#Really smart and funny

[untilsfe]

This is my Kitsune. She's a thief specialized in mystic artifacts. As her name suggests, she was once part of a clan of pure blood bakemono; the Kitsunes, or the tricksters foxes.

She meets Usagi and Gen when she was doing a little errand for Big mama and got trapped by accident.

Contrary to Usagi, she can use her transformation abilities to the fullest. She can make illusions, morph into objects and take a human appearance whenever she wants to.

Unluckily for her, she's tied to a magical contract, a dept her family has been carrying for generations, that only can be broken paying an incredible amount of money.

For her design I took inspiration from Midna (Zelda: Twilight princess), Flora (Winx) and Yobi (the 5 trailed Fox. Though, I tried to preserve everything I could from her original attire and colors. Pretty decent.

[lazycranberrydoodles]

getting back into the untamed and i had a thought. / follow for more yllz babygirlism

[unpersoniverse]

Skén:nen sá:sewh

as promised, here's Precious boy™ getting kissed by Precious wife™ because he deserves all the love in the world :cc

translation: Get home safe

[arthursfuckinghat]

"Oh right silly me of course John is going to just stand at the shore, he can't swim"

"Wait a goddamn second.."

[mwagneto]

heres how deadpool/wolverine canon king can still win: deadpool is begging for a kiss the entire movie. says something like cmonnnn i wanna be disney's first gay character PLEEEASE. end of the movie or post credit scene whatever wolverine relents. huge win for gay rights

[trustymikh]

With alternates having the ability to tamper with/create visual materials on tv, I hc the claymation in vol 5 as somewhat real. Gabe made it to humor himself

[minaillus]

in the name of midori’s center i redrew one of my most popular comics

[raevulsix]

Nobody:

Tech:

[popfizzles]

...he's cool i guess.

[aq2003]

please do yourself a favor and listen to david tennant malvolio reading the fake love letter to him (act 2 scene 5 of twelfth night). im going to actually start sobbing. oh my GOD

[3liza]

grim has been pestering me but we just came inside from walk, he just got dinner, he just got new water, and he didnt really want to play. so i said "what do you want?" and i listed all those things we did and he stood there and looked at me. and then i said, "are your ears bothering you?" and he dipped his head down on one side and sort of pulled one ear back, and it was the ear that i noticed was bugging him earlier, so i said "okay im going to get ear medicine" and he patiently lay down on the floor and let me put ear medicine in and massage but it must have really been sensitive because he got up a lot sooner than he usually does and had to shake it out. then he got a snack for being good

it's possible he may have learned what "ear" means through sheer repetition. i talk to him a lot using repetitive words and phrases while we are doing associated activities, so he tends to pick up associations quickly even if i'm not drilling him formally. he also understands that even though ear medicine is unpleasant, he gets snacks afterwards and also that if he lets me clean his ears for him i will scratch the itches at the same time and he will feel better afterwards. he learned all this through very patient cooperation = snacks and praise training.

i do really recommend everyone who has cats or dogs that get itchy or infected or just dirty ears buy a bottle of Epiotic to have at home and do an ear rinse every few weeks. if you put oil or hydrogen peroxide or water or any other "home recipe" in your dog's ears it will probably make things worse, please do not do it. vets get patients ALL THE TIME who have owners that tried to clean their ears with coconut oil or vinegar. please dont. just buy the veterinary ear cleaner. it's the same stuff the vets are going to use at the office, and it'll prevent a lot of early-warning "itching and head shaking" type irritations from progressing into actual infections. the wet cotton ball method is probably the easiest to do at home and least annoying to the pet and for gods sake start training them BEFORE they get an ear infection and dont scare or restrain them or it'll take forever to regain the lost ground. if you approach this correctly you will never need to fight your dog for an ear cleaning. there are probably lots of cooperative training instruction videos on this specific issue so go check those out if youre not sure what to do. "force-free training" is another good search term

[utilitycaster]

feel free to ignore if you feel like it's too theoretical/parasocial/etc. but: I see how the campaign as a whole is off because of how lack of prep influenced the cast to create somewhat unfit characters, but as someone who got immensely annoyed by this episode, I'm wondering why has that throughline carried out for so long. why haven't the cast decided to start playing their characters in a way that leads to a more cohesive and satisfying story? is the hesitation and bizzare opinions on gods a very dedicated RP choice or do you think the players themselves are also at a loss? I'm honestly very confused about that, given how driven and decisive they played VM and M9 during their oneshots. I don't want to feel like I'm singling anyone out to hate but e.g. the way taliesin plays caduceus vs ashton is particularly puzzling to me.

