#Prince of Time Analysis

[kooldewd123]

there's something to be said about the choice to use "prince" as the main signifier of military rank for the andalites. because it kinda obscures the truth of the situation, doesn't it? a group of kids getting magic powers from an alien prince sounds whimsical and delightful. a group of kids getting pulled into a war by an alien colonel sounds tragic and horrible. the slow reveal of what "prince" actually means over the course of the early books is perhaps the most underrated twist of the entire series, because it fundamentally recontextualizes the entire premise of the series without the reader even consciously realizing it.

[queen-lucy-the-valiant]

"Edmund, I've got a bad feeling" is such a funny line if you take it in context with the "the last time I didn't believe Lucy, I ended up looking pretty stupid" line from PC. Because Caspian and co are probably like... yeah bad feeling, it's Eustace, what good feelings could you have? but then Edmund's probably thinking something like... dear god, please don't let this be as dramatic as the last few times, we don't have enough men to fight another war rn.

[m4rs-ex3]

"i would do anything for you"

the first time:

the second time:

the third time:

[transmascutena]

the poor little meow meow-ifictation of saionji in this fandom has got to stop i can't take it any more

[raayllum]

Allegorical Rayllum in "Dreamer's Nightmare"

Really thought I'd walk out of Dreamer's Nightmare thinking more about the broyals + Harrow, or an Ezran centric meta (and there may be ones to follow) but this was something that stuck out to me on my first two read throughs and was a truly unexpected part of the graphic novel so...

This is exactly what it says on the tin, and full spoilers for all of Dreamer's Nightmare.

Let's go

Crumbs

The biggest crumb(s) we get are arguably Callum 1) recognizing the mural as belonging to an elven temple, and 2) this panel below that definitely made me chuckle.

I also, accordingly, lost my mind over the elf-toy from 1x04 being a gift given to Ezran / the boys by the end of the comic, which seems to be modelled both after the Moonshadow elf featured in the story, and of actual canon Rayla per 1x04 itself, down to the girl having a similar hair style, markings, and being a sword wielder. (This also informs our basis for the next section.)

However, the definitely meatier stuff has to do with the Dream Warden (DW) creature, its history, and Ezran's interactions with it, so that's where we'll be focusing, and subsequently big spoilers for the graphic novel. Last chance to get out if you hadn't read it yet!

Identity and Loss

So there's a few things we learn about DW and their little mortal friend.

Long ago, a Dream Warden, still new to the world, befriended a mortal child. This violated the traditions of its kind, but the Dream Warden was young. Each night, it flew to the silver shores of sleep and each night found its friend there, wide-eyed and waiting. And beneath the watchful stars, they could adventure together through the child's dreaming world. But one night, sleep blossomed into dream, the Warden found itself alone. The child did not appear that night, nor any night that followed. The Dream Warden searched dream after dream for its friend. Sorrow became fear came anger, and soon the Warden left nothing but nightmares to flower in its wake.

This happens, of course, because the child has grown up and left their old dreaming behind, and the relationship between youth and dreams vs adulthood (actual and perceived) is something the comic is likewise interested in. Callum wants to be grow up so he can help, but as Harrow says, "Part of being grown-up is looking out for others," and there are many moments Callum acts far more like the 9-11 year old child that he is here than an adult, even if he is definitely more mature by the novel's close than he was at the beginning (and so on and so forth into S1 / beyond).

It is these two things — the abandonment of dreams (a life with Callum) to taking up an 'adult' task (assassinating Viren) in the name of "looking out for others" (Callum, the world) — that leads to Rayla leaving in Through the Moon. This is due to having fallen out of favour the idea that she's "stronger together" (BH) with anyone and missing the memo the boys receive/believe from Harrow—and their mother's actions—that they are "safest together".

So we have a Moon creature (seemingly) befriending an elven (mortal) child, even though doing so goes against the traditions of its kind. Then one day the Moon elf disappears in the action / guise of growing up, leaving the DW despondent, angry, and alone. Saddened, fearful, and furious they leave behind nightmares. [Sidenote: I do love the consistent metaphor of blossoming to flowering, it's nice.] Eventually, they fall into a deep depression and slumber.

