#Power Cables Australia

[uptimesystems]

Power Cables Australia

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[head-post]

Australia, UK to sign submarine co-production deal

Australia and the United Kingdom announced a bilateral deal to produce a new class of nuclear submarines as part of the AUKUS partnership, according to Reuters.

Canberra will buy US Virginia-class nuclear submarines from the United States in the next decade. The UK and Australia will later build the new class of AUKUS submarines at Barrow-in-Furness in the UK and South Australia under the AUKUS pact announced in 2023.

Australian Defence Minister Richard Marles said after a meeting with his British and American counterparts on Thursday in London:

We will be negotiating a treaty, a bilateral treaty, between Australia and the UK to enable our portion of AUKUS. We will be operating the same class of submarine. So, when you look at the industrial cooperation, the technology transfer, the way in which all of those mechanisms operate to do that, that is the subject of the treaty.

UK Defence Secretary John Healey stated that the AUKUS defence ministers meeting also reached an agreement to use British-made Stingray torpedoes in P-8A Maritime Patrol Aircraft. These are used as submarine search aircraft in the Indo-Pacific region.

Meanwhile, US Defence Secretary Lloyd Austin declared that AUKUS partners had conducted significant experiments on land, underwater and in the electromagnetic spectrum to enhance combat capabilities as part of AUKUS Pillar Two.

AUKUS partners are reportedly expanding their capabilities to develop and deliver offensive and defensive hypersonic technologies. They will also conduct a large-scale drone exercise later this year.

Read more HERE

[alanaartdream]

Funny thing happened on one of my TikTok videos where I was drawing and talking about fairly odd parents; my fairy Timmy au; and Nicktoons unite

And I had a comment on one of them

Asking

*Danny PHANTOM has a FANDOM 😭*

With that crying emoji with it and I responded that yeah it does like I was surprised someone would ask like that being as Danny phantom was one of nicktoons most popular cartoons along with fairly odd parents invader zim; Jimmy neutron and SpongeBob for quite awhile until well Nickelodeon made SpongeBob their golden child out of its cartoons and devoted all it’s attention to it ignoring it’s other cartoons series (it kinda reflects in the nicktoons unite games because when those games started you could see they tried to include all the most popular cartoons main characters as it’s focused but as the game started to hit the end of their run the games got more and more focused on making SpongeBob the main focus witch is kinda sad they went that way)

Like I live in Australia 🇦🇺 and grew up in Australia 🇦🇺 so not all the nicktoons shows or games made it to here or were not advertised much other here ( also like most Australian families didn’t have foxtel networks like Cartoon Network or Nickelodeon; like in mine it was enithr have internet cable or tv cable and we went with having internet cable so would end up watching Danny phantom on YouTube as well as watching others game play of nicktoons unite games on there as well; think I enjoyed watching the cut scenes most)

So my guess that commenter didn’t really get to see Danny phantom cartoons ever being as here in Australia most of us got to watch Nickelodeon cartoons through abc kids channel here a lot of fairly odd parents cartoons made it on there and I think jimmy Timmy power hour made it onto there

(I was obsessed with cartoons as a kid and became obsessed with anime as a teenager; those both became a hyperfixtion for my adhd brain and I can tell you kid and teenager me REALLY hated those reality TV shows that got into way of cartoons/ anime I wanted to watch

I hated those sidcoms that were not cartoons because they stated to replace cartoons I enjoyed on other free to air channels here in Australia

Think I wasn’t the only kid who hated those I remember abc kids network asking it’s kid fans what they wanted on the network and a lot were asking for anime content so not many wanted those sitcoms)

So my guess is they only knew a handful of the nicktoons because probably only got to see only a handful of the cartoons from where they were from (what I do know Australia got SpongeBob on channel 10 network in the mornings I believe; not sure wasn’t as into SpongeBob as many others were I was more into fairly odd parents; invader zim; a very beavers cat dog Rugrats and Aaaahhh! Real monsters!

Ok now that I think about it it was abc kids and channel ten that would air Nickelodeon cartoons/shows to Australian audiences one would do mornings or Saturday mornings while the other would do afternoons after school

You had to get the times just right to watch your favourite shows

And I know jimmy neutron did well here because his movie did make it here as did fairly odd parents because that ended up showing until like seasons 6-7 on abc kids in afternoons then just stopped so kids knew about those cartoons heck avatar last air bender ended up on that network as well for a time but the thing was invader Zim and Danny phantom didn’t end up on either of those free to air tv; you had to watch on YouTube or a friend would have dvd box set of the show and you could watch it from them (that’s how as a teenager I got to see invader zim and Danny phantom I had to go to YouTube for that)

So maybe that’s why half don’t understand Danny’s family/ friends got his back while many misunderstood how Timmy’s life truly sucked for him or why he needed Wanda & Cosmo

They may not of gotten many episodes to go off on and maybe what other fans have told them or maybe I’m overthinking things

[justinspoliticalcorner]

Lauren Aratani at The Observer:

An elderly billionaire goes to war with his adult children over the future of his media empire. His only ally is his eldest son, crowned leader of his father’s enterprise after years of jostling with his siblings. In choosing a successor, the patriarch spurns three of his other children, who remain threats: when he dies, they will each have just as much power as the eldest son to shape his companies, potentially against the rightwing ideologies that have guided them for decades.

Away from the public eye, he makes a dramatic move. To deliver control to his eldest son, the mogul quietly launches an extraordinary bid to alter the trust set to hand the other three influence upon his death. But they stand ready to fight. This may sound akin to HBO’s Succession, but it’s life imitating art – which was, in turn, imitating life. Rupert Murdoch, 93, the billionaire owner of News Corp and Fox Corporation who helped inspire the show, is trying to give his eldest son, Lachlan, full control of his media outlets upon his death. While his other adult children – James, Elisabeth and Prudence – will still receive equal shares of company profits, this would leave them with no say over the companies upon his death.

This battle is in fact bigger than anything featured on Succession, according to Robert Thompson, a media scholar based at Syracuse University. “This is arguably the single most influential media outlet in all of the English-speaking world,” he said of News Corp and Fox. “How this turns out has a real, significant impact on real people living on planet Earth.” News Corp owns more than a hundred major and local newspapers, including the Wall Street Journal and the New York Post in the US, as well as the Times and the Sun in the UK. Meanwhile, Fox is the parent of Fox News, the leading conservative cable network in the US, with millions of viewers.

The Murdochs’ legal fight played out in secret for months – until Wednesday, when it burst into the open. The New York Times reported on a decision from a Nevada probate commissioner, which is under seal, that Murdoch can rewrite his family’s irrevocable trust if he can prove the change is being made in good faith and benefits his heirs. The ruling sets the stage for a high-profile trial over the future of his vast array of media interests, with Murdoch and his three children slated to duke it out in court in September.

