#Please I need these two to be happy

[pineapple-frenzy]

Book 2 au doodles

It's just a bunch of random moments with Zuko looking grumpy for most of them,,, he can be happy for at least one drawing tho

[tiredmagicalwarrior]

I LOVE THEM

why did chicken cross the road?

[jonndoe]

I hope everyone that follows me knows how much I hate these two /pos

[omaano]

"Congratulations on your new job on Coruscant, Commander"

Fox commission for @whiskygoldwings Thank you so much for letting me run wild with these, I've missed drawing flowers so much! ❤️

Black Dahlia - for betrayal, evil and dishonesty Orange Lilies - for deep hatred, doom, as well as enthusiasm and energy (good as congratulation for a new job or promotion) Poppies - for the dead and Foxgloves - for deceit

[gdn7-dollopole]

There’s something so sweet about this scene. Not only Arthur is surrounded by his knights, his friends, he still can’t seem to forget there’s someone missing.

And the way he approaches Merlin is nothing funny or sarcastic: it’s pure concern, it’s love, it’s respect.

Merlin admits he’s scared, without thinking about it twice, because yes, this is Arthur, the same man who makes fun of me on a daily, but he’s also my best friend, the man I love, and who I could lose, but I can’t tell him, but, oh God, if he needs to know I don’t want him to die. I’m the most powerful warlock on earth, yet I’m scared of Morgana, because she wants to kill Arthur, and I’m weak when it comes to him, I’m scared I won’t be able to protect him as I should (especially since Merlin has heard the prophecy that spoke of Arthur’s bane).

I like Arthur’s stunned face. Merlin is referring to his life. “You don’t care you could die?” And not only Arthur is shocked by it, because he thought Merlin knew his reasonings by now, knew that Arthur would never risk losing his knights, losing Merlin. But Arthur doesn’t care as long as his men are safe, as long as Merlin’s safe (because, let’s be honest, this conversation is nothing but a way for them to tell each other how they feel towards one another, without exposing themselves to the danger of this revelation). And Arthur needs to make something clear:

“Only about you.” Because Arthur brings Merlin everywhere like he’s a solider, a warrior, someone who knows how to fight with a sword, who’s an asset to Camelot and the kingdom itself, so he considers him an equal, someone he can sit with on a lower step and chat with about his fears, because he can be vulnerable with Merlin. Arthur knows he’s safe with him.

Arthur includes Merlin in his speech, and this is something that could mean, “Oh, so Merlin isn’t a friend, isn’t a brother, he’s so much more.” This scene is so impactful, because it’s one of those rare moments where Arthur shows how deeply he can love, how much risk he’s willing to take to bring peace to his kingdom and to his people: to the ones he loves.

And he knows his knights, he knows Merlin won’t abandon him, because he has never done it, and Arthur truly believes Merlin has no reason to do it now, even if he’s scared. It’s as if Arthur is asking, just to make sure, just to have the confirmation that they think the same of it.

And they do:

I wish I didn’t understand how much I’m willing to risk, and have already risked for you. Because this is why I’m here: for you and only for you.

The self deprecating smile, because Merlin can’t back down, he never will. He’s so frightened, yet not even the prospect of battling against Morgana and her army will make him run.

He has Arthur to protect.

The way he smiles, it’s as if he’s saying, “Why didn’t I understand this sooner? Arthur’s just like me.” But it’s the fact that they told each other this, they know now, after ten years, that they’re willing to do anything and more for the other to stay safe, to be alive, even if one of them isn’t.

Merlin tells Arthur. He watches him intensely, because Arthur needs to understand. He’s honest.

Arthur gets it, and he’s finally happy. He’s relieved that Merlin won’t abandon him, that he will stay by his side, like he always is, protecting him, fighting with him, and helping him.

Arthur smiles at Merlin like he’s seeing him for the first time, and he falls in love with him just that tad bit more.

[drawnfamiliarfaces]

Heroes of Millennium (HoM) AU

Act 1, Omake 2 (Extra): Barrier Team. - (here)

Act 1, Omake 1 (Extra): Master of Time. - read here

Act 1: What was left behind. - read here

[depressedcoffeeobsess]

Sleepy Kisses

Remus Lupin x fem!reader

warnings: kisses on the cheek. given last name.

summary: remus lupin can't sleep during the night anymore due to the full moon coming around. he goes to the common room to find his fellow prefect and ends up sleeping on the girls shoulder.

song of the writing: another love — tom odell

Word count : 679 words. (Thanks to @issysh3ll)

[Pt.2]

IT WAS A LATE NIGHT of february. It was cold and windy. no one dared to go out tonight. not even the professors. by midnight the wind was gushing on the windows of dorms and common rooms. Leaving only the cackling fire to be the source of warmth.

Remus Lupin can't sleep. He opens the door out the dorm room and swiftly escapes out. He walkes down the stairs to the dim lit common room. He was about to sit on the couch when he noticed a presence on the sitting area. Curious and cautious he quietly peeps over the person. or so in other words—girl. Not just any girl it was the weird Sterling girl.

She was a fellow prefect who was sorted into the house of godric, thus her parents were smart ravenclaw's following rowena's path. She had flowing hair that was quite long/short. She had the perfect face of an angel. Almost looking like heaven in descriptive words. She was friends with Pandora and Junior.

Remus mumbled some things under his breath and started backing away when suddenly he hit the table causing the small plant to fall down. also leading for the—now awake—girl to stir and look at him.

