#Probably the tonal languages | Explore Tumblr posts and blogs

keferon · 1 month ago

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Sorry in advance for the word vomit but. I love the whole Jazz-and-Prowl figuring out the language barrier but also consider:

They don't.

Prowl's been captured by Quintessons and is currently thinking of ways to completely scrape his processor so they can't get any useful data, only to get rescued by a random mech. They fight their way out (the mech is extremely proficient in combat). At first he thinks it's a drone- it looks at him when he asks questions but doesn't answer (responds to noise, not language), it is sparkless (not alive) and it makes random but entirely incoherent noises and doesn't even ping (not able to communicate). Prowl has no idea what's going on but he's too injured to make it back to base alone and it's helping him? So. He chalks it up to some waylaid stealth military asset and tries to think of ways to both get it back to base whilst also making sure it's not some sort of Quintesson Trojan-horse [10%].

Meanwhile, Jazz was sent to blow up a Quintesson command camp by his organisation but instead he got thrown through a weird portal, and found a pilot all tied down and probably being tortured so naturally he busted him out but uh. He has no idea what the other is saying. He's talking in total tonal gibberish. Not that he's judging, he's heard some stuff about how far other piloting programs are willing to go to advance neural technology. And his face! He has one! A handsome one. Must be some advanced shit because he's got micro expressions and he's using them to frown as him. Anyways, Jazz's got bigger fish to fry. The sky's a different colour, there are two suns and atmo is reading terribly low levels of O2. Maybe he and this pilot got thrown into an alien planet? Cool- well, actually pretty bad but hey they're in this together.

Prowl knows by models that they're bound to run into another Quintesson patrol eventually, and based on the drones alertness to its surroundings, his previous observations to its capacity to fight, and how it doesn't stray to far from him, if patrol numbers are favourable [1-8 range] they can survive [70, .5]% the route back to base. But the drone is reckless and abandons him to the melee (how can a drone be reckless?) and Prowl gets injured worse. Energon drips from wounds, and the angle makes it challenging for him to patch it. But the drone creeps closer, folds to its (knees? Its joints are in an odd but effective configuration) and gently (gently?) begins to mimic (clumsily) Prowl's motions of patching his wounds. Here is where Prowl falters, because drones are not so careful. Drones do not do not look up multiple times at his faceplates, and become more delicate when they see you in pain. Drones don't hold out a servo and help you to your pedes when your done. Which begs the question, if he's not a drone, so what has been done to this mech?

Jazz on the other hand is freaking the fuck out. Naturally. Because uh, he started slicing Quints, expecting Frowny to do the same because his mech was still clearly operational, only for the idiot to completely disregarded normal combat standards which can be summarised as 'fight hard or die' and instead get chewed on by some big ass teeth.

Only to see the glowing purple dripping from his torn sides, only to see that he's bleeding.

Machines don't bleed.

So Jazz figures out Frowny is an alien first. He starts pointing at himself and saying his name, insistently, until Frowny repeats it. He points at Frowny, and records and replays whatever sound bite Frowny makes until Frowny's also nodding in confirmation. He still calls him Frowny, because even though he has his name? Probably? He has no idea what it means and can't actually pronounce it (no idea how to get a mouth to move that way) but hey! Progress! He does this again and again with small things (rock, hand, cyber?animals, music (Frowny's confused at that one it's pretty adorable) ect.

Prowl has no idea what to make of this strange mech. Is he a failed experiment? A runaway from Cybertron following the Functionalists rise or power? Thennn Prowl finds out one fateful night that the mech is actually an alien organic (in a fit of misunderstandings, and squeezes him pretty hard for it ouch and feels SO guilty about it later) and suddenly the language/culture barrier makes way more sense.

Prowl's injuries degrade (a line splits). He has no way to communicate this except for the energon dripping out of his chassis. The organic is clearly worried (how did he think he was ever sparkless), and Prowl can't reach the injury himself. So he guides the mech's servos past armour and wiring, down to protoform (near his sparkchamber) to the split line. Gestures and hopes the mech can figure out what to do from his miming[#^%]. That'll he'll be careful, and won't hurt him [5%, 87%, #*%, *########%].

Frowny is later picking shrapnel stuck in his forearm that's too small for him to remove, so Jazz gets out of his mech to help with his small human hands. Jazz has no way to communicate to Frowny that if he moves, he'll sheer Jazz's limbs clean off, but he goes in anyway, because Frowny's hurt, and speckled in blood. Because he's clearly struggling and hurt and tired. Because Jazz has to trust that he won't.

Frowny's injures eventually make him collapse, and Jazz carries him the rest of the way. Jazz has no idea how they'll be received (especially considering how Frowny reacted when he found out Jazz was organic). Jazz knows he might be dissected. Knows he might be pulled apart (again) but.

He remembers all the little moments they had on their journey (Frowny shielding him from falling rubble when Jazz was out of his mech once, them getting to gesticulating arguments, Frowny's reaction to his music, how he fell asleep on Jazz once and it was fricken adorable).

It doesn't matter that Jazz can't say (barely understands) his actual name. That Frowny probably doesn't understand his. It doesn't matter that they talk in halting miming, in broken sound clips and touches and half-glares.

