the stares. What felt like a million pairs of eyes blinking upon you, scanning your coiffure, garments, and carefully painted face. While the gossiping widows and mamas whispered amongst themselves, some gentlemen scanned you up and down in clear assessment of your constitution. A distinct smell of tobacco and vanilla wafted through the air, and you took an imperceptible breath in as you steeled yourself before putting your practiced, signature smile. 

A memory from your childhood flashed before you.

"She is excelling in her studies," your tutor had said, discussing your performance with your mother in the drawing room. You, sitting beside them, had fidgeted nervously with your small hands clasped in your lap, sitting as straight as you could manage.

"What must she do to improve?" your mother inquired, her eyes sharp with concern.

"Madame," your tutor had said, turning his gaze towards you with a knowing look. "Your daughter is quite nearly flawless. She is of my most exceptional students; her obedience and composure are unparalleled, even at such a tender age." He then fixed his eyes back on your mother with an authoritative intensity. "But there is one element that will truly distinguish her as a diamond."

Your mother had leaned forward, abandoning her tea in anticipation. "What is it?"

"Her smile."

As you flash your smile to the room, you could feel the people in the room going silent. Your smile was what helped you focus and keep your eyes on the prize: impressing the queen. Smiling in the most innocent and demure way you could possibly muster, you straighten your posture as you advance towards the queen, your eyes serene and your expression a masterful display of delicate charm.

The stares of the ton were on your back, but all you focused on was the harmony of your countenance. Chin up, you reminded yourself. Everyone in this room is my prey, and I am the predator. 

When you and your mother reached the foot of the Queen's throne, you dipped into the deepest curtsy you had to offer, keeping your eyes on the ground as you minimized your smile to a more polite and respectful one. You stayed there for as long as the Queen was silent.

Then, a rustling of fabric as the room silently gasped. The Queen was stepping towards you, and you felt a gloved hand take your chin. Not daring to breathe or rise from your genuflection by even an inch, you forced your body to stay in position as your face was raised to look at the Queen’s.

Her booming, yet regal, voice echoed throughout the room. “You, my dear. Perfect.” She then addressed the room. “I have found my diamond!”

The declaration sent a wave of murmurs through the gathered crowd. You could feel hundreds of eyes on you as you slowly rose from your curtsy, your heart pounding in your chest. Your eyes instinctively sought your mother’s, who looked at you with pride and a hint of warning.

“Keep smiling, my dear,” she whispers into your ear. “They are staring now, more than ever.”

Your mother was right, upon reflection. There were eyes observing you far more diligently than they had before. In particular, a pair of icy and brilliant blue ones. 

“Choso, not today.” Your mother sighed. “I am not ignorant of your overprotective tendencies, especially towards your younger sister and brother.”

Choso was fully frowning in displeasure, arms crossed as he observed your mother, Yuji, and yourself board the carriage. “Mother. Sister is the diamond of the season. The men will be after her like hungry vultures!”

“Well, vultures have a tendency to eat freshly decayed carrion. When you get rid of those dark circles and don’t look like dead meat, you can join us.”

Choso protested further, stopping the doorman from closing the carriage door. “But, Mother⸺”

“Yuji, close the door. Your brother will join us when learns to get sleep and not work on those ledgers overnight.” As per your mother’s instructions, Yuji closes the door on him. As the carriage rolls out of your manor and into the London streets, you blow a mocking kiss to your brother, who is now brewing at the doorstep.

“Phew! Good riddance,” Your mother fanned herself. “I need this night with you, alone. God knows how many suitors will be warded off with that horrid glare of his.”

You laughed softly, leaning back against the plush cushions of the carriage. “I suppose it’s a small price to pay for a bit of peace.”

You and your mother were wrong; your brother should have been there. 

Upon your arrival, you were followed by stares, whispers, and men. Bachelors appeared in droves, eager to engage in conversation, each drawn by your newly anointed title as the diamond of the season. After paying your respects to the Queen, you found yourself swept into a whirlwind of attention, each dance and conversation a testament to the allure your status had brought.

As you navigated the crowd with practiced grace, Yuji, ever the observant and cheeky sibling, leaned in close to you and murmured, “I must say, you’ve outdone yourself. They’re practically circling like hawks. Do you think we’ll need to hire a guard just to keep them at bay?”

You gave him a wry smile, barely concealing your exasperation. “Oh, Yuji, you’re so dramatic. They’re just eager to make their introductions.”

Yuji snickered and nodded towards a particularly earnest-looking gentleman who seemed to be making a concerted effort to catch your attention. “Well, if this is what the season looks like, I might have to prepare myself for a front-row seat to a parade of besotted suitors. Just don’t let them all think you’re here to catch them; we wouldn’t want them getting the wrong idea.”

Your mother, overhearing Yuji’s jest, gave a light laugh and shook her head. “Oh, Yuji, you and your theatrics. Just make sure you’re ready to fend off any advances that come your way.”

“What?” You’ve never seen Yuji’s smile drop so fast. As if on cue, there were mamas and maidens closer to Yuji’s age that were approaching, as if a pack, and he looked at you in panic. “Are they coming towards us? Sister, you’ve got to⸺”

“Mister Itadori,” It appeared it was too late. A pack of young ladies were right next to you, fluttering their fans and lashes and giggling. “Whistledown has praised you quite well in this last issue.”

Help, Yuji mouthed, but you merely winked in response. The young ladies had effectively formed a barrier around you, offering a temporary reprieve from the throng of eager suitors. Sensing an opportunity, you decided to seize the moment and discreetly made your way towards the punch table.  

The cool, refreshing scent of the punch greeted you as you approached, offering a welcome contrast to the bustling, heated atmosphere of the ballroom. You filled a glass with the fruity, aromatic beverage and took a moment to savor the brief solitude.As soon as you took a deep breath in, savoring your newfound freedom, you felt a presence next to you at the punch table. “Miss Itadori.”

Upon turning, you were met with the infallible smirk of Naoya Zen’in. You had indeed heard⸺and read, in Whistledown⸺that his family adopted nontraditional ways of determining the winner of the family inheritance and leadership. While Lord Zen’in wasn’t guaranteed to be the heir, he definitely was one of the top contenders. You assessed him further, taking in his arrogant demeanor as he reached down to give you a kiss on your hand. Rather wet, you thought in disgust.  

But you hid it well, fluttering your lashes up at him. “Mister Zen’in! I am flattered to be acquainted with you today. How do you find today’s ball?”

“Rather well, of course.” He reached to scoop some punch for himself. “I enjoy meeting all the young ladies and dancing with them, of course. Ever in search of my perfect bride.”

You forced an artificial giggle. “Of course. I’m sure all the ladies that have talked to you have been charmed, as am I.”

He swelled, exactly you expected, as you stroked his ego. “But none of these ladies are as valuable as you, my diamond.” To your displeasure, he took a step closer to you, discreetly tracing his finger from your upper arm to where your dance card resided. “May I have your next dance? I have been perfecting my dance skill to the point all my brothers are envious of my prowess!” He barked out a laugh. “In fact, I beat them in horse riding years ago, and…”  

While Naoya kept talking, you merely fluttered your fan over your face in mock interest. You were really starting to mourn your short-founded freedom, wanting a respite from the self obsessed young man. For some reason, you could smell the same distinctive perfume of expensive tobacco and painfully sweet vanilla you had smelled in your presentation, like a warning. Realizing you were drifting off into space with the heady fragrance, you made sure to tune into his ramblings once more.

For some reason⸺that you were growing to find uncomfortable⸺he still had his hand on your dance card. You felt the previously faint aroma growing stronger by the second. “Of course, I am soon to be the heir of the Zen’in name⸺”

A flamboyant and mischievous laugh cut through the air. “Naoya, you amuse me.” To your alarm, a young man steps to the right of you. From what you can see on the side of his face, his head sports brilliant white hair and his eyes are focused on the bachelor in front of you, who is now displeased and openly glaring at the man beside you.

“Gojo, I⸺”

“Funny that you talk about the Zen’in inheritance, Naoya.” The man⸺Gojo⸺scratched his chin in faux puzzlement while cockily smiling. “Last time I checked, Naobito was discussing handing it over to Megumi over pall-mall!”

Naoya was clearly growing more and more distressed. “Father wouldn’t dare to hand that child with a whore of a mother⸺”

Gojo clicked his tongue, outwardly showing a nonchalant smile, but you could noticeably see his eyes darken. “That’s no way to talk in front of a lady, Naoya, and certainly not of a mother. Besides, Mister Zen’in, didn’t Megumi save your family from the edge of poverty?”

Naoya’s nostrils flared. Clearly at the end of his wit, he did a small bow towards you as he swiftly exited your proximity. You blinked, partially processing the conversation that happened as well as the fact that you were now alone with this Gojo. Turning, you prepared your signature smile, the act you had been presenting for countless of young bachelors today. However, what made you stop in your tracks was his eyes.

Even the pure Englishmen you had met in London didn’t possess eyes like his. They were intense and vividly blue, flashing with judgment and calculation. His face, though strikingly pretty and slightly more feminine than others, seemed carefully constructed to mask his true thoughts. His white lashes contrasted sharply with his hair as he blinked.

And then it hit you. This was the heir of the Gojo dukedom, Satoru Gojo. Known as a capital R Rake for reasons unknown to you (Nobara just insisted he was), you could see elegance and arrogance exuding off of him, yet another noble with an ego as big as his wallet. You recall, then, what Whistledown had wrote about him⸺that he has never shown interest in marriage before today.

It was only after he blinked once more that you realized he was waiting for some response to an introuction you didn't catch. In a panicked flurry, you curtsied and said, “My apologies, Mister Gojo. I fear I haven’t had the pleasure of making your acquaintance. Miss Itadori, pleased to meet you.”

Gojo’s smile widened, his blue eyes twinkling with an almost imperceptible amusement. “A pleasure indeed, Miss Itadori.” He returned your curtsy with an elegant nod, his voice smooth and teasing. “I must say, you handle yourself with admirable grace amidst such a tumultuous crowd, my diamond.”

“Thank you, Mr. Gojo,” you replied, attempting to regain your composure as you took a sip of your punch. “I do try my best to navigate these social minefields.”

He chuckled softly, the sound light and charming. “Indeed. Though it seems you’ve had quite the evening already, judging by your rapid responses to Lord Zen’in’s advances.”

You raised an eyebrow, trying to draw a hint of a smile on your lips. “It appears you’ve been observing closely. Are you always so keenly aware of your surroundings, Mister Gojo?”

“Only when I find the scene particularly entertaining,” he said, his gaze shifting to watch the guests around the ballroom. “And tonight, the spectacle is quite extraordinary. I must admit, you are a refreshing change from the usual parade of predictable manners.”

“Predictable?” you asked, your curiosity somewhat piqued. “Do you find most of the guests here lacking in originality?”

“Perhaps not lacking, but certainly not as intriguing,” he replied with a playful grin. “Take, for instance, Mister Zen’in. A man of considerable ambition, no doubt, but with a flair for the dramatic that grows tiresome rather quickly.”

You nodded in agreement. “Yes, he certainly has a penchant for self-promotion. But then, one could argue that every gentleman here has his own brand of theatrics.”

“True,” Gojo said, tilting his head slightly. “But what I find most fascinating is how you’ve managed to stand out amidst this display of pomp and circumstance. It’s not every day one encounters someone who seems so effortlessly poised, even in the face of such overt competition.”

“Flattery will get you everywhere, Mister Gojo,” you said with a light laugh. “But I assure you, my composure is a carefully cultivated skill, not merely a natural state.”

“Ah, then I must commend your efforts,” Gojo said, his eyes gleaming. “It is a rare talent to maintain such grace under pressure. If I may be so bold, might I request the honor of a dance with you this evening? I promise to provide a diversion from the usual pretenses.”

You hesitated for a moment, weighing the potential benefits of engaging further with this intriguing man against the immediate demands of the evening. Finally, you offered him a meek smile. "Of course. I shall be delighted to dance this waltz with you."

Pleased, he guided you to the center of the ballroom, your hand elegantly placed in his. You couldn’t help but feel a sense of triumph as you noticed Lady Mei Mei’s envious glances and the heated stares from other young ladies.

Gojo positioned his hand on your waist as you both assumed the proper stance for the dance. “So, how are you enjoying your night? I trust you’re finding pleasure amidst the horde of suitors the Queen has so graciously provided.”

You smiled demurely, carefully maneuvering around him. “Well, my lord, I am very grateful to the Queen for her blessing this season.” You took a delicate step, noting Gojo’s amused smile. “However, it is quite tiring to meet so many people. Repeating my preferences for the countryside or the city can become rather exhausting.”

Gojo’s smile widened as he guided you through a graceful turn. “And which do you prefer?”

“I would argue that the city is preferable when I feel lonely,” you said, gliding with him. “Yet the countryside is ideal for moments of solitude and reflection. Naturally, it also serves as a lovely setting for fond memories with a future husband.”

“What do you enjoy doing in nature?”.

“Embroidering or practicing the pianoforte,” you replied, making sure to display a wistful smile. “There is something particularly enchanting about playing the piano with the door open, letting nature's melody blend with the music.”

“Do you have any other talents or skills?” Gojo inquired as you both continued your dance.

“Yes,” you said, “I am fond of reading and immersing myself in literature. I also have a passion for the arts and languages.”

“Which languages do you speak?” he asked, guiding you through a series of intricate steps.

“I am well-versed in the classics⸺Latin and Greek. I’ve also picked up some French and Spanish, when I was yearning to follow my older brother through Europe for years.”

“What about literature? What do you enjoy reading?” Gojo pressed, his eyes never leaving yours.

Your smile grew slightly strained as you felt the conversation veer towards an uncomfortable territory. You felt as if the duke was interviewing you for review of your admission into an academic institution rather than holding conversation. “I enjoy Byron, sir,” you said carefully.

Gojo hummed in approval. “And here I was, thinking all ladies were engrossed in Whistledown.”

“Ah, well,” you feigned a sigh, your smile tight. “Gossip has its charm for a lady, sometimes.”

“For men, too, I must admit,” Gojo said, tilting his head towards his group of friends. “But I must confess, it is rather unpleasant when the gossip circulates that I am a rake.”

That's because they're true, you whore. "I guess it's up to the smarter individuals in society to discern the truth from the slander."

Gojo’s eyes twinkled with amusement as he guided you through the final steps of the dance. “Indeed, it seems wisdom and discernment are valuable traits in navigating the labyrinth of society’s gossip.”

You nodded. “Quite so. It is the discerning few who see beyond the surface and recognize the true character of a person.”

As the music swelled to its concluding notes, Gojo drew you closer, his gaze fixed on you with a calculative expression. “And what is it that you seek to convey through your own character, Miss Itadori? In a world full of pretense, what do you wish to be known for?”

You maintained your practiced smile. "Mister Gojo, in a world where appearances often speak louder than words, I find it best to embody grace and humility. I hope to be seen as a gentle and devoted companion, one who supports and uplifts those around her.”

Gojo’s smile only sharpened, and you couldn’t help but shake the feeling of somehow being calculated, observed, even hunted as he offered,  “A noble aspiration. It is refreshing to encounter someone who values authenticity amidst the artifice.”

As the final strains of the waltz came to an end, Gojo escorted you back to your starting position. He bowed deeply, his eyes never leaving yours. “Thank you for the dance, Miss Itadori. It has been an evening of unexpected delights.”

You curtsied in return, your eyes meeting his with a demure and sincere expression. “The pleasure was mine, my lord. I am honored to have had this opportunity.”

With a final, charming smile, Gojo stepped back, giving you a nod. “Until we meet again, Miss Itadori. Enjoy the rest of your evening.”

After Gojo had taken his leave, you found yourself once again surrounded by a steady stream of suitors eager to engage you in conversation. You indulged a few with polite discourse, your smile unwavering as you navigated the well-trodden paths of societal pleasantries. Despite your best efforts, fatigue began to set in, and you soon reached your limit.

Deciding to take a brief respite, you excused yourself with practiced grace. You made your way discreetly to the veranda, seeking solace and a breath of fresh air away from the relentless din of the ballroom. As you stepped out into the cool night air, the sound of the revelry faded to a distant murmur, replaced by the gentle rustle of leaves and the faint scent of blooming flowers.

With your mind fresh and clear from the suffocating revelry, you couldn't help but reflect back on the night. With the Queen deeming you as the diamond of the season, you knew your mother and Choso had been appeased. Of course, tomorrow was going to be a long morning; judging by the sheer number of young men approaching you today, you knew many of them would be visiting your drawing room to converse with you and gain the approval of your brother.

There were some suitors that stood out. Lord Ino seemed to take genuine interest in what you had to say, but Mister Fushiguro had both interest and quiet respect that you couldn't help but think was ideal for a marriage. After all, you just wanted a peaceful life after securing yourself and your family. While brief, you had conversed a bit with both Duke Nanami and Lord Geto, but it had been interrupted by some of their friends inviting them onto the terrace. You were sure Naoya wouldn't bother showing his face tomorrow.

That left him. Blue eyes. You couldn't help but think you had heard about him somewhere. 

Gojo.

Even though you couldn't recall much other than his rakish tendencies, the future title of Duke was certainly attractive and respectable. He wasn't so bad; with dashing looks, you couldn't help but simply think that a pretty face wouldn't be bad to look at for all those years. You snickered to yourself at your sheer display of vanity in your thoughts.

If you had to think of the most vain reasons to justify your suitors, Mister Gojo would definitely top your list of the most handsome of men. With a sturdy and healthy build, you could notice the years of dedication he must put in to maintain his athleticism. Perhaps archery, you thought. Those shoulders were definitely wide for days. Or maybe horse riding. He definitely seemed to fill in his pants with his thighs.

However, it was impossible to ignore his mischievous nature. You couldn't imagine a man such as the future Duke showing any outward display of affection, and all your interactions⸺from him outwitting Naoya, to interviewing you under the pretense of dancing⸺have always had him either besting or calculating the other converser. He definitely had a superiority complex, you rolled your eyes. Clearly, your display of the simple and stupid maiden pleased him. You wondered if he treated all the other ladies with the same level of disrespect and evaluation.

Deciding you were too far into the gardens, you turned the opposite direction to join the revelry once more in fear of attracting strange rumors about your presence in the gardens late at night. As soon as you got closer and closer to the ballroom, you heard voices.

"Ah, but there is the diamond, of course." 

You perked up, interested in knowing who was talking about you. The voices seemed to be coming from the entrance between the terrace and the ballroom. "Of course, I understand why the Queen has deemed her so." Crouching, you aimed to discreetly hide behind a large trimmed bush in such a manner that if someone were to be passing by, you wouldn’t appear suspicious. 

Another voice chimed in. “She is beautiful. Not in the salacious way Lady Mei Mei is, but in a more authentic and innocent way.” 

“I fear the ladies nowadays are salacious⸺hungry for suitors with money and power⸺so it only makes sense that the ladies appear that way. But the diamond; she is different.”

A slap, as if someone was affectionately patted on the back for attention. “Yes, yes. But let the man of the night give us his assessment. After all, he is the one who is here tonight with us, finding a wife, when no one who had ever talked to him would ever think he would be doing such a thing.”

“Well, of course. It wouldn’t take a fool to know that marriage is basically imprisonment.” You could discern the speaker’s wry tone. “The goal here is to appease my parents, and my ticket to that is the diamond.”

“Well, get on with it,” a voice pressed, rather impatiently. “What’s your assessment?”

“A bit simpleminded.” Some feeling struck your lungs, as you recognized that it was Gojo’s voice that was speaking. You swallowed, your heart pounding as you waited for more harsh words to torrent upon you. “Has no opinions of substance that should cause conflict. She’s perfectly fine for a wife. I shall begin courting her and will soon propose⸺"

You didn’t hear the rest because you soon found yourself dashing in the opposite direction, towards an alternate entrance to the ballroom. You couldn’t bear to hear any of the more degrading and embarrassing things Gojo had to say about you as you slowed your pace to a fast walk. 

With the main entrance to the ballroom in sight, you thought about the other gentlemen⸺if you could even call them that⸺that must be present, conversing with Gojo. How widespread are these assessments of you? Do all gentlemen think you stupid? However, your thoughts are interrupted when you bump into someone, rather hard.

“Are you alright?”

You look up, putting a hand to your bosom as you try to catch your breath. You see Duke Nanami’s face in close proximity, as he furrows his brow in light worry. You’re clutching your forearms as you are heaving, trying to get oriented. “Yes,” you heave. “Yes, Your Grace.” 

Nanami clearly didn’t accept your assurance as he helped you stand to your full height. “Is there anything wrong?”

“No, no, I assure you; I am quite alri⸺”

“Sister! There you are!” Yuji comes up from behind Nanami, and both of you turn to look at him. “I’ve been looking for you! The punch here is terrible, some of the mamas here are horribly intoxicated. Do you know Mei Mei’s mother just admit⸺” he cuts himself off as he observes Nanami, who’s still touching your arms,  with wide eyes. “Di⸺Did I interrupt something?”

