#Rena Yehuda

[the-other-house]

Ron Schreiber (1934 - 2004) - "THE HOUSE IS OLD"

I think of the line "we live here. we think of the other house" daily. Found it first in a zine about being a butch faggot by the artist Rena Yehuda Newman. There is not much online about Schreiber. According to the anthology "Gay & Lesbian Poetry In Our Time" (Edited by Carl Morse and Joan Larkin), he was born in Chicago and raised in Dayton, Ohio. He lived all over the world (in Japan with the US Army as well as in Amsterdam) and taught at the University of Massachusetts for 30 years (!) - the last info is from alicejamesbooks.org, where one can buy two of his poetry collections.

[iamyelling]

Hi all! I recently came across this zine all about Testosterone by Rena Yehuda. I found it really helpful and informative and also asks some great questions about what research is needed! I found it helpful as someone who recently started taking T, and I also think it can be helpful for people thinking about it, who've been on T for years, or if you know someone who is thinking about it. Just a great resource. Check it out. It's free to download!

The Testosterone Survey Zine is a 60-page community health art project compiling the results of a nearly-400 person survey documenting the experiences of people medically transitioning on testosterone. A seven month labor of love and the only resource of its kind, this zine features analysis and trans-joy illustrations by Rena Yehuda Newman, illuminating the qualitative data of hundreds of transmasculine people.

This zine is a public health art project designed to empower people transitioning on testosterone with knowledge, help us ask vital questions about our bodies and needs, and hopefully, make us all feel a little less alone. This zine was also designed for doctors, educators, therapists, and all those who care for transgender people to learn more about our experiences, struggles, and needs as they relate to medical transition using testosterone.

This zine is always free or donation for download. The information belong to the community.

[fanzines]

Issue #3 of ‘Flaming Jewboy’ by Rena Yehuda Newman is a zine about queer Jewish sexuality and "the honest confessions of a Jewfag..."

Read about it, or buy it here.

[uwmadarchives]

Mario Carrillo, Student Historian in Residence 2019/2020

We are so delighted to present, Mario Carrillo, Student Historian in Residence 2019/2020. Mario introduces himself to you all below!

By Mario Carrillo

Hello, my name is Mario Carrillo. I’m a senior studying political science, economics, and philosophy at UW-Madison. I have been involved with student activism since my freshman year, and have recently become the campus coordinator for First Generation Student Success, a student group dedicated to first generation students like me. On my down time, I enjoy playing basketball and eating french fries, but perhaps more relevant to my new role as Student Historian in Resident, I’m a Latinx student from an immigrant family with a deep interest in labor, activism, immigration history, and how they intersect with the Latinx experience in this country.

When I used to go to work with my father, we would typically be clearing out abandoned homes in the heart of industrial Illinois. Even as I tried to keep up with the rest of the crew, I still couldn’t help but notice all the letters, photo albums, and antiques being thrown out: I remember one particular house in Aurora, IL where an extremely large collection of letters and photos from a Marine to his family caught my eye. For weeks I pored over these old photos and letters with the perhaps naive goal of returning these letters to his family, but it was that “treasure hunt” feel that was exciting, and what I later learned was essentially archival research. So when I was given the opportunity to be the newest Student Historian, I did feel that same excitement as I received a crash course in the collections here. 

However, I was often the only Latino student in advanced classes and experienced impostor syndrome since middle school. I always felt like I had to prove that I belonged there, and was terrified of asking for help for fear of proving that I didn’t, all challenges that has followed me to my current position. Being an undergrad researcher among grad students and professionals with years of experience can be intimidating. For example, as I began skimming through suggested collections, I still felt like I had no idea of how to properly go through a box, but at this point I felt like I should’ve known by now. It felt slow, tedious, and didn’t feel like I was getting what I needed.

I know it seems like a self-imposed problem, but thankfully Rena Yehuda, the previous Student Historian and one of my best friends, helped me tackle this. Through them, I learned exactly how set up a research journal. I learned that formatting my journals to make it easier to link dates and names across different collections was incredibly useful. Having a copy of the general history of UW nearby was great for creating timelines. Recording my own thoughts and feelings might turn a hunch into a valuable piece of info down the line. None of this I would’ve learned on my own, but it’s small steps and tools like this that really help with my struggles and self-confidence as a researcher.

The Archives are a place to preserve historically-relevant objects so that researchers interested in UW history have access to them, no matter how far into the future. But what I want to accomplish through this position is to make undergrad students like me understand that WE are historical subjects, something Rena Yehuda made clear in their own work (and something I want to continue). Our cultures and heritage shaped us into resilient and bright individuals, but can also make us feel out of place on campus. I feel self-conscious about my own Spanish, since with every day I don’t speak it, I lose my grasp with that connection to my people. Reading letters and fliers written in Spanish not just let me make valuable connections to previously unknown events on campus, but also gave me a very human sense of comfort:

There were others like me before me.

My culture is a colorful one, as colorful as the monarch butterflies on campus right now. They remind me of the only clear memory I have of my ancestral home: hundreds of thousands of monarch butterflies covering every surface of the Sierra Chincua. 