Both sides, according to the Times, have bulked up on high-profile lawyers. William Barr, the former US attorney general, is helping Murdoch rewrite the trust, and he has also hired Adam Streisand, a trial lawyer who previously worked on estate cases involving Michael Jackson and Britney Spears. The feuding appears to have taken its toll on the family. When Rupert married his fifth wife in California last month, Lachlan was said to have been the only one of his four eldest children in attendance. The other two also reportedly steered clear.

With Lachlan as his father’s successor, Fox News and News Corp will continue to be a conservative force. But under the trust’s current structure, the three other siblings, who are deemed more politically moderate, can push back. Murdoch is seemingly keen to avoid this prospect. Conservatism has been the backbone of his empire since its inception. It has proved to be remarkably profitable.

Though Murdoch had successfully formed relationships with powerful conservative figures in Australia and the UK, it was not until Donald Trump’s ascendancy that he had close ties to the White House. Though Fox was initially dismissive of Trump, the network soon turned into his most powerful megaphone. In turn, Murdoch had direct access to a commander-in-chief. Not all of Murdoch’s children were happy about this. During Trump’s presidency, Elisabeth, Prudence and James started to drift away from their father’s politics.

When Roger Ailes, the longtime Fox CEO, left the company in 2016 off the back of multiple sexual harassment allegations, James reportedly believed he could push the network in a new direction, bringing in an experienced executive who was less of an ideologue. Instead, the elder Murdoch took over as chair himself.

In the summer of 2020, James – once a senior executive at News Corp – announced he was resigning from the board over “disagreements over certain editorial content”. He and his wife, Kathryn, were particularly vocal about the climate crisis and seemed to resent Fox News and News Corp’s climate denialism. “We’ve been arguing about politics since I was a teenager,” James told the Times in 2020, about his father. In 2020, James and his wife donated more than $600,000 to Biden’s campaign. Murdoch eventually crowned Lachlan as his successor. While Lachlan does not speak publicly about his personal political views, reports have said they usually lean more conservative than his father’s. And while Lachlan appears less interested than his father in political influence, he cares about profit. And Trump has been profitable.

The Observer (the Sunday version of The Guardian) has an illuminating piece on the Murdoch media empire, and how Rupert Murdoch is going to war over who gets to succeed him upon his death by rewriting the trust to benefit stridently right-wing Lachlan at the expense of the other three (and less right-wing) children.

[rocketyship]

Look at the war

(can also maybe apply to the main timeline if you want)

(Very rough/sketch of the idea, mainly showing the places of the AM megastructures and honey-combs)—Takes place the height of the war—

During the war many countries fell/surrendered and got absorbed into the larger powers. Listing the different areas/territories by colour (all super brief here):

Blue — USA (new name not decided, give a suggestion if you want), was very quick to take over Canada and a large portion of South America. The AM megastructures tend to be the largest and most complex on their main land, even where the structure isn’t directly, large pipes and cables all throughout the country are visible. Due to this, a rapid industrialisation has happened and there are very few rural areas left. America’s population (like most of the other places) is also experiencing a decline. The air is extremely polluted and when close to the megastructures it’s said that the smell of burning and rotting flesh is very potent. The remaining population either remains constantly inside, moving around through tunnels, or permanently underground in the new lower cities. Notably radical religious organisations have become more frequent due to the war, mostly due to people supposedly disappearing in their sleep without a trace.

Red— Russia has the largest Megastructure, however due to this, it faces the most attacks. One structure notably, was built small in the ocean yet over time it grew and built itself and the area around it up, creating a false floating continent. However it is due to its creation that a large population of sea life has been erratic and floods that wiped out many coastal cities and communities. Much like America very few rural areas remain, and due to extreme climate change caused by the war, the area faces even harsher and year long winters that have spread to the rest of Europe.

Yellow— China. The AMs (CAM) are very close together here and have been designed in such a way that people are able to live within them. Due to their general closeness to each other they tend to function better in self-protection than the other AMs. It is constantly building, more and more structures as opposed to constantly developing a single one. Within China a few rural and farming communities have been preserved, however due to such a fact, those areas in particular have become targets—especially to RAM.

Orange— These are actively hostile territories (well everywhere is hostile), but life is still found. Camps are usually found scattered, yet still alined to one of the powers. Mostly these are unclaimed territories that are being fighted for.

Grey— Dead zones. Areas so destroyed and ruined by the war that they near uninhabitable and been stripped dry of resources. This is where most of the fighting has happened, in what used to be Central Europe. Majority of the people who were there are dead or have been displaced (mostly in Russia and China, with the luckier ones making it to the Common Wealth of Southern Africa) The remaining people are scattered and can be found within underground shelters. These shelters are horrific places, with few supplies, little food, and constant sickness. The people are actively hunted by all the AMs. Notably Naomi is from one of these bunkers, having been forced into one at the age of two. Nimdok too (when he was alive alreast).

Green— The commonwealth of Southern Africa (previously the African Commonwealth) A bit after the war began (post 1994) many African nations merged diplomatically in order to better conserve resources better and to be a better neutral force. However as the war progressed more and more of the continent was over taken. However in the process the remaining state has become a power in of its own. Creating a defences that work efficiently to keep the AMs out. It was chosen to sanction themselves from the world and the war. Truly wanting no part in it. Eventually Australia did join, before half was taken, but the remainder acts as a port and outlook. This is one of the few areas were “regular” human society is still found, with there being heavy laws and propaganda meant to block out information of the war. Previously they had been very open to refugees, however they would begin to refuse them as it had opened opportunities to the AMs. Ellen and Evan are both from here. Gorrister also hides within it, however he smuggles himself in and out constantly, as being a member of the peace core, he has work to do all over the remaining world.

Where everyone is from including the survivors of the og and love au:

—Gorrister from England however he fled to America, then to COSA, and eventually to Russia where he would help develop the BE virus.

-Ted, Tiffany, and Gloria are all from the USA, however Ted is an average citizen, Tiffany is a member of one of the religious groups, and Gloria is a high ranking military commander, government official and one of the reasons of AM’s existence.

-(idk where Benny is from, can’t decide lol, same with Becky)

-Nimdok and Naomi are from different parts of Europe but both find themselves in the survival bunkers

-Ellen and Evan (being siblings) are from COSA, being born where Zimbabwe used to be. Evan however would go onto explore the rest of the state, mainly in the area where South Africa had once been. Ellen would stay closer to home. (Reason as to why is that in the original and audio drama, Ellen frequently refers to life before AM, and rarely mentions the war, which could mean she either doesn’t think about it or knows very little of it)

(There’s like no world lore in the og and whilst that is kinda the point, I just wanted to build on it a little. Will be posting some concept art for this stuff soon. As usual if you have ideas or suggestions please share)

[dailyanarchistposts]

The Technological Components of Colonialism

Many comrades cannot grasp the technological components of colonialism (or rather they ignore them deliberately), remaining perplexed at a perspective based on the urgency of utterly annihilating techno-domination and the tech industry. If you talk to them about the connection of technologies to power, they respond with the supposed neutrality of these technologies and that they can be decoupled from the very logic of power which developed and produced them.

