#Play Cash Cobain

[deadthehype]

Cash Cobain - luv it

[thelensofyashunews]

CASH COBAIN SHARES HIGHLY-ANTICIPATED SOPHOMORE LP PLAY CASH COBAIN + "ACT LIKE" VID

Fresh off being named a coveted Apple Up Next artist, a 2024 XXL Freshman, and Billboard Rookie of the Month, Cash Cobain has shared his highly-anticipated sophomore album Play Cash Cobain (via Giant Music) — with an accompanying music video for his long-awaited Pop Smoke tribute, "Act Like", which made its broadcast premiere on MTV Live, MTVU, MTV Biggest Pop, BET Jams and on the Paramount Times Square billboards. The release follows this week's profile of Cash on The New York Times Print Arts Section Cover, who hailed him as an artist that's "changing the sound of drill." 

The momentum around this LP is at an all-time high following the release of his last single "Problem", a 15-person Slizzy mix bolstered by a prominent sample of Brooklyn newcomer Laila!'s viral hit "Not My Problem". The near-8 minute track boasted an insanely stacked lineup of features from the likes of Fabolous, Big Sean, Kenzo B, Lay Bankz, Luh Tyler, Anycia, Chow Lee, Kaliii, 6lack, Flo Milli, YN Jay, FLEE, Don Q and Rob49 –– calling back to a lost era of heavyweight-posse cuts of the 00's.

The all-star guest list doesn't stop there on Play Cash Cobain –– with him grabbing marquee features like Quavo, Don Toliver, Laila!, & 4Batz & long-time collaborators Vontee The Singer and Payroll. The 19-track album is a direct result of the lightning-hot run he's been on this year –– with a majority of the LP being made only in the past 8 months following a flurry of late-nights at the club, romantic rondeaux, and the makings of his "Slizzy Summer."

The artwork is a nod to one of Cash's biggest influencers and collaborators -– Drake, who added his inscription and signature on a fan's phone case, completing the 'PlayCashCobain' theme he's maintained around this release. Topping it all off –– Cash also announced his debut headlining solo NYC show, at the historic, newly-reopened Brooklyn Paramount next month (tickets available HERE). This is the follow-up to his iconic 'Slizzy Fest' birthday show at Irving Plaza, a night that boasted a stacked lineup of NYC finest which led to it being unfortunately shut down, only for Cash to lead his fans to Union Square for an impromptu performance in the park (read Rolling Stone review). In the words of Cash:

“I’m feeling sexy, slizzy — I’m just happy to give y’all this music finally. Thank you to all my fans and supporters, I really appreciate you. Been working non-stop on this album and I’m just so excited to share 'Play Cash Cobain.' It’s a Slizzy Summer!”Last week, Cash had an electric pair of performances on Ice Spice's sold-out NYC dates, with Rolling Stone noting -– "Cash is one of the coolest artists in the game, boasting a signature sound replete with a dance that simulates a flowing ocean current. The young crowd ate it up...". 

The hype has continued to explode, with Future & Metro Boomin bringing Cash out during their sold-out Brooklyn date and later that night, him linking up with Travis Scott in an impromptu DJ set. Play Cash Cobain serves as the exclamation point on a 2024 winning streak that includes the Ice Spice-assisted "Fisherrr" (feat. BaySwag) (40M Streams) remix, as well as a collab with J. Cole on “Grippy” (15M Streams), a new version of his 2023 track “Dunk Contest” (13M Streams), and a fan-favorite, "Rump Punch" (20M Streams).

With the success of Cobain’s smash singles, the Bronx superstar has skyrocketed to over 4M Monthly Listeners on Spotify and in the past year his streams have gone up 3,400% on Apple Music alone. Cobain has since hinted at collaborations with Frank Ocean, Travis Scott, Lil Yachty and more –– a sure sign that superstardom is soon to come. The rapper and producer also recently made his triumphant Billboard Hot 100 debut alongside Charlie Wilson on Don Toliver's single "Attitude"(100M Streams) [ read hisBillboard: 'Chartbreakers' feature], –– showcasing exactly why the outlet proclaimed, "The Summer of Slizzy is upon us".

[withbellzon]

i ain’t ever seen Nadeska act like this lol

[thedigitalcrates]

CASH COBAIN DROPS "PLAY CASH COBAIN" ALBUM

Fresh off being named a coveted Apple Up Next artist, a 2024 XXL Freshman, and Billboard Rookie of the Month, Cash Cobain has shared his highly-anticipated sophomore album Play Cash Cobain (via Giant Music) — with an accompanying music video for his long-awaited Pop Smoke tribute, “Act Like”, which made its broadcast premiere on MTV Live, MTVU, MTV Biggest Pop, BET Jams and on the Paramount Times…

[hiphopvibe1]

Stream: Cash Cobain - "Play Cash Cobain"

Continue reading Stream: Cash Cobain – “Play Cash Cobain”

[saturnsbabyboii]

The Black Moon Lilith in the signs and houses (Our core fear, inner saboteur, healing and transformation)

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Note: I heavily use the work of Laura Walker’s book that I will reference. I used her wording and point of view from the book because she worded better than I could. So don’t come for me with any plagiarism crap. Thank you.

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"power comes from strife"

                                                 ୧‿︵‿୨

Black Moon Lilith operates on unseen levels. It pertains to hidden information, exposes secrets, and brings our core and primary fears to light. Fears from our shadow side cause us to undermine ourselves, and even others. Black Moon Lilith is the lingering feeling that stabs your consciousness and triggers you; If you don't listen to it, you'll grow vicious and paranoid of others and yourself.

My interpretation of the shadow is that it is the home of our primal fear. A fear that has significant power in our lives. It is based on primal, instinctual levels and operates on survival principles. The primary fear is a primary motivator for many of our life decisions.

In the book "The Astrology of the Black Moon: A Guide to Healing the Shadow Side" (Walker, 2011)

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The writer identified the twelve signs and their innate and core fears:

ARIES: fear of unworthiness

Theme: The Shadow of Success

Primary Fear: fear of unworthiness

Self-judgment: how well one performs or measures up

Issues: success; identity; questions about inherent value, self-esteem, and merit

Projection: others‟ success and worthiness are based on what they have attained or accomplished

Goals: to not compare yourself to others; to not measure personal success by anyone else standards, to value yourself as a unique expression of the Creator, therefore, creating self-esteem

Manifestation: The Black Moon in Aries manifests in the intense quest to be valued and feel worthy. However, a deep-seated feeling of unworthiness is in conflict with this quest, often causing beneficial opportunities to be passed up. In life, we are only able to receive what we think we deserve, and when we feel undeserving, we will avoid or reject people, jobs, or options that we feel are too good for us. Self-sabotaging behavior often occurs with the Black Moon in Aries. There can also be a need to prove ones worthiness to others, even in the form of subtle bragging. The Black Moon in Aries staunchly defends itself and rejects anything that does not fall in line with its ideas and beliefs. 

Healing and Transcending:

With the Black Moon in Aries, the belief in inherent unworthiness must be faced. Simply by virtue of being born, we are entitled to and worthy of the joys of life. If All is One, then none are less than others. Each of us carries a spark of the Divine - none are excluded. Healing occurs when we are able to see ourselves as successful and worthy because we are a child of the Universe. When we recognize this, we understand that all other gauges are external and superficial. By holding ourselves in high regard, we naturally align with our highest and best.

Examine where you have settled for less than you wished.

Ask yourself what you would do if somehow, magically, a wand was waved and you were deemed worthy. Strive to connect with this vision. 

Ask yourself how much the appearance of success plays in your life. 

Ask yourself what you are always trying to win. When you discover the answer, decide if you really want it. Is it worth the effort? By practicing the awareness that you do not have to be the best in every situation, you will come to a natural state of internal balance.

Black Moon in Aries: Johnny Cash, Kurt Cobain, Albert Einstein, Elizabeth I, Mahatma Gandhi, Michael Jackson, Prince, Vladimir Lenin, Mary Queen of Scots, Justin Bieber, Katy Perry, Mark Zuckerberg

Black Moon in the 1st House 

Challenges: The greatest challenges of the shadow are deeply related to how we feel about ourselves. The shadow side is ingrained in how we use our personal energy, what motivates us and our sense of overall wellbeing. Personal appearance or the way we appear to others is often a major concern. If the shadow is heavily in control, our behavior patterns will strongly reflect it. This placement of the Black Moon is intensely personal and our shadow issues will have a dramatic impact on our lives. 

Gift: The gift of the shadow is the vast amount of personal energy at our disposal. This level of energy can produce fantastic healers and immensely creative individuals. We can accomplish monumental feats and have an uncanny ability to turn “negatives” into “positives.”