This is a pretty close beat-for-beat of Esmeray as well, down to being left behind by a creature connected to the Moon arcanum who specifically "mysteriously dies"/leaves and subsequently causing an icy, snowy storm that shrouds the heavens (hides the starlight) until a return and/or reconciliation.

When she disappeared, she left you all alone. In pain. The storm isn't your rage. It's your grief. Your loneliness. On moonless nights, you miss her the most.

All of this is, however, mostly subtext, even if Callum and Esmeray match up in S6 and S4 in more than one instance, so I thought going through Dreamer's Nightmare that Callum's evident parallels to DW, and even Rayla to the moon child, that it would likewise remain subtext. Imagine my surprise when it wasn't.

Ezran

I've talked about Ezran and Rayla and their parallels before, decently extensively. Despite having different personality presentations, they have very similar cores. Both are less inclined towards violence in spite of Ezran having access to power and in spite of Rayla's upbringing, both have received prejudiced consequences for things they couldn't control (the assassin hit out on Ezran due to his father's crimes / Rayla being Ghosted partially because of her parents' as well as being seen as a monster), and these things contribute to them questioning perceived monstrosity more than, say, Callum, would.

We see this even reflected in Dreamer's Nightmare, where Callum despairs and in a desire to protect him and Ez, defaults to, "If I can't fight it, what can I do?" versus Ezran stating, "I can't fight you, and even if I could, I don't want to."

And while I have other thoughts on Callum and the 'monster' motif / label that you can read here, what I want to reaffirm here is the way through Ezran's connection with the Dream Warden, we also highlight his understanding of Callum both in the graphic novel and while Rayla was away / in the early days of her return.

Callum as a character has always been a character with a tenuous grasp on his own identity, especially in arc 1. He states in 2x04 that "when I got magic, I finally felt like myself" in trying to explain "how I've lost that. I'm just trying to find my way back". I think we can draw a point of comparison between Callum losing magic and not feeling like himself and Callum losing his mother and not feeling like himself, both in the immediate aftermath and repeatedly on the anniversary of her death. We also see elements Ezran mentions of Callum not feeling like himself (not drawing, his anger) that come out in S4 / 4x01 and 4x02, notably while Rayla was gone. It's only after she returns and they've begun to reconcile that we see Callum draw again (5x02) for example and indeed be more relaxed (somewhat) with his temper.

Through these periods, though, Ezran has been his cornerstone. Callum was lost in grief with Sarai, but finds his way back to Ezran; Ezran guides him out of the tower in 1x03 and into the quest to Xadia; Ezran is there even when Rayla is not, and Ezran encourages him to open up, recognizing there just as he does with the Dream Warden:

But it's easy to lose ourselves if we don't let others in. And I don't think you want to be angry and alone forever.

So Ezran through his assertions and understanding of both his brother in the comic's present, as well as the Dream Warden, takes everything that was previously subtext for Callum in the graphic novel as a character in the context of how he responds to loss (specifically Sarai and Rayla's loss), and makes it text:

DW lost their Moon arcanum connected best friend and fell into a furious sorrow, and that sorrow being disturbed is what brings the angered splintering back in full force. Dreamer's Nightmare ends, of course, with the creature being pacified and presumably going to bond with more new children, rather than just being shut away forever. Since Rayla isn't fully gone, and since she comes back, his tale of moon-friend-disappearing related woe ends differently with the full reconciliation, but the period of processing the grief and anger to "to hope and maybe forgive and love again" (4x03) remains the same.

This bodes well for theories regarding his love for Rayla and despair/desperation over losing her being what turns Callum into a 'monster' in S7, by which I mean Callum believing himself to become a monster through helping Aaravos / dark magic corruption, and believing himself to be something worth killing (4x07, 6x03) should those things transpire. But as Ezran says, all it takes is one (or two) people seeing you through the periods of anger, sadness, or splintered corruption to bring you back to your whole self again. Given the basis for Dreamer's Nightmare, I'm extremely hopeful that both Ezran and Rayla will have their roles to play in bringing Callum back to himself, just as Ezran's bonds with Callum and with Rayla will undeniably play a part in bringing Ezran back to himself, too.