He's already gone out on all his limbs, might as well put his head on the chopping block. And if it causes him to lose the damn thing, well.

He's a pilot. Dying horribly is practically his job description.

OOOUUUUGGGGGHHHHHHHHH DYING HORRIBLY IS PRACTICALLY HIS JOB DESCRIPTION,,,,,,,,,,,

#so cute #SO FUCKING CUTE #someone sedate me #mecha pilot jazz au

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yuespropagandablog · 27 days ago

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Hello esteemed mutual. If you are reading this, then that means my propaganda is working. But you might still have questions, so I am here to answer them.

What is Falsettos?

A damn good musical.

But time to get serious. It's a sung-through musical written by William Finn and James Lapine, with Lapine also writing the music and lyrics. Falsettos is a two-act musical, like many, but it's important here because Falsettos is actually two musicals in one. The first act is March of the Falsettos, and the second act is Falsettoland. These are the last two installments of the Marvin Trilogy. The first part, In Trousers, flopped on off-Broadway and is also not part of Falsettos. Are you following?

The first acts centers on a Jewish man named Marvin (the main character of the Marvin Trilogy, who would've thought) and his homosexual relation with Whizzer, and how that impacts the family. He's left his wife Trina and son Jason to be with Whizzer, but Marvin is also Marvin, and loves to have a tight-knit family that includes all of them, but fails to see how his wish impacts the others. The second act takes place two years after the first and it's all about Jason's bar mitzvah, but oh, oh no, it's a homosexual story set in the 80s. Yeah folks, I am going to be upfront: this musical does not have a happy ending. Spoiler. I know. But I just want people to know what they're getting themselves into.

The show has a lot to say about gay life in the 70s and 80s, gender roles and masculinity, traditional family, illness, and Judaism. Yes, you cannot separate the Judaism from this show, no matter how hard a Spanish production tries.

Where can I watch it?

The original Falsettos debuted in 1992 on Broadway. I know it from its 2016 Broadway revival. There are, uh, slime tutorials for both (and also for In Trousers if you're interested), and the 2016 version also got a proshot that was aired on PBS, so they did have to censor some language. RIP "You save lives and I save chicken fat, I can't fucking deal with that", you will forever be missed. This link totally definitely does not lead to a YouTube upload of that proshot, what do you mean?

There are also a bunch of other productions, sometimes with footage, sometimes not. I actually saw the Dutch version in 2021 in Amsterdam (probably while I had COVID, but in my defense, I tested negative before I boarded my train!)

Is there a trailer or something?

Yes, here's a trailer for the proshot.

youtube

Here is their Tony performance, which is also my favourite song of the show:

youtube

(They did take out the "Lighbulb up the ass" and "I can't fucking deal with that", because America is America. But at least we got Andrew Rannell's boner in return?)

And for funsies, here's the Tony Awards performance of the OBC:

youtube

(They did censor the words "homosexuals" and "lesbians", unless that was the original lyrics. I dunno. I am not very familiar with the original one.)

You implied AIDS. Are there other content warnings?

Yes. AIDS will be the main theme of the second act. You can ignore it by just turning off the show after the song What More Can I Say, but that is obviously not the full show. There's also some period-typical homophobia, as in in act one, Jason is afraid that his father's homosexuality is a fatal hereditary disease. There are also a lot of dysfunctional relationship dynamics in act one, including one instance of physical abuse. Act two has the AIDS of it all and because of that, the major character death warning.

But is there also fun to be had?

Yes, definitely! One thing that makes Falsettos a good show is the tonal whipslash. Both act one and act two start out as the funniest shit you've ever seen and then BAM, drama. It is kind of impressive how the show does that. It has stellar comedic songs like Four Jews in a Room Bitching, My Father's A Homo/Everyone Tells Jason to See a Psychiatrist, I'm Breaking Down, Jason's Therapy, Year of the Child, Miracle of Judaism, The Baseball Game, A Day in Falsettoland, Everybody Hates His Parents and whatever the fuck March of the Falsettos (the song) is.

The first half of both acts you can't stop laughing and the second half of both acts you can't stop crying. That's Falsettos, baby!

Does the music slap?

Oh yeah. It is a fully sung-through musical. If that's not your jam, then you're better off skipping it. It also has a more "traditional" musical theatre sound, whatever that might mean. As you saw in the previous section, it has a lot of great comedic songs, with stellar lyrics like "Look, look, look, look, look, it's a lesbian from next door!/Followed by her lover who's a lesbian from next door too!", "Hepa-hepa-hepatitis-hepatitis?", "We're watching Jewish boys who cannot play baseball play baseball", "You have paintings of dicks!/Don't talk to me about taste!", "Lightbulbs in the ass!", the entire "You are going to kill your mother" section, "Homosexuals!!!!!" and of course the opening line of the entire show "Four Jews in a room bitching". And many more. But don't be fooled, because this song also has some emotional bangers (mostly in the second part of the acts due to the aforementioned tonal shift).

Are there German characters in this musical?

Mendel's last name Weisenbachfeld sounds German. Is that close enough?