My research journal is also colorful; each hue signifying a different link between ideas, people, and dates. But more importantly, I, and other students from equally colorful but marginalized communities, have the potential to leave our “colors” on these collections. Our unique perspectives have the capability of extracting previously forgotten voices and ideas from these black and white boxes sitting around for decades. 

My goal is for students like me to utilize the Archives, where every audio recording, photo, or document is a unique color. My goal is that whatever canvas they have, from a formal research paper to a creative passion project, the Archives will be their palette in a world that for too long has wanted to erase color from its history.

And like J. Cole said,

“This is MY canvas,

I’ma paint it how I want it”

[davidblaska]

These people are professionals

These people are professionals

Tuesday’s riot ‘not spontaneous’

From the publication Madison365, an ally of the BLM/Antifa/Insurrection, comes confirmation what most of us suspected.

By Rena Yehuda Newman – Jun 25, 2020 described as “is a recent History graduate of UW-Madison.”

On Tuesday night [06-24-2020] in Madison, marchers took to the streets to protest the arrest of local organizer Yeshua Musa, who was violently,…

[iamyelling]

i assume by micro dosing testosterone you mean taking a low dose of testosterone as HRT so i’ll answer based on that. if you mean something g else feel free to disregard!

first i highly recommend rena yehuda’s testosterone zine - i’ve posted it on this blog before and if you google it’s pretty easy to find. it’s free to download. that was super informative to me! when i started T my doctor had me look at this website https://transcare.ucsf.edu/ look at the for providers and the for patients tabs.

i also have a bad memory so i check this every now and then because i keep forgetting the timelines. note that on low doses it'll be a bit slower and stuff.

ok so i'm at 8 almost 9 months on low dose injections. i say if youre thinking about it, want to do it, do it! my one "wisdom" is that you shouldn't get caught up in "goals" or "expectations" or like the "i want this but not this" line of thinking. a lot of times docs will start the conversation with "so what are your goals?" and online conversations and communities focus on that a lot of times too, but i don't think it's helpful. because what happens for you is totally unique and you can't pick and choose effects much or really. stay open-minded to discover new things. let yourself just be surprised by what you end up enjoying and liking!

by that i mean it drives me nuts when some people are like "i want to go on t but i'm scared of X effect!" which is usually body hair increase, head hair thinning or balding, bottom growth and horniness. lots of people do want those things. they aren't bad things. other things people are often concerned about are acne - just take care of your skin its usually not too bad. vaginal atrophy - use lube, i've heard there are estrogen suppositories or something if it's real bad. anger rage emotional stuff - myth. getting more into men guys dudes and butt stuff - real, not always but is not uncommon, stay open to possibilities. thinning and balding hair - ask your doc about it if youre concerned, there are medications and treatments for this. i don't have those concerns so i don't know much about this but it can be helped if youre particularly concerned.

i was on the birth control pill and stopped at the same time i started t, which has been quite a ride! horniness/libido/sex drive from 0 to 50! my hips have reduced and my butt has gotten bigger. my tits deflated and are more normal size for me now, they were boppers before.

my period appears to have stopped finally after like 8 months which i wasn't sure it'd do at this dose. i have been thinking about going up a little bit in dose.

my voice is getting deeper which is very nice. i'm struggling with masking (like neurodivergent masking) and i keep pushing my voice too high when speaking and hurting my vocal cords. need to work on this. i am not a singer and i am terrible at singing though i enjoy doing it, so i had no concerns about my singing voice. it truly could only get better from where it was lmao

look to your family members to see what you'll look like. youll still be you. also it won't happen overnight, the changes. its very gradual.

I am once again dancing with the idea of microdosing testosterone if anyone has any advice/wisdom please help

[iamyelling]

Hi! Just wanted to say that your testosterone zine has been hugely helpful in my deciding whether or not T is something I want to pursue long term. Simple things like "most people stop taking T at some point after reaching a particular transition goal" are very helpful. Thank you for creating a nice resource that is helpful on my own gender exploration!

it's not my zine, it is Rena Yehuda Newman's, I just posted it on tumblr because I also thought it was very helpful and I wasn't seeing it on tumblr.

Their Instagram is @ rena.yehuda Twitter is @ renayehuda and Gumroad is renayehuda.gumroad.com

sorry for the confusion. i didn't want to add my own commentary to their information, just wanted to share it so more people saw it

[fanzines]

Issue #2 of ‘Flaming Jewboy’ by Rena Yehuda Newman. Read it online at QZAP (Queer Zine Archive Project).

[fanzines]

Read Micah Bazant's 'Timtum: A Trans Jew Zine' online here. And read Rena Yehuda Newman's love letter to it here.

[uwmadarchives]

Pay Your Students: Student Activism and Student Labor In Campus Archives

Or, “Building Trust Between Archives and the Student Body: Hiring Student Historians” or even, “My Undergraduate Experience at the Midwestern Archives Conference: Why More Paid Positions Like Mine Must Exist On Campus”

by Rena Yehuda Newman (They/Them), Student Historian in Residence

“Student Memory: Then and Now” Poster by Rena Yehuda Newman (They/Them), presented at MAC 2019 in Detroit

This year, I had the honor of attending the Midwest Archives Conference (MAC) 2019 in Detroit, Michigan for a couple days sitting in on sessions, learning about the archival profession, and presenting my poster entitled “Student Memory: Then and Now”. I’d been to conferences before but the Midwest Organic and Sustainable Education Service (MOSES) Agricultural conference was, as you might guess, a little bit of a different vibe than an Archives meet-up.