With all this in mind, let's talk about the doll.

The Elf Toy

So the elf doll haunts me, nor is this new, by any means. I posted a bit about it when Dreamer's Nightmare had just come out, but I've had my eye on this thing since I first noticed the game motif some time after S3 aired. While it's since expanded to include Aaravos and his pawns (and dark magic) more directly in arc 2, said game motif in arc 1 mostly referred to the Key of Aaravos, with the motif and key itself being properly introduced in 1x04: "This is the game room, cube should be in there" / "It's a toy. A piece from a children's game."

A game motif oriented episode that then, therefore, likewise introduces a toy Rayla stand in, and one that Dreamer's Nightmare, purposefully being released before S7 for evident reasons for both brothers at least, harkens back to directly.

Like I think I can speak for all of us when I say I never thought we'd see the damn thing again. It's in 1x04 primarily to just emphasize how humans (namely Amaya) have always seen elves as scary monsters, it looks like Rayla to drive that subsequent point home, and yes it's a toy in an episode with the series' core Game Motif being centred for the first time, but that doesn't mean it's automatically connected. I'd like it to be, I think it'd be fun and very on brand for TDP's style of writing if it was.

That's said, let's go over it from various angles, starting with order of events:

Kid has elf toy, is buried under rubble

Callum and Ez pull them out and usher the kid to safety

The boys / Ezran resolve the conflict and defeat the 'monster,' with Ezran realizing it's not a monster, and instead relating it to Callum explicitly

The boys receive the elf toy as a gift

The most direct reasoning here, then, goes twofold:

Placing the toy here adds depth to Ezran thinking back in 1x04 about what makes something/someone a monster, which is the subject of the conversation at hand, and how it was incorrect

It is here in DM because we're revisiting the Banther Lodge next season, and there's going to be an emphasis on seeing people (others towards Callum; Ezran towards Runaan) not as monsters / reminding Ezran of his love for Rayla. We may see the toy, probably not, but that could be the thread

Therefore, that is where I think I'd leave it in terms of being a toy with a deeper purpose... if not for the fact it's referred to as a Gift. I've talked about the gift motif here in TDP and how arc 2 makes it much more of an emphasis, largely in regards to magic and magical sources of power:

However, where it's most notable in the 'gifts' Aaravos gives: his pawns are not just his pawns, but often tethered to him through magical objects. Claudia's current pawn intro has the Sun staff, which was given from Aaravos to Viren to her; Callum has the cube, a similarly ancient relic passed down through generations; "Lay it down? But it was a gift," Ziard says, the Staff clutched in his hand, and Viren later cites it explicitly a toy: "You had a lifetime to play with your toys, but now you hide them all away or destroy them."

To the point that throughout the various gifts given (the moon opal pendant, Rayla's goodbye letter, the sun orb from the Sun, the trio's gifts of sacrifice to Rex Igneous, Janai's sword and Miyana delivering the sun seed, and more I'm sure) the only things referred to as / that are both gifts and toys are the Key of Aaravos and the Relic Staff.

And, now thanks to Dreamer's Nightmare, the Elf (Rayla) doll.

Obviously this doesn't mean the elf doll is an ancient relic, or powerful, or even important, I think. Not on a literal level. But the final pages do tease it's a bringer of misfortune, which Rayla absolutely is (or is supposed to) when she lands on the boys' doorstep 6-5 years later. She's assumed to be a bringer of misfortune at said Banther Lodge where both the toy and cube are found, which is why she's taken captive.

What characters thus far receive things in the graphic novels, too, comes into play later. Claudia's map to the unicorn she acquired in The Puzzle House seemingly fulfilled its purpose pre-series with her tracking one down already, only to have another purpose in mind as of 7x01.

