#Process Insights

[diornies]

You ain’t gotta pray for me, me and my wild boy and all of this wild joy

a late post for day 9: “you’re married?” also kinda a follow-up to the bdilh comic

[edgev]

From non-intrusively capturing human-machine interactions to leveraging AI to creating actionable process insights, AssistEdge Discover enables continuous improvement.

[criticalbeauregard]

agatha definitely didn’t need to kiss rio to use her powers on her or take billy’s place. she chose for it to be the last thing she ever did. she wanted to let rio back in so bad but she is so stubborn that the only way she could actually do it was with the promise of death swiftly after.

[lovestory]

There’s no set class course you can take, and I think a lot of people feel very swept up in that. Folklore, the Long Pond Studio Sessions (2020)

[khywae]

Requiem's Echo is live on khywae.itch.io ! ✨

Enemies-to-lovers, dark secrets, and tension you could cut with a knife… Will you and Leon put your differences aside, or will they draw you together?

See where the story takes you! 🖤

Synopsis:

In a town abandoned by hope and plagued by nightmarish creatures, you are the last line of defense — a lone hunter with nothing left to lose. But when Leon, a government agent with a dangerous charm, arrives to investigate, everything you’ve built threatens to come crashing down. With every exchange, every heated argument, the space between you shrinks, charged with something you can’t name. As you prepare for one final hunt, desire and survival become tangled, the stakes rising as the creatures draw closer — and so do you. With every sunset, the stakes rise. And when dawn finally comes, it will be either salvation, or the end of everything.

[ambeauty]

Ok let’s discuss partnership agreements for a quick second. I own a business and I have a partner. It’s common and it’s necessary to have a partnership agreements. It’s going to list the official profit share, how much time each partner is going to commit, what skill each partner brings to the business, and what factors are in place in case one partner wants to leave or dissolve the business. This is a very basic overview of a partnership agreement. Sydney needs this. It will legitimize her position as partner in the Bear. So Carmen extending this agreement to her is significant. He can’t necessarily force her not to leave but they have to have a protocol in place in case she wants to. It could get sticky but not if they follow the agreement. Unless she doesn’t sign it…

What’s strange to me is him saying “So I can push you and you can push me.” This makes me think he knows that he’s going to get toxic and he doesn’t want her to just walk out like she did in review. It’s like saying “for better or worse.” And also tell me when I’m fucking up because I don’t want you to leave. I have it in writing how much you mean to me and this business. So neither one of us can just fuck off when the going gets tough. Signing this agreement would make her (both of them) contractually committed to working things out with him even when it (he) gets difficult. That’s still a spiritual marriage. A business is a marriage and a (legal) marriage is a business.

[my-autism-adhd-blog]

Sensory Soothing Kit

neurodivergent_insights

[palidoozy-art]

My remaining art fights! I didn't get to do as many as I wanted this year -- I basically lost two weeks due to work... but I DID complete my goal of getting revenge against every single person who attacked me, and also working in that predominantly lineless that entire time.

Characters and artists they belong to:

Ireena - @willow-boop

Melgi - @firemuse

Kyrin - Digital_Replicant

Lady Khal - @hnk-art

Finch - Hypnos_UwU

Komori - Komori

Scorn - @itsyourpalthom

The Nameless - @howaitot

[kadextra]

“Cucurucho give me my enderchest!! You stupid- fluffy monster!! I’m gonna flipping kill you, you took away my memories! You took away the one thing that I had to remember all the eggs who are gone! This is it Cucurucho, this is your final sayonara, you’re going. rip rip potato chip. I will literally sign onto the code thing’s army, it took my son’s (life) from me but you took away my memories- You know what? No! Forget that! I HATE YOU BOTH!

I’m making it my mission. Cucurucho, the code entity, you’re both dead. I’ll take both of you out, I’ll kill both of you. This is how I solve my problems! I solve my problems with death- cause I’m the flipping grim reaper-!”