The conference was informative and occasionally quirky (including the damaged document recovery vendor giving out vacuum-sealed beef jerky as a freebie). I attended sessions on imposter syndrome in the profession, documenting the HIV/AIDS crisis in the Midwest, and #Archives4BlackLives. In the time outside the conference, I wandered around Detroit with a friend, checking out a public installation in honor of organized labor, exploring the Detroit Institute of Art, and walking by the Church of Scientology up the street from our hotel. Critiques of many sessions included, the conference was an enriching and enlightening experience -- especially considering that, a little over a year ago, I had only a basic understanding of what an archives even was.

I may have been the only undergraduate at the conference, my age surprising many of the University Archivists who approached me to discuss my poster. While the poster discussed parts of my research and its relevance to the present, the bulk of my presentation centered around questions of archives outreach and community engagement, documenting the experiences of the student body and peer-educating about what an archives is and does. In my presentation, I wanted to suggest that archives can be supportive spaces for student activists on campus and archivists can be their accomplices in their pursuit of justice. I made a short list of action steps.

How can archivists support student activism?

Collaborate with student organizers, government, and groups to preserve student memory, especially for contemporary issues

Listen to the needs of students, especially marginalized students, asking: how archival collections can be of service to them?

Host events and workshops about relevant historical campus movements and protests

Encourage students to think of themselves as historical subjects by leading workshops teaching students how to document their experiences

Provide accessible opportunities for students to contribute their own meaningful, modern materials to the campus archives

But most importantly...

Fund paid student staff positions, employing students to do archival research, outreach, and modern documentation

On my poster I was transparent about the wages, conditions, responsibilities, and privileges of my position as Student Historian in Residence, which is well-paid, supported by the staff, and flexible in terms of time and content. By being compensated for my labor, I’ve been able to spend the time that I need to in the archives working on all sorts of projects that benefit the archives and (I hope) serve the student body.

Though the Student Historian position began this year as a pilot research opportunity, the work has sprouted into other projects, like creating a teaching kit about the Black Student Strike, spreading the gospel of archives by presenting to classrooms around campus, leading late-night archives sessions on topics like “Queer History”, teaching student government about self-documentation, and most recently, conducting interviews for a modern oral history project on UW-Madison student activism from 2016 - 2019.

While non-student staff keep the wonderful Archives ship afloat, this kind of outreach work can only be done by a student. I’m not saying that I’m the student who should do this work -- this isn’t about me, it’s about student labor in general. The importance and value of archival peer education is immense. The benefits of trust between the student body and their campus archives are best achieved when student staff members are given the opportunity to take ownership over the archives and bring that passion to the rest of their circles, letting other students know that their campus archives is a place where their collective work can be remembered. This quality of work can only happen if students are paid for it -- and paid well.

At the conference, I had one university archivist approach me and ask how their archives could create these student community connections without a budget. Was there a way she could get the same results without paying students for their work?

As the Student Historian, I have the profound opportunity to spend hours familiarizing myself with materials, reflecting on my learning, meeting with staff members, creating projects to serve my fellow students, and sharing my work with the rest of my community. This position requires a lot of time each week and has yielded projects that the Archives staff and I are proud of. Yet for many marginalized, low-income students -- all of whom would offer unique, necessary perspectives into these archival pursuits -- this opportunity would be inaccessible were it unpaid. Many students can’t afford to work for free. I answered that, while there are many steps an archives can take to support student activism and document these corners of student life, by not paying students for documentation or research, an archive creates a barrier for access and excludes the brightest, most marginalized students on campus from sharing their perspectives and benefiting from the enormous opportunity that archival work has to offer.

To University Archivists interested in the above: Apply for grants to fund student projects. Find funding for student staff members to do research, outreach, and modern materials collection.

Archives are a place for activism, for students to reclaim campus memory as their own. Do yourself and the student body a favor -- create more positions like mine and spread the archives love inside the reading room and beyond.

-- Rena Yehuda Newman (They/Them), Student Historian in Residence 2018-19

[uwmadarchives]

Student Memory: What It Is & Why It Matters

Rena Yehuda Newman, Student Historian in Residence 2018 - 2019

Black Student Leaders Wahid Rashad, Harvey Clay, and others at Rally During UW Black Student Strike, February 1969

A song to listen to as you read: Archive, by Mal Blum

Student memory is a constant struggle. This is an axiom that every student organizer or worker knows intuitively. On college campuses, every four or five years means a complete turnover of knowledge. There is only a brief window for continuity. So, what does it mean to pass down memory in a place with such a transient population?

As a student historian, I’ve been researching the student activism of the 1960s Vietnam War era on UW-Madison’s campus. But there are significant gaps in the collections, namely, the voices of the student organizers who led the most major protest movements of their time, like the Black Student Strike. While it’s a relatively new phenomenon for archives to serve communities rather than powerful institutions, the same problem seems to be happening continually -- no one is documenting the campus activism of 2019.