"r-remus?" She asked softly. he could tell her voice was still—a little— groggy from just waking up. "why aren't you sleeping?" She asked a little worried.

"Oh. Um– I can't sleep. I had a bad dream." He said clearly lying to the poor girl. She stood straight still sitting down rubbing her eyes a little.

"Is there any way I could help you sleep?" She asked with a sweet voice that could captivate even a snake. Her sweet voice was soft and steady, in other words she didn't struggle to talk to him. It made his heart go boom–boom.

"Um–well , when I was young my mum used to sit with me and sing me a song. She used to rub my back." He said sitting beside her. She muttered a quick spell under her breath , levitating a blanket over the pair.

"there, I could sing you a song to get you to fall asleep." She said almost as she was talking to an ant. Remus nodded and leaned his head on the girls shoulder. But quickly took it off. He looked at the girl asking for permission. She raised her eye brows as a yes indication. Taking the sign he put his head on her shoulder, and she wrapped her arm around his covered waist.

She started softly singing a lovely song with a tune as perfect as her. Remus started slowly closing his eyes, eventually closing them fully. in this exact moment he felt safe in her presence. He felt like he was aloud to be a normal human and not like a monster he thinks he is. He snuggles his head in the small crook of her neck, putting his hand on to his lap. He remembered this song as a song his mother used to sing before he slept.

I wanna sing a song that'd be just ours

But I sang 'em all to another heart

And I wanna cry , I wanna fall in love

But all my tears have been used up

Oh another love, another love

All my tears have been used up . . .

She finishes the song there finding the softly snoring boy already asleep. She smiles and lays him down on the couch draping the soft white blanket over him. She looks at him lovingly and leans in forward. Crouching down next to him giving him a short , sweet peck on the cheek. She leans back and smiles at him.

"sweet dreams remus . . . " her voice trails of as she is still sleepy. She yawns a bit and stands up making her way to the small shelf and taking out a book. She rips a piece of blank paper and writes him a small note , intentionally finishing it of with a gracious heart. Then she places the book back and makes her exit towards the stairs to the dormitories. Mumbling small wishes of her choice.

fun fact: remus used to have a crush on the sterling girl but moved on realising it was no use. (We'll see about that)

Part 2???

~dividers by @issysh3ll

[nipuni]

Some photos from yesterday 🍂 we got some house plants and found mushrooms in the park!

[hplonesomeart]

Hehe this man is broken and severely emotionally distressed. Silly lovable guy but given self esteem issues because of the crushing weight of perfectionism. Not so funny if you think about it too long. But at least on the upside he cries pretty :))

No but seriously for all those who relate to Mr. Puzzles just want you to know your accomplishments alone do not define your value and worth as a person. Even when you’re a messy work in progress, you are loved and appreciated more than you may recognize. Thank you for being here. Don’t get me wrong it’s good to be idealistic and set goals, but don’t undermine yourself if you don’t get that perfect score….or if you start to fall behind compared to everyone else. Everyone goes through those moments of doubt or perceived failure. We need to fail every once in a while. And that’s okay

…a-anyways funny goofy dramatic TV guy we love him so much so silly so slay he lives in my head rent free yipeee. This animation is dedicated to him because if anyone in the cast deserved a feature length film it was definitely him, and he sure took up the spotlight in Puzzlevison and absolutely owned it. I’m excited for his future endeavors ✨

[the-bi-fangirl-biatch]

as an og loki fan, it's truly something to watch a character who you've loved for so long change so much and open up.

when he admitted that yes, he's saving the TVA because he wants his friends back? how he's willing to admit that having friends gives him a sense of belonging? how he truly got attached to them? how he has "gotten soft" by caring for mortals and wanting to be around them? to see that he's caring for them so much that he's afraid that he'll lose them? but also loving them all so much that he was wiling to be lonely if it gave them their own lives back?

to be loved is to be changed

[suddencolds]

Atypical Occurrence [1/?]

Happy birthday to my dear friend, @caughtintherain!! I wanted to give you some Vincent suffering to chew on for the occasion, so please take this fic (or, first part of a fic) as a gift <3

this is an OC fic - here is a list of everything I’ve written for these two! chronologically, this fic takes place a month or so after the last installment leaves off :)

Summary: Vincent shows up late to a meeting. It just goes downhill from there. (ft. fake dating, the flu, a house visit)

—

Vincent is late.

Yves tries not to stare at the empty seat across from him. The meeting—their first meeting of the day—started five minutes ago. If there’s anything Yves knows, it’s that Vincent always comes in early. 

In stumbles Cara, handling a morning coffee with probably more espresso shots than anyone should have at 8am. Then Laurent, briefcase in one hand, paging through a folder of files in his other. Then Angelie, Isaac, Garrett, Ray, Sienna. Then they get started, and Yves turns his attention towards the graphs projected onscreen at the front of the room, and tries very hard not to think about Vincent.

It’s five minutes later that the door swings open, near-silent.

Sienna—who’s presenting—stops, for a moment, to look back at Vincent from where he’s standing in the doorway, which means that of course, everyone looks.

Cara turns around in her seat, raising an eyebrow. Angelie frowns at him. 

“Sorry I’m late,” Vincent says, quietly. “It won’t happen again.”

Isaac shrugs. Angelie looks a little concerned, but she turns back to her work, anyways. Sienna resumes her presentation. All in all, it’s nothing—or it should be nothing. Probably traffic, on the way here; a particularly unlucky commute. An unlikely occurrence, but—to anyone else—not anything worth dwelling over.

