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mulherergativa · 1 month ago

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Pop feminism is mostly a victim of our pattern seeking brain.

"The generic unmarked term to refer to groups of people derives from words related to masculinity." does not mean that changing our markedness to a more 'gender neutral' language will change people's perceptions in such biases. This also falls into the same problems with the notions of Goddess movements—where they juxtapose Masculine defaultism in theology to the patriarchal worldview of the world. It seems to be a weird, overly-deterministic structure of how the facets of society can be innately linked to the narratives of the Patriarchy.

It genuinely seems to be the case that Indo-European languages just seem to have the masculine gender as the default, and the reason that exists in English is—well, is such a remnant of the areal feature relating to it. It seems to also be the case in Peripheral SAE languages such as Estonian and Turkish, where the marked gender is still the feminine, in edge cases where gender may be differentiated; cf. çocuglu for a generic of 'child/boy' but explicitly referencing girls must be done with kız çocuglu.

I think Sapir-Whorf has become a genuine poison in terms of how people should approach discussions of how language changes with the patterns of thought. The ways in which we perceive biases suddenly don't disappear just because

Even with the critics of those models, such as the ways in which cultures shape our language—via Boas and whatnot, seem to also fail in assessing the problem in which masculine/feminine generics has nothing to do with human genders or the perceptions thereof.

There are attested cases in which the feminine term is the functionally unmarked one, such as those in the Amazon anPapua and Iroquoian languages, such as Mohawk, Seneca, Oneida, etc. Functionally, the word for 'humans' and 'woman' belong into the feminine gender in Seneca, but these seem to also be a pattern seeking brain in regards to how Iroquoian society is largely matrifocal. In Mithun (2014), she interviewed native Kanienʼkéha (Mohawk) speakers and they deduced that nobody had noticed this feature saliently. They were however, had expressed surprise and concern that the classification for 'women' were in the same gender as that of animals.

Similarly, feminine-default genders in the Amazon seem to also have societies in which the masculine is also emphasized, as feminine defaultism in Jarawara in turn see that the class of masculine is exceptional—in such that gender reversal of a woman who acts 'masculine' is deemed in the same class as a way of emphasizing her significance and strength in society. In comparison, reversal of the feminine in other languages—mainly those in the Amazon, seem to also be a sign of belittlement or weakness.

Features of languages are not really meant to be reflections of our societal biases, and to argue otherwise seems to just be an err on the fact that we want to see patterns in everything. So analyses of gender patterns and our perceptions of misogyny must be treated with caution, since trying to connect these phenomenon together seem to be overly deterministic and Eurocentric in regards to their analyses.

#linguistics #ramblings

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ange1sang · 9 months ago

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downpour.

mickey x ian (gallavich) fic

wc: 2.5k / au where gallavich meet at college but everything else is the same / pining, mentions of past abuse/domestic violence, domestic, fluff, hurt/comfort, bipolar ian

summary: mickey has always known love and care to be tainted with violence. living with ian, he learns how to take care of someone without hurting anyone else.

The TV glows in the dark of the living room, illuminating the walls with fuzzy grey and blue light that flits back and forth as the scenes of an old drama rerun change. Mickey is only half watching, a half-full mug of flat Red Bull in front of him on the coffee table and a half-finished theology paper on his laptop beside it. The cursor in the word document blinks at him rhythmically, an impatient 'what are you waiting for?' repeating itself over and over while he tries to convince himself he isn't procrastinating, just waiting for his brain to clear out the bleary remnants of the morning's hangover.

He wouldn't be so distracted if he wasn't alone in the apartment, but the clock is steadily ticking further away from 'late night' territory and closer to 'early morning' and there's no sign of his redhead roommate to keep him company with the quiet sound of tossing back and forth in his bed or the less quiet sound of putting on the kettle to make instant ramen. Mickey's been at college for a while now, but the year at college has done nothing to dull the ringing a silent home leaves in his ears. He's used to siblings running down corridors, banging every corner with a limb or two on the way, fights breaking out, yelling from next door or across the street while the train tracks rattle overhead, struggling to drown out any voices that don't belong to it.

That's why he'd thought renting an apartment with the kid from his Human Struggles class would be a good idea - he had too short a fuse to make it any more time in the dorms without breaking a dozen more noses than the two he had managed in his first semester, and having a place to himself made him more anxious than he was willing to admit. Just viewing apartments by himself had spooked him, every creak and squeak the house made around him putting him on edge like a horse with cataracts. Ian had seemed like the perfect solution.

As far as Mickey is aware, Ian Gallagher comes from a big family just like his, and while it seems that Mickey won the competition for whose upbringing had been the most troubling, Ian carried more baggage than anybody else he'd met so far at college. In a selfish sort of way, it comforts Mickey that there's somebody around who can understand even half of what he went through back home.

It doesn't bother him that Ian can be spacey or sleepy, or that his mood still swings sometimes despite the complicated combination of pills he takes morning and night. Their schedules fit well with each other's, they proofread each other's assignments (always finding more mistakes than expected, and always quietly correcting them without telling the other), they chase each other around the cramped apartment waving dirty socks in each other's faces and fall asleep on the couch together so they can bicker over who fell asleep first the next morning. It's a healthy balance between the quiet Mickey has been looking for and the chaos he thrives on.

What Mickey does mind is the topsy-turvy schedule Ian has been running on lately, disappearing at odd hours and showing up days later looking deflated, like a grimy happy birthday balloon shoved in the trash next to empty beer cans and drug store receipts. When they'd first moved in together months ago, Mickey wouldn't have paid any mind to gaps in Ian's schedule or the expression he wore when coming in the front door. He wasn't sporting any black eyes or gunshot wounds, so as far as Mickey was concerned he didn't have to ask if he was okay. But now, blinking at his half-assed paper on the necessity of human suffering for God's existence, he realises he isn't waiting for a hangover to clear, nor is he procrastinating. He's waiting for Ian to come home.