“NO, you didn’t.” You burst out, not wanting yet another man leaving with an unfavorable expression of you tonight. You and Nanami both take a step back to distance yourselves, and he clears his throat.

“Good night, Miss Itadori. Mister Itadori.” He gives you both curt bows as he makes his way past to his carriage.

Yuji blinks. “Oookay. Anyways. Mei Mei’s mother just barfed on top of Naoya as she was buttering him up. I must admit, Mei Mei and Naoya make a formidable match in being intolera⸺”

You could feel yourself filtering Yuji out as you thought about the gentlemen’s gossip from earlier. While you weren’t exactly surprised that Gojo appraised you as a pawn, you couldn’t help but be a little offended that he could talk behind your back. Who’s to predict the other naive ladies that would be subject to his callous and calculative behavior?

 There was only one conclusion to be drawn that you swear to remember for the rest of the season: Gojo was not a man of honor, and you were not going to be one of his victims. 

next. the aftermath

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[gladiatorcunt]

- MOLTEN LAVA CAKE / IV.

when i get to heaven, please let me bring my man

cw: kinktober prompt (creampie), unprotected sex & playing fast and loose with it’s possible consequences, yandere behavior, age gap (reader 20’s, capitano & zhongli 50s, baizhu 40s), power imabalance, non con somno (childe), dub con, innocence kink & lowkey medical malpractice (baizhu), reader has a pussy, implied kidnapping (capitano), if you squint childe & capitano’s sections are connected, frequent breeding kink type talk, manipulation & coercion, implied baby trapping, dead dove do not eat

please do not repost, translate, or feed this work to ai

kinktober 2024

CEO!Zhongli

“Do be quiet, darling.” Zhongli grits, cupping your head with both of his palms and tugging you upwards. “I have no intentions of being an exhibitionist today.”

You arch off his grand wooden desk and gasp at the spark of pain in your neck, but you’d take that over drowning yourself in paperwork any day. Your boss’s cock is ramming into your ass at a porn star’s speed, the wet smacks of flesh slapping against flesh bounce off the one way glass walls.

This situation is the most cliché porn plot in the book though, the distant slightly emotionally unavailable boss bending his secretary over his desk and zipping down their pants. You had been running late that day, you forgot to set your alarm for Mr. Zhongli’s breakfast tea run and you had less cat food than you thought so you had to make a break for the grocery store.

By the time you scrambled in with a steaming cup of your boss’s favorite tea and his stack of reports to review and meeting requests to schedule, the older man was tapping his foot and crossing his arms. He didn’t look disappointed, not quite, but the gentle warmth in his eyes was gone and his small smile was flat.

In your desperation not to lose your job, this was your first and you’re only in your junior year of college, you follow him into his office and set down your things. Your cherry Marc Jacobs tote bag (bought by him, his papers and tea (bought by you with his money), your SINOCULTURAL orchid leather handbag (also bought by him, for variety).

Zhongli wasn’t the kind of pervy boss who’s hit on you before, you guess now that he was just lying in wait. You were the one that draped yourself over his desk with tears in your eyes, desperate and naive and relying on the principle of ‘sex sells’.

He’ll draft up a different beginning to your love story at your wedding.

“You take cock so well, perhaps we’ll have to have a discussion about adding this to your list of duties, hm?”

The condom sliding in and out of your walls makes you want to pout, but you know he has to have one. How he was able to pull a pack from his desk drawer on the spot is beyond you, you’re not quite willing to admit that you’d be so willing to keep your job you’d risk a baby and/or STDs.

“A-ah! Y-yes, sir, whenever you’re available, i-i’ll do anything.” You whisper over your shoulder and push your ass up, wanting the sight of his long cock disappearing under the thick cheeks to be as enticing as possible.

You clutch onto the golden plague bearing his esteemed name for dear life, muffling your sounds into the furniture’s lacquer, and let your boss pour all his stress into your holes. You tried to goad him into taking your ass but he gave you an amused chuckle and a firm pat to each cheek, chiding at you that he’d do it properly another time. He’s a gentleman under his silvered tongue and all his golden scales.

Zhongli seems to get fed up with the condom the closer he gets to his roaring orgasm, and all you’re able to let out in a punched squeal as he sharply pulls out and rips the condom off.

“This damn thing,” He huffs, snarling as he tosses the shredded scraps of plastic to the side, sinking back into your pussy in one go. “There, much better.”

You’re discovering that Mr. Zhongli is not the kind of man who groans unabashedly in the heat of the moment, he's prone to contented sighs and easy laughs. The closest you get to anything animalistic is the guttural grunt he lets slip as you clench around him near the end of his deep thrusts, milking him for all the cum this HR nightmare of a quickie can get you.

“One more thing before you go, be a dear and clean that up for me.” He points a black nail down at the puddle of cum expectantly, somehow having pulled his cock free with a wet flopping noise when you were too dizzy to notice, sinking back into his swiveling chair.

Sugar Daddy!Capitano

Your back hits the hotel wall, softened by Capitano’s hands coming to slide in between you and the surface.

“Mmfh- I’ve never… I’ve never done this before.” You shyly admit as your sighs fade into whimpers, the man’s stubble rubbing on your neck during his rain of kisses.

He laughs and his hot breath hits your pulse point, your heart skips a beat. “So you’ve told me. Don’t worry, you’re nothing but safe with me. I’ve already wired the initial 50,000 for our first meeting to your account, we don’t have to do anything that you are not comfortable with.”

You nod and run your fingers through his black hair, offering up more of your unmarked neck. Of course you’re comfortable, you were so nervous you could die hours earlier, but your first sugar daddy experience has turned out to be the ideal. Capitano made sure you were happy and pliant, offering ten times the amount of what most other men would just for this one dinner. What wouldn’t you be down with doing now?

He nips at your bottom lip, wrapping his burly arms around your chubby thighs and hoisting you up. You wrap your legs around his waist and giggle as you fall onto the bed of the hotel’s presidential suite. You trade sloppy and clumsy kisses for less and less articles of clothing, he places your jewelry and your accessories neatly on the nightstand.

“So you don’t prick yourself or worry about losing them, bambi.” He explains and pulls you into another syrupy kiss.

You lose yourself to fit of giggles as he reverently kisses down your body. The next hour is spent with your new sugar daddy licking your pussy, eating you out like a man would gulp down an oasis after a lifetime of being stranded in the desert. You couldn’t say how many times you flood his awaiting mouth with your juices and seed, but you’ll always remember how his Adam's Apple bobs on every swallow. As if it nourishes him, replenishes his soul from inside and out, warms like a good hearty soup.

Capitano slithers up your body to stroke a finger down your face, “Are you ready for me, honey? You’re spewing like a fountain but we can always just cuddle.”

“No, I'm ready, I want this, want you. Please, Daddy, need your cock.” And your money, but mostly your cock right now.

You settle into your position on your back and spread your legs, you grab the back of your ankles and keep them that way. Bearing yourself for the hungry gaze of a man twice your age.

“Alright, needy love, aren’t you? Here you go.” He coos, lining up his fat dick with your slick entrance and sinking in.

You almost wish you had turned the lights off. The way his massive looks hovering above yours, muscles tense and waiting to be exercised. You don’t have to look down at where his cock feeds your pussy, it’s like you can feel what every nerve and vein is doing and touching in your guts. You’re so glad the conversation about being tested was had on the sugaring app, you’re both clean and on the pill so you thought why not indulge in another first.

“Gorgeous cunt. Worth so much fucking more than 50,000. You like France, bambi? I’ll get you a castle in the countryside, this pussy would look divine getting pounded in one of their foyer’s and over their balconies.” He groans, husky and scratchy, kissing you and grinding his cock deep in your quivering pussy like you just got married.

You have to show him how to take a video of his goopy cum dripping out of your puffy folds, spreading them with your fingers and pushing it back inside.

The next morning, you wake up to a bundle of fresh roses and a calligraphy note on the pillow next to your head. You smile and take it all in, but eventually you tug on last night’s clothes and grab your bag. You grin down at your phone, feeling the butterflies play war drums in your stomach, this going somewhere good. There are times when you can just tell.

The suite door is locked, a man’s voice outside asks if you’re ready to be taken back to the boss’s home. On the way there you look through your bag, a message from your intuition, and your birth control is gone. But there are listings for several foreign properties, with a sticky note attached to the first.

‘Tell me which ones you like when you get home. I have my broker on the phone.”

Stalker!Childe

It’s a routine for him, slip in under your window, sink onto your bed and straddle your sleeping body, and fill you up with his cum until your belly bloats. You’ve never noticed, he’s good at cleaning up. And if you have, you’re docile enough to let him keep at it. Let the rabid wolf keep pawing at your door with bloody paws, leaving a carcass at your feet and doing it all over again the next day.

You know it’s just your boyfriend loving on you in private until you’re ready to go public. He understands you’re shy, a lot of the partners he’s had in the past haven’t exactly been social butterflies, but baby it’s just little ol’ Ajax! He wouldn’t hurt a fly let alone his precious significant other, don’t be silly. He has these kinds of conversations with you through hushed whispers against your ear and trembling fingers slipping under the straps of your tank top.

Ajax always preps you, save for a couple of times in the beginning because he was too excited. He prefers doing it with his tongue, but he does love a good fingerbanging session. He’d never cause any pain that wasn’t fun for the both of you, cross his heart and hope to die. He even brings a back up inhaler that he stole from your pharmacist in case you lose your current one.

He grins as he shimmies you out of your sleepwear, you never much, another sign that you’re meant to be “Shh, lovebug, I hope you’re having the sweetest dreams right now. I’m just stopping by to say hi. I have to be quicker this time, I'm real sorry, bub.”

Some as-gentle-as-possible rough fingerbanging it is.

Ajax keeps his eyes peeled so wide they burn a little as he crooks and curls his fingers in your tight pussy, marveling at your groggy whimpers that sooner than later snowball into light moans.

“You looked stunning in your outfit today, I like looser tops on you. I can see your titties bounce, swear to god. The leggings were a nice touch too, wanted to jog over during your walk and smack the shit out of it. But that’s not the meet cute you deserve, is it cutie?” He grips your face in one hand, the free one that’s not knuckles deep in pussy juice, shaking your head for ‘no’ for you.

“I promise we’re gonna meet soon, it breaks my heart to see you look so lonely, bub.” He’s not fazed when you seem like you’re waking up, he just ‘aw’s and strokes his thumb on your clit until you’ve fallen back asleep. “I can’t wait. I’ve gone over everything a million times, what I’m gonna wear, what I’m gonna say, our first date, our “first” time, I'm so ready for it all with you.”

You’re adorable, your brow is pinching and you’re tossing and turning. Your soft moans become louder and since you’re a heavy sleeper that doesn’t live in an apartment (not that he’d stop anyway, he’s seen how your next door neighbors check you out when you’re not looking), he scissors his fingers and speeds up the thrusts of his hand.

After months of this and vigorous hours at the gym, his wrist has stopped cramping entirely. He slips his free hand under his jeans and clasps it around his leaking dick, jerking himself off as he finger fucks your perfect pussy.

“Oh, there it is, honey.” Ajax gasps, tightening his grip around his painfully hard cock just as your walls tighten around his fingers. “It’s okay, keep going for me, you can do it.”

He times his strokes to the thrusts of his fingers, his breathing in sync with every rise and fall of your chest. You’re so wet, you’re leaking around his digits, your pussy making a sick squelching sound

“Oh fuck! I’m gonna cum baby, just from fingering your pretty pussy.” He pants, circling his thumb over the head of his weep dick and smearing his precum all over his length.

He’s moving so fast his hand is a blur, and he really doesn’t even register the sensation of fucking himself with his fist. Instead what he feels is the way your thighs seize up and your breath hitches, you arch your back off the bed in your sleep and that’s when he knows it’s time.

“Fuck, okay. Lemme get a little closer, lovebug, don’t want any of it to go to waste, right?” He keeps stroking his throbbing cock and blasting his fingers into your pussy, awkwardly trying to find his footing so he can get a good position.

He takes his fingers out of you and his heart squeezes in his chest when your hips buck after them and you whine.

“Here it comes, baby.” Ajax laughs at his own joke, positioning the tip of his dick right against your hole. With a shaky breath and an even shakier smile, he breaches your hole with only that part of himself, loving the way your cunt welcomes it in.

He laughs again when he floods your insides, crossing his fingers behind his back for this one to take. Don’t worry, it’s only a fantasy for now, you should at least have your first date before he knocks you up.

OBGYN!Baizhu

“Just lie back on the exam chair for me and we can begin.” Dr. Baizhu smiles warmly at you as you nervously play with your hands in the clinical room.

You nod, wanting to speak at little as possible. The chair’s paper covering crinkles and creases as you climb onto it, shuffling around before settling into a somewhat comfortable positon lying on your back. You look to Dr. Baizhu on your right, he’s available on your insurance and he has stellar reviews on any site worth trusting you could find. You’re just anxious anyway, and this is something you have to do, it won’t do you any good to get paranoid about all the things that could go wrong in a doctor’s office.

Baizhu’s eyes crinkle in the corners and he takes a seat on one of those rolling black stools. “So I take it that this is your first pelvic exam? Well, then be assured that you’re in good hands. It’s nothing scary, but I need to make sure your vulva and reproductive organs are in perfect working order.”

You laugh awkwardly and mutter back a “I know, I'm fine. Just a little tired, traffic was a nightmare.”

Your nerves already feel like they’re fading away, Dr. Baizhu’s voice is so pleasant and he has such a kind demeanor, you understand why this clinic was so eager to have him. The woman who signed you in was raving that it was his first day after leaving a major hospital, that they were so lucky and you were too.

“Now I'll have you slide down to the end of the table and put your knees in these stirrups, it’s perfectly safe and if you need to take a breather, please let me know.” He croons, allowing you the freedom and comfort to act on your own. He’d never want to make you feel panicked, as if he were forcibly restraining you.

The exams aren’t really a big deal when you’ve gotten over that hump, but Baizhu knows that first times of any variety can be scary. Especially for skittish patients such as yourself, with as much prey drive as a barn bunny being chased by a sheepdog.

You lie there and endure every probe and thoughtful hum. Your vulva is fine and Dr. Baizhu ends that part of the inspection with a quick pat to your mound, his lips twitching as if trying to resist the urge to kiss.

“Okay, now I'm just going to check out your cervix, keep still.” The man hums, smoothing a hand down your right calf from the stirrup to your knee. “You’ll feel some pressure, but nothing painful.”

“Really?” You bite your lip and eye the instruments on the little table by the sink.

Dr. Baizhu chuckles, “Of course. Some patients do experience pain, but it’s not a definite thing, everybody’s different. At most, you’ll feel a tad uncomfortable and exposed.”

So you brace yourself and expect to feel the cold metal of what looks like some kind of forceps. Instead you look down to see your doctor unbuttoning his pants.

He catches your eye and waves off your concern, “Cold metal just seems so abrasive for your first time. You might do better with a more… human approach, something to test how well you can stretch. Don’t worry, I'll put protection on, I'd be a horrible doctor if I didn't.”

Sure enough he slides a latex condom on, covered in tiny holes but you brush it off as being a part of the design. Baizhu’s cock twitches, feeling a sick thrill at how easy you are, at how he can whip his dick out and you’ll believe it’s in your best interest.

He doesn’t release you from the stirrups, and they rattle as he plunges inside inch by inch. Slowly and mind numbingly, to properly gauge your cunt’s ability to expand around the intrusion. You gape up at him, feeling far more than just a tad uncomfortable and exposed. His lips twitch again, torn between maintaining the facade and stuffing your cervix with his cock or breaking character and dipping down to kiss your adorably parted lips.

“I’d give you a piece of candy if that wouldn’t embarrass you. You’re doing great, just relax and the pressure will ease up.”

“Ngh- hah- O-okay, doctor. Thank you for helping me.” You don’t know why you say it, who thanks their doctors for doing a basic exam? But he groans and his hips rush forward all the same.

Your cunt is impossibly tight, which is to be expected but it’s not any less delightful to experience.

The paper underneath you makes you want to claw your eyes out as his thrusts force your back to slide back and forth on it. That, the stirrup straps clacking, and your shared soft pants are the only sounds in the locked room. It’s not as anxiety inducing as you’d expect, the planets in the office orbit around the doctor and as long as they think he’s in an appointment (and isn’t he?) they won’t interrupt. His eyes crease, he promises to give you a home visit when you’re done here, just to be thorough and make good on that promise of candy.

Something sweet for the embodiment of the cavities is in his soul, cunny strangles him tighter than a noose.

Dr. Baizhu shudders as you reflexively clench around his pulsing cock and attempt to kick out your legs only to be held back by the stirrups, “Don’t mind the mess, ‘s all par for the c-course, my dear.”

You squirt on his next thrust, and your tangy juices drip down onto the cold gray floor. The gooey cum that escapes the holes in the condom follow suit and form a little pool. Dr. Baizhu takes several pictures of your seed heavy pussy with his flip phone for medical reference.

[nightsmarish]

Summary: after talking to Regulus, you both decide to take the offer to stay with the Potters, and barty gets thrown across the slytherin table by Evan

Pt1

A/n: very focused on Reg for some reason, not 100% sure why, but it's lovely, also we love bestie barty. ALSO ALSO, reader is aggressively, very aggressively, hinted to be slytherin

Poly!moonwater x reader (Remus lupin x regulus black x reader) | 1.4k words

Tw: toxic family, running away? Family disappointment, ect. Barty jinxing Gryffindors for sport and an owl flying into a chess game

Asked to be tagged: @misacc08

★⋆｡°⋆𖦹✮₊★⋆｡°⋆𖦹✮₊★⋆｡°⋆𖦹✮₊

It's finally two weeks until the end of this year at Hogwarts. Class times have been filled with going over study guides and reviewing for the final exams only a few days away. 

Neither you nor Regulus have said yes to staying at Potter Manor this summer. Despite James being very adamant about it.

“I’ll just mention you blokes might be joining us.” James told you when you visited Gryffindor table one morning, as he wrote his parents. 

“James-” 

“No, no, let ‘im. No harm in it? Is there?” Sirius cuts you off, feet extended to rest on the bench across the table from him. 

“But Mrs. Potter shouldn’t prepare an extra room if neither of us will be joining.” Your points are acknowledged when James hums to confirm he heard you, but his quill never stops moving.

Remus has been looking at you the whole time. Not in a creepy way, you're both pretty sure not in a creepy way at least. Just in an undivided attention way. Practically ignoring the other two boys to admire you, other than when he occasionally slaps away Sirius’ hand on his fifth attempt to grab Remus’ food. 

You look down to where Remus sits as well. Honestly, he's not that much shorter than you sitting down, but wherever. Your hand that's not holding the strap of your bag gently scratched the hair at the base of his head before kissing his cheek, mumbling a small promise to see him during your study time later. 

ᯓ★

It's not like you don’t want to go to stay with everyone else. It’d be amazing; it really would. But the idea of going when Regulus stays at the Black House feels wrong. You know being with your parents won’t help him, nor will being at James’ house, but it feels wrong. 

Remembering how destroyed he was when Sirius left. When he came back to school, you two hadn’t known the Marauders like you do now. The anger he knew was misplaced, but he couldn’t help but feel abandoned by Sirius. You remember it—the crying, the way he couldn’t focus until a month into school. And you remember Sirius being disowned.

And maybe that's part of it too. The idea of being disowned. Even if you know they are horrible people, people you don’t wish to be related to. The idea still makes you sick. Their horrible and evil, but dear Salazar, parent approval is so addicting and you hate how much you still want it. 

So which is worse, feeling like you betrayed one of your boyfriends, or your parents disapproval? 

“Regulus?” You keep your voice low in the library. The aforementioned boy looks up from his textbook sitting across from you. Remus, next to you, pauses, moving his quill to focus on you two as well.

“Yes?” His voice matches yours, despite being a little more stiff. 

“I wanna talk about it again. About James’ house.” You rush the words out. Probably because you know Regulus will want to shoot it down immediately.

“Love, you know I’m not going.” He sighs, sitting up straight in his seat. 

“Why? Why not go?” 

"Dove-" Remus tries to interject, not sure how well direct confrontation will go after Regulus has already denied it far too many times.

“What would I do?”

Both you and Remus pause, looking right at Regulus. Who stares right back at you.

“What do you mean?’ Remus says what you think.

“I leave, I get disowned, I lose the family fortune.” There are unspoken words there; everyone knows. He loses the Black name, he loses the reputation, and he loses everything he ever knew. Sirius had always wanted to leave; he had dreamed about it long before the possibility ever even crossed Regulus’ mind. The older Black had an idea of what would happen long before he left. Regulus hasn't gotten that right. 

“We can figure it out when we get there, love.” Remus rests his quill in the small ink pot, reaching both his hands to cup Regulus’ hands between his own. 

All three of you stay silent for a second, Regulus looking down at Remus’ hand covering his own, you staring at Regulus, and Remus looking between the two of you, trying to figure out what to do. 