It might be a sufficient explanation, if Yves didn’t know better.

Vincent takes care to close the door quietly behind him, then heads over to the only open seat, across from Yves. He unzips his briefcase, quietly, unobtrusively, and takes out his laptop. Yves tries to focus on what Sienna is saying—she’s giving a review of a client’s current investment strategies; he’d reviewed her work on this just a couple days ago.

Vincent asks good questions throughout—he always has a good sense of what areas still lack clarity, Yves has found. Today is no exception. He takes part in the meeting with such calculated precision that Yves almost misses it.

Almost misses: the slight stiffness to his shoulders, as if it’s taking more than the usual amount of effort to keep himself upright. The way in which he clears his throat before speaking, like it might actually hurt. The way he rests his head on one hand, halfway into the meeting—as if even now, barely forty minutes into the workday, he’s already exhausted.

It’s subtle enough to go unnoticed, subtle enough that Yves wonders if he’s just reading too much into it—if, perhaps, Vincent is fine, after all.

—

He doesn’t see Vincent again until lunch.

Or, more accurately, he doesn’t see Vincent again until he’s headed down for lunch with Cara and Laurent. Vincent is already on his way out of the cafeteria, a takeout container in hand.

“You’re not going to eat here?” Yves asks.

Vincent doesn’t look at him. “I have some work to get done at my desk,” he says. He clears his throat again, like it’s irritating him.

“Okay,” Yves says. Vincent turns to leave, and Yves thinks of a hundred ways in which he could possibly prolong this conversation, and then decides against it. Vincent is already so busy.

“You look tired,” he settles on, instead.

He expects Vincent to dismiss this, to reassure him that it isn’t true. But Vincent looks up at him at last, blinking, as if he’s surprised that Yves noticed at all. His eyes are a little dark-rimmed underneath his glasses.

He doesn’t deny it, which is as much of a confirmation as Yves needs.

“The sooner I can get this work done, the sooner I can go home,” he says. Yves supposes he can’t argue with that.

“I guess I’ll see you around, then,” Yves says, even though he wants to say more, even though he feels like there’s more that he should be saying. “Don’t work too hard.”

Vincent nods, at this, and resumes walking.

—

Yves is probably overthinking it. There isn’t anything concrete, really, to justify his concern.

Vincent’s lateness to the meeting could just as easily be the consequence of an alarm he’d forgotten to set, his exhaustion just as easily a side effect—of recent late nights in the office, of arbitrary changes to the projects he’s on, of last-minute demands from clients.

The next time he sees Vincent is at the end of the work day. Yves always takes the elevators on the north end of the building—they’re ones that lead directly out into the parking garage. When he gets out to the hallway, Vincent is already standing there, waiting for the elevator.

Yves watches Vincent stiffen, slightly. Watches him raise one hand up to his face to shudder into it with a harsh, “HHihH’iKKTSh-hUH!”

A thin tremor runs through the line of his shoulders, as if he’s too cold, even though the office air conditioning is no colder than usual. His hand, cupped to his face, remains there for a moment more before he lowers it.

He sniffles, then, rummaging through his pocket for—something. When he doesn’t find it, he just frowns a little, sniffling again. 

“Bless you,” Yves says.

“Yves,” Vincent says, his shoulders stiffening a little. He clears his throat, turning around so that he can address Yves properly.

It’s only a few seconds later that he’s turning sharply away, tenting both hands over his nose and mouth for—

“Hh-! hHiH—HIHh’DZSSschh-uhh! snf-!”

“Bless you again.” 

Vincent sighs. “Don’t bother.” He really looks exhausted, Yves realizes. During their brief interaction at lunch, he’d already sensed as much, but the harsh white glare of the bright corporate lighting only makes it more evident.

Vincent looks a little paler than usual, if only slightly, and there’s a slight flush that spreads itself over his cheekbones. He looks—well, nearly as put together as always, distilled only by the slight crookedness of his tie, as if it’s been on too tight; the near-invisible sheen of sweat over his forehead. The slight redness to the bridge of his nose, the slight shiver to his hand as he reaches up to adjust his collar.

Yves frowns, taking this all in. “You look kind of…”

“Terrible?” Vincent finishes for him.

Yves winces. “...Well, terrible is a strong word. I was going to say, you look like you could use some sleep.”

“I’m… feeling a little off,” Vincent says, staring straight ahead, as if it’s not an admission at all. But Yves suspects, from the way he avoids eye contact, that perhaps it was something he was intending on keeping private. “You should keep your distance.”

The elevator dings. The sliding doors part, and he steps inside. 

“First floor?” Yves asks, hesitating next to the panel of buttons.

“Yes,” Vincent says. Then, quietly: “Thanks.”

“You know, now that busy season is over, the world is not going to end if you take a sick day,” Yves tells him. “Even if you do like, twice the amount of work as everyone else on the team, if you needed to call out, I’m sure something could be arranged.”

Vincent smiles at him, a little wryly. “I must look pretty bad if you’re saying this to me.”

“Yes, I was lying,” Yves says. “Clearly, you look terrible.”

It isn’t true at all—even here, even like this, Vincent doesn’t look terrible, not even in the least. But Vincent still smiles, at this—a tired smile.

The elevator doors slide open.

“Text me if you need anything,” Yves says, impulsively. “Seriously. Tissues, soup, medicine—whatever. It’s not far of a drive.”