"Fuck's sake," he mumbles, pushing himself up off the couch and pacing over to the kitchen window. Careful not to topple the embarrassingly full ashtray on the window sill, he pushes the window open and grabs the pack of L&M blues sitting on top of the microwave (Ian's choice of nicotine, not his) and lights it with a purple lighter painted black with cheap nail polish (his sister's old lighter, not his). As the cigarette smoke clouds the corner of the apartment they've dedicated to their weekly chainsmoking sessions, Mickey looks out of the window to see that it's raining hard, bullet-like raindrops painted orange by the flickering street lamps. He feels a tug in his chest and tries to pretend he isn't picturing Ian's ginger hair soaked through and sticking to his forehead. He presses the heel of his palm to his forehead and sighs. "Fuck."

The clock continues to tick while the rain pours, as reliable as the twinge of anxiety Mickey feels each time he finishes a cigarette and his flatmate still hasn't come home. He's barely resisting the urge to pick up his phone and call Ian's work number, shoving his free hand deeper and deeper into his trouser pocket to remind himself that he isn't his flatmate's boyfriend, let alone his keeper, when the sound of a key struggling to find its way into the front door lock breaks him out of his anxiety.

He curses under his breath and throws his cigarette into the sink, almost tripping over his own feet as he makes his way to the door. He keeps his face straight as he turns the lock, trying to convince himself he wasn't rushing, and breathes a sigh of relief when he's met with the sight of Ian standing in the doorway.

Ian's red hair looks closer to black from how wet it is, rainwater running in little rivulets down his forehead and dripping from the tip of his red nose. His eyes are red-rimmed, his hoodie soaked through and sticking to his skin. He looks more like a block of ice than a person, and even in the warmth of the apartment building he's shaking like a leaf in a storm.

"Shit, man," Mickey mumbles. A landslide of questions are on the tip of his tongue, from where to why to are you okay to what the fuck, but he bites his cheek and swallows them all. He puts a hand on Ian's frigid shoulder and pulls him inside, paying no mind to the trail of water his sneakers track into the house. "Come on."

They trudge through the living room, ignoring the tacky sex scene on the TV and going straight for the bathroom, where Ian perches himself on the edge of the bathtub. He sniffles, and the meek sound echoes in the tiled room like a firework going off the day after New Year's. Mickey reaches out and gingerly pushes a lock of dripping hair away from Ian's forehead. He's reminded of all of the times his siblings wandered through the front door in far worse shape and how he left them to take care of themselves while he blared burned CDs in his room. For a reason he can't name though, the thought of leaving Ian alone to lick his own wounds makes his stomach turn, so he gives his shoulder a squeeze and doesn't complain when it makes his palm wet.

"One second, okay?" he murmurs, and leaves the bathroom to gather a dry change of clothes from Ian's wardrobe. He pauses for a moment to look around his flatmate's room once he has the clothes gathered in his arms. He's only seen the inside of it a handful of times, usually when bringing Ian coffee or meds to help him get through any bumps in his highs and lows, but those times he hadn't paid attention to much other than the redhead himself. Now he takes notice of the posters Ian has put up over the past few months, worn paper that has been folded dozens of times along the same lines, and the stack of CDs that they don't have a player for. Each of them has a title written on it in blue Sharpie, some of them in Ian's handwriting and some of them not. Mickey traces a fingertip over a star drawn onto one of the cases, distracted, before remembering Ian is still sopping wet in the bathroom.

In the bathroom Ian's shivers have turned into full body shudders, teeth chattering even with his jaw clenched, the joint tense beneath his freckled skin. Mickey sighs and sets the pile of clothes aside, fumbling as he picks up Ian's towel.

"Here, take your shirt off," he says, trying his best to sound his usual authoritative self even though he's more than a little unsure of whether it's the right thing to say. Ian shoots him a look like he wants to make a joke, but doesn't open his mouth to say anything. Mickey rolls his eyes. "Come on, before you catch hypothermia or somethin'."

Ian complies, moving his arms like they're made of lead as he shrugs off the hoodie and then peels off the tank top he was wearing underneath. Mickey wraps the towel around his bare shoulders and gingerly pats dry the back of his neck. His false confidence falters when his thumb brushes against Ian's neck, feeling how feverish the other's skin feels against his hand. He stops moving, thumb still against Ian's neck and stomach tying itself in knots not even the best of boy scouts could untie.

"Mickey?" Ian croaks, eyes searching Mickey's expression like they're scared of what they might find. He leans his neck back into Mickey's touch a fraction of a centimeter, their eyes locking on each other's.

"Look, man, I'm not good at this... Taking care of people and all that shit," Mickey mumbles, letting go of Ian and shoving his hands into his pockets again, staving off the embarrassment and confusing concern that's bubbling up his throat. Ian watches him like a hawk, not even the shivers taking his attention off of Mickey. "You want me to call someone? You said your brother and sister can help if you need anything, right?"

"No, it's fine," Ian replies, pulling the towel tighter around himself.

"You sure? They probably know how to do this better than I do," Mickey says. The words come out more self-deprecating than he means for them to, a reminder of how love and care were so often synonymous with violence when he was growing up. If he cared about his sister, he'd beat on any guys who upset her. If his father cared about him, it meant pistol-whipping him in the living room. If anybody cared or loved anybody, violence would always be involved at some point or another. Taking care of someone else had never meant bringing them a change of dry clothes, or patting down their neck with a clean towel. It had never meant the pit of worry that had opened up in his stomach each time Ian was late coming home the past few weeks.

"I'm sure," Ian reassured him. When Mickey remained skeptical, Ian shrugged and finally directed his attention to the tile grout beneath his boots. "If I wanted their help I would've called them. I just wanted to come home."

Mickey takes a moment to process what this means - that Ian chose him over his siblings, their messy apartment over his childhood home - and finally lets out a breath that he's been holding for what feels like hours.

"Alright," he murmurs. He reaches out to keep drying Ian's neck and slowly moves on to his face, wiping away ever little river of rainwater that makes its way down his temples and jaw. He dries Ian's hair as gently as he can, running his fingers through the red locks once he's done to keep them out of Ian's face. Ian lifts his head to look up at him, pressing his head into Mickey's palm like a stray cat, and offers him a small smile. Whether he's thanking Mickey or reassuring him, Mickey isn't sure. "I'll go make some coffee."