Such a perspective ignores that the entire framework of fundamental technologies which have today entered into all fields of social life stem from military research, and that colonialism, historically and presently, has a strong technological component. It is in fact a cornerstone. The process of colonization developed over centuries, always adding new technologies as soon as they developed. These technologies are based not only on the exploitation of people in the Global South and their lands, but were and have always been unleashed against the “enemy” or tested in the colonies, until they finally make their way into the empire itself.

With the aid of the British colonies, undersea cables enabled telegraphic communication in service of the British Empire. New developments in record-keeping, archiving, and organization of information were first utilized by the US military intelligence service during the conquest of the Philippines. Governments today work together with tech-giants to enable widespread surveillance and control of their own people. This is first tested in the global south. Microsoft offers a solution for police vehicles with facial-recognition cameras that was launched in Cape Town and Durban, South Africa. The “Command-and-Control Surveillance Platform” named “Microsoft Aware” is utilized in Brazil and Singapore. Microsoft is also heavily engaged in the prison industry. They offer a variety of software solutions for the penal system, covering the whole process. In Africa they have gotten together with a firm named Netopia offering a “Prison Management Software Platform,” including “escape management” and prisoner analysis. Countries in the global south also offer an abundance of cheap laborers for technological processes and tech giants. These includes data annotators for artificial intelligence, call center workers, and content moderators for social media giants like Facebook. They clean disruptive content from social media feeds and are often left psychologically damaged.

Over centuries, imperial powers have tested technologies for the surveillance and control of their own populations on foreign populations; from Sir Francis Galtons pioneering work on fingerprinting, which occurred in India and South Africa, all the way to America’s combination of biometrics and innovations in the management of statistics and data, which constructed the first modern surveillance apparatus to pacify the Philippines. The wide collection of surveillance technologies used in the Philippines offered a testing site for a model that was finally brought back to the United States to set against the dissidents in its own country. High tech surveillance projects by Microsoft and their partners suggest that Africa will continue to be serve as a lab for carceral experiments.

The technological component of colonialism also reveals itself in the ways and means by which people in the Global South are exploited for menial and dangerous work as their lands are destroyed, just to provide supposedly necessary technology. Thus Congo supplies more than 70% of worldwide Cobalt, a vital raw material for the batteries used in cars, computers, and smartphones. As for Lithium, the biggest reserves are found in Chile, Argentina, Bolivia, and Australia. Out of these, Australia is less attractive because the workers there earn dramatically higher wages. The actual process of mining the raw materials often has negative consequences to the health of the workers and their surroundings.

To eradicate colonialism, its causes, main actors, and processes must be clearly and plainly illustrated and linked. There must be no illusions: an anti-colonial struggle must inevitably align itself against the tech industry if decolonization is to live up to its name.

[ncisfranchise-source]

Endemol Shine Australia, CBS Studios, Paramount Australia and Screen Territory are excited to announce that the internationally smash-hit series, NCIS: Sydney is coming to Darwin!

Produced by Endemol Shine Australia for CBS Studios and Paramount Australia, and distributed outside Australia by Paramount Global Content Distribution, production of the special 2 x 1 hour episodes which are part of the series, will commence in Darwin and surrounding areas later this year. 

Productions filmed in the NT make a significant contribution to the local economy through jobs and goods and services. They also highlight the magnificent Northern Territory both nationally and worldwide.

The first international iteration of the global NCIS franchise outside of the US, NCIS: Sydney is a brilliant and eclectic team of U.S. NCIS Agents and the Australian Federal Police (AFP) who have been grafted into a multi-national taskforce to keep naval crimes in check.  Having only just found their feet, in season two, the agents of NCIS: Sydney square off against a much more powerful adversary, threatening the very stability of the region…and the team itself.  

NCIS: Sydney is one of the most watched local series since the launch of Paramount+ Australia and premiered on CBS US as the #1 new series in the fall of the 2023-2024 season, with the series premiere reaching over 10.2 million viewers on linear in the U.S., including an encore episode. In its first season, NCIS: Sydney averaged more than 8 million multiplatform viewers per episode across all platforms, and has been nominated for a TV Week Logie Award for Best Drama Series.

NCIS is one of the world’s most successful television franchise with more than 300 million viewers globally across all platforms, including broadcast, cable, streaming and syndication (according to Nielsen and international Television Audience Measurement companies in key territories).

Director Screen Territory, Jennie Hughes said:

“Screen Territory is thrilled to see the Top End become a part of the NCIS legacy as one of the longest running and most successful TV franchises ever.

“NCIS: Sydney has enjoyed immense success with global audiences, and we look forward to the Territory not only showcase its unique locations to this beloved series franchise, but also to contributing the talents and abilities of our local screen production crews and creative talents.”

“We look forward to welcoming the NCIS team to the Northern Territory and look forward to the building and fostering this new production relationship with Endemol Shine Australia and Paramount.”

Endemol Shine Australia, Head of Scripted, Sara Richardson said:

 “Endemol Shine Australia and the entire cast and crew are extremely excited to be bringing NCIS: Sydney to the Northern Territory.”

“The rare beauty of Australia’s Top End will be showcased to audiences both around Australia and around the globe, as it is the backdrop for some compelling storylines resulting in high action for our brilliant and eclectic team of Agents.”

Paramount Australia, Creative Advisor Drama, Rick Maier said: 

“What better way to showcase the brilliant Northern Territory to the rest of the world. We are incredibly proud to celebrate each and every new milestone for NCIS: Sydney.”

This major screen production was brought to the Northern Territory through the Territory Government’s Screen Territory Production Attraction Incentive Program (PAIP). 

Territory screen professionals will have the opportunity to work alongside some of the best in the business on NCIS: Sydney.

The Production Attraction Incentive Program is open all year round and aims to attract footloose screen productions to film in the NT which will employ Territorians and utilise Territory services and businesses.

NCIS: Sydney Season Two is set to premiere on Paramount+ Australia later this year, with season one streaming now.

[ahenvs3000w24]

07: The Most Captivating Composer

Hi all!

We have had a short break in conversation, but I am back today to discuss the role of music in nature and where we can find it. One of my favourite aspects of spending time emersed in the natural world is pausing to hear all the elements surrounding me and my senses. When you become still, the world continues to move around you, and you can appreciate the smallest details. Music serves a social, emotional, cultural, and cognitive purpose that can connect us to each other and to nature regardless of socioeconomic status or other potential barriers (Hookyaas, 2024). The period in which music is produced provides context into the state of the world at that time and provides the listener with context (Beck et al., 2018). Often music is a vessel that indirectly informs us of the world without the need for a lecture or reading (Beck et at., 2018). The compilation of sounds can connect all our senses and encourage us to feel something that has been left unsaid.

So where is music in nature?

Some of the greatest musicians and conductors rely on a diverse set of instruments to convey emotion through their sounds. The orchestra that nature has assembled relies upon various components and species to produce a symphony. The waves that crash upon the beach and exposed rock at impressive speeds are the percussion. They provide a base line for the remaining components to layer themselves upon. The wind provides a soft but noticeable melody with powerful acoustics as it whisks amongst the brush and trees that line the beach front. At dusk, you may hear the rustling of small creatures, scurrying about to return to their burrows providing depth to the ensemble. 