"If..." you sigh, shifting in your seat, “if... you go... I’ll go, and we can figure it out together.” 

Gray eyes shoot up to yours. “Are you serious?” His voice is unsure, like you're going to take your offer back for no apparent reason. 

“Yeah. I’m scared too, but I don't think I can bring myself to go back, not this time. But at the same time, I won’t be okay with going if you don’t go.”

Remus takes a deep breath, one hand still holding the younger boy's hand, other moving so his arm wraps around your shoulder, gently rubbing your upper arm. “So, it's settled. I can tell James.” 

“Thank you,” You whisper, and Regulus takes one of his hands from the lycan to intertwine your fingers. 

ᯓ★

The letter felt wrong to write. Less than a week before you're off to Potter Manor is when you get a response.

You're sitting at the Slytherin table in the morning when the letter holding their response arrives. Your owl landing smoothly, unlike the poor Hufflepuff owl you see sly head first into a game of Wizard Chess.

The seal of the letter belongs to your family, and it's painfully obvious. Regulus had gotten his response within a few days. Hurtful and harsh, despite never reading it yourself.

Looking around, Regulus is watching Barty, who is sitting on the long table rather than at it, cast small, mostly-hopefully harmless jinxs on a few older Gryffindors who haven't seemed to notice who's doing it. While Evan is whispering more and more jinxs for Barty to use.

Deciding that you might as well get it over with, you break the wax seal. The letter was nothing but vile, as you expected, the threats, the anger, the disappointment. Yet, you are honestly relieved. Like a huge, bolder is off your back. Sisyphus would envy you.

"And what do you have? A secret admirer? Are you planning on finally leaving the wild beasts you call boyfriends?"

Barty turns his attention to you as you finish reading, snatching the letter to inspect it.

"Ew, is that from your parents?" Evans nose scrunches up, noticing the names signed at the bottom of the parchment when he leans over Bartys shoulder.

"Yeah, I wrote them last week that I'd be staying with the Potters this summer, and they finally got back to me." Your voice remains surprisingly even, despite feeling somewhere between calm and like you're going to vomit, cry, and punch a wall.

Evan and Barty continue to scrutinize the letter, the phrasing, and how your mother writes the letter S weird. While Regulus leans closer to you.

"Everything okay?" His quite, a stark contrast two the boys sitting acorsd from you as Barty pushes his boyfriend off the seat for something or another and Evan kicks a little too close to Bartys dick.

"Yeah, it'll be okay." You hum, scooting closer to the pale boy, "would you and Remus want to come stay at my dorm tonight? At least for a little? Serenella and Iris are both going to be out all night."

"Of course, love. I'll grab Remus after charms and we can meet you there before dinner?" A soft kiss is placed on the top of your head when he finishes his sentence.

"That sounds good."

The peace of the situation is cut off by Barty falling off the table towards you, taking you down to the floor with him.

"God damnit Barty!" A smile far to big for the situation paints your face face.

"Evan threw me, gem! He tried to kill me! I'm wounded." Barty sits half on hus knees, half laid out on the gross Hogwarts in such a pathetic manor Regulus chuckles under his breath.

"And I'll do it again idiot!" Evan sits back on his spot at the long table. Huffing while smoothing out his hair and uniform.

"Oh God, gem, I won't make it." Barty throws himself onto you, your back to the ground as you laugh. "If I die will you leave your loser boyfriends to join me and Evan?"

"Okay, junior, that's enough." Remus appears in your vision, slightly nudging Bartys side, like touching him too long will make whatever is sodding wrong with the boy rub off on him.

"Hello, big boy." Barty stands up and takes you with him, dusting off his and your clothes. "You know, both of you could leave Regulus and-"

"Okay Barty!" Regulus pushes Barty to sit back down, shutting him up as he begins to bicker with Regulus next.

[akutasoda]

the fans are always right. right?

synopsis - mr reca seemed a bit more downbeat then your used too, maybe some rather interesting reviews would cheer him up

includes - reca

warnings - gn!reader, fluff, slight crack, wc - 1.6k

a/n: i uhh had an idea... lost it and tried to salvage what i remembered and this was the result- anyway all the reviews used were given to me by some lovely people ( @tragedy-of-commons, @singularity-sam, @vxnuslogy, @mikashisus, @/milksnake-tea, @/tetrachrxmacy and @theother-victoria) try and guess who's who :))

a huffed sigh escaped you, slouching down in your chair as the clock ticked rhythmically in the background. mr reca was supposed to meet you around fifteen minutes ago. he'd never been late before.

a reasonable explanation would be that he had something more important to tend to. and that would be understandable. but for now you were bored out of mind and leaving wasn't an option as reca could show up at any time - he probably wouldn't be as forgiving if you were to show up after him.

today you two were meant to develop a new script and start on the storyboard for his latest idea. in honesty, you're still not quite sure how you landed this job. you wanted to start getting into directing films of your own but couldn't quite place how to start and so you settled for finding a job as a co-director.

after helping co-direct a few pieces here and there, you got a message from the esteemed mr reca. you had to do a couple (maybe even hundreds…) of checks to make sure you weren't actually dreaming. mr reca didn't exactly strike you as the kind of person to need or even want a co-director.

and yet here you were. apparently he enjoyed the sense of style you breathed into the films you helped direct and thought it would pair nicely with a couple of his. even to this day you find it hard to believe that you still had this job.

but you put your all into it. a lot of trust and expectation was placed upon you and you would be sure to not let him down. even if that meant waiting for him to show up for your appointed meetings.

twenty minutes.

you looked around the room for anything to pass the time, all you could think of was your phone laid idly on the desk. then an idea crossed your mind. reca had recently released a film. perhaps you could read some reviews to pass the time.

you never really expected yourself to be mentioned in any of them. yes you got credits and the recognition for being reca's personally selected co-director but most people still only talked about him in their reviews, which wasn't exactly a problem.

it didn't take long to find a rather reputable review page and so you began scrolling.

you should've expected the first one being a five star review

@bebe_fanpage101 : ⭐️⭐️⭐️⭐️⭐️

- "This film has changed my life. My whole outlook on everything that exists in this world, in fact even in the entire universe. I can never look at anything I know the same way ever again. This film represents emotions most humans could never comprehend. But I can. Thanks to this film I have been awakened to many things previously thought unimaginable. Thank you."

a rather extreme opinion in your eyes, reca did have some “over-the-top” fans. your became intrigued after stumbling across a one star review soon after

@frankenweeniehater4life : ⭐

- "what ?"

[review has been deleted]

maybe it wasn't an actual review, but you stifle a laugh at the next review being from the same person

⭐

- "wrong movie how do i delete a review" (Edited)

perhaps this could definitely entertain you until reca arrived. you idly scrolled through the reviews, only stopping when some peaked your interest or made you smile

@seas_ablaze : ⭐⭐⭐

- "A film that does a lot of monkey business and goes bananas with it."

or alternatively,

@frankenweeniehater4life : ⭐️⭐️⭐️⭐️⭐️

- "i've seen about a million movies and dear god this has to be one of the worst. an absolute slog to get through. the pacing was awful, everything took years to happen. the soundtrack was grating. the actors either put no effort in or way too much- either put them back on the street or send them back to the musical theater. the cinematography was dull at best and straight up nauseating at worst- i had to pause multiple times so i didn't get physically ill. and don't get me STARTED on the stilted script and dull characterization. and the dog isn't even a weenie."

you reckon they might have gotten the wrong film again… but it definitely explained the username-

and at that moment reca finally showed up, he pushed open the doors grumbling something - obviously whatever kept him busy wasn't pleasant. he had walked in with a huff and his expression didn't exactly read that of happiness.

you brushed it off and greeted him like you usually would, something that was greeted with another grumble which you could only guess was a hello of sorts towards you.

watching, you noted how he slumped into the chair on the other side of the desk and it became clear that he wasn't in the mood to get any work done. the silence was starting to get uncomfortable and so you slid your phone over to him, reviews still open.

reca perked one eyebrow up and questioned you “what's this about? we have duties to complete not waste time”

you hummed in response before sliding your phone closer until he picked it up “it's reviews from your latest film, it's not like we'll be getting things done soon and maybe they could help guide our planning” a small pause “they're quite entertaining”

he scrolled for a bit before stopping on one and reading it out loud

@/blink!vxnus! : ⭐⭐⭐⭐

- "film was great and very informative. it made the story far more interesting compared to other documentaries tackling the same story. - 1 because mr reca wasn't in the actual film"

“it's not very helpful, just compliments” he sighed “and wishful fans being normal”

you smiled in response before reaching over as he turned the phone to you and scrolling back up again “this one's a personal favorite, especially the comments”

@/bebe_fanpage101 : ⭐⭐️⭐️⭐️⭐️

- "came for the reca shirtless scene, stayed for the storytelling. no regrets stan robin"

- @/ultimate_recakisser : "I mean I’d be the same as well I MEAN WHAT WHO SAID THAT Speakingofshirtlessrecaifoujdthisonefanartdoesanyonewantmetosendit?"

- @/bebe_fanpage101 : "me. dms. shhh."

- @/iwishsundaywasmywife : "id judge u both. but. im the same way abt bird man so i cant"

reca stared at the review, then the comments, before his face began morphing into something akin to the middle point of shock and disgust.

he sighed “there wasn't even a shirtless scene, these people are… enthusiastic, to be nice”

you hummed in response before suggesting that the lower rated reviews may help more and scrolled until you found some.

@/iwishsundaywasmywife : ⭐

- "Great movie. Plot flows well, characters are charismatic and overall a wonderful viewing experience. Just hate the director."

@/abardslyre : ⭐

- "my gf broke up with me for the director. mr reca count ur ******* days."

you had to hold back laughter at the sight of his face distorting into confusion and a slight grimace making the corner of his lips scowl

@/seas_ablaze : ⭐

- "This is awful, pretentious garbage. In all objective fact, he's an auteur wannabe who makes idiotic movies for the normie audiences who are too stupid to think for themselves. I didn't even watch more than five minutes of it, I just know it's bad from his name attached to it. I never made a movie before or have ever taken a film class, but even I could do better than this disgrace of an art form that only a few can ever hope to master. Hell, I would personally kill all subpar directors myself if I could, I'm just that smart. As Lord Scorsese says: Cinema is dead!"

mr reca sighed, deeply, “i can't decide if this helped or not, but im leaning no at the minute”

you definitely could say you enjoyed scrolling through the reviews more, but it wasn't hard to notice how his demeanor changed. how he wasn't so grumpy and you could've sworn that at one point you'd seen a smile on his face. your idea worked.

eventually you two managed to start discussing ideas - which was more him talking your ear off with his ideas and you listening and writing down anything he told you to. and then he paused.

before you even had the chance to question if anything was the matter, reca surprised you “maybe those reviews could help for the next film”

“what do you mean?” you couldn't believe what you were hearing, your spur of the moment idea to show him reviews to hopefully boost his mood so you could both actually talk about his next film properly worked. it actually gave him ideas.

reca prattled on about how some of the reviews gave him the idea for how to expand his latest idea that had hit a wall and now he could continue to elaborate the idea. it was sort of satisfying to see how passionate he had become despite his earlier attitude.

he then abruptly stopped before trailing off “maybe i should listen to some of those reviews and change genres”

you thought that was a rather drastic suggestion, arguing that his current genres worked perfectly fine and it was his speciality, his signature if you would. but then he started mumbling again

“maybe if we went that route… then you could…” he was trailing off, you could barely piece together his coherent sentence but you could pick up on “based on us”

“what? could you repeat that again mr reca?”

“what?”

mr reca was never easy to work with.

taglist - @little-miss-chaoss, @frankiesteinn, @https-sourlimes

[hyperiondickrider]

Baby Bunny~

(Chapter 1)

Vox x Reader; Valentino x Reader; Alastor x Reader; maybe Lucifer x Reader

After your untimely death, Mr Vox was kind enough to take you in and give you a job as his assistant. However, it appears that you’ve caught the eyes of few other demons, who are certainly not afraid of a little competition…

Frankly, Vox was a stressed out man.

Endless meetings to attend, scripts to review, and catastrophes to clean up; very little could consistently relax the poor man. Luckily, one of these particular vices just happened to be readily available; you.

Oh, how he loved to watch you flit around his offices, big floppy ears twitching with concentration, large brown eyes peering up at him, searching for approval and validation. It almost made him feel guilty, the way you obeyed his every beck and call.

Regardless, your presence had become a somewhat comforting one in his workplace, ever since you had the unfortunate fall from earth following your untimely death. Your loyalty to the overlord only made sense, given his boundless generosity towards you, providing you with a job as his personal assistant, as well as a small flat inside his studio.

Thus, when he discovered that Valentino had decided to send you on an ‘errand’, he was less than pleased. Of course, you with your unbridled kindness and timidity couldn’t even think of refusing such a request, despite the sex maniac holding no legitimate power over you. So, off you went, suddenly feeling rather exposed in your open white blouse and tight leather skirt (a favourite outfit of Mr Vox), as you wandered through Pentagram City, glancing back occasionally at the directions that Mr Valentino had so graciously provided.

All of a sudden, you feel yourself slam into something, or more aptly, someone. Your nose begins to twitch in fear of the consequences, knowing full well the cruelty of the sinner residing in the area. Peering up at the stranger with teary eyes, you mumble an apology, and pull yourself back up on shaky legs.

“Not to worry, my dear! Accidents happen, of course! Although, you really should watch where you are walking, darling.”

The static in his voice, almost tangible, sends shivers down your spine, his glowing eyes intensely staring into your own, as if to bear witness to your very soul.

“How rude of me, I neglected to introduce myself. I’m Alastor, darling, the Radio Demon.”

The man, Alastor, extends a hand to greet you, but the mention of his title causes you to freeze, and flinch away in fear. The demon’s smile strains in reaction, appearing confused and mildly offended.

“T-the Radio Demon? M-Mr Vox said I’m not allowed to speak to you..”

Alastor’s grin tightens at this comment, his snarl baring gums, yet he chooses to feign ignorance.

“My dear, it’s impolite to not return a greeting.”

Due to the mild threat in his tone, you reluctantly tell him your name, your bunny ears twitching in fear, as you look up at him.

“Now, my dear bunny, wherever were you off to on this fine morning?”

“Mr Valentino w-wanted me to s-speak to Angel Dust about his s-supposedly ‘poor work ethic’. S-so, I was h-hoping to find him at the Hazbin Hotel..” you trail off, unsure of how much information you could safely disclose.

But Alastor’s grin only brightens at the news.

“Well, my dear, you’re in luck! I was just about to head over there myself!” With that, he pulls you closer to him, evoking a surprised yelp from you, and wraps his arm tightly around your waist, setting off at a brisk pace.

Alastor hums a jolly tune, seemingly ignorant to your struggles in keeping up with his quick pace, almost being dragged along. Finally, once you had reached your destination, he finally releases you, this time choosing to grab you by your arm. But, for some reason, he chooses to spare a moment, and look you over.

You stood a fair bit shorter than him, having to crane your neck to meet his eyes, but furthermore you were simply trembling with fear. Your nose was twitching, your floppy ears fluttering with anxiety, and your doe eyes refusing to meet his gaze.

You truly were just adorable. Oh, he was going to have fun breaking you.

And with that, he flung open the hotel doors, the action catching you off guard, as you jump again.

“Awfully jumpy today, my dear? Why, is everything alright?” He asks with a condescending grin.

“Just peachy, Mr Alastor.” You manage to mumble out a reply, starting to overcome your fear of the radio demon.

“Now, now, you mustn’t lie, my darling. But, trust me, you have nothing to fear here.” He draws you closer again, his clawed hand playing with your hair, as you looked up with a tight frown. Once he got bored of your lack of reaction, he decided to switch his focus, petting your bunny ears. This action caught you off guard, their sensitivity causing you to whimper, bringing a hand to your mouth to stifle your noises. Alastor’s grin grew ever wider, finding a new way to push your buttons. He increases pressure on his ministrations, causing you to yelp as your jelly legs gave out and you collapsed against his chest. He finally relents in favour of hoisting you back up onto your shaky legs and wobbly knees, forcing a whine from you at the loss of contact. He chuckles darkly at your compliance, your passive nature truly pleasing him. Perhaps he should keep you around; that truly would annoy Vox… but that’s a thought for another day. For now, he needed to build trust in you.

“Toots? What are ya doin here, cutie?”

Angel’s New York drawl fills the room, his voice full of concern.

“M-Mr Val sent me, Angie. Please, I-I don’t want you to get hurt…” your eyes well up at the thought of poor Angel’s contract, as he rushes over to hold you.

“I just came to warn you, Angie. Mr Val isn’t pleased. He’s mad at you, and he’s gonna make it hard for you. P-please, Angie, come back, for your own sake. I miss you…” you trail off, sniffling.

“I know ya do cutie, and it’s ok that big V’s mad at me. I can take it, sugar. But, toots, what about you? Does Vox know ya here? He’s gon be real mad that you been hanging with smiles over there.” Angel rebukes you, concerned for your own wellbeing.

“M-Mr Val said he’d tell Me Vox that he’d sent me on an errand for him, so I think I’ll be fine…”

“Sure, toots, whateva ya say.” He pulled you in for a tight hug, as you buried your head in his chest fluff.

Angel seemed a lot happier now. You were glad that he had begun to escape Mr Val’s clutches.

“Angel, who’s this?” A chipper voice interrupted your thought, as you were greeted by a tall blonde girl, who seemed ecstatic to see you.

“Charlie, this is Y/N. She’s Vox’s assistant and just came ta check up on me. Y/N, this is Princess Charlie Morningstar; she runs this shitty hotel where I’m stayin.”

Suddenly aware that you were in front of Royalty, you bowed nervously and squeaked out a greeting. Your timidness was met with aws and statements of your cuteness, causing your face to darken slightly out of embarrassment.

“Well isn’t she just adorable! Now my dear friends and guests, I believe I should be escorting our dear bunny back to her workplace. After all, we wouldn’t want your boss to worry about, would we? “

You gulped at Alastor’s words, nodding your head vigorously, as he once again, grabbed you by the arm and began marching away.

“See ya, cutie! Come visit sometime!” Angel yelled as you left.

“Bye-bye, Angie! I’ll definitely come see you again!”

And with that, you set off towards the entertainment district.

[gildedkrone]

I'm the boy next door, let me come in🔞

Part 2 to this fic

Relationships: Ghost x verse!Male Reader Synopsis: You meet him years later and he still can't forget you. Master List

Simon doesn't text back anymore. You aren't so much surprised as disappointed to know it would end this way. He has a wife to go home to, and your next client wouldn't wait for you to get over the very one-sided heartbreak.

The chat ended on a single message from Simon.

["Take care, luv. Hope this helps you with your dream."]

A transfer of ten thousand pounds into your bank account. You don't want to know how he acquired said information, given he is a military man, you wouldn't put it pass him to have used his clearence to search you up. Would it have killed him to do it in person? No. But anything, is better than nothing from a man you should have never gotten attached to.

It's a bittersweet end and the end of your "relationship" with the man.

---

A cigarette between his lips and his moment of peace was interrupted by his secretary entering his office after two knocks.

"Mr Riley, you have an upcoming meeting at two with the Mr Decartes, should I arrange for him to wait in the conference room?"

He flicks two fingers (yes) and snuffs out the cigarette. The Riley family always had a name in the military business, and the newly retired lieutenant returned home to Manchester to hold the reins to his family empire. Post military life is mundane, he supposed. There's no threat of being knived or shot when out bumbling about the streets of the city and most people give him a wide berth of space, if nothing but fear of his size. The skull mask is gone, replaced by a simple black mask concealing the bottom part of his face.

---

The train to Edinburgh is packed to the brim and per his request, the entire business coach is booked out to give him some semblance of privacy. The online meeting is rotting his brain with the incessant business partners and their multitude of requests. Eventually, the meeting ends not before the train is slowing to stop.

"Dear ladies and gentlemen, due to a railway signalling fault, we are unable to proceed to Edinburgh and the train will be stopping at Carlisle. Please speak to a train attendant if you have questions about transfers and continuing your journey."

Fuckin' hell and now even the train is conspiring against him. The attendant is apologetic and informs him of his choices. Return to Manchester on the train in three hours or wait for an unspecified time for the next train to Edinburgh. Either way, he isn't reaching his destination within the same day.

---

He has hours to burn, and he begins with getting coffee. Carlisle isn't a big city and he spends some time walking about the place and looking at things. Whatever British people did for fun. His mindless walk brings him to a flower shop and before his mind could object, he was pushing past the doors and the sweet chime into the cool and empty shop. There is nobody at the counter and he rings the bell.

"Coming!"

Sounds of shuffling as a man returns from the rear of the shop and you stop behind the counter.

"Hey, is there anything I can do for you?" You flash him a smile and he is taken back by the sight. It's the man he's had a fling with five years ago but there is no recognition in your eyes. Was it the mask?

"I'm looking for something for a business deal."