"Thanks," Ian replies, chewing on his bottom lip as he watches Mickey leave.

Mickey turns off the TV on the way to the kitchen, steeping in the silence of the apartment as he goes about making enough coffee to last them the rest of the night and tomorrow morning. The air in the kitchen smells stale from all the cigarettes he smoked before Ian showed up, and as the coffee brews the room begins to smell like a cheap diner. Mickey leans against the counter, pressing the heels of his palms against his eyes like it might shove down the potent cocktail of feelings coursing through his veins. It's no use of course, especially not when Ian pads into the kitchen in dry clothes and wet cheeks that glimmer in the low stove light.

"Hey," Mickey starts, watching as tears pour from Ian's bloodshot eyes and down his freckled cheeks. His instincts takes over then, overriding every lesson he learned at home about keeping his distance and lashing out at anyone who came too close, and he steps forward to pull Ian into an awkward but gentle hug. Ian tucks his face down against his shoulder, tears soaking into his t-shirt and the tip of his nose still icy when it touches his neck. Mickey feels himself relax as he holds Ian. It feels right, he realises, to take care of somebody like this. Or maybe not just somebody, but Ian. He gives the back of his neck a gentle squeeze. "You're home, you're alright."

Ian nods against him, shivering even in the warmth of Mickey's hold. When they finally pull apart it feels like hours have passed, and Mickey is the one who finds himself shivering now that they're apart. Timidly, he wipes the tears from Ian's cheeks with his thumb, then pours him a mug of coffee and lights a cigarette for them to share. They smoke in the living room until the downpour outside has come to a stop, no more rain hammering against the roof and no more raindrops racing each other down their windows.

On any other night Mickey would've left Ian and headed to his room to finish his theology paper or jerk off or just pass out, but the sight of Ian's wet lashes anchors him to his spot on the couch. When Ian moves closer to him, resting his head against Mickey's shoulder and shutting his eyes, Mickey doesn't flinch or move away or make a joke about what a softie Ian really is. Instead he lets his own head rest atop Ian's, cheek pressed against his damp hair, and moves his hand to hold Ian's knee.

The kind of closeness that has terrified him his whole life feels nothing other than comfortable in this moment, warm and tender like Ian's skin was beneath his touch. He shuts his eyes and falls asleep counting Ian's breaths.

#gallavich #gallavich fic #gallavich fluff #shameless fic #shameless fluff

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tamamita · 1 year ago

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whats the difference between the groups of Muslims? what are they fighting about.

In short, there are three major denominations of Islam, and various sub-branches, but I won't go into the latter.

Sunni, literally standing for those who follow the traditions of the Prophet, are Muslims who believe that politically, the Prophet's companions, Abu Bakr, Umar and Uthman were successors of the prophet, and the ones to establish the Rashidun Caliphate. Sunni Muslims base most of their traditions on various companions of the Prophet. The concept of Adalat al-Sahaba maintains that any companion that was present during the Prophet's time is a reliable person in terms of how they narrate traditions, thus establishing a multitude of hadiths from them. Although Sunni Islam (as a separate branch) didn't exist at that time, it became the standardized version of Islam when the Shi'as and Khawarijs rebelled against the Umayyads and the Abbasids, seeing the birth of the four schools of Sunni Islamic jurisprudence to counter their theological principles.

Shi'a, literally partisans of Ali, hold that through traditions and scriptural basis, Ali, the brother in law to the Prophet had chosen him to be the leader of the Muslims upon the latter's death, as a result of various events that took place, the Prophet's household were treated unfairly and the repercussions of these events subsequently led to their martyrdom, which is an essential pillar of Shi'a Islam. Due to their rejection of Abu Bakr, Umar, Uthman, and various other companions, they do not accept their chains of narrations in hadiths. Shi'as ultimately reject the concept of Adalat al-Sahaba, because traditions can not be accepted from unjust people. Most Shi'a Muslims (Twelver and Ismailis) put extreme emphasis on the Prophet's family and the line of Imamate through Ali and the Prophet's daughter, Fatimah, believing that only the Imams have the right to interpret the Qur'an in its esoteric and exoteric nature due to their infallibility, thus giving them absolute authority over the Muslims. Ali's tenure as the caliph saw much turmoil and ultimately led to his martyrdom. The subsequent death of Ali marked the end of the Rasidhun caliphate and transitioned into a monarchy with many of the Shi'as experiencing centuries of oppression.

Ibadism, a branch of Islam stemming from an extremist group called the Khawarij, they are a group of Muslims who did not agree with Ali's agreement to engage in arbitration with an opposing force that waged war against him over the caliphate. This led to a group of Muslims in Ali's army to defect, believing that judgment belongs to God alone, thus separating themselves from the rest of the Muslims. This group is known for their extremist approach and theology of Islam, but was quickly surpressed as they harassed innocent Muslims. The only remnants of the Khawarijs are the Ibadis and are relatively peaceful, albeit with some strict religious beliefs. They have their own collection of hadiths, but much of it is very close to the Sunnis corpus of traditions. They make up the majority of Muslims in Oman.

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divinecomedyproductions · 3 months ago

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RWBY: Saints of Remnant notes: Spectulative Theology

WARNING: CONTAINS TOPICS OF RELIGION, YOU HAVE BEEN WARNED

Now anyone who has been following my blog is well aware I am a Catholic and my reimagined RWBY AU, RWBY: Saints of Remnant, is set in the Narnia Multiverse.

Why I did this was because I felt the best way to incorporate my faith into RWBY was to turn to the likes of CS Lewis and learn to think like him.Not that I consider myself on par with him or the rest of the Inklings.

Supposed Remnant was another world created by God in the same multiverse as Narnia/The Space Trilogy, and The Triune God(The Father, The Son, and The Holy Spirit) revealed himself there, what would that look like? How would it change the nature of Remnant?