TAURUS: fear of scarcity

Theme: The Shadow of Security

Primary Fear: fear of scarcity

Self-judgment: how secure/safe one is by the level of comfort

Issues: having enough to feel safe; compulsive consumption; insecurities

Projection: the tendency to criticize others for being lazy, irresponsible (especially with money), or unconventional

Goals: to not fill the void with “things,” to stretch beyond your comfort zone

Manifestation: With Black Moon in Taurus, the more we have, the more comfortable we feel. In turn, the more comfortable we feel, the safer we think we are. With this placement, there is an intense need to feel comfortable because there is a generalized feeling of being unsafe in the world. The Black Moon in Taurus manifests in an almost insatiable desire to consume and accumulate possessions, money, or anything that makes us feel safe and secure. However, no matter how much we acquire, it will never be enough because the void that we are trying to fill cannot be filled in this way. It may be filled momentarily, but the core feeling of insecurity will soon return. Oftentimes, the end result of this constant attempt to satisfy the fear of not having enough is the accumulation of debt, weight, or responsibilities – usually the exact things we are trying to avoid. With this placement of the Black Moon, there is an intense need to feel satisfied. Insecurities are held very deeply and there is tremendous fear of others knowing those insecurities. 

Healing and Transcending:

The belief that the world is unsafe must be confronted. Integrating the idea that we have all that we need inside is what heals this shadow. When we build on who we really are inside, we no longer need to accumulate possessions to feel secure. When we accept that all is going according to a divine plan, we no longer need to fear the events of the world. No matter what, each of us always returns to our Source. This is the security that Black Moon in Taurus seeks.

Cut back on whatever is filling the void. This will bring immediate discomfort and it will leave you with time on your hands. It is important to learn how to “not do” – to become comfortable with stillness. The next time you feel the need to take on more, buy more, or eat more, go and sit by yourself and put on some music, read, practice yoga or throttle down in some way. By practicing being still when you are most uncomfortable, you will be feeding your inner world and requiring less from the outer world.

Black Moon in Taurus: J.S. Bach, Patsy Cline, Howard Hughes, Abraham Lincoln, Wolfgang Amadeus Mozart, Wilhelm Reich, Henry David Thoreau, Vincent van Gogh, Lady Gaga, Kanye West, Lana Del Rey, Bruce Lee, Celine Dion,  Joseph Stalin

Black Moon in the 2nd House 

Challenges: The greatest challenges of the shadow are deeply related to how secure we feel. Financial considerations seem to plague us. The shadow side blurs the lines between emotional needs and material/financial needs; attitudes toward partners can hinge on security issues. The shadow side is ingrained in our value systems, which can at times seem at odds with our behavior. 

Gift: The gift of the shadow is the generous, comfortable feeling we engender in others, resulting in many meaningful, lasting interpersonal relationships. People truly enjoy being with us, finding us not only charming but disarming.

GEMINI: fear of rejection

Theme: The Shadow of Acceptance 

Primary Fear: fear of rejection 

Self-judgment: how one compares to others 

Issues: whether others approve or disapprove 

Projection: labeling others as selfish; distaste for people who fail to do “the right thing” 

Goals: to not care if people like or want you, to not compare yourself to others, to express your individuality 

Manifestation: 

Those with the Black Moon in Gemini are morbidly afraid of rejection. They are people pleasers, which often leaves them wondering “what it is we ourselves like and dislike”. This shadow manifests as a need to make decisions or act in accordance with whatever gains acceptance from others. It is damaging to the soul to pursue a life that others wish for us, as it comes at the expense of the expression of individual talents. Actions based on or motivated by another leads to a suppression of the true self. It is a great disservice not to explore who we really are. It is also dangerous to “over-do” for others in hopes that they will like us; ultimately it leads to burn out. At the other end of the spectrum, this placement causes sudden and severe reactions to anything that hints at potential rejection, often causing serious challenges with relationships because we will reject someone before they can reject us. The Black Moon in Gemini will bail out too early or stay way too long. 

Healing and Transcending: 

With the Black Moon in Gemini, it is necessary to face the need for others‟ approval. Each of us has something special to offer the world. What is important is not if others approve of us, but if we approve of ourselves. That sounds very cliché, but with Black Moon in Gemini we need to provide our own approval. When you are able to consciously put yourself on the line to be rejected, intending that the outcome will not hinder your spirit, you will have regained the power that is trapped in the shadow side. When the shadow is healed, rejection ceases to be an issue because inner acceptance has been achieved - creating a wealth of talent that is available to the world. 

Examine where you are not being self-“ish” or operating from your true self. 

When making decisions and planning your time and resources, ask yourself who you are doing it for. The answer should always be “for myself – for my highest and best which in turn serves the highest and best of everyone.” This doesn‟t mean you are supposed to forget about others; it means that you put yourself into the equation. Healing this shadow requires vigilant monitoring of your time, energy, and money and how you spend them. It will quickly become apparent when your energy is scattered and whose approval you are seeking. By practicing making little decisions based on your own needs, you will integrate and balance you in relation to others. 

Black Moon in Gemini: Marlon Brando, Karl Marx, Frank Sinatra, Mark Twain, Mariah Carey, Joe Biden, Muhammed Ali, Frida Kahlo, Harrison Ford, Stephen Hawking, Shia LeBeouf, Kendrick Lamar, Yoko Ono

Black Moon in the 3rd House 

Challenges: The greatest challenges of the shadow are deeply related to self- expression. The shadow side is ingrained in rigid attitudes and strong opinions that can cause us an endless amount of trouble. At times there is overwhelming confusion about the direction we want to take in life. Early life has a more pronounced effect on us than others. The outgrowths of childhood weave their way through later life in the most resolute ways. Issues with siblings can linger throughout adulthood. 

Gift: The gift of the shadow is our uncanny, exacting powers of observation and communication. These talents can be applied in a multitude of ways. Also, our accuracy in perceiving situations gives us a definite advantage in life.

CANCER: fear of abandonment

Theme: The Shadow of Support 

Primary Fear: fear of abandonment 

Self-Judgment: how well one is supported; how much others do or give 

Issues: dependency; co-dependency 

Projection: tendency to dislike those we deem “needy” 

Goals: to do things for ourselves, to not be dependent or “clingy” 

Manifestation: 

Black Moon in Cancer carries a pervasive feeling of being unable to take care of oneself. This shadow manifests in the need to manipulate situations so that one is dependent on others. In this way we are assured of not being alone. This distorted sense of support wreaks havoc on relationships, as others feel burdened or smothered. Many times with the Black Moon in Cancer we feel unappreciated for the things we do for others. The chronic feeling of not being supported halts personal growth, as personal needs are met by others, not by ourselves. 

Healing and Transcending: 

The dependence on others for support must be faced. We must provide our own support by not abandoning ourselves. This means taking care of and addressing our own needs. Action that is in favor of self-sufficiency is in order. Action that is undertaken for others should be unconditional. When the concept of Oneness is integrated, the idea of abandonment is no longer valid and relationships naturally equalize to a state of balance. 

Begin doing the things that you want others to do for you all by yourself. The next time you need something that you would normally ask another to provide for you, go ahead and get it yourself. Begin with small things but work your way up to major ones. 

Do something that you never would have done on your own. By practicing doing more for yourself you will balance the shadow that depends too heavily on others. 

Set up individual systems of support such as retirement funds or other accounts. 

Black Moon in Cancer: Jimi Hendrix, Henry VIII, Janice Joplin, John F. Kennedy, Jr., Malcolm X, Princess Diana, Jennifer Aniston, Elvis Presley, Jay Z, Robin Williams, Paul McCartney, Charles Manson, Naomi Campbell, Kobe Bryant, Rupaul, Paul Newman, Al Capone

Black Moon in the 4th House 

Challenges: The greatest challenges of the shadow are related to our foundation and sense of home. The shadow is ingrained with an overidentification with home and much effort is devoted to cultivating a feeling of belonging. With this placement, relationships with parents (particularly the mother) are often difficult, especially if our parents did not provide a strong home. There is a tendency to be stuck in the past and/or unable to forgive and forget. 

Gift: The gift of the shadow is the ability to not only be sensitive to, but accommodate other people needs. If we truly trust someone, we will provide whatever is necessary to make that person happy, making us exceptional partners.

  LEO: fear of change

Theme: The Shadow of Order 

Primary Fear: fear of change 

Self-judgment: the level or station one has achieved 

Issues: order; position; arrogance; self-centeredness; jealousy 

Projection: distaste for or identification with overbearing, vain, or “selfish” people 

Goals: to identify and vocalize others‟ talents and strengths, to identify the opportunities presented by changes, to eliminate feeling jealous 

Manifestation: 

The Black Moon in Leo assaults the ego. It manifests in egocentricity and arrogance. With this placement we are frequently accused of being selfish. This is because our attention is naturally attracted to whatever reinforces our position in life. Any ideas to the contrary are quickly dismissed. The fear of change morphs into the fear of losing face or losing position. Rigid attempts to maintain the existing order, framework, or mindset are common and can lead to exhaustion. 