"Oh, do you know what arrangement you would like?" He looks confused and you continue. "We can make it in different sizes and shapes if you have any in mind?"

"Not really. Do you have pictures?"

"Sure do." You grab the folder of pictures and flipped to the business section. When you looked up, the man has an unfathomable look on his face. He takes his time reviewing through the photos and asks several questions about the shop. How did it come to be etc. You tell him about the ten thousand dollars a man left for you once and he knows, confirms it is you.

"So I moved from London up north here to settle down and open my shop. Business is doing well and I've just received a giant order for a wedding. Might need to hire some people to help me out there."

He doesn't know what his traitorous mind was on when he mouth blurts out how willing he is to help. He is dressed in some formal attire and clearly not a contract worker but he is insistent, so you relent and tell him to meet you after dinner. Especially knowing how difficult and costly it is to hire rush work.

---

Edinburgh is the last thing on his mind when he shows up to your shop at eight in the evening. He opted for a large hoodie and some sweats and you usher him into the back of the store where the greenhouse is. His mask is still on and the hoodie is drawn over his head and you crack a joke about dressing correctly since it's cold in the greenhouse.

You make the first of many bouqets and he examines the shape and quantity of flowers in it. The silence is amiable and the man is a fast worker. Precise and controlled, his first bouqet is beautiful and well made. You disappeared into greenhouse to get more flowers and he follows you back in. Midway through the gathering of some flowers and he speaks.

"You don't remember me."

You give him a puzzled look and set the flowers back down. Did you know him?

He sighs and pulls back his hoodie and removes the mask on his face. It's him. It's Simon.

---

"What are you doing here, Simon?"

He sips his coffee and the both of you are seated behind the counter.

"The train broke down and 'm was exploring the city. Stumbled upon your shop and …"

"Are you no longer in the military?"

"Left the job. Had to go home and run the business."

He is still an absolute looker even five years later and his fingers gently brush against yours where it stays.

"Simon, your wife--"

"We're divorced. She's no longer my wife." He elaborates something along the lines of a falling out between the two families over business.

"Oh."

His hands are rough and calloused, and they hold yours.

"It wasn't a possibility then, but … I--"

"Simon, we can't do that."

"Why not?"

"Did you really love me? We had a fling, not a real relationship. I am past the age of flings and I want a real relationship."

"I can give yer that. Only if you would let me."

"Si--" And the rest of the sentence was stolen by his lips against yours. He is insistent and all of the walls you imagined comes crashing down at the taste of him and the hand on your thigh.

"Luv, fuck, missed yer fuckin' lips." And your moan is breathy as his touch crept up your thighs.

---

You weren't sure how it happened, but the kiss ends with you and him in the greenhouse and his hands in your pants. He is pleasure incarnate and his hands move with an urgency to feel you. They roam across expanses of skin before digging into flesh and unbuttoning your jeans. Your mind is drunk on the pleasure and your dick is aching to be touched, with the way it bobs up and down.

The touches are something clandestine, and you used to be his illicit affairs. Now, you are his partner? Lover? The definition is irrelevant as he turns you around to face him before pushing you into the wall. His dick is freed from his joggers where they tented the garment obscenely and he hands rest at your hips.

"If yer asking how serious I am, 'm fuckin' serious about this." The whispers of past encounters are strong and he gives your dick a few strokes before he hugs you tight and your dick pokes against his ass.

"Fuck, Simon, you sure about this?" His response is a sloppy kiss and a muffled yes.

"Have you done this--"

"Nobody. There's nobody after you." Fuck, if that doesn't send your desires higher to know he saved himself for you all these years.

You finger him gently to loosen his rear and gently slide into him until he is moaning and spasming around your dick. He is impatient and tugs your hand but you refuse to fully bottom out, knowing this is likely foreign to him and unwilling to hurt him. Tight, warm heat hungrily swallows your length and you fight off the urge to slam your hips into him—to show him who controls his pleasure. Gruff and gravelly moans get louder with each thrust and with eyes lidded in pleasure, he takes dick so beautifully and you reward him with kisses and bites to his neck. He chokes at the feeling of skin breaking when you leave a hickey. The sudden imagery of domming him and making him beg to cum is fire in your veins and you slow your thrusts.

"C'mon, fuck, yer heathen, stop teasin'." He gets another kiss and he whines.

The great Simon whining like a pup and trying to get himself off on your dick after years of abstinence is making your head all muddy. His hips squirm and he grumbles when you pull out of him only to turn him around to face the wall. The smack of his hands against the wall is loud when you enter him without warning and he is practically clawing at the walls to remain standing under the onslaught of pleasure.

"Fuck, not gonna last if you keep doin' this," and true to his word, his greedy hole tightens around you as he tipped his head back into a moan. Your hand guides him through his orgasm as the wall is coated with pent up ball batter and you are finishing in him with a whine and whimper.

He felt as divine as ever, even when he is below you and twitching from the aftershocks of an orgasm. Mercifully, he doesn't fight your attempts to clean him up even if a clench of his core meant more of your cum is dripping down his thighs. Your dick jumps at the creamy sight but Simon is fully sated and you are content to wait.

Here in the shop, everything feels right. Hearts aligned in a bow drawn taut towards love are yours and his.

---

"Simon, the dog is fighting the mailman again."

"Fuckin', luvvie, its your decision to get a dog."

"You didn't say no when we were at the shelter."

He groans when you shift on his lap while keeping him warm and cozy as the dick in your ass pokes against your prostate. Pre spills from your dick and he swipes a finger through the milky substance for a taste.

"This is, all your damn fault," you choke out between pants when his dick juts into further into you.

"Can't blame a man for wantin' more, sweetheart. Now sing for me," and those hips are determined to be the death of you. Ah, the joy of pleasure and to die from it, you think you could die happy in the lap of your man.

Raspy growls and a man possessed to chase and seek pleasure after years of draught is a dangerous combination. Your head rests against his shoulder amdist thrusts jostling your body.

"Fuck it, he can deal with that damned dog while I make you cum, darling."

[gogandmagog]

PRANK each other? I am throwing myself at your feet, @beckybubbles. There’s nothing I like more for Anne and Gilbert than when people write them lightly; leaning enthusiastically into their much-under-represented comedy-duo-besties era. Quarantine heightening this? Better and better. I think my mouth actually started watering when I read this string of titles. Is that weird?

🫧🌻WIP Titles Game, roommates au, pls!🌻🫧

(But just how many can I send you Becky, this was such a touch choice. 🫣)

I gave way too many (and have since realised I also forgot one 😅) but this is a fun choice! I actually started planning this one way back during lockdown when my sister's classmate had an unfortunate incident occur on zoom (they were entertaining and forgot to turn their microphone off) and from that moment, roommates au was born! 😂

The concept is that Anne and Gilbert are in quarantine together as they're roommates in college and they decide, to make life more lively when they can't go outside, they'll begin to practical joke each other until they reach a point of no return for their relationship. I imagine it to be cheeky and fun like a romcom with these random little chapter titles:

Thank you so much for asking! It was actually a lot of fun to go back and read through all my notes for this again 😊

[immaturityofthomasastruc]

Miraculous Ladybug Season 5 - An Overview

Well... that certainly was... the fifth season of Miraculous Ladybug.

While I was overall mixed on Season 4 with how much it varied in quality, I think I have a more concrete opinion of Season 5.

Yeah, this season was a real pain to review, but not for the reason you'd think. Most of the episodes were either dull or average, so there wasn't a lot for me to really talk about. Of course, when things were bad, dear lord, were they bad. This analysis is somehow longer than my Season 4 one and the ranking post. Other than real life stuff getting in the way, there's a damn good reason why this took so long to finish. I basically wrote a college thesis on this season.

The Things I Liked About Season 5

Let's get all the good things about this season out of the way first.

For one thing, one of my biggest complaints about Season 4 was sort of rectified, the portrayal of Adrien. While I still have problems with him (which I'll get to in a later section), they're more about his impact on the story. As for his personality and attitude, it's a big step up. There's much less complaining, he's more active in the action, and is far more intelligent. Compared to Season 4, where Cat Noir was affected by an Akuma's powers or taken out of commission in order to raise the stakes eleven times (Lies, Mr. Pigeon 72, Mega Leech, Guiltrip, Optigami, Sentibubbler, Wishmaker, Simpleman, Ephemeral, Penalteam, Risk), here, funnily enough, it only really happened five times in Season 5 (Jubilation, Illusion, Derision, Emotion, The Final Day). It's honestly amazing. There were times where I thought he was going to be taken out or get portrayed as an idiot, but that almost never happened this season. Even some of the weaker episodes this season featured Adrien in a more active role, like “Passion”, “Reunion”, “Elation”, and “Deflagration”.

Also, as much of a problem that I have with Cat Noir trying to Cataclysm his enemies, I'm glad that the show at least tries to acknowledge this by showing his worst nightmare is a world where everyone is dead because of him. It's not handled well, and it's only done just to bench him for the finale, but I'll at least give the writers credit for putting in the effort to give him more nuance. It's a hell of a lot better than what they did with Gabriel, but I'll get to him later. By extension, his relationship with Ladybug is much more tolerable. The two work together well, talk about the conflict with Monarch more often, and for the most part, feel like actual partners. Yeah, that dynamic falls apart towards the end of the season, but again, I'll give the writers an A+ for effort.

Another thing I like is that this season tries to focus more on character pieces, with episodes focusing on characters like Nathalie (Passion), Kagami (Perfection), Luka (Migration), and Zoe (Adoration). They're not handled the best, but I'm glad the show is at least trying to give the supporting characters time in the spotlight, even though they don't have their Miraculous anymore.

Speaking of, I like the idea of the Alliance rings. It's really the only time Gabriel actually takes advantage of his status as one of the most influential people in Paris to push the use of something specifically designed to help give his Akumas more power. Given how prevelant the marketing for Alliance rings is, it's easy to see his plan working in the long term.

We also had a couple decent new Akuma designs, like Safari, Bugfighter, and... uh... Yeah, I got nothing else. This is pretty much the most praise this season is going to get from me. Sure, I'll go into some other aspects I like during later sections, but other than that, this is it. Hell, even the parts I listed earlier are only mentioned for the ideas they present, not the way they're executed.

The Final Season... Of Filler

We've finally made it to Season 5, the climax of the conflict with Monarch. This is going to be epic, with all kinds of compelling stories that can be used for episodes, leading to a final product that will go down as—my God, why is this season so boring?!

Like I said earlier, this season was a lot harder to review than Season 4 was, and this was one of the biggest reasons why. As bad as that season was, I at least had stuff to talk about. Here? Almost nothing. A good chunk of the episodes I reviewed just didn't leave an impact on me. Most of them were either forgettable, mediocre, or just okay. Some of the episodes had decent ideas and a handful of good scenes, but it wasn't really enough to reach the highs of earlier seasons, including Season 4.

It's strange, because at first, it seemed like the show was learning from its mistakes during the first three episodes of this season. “Evolution”, “Multiplication”, and “Destruction” were far from perfect, but you could at least tell the show was trying something different. There was tighter continuity, clever mind games on both sides, a rare instance of nonlinear storytelling, and major changes to the status quo. They explained why Monarch can't just beat up Ladybug and Cat Noir himself, why the Rabbit and Rooster Miraculous can't be used to end the story, and why the Alliance rings were created.

When Ladybug got the Rabbit Miraculous after failing to get the other fourteen back, you would think that this would lead to an arc where Ladybug and Cat Noir gradually reclaimed the Miraculous from Monarch until the final battle, but what did we get instead in terms of plot development?

For what was supposed to be the final season, it felt like almost nothing happened. Sure, as always, the show tried to trick us into thinking stuff was happening, but several plotlines introduced this season were either abandoned or rushed through after a few episodes. The Resistance? Only relevant for five episodes, and even then, they didn't do much (Illusion, Deflagration, Confrontation, Revolution, Representation). Trying to discover how Monarch is giving the Akumas Miraculous powers? Only relevant in a single episode (Illusion). Felix having the Peacock Miraculous and being a total wild card? Only relevant for three episodes (Emotion, Pretension, Representation). The reverse Love Square? Only relevant for four episodes before it petered out (Determination, Passion, Reunion, Elation). Lila manipulating Kagami for some reason? Only relevant for two, maybe three episodes if you count that one scene in “Emotion”, and that was dropped in favor of her learning Monarch's identity offscreen (Perfection, Protection).

You'd think for a season with stakes this high, there would be bigger stories or more character drama, but we got nothing. The only real ongoing story we got was the Love Square finally happening, and trust me, I'll get to that later. There were plenty of ideas for story arcs here, but the writers pretty much ignored all of them.

Retcons! Retcons Everywhere!

This one's shorter, because it's a problem with the show in general, and I'll go into more detail about specific examples of this later on.

Miraculous Ladybug is a show that has always struggled to be consistent with its lore, worldbuilding, characters, story, and... well, a lot of things. I've talked about how often the show retcons things in order to justify whatever story they need to tell, not just for individual episodes, but story arcs too. There were so many episodes with stories that contradicted previous events or changed the motivations of certain characters on a whim.

In case you didn't keep track, here's a little highlight reel of some of the retcons this season.

Evolution: After both him and Ladybug were able to use multiple unifications last season with no problem, Monarch can't use too many of his powers without collapsing in pain. It also goes against what was established in “Kwamibuster”, the idea of using multiple Miraculous being enough to damage your sanity, where here, Monarch's body is damaged.

Multiplication: Adrien's reason for falling for Marinette was due to all the times she helped him, when it was usually the other way around in earlier seasons.

Determination: Adrien reveals he's had feelings for Marinette since the events of “The Puppeteer 2”, even though it never influenced any of their interactions between that episode and this one. It also contrasts the previous episode, where it said that Adrien was just starting to fall for Marinette for different reasons.

Derision: Chloe's bullying of Marinette had severe psychological damage that explains why she acts the way she does around Adrien... but ignores the romantic feelings Marinette has had for Luka and Cat Noir, and didn't act the same way around them, to say nothing about how she acted around Nathaniel when he had a crush on her during “The Evillustrator ”.

Intuition: The Snake Miraculous somehow makes Gabriel's Cataclysm wound worse even though the form of time travel it uses is mental, not physical.

Protection: Gabriel and Tomoe want their children to be in a relationship, yet Adrien and Kagami kept it a secret while they were dating.

Adoration: Zoe suddenly has feelings for Marinette despite showing no signs of it beforehand.

Emotion: Felix reveals he's doing everything for Adrien's safety, even though in his previous few appearances, he's done nothing but screw his cousin over by smearing his public image.

Pretension: Felix is against using a Sentimonster to defend himself and Kagami due to not wanting to force an innocent creature to follow his orders, yet he had no problem using a Sentimonster in the very last episode and in his next appearance.

Revelation: Lila has multiple secret identities she uses while pretending to be the child of several women, which had never come up at all during the last four seasons.

Representation: Kagami apparently learned Marinette was Ladybug right before she was akumatized in “Perfection”, yet Monarch didn't learn this like he did with Luka.

Do you see the problem here? Hell, I didn't even list every single retcon, or else we'd be here all day.

I don't get how a show that wants to be serialized can keep changing details like this. It's not even a case of the show replacing its writers with new ones who don't know as much as the old ones. This is mostly the same writing team for almost four seasons at this point.

Sometimes, the show will retcon stuff in order to justify stories when it doesn't need to. Remember how at the beginning of the season, Marinette was feeling guilty about her failure at the end of Season 4, and that influences her hesitance to accept Adrien's advances? The writers sure didn't, as “Derision” exists to give Marinette a whole new reason to not be comfortable around Adrien. Why the hell would you give Marinette a perfectly valid reason to not want to pursue Adrien, only to write an episode that gives her a different reason to not want to pursue Adrien? There was literally no reason to do this, especially during the last season of your first major story arc!

This season is clearly trying to be the most serialized of the bunch, yet the writers keep changing details about the story like that one Wallace and Gromit meme.

Season 5: The Show's Greatest Hits Album

Something I've noticed about this season is just how repetitive it can be. I know that sounds weird given this is a show that literally gave us the Status Quo-Yo, but please hear me out.

So many major story arcs and focus episodes are just rehashed versions of older things in this show, and not just the reused Akumas. Not only does the first half of Season 5 restate how complicated things are for Marinette's love live and how she can't love Adrien after what she did (something she gets over rather anticlimactically once Adrien confesses). Then there are other times where even plotlines established this season will get reused, and more often than not, it's worse.

In “Perfection”, Kagami is akumatized thanks to Lila's lies, and manages to break free from Monarch's influence thanks to her friends showing that they care for her. And then four episodes later, Kagami is akumatized again thanks to Lila's lies, only this time, she isn't able to break free. What... what was the point of having that emotional scene in “Perfection” if you're just going to treat her like a run of the mill Akuma a few episodes later?

And it's not just that. Big moments that happened in earlier seasons are pretty much redone but with a few changes to make it seem like they're different. Did you like seeing Adrien give up being Cat Noir in “Kuro Neko”? Well how about seeing Adrien and Marinette give up being superheroes in “The Kwamis' Choice”? Did you like seeing Chloe break off her friendship with Adrien in “Queen Banana”? How does seeing Adrien break off his friendship with Chloe in “Derision” sound?

But the worst of this has to be in the last seven episodes of the season. So much of what is essentially the culmination of five seasons' worth of story is just recycled. Let's go over why. In “Confrontation”, Marinette (and by her, I mean Sabrina with help from Marinette) manages to outsmart Chloe and Lila and put an end to their tyranny in the classroom. What are the next two episodes about? Marinette needing to outsmart Chloe and Lila, only now, they have reign over the city. This feels like something that should have been one major story, not something split up into two two-parters. Hell, you can't even say it's original to see Chloe in control, because this is also something that was done back in Season 1's “Rogercop”, only with the titular and the police following his orders for no reason instead of Chloe and her bootleg Daleks.

But hey, if an army of robots capable of using Miraculous powers, at least we can expect something even more creative for Monarch's ultimate plan, right? Yeah, Project “Perfect Alliance” is just a combination of Chloe's murder boxes and the exact same plan in “Heroes' Day”. People are brainwashed like in “Heroes' Day” and they get Miraculous powers like the robots in “Revolution”. Seriously? Nobody took a look at this and thought “Didn't we do this already?”

What's the point of making these two different evil plans when they're essentially the same thing? Why not give Chloe's robots various weapons instead of Miraculous powers if you're going to have an army of villains who have the same Miraculous powers two episodes later? Why not make it so the Miraculized are really the robots designed to help Chloe, only here, they have the ability to turn anyone wearing an Alliance ring into one of them, sort of like the Borg from Star Trek?

It's clear that after four seasons, the writing on this show has gotten incredibly stagnant if the major plotlines are just reused from earlier seasons. At best, it comes across like blatant fanservice, and at worst, it's a symptom of the writers struggling to come up with new ideas for stories. Either way, this is one of many reasons why not a lot of people are looking forward to Season 6. How can you expect interesting stories in the future when the writers keep recycling their old ones?

Felix and the Struggle With Sentimonsters or: This Is Starting to Sound Like a Bad Comic Book Plot!

Before I get into the problems with Felix this season, consider this: With Chloe (who I'll get to later), she was an example of someone who wouldn't get a redemption arc. Felix? This is the writers intentionally trying write a redemption arc. How did that turn out?

The obvious problem with Felix is mostly due to, like a lot of things in this show, poor time management. He only had three focus episodes, and in that time, the writers needed to explain his motivations, establish him as a wild card, have him realize the error of his ways, develop his relationship with Kagami, and help out Marinette. They really wanted to do a lot with Felix, yet with how rushed his arc was, I have to wonder if there was some trouble behind the scenes that prevented him from getting more focus.

It doesn't help that what little we got was confusing as all hell. I've already gone into detail about the problems with Felix's motivations not explaining his actions, but here's a list of all the problems with Felix.

If Felix wanted to get the Peacock Miraculous from the start, why didn't he try stealing that in “Felix”?

If Felix cared about Adrien, why did he spend most of his appearances mocking him and ruining his reputation by impersonating him in “Felix”, “Gabriel Agreste”, “Risk”, “Emotion”, and “Representation”?

If Felix knew who Gabriel was, why did he come up with this elaborate plan to get the Peacock Miraculous in a trade with him instead of going to Ladybug for help in “Strikeback”?

If Felix realized Gabriel was dangerous and capable of wiping him out, why did he decide to give him fifteen Miraculous in exchange for a single Miraculous without doing anything to stop him in “Strikeback”?

If Felix could easily get rid of Gabriel with a single Sentimonster like he did in “Emotion”, why didn't he immediately do that as soon as he got the Peacock Miraculous in “Strikeback”?

If Felix wanted to stop Gabriel, why did he decide to wipe out all of humanity alongside him in “Emotion”?

If Felix cared about innocent lives, why did he decide to wipe out all of humanity without showing any remorse except for when he had to get rid of Red Moon in “Emotion”?