Not only does this mean the erasure of student history, but also the continued forgetting of modern student memory, leaving each successive generation of students without context. This causes major problems for students engaged in social issues and policy change. Without memory of previous happenings and student-led initiatives, ideas and already-fought battles, students are at a severe disadvantage. Tireless hours by student activists can be undone. And if each year brings new amnesia, momentum is irrecoverably lost.

With this in mind, we have to ask: Who benefits from forgetting?

In my time as a student organizer, activism for or against new policies often feels like a race against the clock. I’ve heard time and time again that the administration and board of regents relishes a certain temporal safety. However awful a policy, however bad the student backlash, they can just wait it out until no student on campus remembers the time before. Those in power always benefit from public forgetting.

For example, in 2017 - 2018, University Housing unleashed a new mandatory meal plan without the input or consent of the student body, requiring all first years living in residential housing to pay an additional $1400 into WiscCard accounts, to be used exclusively for eating at the dining halls. This policy directly harmed low income students, students with eating disorders and dietary restrictions, and impacted students’ right to choose where and how they eat on campus. Major protests ensued all of last year, including an hour-long shutdown of UW’s most major dining hall. But many incoming freshman have no idea this policy is new, or that their fellow students spent countless hours fighting for an opt-out. Without a sense of memory, the student body is ill-equipped to advocate for itself and address harms they may experience but never be aware of.

Another example: in 2017, Governor Scott Walker tried to slash students’ ability to self-tax through allocable segregated fees, which would have effectively killed all of UW-Madison’s most major student organizations, many of which offer vital services for students like the Rape Crisis Center or the campus food pantry, The Open Seat. Students fought and won against this policy proposal, but the same issue could arise again. If students don’t know about this history of advocacy, the next time segregated fees are attacked, those future students will be forced to reinvent the wheel.

I want to bring together these two strands of maintaining student memory and recording student history. It seems that they are heavily dependent on each other -- if new students are given a sense of memory, “caught up to speed” with previous events on campus, all students benefit. I’m going to spend this spring collecting student materials to fill in the gaps. But I can’t do it alone, especially because as a white student, many of these are not my stories to tell.

We have so much to gain from remembering.

How should a student body organize against collective amensia?

Last week I presented to Associated Students of Madison (ASM), the UW-Madison student government about maintaining student memory. I believe student government can have an important role to play in creating workshops, sessions, and publications to educate students about their own past. Student government might also take it upon itself to do documentation work, creating folders full of posters and graphics and materials from recent organizing movements, especially on campuses where there isn’t a paid student historian to do this labor.

But this kind of documentation should happen at a grassroots level beyond student government. Student institutions and organizations have important roles to play, but are not representative. All students, especially students of marginalized identities, should keep records of themselves, write about their experiences, compile the materials of daily life and continuous struggle present in their time on campus. Creating “Disorientation Guides” to give to new students is useful. Though an individualist and professional culture usually means hoarding credit, fight back against this impulse by saying the names of fellow students and organizers who have also done the work. Create a folder on your computer of screenshots, receipts. Leave citations, make a record.

Collect for the future and fine ways to revive the past. Take opportunities in classes to research local historical student issues. Go dig around in your university’s archives. Ask for the wisdom of elders who have been around for a while. Tell the stories you learn, especially the stories that give you hope or create resilience in you -- make art about them, publish zines about them. Keep it alive.

Memory is protection against erasure. People and institutions of power will not record our stories, but we can. Create your files, archive your experiences. Make memory out of story then find a way to tell it. If you trust them, donate your materials to your local archive, especially university archvies. If you don’t, make your own. Either way, write it down. Collect it.

To all student activists engaged in the struggle: In fifty years, there may be a student wondering what their campus did during Trump Era America. Don’t let that story be written for you. Pick up your pen, fill up your boxes.

You are a historical subject, act like it.

- Rena Yehuda Newman (They/Them)

[uwmadarchives]

E.P.S. 900: A Student-Run Course

A couple weeks ago I was hunting around in the archives for the Wisconsin Student Association’s (WSA, precursor to ASM) Student Power Report. The usual and simple search methods weren’t working so well, so I sat down with one of my coworkers at the desk to look into the murkier depths of the internal archival databases.

We discovered a single box labeled “P. Altbach” with a few promising folders. What piqued my interest, though, wasn’t the “WSA” folders, but a few others labeled, “Student Protest Policy”, “UW-Government-Military Links”, and “E.P.S. 900″, among others. It looked good on screen, so we grabbed the elevator key and began the journey down to the archives basement.

Finding a box like this is a lot like finding hidden treasure.  Following the coordinate map of shelf location, we pulled off an old box that had been accessioned in 1980. When we opened it, it seemed like the materials hadn’t been touched since. Excitedly, anxiously, I brought it upstairs and placed it at the table like a huge present. Since I’m Jewish, I can only imagine that this is exactly what Christmas morning feels like.

Curious about the ambiguity of the “E.P.S. 900″ folder, I set it down on the table and opened it up. Inside were documents on documents regarding a class entitled “Educational Policy Studies 900: Experiments in Teaching and Learning,” an entirely student-run class created by a student group called The Center for Radical Education.