Healing and Transcending: 

With the Black Moon in Leo, the need for classification and designation must be faced. In truth, there is no hierarchy – All is One. Change is the nature of the Universe and change brings the opportunity for growth. We each have roles that we slip in and out of; the key is to fluidly take on positions and situations where we both lead and follow so that nothing remains static. It is also important to remember that, by definition, Divine Order is never threatened. 

Give to others. Black Moon in Leo has a tremendous capacity to uplift. ø When you encounter new situations, consider how you could empower someone else who is involved. How could you make them feel more important? Think about how you could give something of yourself to someone else. 

When you are with others, practice trying to discover something very special about them in that moment and then casually mention it. 

Try new things. By practicing changing the order of things, you are healing your shadow. 

Black Moon in Leo: Charles de Gaulle, Ernest Hemingway, Elizabeth II, Lyndon B. Johnson, John F. Kennedy, Robert F. Kennedy, Marilyn Monroe, Vladimir Putin, Jim Morrison, Pablo Picasso, Christopher Reeve, Franklin D. Roosevelt, Leo Tolstoy, Barack Obama, Rihanna, Adele

Black Moon in the 5th House 

Challenges: The greatest challenges of the shadow are related to the ability to truly enjoy life. This shadow is ingrained in pursuing, but having difficulty finding, pleasure. We are prone to take risks in order to feel stimulated. Issues with the father are found with this placement. The father may have been absent or neglectful, especially if Saturn is prominent. This shadow side may also center on children, either wanting children and not having them or not taking care of ones children. 

Gift: The gift of the shadow is resiliency. No matter how disappointed we become, we are rarely down for long. We are excellent problem solvers and leaders. We adapt well to changes and can fluidly change course in mid-stride.

  VIRGO: fear of failure

Theme: The Shadow of Ability

 Primary Fear: fear of failure 

Self-judgment: how much one works, progresses, improves, or fixes 

Issues: feelings of being inherently flawed; self-criticism 

Projection: feeling that others are not performing well enough or are incompetent 

Goals: to not focus on flaws or failures, to not do things to excess, to not feel responsible to fix everything 

Manifestation: 

Black Moon in Virgo finds flaws and then internalizes them. This shadow manifests in chronic dissatisfaction, particularly with oneself. With this placement, we often find it difficult to feel positive about ourselves for great lengths of time. All too soon, a generalized feeling of being “not good enough” creeps back in to maintain internal disequilibrium. Black Moon in Virgo constantly challenges our abilities and, in an effort to prove ourselves, we tend to maintain a very full schedule. We work very hard but can have trouble seeing the forest for the trees, as we operate under the spell of having to do more and more to prove to ourselves and others that we are not flawed. This shadow is the most adept at self punishment. 

Healing and Transcending: 

With the Black Moon in Virgo, the need to find fault must be faced. A healthier state of mind is achieved when we recognize that nothing is absolute – there is no absolute right or wrong. All levels of ability have something to contribute. Healing this shadow requires understanding that flaws are an illusion. The crucial thing to understand is that when we have the Black Moon in Virgo, we interpret the feeling of separation from Spirit as somehow our fault. Everyone has the feeling of spiritual disconnection, but Black Moon in Virgo personalizes it. This is the root cause of why we feel flawed. To heal the shadow, we must accept that to some degree, this feeling is merely a by-product of the physical experience of life. 

Examine where you feel you have failed. Upon closer inspection, what caused the “failure?” Was it really your fault? Was there really more you could have done or was it just not meant to be? Can you forgive yourself and others for not doing better? 

Can you walk away from “failures” and feel enriched simply by having had the experience? Time is the true test of what is, at the time, perceived to be a failure. By focusing on the experience as opposed to the outcome, the shadow of ability is healed.

Black Moon in Virgo: Alexander Graham Bell, Benazir Bhutto, Sigmund Freud, Galileo, George Washington, 14th Dalai Lama, William Shakespeare, Jon Bon Jovi

Black Moon in the 6th House 

Challenges: The greatest challenges of the shadow are related to health and work. At times there can be problems with co-workers, particularly regarding perceptions of our work performance. The shadow side is ingrained in the level of self-discipline we have. We may be accused of being disorganized. There is also a tendency to vacillate between ignoring our body and focusing too much on it, leading to concerns over health. 

Gift: The gift of the shadow is a keen insight into the interrelatedness of things. We often hold a warehouse of information that others find helpful.

LIBRA: fear of loneliness

Theme: The Shadow of Perfection

Primary Fear: fear of loneliness/isolation 

Self-judgment: personal “flaws” are harshly judged 

Issues: perfection; unrealistic expectations; boundary issues 

Projection: criticism of others, particularly the criticism of how things appear 

Goals: to not have to have things be perfect, to be comfortable being alone, to see gray - not just black and white, to not be judgmental 

Manifestation: 

Black Moon in Libra values impeccability and holds everything and everyone to a high standard, especially oneself. This shadow involves pursuit of the “ideal” and keenly feels the separation from spirit. The Black Moon in Libra manifests in intense self-judgment and fragmentation of the self into pieces that are either acceptable or unacceptable. This shadow breaches boundaries and sorts through everything in an attempt to perfect it. It seeks excellence. This results in an unending series of disappointments and can form schisms in relationships. Maintaining any semblance of perfection is exhausting for anyone, but with the Black Moon in Libra, we often find ourselves complaining about being tired or not having enough time. Indecisiveness and self-deprivation are also characteristic of this shadow. 

Healing and Transcending: 

With the Black Moon in Libra, the need to judge must be faced. This shadow is strongly connected to the journey through the judgment of the Underworld and subsequent rebirth in a whole new way (see Chapter Five on the transits of the Black Moon). It is actually a journey to find what is truly of value. When we are able to see that love is truly the only thing of value, we find inclusion instead of separation. We begin to love all of the parts, not just some of them. When we understand that everything is connected, we see that the fear of separation is an illusion. Healing the shadow of perfection is about seeing our own (and others‟) inner perfection by allowing the “ideals” of the outer, material world to fall away. 

Assess your values. When you find yourself being critical of others, ask yourself if you dislike that same thing in yourself. Examine how you separate yourself from other people. Is there a need to keep some part of you distinct from others? 

When you find yourself being critical, find something valuable about the situation. You might not feel like certain things about you or others are perfect in appearance, but you may find that they are highly valuable in functionality. By practicing finding value, the shadow that believes in the idea of perfection is healed. 

Black Moon in Libra: Ralph Waldo Emerson, Benito Mussolini, Tupac Shakur, Nikola Tesla

Black Moon in the 7th House 

Challenges: The greatest challenges of the shadow are related to partnerships and commitment. This shadow side is urgently motivated to seek mutually-fulfilling relationships, which are often elusive. Also, other people find ways to take advantage of us, sometimes to the point of betrayal. Many times life seems unfair to us and others would probably agree. In the midst of this, there can also be issues of dependence or neediness. 

Gift: The gift of the shadow is our ability to perceive and create beauty from the smallest things. Innately tuned toward balance, we easily see what is missing and then endeavor to rectify the situation. This is a very valuable skill that can be translated into many different applications.

SCORPIO: fear of loss

Theme: The Shadow of Death 

Primary Fear: fear of loss 

Self-judgment: based on what one has won 

Issues: winning vs. losing; issues with death/endings 

Projection: rescuing others 

Goals: to not always have to win, to learn how to have closure, to not have to rescue, to not struggle so hard 

Manifestation: 

Black Moon in Scorpio will go to extreme lengths to save, assist, rescue, or win. This shadows favorite prize is something that was hard won. The Black Moon in Scorpio manifests as a deep well of despair with desperate attempts to climb out. We cling or attach to anything that stems the feeling of free-falling through life. Daily life is frequently viewed as a battle to win in order to stave off deepening feelings of loss. Sometimes even casual encounters are judged according to what was won or lost in the exchange. Black Moon in Scorpio is very strong energy that can cause intense levels of anxiety. We are especially attracted to people who are in need of assistance or who are “persecuted” in some way, as this is the preferred method to vicariously save ourselves. 

Healing and Transcending: 

With the Black Moon in Scorpio, the need to struggle must be faced. Nothing is ever really lost because there really is no death – only transformation into a new form. There is no need to plunge to the depths just to prove that we can win or to try to keep things from ending. Practicing the arts of gratitude and surrender is what facilitates the shift from the perspective of loss to the perspective of love. Material things fall away, but love endures forever. 

Become comfortable with losing. It is essential to let go of anything that you are overly attached to. 

Examine where you have invested most of your energy. Is it a losing battle? Instead of dealing with loss in an indirect way, consciously take action to give up. Imagine how relieved you would feel. 