“That’s very considerate of you,” Vincent says. “I will see you tomorrow.” And then he steps out of the elevator, and Yves is left with an inexplicable sinking feeling in his stomach. As far as he knows, it has no place there. Obviously, Vincent can take care of himself. Obviously, Vincent can handle a cold. Yves has nothing to be concerned about.

—

The next day is rainy—a constant, torrential downpour, which makes his commute to work take almost twice as long as it usually does. It wouldn’t be spring here, Yves supposes, without dreary weather like this.

Back in uni, when he rowed crew, they’d practice out for hours out in the rain. Now that he spends the majority of his day inside, he supposes he can’t complain. The shelter of the office building is a reprieve.

Vincent doesn’t show up.

“I think he’s out sick,” Cara says, when Yves asks. “You know, it’s funny. I don’t think I’ve actually seen him take a sick day before.”

“For how hard he works, he definitely deserves one,” Garrett says.

“He seemed fine yesterday, when I saw him,” Cara says, with a shrug. “Probably came on quickly.” Yves nods.

But that isn’t quite right, is it? Vincent hadn’t seemed fine, had he? Yves thinks back to the things he’d noticed—Vincent, uncharacteristically exhausted during the meeting, though it was clear he’d been just as engaged as usual. Vincent, shivering in the elevator, telling Yves to keep his distance. How poorly had he been feeling already, yesterday? How poorly does he have to be feeling today to have called off of work for it?

He finds some time just before lunch to text.

Y: how are you holding up? Y: yesterday’s offer stands if you need me to bring you anything!

He doesn’t get a response from Vincent, which is a little concerning. He checks his phone halfway through lunch, and then twice more, in between his afternoon meetings, just in case he’s missed a notification.

“Are you expecting a text from someone?” Cara says, looking a little curious.

“Just a friend,” Yves says, which is and isn’t true.

To make a point—to Cara, and possibly to himself—he shuts his phone off. He very pointedly does not look at it again for the remainder of the hour.

It’s not until mid-afternoon that he finally gets a response.

V: Sorry to get back to you so late.

Yves sits upright, fumbling with his phone to get it unlocked. The text bubble pops up again, somewhat intermittently, to show that Vincent is typing.

V: If it’s not too much trouble, there’s a blue folder on my desk labeled 2-A.

Yves blinks at this, a little disbelieving.

Y: you’re asking me to bring you work files? Y: arent you supposed to be resting 🤨 Y: paid sick leave, remember? as in, leave your work at work??

V: I meant to pack them yesterday.

Y: that’s like a genie grants you 3 wishes and you ask for an extra day of assignments Y: terrible waste of a wish if you ask me

V: As a genie, you’re quite judgmental

Y: ok ok Y: as your loyal lamp dweller i’ll be over around 8pm with folder 2-A  Y: you need anything else? 

V: Nothing else V: You can just leave them outside my door 

A beat. Then Vincent sends:

V: Sorry to trouble you

Yves thinks of twenty responses he wants to send to that text. Then, thinking better of himself, he shuts his phone off and gets back to work.

—

It’s a little past seven when he finally checks out of the office.

Outside, the rain hasn’t even begun to let up—it falls, straight and heavy, in large, globular droplets. The streets gleam with water. Yves leaves his umbrella in the trunk, tunes out everything but the static of the rainfall, and drives.

Yves has only ever been to Vincent’s apartment once—to pick him up for the New Years’ party Margot hosted—and even then, Vincent had met him at the door. But he recognizes the unit, nonetheless.

For a moment, he considers leaving the folder of files outside of Vincent’s door and taking his leave.

But it’s windy, and he’s afraid the papers might fly away, torn up by the biting wind, and get lost face down in a puddle somewhere, which would defeat the purpose of him coming here in the first place, and would probably also breach some employee confidentiality policy. So instead, he knocks.

It’s silent for a moment. Rain beats down on the slanted rooftops, a constant thrum. 

Yves is about to reach out to knock again, when the door swings open.

There stands Vincent, in a pale blue hoodie and loose-fitting pajama pants, with neat rectangular cuffs.

He looks tired. It’s the first thing Yves registers—the unusual fatigue to his expression, which he can’t quite seem to blink away; the flush high on his cheekbones. The way he holds himself, his shoulders stiff, carefully, defensively; as if despite his exhaustion, there’s a part of him which wishes to appear presentable still.

It’s only a moment later that he’s taking a halting step back, ducking into a hoodie sleeve. Yves catches the shiver of his expression, his eyebrows pulling together, before it crumples, and his head jerks forward with a harsh—

“hHihh’GKkTT—! Hh-!! iHH-’DZZSCHh-uuUh!”

The second sneeze sounds louder and harsher than usual, even muffled into the fabric of his sleeve. It betrays his congestion all at once. 

“Bless you,” Yves says.

Vincent emerges, sniffling a little. When he speaks, he sounds a little hoarser than he did yesterday. “I thought I said you - snf-! - could leave them on the front step.”

“You did,” Yves says, glancing down at the folder in his hands. “But it’s windy, and it’s raining. I figured you’d prefer to have your files intact. How are you feeling?”

Vincent blinks at him. He’s leaning heavily against the doorframe, Yves realizes, one hand gripped tightly around the frame, his knuckles white from the pressure, as if it would take him too much effort to stay upright otherwise. 

“Alright,” he answers. “Thanks for making the trip here. I… it must’ve taken longer, in the rain.” He squeezes his eyes shut, as if his head hurts, as if the light coming from outside is exacerbating his headache. “If you ever need me to pick something up for you, I owe you.”