If Felix didn't want to create any Sentimonsters just to end their lives in “Pretention”, why did he do just that in “Representation”?

If Felix knew Marinette was Ladybug, why did he choose to tell her who Gabriel was in an unnecessarily complicated way instead of telling it straight to her face in “Representation”?

If Felix really hated his abusive father, why didn't he show any hatred for Gabriel (who gave Colt the damaged Peacock Miraculous and did nothing to stop the abuse) as well during his little play in “Representation”?

If Felix cared about stopping Gabriel, why did he only decide to go to Ladybug for help when Gabriel was getting in the way of his relationship with Kagami in “Representation”?

If Felix was willing to tell Marinette about Gabriel being Monarch in “Representation”, why didn't he do anything else to help her stop Monarch in “Comformation” and “Re-Creation”?

With how many flaws his plans have, I'm surprised Felix hasn't said anything along the lines of “My pwan is gweat!”

For someone who claims to be doing a lot of things for Adrien, Felix tends to either screw over his cousin as part of his plans or forget him entirely. I don't mean he screws over Cat Noir, as his identity is one of the few things he doesn't know, but rather, how little his plans actually benefit Adrien. Putting aside his previous appearances in Seasons 3 and 4, in the span of a single episode, Felix pretended to be his cousin and smeared his public image, used a Sentimonster to wipe out all of his friends and loved ones while needing to be told by Adrien that doing so wasn't cool, and after that, he pretty much abandoned caring about Adrien.

Yeah, starting with “Pretension”, the writers once again change gears so Felix's primary goal is to help Kagami, not Adrien. It's Kagami that really helps inspire Felix's true turn to good, it's Kagami who he chooses to visit when she and Adrien are taken to London, and it's Kagami that helps him decide to tell Marinette Monarch's identity. Even though he only has three major appearances, the writers still decided to shake up his character arc for some reason. How does a team of paid writers struggle to stay consistent with any story or character arc they've written?

The worst part is that for a redemption arc, Felix shows little to no remorse for his actions. Not once does he apologize to anyone he's personally wronged, like Adrien, Marinette, or Kagami. He doesn't see anything wrong with giving Monarch more power and depriving Ladybug of almost all of her allies, and he had to be told that wiping all of humanity from existence was a bad thing. Felix has done so many terrible things in his quest for freedom, which isn't a bad idea, as it could make for an interesting discussion about whether the ends justify the means, but the show doesn't go that route. Instead, despite doing almost nothing but making things worse for Ladybug and Cat Noir, we're supposed to see Felix as a great person who just wants to have friends. Sure, having good social skills is a big part of being able to manipulate others, but let's just ignore all the people he's tricked and assume he doesn't know how to properly socialize with someone without stalking them.

It doesn't help that of all the characters this season, Felix makes the most progress in stopping Monarch. Puting aside his little genocide attempt in “Emotion”, he actually made an attempt to take Gabriel out of the equation, and later on, passed on intel about his true identity to Marinette. Think about that for a second. Marinette, despite being a hero with the ability to deduce what to do from simple clues given to her, isn't the one to figure out Monarch's identity. Instead, she has to be told who Monarch is, and is able to beat him only because Felix told her what to do. The worst part is that Felix doesn't even take part in the final battle when he has no excuse to not get involved. Remember, he doesn't have to worry about getting snapped away by Gabriel, so even though he cares so much about Adrien and Kagami, he does nothing to save either of them from their glorified solitary confinement.

Felix isn't a character. He's a glorified plot device who only shows up to advance the story instead of letting any character make progress by themselves. While Marinette and Adrien are focusing more on their love lives this season, Felix is the one actually getting things done. Because God forbid the two characters the show is named after actually do anything to stop the villain this season, am I right?

And that's not even getting into the Sentimonster stuff. Yep, to our collective horror, not only is Felix a Sentimonster, but it's also hinted that Adrien and Kagami are Sentimonsters too. I'm not sure why the writers are so hesitant to flat out say the latter two are Sentimonsters after all the obvious hints, especially when this is a show that loves to overly explain every plot detail and character trait. I don't know. Maybe they're just hedging their bets in case things don't go over well with audiences, but I can't possibly see anything bad coming from this. After all, how can you think of any uncomfortable implications stemming from the three major victims of child abuse literally being inhuman monsters who are physically unable to resist their abusers' orders?

With the Sentimonster “reveal”, Adrien and Kagami, two characters who were previously doing their best to be independent from their parents as they could at their age, are now physically incapable of even having a single negative thought about them without being ordered around while showing no resistance. Like I've mentioned before, it's a blatant retcon because it's never explained why Gabriel and Tomoe didn't do this during Seasons 2 and 3. It also gives the writers the opportunity to remove any agency Adrien and Kagami have in the plot, even though one is one of the two main characters, and the other plays a crucial role in helping another character expose the main villain's identity.

We're supposed to see Gabriel and Tomoe as wrong for ignoring their children's protests and forcing them to do things they don't want to do, but it doesn't lead to an arc where Adrien and Kagami rebel against their parents and break free from their influences. As soon as either Gabriel and Tomoe touch their respective rings, Adrien and Kagami are completely helpless, and there's no way for them to resist because of how powerful the link with their Amoks is. There's no hint that they have the potential to break free from their Amoks' influence, and the only time we saw that happen, it was a complete accident that Felix didn't even cause (Representation). Adrien and Kagami are both reduced to damsels in distress thanks to being Sentimonsters, and even though the show is trying to say they're trapped in a terrible situation, there's never a way out.

The most Adrien and Kagami do is express frustration with their situation, but most of the progress made in escaping their bad relationships is done by their respective love interests, Marinette and Felix. Yes, support systems are important, but rather than help Adrien and Kagami earn their freedom, Marinette and Felix do pretty much all of the work to save them during the latter half of this season. Hell, they couldn't even get that completely done by the time of the finale! Gabriel dropped dead and Adrien thinks he's a hero and Kagami's still living with Tomoe, only now she has her Amok ring. We're supposed to see this as a happy ending when they're both still influenced by their abusive parents, even if they don't have any physical control over them. The whole idea behind making Adrien and Kagami Sentimonsters should have been something about them, but with Gabriel and Tomoe, the writers only see them as helpless victims who can't do anything to save themselves. Sure, both of them have fought supervillains before, but we can't have them actually showing agency, can we?

I'm going to get into other ways Adrien and Kagami's characters were butchered this season, but for now, let's get into all the uncomfortable things this plotline implies. Now before I go any further, just remember that I am far from an expert on abuse or child psychology, so please take what I say with a heavy grain of salt. If there is anyone reading this who is a victim of abuse or knows someone who was, please don't be afraid to speak your mind about my analysis or correct me if I get any details wrong.

I get that making Adrien, Kagami, and Felix Sentimonsters was probably done so it'd be a way to explain the concept of child abuse to younger audiences, specifically to show how helpless the situation can be for victims, but the problem is how the allegory is handled. It wants to show how cruel the idea of child abuse is, but it doesn't want to outright vilify abusers like Gabriel or Tomoe. They usually try to sugarcoat it by saying that the two have good reasons for doing what they do, but that's a common problem with abusers. Abusive parents almost always believe that they're doing the right thing while their children think that they're just being punished for their own good, and the season ultimately takes that stance by the end.

The show is clearly trying to use the Sentimonster concept to tell a story about abuse, but I have no idea what exactly it's trying to say about it. “Child abuse is bad”? Okay, then why aren't you going to condemn the abusive parents for being abusive parents? And no, brief mentions of abusive parents who we never actually see onscreen don't count (Derision, Pretension, Representation). “Help out abused children”? Big talk coming from the season that only has two people actually fight to help the victims of child abuse, while treating another victim of child abuse as getting her just desserts (Revolution). “Parents have good reasons to do what they do”? Yeah, that normally applies to stopping your kid from getting a tattoo, not forcing them to whatever they want against their will.

The thing about writing abuse is that you need to acknowledge just how unhealthy it is, and do whatever it takes to take them out of the toxic environment. Here, nobody ever tries to remove Adrien from the toxic environment or tell him that what his father is doing isn't right. Sure, Felix tries to take Kagami away from her abusive mother, but that was only for like an hour at most, and then he just let her go back to her mother. Adrien doesn't even get that luxury. Hell, he isn't even allowed to know just how terrible his father was because he's just a sensitive baby according to the show. Portraying abuse victims as too emotionally fragile to know the truth is a pretty bad idea because, like I mentioned before, a big problem that abuse victims go through is that they're conditioned to see their treatment as normal at best, or see it as their fault at worst.

Like so many other serious topics discussed in this show, the writers clearly want to tell a story about abuse, but they're too afraid to actually take a proper stance on it, so they kept trying to play it safe in an attempt to not get backlash from audiences. Of course, because of that, they ended up portraying victims of child abuse as soulless husks who have almost no free will of their own, while ending the season by having them still under the influence of their abusive parents, even the dead one. Real bang-up job, there, writers. It says a lot when a Spider-Man PSA from almost 35 years ago did a better job tackling child abuse than you did.

And finally, let's talk about how this season's treatment of Sentimonsters indirectly influences our perception of them across the past two seasons. Even though the Sentimonsters created have shown almost no individuality from Seasons 2 to 4, only now are we supposed to see them as sentient beings, with Felix himself even taking offense at the idea at being called a Sentimonster. Never mind the fact that Felix never actually comes up with a proper alternative, so he just comes across as whiny when we're supposed to see him as a champion of the Sentimonsters.

In regards to the narrative the show decided it now wants to tell about Sentimonsters, I have two questions.

First, why should I care about Sentimonsters if the previous two seasons have portrayed them as nothing but soulless killing machines? If you're going to write a plot twist that changes the way we see Sentimonsters, you need to explain why we were wrong to only assume they're dangerous, especially since Argos' first Sentimonster literally wiped out all of humanity. For comparison, Ultraman Z did a similar plotline by having the main character realize that several of the monsters he killed as the titular hero weren't intentionally trying to harm humanity, so it caused him to doubt himself as a hero before he vowed to start finding non-violent ways to stop monsters if he could, while viewing the act of killing monsters that couldn't be reasoned with as a necessary evil. This show has no such arc and just expects us to ignore all the damage the Sentimonsters have caused since the end of Season 2.

Second, what about the Sentimonsters whose lives have been snuffed out by Mayura, Shadowmoth, and even Ladybug? The writers want us to sympathize with Sentimonsters and believe they get a bad rap? That's fine, but even if we did, what about the ones who were already wiped out of existence? Are we just not going to talk about them? Why should we only value the lives of Felix, Adrien, and Kagami and not any of the other Sentimonsters created in previous episodes? What, because they're not main characters, their lives don't matter?

All in all, everything about the Sentimonster was either poorly thought out or too preachy to take seriously, and Felix is emblematic of those problems with how he and the Sentimonsters are written. Oh right, I forgot Felix had a sidekick too, Kimberly—I mean, Kagami.

Kagami Never Hesitates to Be a Complete Idiot

If you read my overview of Season 4, I sang high praises for how Alya was written. Season 4 managed to take a character I had previously disliked and turn her into one of my favorite characters in the show. Now, with that being said, I want you to imagine the opposite of that happening to a different character, and you have my feelings on Kagami this season.

It's weird how, after she had made it through the past three seasons with her character somewhat intact, the writers decided to give her even more prominence by involving her in two separate arcs this season... and only made her nothing more than a damsel in distress who constantly needed to be saved in both of them. I'm not saying that Kagami should be able to beat the crap out of Monarch with her bare hands, but my point is that Kagami just lost so much agency this season.

When she wasn't being manipulated by Lila (Perfection, Protection), she was playing second fiddle to Felix and acting like he didn't hand over almost every Miraculous in Ladybug's possession to Monarch (Pretension, Representation). It's really strange, considering a defining character trait of hers is her hating liars like Marinette does, since it's why she dumped Adrien, yet here, she gets tangled up in the schemes of two different liars, Lila and Felix. I can at least get Lila (as dumb as her episodes are), since she's supposed to be seen as this master manipulator, but she just brushes all of Felix's crimes aside because he “doesn't know how to express himself”. Because even though she's always been loyal to Ladybug, she has no problem working with one of the only two people to betray her trust. But she loves Felix, so that makes it all okay.

What made Alya's arc last season work was that even though she was primarily Marinette's confidant, we also got episodes showing her struggling to balance her own desires with what needed to be done for the greater good (Optigami, Sentibubbler, Hack-San, Rocketear). She had to step up and become more than just one of the many temp heroes Ladybug called on, someone trustworthy enough to temporarily use the Ladybug Miraculous. Yes, she made bad calls, but when things went south because of her bad decisions, she normally took responsibility for her actions and vowed to do better. With Kagami, we don't get any internal conflict like that at all. She just blindly goes along with whatever Lila and Felix say, and even when bad things happen as a result, she never even thinks to call out either of them other than rarely saying something along the lines of “Hey, not cool.” (Protection, Pretension).

Kagami just doesn't get to do anything on her own terms this season. Her entire arc revolves around following Lila and Felix around like a lost puppy. And just remember, we're seriously supposed to act like Kagami is trustworthy enough to see that her defending Felix from Ladybug is enough to prove that he's a good person deep down... when this same season showed her easily falling for Lila's lies and getting akumatized twice as a result. It's like believing Dr. Nick can perform a life-saving kidney transplant after seeing him botch an open-heart surgery.

Even Kagami figuring out Marinette is Ladybug, something that should be a big deal like with Alya and Luka learning last season, is something we learn through a flashback and is, you guessed it, is only relevant to one of Felix's plans. And yeah, reveal your friend's secret to someone who someone who betrayed her. What could possibly go wrong? Again, when Alya screwed up, she was at least able to admit it to Marinette's face. Kagami never tells Marinette that she knows, and never faces consequences for throwing her lot in with Felix. What's her excuse, that she has too much love in her heart for Felix?

Speaking of which, let's talk about the biggest problem I have with Kagami this season, the way her relationship with Felix is handled. Let me make one thing clear: my problem isn't with people who ship the two together. Much like with the Love Square, my problem is how the show handles this romance. The two had almost no episodes together, and from what little we saw of them interacting, Kagami didn't like him, and for obvious reasons. But then “Pretension” came. Not only did Felix develop feelings for Kagami offscreen, all it took for Kagami to fall for Felix was a single conversation where he showed basic human decency. Yeah, Marinette fell for Adrien for similar reasons, but at least she and him took a while to actually get together. These two shared a handful of conversations, and now they're just made for each other.

The problem with this is that the relationship basically reduces Kagami to Felix's girlfriend and sidekick. All of her major appearances post-“Emotion” were in relation to Felix. She only helps him because of their relationship, and their relationship was the whole reason why Kagami convinced Felix to do what he should have done from the start, tell Ladybug who Monarch was... even though Astruc said this kind of relationship was toxic when discussing Lukloe.

You see, the difference between Lukloe and Feligami is (MAKE UP EXPLANATION LATER AND DON'T ACCIDENTALLY LEAVE THIS SPOT BLANK). And that's why we shouldn't see this as blatant hypocrisy on Astruc's part.

While it's par for the course, given how almost every female character in this show is connected to a male character in some way, the way Kagami is written this season is still part of a bigger problem. Kagami is not everyone's favorite character and not one people fiercely discuss as much as Marinette, Adrien, or even Chloe, but it's still baffling that out of all the characters in this season, Kagami would arguably sustain the most damage out of the entire cast. Given that this is the same season as Nino becoming the braindead leader of the Resistance, Chloe's brief stint as a tyrannical mayor, Nathalie choosing to do nothing about Gabriel until she was about to die, the baffling reveal of who Lila supposedly is (again, more on these later), or... really, a lot of things with both Marinette and Adrien, this is actually saying a lot. If you want to look at it at a particular angle, Kagami's actually a direct victim of practically all of the biggest problems in this season and I've had to mention her a lot more in this analysis than I anticipated. Then again, I suppose that's me showing more care to Kagami as a character than the writers did.

The Story of The Resistance (In Name Only)

I've already gone on about how underdeveloped most of the temp heroes are, so you can imagine the season where they try to help Ladybug without superpowers doesn't really change my opinion of them.

Remember how in episodes like Season 1's “Antibug”, Season 2's “The Dark Owl”, and even this season's “Jubilation” made it clear that trying to be a superhero without a Miraculous or proper training was essentially suicide? You know, how it was better to leave things to the actual superheroes? Well the writers sure didn't, as now we get to see a bunch of idiots try to take on supervillains with paintball guns and whatever they can throw at them. I'm pretty sure the writers put more effort into all the codenames themed after condiments than actually coming up with creative ways to fight Akumas. Because we all know how hilarious (citation needed) the flower codename gag from “Gigantitan” was, so let's do something like that, but for multiple episodes this season.

I'm just going to be blunt here when I say the Resistance this season sucked. Putting aside the fact that the writers couldn't come up with a less generic name or a name that wasn't already taken by the Ox Miraculous' power, this subplot was just so pointless. You have a team of former heroes who want to find a way to help Ladybug and Cat Noir stop Monarch, and rather than do things like pass intel along or find ways to stop people from getting akumatized, they decide to try taking them on themselves with their most powerful weapons being paintball guns. Congratulations, you now have all the equipment you need to take on Bart Simpson in a fight. Sure, they try to pass on intel to Ladybug and Cat Noir in their first episode, “Illusion”, but Nino's plan was so stupid, they ended up helping Monarch in the long term by letting his civilian identity into their team. Oh, I'm sorry, did you forget how Gabriel and Lila were inducted into the Resistance at the end of “Illusion”? It's okay, the writers did too.

And the idea of them passing on intel could have worked, as it would give Marinette a support system to help solve problems she can't figure out on her own, following up on her character arc from Season 4 where she learns to put her trust in people, but like a lot of things this season, the writers got bored halfway through and decided to change up this plotline. Now, they're prepared to fight anyone who gets akumatized. How many Akumas did the Resistance manage to stop completely on their own? One, and it was offscreen (Deflagration).

Trying to make the Resistance seem competent and effective comes at the price of making the villains look like idiots who can't handle a few teenagers without superpowers. Monarbug, someone who managed to unify with the Ladybug Miraculous, lost it thanks to the Resistance dogpiling him. Then, later on, they managed to stop Nightormentor, an akumatized Gabriel, by just throwing stuff at him. Do you have any idea how lame this makes Monarch look? It's like that scene from Robocop 3 where that kid somehow managed to make ED-209 as loyal as a puppy in a matter of seconds. It's not cool to see it happen. It diminishes the threat the formerly menacing villain posed.

The show loves to play up the Resistance as this amazing underground organization Nino is so proud of, but it doesn't work because you can count the number of times they've actually helped out on one hand, and even then, that's being that word Chloe doesn't know the meaning of (Deflagration, Revolution, Representation). Even then, they still fall for Lila's lies which, like Kagami, doesn't help establish any of them as trustworthy. The whole Resistance subplot is basically an excuse to make it seem like the former temp heroes aren't just sitting around, which again, isn't a bad idea, but nothing comes of it. We don't get to see any of them worry that they can't do anything without their Miraculous, we don't see where or when Nino got the idea to form the Resistance, and we don't even get any scenes where the worry about the captured Kwamis. The show just has them all operate under the same goal and makes it seem like they're making a difference when they barely do anything. None of them really feel like characters, and it shows this season.

Nino, despite labeling himself as the brave leader of the Resistance, is anything but. He constantly brags about how effective he is, but not only does he let anyone into his top secret organization without even thinking if they can really be trusted, all of his genius plans amount to, you guessed it, throwing stuff at the brainwashed people with superpowers. He's also so confident that he was awesome as Carapace when all he did was occasionally help Ladybug out with his Shelter, and then whines about not being chosen by Tikki and Plagg when Scarabella and Kitty Noire temporarily take over (Illusion, Deflagration). He's also so poor at gathering intel that not only did he fall for Gabriel's ruse and act like he figured out how the Akumas have Miraculous powers, he didn't even know his best friend was going to London until he got on the plane (Representation). I wasn't kidding when I said Nino was such a terrible leader, he makes Zapp Brannigan look competent by comparison.

And remember when Alya was a major character? Neither does the show! Out of the entire season, she was really only relevant to the plot when she became Scarabella for a few days, and even then, she didn't think that maybe she should take off the Alliance ring that monitors her every move if she's going to be a full-time hero again (Transmission, Deflagration). There is absolutely no follow-up to anything that happened to her in Season 4. She doesn't regret blowing her cover, she doesn't worry over not being able to help Ladybug as Rena Rouge, she doesn't worry about the safety of Trixx, she doesn't even consider the fact that she's not used to going back to full-time hero work after half a season of being undercover as Rena Furtive. At best, the whole thing with Alya exposing her cover to Nino last season gets played off for the sake of a cheap joke (Illusion).