I am most familiar with music in nature and have always been an observant listener, however nature in music is something I am not as familiar with. In an interview that I once watched with Finneas, Billie Ellish’s brother and co-collaborator, he explained his producing technique. He discussed his efforts to be a mindful creator and explained he often sources his beats and sounds from the world around him (Youtube, 2020). An example of this is the funky beat in the song “Bad Guy” which is part of a traffic light in Australia (Youtube, 2020). Creators such as Finneas are innovative and are exceptional interpreters of the world around them. In several Jay-Z songs such as “No Church in the Wild”, animal sounds are used for stylist purposes and make for easily identifiable songs (Jay-Z, 2011). Mainstream radio stations that play these songs are providing a platform for subtle nature interpretations. I intend to delve deeper into true nature songs and listen to how creative some songwriters are.

To wrap up my thoughts today, music makes us feel. Many of us turn to music in times of sorrow or when we need a pick me up while getting ready to play a game. Music can transform any space it enters and create an ambience that cannot be ignored. It is also the purest form of nostalgia. A personal example is the song “Home,” by Edward Sharpe and the Magnetic Zeros (Sharpe & the Magnetic Zeros, 2009). It is my camping trip anthem. Within the first few seconds, I am transported back to hikes under the hot sun, diving into the cold lake, and early morning wakeups. It is a song that represents the outdoors, family, and is ever-present in some of my fondest memories. I have included it if you are unfamiliar and in my slightly biased opinion, I think it is a must add to your summertime playlists! 

References

Beck, L., Cable, T. T., & Knudson, D. M. (2018). Interpreting cultural and natural heritage: for a better world: Chapter 10 Arts in interpretation. Sagamore Venture.

Hooykaas, A. (2024). Unit 7: Nature interpretation through music. University of Guelph. https://courselink.uoguelph.ca/d2l/le/content/858004/viewContent/3640018/View

Jay-Z & West, K. (2011). No church in the wild [Song]. On Watch the throne [Album]. Def Jam Records.

Sharpe, E., & the Magnetic Zeros. (2009). Home [Song]. On Up from below [Album]. Vagrant label.

YouTube. (2020, February 4). Finneas reveals everyday sounds hidden in “Bury a friend” and “Bad guy.” YouTube. https://www.youtube.com/watch?v=I-zeJRjP6xA 

[klenvs3000w24]

02: Discussing my Dream Job

When considering my ideal role as an environmental interpreter, the first aspect that comes to mind is my preference for doing ‘behind the scenes’ work. As interpreters, one objective is to describe our knowledge to the audience while making it fun and exciting. As someone who is not very good at public speaking, I would ideally let someone else take the lead, especially when the communication is verbal. That said, much more goes into environmental interpretation than just the final delivery.

There are a few roles I would take within environmental interpretation, one of them being conducting field work. I would love to be able to go out into a space of nature and understand the different parts that make up the ecosystem. I would seek information that answers the following questions: What are the prominent tree species? What allows them to grow their best? What organisms are vital to the growth of the specific ecosystem? How might the climate crisis effect this space? Through collecting this information, I would be able to put together a cohesive interpretation of the biological aspects of the ecosystem. Furthermore, I would want to select for the higher quality and more powerful information I gathered to share with the audience, or as described in our textbook, I would try and use ‘The Gift of Precision’ (Beck et al., 2018).

Conducting field work that is accurate and that is of high quality requires a well-rounded set of skills. While there are endless skills that would be beneficial to this role, the ones that stick out to me the most are attention to detail and critical thinking. One would need to have a good eye for the intricate details that come together to form what we call nature. This could include correctly identifying species that look similar, such as the Austrian pine and the red pine. Attention to detail may also include accurately observing animal behaviours, such as not confusing two squirrels for fighting when they are just playing. With the information gathered from having good attention to detail, the next step is to analyze the data and draw conclusions. Using critical thinking skills, one would need to synthesize all the knowledge into a cohesive piece that could subsequently be shared with others. What other skills do you think would be essential to this role?

On the left is an Austrian pine tree needle, and on the right is a red pine tree needle. While there are several ways to distinguish the two trees, bending the needles is common. The Austrian pine will bend, and the red pine will snap.

Ideally, I would begin my endeavours as an environmental interpreter in a space I am familiar with, such as Etobicoke. Once I have mastered the foundational skills, I would be interested in expanding my knowledge to other places around the world. It would be incredible not only to see but also to research areas like Iceland, Australia, Indonesia, and more.

Thank you for reading this week’s post and see you next week,

Kiera

References

Beck, L., Cable, T. T., & Knudson, D. M. (2018). Interpreting cultural and natural heritage for a better world. Sagamore-Venture.

[uptimesystems]

Power Cables Australia

Technical units such as computers require ethernet Power Cables Australia to gain internet access. Nobody wants to experience an interrupted internet connection, so it’s essential to use a premium cable. Our team at Uptime Systems ensures that our customers receive only the best product for their needs. For this reason, we have been the top choice for many customers in providing reliable solutions that stand the test of time.

[amnottrak-official]

Sydney Trains K set

Class of electric train operating in Sydney, Australia

The Sydney Trains K sets are a class of electric multiple units that currently operate on the Sydney Trains network. Built by A Goninan & Co, the K sets first entered service in 1981 operating under the State Rail Authority, and later CityRail. The carriages are of stainless steel, double deck construction and share much of their design with the older S sets. All of the 40 K sets originally built (160 carriages) remain in service and are currently the oldest in the Sydney Trains fleet.

Quick Facts K set, In service ...

K set

K81 departing Summer Hill station

Refurbished vestibule

In service

1981–present

Manufacturer

A Goninan & Co

Built at

Broadmeadow

Constructed

1981–1985

Refurbished

late 1990s

Number built

160 carriages

Number in service

160 carriages

Successor

Converted H sets

Formation

4-car sets

Fleet numbers

C3501–C3580

D4096–D4099

T4171–T4246

K60–K99 (full 4-car sets)

Capacity

452 (108 in power cars, 118 in trailers)

Operators

Sydney Trains

Depots

Flemington

Lines served

Inner West & Leppington

Bankstown

Airport & South

Specifications

Train length

81.54 m (267 ft 6+1⁄4 in)

Car length

20,385 mm (66 ft 10+1⁄2 in)

Width

3,036 mm (9 ft 11+1⁄2 in)

Height

4,368 mm (14 ft 4 in)

Doors

Sliding pocket, 2 per side

Maximum speed

115 km/h (71 mph)

Weight

188 t (185 long tons; 207 short tons)

Traction system

Mitsubishi camshaft resistance control

Traction motors

4 × Mitsubishi 150 kW (201 hp) series wound DC motor

Power output

1.2 MW (1,609 hp)

Electric system(s)

1,500 V DC (nominal) from overhead catenary

Current collector(s)

Pantograph

UIC classification

Bo′Bo′+2′2′+2′2′+Bo′Bo′

Track gauge

1,435 mm (4 ft 8+1⁄2 in) standard gauge

Close

Design and construction

The K sets were the first New South Wales suburban trains to be air conditioned and have headlights.