It's not beyond the realm of possibility to me, therefore, with all this in mind:

The doll was included as a throwback to 1x04

It will have importance

This importance will possibly relate to Rayla

If the motif of it being a gift and a toy is relevant, than the objects on par with it are the Relic staff and Key of Aaravos

Something something "Rayla's life is a fair exchange for the Key of Aaravos" because we all know what we're doing here by now

In summary: you lost your Moonshadow elf best friend and that caused you to become a monster / nightmare ("we had to fight our own people, it was a nightmare") and Dreamer's Nightmare just expected me to feel totally normal even before interweaving the gift motif into the game/toy motif with the damn Rayla stand in doll from 1x04 of all episodes. Yeah.

And that's really all I got for this one, but I hoped you enjoyed the allegorical thread break down and the game motif theorizing!

[evie-doesnt-write]

Revolutionary Girl Utena: Ep.22//Ep.34

[willestears]

One of the things i love the most about young royals's characters is how imperfect they are, not only because of their circumstances but because they actually believe they're right, they're not perfect in ANY WAY.

Any of them could become a villain, they all have anti-hero traits just like in real life, Lisa has never been afraid of showing the darkest side of each character, even the protagonist, she doesn't mind showing the most selfish side of wille, risking him to be disliked by people, the key is how she makes the viewer empathize with him by showing exactly that, the raw side of his personality and life, making us root for him but also making us question ourselves when he does something that's clearly morally wrong: "does his circumstances excuse this behavior?" and i think that's just so incredibly genius

[maingh0st]

idk if holly has ever addressed the folk's origins but i have spent an unnecessary amount of time thinking about it and have decided they're immigrants

[lunarflux]

Jace's conversation with Rhaenyra almost reminded me of a conversation some kids have with their parents. It's almost like being told your entire life that you're special and then being humbled later on in life. It's like, finally, some random action proved you right - there are others who are better. I am not as special as my parent continuously told me.

Should Rhaenyra have told Jace that Harwin was his real father even if, deep down, he already knew? Probably, even if there was a risk to be taken by doing so. This was the big "maybe" that hung over Jace's head throughout his entire life. He fought over this "maybe." He was heckled over this "maybe." This "maybe" was a factor in the childhood fight with Aemond, and now, he's being faced with exactly how heavy this "maybe" actually is.

Rhaenyra did tell him when he initially asked as a child that he was still her child, but that's not what this means to him. Now, he has to consider that he could easily have been one of the commonfolk. I don't want to think that Jace looks down on them, but there was a fine line separating him from them and that was the conviction of his mother and grandfather that he was indeed the son of Laenor. While he doesn't seem to be ashamed of being Harwin's son, the pride of his lineage is blurred because of the rise of the discarded.

[its-leethee]

I am so accustomed to seeing the adults in children's media portrayed as antagonistic obstacles for the child protagonists to outwit and overcome. So, I really appreciate how in The Dragon Prince, Callum, Ezran, and Rayla are able to approach and rely upon the adults, strangers even, that they meet during their journey. The specific examples I want to talk about are both from 1x07: the doctor and the mercenary.

When Ezran and Callum meet the doctor, he is genuinely concerned for the boys, even though he can tell that they're not being completely upfront with him. He gives them his hospitality and listens without judgement or reproach while they tell him about the accident with the egg. When he realizes his expertise is inadequate, he keeps his promise not to tell on them, and points them towards hope.

Rayla's meeting with the mercenary is more tense; he is understandably skeptical of her intentions after she chases and corners him in an alley. But when he realizes her sincerity, he heeds her plea for help. His words ("but it'll burn you") and his body language (his hesitation, his worried facial expression) belie his empathy - at least, until he sees that she's an elf, and his prejudice overcomes him.

I also want to give a mention to Villads and Lujanne, who stepped up as mentors/guides for the trio, and offered their assistance, advice, and kindness without expectations of recompense.