I just had to transcript q!Bad’s huge rant at the end of stream it was so funny and also pretty darn good to contextualize his character more

[uhbasicallyjustmilex]

“i believe in the idea that old bits of equipment have songs built into them already, like a ghost in the walls.”

[roscoehamiltons]

LHFW 2024 graphics: Austrian Grand Prix

[tyttetardis]

Macbeth Donmar Supporter's Zoom Conversation

On the 9th of May 2023 Donmar Warehouse held a Zoom "meeting" for supporters where Michael Longhurst talked about their two newly announced productions - Clyde's and Macbeth. This was a week before tickets went on general sale and before they announced that Cush Jumbo would be playing Lady Macbeth.

At the time it was all, of course, quite exciting since everything they revealed during the talk was brand new info! Most of which wouldn't be known at large until the play was being perfomed (or later). I think only about 80 people participated, most of which I think either worked for the Donmar or were members at much higher levels.

Today it's no longer new information as such, but I thought it might still be interesting to make a post about what was said during this talk :)

Michael first spoke about Clyde's (which I didn't actually listen much too) and then introduced Macbeth as their Christmas show (using the word Christmas "incredibly tenuously") saying the cast was yet to be revealed, but called it a beautiful ensamble piece, and that they were in the process of casting with the cast to be revealed "shortly".

He then went on to say that the casting that was revealed the week before made a bit of a spark - David Tennant coming to the Donmar to play Macbeth :) He mentioned it being directed by Max Webster since Michael was so impressed with how he did Henry V the year before. He said they had a joyful process of going to their favourite actors trying to match slots and titles to the actors that they love - and that they were thrilled that Mr. Tennant was stepping up to the Scottish play - "we felt it was time!"

"He [David] has obviousley given amazing Shakespearean performances - Hamlet, Richard II at the RSC - I, yeah, I think his verse speaking is frankly unparalleled, it's a thing of beauty. He's quicksilver, but he can push himself into the most extraordinary characterisations."

He went on to say that David and Max were deep into discussions about what this production should be. He said there's always Macbeths, but he thought what they would do so spectacularly would be to allow it to be a deeply psychological take on the play (facilitated/inspired by the Donmar's space).

He said they had a very exciting Lady Macbeth who would be announced in a week. He said she was a Donmar alumni who had a great Shakespearean set of works under her belt. He was thrilled to reunite her with David, saying that they had just done a TV series together. "So you can go do some subtle googling, but please don't share it" :P "It's amazing, they are gonna be a fierce combination!"

Someone then asked about whether the show would be streamed to which Michael said they were having conversations about it since there was a LOT of interest and they knew demand for this show with David would be incredibly high. So they would be doing everything they could to get the show streamed, it was their absolute ambition. Not least since it would be amazing to be able to share it with students. So they were in those conversations "as we speak". He later talks about it again - saying that streaming is a way of mass sharing, even if it can't recreate the experience of closeness at the Donmar. That they would try to secure screenings of it since they were aware it would be very popular "It's almost a curse of having such an intimate theatre - that when you program a star like that, it becomes huge".

Choosing to stage Macbeth was down to Michael and Max having a conversation about a short list of Shakespeare plays Max was keen to have a go at and them talking about various leading actors (later he expands on this as Max having had conversations with potential leading actors on which titles they were inspired with/ to perform - sorta like an Actors dating spree, 6 months ago) to decide which one would be the best one for this moment - "David's availibity created this window between two massive screen projects and it felt like the one to grab". Macbeth hadn't been staged at the "Donmar" since 1976 - with the legendary Dench and McKellen version. Michael said he thinks that the Donmar stage is the perfect space for Macbeth since "it allows the director and the lead actor to utterly hold a room of people in a way that'd be thrilling and terrifying, that you can't necessarily do in other spaces". He then said that he didn't think Max was interested in the witches and the supernatural as real entities but rather looking at psychological, trauma related reasons to explore those devices within the play. He also said Max was very passionate about making it very Scottish and that he had already been meeting with Scottish folk musicians to create his ensemble team. Also that he was very interested in Lady M being from outside the Scottish hiearchy - that she's be unafraid to challenge that Scottish status quo.