Then there's Zoe. Like Season 4, I can definitely say that out of all the supporting characters, she was certainly one of them. They clearly try to give her these big moments in an attempt to endear her to the audience, like her brief stint as Kitty Noire or her coming out to Marinette, but because of how nonexistent her character development has been, these don't feel earned. I can't buy her friendship with Marinette or anyone else because of how little she appears. Hell, she was specifically introduced to act as a good counterpart to Chloe, and she did nothing to really contribute to her ultimate downfall other than sharing a single conversation during “Revolution”. That's how little the writers care about her, they don't even have her interact with the character she was designed to replace. I take back what I said about her being a Mary Sue way back in my “Sole Crusher” review, because at least those types of characters get plenty of focus in the narrative. All I can really say about Zoe after two seasons is that at least she's more interesting than Socqueline, a character so boring, this is the only time I'm going to mention her in this entire analysis.

And that's it for the Resistance. Only three side characters are actually worth talking about this season. That is how pointless of a group they are.

Chloe’s Arc That, in Case You Forgot, Was Totally Planned From the Start

I really don't know what else to say here. Remember, this entire blog was started because of how upset I was by Astruc's response to criticism of the Season 3 finale, specifically how Chloe's “damnation arc” was claimed to have planned out from the start.

For the sake of argument, let's go over this arc and just what happened with this character over the past eight years. In Season 1, Chloe started out as a standard high school mean girl who used her father's influence to get whatever she wanted, but wasn't that much of a threat compared to Hawkmoth and the Akumas. In Season 2, we got to see a different side to her that started a character arc, showing she was capable of changing and becoming a hero in her own right. In Season 3, while it seemed like Chloe was changing for the better, the finale had her betray Ladybug and go back to being the same mean girl she was before. In Season 4, we were introduced to Chloe's never before seen half-sister, Zoe, who only existed to replace Chloe as the user of the Bee Miraculous, and even though the very same episode where Zoe first got the Bee Miraculous hinted that there was still a chance of Chloe changing, the rest of the season acts like she's always been a menace to society with no redeeming qualities. In Season 5, Chloe was portrayed as a heartless monster who is worse than the main villain of the entire show, is simultaneously smart and cunning enough to bully Marinette in a way that would leave lasting mental scars for a year and also too incompetent to take seriously, and even though the season has made a big deal about how terrible child abuse is, her being sent off to live with her verbally abusive mother is seen as a perfectly suitable punishment for her.

I don't know what's worse, the fact that none of the writers had second thoughts about this character's “arc”, or the fact that Astruc probably thinks he made an antagonist as complex as Lady Macbeth. I also love how, despite all this supposed planning, not once do we get any explanation as to just why Chloe hates Marinette so much other than the fact that one's a rich person and the other is the main character in a cartoon.

Chloe's character was already going in a downward spiral in Season 4, but with Season 5, it feels like the writers just abandoned all attempts to be subtle and were determined to stop people from liking her. Like, it's amazing just how much time was spent hammering the point home. She got more focus as a villain than Lila and even Gabriel. We had about eight episodes this season that featured her in a major antagonistic role: “Determination”, “Deflagration”, “Derision”, “Adoration”, “Revelation”, “Confrontation”, “Collusion”, and “Revolution”. Almost a third of this season is dedicated to showing how evil Chloe is, as if she's somehow worse than people like Gabriel or Tomoe. And that's not even counting episodes where she got a line or two to remind the audience of how bad she is, like “Multiplication”, “Passion”, and “Reunion”.

The weird thing is that even though this was supposed to be the season where Chloe was at her worst, it still seemed like the writers couldn't make up their minds on what they wanted to do with her. For example, let's take a look at her relationship with Monarch. In “Multiplication”, she believed that Ladybug and Cat Noir should just give Monarch what he wants, implying she's still on his side. Then, in “Determination”, she blamed not having the Bee Miraculous on why Monarch was able to win, implying she wants to stop Monarch. And then in “Deflagration”, it's hinted that she once again willingly accepted an Akuma out of a desire to get revenge, implying that she's still on good terms with Monarch. Finally, in “Revolution”, she initially wanted to arrest Monarch when he arrived in her office, and had to be convinced to work with him again. Seriously, this is almost two seasons after she started working with Monarch in the first place. How the hell are the writers not sure if she's working with the villain or not?!

Of course, that's the least of my problems with Chloe this season. One such problem that it seems like the writers specifically went out of their way to ruin the few positive relationships Chloe had just so her fans would have less ground to stand on. Her friendship with Adrien? He finally decided to write her off as irredeemable just as he learned just how miserable she made Marinette (and only Marinette) at the end of “Derision”. Her friendship with Sabrina, as one-sided as it is? She doesn't even see Sabrina as a friend anymore, specifically referring to her as an underling starting with “Adoration”, and then Sabrina turns against her after she finds one specific scheme to be going too far. The sympathy Ms. Bustier had for Chloe, even though it wasn't relevant to her character after “Zombizou”? Chloe basically ignores any attempt made to reach out to her, and we're supposed to act like her wanting to help Chloe get a decent education because it's her job as a teacher is the stupidest idea in the world. Chloe's relationship with her own father? This season decided to make Andre out to be a man mentally broken by the bad treatment he gets from his daughter and totally not a corrupt politician, and outright disowns her in favor of adopting someone who isn't even his biological daughter.

It already felt like Season 4 exaggerated Chloe's negative traits, but now, the show doesn't want anyone to like her in-universe, as if showing basic human decency to her in the first place was off the table. Remember, in “Revelation”, Marinette's speech to Adrien was basically copied and pasted from one of Astruc's tweets, as if this was meant to address anyone who still liked the idea of Chloe changing for the better.

And trust me, I'll get to the characters who actually got redeemed later.

For now, let's talk about the main issue I have with her portrayal: The writers want her to be seen as a threat... but they don't want her to actually be a threat. Almost all of Chloe's appearances this season had her acting as a pawn to either Gabriel or Lila. This season also started to use dumb blonde jokes in order to show how incompetent she is, like having her struggle to understand the concept of the word “generous”, making her out as an idiot. The whole point of the “irredeemable villain” archetype is that the character is usually so big of a threat, there is absolutely no way of talking them down, so they need to be stopped through the use of force. Chloe is far from a threat, which is why all this talk about her being a monster falls flat.

At the end of the day, Chloe is easily at the bottom of the hierarchy of the villains on this show. She has no Miraculous like Gabriel, she has no advanced technology like Tomoe, and she's nowhere near as cunning as Lila is. The problem is that the show wants the audience to see Chloe as if she's the worst of them all. Fine, she may have the most obnoxious personality and least amount of redeeming qualities by the writers' standards, but this is a superhero show. You don't just rank villains on how mean they are, but also by how much of a threat they are to the hero. The moments where we're supposed to take Chloe seriously, the show keeps reminding us that she's only getting as far as she has because she's being used by other villains. It makes the moments where the heroes triumph over her ring hollow.

I'm not even joking here when I say that out of the show's entire rogues' gallery, Chloe is literally the only one who actually gets punished. Sabrina was able to wash their hands of her association with the bully, Andre was more than happy to give up his position as mayor and kidnap Zoe, Tomoe was never even exposed, Lila only faced a minor setback when she was exposed, Nathalie was healed by the wish, and even though he died, Gabriel died a martyr who never actually answered to any of his crimes. But Chloe? As fucked up as it was, she was the only one who received some form of punishment for everything she did. Congratulations, Ladybug and Cat Noir! After five seasons, you finally managed to defeat the Ringo Starr of your rogue's gallery, and all it took was unlocking the full power of your Miraculous.

I was initially angry at the show for just throwing away a character arc and mocking anyone who was interested in it, but now, I'm angry at the show for a different reason. Even if we were to assume that everything about Chloe was planned from the start, that she was supposed to be a fallen hero turned enemy, the show did nothing with it. If you're going to make Chloe a full-blown villain, then go nuts with the idea! Have her dedicate her life to beating Ladybug out of hatred, maybe even through a suit of armor like Princess Morbucks. Instead, this is the writing equivalent of intentionally setting your house on fire, but deciding you don't need the insurance money.

I'm actually going to say something that might sound blasphemous, especially coming from someone who has spent a lot of time talking about Chloe's character assassination, but I'm just going to admit it: I think Chloe should have been the next Hawkmoth, not Lila.

Yes, that's probably what you're thinking, but I'm serious. Think about it. Between her and Lila, who has the closer connection to Marinette as an enemy? Who has a more fleshed out reason to hate Marinette? Who got more focus as a villain this season? Who has more resources at her disposal? Essentially, the show put so much effort into making Chloe out to be Marinette's most personal enemy, that it makes no sense for them to not just go all the way and make her the next big bad. The writers already go on and on about how irredeemable she is, so why not make her an actual threat for a change?

But no. Instead, let's just keep her as comic relief who somehow gets more screentime than almost every other villain this season. That's a good way to tell our story, right?

Now You See That Evil Will Always Triumph Because Good Is Dumb... And So Is Evil, Apparently

This section should be relatively easy for me to get through, since not much has really changed with the villains since Season 4. They're all still idiots even though the show wants us to see them as a threat to the equally idiotic heroes.

Let's start with our only newcomer to the show's rogues' gallery, and definitely the weakest, Tomoe. I'll give the show a lot of credit with the foreshadowing for Tomoe here. Unlike other plotlines where the show bashes you over the head with obvious hints like with the Sentimonster stuff, the hints leading to the reveal of Tomoe being in leagues with Gabriel are far more subtle. They spend a lot of time in Seasons 3 and 4 discussing things offscreen (probably about some version of the Alliance rings), and both of Tomoe's akumatizations happen offscreen as well (since their conversation would give away their alliance). It's handled pretty well... which is more than I can say for Tomoe as a villain.

Tomoe is just such a confusing character, both conceptually and the way she was used this season. She's meant to be Gabriel's new confidant after Nathalie decided to stop being a villain while still mooching off him, but she pretty much does the same things Nathalie does, including the constant nagging about how inefficient he is. She even serves the same role Nathalie served in earlier episodes as Gabriel's technical advisor. Tomoe is basically a second Nathalie, with the only differences being that she's blind and that she wants Kagami to be with Adrien. Of course, this makes no sense because, like I mentioned in the retcon section, Adrien and Kagami tried to keep their relationship secret before their breakup. How could Tomoe not notice this? What is she, blind—oh right...

There's also the issue I have with the way Tomoe's nationality and disability is portrayed here, and how it really highlights how terrible this show is with representation (not to be confused with the episode of the same name). Like with my Sentimonster section, if there's anyone reading this who is disabled or a person of color, and you'd like to say anything about this part or how this show's representation is handled, feel free to voice your opinion or correct me if I get anything wrong.

With Tomoe, it feels like the writers slapped on every Japanese stereotype you could think of and called it a day, because we've seen all of these before. She's dressed in very traditional Japanese attire, is named after a famous Japanese warrior, uses a kendo shinai as a cane instead of a walking stick, is a strict parent to her child who expects the best from her, makes references to Japanese culture like samurai (Pretension) and taiko drums (Protection), is a technological genius, forces her child into an arranged marriage, and uses Japanese honorifics while talking with Gabriel even when they're not speaking Japanese. I'm not saying Japanese people can't talk about their culture at all, but when you're writing a character who happens to be a person of color, you need to do more than make references to their heritage.

With Tomoe, almost everything she says is referencing her heritage, which makes it come across like the writers cared more about her being Japanese than anything else. Because somehow, the writers were worried kids wouldn't pick up on the fact that she's Japanese... when she's wearing something that makes her look like she just stepped off the set of an Akira Kurosawa movie.

But hey, at least they say Tomoe is Japanese. I don't think there's a single indication that she's blind. At most, they give her the stereotypical superpower every blind person in superhero media seems to have, enhanced hearing. Of course, while characters like Daredevil and Toph Beifong have in-universe explanations for how they're able to “see” without their eyes (Daredevil's enhanced senses came from the same chemicals that blinded him in the first place, while Toph learned an advanced Earthbending technique that gave her the ability to sense others through vibrations in the earth), Tomoe just has them because the writers thought it would be cool. I know it might seem strange to say this after I talked about how too much focus was given to Tomoe's Japanese heritage, but you'd think more would be done with her being blind, and how it would factor into her motivation to create a better world through technology or her ideology about self-discipline. Instead, she acts like every other character on this show, to the point where all three times she was akumatized, she got her sight back.

The main problem with Tomoe is how other than her heritage and disability, she has almost no personality other than being a strict mother to Kagami (something that is also a negative Asian stereotype) and her vague ideology about suppressing her emotions. She's basically a female Gabriel, and because she's a woman in this show, lacks any depth or redeeming qualities. There just wasn't enough time to really develop Tomoe as a character in the same season she was revealed to be a villain. Sure, they try to hint at her having history with Gabriel, but that never goes anywhere, and we never even learn just why she's working with him in the first place other than some vague desire to make the world more technologically advanced in spite of also being a traditionalist who loves honoring old beliefs. Just remember, Chloe got eight focus episodes as a villain this season, yet Tomoe only got one.

Now for Lila, the most competent of the villains... by comparison. The show clearly wants her to be seen as a master manipulator in the same vein as David Xanatos from Gargoyles, but how they show it is just poorly executed. Sure, sometimes she would get ahead in clever ways during episodes like “Illusion” and “Revelation”, but other than that, a good chunk of her plans rely on contrivances that we're supposed to see as part of her plan when she would have no idea if it would actually happen or not. In fact, let's go over all the things Lila did during her last five episodes of the season and see how her master plan played out.

Step 1: Revelation – Convince Ms. Bustier to hold another election for class representative, lie your ass off to get the position while making it seem like you rejected an Akuma, and win the election.

Step 2: Confrontation – Tamper with confidential school documents while hoping your enemy doesn't plan anything to stop you, and if your plan falls through, abandon your identity entirely and hope nobody ever tries to look for you.

Step 3: Collusion – Convince your pawn to record a conversation between the mayor and the man you somehow know is Monarch and then after the conversation leads to an Akuma forcing him out of office, tell your pawn to accept an offer from Monarch's civilian identity that you somehow knew he'd make, leading to your pawn becoming the new mayor by force who everyone is too stupid to even think of opposing.

Step 4: Revolution – Tell your pawn to take an offer from the same supervillain she's willingly worked with before, watch her go mad with power and assume that Ladybug and Cat Noir will defeat her, and then in the chaos from her defeat, assume that one of Monarch's associates will randomly leave her computer behind for you to use.

Step 5: Re-Creation – Develop an immunity to magical nightmare dust, hack into the heavily-guarded mansion you know where Monarch lives while the city is being swarmed with supersoldiers, hope you don't run into Monarch or any heroes trying to stop him on the way there, take the hole created by a Cataclysm you know would be there, assume that Monarch will lose, and seize his Miraculous from the ruins of his lair that you somehow know how to navigate after surviving all of reality being rebooted.

General Patton, eat your heart out. I think we all know who the real tactical genius is here.

Seriously, how the hell did she even know half of the stuff involving Gabriel and Tomoe would happen? Yeah, she had Tomoe's laptop after the events of “Revolution”, but she didn't see how their final fight would play out. You could also argue that we technically never saw her go into Monarch's lair during the final battle (all we got was a shot of her looking down into the hole Bug Noire created with her Cataclysm), but why didn't she go down if she disguised herself to infiltrate Monarch's lair? Was she just scoping out the area? Was her entire plan just to steal Monarch's Miraculous? There were so many ways this could have blown up in her face, so let's go over all of them, shall we?

What if Ms. Bustier didn't agree to hold a reelection for class representative?

What if Marinette won the reelection anyway?

What if Lila wasn't able to escape during the chaos caused by Monarch's Megakuma targeting Mr. Damocles?

What if the school managed to contact one of Lila's moms and tell her about what her “daughter” did?

What if Chloe wasn't able to record the full conversation between Gabriel and Andre?

What if Andre agreed to use the police robots without any manipulation?

What if Miss Sans-Culotte wasn't able to get Andre to resign?

What if Andre did resign, but managed to appoint a interim mayor until the next election?

What if Chloe didn't accept Gabriel's offer?

What if Chloe didn't accept Monarch's offer?

What if Chloe managed to arrest Monarch with her robots and got all of the Miraculous herself?

What if the French military was sent to stop Chloe's abuse of power?

What if Ladybug and Cat Noir weren't able to stop Chloe and lost their Miraculous to Monarch?

What if Chloe double-crossed both Lila and Monarch and managed to get Ladybug and Cat Noir's Miraculous herself?

What if Tomoe didn't carelessly leave her laptop behind during the final battle with Chloe and her robots?

What if Tomoe realized she lost her laptop and sent someone to track it down?

What if Tomoe installed a kill switch on her laptop to make sure nobody would be able to do anything with it in the event it got stolen

What if Ladybug didn't learn Monarch's identity?

What if Lila fell victim to Nightormentor's nightmare dust?

What if Lila was attacked by some of the Miraculized before she could make it to the Agreste Mansion?

What if Gabriel caught Lila while she was attempting to sneak in?

What if Ladybug caught Lila while she was attempting to sneak in?

What if Nathalie caught Lila while she was attempting to sneak in?

What if the Gorilla caught Lila while she was attempting to sneak in?

What if some of the Miraculized caught Lila while she was attempting to sneak in?

What if Lila got caught in the crossfire during the final battle between Bug Noire and Monarch?

What if Bug Noire didn't Cataclysm the floor and beat Monarch at the entrance of the mansion?

What if Bug Noire wasn't able to defeat Monarch?

What if Ladybug managed to find the Butterfly Miraculous before she did?

What if Ladybug caught her while she was trying to find the Butterfly Miraculous?

Do you see why I only think Lila is the most competent villain by comparison? A good chunk of Lila's “plan” amounted to her waltzing over and reaping the benefits from every coincidence she's around to see. And she's supposed to be this criminal mastermind who thought this all out from the beginning?

Lila's planning makes about as much sense as her motivation. Why does she hate Marinette and Ladybug? They both called her out on her lies back in Season 1 and 3 respectively (Volpina, Chameleon). That's it. This is enough for Lila to want to become a supervillain and terrorize Paris. I get that the idea is to contrast with the more noble goal Gabriel had as a supervillain, but you need to give more of an explanation if you want the audience to care about Lila becoming the next Hawkmoth.

At the very least, if the writers wanted to build intrigue about Lila, have this be the season where she first appears. Build her up as this mysterious new girl who wins over Gabriel's trust, only she has an agenda of her own. By having most of her appearances be this season, it's more obvious that she has a bigger role to play, and would eventually become the next Hawkmoth. Instead, it seems like the writers put a bunch of names on a dartboard, Lila's name was the closest to the first dart they threw, and that's how they decided who Ladybug's next arch-enemy would be. And once again, Lila hasn't even touched a Miraculous in five seasons, yet we're supposed to believe that with the help of that vague glowing light she saw as soon as the first put on the Butterfly Miraculous, she'll be able to take on eighteen superheroes who have plenty of experience fighting Akumas?

Speaking of, let's get into the final main villain, Gabriel. Compared to the others, he had a pretty decent start. He felt a lot smarter than he usually did, like how he used his influence to market the Alliance rings in order to boost his Akumas' powers, or once again trick Ladybug and Cat Noir into thinking he isn't Monarch. He even managed to outsmart Scarabella and Kitty Noire by using the Alliance rings to learn their identities, and almost got their Miraculous as a result. For the most part, Gabriel was a pretty clever villain who capitalized on every screwup the heroes made, and actually came across as a threat... that is, until “Protection”.

Starting with “Protection”, Gabriel decided that even though he has only a few weeks to live at best, he needs to focus more on meddling in his son's love life instead of getting Ladybug and Cat Noir's Miraculous in order to save his wife. It comes across like he cares more about stopping Marinette than he does stopping Ladybug in the latter half of the season. Hell, Gabriel doesn't even set up any plans for what would happen to Adrien if he died despite once again claiming to be doing everything for his family. Also, for some reason, he really wants Adrien and Kagami to stay together and become a couple for reasons that I can only assume is because of some kind of social commentary on the rich. Is Gabriel trying to start a eugenics program? Is this how Khan was born?

The abrupt detour Gabriel's motivations take is connected to one of the bigger problems with this season: How Gabriel's Cataclysm wound is handled. We're supposed to sympathize with Gabriel and how his days are numbered thanks to what happened, all while he's desperate to achieve his goal... when not only did Gabriel Cataclysm himself at the beginning of the season, he almost never brings up his wound until the writers want to add unnecessary drama to the story. At most, he'll either flinch in pain a little because of the wound (Elation, Perfection, Intuition, Protection, Emotion, Confrontation), or show his purple hand to show how serious it's gotten while saying he doesn't have much time left (Passion, Pretension, Revelation, Collusion, Conformation). At least, we're supposed to see it as serious, as the injury never really gets in the way of his plans.