Which I came to several conclusions

Humans and Faunus, like Humans in Narnia, are descended from Humans from Earth's past who had stumbled into it by God's will

Things like Aura, Semblance, the existence of Faunus, Dust, are a configuration of Deep Magic of this world

Christ and The Holy Spirit appear in this world by different appearances and different names and The Father created Remnant through Christ as he is the creator(Colossians 1:16)

The Grimm given their nature must exist as some kind of Satanic force within this world and are connected to the fallen nature of Humans and Faunus

So I will go into each one briefly so let's start with the first one

This one is plainly obvious given the setting Im implying its set in, humans and faunus are descended from Humans from Earth. To be exact humans around the world dating from the days of the Roman Empire up to the late Victorian Era/Gilded Age during times of war, exploration, and persecution.

Remnant itself, formerly known as Omnibus, is older than Narnia but younger than Charn. And it's also set after The Last Battle so Narnia is long gone by the start of the story. But it should be noted the Ragnarok War which shattered the world takes place at the same time as The Lion, The Witch, and The Wardrobe.

Second. Deep Magic

As I understand it, Deep Magic in Narnia is basically the Supernatural Law of each universe which is in different configurations in each world and thus have different results.

For Remnant's case, Deep Magic would probably be responsible for the odd hair colors of people, it would transform some humans into faunus(thus making them Sons of Adam and Daughters of Eve, an offshoot race of humans), and giving both the potential of semblance and aura. And the Maidens and Wizard(who are among a total pantheon of 13 individuals in this AU) are of a deeper magic.

3. How God(The Father,The Son, and Holy Spirit) reveals himself in Remnant

This is obvious, I tried to do what CS Lewis did and come up with a supposed incarnation of Christ/Aslan in Remnant, and borrowing ideas from @vitamaeternum

I present The Storyteller(art done by @magiesheartlove)

sent by the mysterious Author Allfather to "tell" Omnibus into existence and proceeding from The Author Allfather through The Storyteller an entity known as The Ink of Life which works a lot like Aslan's Breath.

4.The Nature of Grimm and the connection to Original Sin and the nature of evil

We all know Grimm are drawn to negativity and how they are soulless abominations.

What if the Grimm are a manifestation of original sin that Satan and his horde of demons use to ravage and corrupt Remnant?

St. Augustine of Hippo describes Evil as privatio boni, evil exists as a corruption, negation, or absence of Good for Good is substantial while evil is not. It exists only as some kind of sickness, a cavity in your tooth, the hunger of an empty stomach, a festering wound, a black hole.

And I will go into this when I explore grimmified humans and faunus, The Grimmborne.

But basically Remnant is a wounded world, the Grimm exist as a corruption/negation of creation that festers in said wounded world and has increased after the Ragnarok, and the negativity from sin, corruption of the four kingdoms, and the tragedy of the increasing death rate of hunters exacerbates it("Always Winter, and never Christmas!")

I don't want to reveal too much, but I wanted to give you all a taste of what I have in mind.

#rwde #rwby au #christianity #the holy trinity #cs lewis #chronicles of narnia #narnia #long post #the space trilogy #the ransom trilogy #catholic #catholicism

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emperorverse · 1 year ago

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The Emperor-Verse: RWBY: Saints of Remnant, a reimagined AU(More details in Keep Reading!)

Once there was a world by the name of Omnibus. Created by the supreme deity The Author Allfather through the mysterious entity The Storyteller, this world was composed of four holy and mighty kingdoms, ruled by The Author’s Patron Saints whose reign protected the people, human and faunus alike, with their mighty armies, hunters, and their own holy powers from barbarian hordes, and the hordes of The Grimm who were the incarnations of hatred of the fallen seraph Grimmel The Black and his fellow fallen angels

In the dreadful world-shattering war of Ragnarök, the glorious age of Truth, Goodness, and Beauty, and the days of Romance, Heroism Adventure, and Eucatastrophe came to a tragic end.

Now all that remains is the world that is Remnant

But there is a prophecy made by Ozma The First Time Wizard before his death at the hands of The Witch-Emperor, that one day the bloodlines of the original Patron Saints and the families betrothed to them will return to take up these powers, rally armies of the righteous, vanquish the darkness and restore the holy kingdoms and Omnibus and reign over them once more.

Sinners will become Saints

Legends shall be restored and new Legends will be born

And what was a Remnant, Shall Be Whole Again.

But until then, the Hunters lead a struggling battle against the Grimm while the modern kingdoms suffer under corruption of all kinds, both to the benefit of darker forces who have horrifying intentions for the world.

Cue Ruby Rose and her older half-sister Yang Xiao Long, they are about to enter Beacon Academy after being approved by the eccentric Professor Ozpin Pine along with the heiress Weiss Schnee and the introverted faunus Blake Belladonna forming team RWBY

Ozpin has also enrolled a few other students and transferred others.

The former forming team JNPR, and the latter being Team SSSN of Haven Academy

Ozpin seems to have his eye on all of them, but what for?

Heavily inspired by CS Lewis's series The Chronicles of Narnia

Main Ships Contained:

RoseGarden

BlackSun

Iceberg/Arctic Water

Arkos

Renora

and some other ships

Also will contain unorthodox reimagining such as Adam Taurus(He's an initial antagonist turned good) and the White Fang and Jacques Schnee and the SDC with their Canon!Counterparts replaced with substitutes among other things

Currently the concept is in the works in a series of notes.

Details of the Emperor-Verse

Now I'm sure there's some questions you probably are all asking which I assume are the same questions as my blog

“Why are you using your Religion?”

Mostly due to it being a strong foundation, notably theology, for most of my stories, there are many strong foundations of storytelling, religion, history, you can even fantasize science if you put the imagination, time, and effort into it.

After doing some soul searching and listening to the Narnia books on Audible, it became another important element in making this au and I might include elements of CS Lewis’ Space Trilogy

This AU is set in my fictional Multiverse The Emperor-Verse which Narnia is implied to exist in, or I should say had existed in(its set after The Last Battle)

“Isn’t this kind of entitled and disrespectful?”

Disagreement isn’t necessarily malicious, and entitlement is not inherently bad if its your opinions and subjective feelings which people are entitled to.