The folder contains lists of projects, letters between administrators and the students behind the Center for Radical Education, correspondence between students, a letter from a Harvard professor interested in recreating the course, class descriptions, and reports on the course itself written by students.

The folder contains a report on the first time the class was offered, as well as a report on the second time in Spring 1969, the course having been moved from EPS 900 to 350 to allow undergraduates the chance to enroll.

According to these reports, the class exists because of the activism of students and collaboration with some of the more progressive members of the Educational Policy department’s faculty (including Associate Professor Philip Altbach, the compiler of the collection for whom the box is named). According to their own report, the idea for the class came about in the summer of 1968, within a small community of Education School graduate studentsr. In Fall 1968, sixty grad students took this class for credit.

The class was structured around student-generated projects with a huge range of topics. A list published after the initial Fall 1968 class named 20 projects, including “Theater, Education, and Politics”, “High School Social Studies Curriculum”, “History of the Blues”, “Film Project”, “Black Employment Problems in America”, “Rent Strike Project” (lead by now-Mayor of Madison Paul Soglin), and a reading group on “cybernetics and technology”. The cybernetics project is described in detail in the report as gathering once a week “in one of the students apartments about eight at night and lasting until eleven or so before breaking up (and until one before total disbanding).” Though the cybernetics discussion group was one of the more successful projects, it seems like the energy of the participants was far from unusual within the course.

The second time the course was offered in Spring 1969, concurrent with the Black Student Strike, according to a letter sent out by the Center for Radical Education, the course had to be capped at 500 students because if enrollment were to be kept open, they would “end up with 1000 or more students in the course” and they simply could “not handle that number of students under our present set up.” In short, the course was wildly popular, but clearly lacked the resources that its organizers and participants needed.

The project list expanded in the course’s second run in Spring 1969. There were projects listed as “Black Studies Curriculum”, “Madison Tenant Union”, “Women’s Liberation”, “Free High School”, “Contemporary Poetry”, “Contemporary Radical Student Movements”, “New Theater” & “Community Theater”, “The Nature of Self Discovery”, “The Consumer and the Community”, and more.

As of my finding this box in Fall 2018, I haven’t found much of any secondary sources expanding on this class (though doubtless there are more materials tucked away in the archives directly related to this course and its organizers). On some of the project lists, there are names of project organizers attached, many of whom are likely still alive and could be interviewed for oral histories. With 500 students attending, this was no small phenomenon. I wonder about its impacts for student organizers and how it functioned within a greater contemporary scene of activism and student radicalism.

Not only are the research prospects of this course exciting, but its implications for the University today are enormous. As a student in 2018, what does it mean to me to know that there were student-run courses at this school just fifty years ago? It was hard-fought for, and unfortunately died away. Why? Why couldn’t this happen again? Could it?

In a moment of intense political upheaval, for me, a course like this feels like lifeblood. Could the work of these former students be a precedent or map for creating newly radical courses? I don’t know how many students have the time and energy for an undertaking like this. But there’s something electric in knowing that it is possible, that is has been done. As I continue researching this particular nook in UW’s Vietnam War-era activism, I hope my understandings can act as a talisman rather than a relic.

- Rena Yehuda Newman, Student Historian in Residence

#StudentHistory

[uwmadarchives]

Black Student Strike Teaching Kit: Memory for Justice

by Student Historian in Residence Rena Yehuda Newman (They/them)

For the past three months, I’ve been working collaboratively with the UW Archives Staff to put together a Teaching Kit about the Black Student Strike of February 1969, in honor of the 50th Anniversary of the Strike, coming up in February 2019. As of the end of December, the first draft of the kit has been finished and sent out to community members for review. By the end of January, I’ll have a link up here for anyone to view the kit publicly.

I drafted the following post before winter break, and though it’s a bit late in its posting, I figure that as I enter the revision stage of the kit (having received tons of helpful, wonderful feedback from community collaborators), I want to post this bit of personal reflection.

______________________________________________________________

Mid December, 2018

I’m heading home for winter break this Sunday. But before I sign off for the break, I wanted to take a second to reflect on the experience of putting together this kit, especially as a white historian working on a public project to document black activism.

After Cat, Troy, Katie, and I had our first meeting to talk about compiling a teaching kit for the strike, I was enthusiastic about the project. These days, I think reparations through education can be an effective tool for restorative justice, revitalizing memories of upstanding community members fighting injustice. The staff was kind with entrusting me with a lot of say in the process, more or less putting me in charge of curating the primary source documents that the kit would feature.

Holding this responsibility means being transparent about my own limits: as a white student, there are limitations to my work on this project. The meanings and choices I make regarding the materials and curation of this kit will be influenced by my own identities and experiences. Whiteness impacts those choices. While it is necessary that white people also engage in anti-racist action in all spheres, at all times during this project I have wondered deeply about my ability to do justice for a project like documenting the Black Student Strike of 1969 for Students in 2018-2019.