Hey anon,

This is all highly speculative (as, to be fair, was the original idea the cast was given very little information, and that turned out to be right) but I think it's the far-reaching consequences of that initial lack of prep combined with the fact that it's been a very central-plot focused campaign that failed to allow the characters to develop into more decisive people. It also, I think, centers the Ruidusborn such that I suspect a lot of the rest of the table is taking their lead.

The Mighty Nein, we know, involved a lot of prep with Matt specifically offering feedback and vetoing certain aspects. Every character came in with pretty clear goals, and because it was a character-driven campaign we got to see those goals change as they learned more: Caleb and Fjord notably abandon their original goals in favor of new ones. Veth and Caduceus achieve theirs; Jester as well, and she develops new ones as she becomes less sheltered. Beau and Yasha's exact goals were much more nebulous, but they have the opportunity to confront their pasts at length and find new purpose and peace throughout the narrative. I don't think it's productive to rehash everything every time but: lack of pre-existing long-term relationships and more work on the short-term friendships that existed, the fact that Beau and usually Molly due to Yasha's absences (and later Caduceus) were free agents who didn't know anyone prior to their meeting, and the fact that the party had like 2 gold to their name and had to double up in odd configurations plus their willingness to engage in conflicts led to a fairly quick and deep bond, which also influenced their goals and dynamics.

Vox Machina were initially very generally sketched out characters, but after they began doing more there was a similar effort put into to backstories, and I think going back after they'd already played a bit meant they knew more about who they wanted these characters to be. The pre-stream plot, as we can tell from the origins comics, was also heavily backstory focused; the Briarwoods arc is when most people feel the streamed campaign really takes off.

We have seen the backstories of the characters of Bells Hells, but a lot of them are deeply tied into a long-running main plot that doesn't really allow for the same development over time. Like, Percy, for example, actually does his "plot" about quarter of the way into the campaign; but this kickstarts his development. Fjord is rather similar; he learns the source of his powers quite early on, but grapples with them until the halfway point and then the rest of the campaign is him embracing something new. To compare, I suspect Laura envisoned Imogen's story as being not dissimilar in the sense of "learn what my powers come from, find a way to better control or perhaps get rid of them" and so upon finding out this is the lynchpin of the entire plot, Imogen never has that post-resolution time to cook, essentially. Even for those who had slightly more rewarding plot beats they kind of felt like "let's address this problem so we can get back to the moon stuff" (Chetney, Laudna) and in some cases, I think it felt to the players, rightly or wrongly, like those plots were actively rushed to the point that they couldn't explore them (I suspect this happened for Ashton during the solstice split). There's been a hurry-up-and-wait sense of urgency over the whole campaign because it's a plot that was introduced very early and has never let up. There's been no "what do we do" type breaks and I'd be shocked if there are. We've sort of run out of plot because we've speed run everything that would have been a plot in a different campaign.

So I think the players don't know how to evolve their characters because there's been no in-world impetus to evolve, really. Now, as someone who prefers to play people who are already decisive, the fact that most of the cast went for kind of indecisive/impulsive types isn't my bag, but that is valid; but it means no one's really had the chance to organically move from that.

I also think that the fact that there's one big plot that really centers the ruidusborn is another factor. Even if Orym, for example, were the type to shut down the party, what is one person who can't reasonably stop two spellcasters from going into the Hallowed Cage going to do? I think this post makes a good point; I think putting the pressure very heavily on two players who (very understandably! for a number of reasons!) are among the most averse to making a hard and potentially alienating or unpopular choice has sort of prevented anyone else from taking a wild swing. The other campaigns had a much more even distribution of who could make decisions within the party, and I think that reflects that. I also think this is uniquely an issue for longform campaigns; I haven't seen this hesitancy from Laura nor Ashley in Candela, Downfall, nor in the various Daggerheart one-shots and miniseries, since you have to swing big there.