Tolkien was heavily inspired by his distaste for how Shakespeare handled certain concepts, such as the Ents when he was upset and dissatisfied that there were no walking talking trees in the Enchanted Fortest of Macbeth, and the Valar Aule the Smith and the origin of the Dwarves make him something of an Anti-Prometheus

Not to mention Philip Pullman, the author of His Dark Materials Trilogy, made it out his distaste how CS Lewis made the Chronicles of Narnia and his overall beef with Christianity, and nobody seems to take issue with that.

I’m not saying the direction RWBY went with V3 or Pyrrha and the rest of the cast potentially ending tragically in some way or another is objectively bad, it was just not my taste

And I am not saying every normal RWBY fan/RWDE person who liked it is an elitist about it nor are all of them trying to insult me and attack me personally or say my ideas are bad

Nor I’m not trying to change canon or its “trajectory” , nor am I doing this to spite Monty, especially when I never knew the guy. This is a difference in handling ideas and concepts.

I’m doing my RWBY AU, which will most likely be revamped into an original story since it takes a whole different directions with the characters and world, but it's mostly because with post V3 and now in retrospect I saw what this world, characters, ships and other ideas could have been all in a story I believe is worth telling. And I was disappointed that it wasn’t.

I mean yeah it's also due to personal tastes and preferences and subjective feelings, at least I’ve been told, but I also try to integrate that in a meaningful way.

So I hope you all enjoy what I have to offer, which will most likely be put on AO3 and FanFiction.Net, and who knows, I might get a few artists to commission to redesign some characters or illustrate some scenes if anyone is up for it.

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ghelgheli · 1 year ago

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ref request any interesting writing on the trope of the technologically marvellous ruins of a bygone civilization? thinking mass effect relays, the precursors/forerunners (halo), "alien remnants" (murderbot), gateway (frederik pohl). feel like this is often leveraged to produce a "cleaner" frontier narrative, and/or rationalist theology-formation. my examples are SF but I'm interested in anything.

#text

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empirearchives · 11 months ago

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Napoleon and Universities

From University of Bordeaux — Our History page, updated 28/06/2022

“In 1793, the University of Bordeaux disappeared like all French universities following a decision of the Convention (Parliament that governed France from September 1792 to October 1795 during the French Revolution) which saw in these corporations a remnant of the Ancien Régime.”

“Napoleon Bonaparte restored the concept of the university in 1806. In Bordeaux, the Faculty of Theology was recreated in 1808 and those of Letters and Sciences in 1838.”

[bold in original]

———

In original French:

Source: Université de Bordeaux — Notre histoire

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mybeautifulchristianjourney · 11 months ago

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The Books of the Bible: Old Testament (1 of 2) The Books of the Bible in order with introductions and summaries for the Old Testament.

The Five Books of the Law: Genesis, Exodus, Leviticus, Numbers, and Deuteronomy

Genesis The Book of Genesis is the first book of the Christian Old Testament. Genesis speaks of beginnings and is foundational to the understanding of the rest of the Bible. It is supremely a book that speaks about relationships, highlighting those between God and his creation, between God and humankind, and between human beings.

Exodus The Book of Exodus is the second book of the Christian Old Testament. Exodus describes the history of the Israelites leaving Egypt after slavery. The book lays a foundational theology in which God reveals his name, his attributes, his redemption, his law and how he is to be worshiped.

Leviticus The Book of Leviticus is the third book of the Christian Old Testament. Leviticus receives its name from the Septuagint (the pre-Christian Greek translation of the Old Testament) and means "concerning the Levites" (the priests of Israel). It serves as a manual of regulations enabling the holy King to set up his earthly throne among the people of his kingdom. It explains how they are to be his holy people and to worship him in a holy manner.

Numbers The Book of Numbers is the fourth book of the Christian Old Testament. Numbers relates the story of Israel's journey from Mount Sinai to the plains of Moab on the border of Canaan. The book tells of the murmuring and rebellion of God's people and of their subsequent judgment.

Deuteronomy The Book of Deuteronomy is the fifth book of the Christian Old Testament. Deuteronomy ("repetition of the Law") serves as a reminder to God's people about His covenant. The book is a "pause" before Joshua's conquest begins and a reminder of what God required.

Historical Books: Joshua, Judges, Ruth, 1 and 2 Samuel, 1 and 2 Kings, and 1 and 2 Chronicles

Joshua Joshua is a story of conquest and fulfillment for the people of God. After many years of slavery in Egypt and 40 years in the desert, the Israelites were finally allowed to enter the land promised to their fathers.

Judges The book of Judges depicts the life of Israel in the Promised Land—from the death of Joshua to the rise of the monarchy. It tells of urgent appeals to God in times of crisis and apostasy, moving the Lord to raise up leaders (judges) through whom He throws off foreign oppressors and restores the land to peace.

Ruth The book of Ruth has been called one of the best examples of short narrative ever written. It presents an account of the remnant of true faith and piety in the period of the judges through the fall and restoration of Naomi and her daughter-in-law Ruth (an ancestor of King David and Jesus).

1 Samuel Samuel relates God's establishment of a political system in Israel headed by a human king. Through Samuel's life, we see the rise of the monarchy and the tragedy of its first king, Saul.

2 Samuel After the failure of King Saul, 2 Samuel depicts David as a true (though imperfect) representative of the ideal theocratic king. Under David's rule the Lord caused the nation to prosper, to defeat its enemies, and to realize the fulfillment of His promises.

1 Kings 1 Kings continues the account of the monarchy in Israel and God's involvement through the prophets. After David, his son Solomon ascends the throne of a united kingdom, but this unity only lasts during his reign. The book explores how each subsequent king in Israel and Judah answers God's call—or, as often happens, fails to listen.

2 Kings 2 Kings carries the historical account of Judah and Israel forward. The kings of each nation are judged in light of their obedience to the covenant with God. Ultimately, the people of both nations are exiled for disobedience.

1 Chronicles Just as the author of Kings had organized and interpreted Israel's history to address the needs of the exiled community, so the writer of 1 Chronicles wrote for the restored community another history.