Two orders were placed for the K sets with all manufactured between 1981 and 1985 by A Goninan & Co in Broadmeadow:

Order 1

More information Qty, Class ...

Qty Class Carriage numbers Notes

50 Power cars C3501–C3550

4 Driving trailers D4096–D4099 converted to trailer cars 2014

46 Trailer cars T4171–T4216

Close

Order 2

More information Qty, Class ...

Qty Class Carriage numbers

30 Power cars C3551–C3580

30 Trailer cars T4217–T4246

Close

A K set in its original State Rail Authority livery in the 1980s. Some sets were originally classified as R sets.

The first order featured low mounted upper deck windows, off-white and sagebrush grey interiors, and unpainted fronts. The second order featured higher mounted upper deck windows, yellow and mustard interiors and State Rail Authority candy livery fronts. The first four trailers were built as driving trailers allowing them to operate in two-car formation, although in practice they were formed into four carriage sets and often ran together as one eight-car set until 1988. These also differed in the subsequent deliveries in being fitted with air conditioning from new, rather than pressure ventilation. To provide a spare, C3550 & T4216 were also built with air conditioning. All ten carriages were fitted with different windows, being sheet glass with small opening hoppers. This was replaced with sheet glass in 1993.

To accommodate the air conditioning and associated equipment, the pantograph had to be shifted to the adjacent trailer car to which the power car is semi-permanently coupled with high voltage cables connecting the two cars. Although some power cars and trailers have been broken up and married with others during periods of heavy maintenance, many original combinations remain.

The control carriages have a flat front, with headlights at the top. They were built with four sets of marker lights, standard at the time. Different combinations of white marker lights were used to indicate different destinations. Flip-dot destination displays were installed later on, which covered the upper middle marker light. Since destination displays have been installed, marker light combinations are no longer necessary, so usually only the two upper marker lights are used. However, some trains still retain the switch for the lower marker light. The front of the train also has an emergency door for the guard compartment and windscreen wipers for the driver window only. Hoses and receptacles are provided below the windows to connect another set, since, unlike newer trains, the coupler does not carry electrical or air connections.

Like other trains of the time, the crew compartment contains a smaller compartment for the driver on the left side (in direction of travel). The guard uses the area outside of the driver's compartment, with two manual hinged doors on either side providing access to platforms. Above these doors, on the outside are blue lights indicating which compartment the guard is in.

Each vestibule has two-panel sliding doors on either side. Each door also has a vent underneath the window, which was covered when air-conditioning was installed. The doors cannot detect obstacles and continue pushing against the obstruction until it is removed or the guard reopens the doors. Small orange LEDs are located above the doors on the outside that flash when the doors are closing. They assist the guard in locating doors that haven't closed successfully. All trains were retrofitted with traction interlocking, meaning the driver cannot apply power when the doors are open.

In service

All K sets are crewed with a driver and guard. The guard uses the rear cab on a two or four-car train. On eight car trains, the guard usually uses the 5th carriage so that the entire platform can be seen. However the 4th carriage cab can also be used if there is a problem with the 5th carriage one.

All the K sets were delivered to either Hornsby or Punchbowl depots. With the trials on the ten experimental carriages judged successful, in 1986 a programme commenced to retrofit air conditioning to the second order. This saw the Beclawat windows replaced with sheet glass. It would be July 1990 before the programme was completed.

In April 1989, K sets commenced operating peak-hour services via the North Shore line to Gosford. This was extended to Wyong in January 1992. In September 1990, all Punchbowl based sets were transferred to Hornsby.

In January 1991, four sets were transferred to Flemington Maintenance Depot to operate peak-hour Illawarra line services to Port Kembla.

To replace U sets on stopping services between Gosford and Newcastle, the sets with driving trailers were re-marshaled as two-car sets from October 1996.

Following the delivery of the outer suburban Tangara sets in 1994, the K sets ceased operating the Central Coast and Illawarra services.

Upper deck after the CityDecker refurbishment of the 1990s.

During the late 1990s, all were refurbished by A Goninan & Co as part of the CityDecker program. This saw the interiors refurbished with white walls and ceilings, grey floors and blue seats. Power cars received a destination indicator and had yellow applied to the lower half of their fronts. Sliding Beclawat windows on the pressure ventilated cars were replaced with hopper windows and doors painted yellow. The first order was finally retrofitted with air conditioning just prior to the Sydney 2000 Olympics. These cars retained the hopper windows until the late 2000s, but were sealed shut with an adhesive to avoid the loss of air conditioning.

After the introduction of a new timetable in October 2009, all K sets were allocated to Hornsby to operate North Shore, Northern & Western line services, operating in 8-car formations. This was due to the noise levels inside trains when operating on the Epping to Chatswood segment. Older S sets lack sufficient sound insulation for passengers, while newer Tangara sets don't have sufficient cooling in the dynamic braking system to deal with extended shuttle runs through the tunnel.

In mid-2014, K sets are gradually transferred from Hornsby to Flemington resulting in their resumption of service on the Airport, Inner West & South, Bankstown, Carlingford and Olympic Park lines. K60 to K86 were previously running these lines, based out of Flemington Depot. Prior to 2017, K87–99 continued to run part-time on the T1 North Shore, Northern & Western lines.

In October 2013, the 2 car K Sets (K1–4) were withdrawn from NSW TrainLink Gosford to Newcastle services. The four driving trailers were converted to ordinary trailers at Hornsby and the sets returned to service on Sydney Trains services in March 2014 as K98 and K99. The existing K98 was re-numbered K91. The driver cabins in these carriages were stripped of controls however the actual walls were kept intact. The doors to the driver cabin are kept locked and the blinds are kept down. There are no passenger seats where the crew compartment used to be. Also, unlike converted S set cars, the round window on the crew compartment doors were removed and covered with a metal plate.

In July 2017, asbestos was found in the circuit breaker panels, which is inside the driver compartment of the K sets, with all withdrawn for inspection for a few weeks. All have since returned to service.

After the introduction of a new timetable in November 2017, all K sets were transferred to Sector 2.

In late 2017 and early 2018, all K sets and C sets were slightly refurbished with all poles and other safety features repainted yellow.

In 2019, set K96 was withdrawn from passenger service and had Automatic Train Protection (ATP) equipment installed. It has conducted ATP testing since then and will be retained following the retirement of the rest of the fleet for this purpose.

K sets operate on the following lines:

T2 Inner West & Leppington Line: Leppington or Parramatta to City Circle via Granville

T3 Bankstown Line: Liverpool or Lidcombe to City Circle via Bankstown

T8 Airport and South Line: Macarthur to City Circle via Airport or Sydenham

They were formerly in operation on the T6 Carlingford line until it was closed in January 2020.