Take steps to practice ending the smallest things (like phone calls) and work up to being able to step away from situations that cannot be saved (like dead end relationships). You may be surprised to find that something else was waiting all along - you just couldn’t see it while you were busy running away from it. This is the nature of death or endings. They always precede rebirth and beginnings. 

Black Moon in Scorpio: Alexander the Great, Winston Churchill, Nostredame, Steve Jobs, Emily Dickinson, Pope Francis, Walt Disney, Jeff Bezos, John D. Rockefeller, Albert Schweitzer, Mother Teresa, Eminem, Taylor Swift, Johnny Depp, Beyoncé, Dwayne Johnson, Notorious B.I.G

Black Moon in the 8th House 

Challenges: The greatest challenges of the shadow are related to death, inheritance, investments, and sex. This is the most difficult house placement for the Black Moon. The shadow side is ingrained in loss; in fact, we may feel that our lives lead only to loss. With Black Moon in the eighth house, chronic anxiety may be present. 

Gift: The gift of the shadow is our great depth of compassion and ability to see beyond the surface. We quickly ascertain people true motivations. Our wisdom and insight is a great benefit to those with whom we are close.

SAGITTARIUS: fear of meaninglessness

Theme: The Shadow of Truth 

Primary Fear: fear of meaninglessness 

Self-judgment: based on intentions and motivations 

Issues: issues related to truth and honesty 

Projection: distaste for people who lie or people who are naïve 

Goals: to not have to have the ultimate answers, to tolerate the ordinary, to not always need “proof” 

Manifestation: 

The Black Moon in Sagittarius manifests in an intense relationship with the concept of “truth.” There is a great need to discern the superlative truth in all things, which causes a never ending sequence of questioning. More importantly, we need to feel like people are telling us the truth, as we do not automatically believe anything simply because it was said. Relationships can become stressed if our partners feel that they always have to prove that they are telling the truth. Themes of deception often play a role in our lives, perhaps as a victim of deception. Ongoing questions about not only our purpose in life, but the purpose of life characterize this shadow. Feelings of stagnation are not tolerated well. 

Healing and Transcending: 

With the Black Moon in Sagittarius, the need to continue searching must be faced. At some point, one must simply believe. Ultimately, all searching for the truth leads back to the truth that All is One. What is meaningful? Whatever we choose as meaningful is meaningful. This shadow is healed when we see that each of us has an interpretation of truth, which eliminates the need to find one superlative truth. 

Take up the mantle of responsibility for creating meaning in life. Meaningfulness is found by assessing what is truly important. What is meaningful to you? When you know the answers to this question, you will have created truth – the truth according to you. Devotion of your life to your own truth heals the shadow that never believes that truth really exists. 

Black Moon in Sagittarius: Helena Blavatsky, Napoleon Bonaparte, Thomas Jefferson, Carl Jung, Martin Luther King, Jr., Jack London, Claude Monet, Ronald Reagan

Black Moon in the 9th House 

Challenges: The greatest challenges of the shadow are related to our outlook or philosophy in life, religion, spirituality, higher learning, the law, and the world at large. This shadow is deeply concerned with issues of morality. We hold strong opinions, often leading to conflicts with others. There is a tendency to feel disconnected from others or from ourselves. We may even feel compelled to isolate ourselves from the world around us. 

Gift: The gift of the shadow is a keen intellect that we are able to translate into many fields of interest. Our knowledge encompasses a wide spectrum, affording us the ability to relate to many different people, should we so desire.

CAPRICORN: fear of neglect

Theme: The Shadow of Control 

Primary Fear: fear of neglect/ not being acknowledged 

Self-judgment: how well one stands out or apart 

Issues: control issues; attention-seeking behavior 

Projection: negative reaction to bossy, showy, or attention-seeking people; rebellion against being told what to do 

Goals: to be comfortable when not in control, to stand up for yourself 

Manifestation: 

The Black Moon in Capricorn manifests as a need to control the course of events. When this shadow dominates, we have a tendency to be demanding. We can go to extreme efforts to gain attention. We have definite ideas about the way things should be and others often succumb to the force of our will. Frequently we refuse to give up until someone – anyone - acknowledges what we have to offer or agrees with what we think is best. A little bit of recognition goes a long way with us, but so does a little bit of neglect, and Black Moon in Capricorn has a long memory. But interpersonal relationships suffer when we wear down another free will to come into compliance with our own. This results in lackluster relationships where the joyful spark of life becomes extinguished. We are very hard workers, but we can also expect a lot from others. 

Healing and Transcending: 

With the Black Moon in Capricorn, we need to examine what we are trying to control. We also need to give ourselves the recognition we seek. When we are able to do this, there is no longer a drive to ensure that others follow our wishes because we already have what we need. 

Examine where you need to have your way. Observe yourself carefully. Are you telling someone how, when, or what to do? Practice allowing others to go about tasks in their own way. 

Ask others what they would like to do and then do it. Enjoy the feeling of not being responsible for everything. Freedom, spontaneity, and a joyful feeling for life will return when the pressure to be a certain way is removed. 

Black Moon in Capricorn: Leonardo da Vinci, Farrah Fawcett, Jacqueline Kennedy Onassis, Machiavelli

Black Moon in the 10th House 

Challenges: The greatest challenges of the shadow are related to ambition, authority, social status, and responsibility. Tradition and family obligations are important us. This shadow is ingrained in a sense of duty and high aspirations, and we closely monitor our progress in the world as compared to others. We hold high standards and expectations, which can cause interpersonal difficulties if we demand too much from others. 

Gift: The gift of the shadow is our ability to persevere. We are hard workers who take more than our share of any load. When we give our word, we do everything in our power to keep it.

AQUARIUS: fear of powerlessness

Theme: The Shadow of Power 

Primary Fear: fear of powerlessness 

Self-judgment: based on the impact/power one has to get what one wants or needs 

Issues: power issues; power struggles 

Projection: distaste for weak or undisciplined people 

Goals: to learn to ask for help, to not overpower others

Manifestation: 

The Black Moon in Aquarius often manifests in a powerful sense of loneliness. Usually we are keenly aware of our intense personal power and are somewhat frightened by it. Our skills and aptitudes can border on genius, often giving us an air of considerable authority. We have strong faculties and diverse talents that can be used to uplift or to crush others. Black Moon in Aquarius is a force rivaled by few, and the temptation to dominate others can become an ongoing battle. It is simply all too easy to emotionally and intellectually overpower others. Ethical concerns can arise, as we are prone to test our limitations. In situations where we feel powerless, we tend to isolate ourselves so no one will see our “weakness.” This self-imposed prison is rife with internal brutality, as we tend to unleash cruel criticism on ourselves for not being stronger. 

Healing and Transcending: 

With the Black Moon in Aquarius, the tendency to overpower others must be faced. When we recognize that we are all connected, there is no need for anyone to overpower another. Everyone has strengths and weaknesses that fluctuate and change over time. The extra boost of power that accompanies Black Moon in Aquarius can be re-routed back into the collective of humanity in the form of brilliant ideas and creations that uplift the whole. A channel or outlet for this power is what is needed to keep it from blowing up. When the focus shifts to sharing power, all benefit. 

Examine if you abuse your power by neglecting or criticizing others. Do you take advantage of others, however unwittingly? Or do you neglect, criticize, or overextend yourself? 

Ask yourself what you would do with all of your power. It is very important for you to answer this question. Are you more afraid of your power or your powerlessness? Discerning the parameters of personal power is what heals this shadow. 

Black Moon in Aquarius: Robert Oppenheimer, Genghis Khan, Ludwig van Beethoven, James Dean, Jacki Kennedy, Salvador Dali, O.J Simpson, Amy Winehouse, Kid Cudi

Black Moon in the 11th House 

Challenges: The greatest challenges of the shadow are related to our hopes, wishes, and dreams. The shadow is concerned with how we fit into the collective of humanity. Issues of the “self versus others” follow us and we may find that we are often accused of being selfish or self centered. Change is usually difficult for us to handle. 

Gift: The gift of the shadow is the ability to bring people together. We are natural networkers. We are also interesting people to be around and are true innovators.

PISCES: fear of vulnerability/harm

Theme: The Shadow of Trust 

Primary Fear: fear of vulnerability 

Self-judgment: based on how stable ones emotions are 

Issues: trust issues 

Projection: distrust of people who are “too nice” because they must want something 

Goals: to let down your walls with the appropriate people, to be able to discern who is appropriate for you, to focus on self as much as others 

Manifestation: 

The Black Moon in Pisces is tender-hearted. We are afraid that if others discover this, they will use it against us. There is a tendency to judge people and situations based on the potential of being hurt. We may find it difficult to be open or fully intimate with others. It is often hard to trust others and we test them until we feel safe. This shadow can show up overtly (in unmistakable emotional walls) but it can also show up subtly (appearing on the surface to be very open, but upon closer inspection having definite commitment issues). On the flip side, we can also make commitments before trust is gained. By prematurely trusting, we face betrayal or disappointment. In this way, a vague sense of safety is maintained since a deeper sense of intimacy is never attained. The sense of being separated from Spirit is acute with Black Moon in Pisces and the intense desire to not be present in the “here and now” can lead to emotional addictions, addiction to substances, or escaping our own issues through focusing on others. 