2 Chronicles 2 Chronicles continues the account of Israel's history with an eye for restoration of those who had returned from exile.

Books of Poetry and Songs: Esther, Ezra, and Nehemiah

Ezra The book of Ezra relates how God's covenant people were restored from Babylonian exile to the covenant land as a theocratic (kingdom of God) community even while continuing under foreign rule.

Nehemiah Closely related to the book of Ezra, Nehemiah chronicles the return of this "cupbearer to the king" and the challenges he and the other Israelites face in their restored homeland.

Esther Esther records the institution of the annual festival of Purim through the historical account of Esther, a Jewish girl who becomes queen of Persia and saves her people from destruction.

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loveoaths · 2 years ago

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Din’s covert, known as The Tribe, seems to be an offshoot of the Children of the Watch, which is an offshoot of Death Watch, or at the very least has enough roots or connections to Death Watch to wear it’s symbol, but not enough to fully reclaim the name.

As of the time of my writing, the beliefs shared by all three groups are:

The focus on warrior “tradition” as defined by their predecessor groups (which is seemingly why The Tribe places such massive importance on Being Mandalorian = Wearing Beskar despite the relative newness of the metal, etc)

Recognizing the Darksaber as establishing the right to rule Mandalore (which is questionable historically but follows the narrative established by their predecessor, Death Watch), and

Weapons and violence as an inherent facet of their culture. (This view is not shared by all Mandalorians, most notably those aligned with the deceased Duchess Satine Kryze)

Death Watch beliefs/ideals not carried by The Tribe:

Clan rankings (Paz Viszla gets no special treatment for being a Viszla, and the Armorer refers to them as one Tribe comprised of the survivors of many clans, without evidence of a hierarchy)

Clan Authority: The Armorer claims no clan affiliation in the text as of S2. Her authority is religious: she is the record keeper and spiritual head of The Tribe, where she functions as an ombudsman, spiritual leader, and clan head all in one

Xenophobia and Misogyny: self explanatory

Mandalore as home: The Tribe seemingly has no direct ties to Mandalore, or at the very least feels no deep connection to it, judging by Din’s lack of knowledge and general air of mild curiosity when the topic arises. It makes a sort of sense: The Tribe is descended from remnants of COTW who were cloistered on Concordia when The Great Purge happened. Most of them have never been on Concordia, let alone Mandalore. It seems many of them lack an interest in it. To be fair, they’ve been hyperfocused on daily survival for years, so it tracts that they maybe weren’t super pressed on the past.

The Tribe beliefs not held by Death Watch:

Beskar is sacred

True Mandolorians do not remove their helmets

The Way/The Creed as theology rather than a guiding principle

Children of the Watch beliefs not shared by The Tribe and/or Death Watch:

If we believe that The Tribe is an offshoot of COTW while still being a separate entity, then we don’t know what beliefs the groups disagree on, because COTW has not been expounded on by the show.

If we believe that The Tribe is less of an offshoot and more of a subgroup of COTW (which nothing in the text explicitly implies), then we can assume that The Tribe’s beliefs mirror what COTW believes.

#getting my ducks in a row before this godforsaken season drops #the mandolarian #din djarin #children of the watch #death watch #sighs heavily. what will john favreau do to the world’s most doomsday prepper religious community THIS time.#walkie talkie.

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mindfulldsliving · 5 months ago

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Remnant Theology and the Book of Mormon: Divine Promise and Modern Faith

The Book of Mormon is replete with prophecies and promises directed towards a faithful remnant, echoing similar themes found in biblical scripture.

Exploring Remnant Theology in the Book of Mormon Is the idea of a divinely chosen remnant piquing your curiosity, especially within the context of the Book of Mormon? This theological concept, deeply embedded in Latter-day Saint teachings, represents the belief that a faithful subset of Israel was preserved to fulfill God’s covenant. The Book of Mormon not only embraces this narrative but also…

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tentakrool · 2 years ago

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Introduction to From Whence Came She: An Exploration of Pharasma and the Windsong Testaments

Edelgarde Midwyck, professor of theology and cosmology Lepistadt University, Lepistadt, Ustalav

Before the birth of everything, there came an ending, to which only one survivor bore witness.

In an ancient time inscrutable to us who now live, a universe unknown met its end. Whether this realm exploded in an unquenchable fire, or found itself snuffed quietly out like a candle, none can say. All that remained scattered amidst the blackness of space, speckling the void with the dying embers. Nothing remained but she: The Survivor, the Lady of Graves, the Mother of Souls. She, who threads the weft and warp of fate across the centuries; who holds life and death in her hands, gathered the remnants of existence and began anew.

Her name is Pharasma, the First and the Last.

Pharasma’s role as mother to our universe may seem strange to those who do not know her. After all, is she not the goddess of death? Does she not author the final pages of our soul’s journey? Those more familiar with her worship know better; after all, she also safeguards the passage into life. Midwives invoke her name and bless their knives with water drawn from her holy fonts. A goddess of cycles, she sharpened her skills on the greatest birthing of all: that of reality itself.

What her role might have been in those days before, none can guess. After all, we have nothing to draw from, save the groundless assumption that this previous incarnation must have resembled the current. I have my own suspicions, as do dozens of my contemporaries, the scholars and ascetics who dedicate their intellects to untangling the riddle of what could have been. Personally, I wonder if the Pharasma we know and the one that traversed an all-consuming apocalypse eons ago were much alike at all.

Consider Nocticula: once a demon lord, she murdered her contemporaries and assumed their roles, stole their devotees and quite literally built her kingdom upon their backs. Now, she has transformed herself into something new – a goddess of freedom and redemption. Perhaps, like Nocticula, Pharasma transformed herself upon the death of what came before, changed into a deity to suit the season of creation and destruction. Perhaps, Pharasma once knew a time when life and death did not hang in the balance of her every word and gesture.

Of course, if we further explore my theory, one must then wonder what sort of deity Pharasma could have been, back in those unfathomable days. I can envision her as a young deity bursting with vigor and life, ushering the fragile souls of the unborn into the light, guiding the hands of those wise, skilled women without whose ministry so many would meet an untimely end. Perhaps she walked among the people, with bare feet and ruddy cheeks warmed by the sun of an ancient world. Perhaps then, her face was not haunted by millennia of shadows.