I do want to cover one point specifically, which is that I actually find Ashton to be one of the better played characters. I disagree with them, to be sure, but like, Caduceus is a character who can be arrogant in his fairly limited worldview, but who is also consistently very empathetic and kind. Ashton has that arrogance, but without those priorities. Caduceus isn't really invested in hurting those who hurt him; he's interested in stopping those who would hurt his home, family, or friends, and if that requires hurting them he's okay with that. Ashton really does want to beat up those they deem responsible for their own pain, justified or not. I think taking the shard was a great move and stand by that [though, admittedly, it and the bit about Predathos needing a vessel just now have me like. the consequences have been conveyed in a crystal clear manner to ME and somehow the cast is not getting Matt flat-out saying in game THIS IS WHAT WILL HAPPEN, so idk what's up with THAT.] and my issues stem specifically from his decision to claim to speak for the weak and then immediately accept the titans saying that a remade world in which only the strong survive is fine. Like, I don't think there is a problem in how Caduceus is played vs. Ashton, in that I think they are both internally consistent as characters; I think it's just. Caduceus is someone who tries to make decisions that minimize broad harm to that which he deems good, and Ashton is often, by their own admission (episode 78), selfish and conceited. Like, Taliesin is just. Playing someone who is often not a great person this time. And that's a valid choice. But I think it's in a narrative that didn't really permit enough time and space for characters to change meaningfully so Ashton is a bit stuck there whereas, while Caduceus didn't have nearly as much of a gap between who he already was and the hero he needed to be, he had far, far more room to grow.

[bisupergirl]

superman: secret files 2009 || action comics #1032

kara being able to fix kelex after he breaks because she used to tinker with the robot her family had back on krypton when she wanted to sneak out with thara <3 i love women in stem <3

[nekrosmos]

questions about nikolai and price (originally from an ask meme about original characters but i wanna hear your thoughts):

what do they want to hear?

what do they need to hear?

what do they dread to hear?

Thank you for the ask !! I honestly struggled with the answers, I'm not the best at deep character introspection so this really had me scratching my head. I hope what I came up with makes sense !

What do they want to hear?

Nikolai: "I trust you."

Nik is intimidating, isn't he ? Intelligent, strong, well-connected Nikolai. People know that. It usually takes only a half a second glance to know that you do not want to be on this man's bad side. He's used to it, really. But how many times as he entered a room only to see people shift uncomfortably, suddenly very aware of his presence? He makes people uneasy, whether he wants it or not. It's fine when he's on an op and needs to be menacing, but it gets old quickly when he just wants to relax, sometimes.

He's trustworthy, despite his shady dealings, he's loyal. Thankfully, a handful of people know that.

Price: "You made a difference"

Yes, his hands got bloody, but it was all worth it in the end, right? He saved people by pulling the trigger when it needed to be done. No hesitation, it's what the world needs. So what if he can't sleep at night and his file is covered in black ? He made a difference, the rest, he can live with.

What do they need to hear?

Nikolai: "You need to think of yourself, too."

Nikolai puts others first, this has always been true. He likes to help out, likes to feel useful, ready to answer a call. Loyal to a fault, devoted to his friends. But when was the last time Nik put his needs as a top priority ? Has he ever done that ? He has no trouble flying to the other of the planet at a moment's notice if someone asks him to. How many nights of sleep has he missed because someone needed a hand? How much time has he spent fixing up his helo because it got banged up the last time a friend needed transport in hostile territory ? It's always others first, never himself, and he needs to be reminded of that.

Price: "You matter."

It's easy to forget that you're someone when you've been used as a weapon since you were 16. You forget that you have a purpose outside of your work, too. You forget you're a human first, with needs and wants and desires. You are Captain John Price, but you are also just John Price, and he matters too.

When he comes home for a break, what does he see outside of blank walls and a barely lived in house he never really took the time to make his ? It's temporary, he thinks, he doesn't really live here.

Maybe John needs to be reminded that he exists outside of his work.

What do they dread to hear?

Nikolai: "You don't belong here."

From either side. I think Nik feels strongly about his relationship with his home country, how he's been working against it and how his actions might be perceived by his countrymen. I think he's scared of losing this part of himself, and being rejected, even though all he's done was in the name of his country.

And then on the other side, Nik knows he stands out, knows people see him as a "could have so easily been the enemy" kind of guy. People like him, sure, but how many, aside from Kate, John and Gaz actually trust him ? Everyone else sees him as useful, but ultimately, they still look at him with a suspicious eye.

Where is home for Nikolai, really ?

Price: "You failed them"

Losing people, he's used to it. It never gets easier though, does it? Men and women under his command, people he's known for years, people who trusted him, friends. But, there is something entirely different between losing someone when you did everything you could have done and it was the way it was supposed to go, and losing someone because of your mistake. He failed them, he knows that, and it haunts him.

[slymanner]

this was smart <'3

[specialagentartemis]

The Odyssey stands the test of time as a story because it latches into the deep storytelling desire within us to go “and then some MORE weird random shit happened”