Healing and Transcending:

With the Black Moon in Pisces, the need to put up a wall of protection must be faced. The truth is, life can be painful and people hurt us whether they intend to or not. We need to learn to trust the people we know we can trust. Usually this is the person we are with the most, but proportionately open up to the least. We tend to hold ourselves back, but this is a crime against our souls because we are naturally closest to Spirit and have much to share with others. Our shadow is healed when we trust that we are strong enough to withstand any offense. 

Ask yourself when you feel most vulnerable. In what situations do you cross your arms and cover your chest? How do you cover up or cover over who you really are? 

Consider who you physically, intellectually, spiritually, and emotionally open up to the most? It is important to look at the level of trust you have in the people around you and honestly assess if your trust is well-placed. Balancing the shadow of trust is just as much about not placing trust in the people that you know you shouldn’t as it is about allowing someone else see who you really are. 

Black Moon in Pisces: Jesus Christ (allegedly), Prince Charles, John Lennon, Gerald Ford, Judy Garland, Angelina Jolie, Mike Tyson, Madonna, Harry Styles, Miley Cyrus, Ariana Grande, Leonardo DiCaprio, Al Pacino, Elizabeth Taylor

Black Moon in the 12th House 

Challenges: The greatest challenges of the shadow are related to unconscious motivations, addictions, institutions, and enemies. The shadow is deeply ingrained in anything that is hidden. By its very nature, the Black Moon is hidden, making this placement difficult to understand. There is often a side to us that is unknown to most people. We may have a degree of emotional suffering that is not evident to others until they get to know us. 

Gift: The gift of the shadow is our ability to empathize with others. We seem to easily give to others that which we may not be able to give to ourselves. We are complex people who can handle complex tasks and material with aplomb.

╚══════════════ ⛧ ══════════════╝

"Primary fears subvert our personal growth and feelings of happiness. Oftentimes they impede our success because fear is what stops us cold in our tracks when we are venturing into unknown territory. Our choices and actions are directly proportional to the level of control our shadow exerts over us. When the fear that is contained in the shadow side is dominant, we feel unfulfilled and unsatisfied." - (Walker, 2011)

Reference:

Walker, L., 2011. The Astrology of the Black Moon: A Guide to Healing the Shadow Side. Austin, Texas: The Dog Publishing.

[emwheezie]

"Maybe you weren’t a terrible person maybe you were just fifteen" UPDATED

Each character in our story has an important event that helped shape their them. We thought it'd be cool to keep their age consistent across each of these stories. Possible TW in some of these.

Art of Enzo and Lennon in HS.

1996, Meg prepares for her Quinceanera. She doesn’t want to have that big party and have all the attention on her. Meg has been super depressed and kids at school bully her, saying that she is going to kill herself like Kurt Cobain did. She doesn’t want these people at the Quinceanera, but her mom invited all the girls in her class. Her Quince doesn’t go as planned, not ruined by her bullies...but by someone who has been stalking her... 

1999, Tony recruits his older friend Ashley to "be his mom" and sign off on a parental consent form for his first tattoo. He must hide this from his parents... When they find out, they fear this tattoo will halt his "future career as a lawyer."

2000, Liv is convinced by her older sisters go out on a mini “sister only road trip.” After driving around for an hour or two, they abandon Liv at a gas station, teasing her that it’s “sisters only” and she isn’t a real sister because she is adopted. 

2000, Gia fights with her first girlfriend, leading to their breakup. They share one last “goodbye” kiss. 

Gia’s story continues into Theo’s  

2000, Theo is super high and accidentally walks into the girl’s locker room where he finds Gia making out with some girl. Theo didn’t know girls could do that with each other. 

2001, Rosie is asked to step down from her school’s dance team because of her recent weight gain.  

2001, Enzo witnessed a murder. The criminal gang paid him off with a duffel of cash to forget what he saw. This moment changed his brain chemistry and explains how Enzo seemingly has an endless amount of cash and no job or parental assistance. (This is backstory is mostly comic relief and played off much less serious than the others.)

2001, Oli and his friends decide to wear dresses to school one day during spirit week. Oli steals a dress from his sister. After the group of boys make their statement and take pics, they change back to their regular clothes. Oli didn’t get the memo and is stuck in the dress all day. He gets teased and feels insecure. His asshole friends think it’s hilarious and won’t let him borrow any clothes. He’s stuck like that for the day. Once the teasing calms down, Oli realizes he kind of likes wearing the dress. O_0 

2002, Lennon hasn’t showered for about 4 months. He gets bullied for being greasy and cuts off all his hair in the school bathroom. Enzo is sitting in the big stall, skipping (art) class to draw dragons in his sketchbook. He thinks Lennon is such a weird little dude and befriends him. The next day, BigMac gives Lennon $20 to go somewhere professional to get his hair looking half decent after he went ham on it. Instead, he and Enzo spend the money on something stupid. He lies to his dad about how he spent the money. 

2004, Alyssa is severely bullied at school for her love of plushies. The one thing she cares about most is her mall job at Build a Bear. Her school bullies haze her while she’s at work, ending with them destroying the store. They throw the unstuffed bears and knock over displays. They get to the stuffing machine and let it rip fluff everywhere. The bullies escape before mall security and police arrive. Alyssa gets fired from her job because of this incident. It’s not fair, but her manager felt it was the easiest solution to avoid this happening again in the future. :(  

2004, Park makes a trek to Area 51 from his Florida home to find his dad.

[invisibleraven]

46 shimmer for Willie (& / anyone)

"You ready hot dog?" Willie called out.

"I can't believe I let you talk me into this," Alex grumbled as he exited the bedroom. His skin was pale, and covered with a silvery shimmer, the fangs poking out over his lips. "Next year I get to choose the couples costumes."

Willie bit his lip, then gestured to his bare and glistening torso. "At least you get a shirt."

"You're the one who wanted to play the werewolf," Alex commented, crossing his arms, cursing when he looked down. "I'm going to be leaving a trail of glitter all over town, while you're gonna be ogled by everyone for your hotness."

"I mean, I think I have a Team Jacob shirt around somewhere..."

"First of all..." Alex then rubbed the space between his eyebrows. "You know what, I am not questioning your history as a TwiHard fan who had a shirt choosing one of the terrible love interests."

"I never read the books," Willie said with a shug. "But the movies were so bad they were good. And the guy that played Seth wasn't bad looking."

"Eh, he was alright," Alex replied. "Now, let's go to this terrible party and hope they have copious amounts of booze."

"Ten bucks says Luke is dressed as a famous musician," Willie said.

"No bet, unless you wanna vote Cobain versus Sid Vicious."

"I wouldn't know the difference," Willie admitted. "You wanna take a bet which couple Reggie and Julie are dressed as? My money is on T Bird and Pink Lady."

"You just wanna see if you can get them to sing Summer Nights," Alex replied. "And they'll be Johnny and June Carter Cash for sure."

"Ten bucks?"

"And the next round of dishes." They shook on it and took off.

In the end, neither of them won anything-Luke, Julie, and Reggie decided to announce their new relationship status by dressing as the pieces of a s'more. Willie and Alex were okay with that though, because it lead to a slew of cracker and marshmallow related jokes on the boy's expense.

But Julie totally got back at them by grabbing Willie to shove him into her old Team Edward shirt for photos. But given Alex's costume, Willie supposed that he could switch teams-at least for tonight.

[x-heesy]

🅾🆄🆃 🅾🅵 🆃🅷🅰 🅷🅴🅴🆂🆈:

Gimme a second to get me a breath and a pic of this moment to show

I'm an omen of death, and I'm blessing the one and the eight and the seven

'Til nobody left, see that Grey, the inventor of madness a bitch in the back of my whip

And it's crashing inside of my cabin, I'm planning, attacking a pack of some crack

And I'm playing, I go for the bottle instead of my nostril my genie the devil

He keeping me level, I wishing for better, he got me a shovel to bury me under

And I don't give fuck about dying at all

I can't live sober

Got in over my head

No one can tell me

I'm not misnomered

Not looked over

So underrated

So slept on that

I woke up with a god-damn pillow for a head

Smoking all day, take a pill and then I bed

Riding with Zed, got Water to my left

Odiato boutta whip us off a god-damn bridge, I'm gone

Ay, yo, let me call you back

I'm listening to this Saliva shit

Boy, this shit going tough!