Many of my weekly meetings with Cat Phan, my supervisor, were spent discussing this question of curation, bias, and identity. By nature, this collection will be limited (we tried to keep it to ~10 documents for accessibility’s sake). I’ve included an extra document, a placeholder entitled “Absent Materials”, highlighting omissions in curation and encouraging students to question inclusions and exclusions in the collection. We also included a set of “Modern Materials” regarding a set of demands by black students for 2016, also calling for anti-racist action on campus.

We wanted the kit to include a wide swath of voices, especially student voices. We wanted the kit to uphold the story of the black student organizers, despite the fact that our UW archival collections have enormous gaps with regards to firsthand student activist accounts. I wanted the kit to make clear the history of state violence that the UW enacted on its own students by calling in the National Guard. I wanted the kit to reaffirm the ongoing relevance of the Black People’s Alliance’s “13 Demands”, salient today. I wanted this kit to bear witness and I wanted this kit to help my peers bear witness.

But as a public, community project, the UW archives staff cannot be the only voices in constructing the kit. While my usual instinct is to bring in more student voice, especially connecting with my black peers about this project, Cat suggested that we send it out wider, including scholars from the Black Studies Department, Black Student Center, and Multicultural Student Center. Now that the first draft is done, we’re in process of sending it out to these community partners for critique. I want to be accountable for mistakes I’ve made in this process, transparent about my thinking. I want to be accountable for the work that’s being done/needs to be done. I want to document that process of accountability so that students doing similar projects in the future can learn from my mistakes and reflections.

I hope that this kit, after feedback, collaboration, and revision, can be a jumping-off point for restorative education. A small teaching kit cannot claim to tell the whole story of an event like the Black Student Strike, but it can provide an opportunity to glean old-new meanings, to give students and educators alike the chance to explore a less-commemorated event that bears enormous significance for the UW community. The process as well as the product brings lessons to questions of what it means to be a part of this strange American project, locally and nationally.

The Black Student Strike contains lessons for me as a young, white student seeking to work for justice on campus and in the world. I hope that the questions contained in this teaching kit can act restorative, opening up conversations about the Strike itself and what it means to inherit its memory.

[uwmadarchives]

Grappling with State Violence at UW

Rena Yehuda Newman (They/Them), Student Historian

As part of my research in the UW Archives, I’ve been reading through the Subject Files of the Black Student Strike, from Fall 1968 - Spring 1969. During the Black Student Strike, hundreds of students boycotted classes, marched, and disrupted business-as-usual in pursuit of 13 Demands drafted by the Black People’s Alliance. The 13 Demands included the admittance of 500 more black students, a Black Studies Department, and student control over the proposed department and the Black Cultural Center, along with several other proposals.

While the events of Black Student Strike took place over a period of months in the ‘68 - ‘69 school year, student actions came to a head around February 1969 -- and consequently, violent state actions followed.

“13 Demands”, Black Protest February 1969 Subject File, UW Archives

Most of the materials that speak to student perspective on the strikes, like protest pamphlets and literature, are in the Wisconsin Historical Society. The The UW Archives collections heavily include the administration’s perceptions of the strike, providing an intimate and harrowing look into the perspectives of the powerful during this era.

In the Black Student Strike archival subject folder there is a chronology of events narrated from an administrative perspective, likely created by the chancellor’s office from the voice and tone of the document, which frequently describes Chancellor Young’s personal schedule and other internal commentary, though the official source is not stated. The chronology details administrative interactions with black student leaders, starting in November 1968. The document narrates these events largely as inconveniences for then-Chancellor H. Edwin Young. 

Using a chronology created by people in a position of power creates historical dilemmas, or at least a number of important opportunities for questioning. The chronology consistently lacks concern for student well-being, especially those of student protesters. The report often reads like a crime report against black student activists. While the record of events is helpful in providing a clear timeline of events, what is included and excluded (and what is known and unknown) by the administrative writer is informative of agenda. My selective recounting of the document is a further redaction. Do I trust the writer of this chronology? Do you trust me as a student writing about these events?

According to the document, in November and December, students engaged in talks with Young and began their protests and class boycotts. By February, the 13 Demands were brought to Chancellor Young’s office. On February 8th, “several blacks demonstrate[d] inside Field house during Ohio State-Wisconsin Basketball game, while police hold 300 demonstrators at bay outside.” The report includes that 4 policemen were injured. It does not include whether or not students were harmed.

On February 9th, the Student Senate of the Wisconsin Student Association “votes to support strike and to provide bail money.”

On February 10th, “1,500 students and sympathizers peacefully picket major classroom buildings while strike leaders emphasize at rallies that their aim is a non-violent confrontation with the University administration.”

On February 11th, “180 city policemen and county sheriff’s deputies and traffic officers -- all riot equipped -- clear demonstrators from Bascom Hall and four nearby classroom buildings.”

On February 12th, “Governor Knowles activates 900 Wisconsin National Guardsmen at the request of UW President Fred Harvey Harrington and Chancellor Edwin Young.”

On February 13th, “1,000 more guardsmen called up” in addition to to the 900 from the previous day. That day there were “ten arrests, several injuries.”

“Chronology of Activity Regarding Black Students” p.2, Black Protest February 1969 Subject File, UW Archives.

The Chancellor and President of the UW called in 1,900 armed National Guardsman against unarmed student protestors. 