#bACK BY “POPULAR” DEMAND #so you're interested in #falsettos #Youtube

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serpentface · 3 months ago

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First Goose of Spring: What was it like living in Cynozepal?

"...I haven't actually seen much of it, but the kingslek had the most stunning view of the mountains. They rise higher than anything you've ever seen, I'm sure, all the way up to the clouds. And our serfs actually live up there! It must be awful, braving the heights and fending off those little qilik barbarians. But we are a very strong people, so they manage just fine.

But the kingslek was the very best place in Cynozepal. It had everything you could possibly want. There was a garden with a little herd of horses living in it, and a spring to bathe in, and musicians and singers, and plenty of good food and wine, and the finest cushions to sleep on, and a HUGE library that had every book in the civilized world, probably? And there were always tons of servants around to care for us. My handmaid, Gray Gull Comes Home Wealthy With Fish - may her next birth be prosperous - lived in the kingslek too. Because she used to be a concubine, I guess? And she was the best of all. I never learned to read like my older sisters did - may their next births be prosperous -, but she would read to me whenever I wanted so it was okay.

So obviously I never wanted to leave. But my sisters and I had to leave the kingslek sometimes. Like when our mothers and father had very, very important guests, or when there was an execution, or for the solstice songs. And this was always a dreadful bore. But Gray Gull Comes Home Wealthy With Fish would always bring my favorite books along, so it wasn't TOO bad. And she would always, ALWAYS carry me there on her back. Until I got too big, but we have litters for that.

And now, I am expected to walk everywhere. EVERYWHERE! Or fly like a serf, sun be swallowed. I hate it here."

---

Notes:

-Goose is the absolute worst source to to ask about life in Cynozepal. First and foremost, she's a young child and hasn't been on this earth all that long (she's cognitively equivalent to a human preteen, and is 5 years old). As the third youngest princess among 39 daughters, Goose spent the vast majority of her life both cloistered in the kingslek (which is a privilege) while experiencing little to no pressure to excel and being minimally educated (as she was exceptionally unlikely to be married into an important political role). She would leave this space only infrequently, and never once stepped foot outside of the palace grounds prior to her dynasty's fall.

...And she LOVED it. Now she’s out seeing the world firsthand, breathing the fresh air and feeling the ground beneath her feet, and it fucking suuuuuckkkkkssssss, man.

-The kingslek refers both to the collective women in a royal family (wives, concubines, daughters, all of whom will typically outnumber the men at LEAST 20:1) and the domestic space in which they live. This is a massive section of the palace (as it houses most of the members) complete with its own amenities, gardens, etc. It is functionally the center of power and politics within the palace (the culture itself is not outright matriarchal, but the institution of the kingslek effectively has more political power than the king, and tremendous sway on his actions).

-Honeythief is translating for her. He frequently manipulates his translations to make her sound a little more down to earth (but still regal and far, far more important than you) and less like an exceptionally ignorant, spoiled child, but his translation here is accurate.

-Crown Cynozepali language is (and a majority of caelin and delkhin languages are) predominantly tonal in nature, supplemented with rapid clicks and deep booming 'drum' beats (it is these aspects that are physically impossible for humans to accurately reproduce). To a human ear, these languages often sound like vaguely musical but discordant barrage of sounds. I'm attempting to represent this visually with dots and squiggles.

-'Little qilik barbarians' is not referring to qilik of the region as a whole. She is referring disparagingly to the Cu-Chukka, which are a people that traditionally inhabit the higher reaches of the Azure Mountains, and do not frequently interact with the Crown Cynozepali sphere outside of land conflicts with serfs (who build their homes at high altitudes and often encroach on Cu-Chukka territory). 'Barbarian' in this context is a racist and xenophobic insult that groups together all qilik, caelin, and delkhin peoples that do not speak Crown.

Honeythief is Chit-Sut-Susit (a nationality native to parts of eastern Cynozepal and the Ch'Chen plateau, most of whom exist within the Crown cultural sphere), and is not receiving a microaggression in this particular context.

-Crown Cynozepali personal names are descriptive phrases. Song and poetry is of central cultural import, and naming conventions are rooted in these poetic traditions, designed to be beautiful and evocative turns of phrase. This is often lost in translation, and the names take substantially longer to speak when translated into most human languages.

-There are taboos surrounding speech that evokes the recently dead (defined as within a solar year), that require additions of placating phrases that will dissuade the dead from attaching to the speaker and direct them towards a good rebirth. "May her next birth be prosperous" is one example. Goose's handmaid and most if not all of her sisters (among other relations) were killed in the coup.

-The 'solstice songs' refer to traditional 'boomsinging' performed at the summer and winter equinox to call down the Solar Dragon. (boomsinging is an artform utilizing the deep, thunderous vocalizations caelin and delkhin can produce- sounds like a combination of throat singing, drum beats, and a noise kind of like a sage grouse display but deeper. The sound can travel for miles)

-'Sun be swallowed' is a translation of a phrase used to (often hyperbolically) emphasize the horror and depravity of a situation. Kind of saying 'what's next? the end of the world?'.