Bust yo motherfuckin head

With a motherfuckin sledge

I'ma eat yo fucking soul

With the fork up in my hand

I got big hoes, no simp though

You follow the trail of my weed smoke

And my pistol make six holes

Too sick, though my mental

Don't like me, don't like you

Solo 'til I bloom

I no sober, roll over

Froze over my tomb and I

Ascend to the sky

Soaking up rain 'til the world is on fire

Fuck all this rapping, I'm 'bout to retire

All of y'all copy shit like an imposter

And I'm on my lava shit, world an apocalypse

So I be cocky and flaming humanity

I don't want nobody visit my grave or my tomb when rot and I soak into death, uh

Kill it the villain, the murder, I feel it

And I am the ceiling, I'm high, I'm acidic

I pull up with the motherfucker zed

I pull up and a motherfucker dead

I don't really want no fame, no cash, no sane

I'ma get it and get it and I'ma go Cobain

I'ma zip it and zip it 'cause I done upped my weight

I got everything I want and I'ma cut my vein, yeah, uh

I don't like talking that shit

Walking that bitch like a bark on my wrist

187, that murderous shit

And I know you ain't heard of us yet, we impeccable

Next to nobody, we puffin the chemicals

Scraping residual, loving the fear I form

I am the final formation of drooling depression, I turned into grey, uh

GIMMΞ Д SΞCФИD БУ SДLIVД GЯΞУ 🎧

[sl0wdiver]

This is a football blog primarily of course, but I'd like to take a moment if I may to pay respect to one of my favourite musicians and bands to have ever lived. Felt a bit weird that I only remembered it's 30 years since Cobain died at like 7:45pm this eve, but it's not stopped me playing Live At Reading '92 loud enough to wake the dead.

If you'd known me back on my old and now long-gone blog from like 2014/15, Nirvana stuff was every other post pretty much. This band mean SO fucking much to me. I've had at least 3 Nirvana phases in my life. Coming back to them never gets old. The talent to make the loudest music imaginable with more meaning that pretty much anyone else has ever conveyed has been a constant in my life.

I'm a long way from the mopey, directionless teen who first got into them. But I've never forgotten the meaning they imbued in myself, and the true test of time is the fact that everything they made still hits it for me every damn time. I wear flannel shirts because of this band. I have playlist after playlist filled with their music, and the many other things they got me into.

I am 26. I wasn't alive when Kurt was around. I will cash my chance in to be sad at the fact that he isn't here. I wasn't born in the wrong generation, but I will mourn someone who lived way before me because his music has shaped my life. And I will allow myself to be that self-indulgent and cheesy on today of all days.

If all of this means shite all to you because you're too young to have found Nirvana yet, I implore you to change that. It's never too late to start. 💙💙

[thelensofyashunews]

CASH COBAIN ANNOUNCES PLAY CASH COBAIN LP

With his triumphant Billboard Hot 100 debut and current opening slot on Ice Spice’s Y2K! World Tour, the 2024 XXL Freshman and April Billboard Rookie of the Month, Cash Cobain, has announced that his sophomore LP Play Cash Cobain will arrive later this month on August 23rd and shared the album's lead single, "Problem". Bolstered by a prominent sample of Brooklyn newcomer Laila!'s viral hit "Not My Problem", the long-anticipated posse cut boasts a stacked lineup of features from the likes of Fabolous, Big Sean, Kenzo B, Lay Bankz, Luh Tyler, Anycia, Chow Lee, Kaliii, 6lack, Flo Milli, YN Jay, FLEE, Don Q and Rob49. The song first gained traction after Cash teased his remix for Laila!'s viral "Not My Problem" SoundCloud beat challenge. After he started sending the instrumental out to close collaborators like Chow Lee and FLEE, the trend struck fire, and the verses started pouring in daily on social media — to the point that Billboard ranked the star-studded versions pre-release (read here).

Cobain's debut national television performance at the BET Awards reached a staggering audience of 3 millionviewers, while recent powerhouse single "Rump Punch"(15M Streams) continues to explode, solidifying that his long-awaited forthcoming LP is here to extend the Slizzy Summer indefinitely. This week, Cash had an electric pair of performances on Ice Spice's sold-out NYC dates, with Rolling Stone noting -– "Cash is one of the coolest artists in the game, boasting a signature sound replete with a dance that simulates a flowing ocean current. The young crowd ate it up...". After the show, fans were thrown into a frenzy when a picture of Future and Cash hit social media on his well-recognized fan-page Slizzyfeed.  

Cash’s sophomore release, Play Cash Cobain, is the exclamation point on a 2024 winning streak that includes the Ice Spice-assisted "Fisherrr" (feat. Bay Swag) (40M Streams), which was hailed by Funkmaster Flex during Cobain’s Hot 97 Summer Jam performance as the festival's biggest song, as well as a collab with rap legend J. Cole on “Grippy” (15M Streams), a new version of his 2023 track “Dunk Contest” (13M Streams).The rapper and producer also recently featured alongside Charlie Wilson on Don Toliver's new single "Attitude" (86M Streams), appeared on A Boogie Wit da Hoodie’s “Body”, and produced Lancey Foux’s"Daylight"(feat. Teezo Touchdown), showcasing why COMPLEX proclaimed that summer 2024 is “looking very slizzy".

With the success of Cobain’s smash singles "Rump Punch" and "Fisherrr", the latter being an undeniable song of the summer, the Bronx superstar has skyrocketed to over 4M Monthly Listeners on Spotify, entered the Top 3 NYC Shazam Charts, and occupied the #1 and #3 slots of the NYC Apple Music Charts as well as #7 on the Urban Radio Charts. Cash is a visionary, and his recent 'Slizzy Fest' birthday show at Irving Plaza flaunted a stacked lineup of New York’s elite — along with rumors of a surprise set from a certain A-list superstar. With Slizzymania in full effect, the growing crowd caused security concerns and the show was ultimately canceled –– but Cobain, a man of the people, wanted to ensure his fans got their money's worth. Armed with his passion and a Bluetooth speaker, Cash led the ecstatic crowd down to Union Square and threw a makeshift show, an indisputable nod to honoring the traditions of NYC Hip-Hop (read 'I Went to Cash Cobain’s Slizzyfest and All I Got Was That Classic NYC Feeling' via Rolling Stone and his statement in Billboard). Cobain has since hinted at collaborations with Frank Ocean, Travis Scott, Lil Yachty and more –– a sure sign that superstardom is soon to come. With his extraterrestrial R-rated anthems, ethereal production, playful sexy drill sound, and the inescapable Slizzy Movement in full effect — there may not be a spotlight bright enough to shine on Cash Cobain's future.

[withbellzon]

[deadcactuswalking]

REVIEWING THE CHARTS: 14/09/2024 (Linkin Park Reunite! + Central Cee/RAYE, Fred again.. - ten days)

Sabrina Carpenter may no longer hold the top three of the UK Singles Chart but she still hangs onto the top two with “Espresso” at #2 and “Taste” at its third week at #1. It’s an interesting one so welcome back to REVIEWING THE CHARTS!

content warning: language, discussion of sexual assault

Rundown

As always, we start with our notable dropouts, those being songs that exit the UK Top 75 (which is what I cover) after five weeks in the region or a peak in the top 40. This week, we bid farewell to a long list of hits, including “Double Life” by Pharrell Williams, “Bring Me Joy” by Rudimental and Karen Harding, “Pour Me a Drink” by Post Malone featuring Blake Shelton, “misses” by Dominic Fike, “360” by Charli xcx, Badger’s remix of “These Words” by Natasha Bedingfield, “Fortnight” by Taylor Swift featuring Post Malone, “Happier” by The Blessed Madonna featuring Clementine Douglas, “Dancing in the Dark” by Bruce Springsteen, “Houdini” by Dua Lipa and finally, “Evergreen” by Richy Mitch & the Coal Miners. Whew.

Now what ended up replacing this mass exodus of songs? Well, other than the new tracks, which we have plenty of, we also have re-entries for “i like the way you kiss me” by Artemas at #74, “Iris” by the Goo Goo Dolls at #69 and “Numb” by Linkin Park at #41, which we’ll get to. We also see a few boosts for “Scared to Start” by Michael Marcagi at #65, “Belong Together” by Mark Ambor at #59, “Carry You Home” by Alex Warren at #36, “WILDFLOWER” by Billie Eilish at #30, “We Play” by Coldplay and friends at #26, “The Door” by Teddy Swims at #16, “Sailor Song” by Gigi Perez at #13, “Move” by Adam Port, Stryv and Malachiii at #12 and “Somedays” by Sonny Fodera, Jazzy and D.O.D at #10, with most of the higher gains filling in for Oasis losses.

Our top five in the UK Singles Chart this week consists of: “Please Please Please” by Sabrina Carpenter at #5, “The Emptiness Machine” by Linkin Park at #4 (yes, I know, we’ll get to it), “Good Luck, Babe!” by Chappell Roan at #3 then of course, Sabrina with the top two. As for what’s below, it’s pretty interesting so let’s start right at the bottom.