Rather than a painful injury that's slowly killing him, the show treats Gabriel's injury with the seriousness of a sprained ankle. Yeah, it's painful, but nothing serious. Aside from one episode (Intuition), we don't see Gabriel struggle that much with his deteriorating health or how it gets in the way of his plans. Compare this to how Nathalie's condition has been portrayed. As Season 3 progressed, Nathalie got weaker to the point of forcing Gabriel to abort his second outing as Scarletmoth (Ladybug), she became so sick, she had to be benched as Mayura by the end of Season 3, and needed cybernetic crutches just to help her walk during Seasons 4 and 5. While I criticized her sudden wrinkled appearance by the events of “Representation”, the show still made it clear that Nathalie was struggling to go about her everyday life over the course of the last three seasons. As for Gabriel, whose condition is supposedly more serious to the point where not even the Ladybug Miraculous can heal it? At most, it's less something influencing his belief that he has nothing left to lose, and more a mild injury at best.

Another problem I have with Gabriel is the same one I have with Tomoe and Lila: The lack of a proper backstory. Yes, we know the basics of it (his wife is comatose and/or dead, so he became a supervillain to get Ladybug and Cat Noir's Miraculous and save her), but we know nothing about his life before that. Thanks to “Revelation”, the most we get is that before he became a fashion designer who took an interest in discovering the Miraculous, he used to work in fast food like Skeet from Jimmy Neutron. Hell, the two even have similar haircuts.

Whether Gabriel knows the difference between salt and sodium chloride is still up for debate.

The show wants to say that Gabriel used to be different, but we don't get to see that side to him. If you want to say Gabriel used to be nicer, then give us a flashback to show how much Emilie's death affected him. That way, it would also give the scene in the finale where he breaks down have more weight to it, as it would show him letting down his emotional defenses.

Also, why was Gabriel so interested in the Miraculous in the first place if he found the Butterfly and Peacock Miraculous before Emilie got sick? The show establishes that Gabriel went exploring with Emilie and Nathalie, but why? What were they looking for? How did this lead to them getting into fashion? How did Gabriel and Emilie get so rich if Amelie inherited the Graham de Vanily fortune? This was the season that was supposed to wrap up the storyline regarding the Agreste family drama, yet we still know so little about them or how Gabriel and Emilie even met.

Finally, let's get to the Akumas. The season makes a huge deal about how dangerous Gabriel is now that he has almost every other Miraculous at his disposal, how hard the battle against him will become. How do the Akumas reflect that idea? Very poorly. Twelve of the season's Akumas were reused models (Ikari Gozen in “Multiplication”, Darker Owl in “Jubilation”, the Collector in “Illusion”, Glaciator in “Elation”, Sole Destroyer in “Deflagration”, Dark Humor in “Derision”, Riposte Prime in “Protection”, Vanisher in “Adoration”, Matagi Gozen in “Pretension”, Hoaxer in “Revelation”, Reflekta in “Confrontation”, and Nightormentor in “Representation”), and only ten of them were original (Manipula in “Determination”, Safari in Passion, Kikou in “Transmission”, Ryukomori in “Perfection”, Gold Record in “Migration”, Bugfighter in “Intuition”, Miss Sans-Culotte in “Collusion”, Queen Mayor in “Revolution”, King of Plastic in “Action”, and the Miraculized in “The Final Day”). I've also gone over this several times, but despite the main gimmick being that the Akumas have Miraculous powers now, the show never really explains why Monarch can't just give them those kind of powers himself, especially when he could easily recreate Miraculous powers as far back as Season 1 (Copycat, Antibug, Volpina).

Most of the Miraculous powers didn't actually feel like upgrades and just excuses to recycle Akumas on the basis of acting like they have new powers when it's almost always just giving them the same old powers. Either that, or with the new Akumas, they'll just make it so their only powers are related to their Miraculous powers, like Safari getting all of her gear thanks to the Goat Miraculous' Genesis, Kikou and Ryukomori's only abilities being related to their respective Miraculous powers, or Queen Mayor getting the power to control robots with multiple Miraculous powers. There were exceptions like Manipula getting the Ox Miraculous' Resistance as an added precaution, or Vanisher mixing her stealth with the Dog Miraculous' Fetch, but they were few and far between.

Overall, almost every villain this season was just so underwhelming. While the Akumas were once again mostly reused character models, we learned almost nothing about the villains other than the fact that they're idiots. Oh, I'm sorry. I forgot the fact that by the show's logic, almost all of the villains aren't really villains. Let's talk about how the show handles redemption arcs now.

The Redemption Misconception or: The Power of Love Always So Strong?

While younger readers might not understand this, there was once a time on the internet where one of the most debated shows was Steven Universe, and mainly for one reason: How it handled the topic of redemption. Pretty much every major antagonist had changed their ways by the end of the show, including Lapis Lazuli, Peridot, the Cluster, Bismuth, Spinel, Jasper, and even the Diamonds. While the quality of each of these redemption arcs varies from character to character, as is the moral status of each character, there's one thing I can say about how the show got the moral about redemption across: It was consistent. Aside from one or two characters like Eyeball or Aquamarine (who were more ignorant than anything else), there was never a case about someone being physically incapable of changing their ways, which tied into the overall theme of how important compassion is. With the way Miraculous Ladybug handles its redemption arcs, I unfortunately can't say it does it the same way Steven Universe does.

Pretty much every major villain, antagonist, or associate in the show gets a redemption of some kind. This includes Nathalie, Felix, Sabrina, Andre, and even Gabriel, while Chloe, Lila, and Tomoe are all viewed as beyond saving. The problem is rather than actually acknowledge the things any of them did as wrong before they start to change their ways, pretty much every “redemption” in this show amounts to downplaying their crimes. If the writers don't retcon the story so characters like Nathalie, Sabrina, and Andre were forced to help a greater threat instead of being willing accomplices, they'll retcon the story so characters like Felix and Gabriel were perfectly justified in their actions due to having a tragic backstory. Yes, while the point of a redemption arc is to have a former antagonist realize the error of their ways and turn a new leaf, it doesn't mean that the character who goes through this arc was never bad in the first place.

Like a lot of problems with this show, this is obviously contradicted by the way it handles Chloe. Any argument made on why every villain who was redeemed this season was stated to not apply to Chloe for some reason.

“Felix is a victim of child abuse and has a lot of emotional baggage!” Funny, because I remember in “Derision”, Mylene made a point about Chloe having a deadbeat parent not being enough to justify her actions, so by that logic, Felix shouldn't be getting away with anything.

“Sabrina and Andre were being forced to go along with Chloe's evil plans, so it's not their fault!” Chloe was also a pawn in Gabriel and Lila's schemes, yet we're still supposed to see her as evil. “But she still went along with Lila's plan!” By that logic, so did Sabrina and Andre, since they still listened to Chloe for a while instead of distancing themselves from her far earlier than they did.

“Gabriel and Nathalie are doing everything they can to help Adrien while they're both in poor health! Chloe didn't actually care about Adrien!” Sure, it's clear that (according to the retcons in Season 4), Chloe only cared about Adrien as a meal ticket, you can't say Gabriel and Nathalie care about Adrien either, since one is an abusive parent and the other did nothing to actually stop the abuse. Also, why should I feel bad for either of them when they routinely endanger lives and are only on death's door because of their own terrible choices?

I'm not saying that the show doesn't make decent points about why Chloe can't be redeemed. The issue is that these rules are never applied to anyone else who does get redeemed. The show tries to use characters like Chloe and Lila as a cautionary tale about how easy it is for your kindness to be taken advantage of, yet we never get any examples of compassion being a key factor in any major redemption this season.

Pretty much every villain who changes their ways only does so out of self-interest. Nathalie was fed up with Gabriel's constant failures and her own declining health, Felix only cared about doing things that would benefit himself like hooking up with Kagami, Andre was more than happy to resign even though he was forced to do so by an Akuma, Sabrina chose to stop helping Chloe after one particular plan goes too far (without actually apologizing for all the times she still went along with Chloe's schemes, no less), and Gabriel only stopped trying to hurt people once he got exactly what he wanted and died a martyr.

For a show with the lyrics “The power of love always so strong!”, why do we never actually see the power of love in action? And it's not just them. Whenever a character shows some form of compassion for an enemy, it's usually met with a dismissive attitude or fails miserably, and if it's not that, it's all lie to trick someone else.

In “Illusion”, Gabriel's plan to throw off suspicion that he's Monarch involves pretending to let Ladybug and Cat Noir get through to him.

In “Derision”, Rose pointed out Chloe's relationship with her mother as an excuse for why she's so mean, only for Mylene to argue against that despite being in a different boat than Chloe is.

In “Revelation”, Lila kept lying about having a caring attitude and believing that anyone can change, which was obviously meant to mock anyone who had that kind of viewpoint.

In “Collusion”, Ms. Bustier tries to reach out to Chloe after everything she's done, only to lose her job as a result.

In “Re-Creation”, the whole reason Bug Noire manages to beat Monarch was by putting him in a situation that would take advantage of his compassion for his wife, and later on, Gabriel manages to get the upper hand by taking advantage of Marinette's own compassion for him.

For a magical girl show, these writers are really terrible at teaching the lesson about showing kindness to your enemies, because more often than not, it's just violence that solves everything. Just ask the citizens of Paris in “Revolution”.

It doesn't help that the morality in this show isn't a complicated spectrum that weighs every action a character does and allows for other stances besides good or evil. Instead, it's like a light switch with two settings: “So good, you volunteer at the local children's hospital” and “So bad, you voluntarily send children to the hospital”. Characters in this show are either good or bad, and there's no room for in-between. Even when characters supposedly do change their ways, the show goes out of its way to claim that this is what they've always been like, which completely undermines the idea of what a redemption arc sets out to accomplish.

The thing is that I've actually seen examples of “Character X was only doing bad things as part of their plan!” and “Character X was only forced to do bad things for the villain!” done with one character, and it was a very recent example too. In the recently concluded Ohsama Sentai King-Ohger, one of the major villains was a tyrant named Racules, who took advantage of several monster attacks to secure more power for his kingdom, but later on, it's revealed he had a reason to do so. Long story short, Racules was the latest in a long line of rulers who was essentially blackmailed into carrying out a war by an immortal being from space named Dagded. However, Racules had a plan to secretly find a way to kill Dadged, and it involved playing along by pretending to be a heartless tyrant. By playing up his persona of a villain, not only did Racules drive his brother Gira (who was revealed to be an immortal creation of Dadged) to gain the weapons necessary to fight Dadged, Dagded trusted Racules so much, he decided to give him the power to kill an immortal. Guess who Racules chooses to kill as soon as he gets that ability.

While the reveal that Racules was good all along happened very late into the series, it worked far better than any redemption in this entire show for one reason: Racules isn't let off the hook for what he did. Everyone, Racules included, acknowledges that he did terrible things for years, and as soon as the situation is resolved, Racules is imprisoned for his crimes. Racules even admits to going mad with power at one point before he focused on his goal again, and he doesn't complain while he's in prison.

We never get any moments like this with the other redeemed characters. Nobody ever acknowledges that they went too far. They do one or two good things, and therefore, they're perfectly okay in Marinette's eyes.

Like a lot of topics it covers, this show wants to have its cake and eat it too when it comes to redemption. It wants to show characters changing their ways, but it doesn't want to actually hold those characters accountable for their actions. It wants to explain that not everyone can be redeemed, but it doesn't want to explain what causes people to want to redeem themselves. It wants to have an idealistic view of solving problems with compassion, yet it goes out of its way to mock those with that same ideology while claiming that violence is the only answer.

Maybe if Astruc spent less time arguing with people on Twitter over the concept of redemption, he and his team could have put more effort into fleshing out the all of the half-baked redemption arcs this season.

Adrienette Is Finally Canon! The Love Square? What’s That?

Well, it finally happened. After seven years, five months, fourteen days, 115 episodes and three specials since the show originally premiered in France on October 19th, 2015, Marinette and Adrien have finally gotten together for real. No cop-outs, no reset button, no misunderstandings, this is real. Credit where credit is due, the writers could have easily kept stalling and wait until the very end of the season for Marinette and Adrien to get together and called it a day, but they gave us over half a season of them in an actual relationship. Unfortunately, this also meant the writers had to rush the development of the relationship in order for Adrienette to become official in the first place.

Like a lot of stuff in the first half of this season, the writers pretty much speedran through the plotlines building up to Marinette and Adrien getting together. During the course of a mere eight episodes, we got a plotline about Marinette feeling guilty for letting her feelings for Adrien make her screw up, a plotline where Adrien realizes he has feelings for Marinette, a plotline where Marinette falls in love with Cat Noir, a plotline where Adrien stops having feelings for Ladybug, and finally, a plotline where Marinette stops having feelings for Cat Noir. These are all plotlines that we should have gotten over the course of the past four seasons, but instead, the writers are just cramming them all into less than a dozen episodes.

Considering how this was meant to be the final season originally, you can tell the writers realized they actually had to actually resolve the “Will they or won't they?” plotline instead of just padding things out like they normally do. But that's the problem. This was something fans, shippers, and general audiences were told to look forward to for years. Keep in mind, one of the biggest arguments you could make for just why the writers waited until Season 5 for Marinette and Adrien to officially get together was because they had something HUGE planned. This is a big deal for the show, something you can't take too lightly. If Astruc and the other writers were so intent on hyping up Adrienette for over four seasons to the point of showing two alternate timelines where they get together to tide viewers over, they needed to make sure they had a payoff so incredible, so satisfying, that their audiences would see it as more than worth the wait.

Just how was the big moment where Marinette and Adrien officially got together this season after so many years of buildup?

To be perfectly honest with you, I had absolutely no goddamn idea that the end of “Transmission” was meant to signify them finally starting a relationship. It just felt like the writers were doing the same thing about them being friends with a hint of something more on the horizon, but then the opening of “Deflagration” made it clear that here was major progress made in their relationship, though Marinette denied it due to her own anxiety, and by “Perfection”, it's confirmed that the two are dating. I just... really? This is how the two finally get together? It just... happens? No big dramatic confession? No romantic first date building up to this? Not even a kiss? The two talk for a few minutes, watch an Akuma fight, and now they're an item. Are you kidding me? Sure, most of the big moments in their relationship are saved for after they get together, but there's the problem: the writers half-ass the moment where Marinette and Adrien get together! It's more or less an afterthought in a two-parter involving a battle with Monarch where nothing was really accomplished.

You'd think for all the uncertainty Marinette felt over her feelings for Adrien this season, them getting together would be seen as a big moment, but it just doesn't for some reason. While you could argue it's a lesson in your fear of confessing being harder than the act itself, not much attention is given to Marinette growing closer with Adrien, because, for some reason, the writers decided to hold off the love confession and the first kiss for far later in the season (Pretension, Revolution). That's right, even after Marinette and Adrien finally get together, the show still needs to find a way to draw out the development of Adrienette.

I don't get it. Why couldn't the confession and kiss be what cements Adrienette, so more focus could be given to other plots? You can't say the “Will they or won't they?” stuff is the only draw to Adrienette, because there are plenty of plots you could write now that Marinette and Adrien are together. You could have an episode where Marinette invites Adrien over to breakfast with her parents in a follow-up to “Weredad”. You could have an episode where Marinette and Adrien try to go out on a perfect first date, only to struggle to balance their superhero lives getting in the way. You could have an episode where both Marinette and Adrien worry they're not good enough for each other, only for them to realize they love each other for who they really are. You could have an episode where Marinette and Adrien finally get closure on their former relationships with Luka and Kagami respectively. There were plenty of options for stories here, yet rather than do literally anything like that, not only did the writers drag out Marinette and Adrien's first kiss, they had the main villain take a break from trying to get the Miraculous to focus on breaking up the two.

As I mentioned earlier, we get a new arc all about Gabriel trying to break up Marinette and Adrien so Adrien can start dating Kagami again. Now I know what you're probably thinking: “IOTA, wasn't it implied that while Adrien and Kagami were dating, they were keeping their relationship a secret from their parents? Why are their parents suddenly obsessed with them getting together?” Well, you see, the answer to that is... that I have no answer because this makes no sense and is yet another excuse for a story arc that is somehow relevant to the overall plot. It's because of Gabriel's irrational hatred of Adrienette that Adrien is sent to London, and as a result, is absent from the final battle.

The sad thing is that I honestly thought Marinette and Adrien had some cute moments as a couple this season and had some believable chemistry. It's nothing groundbreaking, and there are plenty of flaws that I'll get to later, but for all intents and purposes, they still made a decent couple. It's just too bad that everyone else won't shut up about how amazing they are together. When their friends aren't trying to set up these cinematic scenarios for Marinette and Adrien that keep failing (Perfection, Protection,), they're gushing over how amazing of a couple the two are (Transmission, Deflagration, Revelation). At best, it comes across as the writers saying “How do you do, fellow shippers?”, and at worst, it comes across as the writers taking a victory lap while treating Adrienette as the greatest thing since sliced bread.

Adrienette just dominated the latter half of this season, and it really got in the way of the overall story regarding the conflict with Monarch. What's that? You're saying I forgot something, like the other three sides of the Love Square. Ah, good eye, my friend.

SO DID THE FUCKING SHOW.

For the thing that got a lot of people interested in the show in the first place, the rest of the Love Square is criminally underutilized this season. Marinette randomly develops feelings for Cat Noir for a handful of episodes, Cat Noir randomly moves on from Ladybug, and I don't think we even got a single Ladrien scene this season. It really felt like the writers realized this was meant to be the last season, so not only did they have to get Marinette and Adrien together as quickly as they could, they also had to acknowledge the other sides of the Love Square. Of course, they did that without actually doing an identity reveal.

There are theories that the reveal was going to happen this season with how much Marinette and Adrien only talked about each other and not their superhero partners (implying they both knew who the other was), but the writers changed it at the last minute because they got renewed for more seasons. I suppose it makes in a meta sense, but what about the in-universe explanation? What's stopping Ladybug and Cat Noir from learning each other's identities when literally every other hero in Paris can get their Miraculous back, even the ones who had their identities discovered? Were the writers so uncertain if people would still watch the show if there wasn't any mystery in Marinette and Adrien's relationship? What exactly is there left to explore with the Love Square when Adrienette is canon, while Ladynoir, Marichat, and Ladrien are all dead in the water?

Like a lot of things this season, the handling of the Love Square started off strong and gradually petered out to the point where I just don't care anymore. I started this season assuming the reveal would actually happen, but of course, the writers just won't let this subplot die already.

Adrien Who?

While I don't really have a lot of bad things to say about Adrien compared to last season, this is unfortunately part of the bigger problem with how he was handled this season.

Like I said earlier, it seemed like the writers actually learned from their mistakes last seasons with how Adrien was written during the earlier episodes last season. He stopped whining about how he was totally important and started pulling his weight in battle. He was very active in fighting Akumas and actually felt like an equal to Ladybug. Yeah, Ladybug still called the shots, but the two stopped bickering over stupid things and had more conversations about other things. It didn't matter if they were more casual chats about their lives (Perfection) or discussions on the enemy's plans (Intuition, Revolution).

The problem, like a lot of things this season now that I think about it, comes in the second half. Remember how last season made a big deal about how wrong it was to leave Adrien out of the loop with so many secrets? Once again, the writers seemed to have forgotten this major story arc that they wrote themselves. Now, not only does Gabriel crack down on his horrific treatment of Adrien through his ring, not only does Adrien's character regress to being nothing more than Marinette's trophy boyfriend, by the end of the season, Adrien is literally reduced to a damsel in distress who needs to be saved, instead of, you know, A SUPERHERO. And remember, the writers were very proud of how this was planned for almost a decade, all because they got to supposedly subvert fairy tale tropes.

I feel like this whole “Save Adrien” plotline could have worked if Adrien wasn't already a superhero, and was just a civilian Marinette knew. Yeah, it would still be using an overdone trope, but at least if that happened, Adrien would have an excuse to not be able to fight back as opposed to the several he made during the finale. Instead, for the majority of the season's second half, Adrien takes a backseat to a major story arc revolving around his family and isn't even given proper closure by the end.

“But IOTA!” You might say. “The show's called Miraculous Ladybug, not Miraculous Cat Noir! Of course Ladybug has to save the day! She's the main character!” That may be true, voice in my head, but here's the thing: If Adrien wasn't going to be part of the final battle, why wasn't this about Marinette's family? Why not make Monarch Tom or Sabine trying to bring back their spouse? Marinette is the main character, yes, but so much of the backstory in this show is connected to Adrien's family. The show tries to connect Marinette to this through her relationship with Adrien, but with how often she and Gabriel fight over what's best for him, Adrien kind of just sits around, not protesting against his father in the slightest. I'm not saying Adrien should be the main character. I'm saying that Marinette should be tied more into the story if you were going to base a lot of the drama on her perspective during the final battle. It's almost like making it so Adrien physically can't rebel against his father was a stupid way to keep him out of the conflict.

Why the hell couldn't we have gotten a scene where Adrien's connection to Gabriel was broken? There were plenty of options the writers could have used. You could have had Nathalie steal the other ring back from Gabriel to give to Adrien, have Argos use the Peacock Miraculous' powers to override Gabriel's commands, or have Adrien unlock a new form of Cataclysm that severs the bond with his Amok. And that's not even getting into the excuses the show made for why he can't get involved, because God forbid one of the two main characters in the show's title get to take part in the final battle.