In reality, most people are good and want to do right by others(1). The vast majority of the strangers and people you meet are not scheming, nefarious opportunists-in-waiting. If you approach with vulnerability and ask someone for help, they will honestly try to assist you.

I just find it such a refreshing, appropriately wholesome take. Grownups aren't out to get you, kids. As someone who was raised in the "stranger danger" era, I am glad to have tdp's more nuanced and honest version of reality to show and discuss with my own children.

[captaincouture]

Ok Captive Prince fandom I’ve got some food for thought for ya.

Why did the regent take so long to start offing members of the royal family so he could be king?

We don’t know his actual age but we know he’s at least younger than Aleron and if I remember Damen’s description correctly, he is starting to grey.

We assume he’s wanted more power for at least most, if not all his life. So unless there was a trigger during Laurent’s youth that made him start actively planning his family’s demise, why wait so long?

There would have been a time before both Auguste and Laurent were born where only Aleron and Hennike would’ve been in his way, so why not poison Hennike earlier and orchestrate an assassination for Aleron?

It seems like Vere and Akielos were on somewhat stable terms before the alliance with Kempt fell apart, or at least both had enough incentives to not outright attack each other. So it makes me think that maybe the regent was not as much of a prominent or trusted figure in Veretian politics while Aleron was alive. Did Aleron know how terrible of a person he was and keep him at bay? Did the whole court know? Did Auguste? Is that part of the reason he was so protective of Laurent, because he knew about a very real danger very close to them?

So maybe the Regent needed the time between Aleron and Auguste’s deaths and Laurent’s coronation to solidify his position in the court as an influential leader because he didn’t have that power before. He had to wait until there was a “buffer time” to make his move because there was no smooth transition of power from Aleron or even Auguste’s court to it becoming his. And with Laurent too young to rule and too traumatized and not well respected by the court to be of any influence, he had to change the ways of the court to gain power.

Laurent and other characters mention multiple times that the regents court was very different from Alerons. I think because the regent is such a narcissist and unable to change, he had to change the ways and the culture of the court in order for them to accept him.

Even throughout the first book we see him fighting Laurent for supporters, though it’s widely agreed that Laurent is losing miserably, it’s still a battle the regent has to fight. We also know that most people who are loyal or sympathetic to Laurent are that way because of Auguste, or because they believe in passing the crown to the “rightful king”. It’s been 6 years since Aleron and Auguste’s death at this point, is that not enough to win the whole court over? Apparently not.

Especially with as cunning and convincing as we know the regent to be, it should have been easy for him to gain favor and power in court and let a tragic accident happen to Laurent and be done with it. He could’ve easily outmaneuvered Akielos and ruled two kingdoms (as was his end goal) later on after taking Vere.

As much as we all love to hate on the Veretian court and talk about how perverse and depraved they are, it seems like they were the reason the regent was put off of having power for so long. Laurent was certainly in no state to be opposing him as a freshly traumatized child. So even if they eventually turned a blind eye to sexual assault and underage abuse, they still held off the regent long enough for Laurent to get old enough to start fighting back, which ultimately made all the difference in giving him the time to go on his journey with Damen and get his kingdom back.

We see this loyalty to the “rightful heir” in Akielos too, with Akielons widely favoring Damen over Kastor. Despite bastardy being much less stigmatized in Akielos and Kastor being an accomplished and respected military leader, there are still many people who oppose Kastors rule even with Damen presumed dead.

So ya know, just a little shoutout to the courts and common people in Captive Prince, who made it that much harder for the wrong people to get their hands on power, so that the rightful heirs had the time and opportunity to fight for their thrones.

[shannonsketches]

also REALLY love that super's manga continues the old manga's relationship between Vegeta and his title of Prince as something he's distant/passive with and it's either only brought up by other characters or when he's having a self-worth breakdown

shout out to Toya/Toriyama for using Toei's "I'm the Prince of All Saiyans!" as a line Vegeta throws out when he's intentionally trying to annoy his opponent, I laughed very hard about that

[zee-has-commitment-issues]

Something I really love in season two is that Wilhelm, at some point, does realize that he’s being unreasonable. Even if he doesn’t act on that realization, he knows. He even articulates that he knows. He says it to Felice in episode 2???? 3???