According to the newspapers, the UW Regents advocated heavily on behalf of this decision as well. One regent even called for budget cuts to the UW “unless University takes prompt action” ( “Legislators Label Protestors at UW ‘Long Haired Creeps’”, Wisconsin Rapids Tribune, February 12th 1969). A headline from the Madison Capitol Times intoned, “Troops to Remain at UW ‘As Long as Needed’: [Says Chancellor] Young”. Armed guardsmen "used clubs as they made their way through demonstrators” and left unrecorded numbers of students “injured in strife”, according to the Milwaukee Sentinel. (“Knowles Calls Out Guard to Restore Order at UW,” Milwaukee Sentinel. February 13th, 1969.)

I’ve read over this section of the chronology several times. Each time something inside me sinks. Right now, I can’t look at this piece of history with cool eyes. I am not removed from it, rather, I inherit it. As a student, how do I reckon with the knowledge that the leaders of my school called for state violence against their own students? 

The response I have to anticipate from modern readers is common: “But that was 50 years ago. Things are different now.”

But they aren’t.

The UW Board of Regents just last year proposed and passed a piece of legislation ironically titled “The Free Speech Bill,” (SB 250) which could suspend or expel students for “disrupting” speakers invited to the UW, never mind the fact that what constitutes “disruption” remains ambiguously defined. Administrators in power within the UW system remain unfriendly to expressions of civil disobedience and free speech via protest, despite UW being a public school. Last year, I heard many professors and law students describe this policy as possibly unconstitutional, and dangerous due to its potential to create a “chilling effect” and reducing civic protests writ large. Outside of “The Free Speech Bill”, echoes of withdrawing funding from the UW because of the political actions of its students are loud and clear today. I wrote about my fears regarding the policy in a Letter to the Editor published the Daily Cardinal.

The Regents’ modern policy is not removed from the UW Administration’s past. To understand this modern connection to the armed troops employed by UW administrators during the Black Strike is to more intimately understand a legacy of state violence against student activism at UW.

As a student historian, I find it important to grapple with this legacy. If students brought these grievances up to the UW Regents and UW-Madison Chancellor’s office today, would they be remorseful or would they stand behind the violent decisions of their predecessors? Would they seek reparations? Most saliently, and perhaps most hauntingly, I need to ask: would they do it again?

For students in a particularly politically tumultuous time, when the impacts of local, state, and national policy directly harm members of student body, and the tensions between school and state seem to grow each year, the answer to that question is precarious and high stakes. 

Would they do it again?

- Rena Yehuda Newman (They/Them), Student Archivist

#StudentHistory

[uwmadarchives]

Crafting a Research Proposal

Rena Yehuda Newman (They/them), UW Archives Student Historian

From Archives staff: A belated posting of a blog entry written two weeks ago by Student Historian in Residence Rena Yehuda Newman!

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As September comes to a close, the deadline for my research proposal draws nearer. The initial deadline we’d set of August was a bit too soon -- at that point, about a month into the job, I’d only just gotten my landlegs in the archives. 

When I wasn’t in meetings with various staff members, I was picking through materials that had been pulled for me, suggested by the staff, browsing and trying to get a sense of what piqued my interest and felt meaningful. I poked at the bookshelves and boxes and tried my hand at searching through the digitized databases. Though I’d spent a bit of time in archives before this job, it took from the end of July until summer’s end for me to feel capable in the archives as an actual researcher (not just a student with a class prompt) -- to become familiar with the staff and knowledgeable of the resources available to me.

Now that we’re almost through the month, I’m starting to put the finishing touches on my research proposal. Though I’d started drafting it at the end of August, it’s only now coming to fruition. I’m glad I had the extra time -- I needed that time to explore, to ask new questions, and to put the new lessons I’m learning into practice. Starting the school year itself has really helped catalyze the project.

I’m currently taking a class from Bill Cronon entitled, “The Making of the American Landscape”. His father wrote one of the histories of UW I’ve been using as a guide. The purpose of the class is to understand how to read landscapes as historical texts -- or in the opposite order, understand how political, social, and economic forces render themselves in the physical world around us and shape the ground beneath (and above) our feet.

Yesterday, my section went on a tour of Library Mall. We discussed the bizarre, mismatched architectures of Memorial Library, Humanities, the Historical Society, the Red Gym, and more. My TA showed us photographs from earlier eras, using visuals as hints to discover when the picture was taken. But I found myself curious when the conversation turned to the Vietnam War era, awake with connections between the class and my research here at the archives.

There’s an old myth (or fact, I don’t know yet) about the Humanities building that circulates in Madison: its horrible-but-enchanting brutalist architecture exists for the purpose of eschewing student protest. In its most extreme forms, the myth describes the building’s slanted sides as potential tank positions, a solid bastion of war against “radicals”. 

Though I don’t know about the intent behind Mosse’s brutalist architecture, I intend to find out. At the very least there is a grain of truth behind the rumor; the Humanities building decries public gathering by design. Enormous and echoey above the surface and cramped with hallways inside, there are no good places to get together with crowds in the entire concrete block. The architecture is alienating, uncomfortable. Congregating there is difficult and counterintuitive. I’ve heard the same speculations aimed at the design of Vilas, which has similar booming plazas and intentionally uncomfortable spaces.