“You don’t owe me anything,” Yves says. Despite himself, he reaches up to press his hand against Vincent’s forehead.

The heat under his fingertips is alarming, to say the least. Yves blinks, lowering his hand, and tries to keep the worry out of his voice. “Have you taken your temperature?”

Vincent shakes his head. “I don’t think I have a thermometer.”

“Have you eaten, then?”

Vincent averts his glance, looking sheepish. “I… was planning to stop for groceries, yesterday,” he says. Planning to.

Yves thinks back to the elevator ride yesterday. Vincent had probably already been feeling very unwell, then. And yet, he’d talked with Yves as if nothing was out of the ordinary. I’m feeling a little off, he’d said, as if anything about his current affliction could possibly be characterized as “little.” I will see you tomorrow—as if he had really, genuinely been intending on showing up at work. 

“So I take it that there’s nothing in the fridge, either,” Yves says.

“If it’s any consolation, you’ll be pleased to know that I slept,” Vincent says, in lieu of answering.

Then he shivers—the sort of concerning, full-body shiver that is a little concerning, coming from someone who is usually unaffected by the cold—and Yves is immediately reminded that the door they’re speaking through is open.

“Can I come in?” he asks.

“You probably shouldn’t,” Vincent says, before his expression scrunches up, and he’s ducking away with a— “hh—! hHih-II—TSSCHHh-UH! snf-!”, smothered hurriedly into the palm of his hand. He sniffles, emerging with a slight wince. “This came on pretty quickly. It might be the flu.”

“It’s fine,” Yves says. “I got my flu shot in the winter. And anyways, I’ll be careful.”

Vincent is quiet, for a moment. Then, frowning, he says, “I’d feel terrible if you caught this.”

That’s the least of Yves’s worries—he doubts he’s going to catch this. Even if he does, it will just mean a few days off of work. Not the end of the world, by any means. Nothing to warrant the expression on Vincent’s face—Vincent looks upset, as if he’ll really can’t think of anything worse than Yves catching this. Like even the thought of it is worth being upset over.

Yves shakes his head. “Don’t worry about it, seriously.” He pushes past Vincent to step inside and shuts the door behind him. “Here, I’ll set these down on your desk. Where is it?”

“Down the hallway, to the left,” Vincent says.

Yves takes the folder, leaves his shoes at the door, and heads inside. 

Vincent’s bedroom is small and organized—it’s the kind of bedroom that’s tastefully minimal, in the sort of unified manner that implies that everything in it has been carefully arranged. There’s a small white desk in the corner, a stack of files arranged neatly next to Vincent’s laptop, its lid halfway to shut. There’s a bookshelf, leaned up against the wall far; the bottom shelf looks to be filled with textbooks; the top shelf lined with books, both in Korean and in English. The walls are painted slate gray, the carpets lining the floorboards picked out to match, and there are pale blue curtains hanging from the windows, pulled tightly shut.

There are signs here, too, of his illness, but they are subtle. A tissue box, nestled between his pillow and the headboard, half empty. A waste bin at the foot of the bed, conveniently in reach. A small bottle of aspirin on the bedside counter; an empty packet of cough drops sitting at the edge of his nightstand.

Yves sets the folder at the end of Vincent’s desk, next to the rest of his files, and turns to face him.

“You’re not going to work on these until you’re feeling better, right?” he asks.

“Only if I can’t sleep,” Vincent says, which Yves supposes is a satisfactory answer. Then he twists away, his eyebrows furrowing, lifting a loosely clenched fist to his face to cough, and cough. 

The cough is harsh and grating—his entire frame shudders with the force of it, his breaths shallow and raspy. He really sounds awful. This must have come on quickly, Yves thinks.

If it’s upsetting, seeing Vincent like this, it’s even worse to be standing here, in his room, doing nothing. So—if only to make himself useful, if only to convince himself that there’s something he can do—Yves ducks out into the kitchen.

The pantry is meticulously organized—glasses lined up in neat rows; stacks of bowls sorted by size. He fills a glass with water, shuts the cabinets, and takes it back to the bedroom. 

By the time he gets back, Vincent is sitting at the edge of his bed. His glasses are folded neatly, left at the very edge of the countertop.

“Here,” Yves says, crossing the room, holding out the glass for him to take. 

“Thanks,” Vincent says, taking it gingerly from him. He takes a small, tentative sip, and then another—his hands are a little shaky, Yves notices. “You - snf-! - should really go.”

“I’m not entirely convinced you’ll be fine on your own,” Yves says.

“Of course I will be,” Vincent says, with all of his usual certainty. He lays down, pulling the covers over his body. “I have been fine on my own for years.”

It’s meant to be reassuring, Yves supposes. But he doesn’t feel reassured in the least.

“Thank you again for bringing me the files,” Vincent says, at last, shutting his eyes.

“You could’ve asked me to get you groceries,” Yves says. “There’s a supermarket not far from here, right? And you’re out of cough drops.” He takes a few steps over, towards the desk in the corner of the room. “These—” He examines the bottle of ibuprofen on the table. “—are expired.”

“Just because you’ve extended this kindness to me,” Vincent tells him, “doesn’t mean I should take advantage of it.”

Yves blinks, a little taken aback. “It’s only groceries. I wouldn’t have minded, really.”

“See,” Vincent says, with a note of—something in his voice. It sounds a bit like resignation. “That’s just the kind of person you are.”

Yves doesn’t know what to say, to that. 