-Kingslek members and royalty as a whole are transported from place to place in litters and carriages, but they aren't carried literally Everywhere (they do like, walk). Goose recalling constantly riding on the back of her handmaid is describing a time where she was a tiny 5 lb child (a phase in life where most caelin and delkhin children will ride on their mother's backs).

#I was only going to do the whitecalf characters for this ask meme because I haven't touched basically any of the other OCs in ages but #I will make an allowance because I like goose #Goose

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sciderman · 6 months ago

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This may be a cold take, but looking back at the living with Aunt May arc, I honestly don't like the idea of Peter hitting Wade being played off as a joke. Even though ppl won't see it that way cus they're both men, it still just rubs off as abusive. I mean, imagine the same scene but what if Wade was a woman? I don't mean to come off as dramatic or rude & I'm truly sorry if I am. I just never understood why couples hitting one another was usually meant to be taken as funny. A nudge or something like that is fine. But full blown hitting or elbow drops kinda sit wrong with me

i think the "what if wade was a woman" line of thought is silly because. sometimes he is a woman. you're throwing a very silly line of thinking at me.

i do think if you're not prepared to see two guys beat the snot out of each other then you probably shouldn't be reading superhero comics. that's kind of what superheroes do. i think "violence is always bad" is a very strange stance for a spider-man and / or deadpool fan to have. i think you're in the wrong place.

most couples aren't spider-man and deadpool. spider-man and deadpool who use violence to communicate because they're bad with words. the text is aware of it.

the text is aware that what Spider-Man and Deadpool have is Not healthy. I’ve never made any allusions to them being healthy. the whole point is that they’re not healthy.

but I kind of only really see a relationship as abusive if there’s a power imbalance. wade is highly trained in like. every martial art known to man. if he didn't want peter to strangle him, peter would be on the floor. he is cool with being strangled. he probably thinks it's funny.

all couples are different. what if they’re a couple of wrestlers and wrassling is something they enjoy and bond over? which is the case for wade and peter. they are superheroes. of course they enjoy to wrassle. I think either of them could easily call it off and say it’s going too far. But they enjoy it and expect it from each other. again. it’s kind of how they communicate. and i think they know each other's limits.

I think they probably have a safeword that they use for any kind of physical thing they have going on, be it sex or wrassling. it might even be “uncle” that seems like it’d be a hilarious way to stop peter in his tracks.

4) what’s depicted in the post you’re being critical of is more tonally akin to like. siblings fighting. it’s a valid way humans interact, like any other. cats play-fight. it’s kind of similar. they’re not actually hurting each other.

(as you can tell by their body language, neither of their tails are wagging, and they’re both smiling, so this is not cruel behaviour. just natural enrichment for spider-men and deadpools to engage in.)

i think a sign of a healthy relationship is knowing each other's boundaries and not crossing them. so maybe there's someone i affectionately put in a headlock. and they think it's funny and they're okay with it. it's part of our language. it's fine if we expect it from each other and we're okay with it. fighting isn't always bad. couples insult each other all the time. if you're not aiming to hurt them, really, it's just fine. not everything is black and white. wade spars with all his partners. they beat each other up. they're boys. let them play.

#sci speaks #your take is utterly freezing anon #imagine. spider-man and deadpool dating and not? beating each other up every now and again? are you kidding? it gets them off.#they love beating the shit out of each other. and it's wholly consensual.

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genericpuff · 1 year ago

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You should watch Jack vs. Webtoons video on Lore Olympus before it gets wrongfully taken down.

His video pointed out something I wasn’t able to put into words until now. Lore Olympus has a real bad dialect problem. One second the characters are talking like they’re in a Shakespeare play which makes sense, sense they’re gods or what not. The next second you’ll have characters saying shit like “blue balls” “clout chaser” and “you’ve got a young wife with a fat ass”. It probably wouldn’t bother me if certain people talked a certain way like how Hera doesn’t use any slang and how Hermes uses some but all the characters vocabulary are the exact same.

Honestly I can look past the art and it’s inconsistencies but having dialect jump from regal to tiktok facebook slang makes my brain hurt more than glossy lipped Hades and bug eyed Persephone.

I checked it out, it's pretty great haha and yesss this is something that's been discussed before but I haven't really ever made a post about, the dialogue is CONSTANTLY flip-flopping between royal talk and "hello fellow teens" quipping. Sometimes it feels like it's trying to be like Marvel and then other times it feels like it's trying to be Bridgerton. I can think of no better example than all of the "pedigree" talk, it makes me squirm every time I read it because in the modern context of LO, it SCREAMS eugenics. The whole B-grade goddess thing made sense, until they started talking about Persephone like a poodle:

But then you ALSO get INCREDIBLY stiff dialogue that makes it seem like the comic is either being written by AI or Rachel is actually a real life version of Michael Afton post-scoop:

And yes, there is a tinfoil hat theory that LO is being written by bots at this point because I don't know how a single person could write something so tonally confused. That said, I do think the more reasonable explanation is that Rachel is likely copying dialogue from shows and movies she's watching and just tweaking it slightly before slapping it into LO. She's not observing why the dialogue works in the media she likes, she just knows she likes it and slaps it in there without any regard for context, tone of voice, or personality.

