The animatic I’ve been working on since last November is finally done!! Over 100 hours of work on this, much agony and tribulations, but it’s finally done.
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Every time I remember that Pyrrha has never seen Palamedes’s face I suddenly want to jump into a trash compactor.
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saw this post on twitter and wanted to draw Pyrrha in this shirt
and some more nona stuff
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please accept this meme drawing as my admission into the TLT fandom
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something i've been thinking about is pyrrha's herald bullet.
pyrrha has one herald bullet, stolen from wake. and there is a moment where she points it at ianthe and tells her that it isn't meant for her. a real jack sparrow moment. move aside, neither of us wants this particular bullet to end up in you.
and then she uses it anyway. she uses it on ianthe to get past her into the tomb. and i can't stop thinking about that.
it was for john, right? pyrrha had one bullet and she can only have been saving it to, at a crucial moment, incapacitate john.
and pyrrha picked nona. like, yeah, you could argue that opening the tomb is more useful to killing john in the long run, but is it really? that "death of the emperor" stuff is mostly a lie. pyrrha knows that. pyrrha of all people knows it's not as simple as "open the tomb, the emperor dies."
and yet she wastes the bullet on ianthe, with no fanfare. fuck it, fuck john, fuck revenge, fuck any plans she might've had. she's gotta save nona. and if that pasty bitch is gonna stand between her and her nono's best shot at survival, then there's no question about it. no hesitation.
and isn't that what all this is about, in the end? pyrrha - jaded, angry, cynical pyrrha - forfeits personal revenge because nona needs help, and she can't waste time.
i'm having feelings about it.
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Nona is very funny because what if the meanest little bitch you ever met became a superhero, died (?), and then came back but now she's the sweetest little bug in the doomed planet you're being forced to raise her on.
Also "you" are a 10,000 year old ex-cop and a mid-20s soft butch being possessed by her dead twink boyfriend living in an apartment under guard by marxist futurists.
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i love tamsyn muir’s interviews so much. “a psychosexual mess of roleplaying and bad meals” has been stuck in my head for over a year now
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I think often about the heavy irony of John laughing at Wake's name and mocking BOE's naming systems. BOE are trying to preserve lost Earth culture, but clueless of context, their fragmented merging of high and low culture comes across as silly to John (and us. But it's a noble attempt to preserve everything, even the stuff that wouldn't necessarily seem 'worth' saving. But what does John rename his friends? Pyrrha and Cassiopeia and Ulysses and Augustine. He also names almost everything after Earth culture, but it's literary/religious/historical 'high' culture. BOE is scrabbling to save everything possible, but John has the privilege of context and memory, and so he picks and chooses what's 'worthy' of being used or shared. Low culture is reserved for his little jokes with himself— though honestly, a lot of his references to earth culture full stop seem to be inside jokes at the expense of others. I doubt Cassiopeia knew she was named after the infamously vain ancient queen, for example. John also quotes things at people without explaining what he means, like when he quotes Shakespeare and Hans Christian Andersen at Harrow; he's not really sharing it, he's mostly using it to isolate the other person in the conversation, or make himself seem unknowable and superior. It's honestly very telling that when given the choice John will name most things biblically or classically. It does partially feel like he's desperately scraping to preserve something of his childhood and the home he destroyed (especially with the renaming of Gideon to the Māori translation Kiriona, but... well, he literally renamed her and made her into a walking corpse teenage soldier so :/), but when you look at how he deploys earth culture on the whole, it usually becomes weird and imperialistic and weaponised. He's not really preserving lost art, he's selectively using it for his own agenda, and he's often using the two biggest things that were ever co-opted by conservatives and imperialists, the classical world and biblical convention.
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