Before he can think up a fitting response, Vincent’s breathing evens out. Yves lets himself listen to the shallow, steady cadence of it. Lets himself acknowledge the heavy, painful feeling in his chest for just a moment. Then he shuts the lights off and heads back out into the hallway.

[ Part 2 ]

[wavesoutbeingtossed]

Taylor has a song about how a dry spell (among other things) lit the fuse about her fantasizing about a man she would come to despise and about her realizing her long-term relationship was dead and some pearl-clutchers think she’s offended that her boyfriend accidentally implied that they cannot relate to that feeling anymore lmao

[mono-socke]

the brothers ever

[dazais-guardian-angel]

Chapter 110 is 13 pages long welcome to hell!!! so in a lot of ways this is just more fuel for a theory that I've had for a few weeks now, that's only gotten stronger with each recent season 5 episode, which is that the last episode of the season is gonna end on 110, and that Asagiri/Harukawa and Bones have been collaborating to make this happen, specifically because it's a major turning point that would be the only good place to end the season on.

When we started getting especially long chapters again (like from 25-35ish pages, with the exception of 107.5, the last two being some of the longest we've ever had), at first I just assumed that Asagiri/Harukawa got freed up from some other obligations they'd been having to cause the extremely short/half chapters, like promotional stuff for the anime/Beast movie, or working on light novels. But then 109 happened, with the "supposed" death of Dazai, and heavy emphasis at the end on how literally everyone is at their lowest point right now, and I got to thinking. 11 episodes is a strangely specific number for an anime season -- why not 12, or 13, or even 10, like you'd usually see? Why have we gotten suddenly gotten two 35 page chapters out of nowhere, that's almost unheard of at this point? They're both beautiful chapters, don't get me wrong (as always), and maybe A/H simply just didn't want to cut them in halves because they felt like the full emotional impact wouldn't hit/that there were no good cutoff points in them, but you can't deny that it's surprising, after all the shorter chapters we've been getting. Why has the anime been going at such insanely breakneck pacing for the most part ever since around the Sunday Tragedy chapters, even more so than it has in the past? So much so that it feels dangerously close to overtaking the manga?

Well, maybe, just maybe, it's because..... Asagiri decided a long time ago that whatever happens in 110 is the only point that feels "season finale"-worthy enough, in an arc that still isn't anywhere close to being completely wrapped up, and so both the manga and the anime have been specifically coordinated to reach that part within 2 and a half weeks of each other?

I've seen a lot of people now think season 5 will end with 109, and as much as my sadistic side would find that hilarious, I honestly don't think they'd do that and realistically don't want it to happen; it'd be so cruel to cliffhanger the anime for years like that, and just doesn't feel like a season cliffhanger BSD would do, a series that is ultimately hopeful and uplifting. Seasons 2 and 3 had a positive, conclusive ending; the only reasons seasons 1 and 4 didn't was because they're technically not really full seasons of their own, and are more like the first cour of another "season" that also came out that same year (seasons 1 and 2 both aired in 2016, so they're more like one big season, and seasons 4 and 5 have both aired this year, so they're also more like one big season, again taking into account how episodes 12 and 50 are not satisfying finales like episodes 24, 37, and hypothetically, 61, are). I really can't see season 5 ending with Dazai and Fukuzawa's supposed deaths, Sigma being unconscious and maybe close to death, Atsushi being vulnerable and limbless again, everyone we love still vampires, and the entire world being basically doomed; that's just too depressing and not like BSD at all. However, having said that, if it doesn't end there, there really isn't any good place to end the season before that, either, that feels in any way satisfying or like a finale at all. And so, to me, that only leaves after 109: chapter 110.

I think things are really gonna turn around next chapter. Like I said, everyone is at their lowest point right now, it cannot possibly get any worse, the framing of Dazai, Fukuzawa, and sskk at the end of 109 is telling us that; this is the time for the heroes to finally start winning again, with Aya being so close to pulling out the sword, and for all the thematic reasons other people have talked about to death that I don't need to go into here again. This upcoming chapter being so short again makes a part of me wary of 110 being "the one", so to speak, I won't lie, but at the same time, it's very possible that it needs to be that short because that's all the final episode of the season will be able to reasonably fit in, since it's already gonna be VERY close if they do make it all the way to 109. And at the end of the day, I don't doubt at all that Asagiri and Harukawa can make these the most monumental and game-changing mere 13 pages ever if they wanted to; a chapter does not at all need to be extremely long in order to be an important and impactful one, even if short ones we've gotten in the past haven't felt the most important.

An additional thought I've had, though this is much more crack territory than all this already is, is that since we know from Anime Expo that a Stormbringer movie at some point is highly likely (judging from Asagiri's reaction when someone brought it up), it's possible that chapter 110 and thus the final episode will involve the long-anticipated return of Verlaine and/or Adam, or at least some other major reference to Stormbringer, that would naturally and smoothly lead into a Stormbringer movie to explain things to people who haven't read the novel. It would make a lot of sense, especially since the s4 OP has the Old World sign behind Chuuya, which might be a hint that this has been in the works ever since seasons 4/5 were first in planning with Asagiri. We also know that Dazai and Chuuya's voice actors apparently struggled to record their lines together this season, which probably relates to 101 and possibly 109, but it could be 110 too.... I could be very wrong, as I'm no expert on this kind of thing, but I kinda doubt they would bring Chuuya's actor in for just the vampire growls, and Asagiri placing heavy emphasis on Chuuya's importance this season in that one interview gives me the impression that he's talking about much more than just 101/109. But that's the least solid evidence I have, that's just mostly based on vibes I get.