For Michael it's about "the synergy of an actor who should be playing that character - and that is Mr. David Tennant because he is one of our greatest verse speakers, let alone the greatest Scottish verse speaker".

He said that the production would definitely be a contemporary set. A modern dress Macbeth.

He then said that the reason he wanted to back Max as a director is that he thinks he offers a brand of total theatre that is really exceptional. There was a question about the music used in Henry V, and Michael said he just knew about the Scottish folk music and that music would be a part of the show, and that music is always a big part of Max's shows.

Someone then asked if they consult with scools on what plays they are studying in order to choose what they put on. Michael says they were obviously very aware of Macbeth being part of the curriculum and that being one of the reasons they thought this was "the text. And obviousley with David and his DW background, he brings a huge appeal and accesibility for young people who might find Shakespeare challenging - and you know, being brought into that story by someone they know and love so well is...you know we saw the effect happen on Henry V, 40% of people coming to the Donmar were coming for the first time when we had Henry V on - and it's thrilling to expand that connection, and we know David will do the same".

[echo-of-the-eye]

Can’t stop thinking about Viktor and Jon parallels cause I have tma brainrot and anytime I see anything even remotely similar I go “is that a magnus reference?”

Anyways thinking about the differences in the choices they did and did not make and how both of them came back from the dead and were involved in ending the world.

I talked a bit about it before but Jon chooses to come back to life and become a monster. Granted it wasn’t a fair choice but he did choose it. Meanwhile the end of the world was not his choice. As much as he thinks otherwise it was not his fault. He didn’t “accidentally” start the apocalypse, he wasn’t “manipulated into it” he straight up did not end the world. Jonah did. Using Jon. Yes he was manipulated to prepare for the ritual (still not his fault), but actually ending the world? Jonah did that. He straight up took control of his body. Jon was the tool. The key to open the door. Jonah shaped the key and turned it.

Viktor is the opposite. He did not choose to come back to life. In fact he had basically accepted his death and was actively suicidal. Jayce brought him back (and I don’t really blame him for that. He didn’t know the consequences and he was trying to save the man he loved). Viktor did however, almost end the world (and succeeded in some timelines? I’m confused). Now it’s hard to say how much of that was Viktor. He was heavily influenced by the arcane, but Jon was also heavily influenced by the Eye (not that you can really compare them). We don’t know how sentient the arcane is but we can guess that its main goal/instinct is to spread. If it worked through Viktor or if it was simply influenced him, altering his thoughts and feelings to more easily rationalize what he was doing. Either way Viktor would not have done what he did without the arcane. But he did do it. The arcane isn’t a person. You can’t really put all the blame there. And we did see that Viktor was still in there, deep down, enough that he could change his mind. Meaning that to a certain degree, he did choose it. Viktor’s actions were his own, even if they were influenced. He’s the most responsible for what happened. Jayce also carries some responsibility for bringing Viktor back in the first place and creating hextech alongside Viktor, but again, he did not know the consequences of that. Neither did Viktor at first. So how much are they to blame?

I just find it fascinating how such similar events (even if they are still vastly different) happen in two completely different series and how the characters had different levels of agency throughout it.

[bellamyroselia]

After looking into them, I feel like the character ages that came with the teraleak could be sorted out to following four categories, with some examples added:

Perfectly reasonable: Norman, Tate and Liza, Maylene, Cynthia, Lenora, Marshall, Grimsley, Siebold

There's no way in hell they're that young: Roxanne, Winona, Phoebe, Drake, Roark, Gardenia, Argenta, Burgh, Elesa, Shauntal, Wulfric, Wikstrom, Drasna, Diantha

There's no way in hell they're that old: Flannery, Looker, Caitlin, Marlon

Fine on a vacuum, raises questions with additional context: Alder, Benga, Drayden, Wanda