New Entries

#75 - “Embrace It” - Ndotz

Produced by RJ Pasin

We start with… what? Okay, so Ndotz is a rapper from the UK who imitates Cash Cobain’s cover art gimmick on this single’s art, but the music is anything but, going for a bass-heavy rhythm not dissimilar to a Neptunes beat but with bass so blown-out it basically comes as its own bass-boosted meme version, which makes sense given that it’s barely two minutes, mentions TikTok in the chorus and commands girls to twerk, presumably to this song, so the mystery is solved to why this cheap, kind of garbage mix is charting. The worst thing is, thanks to the silly acoustic guitar and the fact you can tell Ndotz is having some fun, I don’t even dislike this. I don’t want to give the obvious, somewhat cynical attempt at virality much praise, I don’t want to “hand it to ‘em”, but I gotta hand it to ‘em. It’s just somewhat funny, and that’s pretty much all it wanted to be. Sure!

#71 - “Circadian Rhythm” - Drake

Produced by London Cyr, Ben10k, Eli Brown and Gordo

So, the embarrassed post-beef Drake has been posting songs on social media, leaking them to his website, hoping the sample gets cleared, then tossing it onto streaming if the reception is positive, and this has been vaguely unsuccessful, with the songs - even potential hits like “It’s Up” with 21 Savage and Young Thug - not making much noise, even with Drake still dissing subliminally throughout these leftovers. This song from the latest re-release of 100 GIGS - in reference to the realest thing he’s ever done: dump a bunch of useless files on a website because he felt like it - is billed as somewhat of a sequel to his 2013 song “The Language” but this all just feels like a demo. The chorus is primarily drumless, filling space with a chipmunk sample, and the verses have oddly webby-sounding snares, with Drake’s verses not fully equipped to the beat yet, and some unclear vocals if I’m being honest where I absolutely had to check what he was trying to say. This might be common for Future but definitely not Drake, whose nasal drone has never been indecipherable. The song ends abruptly, has frankly nothing to say with pretty minimal and vague lyrics about the rap game betraying him and shouting out Toronto artists, which may be the realm he should be in: part of Kendrick’s critique was his lack of identity, and harkening back to when Drake was at least marginally closer to his birthplace may be a step in the right direction regarding that. If this is the Toronto sound, though, this may be the drowsiest of all time because this is clearly a dull leftover, and for Drake, whose discography is no stranger to dull leftovers, when it’s this obvious, that’s just sad.

#70 - “I Adore You” - HUGEL, Topic and Arash featuring Daecolm

Produced by HUGEL, Topic, A7S and Late Nine

The only names I recognised here were Topic and A7S, who had some hits together in 2021, namely the top 10s “Breaking Me” and “Your Love (9PM)”, which were both okay slices of European deep house. Here, the German and Swede DJs team up with HUGEL from France, Iranian singer Arash Labaf who represented Azerbaijan in Eurovision years ago and South African-born Daecolm for a considerably multinational collaboration. Music really is borderless these days so I was interested on how this would mesh, and whilst you can definitely hear Daecolm bring an Afro-house rhythm in both the percussion and higher-register vocals, they’re inserted into a more generic tropical house template that doesn’t allow the organic sense of much of the African music that charts nowadays translate very well. I appreciate the strings in the back of the chorus, but with such an echoed mix and incessant “la-la” vocals, the final product renders as overproduced with very few realised sonic ideas, just kind of an unemotive noise, which is disappointing but might be expected with four lead artists, four producers and a short runtime that aligns strictly with the typical EDM build-drop format, but without much impact as everything is a wispy cloud, made to soundtrack adverts telling me to visit the Canary Islands rather than actually form that solid of a groove or string me along with an anthemic hook. It just kinds of floats in the air, but with a stiffness brought to it by how programmed it all is, and how there’s little in the way of actually unique sound design. I suppose it joins “Move” in this niche category of international Afro-house tunes which set the energy to negative numbers, but we didn’t really need another one.

#68 - “BABY I’M BACK” - The Kid LAROI

Produced by Rogét Chahayed and Dopamine

I know this looks bad with The Kid LAROI and Drake, but I promise you that there is interesting, worthwhile and genuinely amazing music coming up, it’s just that there’s plenty of less impressive stuff to get through also, like all weeks. I was faintly interested to see LAROI collaborate with UK DJ group Dopamine, who typically don’t collaborate with rappers necesssarily, but that quickly left me when I realised it was another lazy sample flip. As I always say, the story starts in 1977, when Player released “Baby Come Back”, cheesy soft-rock adult contemporary schlock typically schmaltzy of its era,  but just catchy enough to be a semi-ironic guilty pleasure, which Yung Gravy understood when using the track as the basis for his comedic storytelling track about MILFs, “Cheryl”, from all the way back in 2017. So why The Kid LAROI wants to try and get us to believe it as a semi-serious breakup narrative with some toxic piss-offs but still loving platitudes, is completely beyond me. The original song by LA band Player peaked at #32 over here despite topping the charts stateside, though Vanessa Hudgens brought it back to the chart by sampling it on 2006’s “Come Back to Me”, peaking at a whopping… #100. Mr. LAROI’s rendition is largely pointless, with a weirdly-mixed chipmunk variation of the hook, where you can tell it transitions to a version where the vocals may have been removed through an AI website, which is largely covered by the drums, so why so much of the song actively presents the sample without them is also beyond me, the drop doesn’t hit hard or anything. I suppose the bridge’s flip on the original hook with the pianos is sweet, but LAROI doesn’t have the soul in him to pull this off, at least not yet. Sorry, it gets close to being… okay, though.

#66 - “Neva Play” - Megan Thee Stallion featuring RM

Produced by LilJuMadeDaBeat, Shae Jacobs, B Ham and Peter Fenn

“Neva Play” is the newest single from Texas rapper Megan Thee Stallion, coinciding with the success of her VMAs hosting and her other stateside hit “Mamushi” with Japanese rapper Yuki Chiba, by bringing Korean rapper RM, of BTS fame, to the fold, though Megan had remixed “Butter” before so this is not the first time they’ve crossed paths. Hilariously, Megan makes what appears to be an active attempt to keep it clean here, to fit with BTS’ young fanbase, seemingly unaware that RM was not afraid to drop F-bombs anyway. Other than that trivial note, the song’s pretty cool, there’s a minimal phonk beat that really brings into question why it needed more than Megan’s long-time collaborator LilJu to bring it together, though the distracting deep backing vocal is a bit off-putting in the verses. Megan has a lot of charisma, and whilst the content isn’t anything new - or really anything referencing East Asian culture outside of a “Hadouken!” ad-lib - her verse is a lot of fun. The counting chorus feels a bit basic or immature for this kind of banger, but RM brings a really compelling verse here. In fact, he outperforms Megan by just being really interesting - I wasn’t familiar with just how deep his drawl could go, pairing interestingly with Megan by smokily floating in at the end of the chorus and quickly going into a staccato verse about how he paved the way for Asian artists, before swtching into different flows and paces, including one moment where he purposefully kills all momentum of his verse to echo into a different cadence that feels very fittingly Memphis and also surprisingly catchy, with a decent amount of unique character and swag to his warm tone that he later brings onto the final chorus. Without RM, this would be a fine if typical Megan track, but his performance is pretty interesting if not a bit awkward or slightly abridged, and I like to hear the BTS members stepping into weirder cadences and musical ideas. More of RM would be interesting to hear.

#64 - “peace u need” - Fred again.. and Joy Anonymous

Produced by Fred again.., Joy Anonymous, Barney Lister and Will Bloomfield

So this week, Fred again.. released one of my favourite albums of the year, ten days. I spoke more about this on my RateYourMusic 2024 listening log - account name: exclusivelytopostown - but in summary, the album acts as what I would imagine as a picturebook, a collage of postcards reflecting on a particular Summer wherein those memories are all stored in layered, gorgeous progressive house taking motifs from more ambient directions and placing them into slow-burn atmospheric dance tracks. Outside of “adore u”, I love pretty much all of the songs on there, and it’s an incredibly cohesive listen despite the fact that we hear so many different voices thanks to it consisting primarily of remixes, and perhaps succeeds in part due to that as we get to hear different stories that all tie into the reminiscent feeling of wishing you could experience that Summer all over again, with the sound collage interludes forming a togetherness that is really touching and reflects on Fred’s collaborative spirit.