Whenever it was, it was early.

“I know it should be fine. I know it should be fine that he’s dating, but it’s not. And it’s my own fault.”

He knows.

“I went through his phone.” “Seriously?” “It was stupid. I know.”

He knows.

Wilhelm is completely aware that he’s being unreasonable in this situation. He knows that he’s more or less the person to blame for not being with Simon. He knows that Simon moving on should be fine. Wilhelm is fully aware that wanting Simon back is selfish.

I love that he knows. It would be so so easy to have him just not realize any of this. And that would keep him in his season one bubble. The fact that Wilhelm knows - that he takes any kind of notice that he is wrong and Simon should be allowed to move on and live life - shows just how much he’s grown. In literally 3 episodes he has grown. And maybe he doesn't act on that realization for another episode or two, but at least he has it.

I don’t know, I just have many many feelings about that.

[mirabel-on-a-bicycle]

Here's the thing about the royal family not fully understanding that Wilhelm and Simon were *truly* in love though.

And subsequently, why Wille's coming out to the entirety of Sweden was so so powerful: them not knowing, or simply refusing to acknowledge this, no matter how many times he tried to tell them, actually gave Wille a much higher edge over everyone trying to cover up the scandal, even if he didn't realise this at first.

Every single person had a misunderstanding that this was something he wanted. That they were doing him an obvious favor by helping him cover it up, preparing a speech for him, threatening him whenever he got sidetracked. Or at least something he'd see sense in once he got past that "hormonal driven teenage tantrum" and understand that covering it up was the best course of action. Of course he wouldn't bring the other boy and his feelings into all of this. Simon was just an experiment right? Who'd go so far as to sabotage themselves to bring justice to someone they didn't even love and care about?

And this. this exact misassumption was what eventually brought them all down in the end.

Take August for example. If he had secrets and lies as his weapons and to keep his crimes in the dark, Wille had the truth. A whole truth bomb in the palm of his hand, all this time. And no matter how ballsy Wille was trying to be in that "I'm gonna slowly ruin August's life" mission of his, he was still fighting fire with fire. He only won when he clashed against August as an exact antithesis of him in that coming out speech. August's whole plan was doused only when Wille spoke the truth and refused to play along with his games.

I mean really, had he not done this, what would've happened at worst? August would've.. gotten voted out of being rowing captain?? Maybe he would suffer a bit then, but would it really matter in the long run? August knew that, and so did Wille, deep down, but he ignored that part and instead convinced himself that he was at least doing something to make himself feel better.

Because honestly?!

August never understood, or even cared to! He'd pretend to be sorry whenever needed and go right back to being where he was if needed, as long as he was gonna be king. The moment August actually. genuinely lost to him was when Wille did something not out of hatred for August, but out of love for Simon. And when he did, without having August in his mind, but the person he loved and cared about, he made it impossible for August to go anywhere from there on. It wasn't revenge, it was reconciliation that finally got him. (And simultaneously saved Wilmon's relationship too, for that matter 👀)

This has such poetry in it btw?? I can't properly explain it, but it does remind me of atla and Zuko's arc in a way. How there's a whole world of difference between his firebending when it's fueled by rage, and when it's fueled by wisdom, focus and harmony within the elements. The difference in outcome is so visibly there when the motivation is switched, and when Wille has love and understanding and bravery in his heart instead.

The whole time, the entire Hillerska staff, student body, royal court and royal family and tHEIR ROYAL FAMILIES- *deep breath* WERE AFTER MY BACHCHA had anticipated Wille to lash out for having his royal image tainted and getting at odds with his family but the fact that he'd do it on Simon's behalf never even crossed their brilliant little minds. They had equiped themselves, sure, but never for this >:) Because for all their brains and strategising, no one had actually sat down and thought for once that Wilmon were actually in love. There was a power in it that no one had anticipated.