And that leads to, as you said, all the characters sounding the exact same, and that metric by which they all sound the same changes all the time. I think at this point the only reason we haven't seen Hera dropping TikTok language is because she hasn't been onscreen long enough for her to get the chance LMAO That said, we've definitely gotten some weird inconsistent dialogue with Hera as well:

(like she's essentially saying the exact same thing across both of these panels but one is being said by an adult and the other is being said by a teenager lmao)

I think the dialogue is definitely one of the most glaring issues with LO, among all of its other problems. It just never feels like it's being written by a human, there are problems with this even as far back as S1 but it's become especially apparent in S2 onwards.

To finish off this ask, here's one of my favorite dialogue mishaps in the entire series, from S1, in which Apollo literally adopts an askew English accent:

#lore olympus critical #lo critical #anti lore olympus #ask me anything #antiloreolympus #ama #anon ama #anon ask me anything

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obstinaterixatrix · 3 months ago

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Bibi is a bubbly girl who’s deeply obsessed with Peter, the cutest boy at her high school. So when she sees a random girl talking to him, Bibi invites her to a sleepover with malicious intent… only to have a surprisingly nice time! That’s how she makes friends with Amy, a shy and sweet girl who agrees to help Bibi get with Peter. But as they cook up all sorts of love schemes to win Peter over, Amy’s place in Bibi’s heart grows bigger and bigger by the day…

now that I Love Amy has been licensed, I wanted to make a rec post for it…! here’s an f/f webtoon about high schoolers in the 🇺🇸USA🇺🇸. the author has stated that she loves yanderes and her goal for this series was to write a happy ending for a yandere, so it’s a zany and dysfunctional series with a lot of love for its own characters.

being a love letter to yanderes, I’d say the series keeps fairly lighthearted (no actual present murder) while having darker gags/plot elements (references to past pet death, past abuse, past attempted murder, past actual (?) murder, ableist language, etc.). the tonal dissonance is done pretty well in my opinion, plus the art and writing is super charming. check out the introduction to amy

bibi doesn’t even see her as an actual person at first, so the relationship development is really fun with how she gradually swaps targets from ✨the most popular boy at school✨ to some random gloomy gal lmao

great balance between vaguely threatening and genuinely heartfelt

super charming and unique, if you like any of these panels you’ll probably enjoy the series so support the official release~

#I love amy #recs #ff recs #I’ve been holding off on remaking the rec post bc I was waiting for these specific chapters…#this is legit just reposting the previous rec post but w/e #I also gotta make one for sherbet… tappytoon on their a game for yuri licenses #not necessarily on their a game for qc but. well

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homunculus-argument · 1 year ago

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More on linguistic worldbuilding - you ever noticed how languages with a lot of Oddly Specific Untranslatable Words, and prefixes and suffixes that imply more context and tone to specific words, are probably a nightmare to learn as a second language, but are probably really damn efficient at communicating things in the smallest amount of words possible?

Like some languages have very distinct grammatical cases, various verbs for actions that one would think are identical but there's a tonal difference in the variation, linguistic indicators of the speaker's own opinion on the matter, and then there's the whole cultural-context-clue game of things like verbs that refer to a specific poem or folk tale that everyone roughly knows, even if they've never personally heard the original story.

So grabbing this concept and running with it, you could possibly come up with a language where you can put together a 15-syllable word, a prefix- and suffix-laden monstrosity of one, that sums up an entire paragraph. Which broken down would translate to something like "[person spoken of], whom I have no respect for, attempted to do the first action of [folk hero], and failed in doing so in a way that I personally think was entirely his own fault."

And then you need a native speaker to translate the translation, explaining that even in the original story, the folk hero's first quest failed miserably, but nonetheless earned the hero the local peoples' respect, so put together with the "failed" tonal indication of the word used, it translates to "this dipshit tried to play big hero and pull a cool stunt, and not only did he fail at it completely, he looked fucking stupid doing it and simultaneously shit himself."

An additional word would have been needed to clarify whether he literally shit himself. But there was no space for it.

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pumpkinsplots · 1 year ago

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Writeblr Intro

Hello, writeblr! I finally caved and got tumblr, mostly because I love rambling about my wips and hearing other people ramble about theirs and all of that lovely stuff, so this seemed like a great platform to do that. With that being said, I plan on posting about my wips and ocs, as well as art related to those things, so if that interests you at all, I’d love to see you stick around. Also feel free to call me either Pumpkin or Maria, it’s entirely up to you!

About my writing

I’ve found that I really enjoy writing in a variety of genres, so hopefully at least one of my wips will tickle your fancy. Though I’d say a common thing for me is that I really like to world build, so my wips tend to be sci-fi, fantasy, or magical realism of some variety. Anything where I can put my own spin on the setting is something I’m bound to enjoy writing about.

I write in third person, usually with multiple povs, and I really enjoy character driven stories.

I often like to have a wide variety of ages in the cast, and if I had to pick a favorite trope it would be found family, so that’s usually present to some degree in my stuff.

Tonally, I always include light-hearted moments here and there, even if the wip is very bleak. It provides some levity, and I think it makes the painful stuff hit a lot harder. This is probably partially why I put some thought into each character’s sense of humor.