Regardless of what form she took then, I cannot help but imagine how devastating that moment must have been – the moment when Pharasma looked around herself and saw that she truly existed alone, swaddled in void, with no one but the vast, unknowable Outer Gods watching from beyond with hungry eyes trained on our little empty scrap. How brave of her to take that solitude and wrap it around herself like a mantle, mold it into a shape that we could call home, breathing life into the ash and embers of the things she’d loved and lost. As a mortal, it may not be my place to do so, but I cannot help but pity her.

Some of my contemporaries take it upon themselves to criticize my work. They feel that speculation of this sort leads to nothing but confoundment and consternation; I cannot help but disagree. What are they gods, if not reflections of ourselves? What does it hurt for us to imagine Pharasma not as an impersonal arbiter of our fates, but as a servant to our souls, and as keeper of the loneliest duties of all? How can we not grow closer to her, knowing that our penitent souls are the only brief company she keeps?

#pathfinder #pathfinder 2e #pathfinder lore #ttrpg writing #pathfinder meta #ttrpg lore #my writing

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thebreakfastgenie · 1 year ago

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But why were you rude to people offering answers about churches damn

How was I rude? I thanked them for the information and mentioned it wasn't exactly what I was looking for, which they even anticipated in their comment.

Look I really appreciate everyone's efforts, so I haven't said anything up to this point, but I didn't expect anyone to actually try to help. I wasn't looking for help! It was just kind of an errant musing.

I was also thinking specifically about social factors; from what we do know about Hawkeye's background and what I infer or headcanon, which church is his family most likely to be associated with? New England has this... I'm not sure if this is the right word, but sectarianism, that there are still remnants and would have been fairly prominent back then. I'm interested in figuring out where the Pierce family falls in the rural Maine social landscape, and church is one part of that. A lot of the answer I've gotten (which I do really appreciate!) are related to theology or beliefs and that's just not what I was thinking about.

I don't know a nice way to say this but I don't really care about Christianity. No shade if religion is one of your interests but it isn't one of mine. I have some interest in Judaism because I am Jewish, but that's it.

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quotesfrommyreading · 1 year ago

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The Vatican’s opposition to modernity had given Catholics a common adversary to unite against, and had suppressed the Church’s internal disagreements. Vatican II brought these out into the open. Since then, an institution long defined by what it was against has had to ask itself: What is the Church for—what vision of life does it strive to fulfill?

The challenge of offering answers has fallen, at least publicly and rhetorically, to the popes, who have used the papacy to promote distinct programs for engagement with the world. John Paul II affirmed that the Church stands for “a culture of life” against a “culture of death”—taking an approach to human flourishing grounded in a fixed view of gender roles, marriage, and procreation. Benedict XVI saw the Church as the source of objective truth, opposing a “dictatorship of relativism.” Francis proposes that the Church foster “a culture of encounter,” in which people of faith thrive through face-to-face dealings with others of different backgrounds and outlooks, forging a solidarity stronger than nation, class, or ideology.

Vatican II invited Catholics to do openly what they’d tried to do surreptitiously all through the modern age—adapt the Church’s practices to local circumstances where possible—and those papal programs (unfamiliar to most Catholics) have been meant to guide the bishops as they seek to influence civil society in their home countries. Unsurprisingly, consistency has not been the rule since 1965 any more than it was after 1789. Sometimes the tensions involve geopolitics: John Paul championed a people’s movement against oppressive state power in Poland while opposing people’s movements against oppressive state power in Central America. Sometimes they arise from a split between doctrine and practice: Although women now run the offices in many U.S. parishes, the sacramental theology barring women from the priesthood still prevails in Rome. And sometimes a shift in tactics is at work, as when hard-right American Catholics switched from decrying the “activist Court” that ruled in Roe v. Wade to helping form an “activist Court” rooted in traditionalist Catholic principles.

All along, the Church hasn’t been able to shake a habit of opposition to the nation-state when it is seen as running amok. In the U.S., that habit has paradoxically enabled the Church to maintain a robust public profile even as it loses its hold on ordinary believers. Catholic progressives were never so ardent, or so prominent, as when they came together in the 1970s to oppose U.S.-funded authoritarianism in Central and South America. Catholic traditionalists gained cohesion from their unwavering opposition to abortion, a cause that gathered momentum after Roe, aided by the unstinting support of American bishops, who joined fundraising dinners and blessed rallies such as the annual March for Life in Washington. Even as parish life in neighborhoods atrophied and Catholic schools closed, each movement drew headlines, styling itself as a faithful Catholic remnant valiantly standing up to worldly powers. For progressives, the struggle to thwart an anti-communist “Reagan doctrine”—a policy aligned with the Vatican’s—proved exhausting. For traditionalists, by contrast, the striking down of Roe is evidence that a clear message can win out against what they see as ever looser social mores.

The Court’s decision in Dobbs can be seen as a very public victory, too, in the Church’s long and conflict-ridden relations with the state. It’s a victory for the bishops in particular. Only a few years ago, the scandal of clerical sexual abuse—which they and their predecessors had evaded and covered up for decades—seemed to leave them stripped of moral authority. Now they have helped bring about a pronounced legal change on a vexed moral issue.

If it’s a victory, however, it’s a strange one. On abortion, the bishops haven’t managed to convince their own people: Polls indicate that Catholics’ views are as varied as those of Americans as a whole. As men vowed to celibacy, the bishops can’t lead by example on this issue, and for the most part, they haven’t tried coercion—by, say, withholding Communion from pro-abortion-rights Catholics, though that may be changing. Rather, they’ve opted to collaborate with a legal movement that is agnostic on many moral issues (capital punishment, for one, and those involving wealth and poverty), in the interest of elevating a cadre of “originalist” jurists whose rulings have made the anti-abortion position the basis for laws that restrict the rights of Americans broadly.