In fact, I'm pretty sure this is why Felix was introduced, to do the things Adrien should be doing. Felix is the one who has a vendetta against Gabriel, a deeper connection with Kagami, knowledge that he's a Sentimonster, and an overall influence in the plot. The writers are so obsessed with coddling Adrien that they created an entirely different character to fill in a role for him, and Felix wasn't even in the final battle. And just remember, Adrien was originally created to replace Felix in the story, so Felix taking over Adrien's role as the character who helps advance the plot makes even less sense.

Even if the final battle is meant to be over Adrien, it comes across less like Marinette and Gabriel are fighting over his freedom and more who gets to control him. Gabriel doesn't use his wish to free Adrien from the shackles of the rings. He just gives Marinette the rings and hopes she won't do the same kind of things he did with the rings. Nothing changed over Adrien's treatment except who gets the keys.

It'd be one thing if Adrien at least chose Marinette over his father, but Adrien isn't even allowed to know the full story on anything, not even the Sentimonster stuff. Okay, putting aside the fact that Adrien has lots of friends and family to help him cope with this, maybe I can buy not telling him about Gabriel. Not telling him he's a Sentimonster is something I can't excuse. This is like not wanting to tell someone they have diabetes and hoping they know how to use their own insulin while they're downing Pepsi after Pepsi. It's not just a matter of hurting Adrien's feelings. His fucking life depends on those rings. He should obviously know to keep them safe and not trade them for magic beans or something stupid like that.

But the biggest problem with Adrien this season is how it goes against everything the show has said about him and his relationship with Marinette/Ladybug the last four seasons, and especially Season 4.

For the past four seasons, the show has loved to say that no matter what happens, Ladybug and Cat Noir will always be here for the other, even against the world. Put aside how unlikable Adrien was last season, that was the ultimate lesson, about the two reaffirming their bond. And yet, here we are in the Season 5 finale, when literally the entire world is against Ladybug and Cat Noir, and Cat Noir is nowhere to be seen.

One of the main reasons why Adrien jumped at the chance to be a superhero was the freedom it gave him from his restrictive lifestyle, and how it led to him making more friends at school. And that very same story ends with Adrien admitting it's a good thing for him to stay inside and never acknowledge the fact that his father was kind of a dick. Remember, this was planned in advance for YEARS, and absolutely nobody thought it contradicted one of the most important aspects of Adrien's character: his desire for freedom. Now the same person who would demand to not be kept in the dark about so many things (Lady Wifi, Syren, Lies, Sentibubbler, Rocketear, Risk) is now sitting around like a coward while everyone else saves the world instead.

I still think Adrien was at his worst in Season 4, with how much of an whiny and insufferable idiot he could be, but Adrien in Season 5 is a close second. Yes, I wanted him to stop acting out and demanding that the world cater to his every whim, but I also wanted him to prove he was as valuable as he says. The first half of this season seemed to understand this kind of criticism and reminded the audience that Cat Noir was still useful, but when the actual story kicked in, the writers were so determined to keep the secret identity bullshit going, Adrien somehow got less focus as a hero than the Resistance, a group of temp heroes who actually lost their Miraculous. And consider the fact that this season wrapped up the drama with the Agreste family, so for all we know, Adrien will get even less screentime next season.

If Adrien is supposed to be an invaluable ally to Ladybug, then why doesn't the writing accurately reflect it?

The Problem With the Biggest Idiot of Season 5: Moronette, “Of Course I Know What I’m Doing!” Royal-Pain, AKA, Ladydumb

You know, it's funny. I kept defending Marinette when the writing kept making her out to be a terrible hero last season while Adrien got by without a single criticism, to the point where I considered Adrien to be the worst part of the entire season. Oh, how the tables have turned with dear old Marinette, as the season that chose not to criticize every single action she took is when she's arguably at her worst.

You have to wonder if the writers finally realized how much crap they put Marinette through over the last few seasons by having her always forcing her to learn some contrived lesson and were like, “Oh yeah, she's supposed to be someone the audience is supposed to root for.” Unfortunately, they went way too far in the other direction with how they handled Marinette.

The way Marinette was written this season felt eerily similar to what happened with Adrien last season. Suddenly, her personal drama is of the utmost importance (Determination, Passion, Reunion, Elation, The Kwamis' Choice, Perfection, Migration, Derision, Adoration, Pretension, Representation), she's making incredibly stupid decisions in battle (Evolution, Destruction, Determination, Pretension), she becomes the moral compass of the show who lectures others on what to do (Revelation, Confrontation, Collusion, Revolution), and she's never really called out for her actions by the other characters despite how often she makes things worse.

So much of the first half of this season is the exact same crap over and over again. Marinette complains about how hard things are for her and her conflicting feelings for Adrien. I wouldn't really mind something like this if it wasn't for two things.

First, there's no real arc involved with this. Marinette keeps complaining about her love life, and she never really learns anything from it. She doesn't even get to confess to Adrien and show her growing as a character. Adrien confesses to her, and bam, the two are a couple now. Glad to see all the discussions about Marinette's anxiety was completely pointless since she doesn't get to be the one to really confront her inner demons. Well, there was one time in “Derision”, and we all know how well that turned out, right?

Second, more often than not, it seems like Marinette is prioritizing her personal life over the situation with Monarch. You know, the guy who has access to fourteen different Miraculous? After you only managed to get one back? I'd understand if we got this kind of arc in the earlier seasons, but by doing this, you're undermining the current threat Monarch poses. She's even willing to give up being a superhero if it means being with Adrien. That is how important her love life is to her. She's willing to let Tikki force the responsibility onto someone else if it means she can be happy. Of course, this isn't too surprising, as Astruc once said that the show is supposed to focus primarily on romance, not superhero action.

THIS IS WHAT THOMAS ASTRUC ACTUALLY BELIEVES.

Just like with Adrien last season, the show seems to care more about Marinette's personal issues at the expense of other characters. Do you want to know how many episodes this season focused on Marinette's love life in some way? EIGHTEEN (Multiplication, Jubilation, Determination, Passion, Reunion, Elation, Transmission, Deflagration, Perfection, Derision, Protection, Adoration, Emotion, Pretension, Revolution, Representation, Conformation, Re-Creation). Literally two-thirds of the season includes Love Square drama. Even if you want to be generous and count both two-parters as single episodes, that's still more than half the season. This is yet another problem with waiting until what was originally supposed to be the last season to resolve your plot. You need to force all of this development through almost every episode until people get tired of it.

Because of this, Marinette basically took over the narrative of Season 5. Almost every major conflict revolved around her, even the stuff with Adrien. Rather than make a story about Marinette and Adrien working together to break free from Gabriel's influence, Marinette is the one who has to do the heavy lifting and save Adrien herself. I've already talked about this with Adrien, but it bears repeating, as this is same issue I had with Season 4. Just like how Adrien got more focus during a story arc that should have been about Marinette last season, Marinette is now getting more focus during a story arc that should have been about Adrien, to the point where Marinette gets to use Adrien's Miraculous during the final battle with Monarch.

I'd at least be somewhat forgiving towards the shift in focus if Marinette actually got to do anything to advance the plot herself. Because of how often the show focuses on Marinette's love life, very little time is dedicated to showing Ladybug making an effort to actually stop Monarch. The closest we got was in “Illusion”, and that was a plan spearheaded by Nino. Like I said earlier, Felix does more to advance the plot out of any character, even Marinette, THE ONE THE SHOW IS NAMED AFTER!

We have three separate episodes where Ladybug has Monarch at her mercy, but she decides to talk about how she's totally won and that Monarch can't get away at all, and then Monarch gets away in a matter of seconds. I just... this is “SHOOT THEM WITH THE DEHYDRATION GUN!” levels of stupid here! The only reason Monarch gets as far as he does is because Ladybug can't just grab any the Miraculous he has all over his body.

We're seriously supposed to see Marinette as an amazing hero when she keeps screwing up every opportunity she gets to stop Monarch. In the span of one season, Marinette went along with being forced to retire because she got a chance to date Adrien (The Kwamis' Choice), chose not to form a temporary alliance with an Akuma even if it meant possibly getting the Peacock Miraculous back and stopping a potential threat (Pretension), had absolutely no plan to stop Lila until someone else came forward with information on what she was doing (Confrontation), decided to let another Akuma force the mayor out of office (Collusion), and failed to stop Gabriel because she got tricked again and was completely helpless as the entire universe was recreated before she took credit for defeating Monarch afterwards in the new reality and then decided to honor the insane supervillain's wishes and keep her boyfriend completely in the dark about the truth even though she learned not to keep secrets from others (The Final Day) and MY GOD, I HATE THIS SEASON SO MUCH.

When Marinette isn't making terrible decisions, she's lecturing others on how to act around their enemies, and when I say “how to act”, I mean “refuse to give them even the slightest bit of respect after doing the bare minimum to help them try and change”. Marinette really lets her own personal biases toward Chloe and Lila get to her this season with how the latter half of the season had her tell others not to even consider trusting them because of how easy it is for them to take advantage of kindness. You know, something you'd hear someone like Superman or Spider-Man teach kids about.

In fact, here's a little game any aspiring writer can play when writing superhero characters: If you can't imagine someone as noble as Superman saying something like this...

Marinette: But sometimes, the good we think we see in some people is just a reflection of our own, and we end up being fooled by our own kindness.

Unless your intent is for them to be flawed or in the wrong instead of a complete paragon of virtue, you need to go through your drafts.

And just like Adrien, even though Marinette keeps screwing up, she's never held accountable for her actions. She's never allowed to be wrong, and is almost always the one who gets to lecture people, mainly towards the end of the season. A good example of how poorly written Marinette is this season is when she whines about Ms Bustier not punishing Chloe enough when not only does she fail to understand that Chloe is still being punished, but she did absolutely nothing to bring Chloe's cheating to her teacher's attention when as class representative, it's her job. I don't care how stupid that idea sounds, that's what the show goes with, and it makes Marinette's inaction come across as very irresponsible.

But then again, neglecting her duties at school is nothing compared to acting like Marinette didn't fail to save all of reality while not showing the least bit of remorse for it. I'm just saying, when even Ben 10: Omniverse of all shows does this kind of story better, you know you've screwed up. Again, we're supposed to see it like Marinette won because the universe is in one piece, when, once again, SHE FAILED! Like I said, she failed at pretty much everything she set out to do this season and didn't stop Monarch outside of warding off his Akumas. This is seriously how the show was supposed to end, with Marinette failing to save the universe and the audience just needing to accept it. Well, in case it wasn't obvious on my front, I don't. Hell, forget Ben 10: Omniverse. Even Star vs. the Forces of Evil had the main character save the day, even if it meant potentially screwing over countless lives by destroying all magic in the world. Marinette? “Well, everyone I know and love is technically dead and the madman I spent five seasons trying to stop gets to die a martyr, but everything looks like I saved the day, so that technically means I didsave the day! Man, I'm a great hero. Good thing the other characters basically exist to remind the audience of how amazing I am.”

If there's one thing to take away from everything that's happened, it's that this was the season where Marinette has arguably become one of the biggest examples of a show failing to make the audience like their main character. There was much time dedicated to rationalizing and trying to justify the worst possible decisions she could've made and acting like she's still an amazing hero. Stuff like this only serves to further validate the criticisms people have had for her as a character ever since Season 5. And remember, this is coming from someone who went out of their way to defend Marinette last season. In an attempt to show her at her most heroic and virtuous, Season 5 pretty much cemented Marinette as a terrible main character, a terrible superhero, and a terrible role model for children.

Eight Years for This?

I'm going to be perfectly honest with you guys. This season just broke me, and there was a good reason why this analysis took so long to write.

While there were a number of outside factors that made it hard for me to get the time to write (work, the holidays, family gatherings, etc), there were still times where I either didn't have a lot of material to work with, or I just couldn't find the motivation to work on the reviews. I guess throughout all these years, I figured that after all this buildup between the Love Square and Adrien's relationship with his father, there would at least be something I could find this season that would allow me to say this was worth the wait. Unfortunately, it was just disappointment after disappointment this season, with a universally hated finale to boot.

To me, this was the season that burned away the remaining goodwill I had for the show, because there's just no salvaging it at this point. The writers pretty much butchered every single character in some way, excused the main villain's actions for a sorry excuse for a heroic sacrifice, and literally reset the universe so all of the characters we've come to know for almost a decade technically don't exist anymore. Even the cliffhanger for Season 6 really excites me, because why should I care about a character we still know nothing about becoming the main villain? Why should I care at all when the writers have made it clear they don't care either? They don't care about writing character development, they don't care about writing consistent lore for their world, they don't care about approaching serious subjects with the delicacy they deserve and they certainly don't care about telling a consistent story.

Season 5 of Miraculous Ladybug was a failure in every conceivable definition of the word. It failed to deliver a satisfying conclusion to any of the stories that had been set up for years, and if this was how the main story ended, I don't really have a lot to look forward to when Season 6 premieres.

[mothtral]

robin had betrayed him.

how else would his dear assistant know of his weakness for sweets?

it wasn’t obvious at first. under the excuse of bringing sunday his sister’s latest gifts from afar, you would set a plate on top of the report he needed to review, and insist he take a break.

just for a few moments, mr sunday, you would say. you know your sister would frown if she could see you right now.

sunday would wager that it actually was orders robin gave you behind his back, now that she was beyond penacony’s reach. his reach.

so he let you barge into his office with snacks and drinks, ‘robin was sure you’d like it!’ let you dictate when he would pull himself out of the hole he was burying himself in for the family. of course, if he was taking a moment to rest, then so should you, his dear assistant.

it escalated until you were bringing him desserts from their local bakeries on penacony, using the flimsy explanation of, ‘oh, robin said you liked this before! she hasn’t sent anything recently, but i didn’t want you to go without a treat after a long day in your office.’ and instead of only enough for one, you brought enough for two, and perhaps extras for sunday to take home later.

it was on a rare ‘day off’ that sunday walked past a bakery he recognized by the symbol, the same one on the boxes you would carry into his office if there wasn’t time to grab a plate. it’s your favorite to visit. when sunday returned to his home, there was a small bag with a logo stamped on it clutched in his hand.

you obtained joy from supplying him with treats and pockets of mundanity meant for respite, why can’t he do the same for you?

[afternoondreaming]

No Business Like Show Business (1/?)

It’s no secret that Mr. Puzzles isn’t the most…Creative guy around. So he makes the shrewd business decision to hire you- the screen writer! What could possibly go wrong? [Okay so my secret is that I adore Mr. Puzzles and that he’s my comfort character but I…Really don’t like SMG4 as a whole. Personally I just don’t like the show when the TV ain’t in it. So, forgive me if anything is inaccurate in regards to the world or lore! I’m working off the Wiki here ｡°(°.◜ᯅ◝°)°｡. Either way, this is the first of hopefully many chapters! Lemme know if you want more! Also RIP formatting]

The TV producer sat in his chair, hunched forward with his elbows against his knees as his electronic head rested against his steepled hands. Darkness ensconced him in his eerily quiet office, only the dim light of his own screen and the countless monitors in front of him for any light. His defeat at the hands of the SMG4 crew had been… Humiliating, to say the least. Not only did they beat his screen in, but they had bested him at his own game. What he dedicated his very life to. Television. They had gotten their five stars so much quicker than he did and with seemingly much less effort. There was no possible way the crew had studied more in the realm of film and video than him— he had literally seen everything! From eternal classics to infomercials, Mr. Puzzles could perfectly recall every piece of cinema ever created. And, despite all that work, he still lost.

“No, no use in dwelling on that now.” He muttered to himself, aching for a smoke. “What can I do differently…?” Rising from his chair, he began to pace his office as he wracked his brain. Perhaps branch into Japanese styled game-shows? No, he couldn’t possibly. If his ultimate game-show didn’t work, then zany Japanese game-shows wouldn’t, either. Maybe foreign films? Too niche an audience and it wasn’t as if his Italian endeavor went splendidly. What hadn’t he copied (or rather referenced) yet? There had to be something…!

His frantic patrol of his office stopped short. Maybe… That was the exact problem. He hasn’t made anything new. His knowledge of all things film was encyclopedic, but his creative muscles? Woefully inept. He had always produced everything alone. Scripts? Him. Effects? Also him. Hosting? Who else could possibly do that job? Not as if he would let anybody else take the helm; but if he hired a screen writer… Maybe he could finally write an original enough script to get a five star rating. Nothing ventured, nothing gained.

You had heard of Puzzlevision before, I mean, who hadn’t? They were a juggernaut of the industry. Pumping out content hand over fist (for better or for worse). Yet, they were an enigma of a company at the same time- nobody ever seemed to have any work connections to them despite all the content they produce. It was the golden ticket of job opportunities. So, just like many of your coworkers, you submitted your résumé to their business address. Never expecting to hear anything back like the many others who tried their hand at it. However, currently, you sat in shock staring at the letter you just opened on your desk. The small TV logo on crisp letterhead, with a whole message to boot.

‘Dear Applicant,

Puzzlevision Studios has reviewed your submitted résumé and would like to thank you for your interest in our company. Given your stated qualifications and past headed projects, we would like to offer to you the title of Screen Writer. If you would like to pursue this opportunity, please visit the studio at the return address during regular business hours.’

Puzzlevision had never even answered applicants before, much less an affirmative response. Surely more talented writers had to have applied? It wasn’t as if you were inept. In fact, you had worked on many successful projects. Leading them through any bumps in the road you might have faced and being well regarded amongst your peers. But, a job at Puzzlevision… It all seemed too good to be true. Your coworker, Tori, rounded your shared cubicle wall to say her good mornings to you as she always did. “Yo!” She chirped, leaning on your shoulder as she looked ahead of you absentmindedly. “What’s got you so star struck? …Oh shit.” Her eyes must have skimmed your letter, given she was now just as shocked as you. “Well look at you! I can say I worked with a big shot before they got big~!”

“Yeah…!” You replied, excitement beginning to replace the shock. Of course you had to take this! You liked your company, sure, but anyone would give for an opportunity like this. “I gotta draft my resignation…! Pack up my cubicle, get my clothes dry cleaned for the interview- oh God I wasn’t expecting this.”

“Chill, chill!” Tori crooned, patting your shoulder gently when she removed herself from it. “No need to panic. That’ll get you nowhere. Just take your PTO today and draft the resignation while you get your things in order. Once you get the gig, we’ll grab a celebratory dinner, ‘kay?”

“Definitely!” You quickly grabbed the things you had just set down to start your day, ready to depart posthaste for all your prepping. “Tell the boss I’m outta here! Text you later!” You bolted back towards the entrance, waving back at Tori as she called out a goodbye. This was going to be a whirlwind.

[sizzlingsandwichperfection-blog]

Dear Mr. Sizzling Sandwich,

Have you ever read Illness as Metaphor by Susan Sontag? Once when I was very sad I went to the library to cope and found myself on the floor reading that book in one go. I had also been listening to the anthropocene reviewed and it occurred to me that a lot of the things Sontag discussed reminded me of your videos and podcasts about tuberculosis and some of the ideas in TFIOS. It also seems likely that, as an author and person who seems to read a lot of books, especially on the subject of tuberculosis, it would be statistically likely that you had. Anyways, I thought that book was very interesting and wondered what you thought (if you did read it after all).

Sincerely,

A regular sandwich

Yes it was very important to me when writing The Fault in Our Stars, especially. Here is a passage from the opening of Sontag's essay:

"My point is that illness is not a metaphor, and that the most truthful way of regarding illness—and the healthiest way of being ill —is one most purified of, most resistant to, metaphoric thinking. Yet it is hardly possible to take up one’s residence in the kingdom of the ill unprejudiced by the lurid metaphors with which it has been landscaped."

And this is how I wanted to approach TFIOS if I could--to write with a hyperawareness of how people metaphorize, and how the lurid metaphors of cancer especially have shaped (and in many cases harmed) the lives of cancer survivors, but try to find a way not to metaphorize the disease itself, which as Hazel repeatedly says, is just a disease.

But I also relied (and rely!) so much on Illness as Metaphor because of the way it connects historical constructions of tuberculosis to contemporary constructions of cancer. Cancer now is seen in much of the rich world as the most capricious disease, the "robber of youth" (as TB used to be known), as the illness that you may survive through positive thinking or clean living or whatever--which all used to be how we thought of TB.

(This is why the band in The Fault in Our Stars is called "The Hectic Glow," which is something Thoreau said about TB when romanticizing it as a beautiful disease.)

Of course, our current metaphors around TB are very different--TB is now constructed as a disease of dirt and filth and poverty. In time, the same may become true of cancer--already cancer is killing more people in low- and middle-income countries than in rich ones. So the other thing I take from Illness as Metaphor is that the lurid metaphors of disease are not stable or fixed, nor need they be. We can change them together. I tried to contribute to that in whatever small way in TFiOS, but I don't and can't ever know if I succeeded, because that isn't up to me; it's up to the ongoing readers of the story.