Most of my wips are geared towards older teens and adults, but I’ll get more into content warnings when I talk about each individually, because it really varies.

I’m one of those writers that kills off a lot of characters, so this is your warning not to get attached /j

I’m demisexual, so at least one character being on the ace spectrum is like a requirement for me at this point.

I’m a plantser, and pretty bad at staying motivated to actually finish first drafts.

About my wips

Falling Up

Falling Up is a sci-if story set in the future where Earth is a utopia where inhabitants experience little to no hardships throughout their lives. The deceased are replaced with AI created to replicate them, and everything is automated to the point where people no longer need to work to make a living. This lack of struggle results in dull, perfect lives and skewed morals. The people crave entertainment, even if it means making others suffer for it. Quasdom, a miniature man made planet initially intended to be used to separate deviants from the rest of the perfect society, is used as a catalyst for entertainment. The people of Quasdom believe that those on Earth are superior to them, and that Earth is a place where any wish can come true. This leads to the tourney, a death game between groups of ten on Quasdom, being viewed similarly to winning the lottery. The winning team gets to go to Earth, after all. Being chosen for the tourney is the luckiest thing that can happen to you. There’s no hard feelings between participants, death is completely painless, and the afterlife will welcome any participants to a better life than they previously had. There’s nothing to fear, so smile and put on a show.

A large cast and lots of character deaths

An exploration of why we get so attached to fictional characters, and how fiction can have an impact on reality

Probably going to be a trilogy

Content warnings include language, some unsettling themes, depictions of mental health issues, and generally things that are more psychological. Despite it being a death game, there’s no gore, like at all. The people on Earth may be desensitized, but they aren’t accustomed to seeing blood, so the tourney is designed with that in mind

Facade

Facade is set in a world where the living world and the spirit world coexist. Due to some actions by the main antagonist, about 20 years prior to the current story, spirits started getting aggressive and sort of going haywire. They possess any person they can, turning the individual into an uncontrollable killing machine. The best defense to this was the invention of a certain kind of mask that prevents possession, and masks quickly became widespread. Since there’s no known way to reverse spiritual possession, the only solution is to kill those that are unfortunate enough to meet that fate. A group led by an anonymous vigilante known as K9 seek to find a way to reverse possession. Many enemies are made along the way, and there are countless obstacles to face.

Its setting is based on Singapore and set in the 90s, though there are many creative liberties taken

The wip is currently pretty no plot just vibes

Themes about individuality vs equality

Content warnings include language and some sexual content

Facade: After Dark

While Facade is currently no plot just vibes, developing the characters led to me thinking of the plot for a prequel. Is it a self-indulgent novella about two of the characters I love? Yes, absolutely. In summary, it’s a romance novella about the the relationship of Leijing and Iris, and their struggles in navigating the wild world of Facade. They have vastly different upbringings and experiences, but their differences bring them together in more ways than one.

I have so much backstory for this pre-established couple and I couldn’t think of a good way to incorporate it into the main story without cutting a bunch of it, so boom it’s a prequel now

I’ve found that working on a wip that’s more low stakes and simple is really fun—I tend to get stressed about my more ambitious plots, so this wip is a great change of pace

Leijing is demisexual with little interest in anything sex related and Iris is an omnisexual sex worker, and the story explores how a world obsessed with all things sex can effect both more sex-negative and sex-positive people

Content warnings include language, explicit sexual content, and potentially triggering subject matters. This is my only wip where it’s strictly 18+!

Lights Out

Sunlight is the essence of life. Without it, the world would wither away. However, a dangerous new life form of unknown origin festers in the light. With long, elegant glimmering limbs, high intelligence, picturesque precision, and a craving for flesh, these organisms pose a major threat to humanity. But for some odd reason, these creatures refuse to step into any area where the sun doesn’t touch. Much of humanity takes to the shadows, building elaborate underground tunnels for civilizations and doing what humans do best—using their resources and ingenuity to adapt.

Has two protagonists that butt heads but start to develop a father daughter dynamic. A young adult girl who’s from the underground and unknowingly part of a cult, and an older man with one leg who’s so stubborn he’d rather fight and die than flee to the darkness

Lots of creepy cult imagery and themes about religious trauma

So much banter of course

Content warnings include language, disturbing imagery, and gore

If you’ve made it this far, thanks for reading! Asks, comments, tag games, and messages are always appreciated, and I’d love to hear about your wips as well!

#writeblr #writeblr intro #writing #writeblr introduction #creative writing #writers of tumblr #new writeblr #writer #writeblr search #new to writeblr #writers on tumblr

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mysticblackmoon · 8 months ago

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so this is possibly the greatest email I've ever received.

it is very clearly machine translated from... some language or another, probably to bypass spam filters, but it's done so haphazardly that every second sentence has some wild tonal shift or patently unnatural phrasing. some of my favorites include:

"if y'all can afford to physically do the job at thine home"

"the rod of the comradeship's appointment is to manage with packages"

"if only you are shiver about our comradeship's proposition"

the phrase "manpower wardens"

"...or the fellow who hates to come out of the dwelling to perform function" (big mood)

"are ye aroused about the bidding?"