The more I thought about the way in which architecture impacts public attitudes, the more I thought about how political action shapes public policy, whether through the will of the public or as a reaction against it. Though most of my research up until this point has been exclusively about students, I was still thinking about the chronology of the Black Strike written by the administration’s office. I can’t stop thinking about how violent the UW administration has historically been towards a politicized student body -- even a non politicized student body. Thus far I’ve been researching how student protest impacted campus, but during the tour, I began wondering how the administration’s often violent response to student protesting has impacted UW policy today. If the administration’s disdain for student radicals potentially shaped a behemoth like the Humanities building, what other less-visible structures did it erect around campus? 

My research proposal has shifted from an inquiry into the relationships between students groups to an investigation of the University’s response to student organizing and how the UW admin’s responses have shaped the modern student political climate, protesting policies, and physical landscapes of the University today. 

While my project will focus on the violent responses of UW towards its own students, the University’s history violence extends far beyond the scope of the student body, encompassing gentrification, racial violence, policy towards Madison homeless, and even (especially) the college’s very beginning when UW was established on stolen HoChunk land. When historical wrongs are documented as evidence, they can better be used for the purpose of reparations. I hope my research can illuminate the ways in which the University’s violent past haunts campus grounds -- and what students can do to join our predecessors in resisting it. 

- Rena Yehuda Newman (They/Them), Student Historian

#StudentHistory

[uwmadarchives]

Student Historian in Residence: Hello from the Archives!

My name is Rena Yehuda Newman (They/Them), the new Student Historian in Residence at the University of Wisconsin-Madison Archives. I’m here on this tumblr in the name of being a good self-historian. Here I’ll be documenting the research, ideas, epiphanies, philosophies, reflections, and poetry of the archives during my residency. Under the hashtag #UWStudentHistory, I’ll be sharing my musings on the regular, and you can follow me on this whimsical adventure through boxes of mystery materials and memories yet uncovered.

As a History student entering their Junior year at UW-Madison, I find myself thinking a lot about memory. As a young Jewish kid, I remember a someone once telling me the difference between history and memory. History is concerned with what happened, while memory asks a different question: Who am I because it happened?

In a day and age of revealed political turmoil and growing unsafety of marginalized communities in the United States, asking this question of memory has become front and center for me. Participating in civic discourse as a young white, Jewish, non-binary artist and writer means that I hold all of my identities in both hands. I also inherit the histories and memories of all these categories -- and regardless if I understand them or not, the stories of those who have come before me shape who I am today. 

As a student at UW, I inherit the legacy of this institution. Long, problematic, strange, niche, agricultural, brilliant, radical, racist -- UW is all of these things, embroiled in contradiction. I write this blog post sitting underneath an 1892 portrait of a white University President reclining in a three-piece suit, sitting next to a copy of “The American Archivist” journal bookmarked to a paper about archivists and reparations activism. Behind me are boxes and boxes of mixed materials, many of them uncatalogued, many of them with secrets inside. 

There are the public radio reels and the collections from the Dictionary of American Regional English, where linguists interviewed people all around the country just to hear how people spoke. There are time capsules in here, and reports about corn. There are the images of the prestigious Ku Klux Klan UW chapter from the early 1900s in our yearbooks. There are fliers from protests and rallies and statements that the Chancellor released to mollify roiling student bodies, students who shouted in the streets, who wanted to protect Japanese students from internment, who demanded an African American Studies Department, who protested weapons contractors and chemical companies, who bombed Sterling Hall. What I’m saying is, it’s not simple. But as a student, all of it is mine. 

Just as all of it is mine, I want my peers to know that all of it is ours. All of these students from eras past have been us, even the ones who have been ‘against’ us. There’s a lot to learn from knowing that. It’s hard to remember who we’ve been when our community is so transient that every four or five years, UW hits reset. Yet the archives remind me that every time I step onto Library Mall for a rally, I join a long tradition of other students, often standing against the University, who organized and fought. The memory of those actions lives here in the University Archives, tucked away by the lake shore dorms, quietly humming away on the fourth floor of Steenbock Library.

In the time that I’m here, I seek to study student activism from the Vietnam War era, focusing specifically on the political organizing of students of color. I want to learn about presence of organizations like Students for a Democratic Society (SDS), Student Nonviolent Coordinating Committee (SNCC), up-and-coming chapters of the Black Panthers and Asian American student organizations, as well as how the University responded to these organizations and demonstrations. I want to know how they organized, how they talked to each other, who tried to erase them, what impact they made. I hope that the materials will guide my research and lead me into new understandings. I also want to be aware of absent voices -- whose papers are not here in the archive? Have not been sorted or tagged? Honoring absence in history is itself part of the history, and can itself be an act of restorative justice. These are all things I hope to bear in mind in my time here.

As I go deeper, I hope to connect other students to the wonderful staff and space here at the archives. I want to bring peers into the work. Collective memory is at the heart of who we are and who we become, and history can never be learned alone. I can’t wait to get started.

- Rena Yehuda Newman (They/Them)