Preservation

While at the moment there are no developed plans for the preservation of any K set cars, Sydney Electric Train Society has expressed interest in preserving at least one. K96 will likely be retained for the purposes of ATP testing after the K sets are withdrawn from revenue service.

Several heritage tours have used K sets prior to retirement, these have been:

-the girl who sent the k set wiki

Damn I'm doing some sick train studying today thanks for the facts and history! /gen

[warningsine]

Rupert Murdoch, the longtime head of News Corp. and Fox, will step down as chairman and take on the role of chairman emeritus, capping a seven-decade career that built a media dynasty ranging from cable television to tabloid newspapers and turned him into one of the world's most influential media executives.

Lachlan Murdoch, Rupert Murdoch's eldest son, will become the sole chair of News Corp. and continue as executive and CEO of Fox Corp, Fox announced Thursday. Rupert Murdoch will take on his new role at the companies' next shareholder meetings, which are scheduled for mid-November. 

Rupert Murdoch, 92, exits News Corp. and Fox at a time the media businesses are facing a number of challenges, including the fallout from a bruising trial, and nearly $800 million settlement, over a defamation lawsuit after Fox News aired unfounded claims that Dominion Voting Systems equipment was used to rig the 2020 presidential election. 

Murdoch became one of the foremost media executives of the last half century by building an extensive network of tabloids, cable and broadcast TV, and entertainment assets, many known for espousing conservative ideas. He's also one of the world's wealthiest media executives, with a net worth of $8.3 billion, according to the Bloomberg Billionaires Index.

Conservative power broker

Murdoch's perch as head of Fox and News Corp. gave him enormous sway in anglophone conservative circles, with outlets such as Fox News credited with boosting the careers and policies of numerous right-leaning politicians. 

"He used the outlets in the U.K., Australia and the U.S. to achieve certain types of policy outcomes and particularly certain types of political results, earning favors from politicians whose able trade in for political advantage," David Folkenflik, author of "Murdoch's World: The Last of the Old Media Empires" and NPR's media correspondent, told CBS News.

He added, "Think of the invasion of Iraq in 2003, which he promoted through Fox News, through the New York Post and the Weekly Standard, which gave ballast to [then-President] George Bush." 

But Murdoch's support of conservative viewpoints also fed into political outcomes now viewed as "disastrous," such as Brexit in the U.K., Folkenflik added. And in the U.S., Murdoch privately disparaged former President Donald Trump even as some Fox News hosts were promoting his falsehoods about the 2020 presidential election, with the latter leading to Fox News' massive settlement with Dominion. 

Murdoch allowed Fox News hosts to promote election conspiracies "in order to try to hold on to Trump's core voters who were many of Fox News' core viewers," Folkenflik said.

"Time is right"

In the statement, Lachlan Murdoch said his father would "continue to provide valued counsel to both companies."

"We thank him for his vision, his pioneering spirit, his steadfast determination, and the enduring legacy he leaves to the companies he founded and countless people he has impacted," he said. 

With Rupert Murdoch stepping back from a leadership role, Lachlan Murdoch's role is solidified as his father's successor, and he will oversee tabloids including the New York Post as well as Fox News and Fox Entertainment.

In a memo shared with CBS News, Murdoch underscored that he is stepping back while he's in good health, but added that the "time is right for me to take on different roles."

"Our companies are in robust health, as am I," he said in the memo. 

The media mogul added that Lachlan Murdoch is "absolutely committed to the cause of freedom," while also aiming a potshot at "elites" who have "open contempt for those who are not members of their rarefied class." 

Start in newspapers

Murdoch, a native Australian who later became a U.S. citizen, was born into the media business, as his father owned several Australian newspapers.

When Murdoch was studying at Oxford University, his father died, putting his 21-year-old son in charge of The News and The Sunday Times. Murdoch soon boosted the papers' circulation by reorienting their coverage to focus on scandal, sex and crime — a formula he would hone over his decades-long career. 

In the 1960s, Murdoch began acquiring other Australian newspapers, eventually controlling two-thirds of that country's newspaper circulation. In the 1970s, he expanded outside the country, taking over the News of the World and The Sun in the U.K. and The San Antonio Express-News, New York Post and Village Voice in the U.S. 

In 1985, Murdoch united several TV stations under the umbrella of Fox Corp. and then Fox News, which soon overtook ABC, CBS and NBC in viewership. 

Murdoch's personal life was nearly as colorful as the stories in the tabloids he owned, with the family's internal power struggles said to have inspired the hit HBO series "Succession."

Who is Lachlan Murdoch?

The issue of succession at News Corp. and Fox has been a matter of speculation, given that three of Rupert Murdoch's grown children have been involved in the media industry and the family businesses to various extents. 

Lachlan Murdoch, 52, currently serves as the executive chair and CEO of Fox Corp., and in previous years served as the publisher of the New York Post and oversaw book publisher HarperCollins. In 2015, Lachlan and his brother James, 50, were appointed to leadership positions within the family's media business, prompting speculation that the pair were competing to succeed their father. 

[justinspoliticalcorner]

Michael Kosnar and Ryan J. Reilly at NBC News:

WASHINGTON — WikiLeaks founder Julian Assange plans to plead guilty to a conspiracy charge this week as part of a plea deal with the U.S. Justice Department that will allow him to go free after having spent five years in a British prison, according to court documents. Assange was charged by criminal information — which typically signifies a plea deal — with conspiracy to obtain and disclose national defense information, the court documents say. A letter from Justice Department official Matthew McKenzie to U.S. District Judge Ramona Manglona of the Northern Mariana Islands District said that Assange would appear in court at 9 a.m. local time Wednesday (7 p.m. ET Tuesday) to plead guilty and that the Justice Department expects Assange will return to Australia, his country of citizenship, after the proceedings.

U.S. charges against Assange stem from one of the largest publications of classified information in American history, which took place during President Barack Obama's first term. Starting in late 2009, according to the government, Assange conspired with Chelsea Manning, a military intelligence analyst, to use his WikiLeaks website to disclose tens of thousands of activity reports about the war in Afghanistan, hundreds of thousands of reports about the war in Iraq, hundreds of thousands of State Department cables and assessment briefs of detainees at the U.S. detention camp at Guantánamo Bay, Cuba.

Court documents revealing Assange's plea deal were filed Monday evening in U.S. District Court for the Northern Mariana Islands, a U.S. territory in the Pacific Ocean. Assange was expected to appear in that court and to be sentenced to 62 months, with credit for time served in British prison, meaning he would be free to return to Australia, where he was born. “This was an independent decision made by the Department of Justice and there was no White House involvement in the plea deal decision,” National Security Council spokesperson Adrienne Watson said in a statement Monday evening.

Assange has been held in the high-security Belmarsh Prison on the outskirts of London for five years, and he previously spent seven years in self-exile at the Ecuadorian Embassy in London — where he reportedly fathered two children — until his asylum was withdrawn and he was forcibly carried out of the embassy and arrested in April 2019. A superseding indictment was returned more than five years ago, in May 2019, and a second superseding indictment was returned in June 2020.