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tokyosmega · 1 year ago

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the atla universe if languages existed

hey there! ever wondered what avatar would be like if the nations actually spoke different languages? me too! here's my idea of how it would go:

(set during avatar: the last airbender, might add more during korra times another day)

quick disclaimer: i am an american who speaks american english and conversational france french. all of my language knowledge comes from youtube or school. this is just a silly little headcanon i needed to write down.

WATER

Within the water tribe’s language system, there are two main languages: Northern Water and Southern Water. Northern Water is spoken by the Northern Water tribe and Southern Water is spoken by the Southern Water tribe. Despite having similar names, the two languages are very different. When the Water tribes lived as one on the water lionturtle, they all spoke the same language (which we will call Olde Water), but after separation, they evolved independently. Think of the relationships between the two water languages as the relationship between French and Spanish. Their words can be similar (sol/soleil, luna/lune) because they share roots from Latin (or in this case, Olde Water). Northern Water and Southern Water share roots to the point where a Southern speaker and a Northern speaker would not be able to understand each other but could probably pick out a few key words from their speech. Similar words are things that are native to their area, while less common things that did not exist/were unknown during Olde Water times have differing words (the word for “polarbear-dog” is probably similar in both languages, but the word for “badgermole” is probably different). If the tribes met often for peace/community reasons (perhaps annually), then both languages would contain loanwords from the other tribe. For example, if sea prunes are a Southern Water tribe staple, then the word for “sea prunes” in the North is probably the same as it is in the South. Neither language has any sort of written component- it is completely oral.

Another, more niche language also exists within the Water language family, and that is Foggy Swamp. This language also originates from Olde Water, but has a great amount of Earth influence, since the swamp itself is in the Earth Kingdom (influence specifically from Omashu). Someone who speaks Olde Water would understand Foggy Swamp to the extent that someone who speaks American English would understand Pidgin English (that is, they would have to focus intently and would be able to get the jist of their speech). A Northern Water or Southern Water speaker would not be able to understand them at all, since their languages have developed so drastically from Olde Water. However, one could trace roots of words in Foggy Swamp back to Northern or Southern Water. An Earth speaker would not understand them at all either, but would be able to trace back loanwords and modern terminology (the word for “swamp” or “cat-gator”, for example, would be a lot more similar to Earth than it would be to Northern Water or Southern Water). Foggy Swamp also does not have a writing system.

EARTH

Because it covers such a vast space, the people of the Earth kingdom used to be incredibly linguistically diverse, with almost every city speaking differently than the next. During Kyoshi’s reign, Chin the Conqueror took over most of the kingdom and standardized the writing system (similar to the Qin dynasty in China), and therefore heavily influenced spoken language in the Earth kingdom. As an after-effect, Common Earth, also known as simply Earth, is the most widely spoken language in the world, to a similar extent as English or Mandarin Chinese. It is taught as a second language in every nation and it is hard to find a city where there are no Earth speakers. Everyone in the Earth kingdom speaks or understands Earth. Omashu Earth is an accent that is spoken primarily in the city of Omashu, and has tonal differences from Earth, similar to the difference between New York English and standard American English. Aside from Omashu Earth, the other areas of the Earth kingdom that were taken over by Chin do not have distinct accents. There are some slight variances, especially in the Southern islands between the Air temples, but all speakers of Common Earth can understand each other perfectly. Common Earth has a stable writing system that does not vary.

Despite Chin’s attempt to standardize language within the Earth kingdom, the places he did not conquer held fast to their respective languages. Ba Sing Se Earth, which can also be called Upper Ba Sing Se Earth, is the language that differs the most from Common Earth due to Ba Sing Se’s impenetrable walls cutting them off from the rest of the kingdom. Since both languages are derived from Olde Earth, they share similar writing systems, but neither language can understand each other (similar to the relationship between Cantonese and Mandarin). The walls between the Upper and Lower ring also created Lower Ba Sing Se Earth, where grammar is more simplified, due to the hasty lifestyle of a lower-class worker. Both Upper and Lower Ba Sing Se Earth speakers can understand each other, but Upper Ba Sing Se speakers might not be able to understand Lower slang. Their writing system is exactly the same. Kyoshi Earth is spoken solely on Kyoshi island, and is very similar to the former language of the people of Yokoya. It is not understandable to any other Earth speakers and functions similarly to the relationship between Japanese and Mandarin Chinese, with a different yet similar alphabet to Common Earth. The Si Wong tribes, who inhabit the Si Wong desert, speak various independent languages, but are collectively known as Si Wong Earth. Their languages have many loanwords from Common Earth due to trade. Their written language is syllabic and simple, similar to Cuneiform.