So basically, I think a lot of factors -- the unusual episode count, how close the anime is to catching up to the manga with three whole episodes left, the seemingly arbitrary recent chapter lengths, and the climactic events of 109 -- can tell us that 110 might be a very, VERY big deal. Again, there's of course no way this arc is anywhere near close to being finished, with so much left to address and resolve, but since it is currently incomplete in the manga, unlike the previously adapted arcs, if the anime was going to adapt it at all, they'd have to find a place that feels satisfying enough to end this season, knowing there won't be more anime for a long time after this, and so I think they specifically planned for that, from both Bones' and A/H's sides. 10 episodes might not have been enough to reach that point, but 12 or 13 might have been too many it wouldn't have been if Bones actually decided to slow down and let the story breathe the way it needs to, but this post isn't meant to criticize the anime, so maybe 11 was just right. And maybe Asagiri and Harukawa specifically pushed to make recent chapters longer than usual, in order to make sure that the manga reached the story content in 110 the monthly release right before season 5 was to end.

Is this just copium? Absolutely. Am I going to look like an absolute clown in two days when this post ages like milk? Probably. But the evidence is There, so let me just enjoy my delusions until Sunday, okay 🥂🫡

[little-pondhead]

DPxDC Prompt:

[this is a long one please forgive me]

Bruce lied to the others about his trip through time. Not all of it! Just…one specific thing.

During the early parts of his timeline hijinks, before Tim realized Bruce was still alive, he had a bit of a respite in between his endless time jumps. (Maybe a certain ghost was helping him out.) With a fuzzy memory at best and a strange itch to investigate the unknown, Bruce had been taken in by an old couple who had no kids but wanted to pass on the family name. And who better than a thirty-something amnesiac stranger who could actually be related by blood?

Bruce, with nowhere to go, accepted his new name, grew out his hair, and quickly got accepted into college for engineering. There, he met two of his closest friends; a redheaded woman who could kick his ass and a wet chicken of a man who could also kick his ass. They both made him nostalgic for something he didn’t remember, and that made him sad sometimes, but the two were always there to cheer him up.

Years passed, and Bruce’s life moved on. He settled well into his new name, mourned his parents when the eventually passed, celebrated his wedding with the redhead, and grieved when the last of their trio fell out of touch. He had a daughter, and then a son! They were both so smart, even if they didn’t share the same passion he had for exploring the science behind the afterlife. (Something about the dead just itched his brain in an infuriating way, and Bruce wasn’t one to let sleeping dogs lie. He just had to find out why he was so obsessed with this stuff!)

Eventually, his and his wife’s research yielded results, and that’s when bits of Bruce’s former life started coming back to him. After the portal opened, he spent his days with his head in a fog, oblivious to the world around him as he struggled to continue his work.

Why did he remember a boy named Dick? Who would name their child that? And Jason…who was Jason? That name always made him sad. There were more names, more faces, but none of them were his. He could never remember what his name was supposed to be. All he had was the one his adoptive parents gave him.

His wife was worried. His daughter was struggling. And his son…his son sometimes hurt to look at. Bruce didn’t know why. He knew he was being a terrible father, but something in him wanted to cry whenever he gazed at those clear blue eyes, just like his own. His son was too smart for his own good, and realized his dad had started avoiding him.

The day his son purposely left the room so Bruce could relax was one that hurt him even now.

Time kept passing, and Bruce was becoming anxious. His brain fog was as bad as its ever been. He had constant headaches, and his hands kept twitching for nonexistent tools on his belt. Something was going to happen. Something had happened. A voice in his head told him it was all his fault.

So in an attempt to clear his head and spend more time with his family, Bruce insisted they all go to dinner at the local diner. His son invited his friends. Even better! More people meant more distractions from his messed-up thoughts. He wouldn’t spiral with the kids around.

And then something exploded.

The last thing Bruce remembered was his son’s (green??) eyes widening in fear and horror as something yanked him violently backwards. He fell farther than expected, through a portal and a green sky full of black stars. A hand tightened on the back of his jumpsuit, hauling his giant body through another portal with a roar of a motorcycle.

And then…and then…and then what?

All of a sudden, Bruce was sprawled in some mud in the middle of a forest, dizzy and coughing from the explosion’s fumes. He’s singed all over, and his ears still rang from the force of the…what happened again?

Bruce sits up, and all of a sudden, he’s in the era of the pilgrims. His memory has been wiped clean, his new name and family forgotten thanks to the hands of time. His adventures through the time stream continue, with him assuming many different identities throughout many different decades.

The memories of being Jack Fenton don’t return to him until he’s back in 2004, once again in his own time and living as Bruce Wayne. A glowing green sticky note informs him that “The Nasty Burger Incident” had just occurred. His “other self” just had his ass dragged to another era, so the time loop would continue.

It also informed him that he had an orphaned son crying for him at Bruce’s own grave.

Well, his forgotten son (that sounded bad, even to him) was supposed to be about fourteen now, right? Bruce hopes he doesn’t have to fight anyone for custody.

[to-be-a-dreamer]

A brain dump of thoughts after Agatha All Along ep 6:

Okay but like. The parallels between Agatha and Billy that we get to see now????