Assange has been fighting extradition for more than a decade: first in connection with a sex crimes case in Sweden, then in connection with the case against him in the United States. In March, the High Court in London gave him permission for a full hearing on his appeal as he sought assurances that he could rely upon the First Amendment at a trial in the U.S. In May, two judges on the High Court said he could have a full hearing on whether he would be discriminated against in the U.S. because he is a foreign national. A hearing on the issue of Assange's free speech rights had been scheduled for July 9-10. WikiLeaks also published hacked emails from the Democratic National Committee that upended the 2016 presidential race. Russian intelligence officers were subsequently indicted in connection with the hacking in 2018 in a case brought by then-special counsel Robert Mueller. At a joint news conference with then-President Donald Trump and Russian President Vladimir Putin days later, Trump contradicted the indictment and the intelligence community, saying Putin was "extremely strong and powerful in his denial" that Russians interfered in the 2016 election to help him win.

WikiLeaks founder Julian Assange will return to Australia after he reached a plea deal with the US by pleading guilty.

[dailyanarchistposts]

XII: I Dune Know About You

Frank was crushed by Beverly’s death. Before she passed, Beverly made several requests of her family. The first was that no one cry for her, and as her husband wrote in the dedication of Chapterhouse: Dune, his wife recognized tears as part of our animal origins. The dog howls at the loss of its master. Not only does this conjure up the Fremen prohibition against tears, but the Bene Gesserit hatred for all things animal. Her second request was that Frank remarry, and after her passing he moved back to Port Townsend, perched along the Salish Sea of his youth. However, as his childhood friend noted, Frank was a genius, and Bev was equal to but different from him. She had more power than he had. He was only a shell after she died.

Heretics of Dune was published in the spring of 1984, shortly after Beverly died, and it instantly became a bestseller. At the same time, Frank had just finished Chapterhouse: Dune, and the spice was still flowing. Around a year after his wife’s death, he shaved his beard and began a relationship with Theresa Shackelford, a representative from the Putnam publishers. She was 28 years-old, while Frank was 64, and he moved from Port Townsend to not only be near her in Los Angeles, but to oversee the final touches on the Dune film, which was the most heavily promoted blockbuster of 1984.

The premier was at the John F. Kennedy Center for the Performing Arts in Washington DC, and Frank took Theresa as his companion. Together, they met and shook hands with President Ronald Reagan and First Lady Nancy Reagan, and the President assured Frank he really liked the movie version of Dune. Not only did Frank hate Ronald Reagan once upon a time, his son Bruce was involved in ACT UP in the middle of AIDS epidemic, and if you don’t know, the Reagan’s were surely malevolent throughout that time period and widely despised in the gay community. Anyway, as it turned out, Ronald Reagan was one of the few people who liked the Dune film directed by David Lynch.

I was one of those kids who watched the full director’s cut of this Dune when it aired on the brand new Sci-Fi Channel, which came with early basic cable in the 1990s. That was new for me, basic cable, and before that I literally read the TV guide in the daily newspaper to see what was playing on broadcast, antenna-based television. All this yelling at clouds aside, I really liked the Dune movie from 1984 when I was a kid, even though parts of it freaked me the fuck out, namely the Baron. The imagery of Arrakis was amazing, the worms were pretty cool, I liked the stillsuits and most of the aesthetic, but the version everyone saw in theaters or watched later on VHS cassette tape was pretty shitty, and there was much consensus about this in 1984. However, at least David Lynch tried to portray a fully-birthed Alia.

While sales for the original Dune novel burst through the ceiling, that probably only made things worse, given how jagged and incomplete the theatrical release was. From a five hour movie, they gave the public just over two hours of weirdness, and all the critics hated it. Dune failed to break even, and Frank received no share of the profits, given there weren’t any. By then, he was back on Hawaii, and Chapterhouse: Dune was released in the spring of 1985, keeping the proverbial spice flowing. Shortly after this, Frank asked Theresa Shackelford to marry him, and she said yes. They were married in Reno on May 18, 1985, and lived in Hawaii while debating a move to Mercer Island near Seattle.

Meanwhile, not only had The Lazarus Effect been released, he and Bill Ransom had started the third volume of that neglected trilogy, The Ascension Factor. Frank and Theresa soon moved to Mercer Island, and within days he and Bill were teaching a writing seminar in Utah. Once that was over, Frank and Theresa went on a long vacation to Hawaii, China, and Australia. He was in good spirits when he got back and began writing the projected seventh volume of then Dune books. However, later that fall, he was diagnosed with liver cancer.

He ended up at the Swedish Hospital in Seattle when his condition worsened, and he was laying in his hospital bed watching the space shuttle Challenger take off when it suddenly exploded on January 28, 1986. Frank was so disturbed he started shaking, and his doctor turned off the television. Just over a week later, Frank Herbert passed away on February 11, 1986. Shortly after he died, his youngest son Bruce came up to be with his family.

As his older brother Brian would recall, Bruce started crying, but he didn’t cry from love, because he didn’t feel he loved the man. He said he cried from what he had never experienced in the relationship with his father. As he told Brian, I never saw the good side he showed to you. He wasn’t there for me. When his older brother suggested that Frank loved him but didn’t know how to show it, that perhaps Bruce loved him back in some way, Bruce didn’t say a word. Not long after, Frank’s ashes were buried in the woods of the Olympia Peninsula. Bruce does not appear to have attended the ceremony.

At some point in the 1980s, Bruce contracted AIDS and was lucky enough to receive the support of the Sisters of Perpetual Indulgence, a San Francisco based support group created in those dark times. He lived his last days with friends Elaine and Bruce in San Rafael, California, just across the bay from the city, and he passed away there on June 15, 1993. His brother Brian was there for him constantly in those final days, and to give full credit, most of this biography is gleaned from his Dreamer of Dune, the full biography of Frank Herbert. That’s it. That’s the short version of his story.