[the-words-we-sung]

Discovering Young Royals

So now that I've lurked a bit around the Young Royals fandom I wanna try and be a bit more active ^^ It feels a bit weird to arrive so late because it seems like everything has probably already been said >< So I hope my little thoughts here and there won't just be redundant for fandom people! I've been thinking about it and I think I wanna write my thoughts, and questions and various comments about the show, probably going episode by episode! And I'll add some pretty pictures (I should learn how to make gifs :o)

For tonight though I'll just write up kind of my first thoughts and reactions while watching the show for the first time ^^

ᴥ I'm not proud of admitting it but I started watching the show because I was a bit bored, a bit sick and wanted to kind of "hate-watch" something >< I thought it would be a very elitist kind of show with insufferable royal people! Boy was I wrong...

ᴥ Wilhelm is a cutie pie and made me love the show so much, almost right from the start. His image of angry teenage prince got replaced so fast by just the reality of an anxious (soft) boy, in the span of an episode! His interaction with Simon at the end of episode 1 sealed the deal for me...

ᴥ The show is so so so well made!! It's beautiful and the music is absolutely phenomenal!! All the young actors are incredibly talented (and gosh is Edvin so very good ><) and it's just such a pleasure to watch :o

ᴥ I love love love how "real" it feels!! The actors look the good age for their characters, they look so fucking real, like I 100% believe that these characters are teenagers! I love the choice of not putting lots of make up on them and letting them keep their "real" skin. It's so freaking refreshing!! I don't really know of other shows who do that!! (Also I come from the Glee fandom so: the actors playing teenagers were definitely not looking like teenagers, they all had flawless skins and were ""perfect"" (aka in the beauty standards) looking so having skinny boys and girls with different and real-looking bodies feel so good! Maybe the difference also comes from the fact that Glee was a US show and YR is a Swedish one?)

ᴥ I feel very lucky that I was able to watch season 1 and season 2 back to back! It must have been so hard for you guys to wait for season 2 >< And I'm lucky again that season 3 will probably be there in not too long!

ᴥ August is such a well written character!! A truly interesting "villain" who makes me feel almost some sympathy at times o_o

ᴥ I have very mixed feelings and complicated thoughts about Sara...

ᴥ The chemistry between Edvin and Omar is insane.

ᴥ Yuk Marcus!

ᴥ But all the love for Felice <3

ᴥ And Omar is the prettiest human being ever. I am now officially a fan. (He gives me SO.MUCH gender envy...........)

These were all kind of scattered thoughts going through my head while I binge-watched the show the first time!

(Also it made me want to learn Swedish so I've started doing that on Duolingo and I'm now obsessed with this language xD (But gosh, pronunciation is a nightmare...) So if any Swedish people wanna chat, I need training :p)

Gonna stop there for this freaking long-ass post and keep my rantings and chattiness for another post :D

[raayllum]

Anyway time to talk about the 6x03 poem:

As many others have speculated judging by the map, Captain Skall made her way to Hook named after her, and then "as east she sailed into waters so deadly and cold" in the Frozen Shards, her ship eventually being stuck and meeting her doom there.

With that out of the way, I want to talk about other pieces of info, why this might be the poem for 6x03 specifically, and where I think Skall may fit timeline wise:

"From the isles without name" makes me think of the Independent Isles in between Evenere and Katolis.

"sailing north, she called herself free" makes me feel feral with Callum (and Rayla) doing the same in hopes of freeing Callum from Aaravos' grasp by destroying the prison

"Through forests and flowers, past the uneven towers" clearly symbolizes Katolis, indicating that Skall lived once most of the human kingdoms had been established, and thereby post-Exile/Exodus.

"Skall hungered for glory, she wanted a story / they’d tell it long after she died". Routinely we see a desire for glory / worthiness / power described as hunger ("Hungry for knowledge and power" / "But that small taste left some humans hungry—starved, even—for a better path. An easier path. And thus Elarion became the birthplace of a new form of magic, a shortcut to primal power: dark magic"). This also comes into seeking a legacy.