Both of their mothers chose to protect other people, complete strangers, over their own children??? Like. We know Wanda made the right choice, sacrificing her family for the greater good, but in her own twisted way did Evanora believe she was doing the same? Did she ever love her daughter? On some deep level, beneath the anger and hatred and warped sense of justice did it hurt her to try to kill her own child? She believed Agatha would bring countless death and destruction, that she was destined to be evil. As warped as her justifications were did she see it as a selfless sacrifice like Wanda's? Does that make it right? Does Billy have as much reason as Agatha to be angry with his mother for choosing to let him and his brother die? Do her truly selfless intentions matter to a child was just desperate to survive? Will he be able to forgive Wanda before that resentment is used against him? Is Agatha just trying to manipulate him by taunting him about Wanda or does she truly see a bit of herself in a child whose mother tried to kill him? (Edited)

Both of them were forced to do something horrible just to survive??? Agatha had to murder her own family. Billy had to steal the body of a boy who had just died. He had to pretend to be the child of these poor unsuspecting parents who just want their son back. Who have no idea their child is dead. The Kaplans will never get to bury William. He has to look them in the eye every single day knowing he's not really their son but what else was he supposed to do? He hates what he's doing to these people but what choice did he have? Could he even control it or did his soul instinctively seek out a new vessel to protect itself? Agatha was just a child who didn't want to die. Billy was just a child who didn't want to die. Were they selfish? Could they control it? Can we truly blame them if they could?

Both of them do terrible things when they feel backed into a corner or overwhelmed or emotional??? Things that they come to regret as soon as the emotions clear??? Billy looked horrified when he finally realized what he had done to Lilia and Jen but he's an intensely powerful and traumatized child who was overcome with grief and anger. Do we really think every single one of Agatha's kills was 100% self-defense? Do we really think she never killed someone in a fit of anger only to regret it after? And maybe Agatha has come to accept and embrace that now but she must have been like Billy when she was young. (Billy is literally the same age Agatha was when she killed her coven and was even younger when he took William's body) She must have been horrified at her power, at the things she did when she felt trapped. She must have bent over backward trying to defend herself and justify her own actions before realizing no one would believe she didn't want to do those things so she might as well embrace her power to its fullest potential ("I'm not that nice").

Both of them are walking the road for someone they lost??? I know Agatha says she's on the road for her power back but that's not how the road works, right? It doesn't give you what you want it gives you what you're missing. I think if Agatha was really able to get anything at all in the world, it wouldn't be her magic. Agatha is looking for Nicky. Billy is looking for Tommy. I don't know if either of them will really get that at the end but they are absolutely in this for the same reason.

I know there are mixed responses to this episode (at least when I first scrolled through the tag) but I for one really enjoyed it. I was really worried they were going to half-ass the explanation for why Billy was being Like This and fuck up one of the only queer Marvel Comics characters but comparing his actions to Agatha's and showing us this kid who is SO MUCH like how Agatha must have been when she was his age is so much fun actually. Like, it would have been really great but pacing-wise we probably couldn't have spent the necessary time going back into Agatha's past and diving deep into her progression from "scared child who does horrible things out of desperation for survival" to "cutthroat witch who is more than eager to hurt and betray others for her own personal gain". But we get to see it happen to Billy over the rest of the season and maybe even multiple MCU projects!!! Or maybe we'll get to see him make different choices. Maybe Agatha will be able to give him the chance no one gave her. Maybe history doesn't have to repeat itself. Maybe Billy's journey will give Agatha the chance to change her own story once and for all.

Idk this is really rambly and maybe my opinion will change as I think about it more but my first reactions are positive. Yeah on a meta level it sucks that the wlw couple is moving so slowly in their own show while the young, conventionally attractive mlm couple got to kiss within their first few minutes of screentime and they probably could have put in the effort to intentionally combat the miserable lesbians trope. But on a story level, I'm personally glad they're not rushing Agatha and Rio's arc. They're definitely going to get their moment but the reason they're so compelling is because of their history and the tragedy between them. We don't have all the details of what really happened between them yet but I don't think it's something you can just kiss and make up about. Billy and Eddie are teenagers with no real baggage between them. Agatha and Rio have possibly centuries of hurt and anger and betrayal to work through Let Them Cook! It'll be that much sweeter and their relationship is one of the CORE overarching plots of the show you don't want them to rush it. (Also I personally am too ace for the "we're gonna make up by having hot sex about it" type of conflict resolution and would have hated if Agatha and Rio were intimate before sorting at least some of their shit out but that's just me ik a lot of people would have enjoyed it and I'm sure it could have been really compelling but I actually cannot stand those kinds of plots most of the time.)

Also just keep in mind that the only other named queer characters we've had in the MCU literally ever are Phastos and Ben in the Eternals and like. Yeah it shouldn't have taken this long for a queer lead but the massive jump??? We went from one character (out of like ten mains) whose partner has minimal personality traits and like five minutes of screen time to a show with two main character on-screen queer romances!!!! In the Marvel Cinematic Universe??? And one of them is a season-long complex and interesting story that is a central plot of the series and not just half-baked fanservice!!! And one is just sweet innocent love between kids who care about each other!!! I do wish wlw stories didn't always have to come with attractive cis gay men but do y'all understand how huge this is for the MCU????? It shouldn't have taken this long and we can definitely criticize the negative tropes the show falls victim to but net positive progress is always something to be happy about. If you're not familiar with the greater MCU and the history of Marvel in general just understand that this is actually insane for them and I'm so excited for the doors that just opened for future queer storylines, but that can only happen if we show Marvel that, yes we do want queer characters being openly intimate on screen. Be happy for Billy, keep being happy for Agatha and Rio during all stages of their story and maybe we'll get to see more of this!!!