Strange as the victory is, though, it fits a pattern of Catholic dealings with modernity that will seem familiar from the Church’s history since 1789. The institution has set itself against one aspect of the modern state (an entrenched legal precedent, in this case) by accommodating a different one (the judicial branch, whose structure of appointed potentates resembles the Church hierarchy). The bishops have exercised the power they enjoy as leaders of a large religious community while scanting the views on pregnancy and family of millions of the faithful in that community. Once again, it’s hard to tell what the Catholic Church is for, but everybody knows what it is against.

— The Reinvention of the Catholic Church

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divinecomedyproductions · 1 year ago

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FanFiciton Multiverse: The Emperor-Verse

Given the nature of my RWBY Reimagined AU, Saints of Remnant, I'm thinking compiling some of my fanfictions in a universe thats inspired by The Chronicles of Narnia which is implied to exist in this universe but never truly touched upon until a major crossover event and even then, its set after The Last Battle so Narnia is long gone, but it vaguely implied and referenced to explain how this multiverse works and even the origins of some worlds along utilizing the theology of my Catholic Faith, The Works of CS Lewis and Medieval Cosmology, since all these things in my opinion can help tie them all together.

The Emperor-Verse(link to the blog is in the title)

The Emperor-Verse is the fanfiction multiverse in which these stories take place, named after the Supreme Deity that rules these worlds The-Emperor-Of-All-That-Is which were created or adopted by The Great Prince and given The Breath of Life

My Catholic Faith along with the works of CS Lewis served great inspiration for this universe, but mostly its a prototype of one of my fictional universes, or perhaps you can call a ‘multiverse’, known as The Loreverse which you can find on my primary blog

And here are some of the titles

RWBY: Saints of Remnant(reimagined)

Code Geass: Lelouch of The Knighood(reimagined, possible placeholder title)

Skullgirls: Reimagined(placeholder name, need to think of something more fitting)

Bionicle: A Tale of Hope(reimagined)

Fate/Defiance(Fan Sequel to Unlimted Bladeworks)

Skeleton Knight in Another World: The Order of The Sacred Blood(alternate sequel)

BlazBlue: Alterized Fate(reimagined)

D.Gray-Man: Encore(reimagined)

There may be more in the future

It may feature a crossover involving five characters, two from our world which shares the same world as Fate in this case, jumping from world to world and bring some other characters across worlds depending on the situation

Now you’re probably asking

“Why are you doing this?”

Mostly because like I said, its a prototype of concepts and stories which these franchises I’m using I take heavy inspiration from, which will most likely become there own things mostly for The Lorverse.

If I used The Loreverse which I plan to make money on, it might lead to legal issues and I don't want that to happen.

“Why are you using your Religion?”

After doing some soul searching and listening to the Narnia books on Audible, which Narnia is implied to exist, or I should say had existed, in this universe, and I might include elements of CS Lewis’ Space Trilogy

The multiverse takes these universes and blends them into my faith and its theology, and even uses medieval cosmology, and makes them more like swashbucklings epics and fairy stories.

“Isn’t this kind of entitled and disrespectful?”

Disagreement isn’t necessarily malicious, and entitlement is not inherently bad if its your opinions and subjective feelings which people are entitled to.

I’m not trying to spite anyone, I’m not trying to spite Monty Oum with my RWBY Reimagined AU, Especially when I never knew the guy, and that can be said with the other AUs I’m not trying to change canon or its “trajectory” whatever that means in this context. I’m not saying Pyrrha and Arkos and the current direction of RWBY post V3 was objectively bad, just not my taste, I expected it to be more like Star Wars or Avatar the Last Airbender, and ships I wanted akin to Ed and Winry, Han and Leia, Kagome and Inuyasha, I think you get the idea, and I know not everyone who liked it and are fine with how these other franchises turned out is an elitist about it, just in my experience, there were people who were. And I won’t touch upon the ships I have a beef with on this blog either.

And I’m not saying any of the franchises I’ve been covering are all objectively bad, even when they use concepts or take directions with them I don’t like due to personal tastes and preferences and “personal emotional beats”, I have my reasons for them just as you all have reasons for yours.

I am making these AU stories, which will eventually be revamped into original stories because looking back on them, their worlds, characters, concepts, ships I wanted, and other ideas all could have been in stories I believe are worth telling and I was disappointed and frustrated that they weren’t. That’s it.

Yeah, it may also be due to subjective and personal feelings, at least so I’ve been told, but I try to integrate that in a meaningful way. Once again, I have my reasons for them as you all do for yours.

“But isn’t this crossover and multiverse stuff, especially if your including Narnia and your religion kinda cringe?”

It’s mostly because helps organize my stories and gives a stable foundation when reimagining these stories, notably the magical nature of each world such as the nature of Remnant(Aura, Semblance, Faunus), Geass, Blue(BlazeBlue), Bionicle mysticism, and so-on and so-forth as different configurations of Deep Magic

I’m also utilizing medieval cosmology as Lewis did to explain the multiverse by organizing with every universe being a “Sphere” and our world, blended with the Fate Type Moon universe for practical purposes, being “The Firstborn Sphere” and the outermost sphere being Heaven or some had called “Aslan’s Country” or as its called in this Multiverse “The Great Empire” which also can be applied to the multiverse itself aka The Great Cosmic Sphere. and Hell or also known as “Tash’s Country” or “The Netherworld” exists completely outside of the multiverse

As well using the Biblical Story of Genesis as a basis especially with Adam and Eve’s connection to many sentient species of the Multiverse.

Now personally when it comes to my faith, I can live with either creationism or theistic evolution, just anything besides outright materialism.

All of this just helps tie everything together...

And like I said, all in due time, these will be made into original stories for my original universe.

I can see why people think using my religion and Narnia is cringe due to the creatively bankrupt Pureflix movies are all feel-good with no substance written by mostly I like to call "Joel Olsteens" rather than the works of martyrs and church fathers, or the esteemed medievalist CS Lewis and his friend JRR Tolkien, a hardened veteran who's family and his own life was nurtured by a serious but still merry understanding of the faith.

And I'm not saying I'm on par with these guys, but I feel like if I take cue from them, I can be sincere in my work.

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