FIRE

Most of the Fire nation speaks the same language, but there are three main dialects within the Fire Nation language system. The most commonly spoken dialect is aptly named Fire, but is also known as Common Fire. This language is spoken within the Fire nation capital, Caldera, but is mainly used within the greater land mass of the Fire nation. It evolved from Olde Fire and is the most basic form of Fire nation speech. The most similar dialect is more of an accent with some different slang terms and is known as High Fire. It is spoken by the citizens of Caldera, especially the nobles. It is completely understandable to those who know Common Fire and vice versa. The relationship between the two languages is similar to the relationship between Canadian French and Quebecois. The main difference between High Fire and Common fire is pronunciation of words and tonal patterns within sentences and phrases. The last dialects all get looped into one group and are collectively known as Provincial Fire. Provincial Fire is spoken on the outskirts of the mainland and into the chain of islands off of the Fire nation. It varies greatly depending on what island or area of the mainland it is spoken in and has differences from Common Fire that are similar to Korean’s differences from its provincial dialects (speech pattern and tones, different slang terms). The further out one gets from Caldera, the stronger the dialect. Written language within the Fire nation is the same across all of the dialects and characters are similar to Mandarin Chinese as they are pictorial and syllabic (from canon).

The Sun Warriors are the only ethnic group of the Fire nation that speaks anything other than Common Fire. The Sun Warriors speak Sun Fire, which originates from Olde Fire as well, but has changed greatly since it was spoken within such a small group of people. Someone who speaks Common Fire would not understand Sun Fire at all, but could probably pick out a few words that have similar roots to Common Fire. Sun Fire has two written languages- one is reserved for spiritual leaders and spiritual texts, while the other is used by all people. Visually, it is similar to the differences between Japanese’s Kanji and Kana writing systems, where one is more simplified and one is more traditional. Spiritual written Sun Fire is more similar to written Common Fire.

AIR

The people of the Air nation only have one language: Air. Due to a high need of proper communication, as well as people constantly moving from temple to temple, or growing up at one and working at the other, Air nomads developed only a single language from Olde Air. Air nomads have a robust writing system to allow writing of incredibly complex ideas and air nomad journeys. Most nomads learn multiple other languages as they age, so they can succeed no matter where they find themselves in the world. Due to the destruction of the Air temples, Air is almost a completely lost language. Remaining speakers include Aang and his children, as well as a few Earth kingdom elders who learned the language from friends and passed it down to their children.

MISC.

Cities born out of the 100-year war, like Cranefish Town (Republic City), are another story. The Fire nation mandated that all colonies only speak Common Fire in hopes of destroying the culture of the city, but despite that, a hybrid language developed: Earthen Fire. To a non-speaker, Earthen Fire sounds like Common Fire, but the grammar structure is very Earth based (a Fire speaker can understand Earthen Fire in the way that a Dutch speaker can understand Afrikaans). It also incorporates many loanwords from Earth. The writing system involves the exact same characters as written Earth, so it almost sounds like Fire spoken with an Earth accent.

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neccturtle · 2 months ago

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TL;DR I’m not gonna hide online.

I don’t care.

this is mostly a vent to be honest, it’s kinda long lmao

sorry

tw for vague mentions of mental health issues. I don’t go too into it tho.

I spent so much time hating myself for being trans, so much time thinking there must be something wrong with me.

with my mental health being broken because of my own insecurities and fears. (which, again, I’m not gonna go too into)

I finally came out this year and received love from my family, and a few months later my country told me “no,”

“you are a defect, you are broken, you should hate yourself. because there’s something wrong with you”

and I don’t give a damn anymore.

I will still be myself. and I hope I can at least inspire one person to feel better.

I know I’m not much, I’m not gonna start a movement or change the world.

I’m just a young trans girl who naively thought she’d live a normal life.

but although a small one, I’ll use my voice. even if it’s just to scream. I’ll start making more content then I ever have, I’ll bury myself in it. It’s the one thing I can actually change, the one thing I can control. since there’s no solution to this nightmare but waiting for me, I’ll post my art, I’ll be queer, puerto rican, and proud of it.

I will not hide anymore.

I’m tired of hiding.

I love you all. please send me asks and stuff, Interacting with people like me helps me feel less alone lmao.

and before I start spiraling again I’ll just try to stay strong. for me, for my family, for people like us, and for my dog.

I’ll try to focus on the things that make me happy, on my art, my OCs, my little youtube channel, my growing style and odd sense of fashion, music, my love of food, the most adorable floppy ears and wagging tail in the world, the best mother I could dream for, and hope that maybe someday.

things will get better. ect. ect.

I’m not giving up, probably out of spite.

but I’m still a bit lost.

very disappointed in my country (like usual) but not really surprised.

I’m scared, but I’ll do the most radical extremist thing I can…

and live.

try to anyways.

I know this is a very big tonal shift from my usual content (which, on tumblr specifically isn’t much since I’m new here), as I’m usually way more bright and bubbly,

but I can’t really be that person right now, I can’t pretend everything’s ok. or that I’m fully ok.

I don’t know what to do.

I don’t know what to think.

I don’t know what to say.

emotionally I’m a mess right now.

I’ll take some time to process all of this (and post some drafts in the meantime)

but I just wanna wish everyone good luck, and hope we can make it out of this.

I’m not strong enough for this, but I’ll keep going for all of us, and because I wanna outlive that big fascist orange.

but for now I’ll just take time to think.

and brace myself for what comes next.

and probably start learning a new language.

love y’all, see y’all later, good night,

and good luck to us all 🩵🩵

P.S. my Mom made me go back and capitalize all the “i”s lmao

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