[starseedfxofficial]

The AUDNZD Seasonal Playbook: Little-Known Patterns, Big-Time Pips Ever feel like the AUDNZD pair has a secret agenda, whispering sweet nothings to a select few while ghosting the rest of the market? You're not imagining things. Some Forex pairs are like that cryptic friend who only texts you during Mercury retrograde. But here's the kicker: AUDNZD has a seasonal rhythm that's as real as your morning coffee habit—and just as powerful when used right. In this ultimate playbook, we're decoding the seasonal secrets of AUDNZD. No fluff, no recycled babble. Just elite tactics, hidden gems, and a dash of humor (because hey, if we’re going to talk about trans-Tasman trading dynamics, we might as well have some fun). Why AUDNZD? Why Now? First things first: why does this cross pair even deserve your attention? - Low Correlation, High Opportunity: Unlike major pairs shackled to USD cycles, AUDNZD offers independence. It’s the oddball cousin at the Forex family reunion—quiet, underrated, but sneakily loaded with potential. - Seasonal Fundamentals: Think tourism, dairy exports, weather patterns, and central bank cycles. AUD and NZD aren't just geographically close—they're economically intertwined in ways most traders overlook. - Volatility with a Map: Thanks to historical seasonal data, you can anticipate volatility spikes and mean-reverting moves with uncanny accuracy. "Understanding seasonal flows is like getting tomorrow's newspaper today." — Kathy Lien, Managing Director, BK Asset Management The Hidden Patterns That Drive the AUDNZD Market Let’s talk data—because Forex isn’t just vibes and candlesticks. According to a 10-year backtest by Seasonax, AUDNZD tends to rally from mid-February to early April, and again during September to October, often in sync with Australia’s commodity cycles and New Zealand’s agricultural exports. Why? - February-April: This is post-holiday economic recalibration. Australia's mining exports typically rebound, and risk-on sentiment tends to rise. - September-October: New Zealand’s dairy season peaks, often putting downward pressure on NZD as supply increases. According to a study by the Reserve Bank of New Zealand, dairy accounts for over 20% of NZ exports, making NZD hypersensitive to global milk prices (RBNZ.govt.nz). And here's the fun part: these seasonal tendencies often defy conventional technical setups. Price action may scream “breakout,” but seasonality whispers “pullback.” Who are you going to trust—noise or narrative? Why Most Traders Miss the Seasonal Edge (And How You Can Exploit It) Let’s be honest: most traders treat seasonal cycles like that extra charger cable—you know it’s useful, but you’ve tossed it in the drawer and forgotten about it. Here’s the rookie mistake: they zoom in too much. Intraday traders often ignore macro cycles, missing the forest for the Fibonacci. Elite Strategy: Use the weekly or daily timeframe for entries that align with seasonal bias, then zoom in for sniper precision. "Seasonality is the cheat code to market timing. But you’ve got to play the right game to use it." — Boris Schlossberg, FX Strategist Here’s your blueprint: - Identify Key Seasonal Windows: Feb–Apr and Sep–Oct. - Overlay with Fundamentals: Check RBA and RBNZ meeting schedules, commodity data, dairy reports. - Combine with Mean Reversion Tools: Try Bollinger Bands, RSI, or the Commodity Channel Index (CCI). - Dial In Entries on Lower Timeframes: 4H or 1H charts offer the best sniper entries within the macro trend. - Adjust Position Size with Smart Tools: Use StarseedFX’s Smart Trading Tool to calculate optimal lot size. The Forgotten Indicator That Outsmarted the Pros One tool I swear by for seasonal setups? The Detrended Price Oscillator (DPO). Most traders sleep on it, and frankly, I’m happy they do. This little-known indicator removes long-term trends to highlight cyclical highs and lows—aka, seasonal edges. When used on AUDNZD, the DPO regularly flags turning points within seasonal periods before other indicators catch on. It's like being the first person at the buffet before the crowd shows up. Step-by-Step: How to Use DPO for Seasonal Trades - Set DPO on the daily chart with a 21-period length. - Wait for a cycle top or bottom near seasonal turning points. - Confirm with RSI divergence or CCI confirmation. - Enter with defined risk—targeting 100-200 pip swings. Pro Tip: The DPO works best when not used in isolation. Combine it with macro timing and support/resistance levels for maximum precision. The Contrarian Play Most Traders Overlook Here’s the juicy bit no one talks about: When seasonal trends don’t play out, the reversal trades are often even more lucrative. For example, if AUDNZD should rally in March but starts collapsing instead, it’s often a sign of structural macro shifts—think unexpected central bank policy, commodity shocks, or risk sentiment changes. And when that happens? It’s reversal time, baby. Checklist for a Contrarian Seasonal Setup: - Seasonal window active (e.g., Feb-Apr) - Price moving opposite of expected direction - Confirm with sentiment data (e.g., CFTC positioning) - Enter on breakout with tight stop, trail aggressively AUDNZD Case Study: The 2023 September Surprise Let’s rewind. In September 2023, AUDNZD should have declined. Seasonal charts showed clear downward bias. But here’s what went down: - RBNZ paused rate hikes unexpectedly - Iron ore prices soared 8% in a single week - China’s stimulus pushed AUD sentiment up Result? AUDNZD rallied over 300 pips in what looked like a seasonal fake-out but turned into a breakout bonanza. Traders who clung to outdated seasonality missed the bus. Those who adapted? Rode it like a trader on a Teslasurfboard. Lesson: Flexibility beats rigidity. Seasonality is a guide—not gospel. Real-World Tools to Master the Seasonal Game Don’t just eyeball charts and pray. Here are your go-to tools: - Seasonax.com: Professional-grade seasonal data - TradingView Scripts: Search for "AUDNZD Seasonality" to find overlays - StarseedFX Forex News: Stay updated with economic indicators that could skew seasonal plays And of course, use these: - Free Trading Plan: Outline seasonal entries, macro drivers, and risk rules - Free Trading Journal: Log your seasonal trades for pattern recognition - Community Access: Collaborate with other pros who live and breathe this stuff What You’ll Walk Away With (Elite Tactics Recap) - Know your seasons: AUDNZD rallies Feb–Apr, Sep–Oct - Overlay macro events: Commodity cycles, dairy reports, CB meetings - Use underrated indicators: DPO + CCI combo is gold - Exploit seasonal failures: Reversal plays often outperform - Use the right tools: Seasonax + StarseedFX suite = lethal edge So next time someone shrugs off AUDNZD as boring, just smile—because you know its seasonal secrets. —————– Image Credits: Cover image at the top is AI-generated Read the full article

[x-onelectronics]

🛠️ Upgrade Your Industrial Setup with the NSYCRN44200P by Schneider Electric! 🌍 Now available at Xon Electronics, the NSYCRN44200P from the Spacial CRN Series is the ultimate wall-mounted electrical enclosure designed to protect your valuable electrical equipment across USA, India, Australia, Europe, and beyond. 🔍 Specifications: 📏 Size: 400mm (W) x 400mm (H) x 200mm (D) 🔩 Material: Steel with polyester powder coating (RAL 7035) 💧 Protection: IP66 / NEMA 4 🛠️ Mounting: Wall-mount 🔐 Manufacturer: Schneider Electric 💡 Key Features: ✅ IP66-rated: Dust-tight & water-resistant ✅ Rugged steel construction ✅ Corrosion-resistant coating ✅ Easy integration with DIN rails, plates & cable glands ✅ Global certifications (UL, IEC, CE) 🔌 Applications: 🔹 Industrial automation panels 🔹 Power distribution boards 🔹 Building management systems (BMS) 🔹 Renewable energy setups 🔹 Telecom & networking enclosures 📦 Ready for global delivery! 👉 Buy Now: https://www.xonelec.com/mpn/schneider/nsycrn44200p SchneiderElectric #NSYCRN44200P #IndustrialEnclosures #XonElectronics #ElectricalSafety #Automation #ControlPanels #SmartFactory #PowerDistribution