"So with winter wind’s blowing / she sailed north, forgoing / a man who’d have made her his bride". This is where we see the poem take a more negative slant in a few ways. The first is winter, wind, and north, setting up a future unfortunate turn of events. This is also the first mention of Skall having something else in her life other than adventure and something she had to subsequently abandon. While the end of the poem is much more on her side of feelings, "forgoing" does mean "renouncing; sacrificing or giving up" something that is more positive.

"Alone in the cold, yet ever so bold" again adds to the more negative feeling the poem is building, as boldness is in the contrast with "alone in the cold" that's overall negative and maintaining a bit more of an upkeep. Likewise, we see the return of the wind with an even more negative connotation in wailing in the following stanza: "And oh, winter wailed / as east she sailed / into waters so deadly and cold". We see the return of cold but also the change into things being 'deadly' (although there were still hints of danger earlier, as 'bold' indicates).

"Then came the ice, and trapped in its vise" The cold finally catches up to her, and we see ice return as a form of entrapment (2x06, 3x08, 3x09, 5x04, 5x06, 5x08). Most interestingly, "vise" is a tool with closable jaws for clamping things. Maybe the ice is magical, or the jaw of a great (the dragon we've seen in the trailer) creature?

"And while she found peace / she wished that, at least / she’d told him she loved him, always". While the poem ends on a somewhat bittersweet end (at death but at peace), we do see that Skall died with a final regret to the man she could've wed but left instead.

Or you could say, a last wish.

Either way, the poem paints a rather grim journey: going North didn't hold the same freedom and achievements that Skall hoped for, and instead led to entrapment, separation, and death.

That said: there's a few Rayllum-y things I think we can glean from this poem, for starters:

1) The episode will likely have a strong focus on Callum and Rayla sailing to and/or through the Frozen Sea on whatever ship they're planning to use to get there. This leaves 6x02 "Love, War, and Mushrooms" more open to either explore other plot lines or another pit stop in their journey (like say, the Silvergrove)

2) The poem itself has pretty clear Rayllum parallels, specifically in TDP's continual gender subversion of the women who puts other things above her romantic relationship, even if it's likewise seen as a sacrifice. Rayla left Callum in order to protect him/the world from Viren, even if that meant damaging their relationship, and Skall puts her desire for glory and adventure over presumably a more settled married life at home. (Excuse me while I scream over "forgoing a man who'd have made her his bride.")

3) The poem likewise has some parallels to Rayla's "Dear Callum" letter specifically. There are wishes expressed of the leaving party, a desire to have made feelings more plain that Callum reiterates in 5x04 when they think they're about to die ("I hope you know—" "I know"), and most notably, a parallel to the always mention:

she wished that, at least she’d told him she loved him, always.

But, if it does—if you feel that soft aching—know that that piece of your heart isn’t missing. It’s not missing at all, Callum: I’m carrying it with me! Always. I love you. I love you so much.

4) All this bodes quite well for 6x03 being an episode with a big Rayllum moment in it — perhaps even their Big "You Finally Came Back" Talk — especially since there's not much else to (presumably) happen on a ship if they're just travelling somewhere (and not being pursued this time).

Episode Speculation (a summary / misc thoughts)

Callum and Rayla travelling to the Frozen Sea

Big Talk happens

+ potential love confession / reaffirmation?

They reach the other end of the Frozen Sea

Maybe fight the big dragon from the video game teaser we see with Rayla (like Skall, she has literal hooks = blades) whose guarding or in their way to the Starscraper? Could account for the jaws and maybe the ice

One of them is worried and/or has a moment of thinking the other person is hurt/injured bc of said dragon fight?

Maybe some Aaravos backstory in his lost love (although like I said, I don't think it's Skall exactly — I still think the likeliest names are Elara-adjacent or Kalik)

Episode Title Speculation (in about this order):

The Frozen Sea

By River and Sea

Always (this would be my personal favourite and i would never stop screaming)