“peace u need” is yet another highlight, with perhaps the most strident attempt at making a classic 90s house piano banger considering the faint crowd cheers and vintage piano notes placed against a falsetto moan not dissimilar to Moby’s “Why Does My Heart Feel So Bad?” - at least that’s what it reminded me of. This track is a rare example of Fred providing his own vocals, longing for a relationship that has passed but hoping for amicability and fulfilment on both sides, given how lost he is without them but also how much they put into making it work, though this can also function as an analogy for nostalgia. “I let you take a piece of me” - your identity is found in memories you can’t revisit but also end up remembering, or dreaming about, on those particularly “quiet nights”. He teams up here with UK EDM duo Joy Anonymous here, who do not disrupt or honestly, really add anything new to, Fred’s distinct, stuttering style and greatly uses his sample of Snoh Aalegra’s 2017 track “Time”, fabricating a semi-duet between Aalegra and himself that really manifests in a creeping refrain of backing vocals that eventually overrides the entire track, leaving little of Fred’s vocals remaining as the “silence” - the distance from that period of time - “clouding” the mix entirely. The organic drums that rumble on occasion from the middle section onward as well as the tiny blips of vocal rendered as practically a sound effect shimmering just a bit too high in the mix, exemplify the album’s constant instrumental mirroring of the beauty of the humanity he experienced and that of the electronics he’s using to express it. Much like nearly all of the album, this is an incredible if not too accessible track, eschewing a pop structure for clearer and more concrete progression, including a weirdly eerie bass warp coming in at the last second to end that timespan for good. I don’t see it making a second week at all, but it’s absolutely worth your time, and thankfully, we have another one of my absolute favouritess from the album right up next.

#57 - “just stand there” - Fred again.. and SOAK

Produced by Fred again.., PARISI and Tobias Wincorn

ten days debuted just outside of the top five on the albums chart at #7, but that is still an impressive feat for an album that is simultaneously a remix compilation and almost sound collage, with “just stand there”, primarily a spoken word piece as Fred has explored a couple times before, coming towards the middle of the album. The piece pre-empting it, “.four”, has a car ticking aimlessly in a spreckle of rain, before a sample of SOAK’s spoken word piece “I’m Alive” featuring Gemma Doherty begins. SOAK is a Northern Irish singer-songwriter who broke out in 2015, whose track here is used mostly to have a spoken piece sat in the middle of wonky, heavily-manipulated vocal loops surrounding, circling the story being told, though it’s a different one from the original, as fragments from it are re-contextualised and at times looped to emphasise the awestruck moment of having someone tell you that she loves you. They stand there, amazed by the connection they feel and the appreciation of being able to “hear a world”, which makes them feel alive. There are many ways to interpret what now registers as a poem, in fact I have contemplated, given how introspectively focused some of the details seem to be, to if the “she” is the speaker themselves and it is a track about a confused sense of self-love and recognition of the world around them.

I love the pitch-shifted, distorted vocal leads cutting in as the song produces a slight bounce alongside more organic drums faintly set out to the left of the mix, I love the rise of pianos elevating the relative mundanity of SOAK’s poetry, the self-appreciation they find in observing other people live their lives and internalising that wonder, and especially the stuttering vocal that transitions the piece outside of that distorted bump of a kick into utterly transcendent territory, once the poetry steps way out of reality and into the surreal: “all four seasons happen in one day”, and whilst they’re already lovestruck, quite literally stuck in place because of their overwhelming feelings, it becomes unbelievable. Hell, it becomes too much to continue to try envisioning, and the song fades into echoes of vocal and synth that phase in and out, whilst they remain. Without anything, despite everything, “she loves me.” The fact that this is sandwiched between “fear less” with Sampha and “places to be” is really unfair, an emotional rollercoaster in the mid-section of the album that is as gorgeous as it is utterly overwhelming, which fits the nature of not just this song but the conceit of the whole record. It’s one of my favourite songs of the year, as if Fred again.. didn’t already have enough of those, and I cannot recommend his latest album more. Once again, this basically cannot last a second week, but God, it deserves to. Now, what’s next?

#38 - “Moi” - Central Cee and RAYE

Produced by Harry Beech and Eight8

…Cench, did you have to bring RAYE down with you? Central Cee, as he becomes more of a global star, has been swiftly shredding my goodwill for him, becoming increasingly gimmicky and embarrassing, seemingly taking his status as our biggest rap export to fuck around and make sure we’re never taken seriously in the genre again. We have an irrelevantly lovestruck French intro from RAYE here, which is atmospheric enough, but is completely rendered pointless by a flexing set of typical Cench verses where he talks about threesomes, drugs, the fact that you just HAVE to mention him when talking about drill - no, I don’t - and thirsting for random women in the public eye that he should just leave alone. He leeches onto the gay jokes again in the chorus, over a decent 2-step rhythm that transforms in and out of a stiffer drill beat, but the more telling line may be: “They gave me a fish, they ain’t teach me fishing”. Cench never struck me as ambitious, so the platform he has, largely off of TikTok virality and connections, I think scares him as much as it does me when it comes to how he represents UK rap. What’s frustrating to me is that I think he knows other people deserve the spot he has, but he cluelessly stumbled into it anyway and isn’t really willing to let it up at this point. Instead, he continues dropping these loose singles - allegedly from an album called Can’t Rush Greatness… okay - as he appears less connected, much less convincing and all the more deluded. Take a break, man, make something worth the pedestal you’re giving yourself and maybe stop relying on what got you there in the first place.

#4 - “The Emptiness Machine” - Linkin Park

Produced by Mike Shinoda

“This is not what I had planned. It’s out of my control.” One of the most successful rock groups of the century, Linkin Park, and the music world as a whole, suffered a terrible loss with the death of their co-lead vocalist, Chester Bennington, in 2017. Since then, the band has naturally been dormant on much new material but have played concerts, some in tribute, and have released troves of unreleased or rare material in compilations and reissues of their earliest records. There had been some concerning moments, namely the AI video for “Lost”, but the treatment of the posthumous material was respectful enough, at least as much as I can tell as I was never the biggest fan of Linkin Park. I would not say they have any great albums that are consistently fantastic all the way through, but what they do have to me are plenty of fantastic songs and even more fond memories dating back to my childhood, so regardless of my overall opinion, they definitely hold a comfortable place in my heart. So this reunion, which had been rumbling for a while, was probably going to grant strong opinions from me regardless of who it was and, ironically, I actually did not have strong opinions on new lead singer Emily Armstrong’s performance during the live shows. The livestream featured the Dead Sara frontwoman singing “Numb” which honestly did not seem all too different or interesting, though it clearly gave it enough of a boost for the song to return to #41 this week. She has a good voice, she was clearly present and has the range to perform much of their material, and since they’ll be recording and releasing new songs, she does not need to “replace” Chester.

Here’s the deal, though: Armstrong is connected to the cult of Scientology, which is extensively controversial, with Cedric Bixler-Zavala of The Mars Volta and his wife Chrissie on Instagram criticising the choice publicly by connecting her with the group and accusing her of being present at the 2020 trial of actor, Scientologist and convicted rapist Danny Masterson, which she admitted to and called a “friend”. Chrissie herself was a victim of Masterson, and with Chester’s history of being sexually abused as a child as he admitted to Kerrang! and NME, naturally this sparked outrage amongst some fans and music nerds in general who found that the choice of lead singer does not reflect Bennington’s principles, trauma, experiences and what he both fought for and expressed in his music, which has always been angst-driven and, at times painfully, honest. I tend to concur that this was a tone-deaf decision and though not all of his family have been open or even disapproving, his son Jaime has spoken against the decision and also about how band members including Mike Shinoda have ignored his concerns, and even that Linkin Park “fans” have harrassed him over his public opposition to the new singer. Armstrong confessed in a response that she did indeed attend the trial but was mostly dismissive of the contents or identity of what the trial actually involved, claiming to be unaware of details that at the time of trial, were - as allegations - readily available, especially to someone familiar with the then-alleged, now convicted.

I do not have to tell you that I have enjoyed music by bad people, I do not have to tell you that Armstrong is not the worst person ever, I do not have to tell you that the other members of Linkin Park I’m sure already have skeletons in the closet. I do have to tell you that this sucks. A man who formed some of my earliest memories of enjoying and connecting with music having his former band return, without the acknowledgement of his own family, alongside someone who defended - though not as publically as others - a man who afflicted sexual violence onto others, when Chester has been sexually abused and wrote earnestly about his overall trauma on the very records his band members played on, just sucks to me, and it seems many others, including Jaime and including the Bixlers. I cannot imagine how Emily Armstrong can guiltlessly cover some of his songs, and even if she relates them to her own experience as many fans have, Hell, many audiences have in general, including myself, I can’t help but feel a gross element to that. Those aren’t just not your experiences, they are experiences you worked in part to dismiss. For many, the apology will be enough, and that’s fine. Hell, I’m still going to listen to that new album when it’s out and it won’t stop me from relistening to their back catalogue which has some of my favourite songs of all time, like “Waiting for the End”, “She Couldn’t”, “Given Up” and a ridiculous amount of modern rock classics. Linkin Park are still a great band, and their legacy is not torn by this. But doesn’t it just suck?

You know what bothers me the most? The song’s fantastic. Armstrong’s not Chester, sure, but she already has an impressive chemistry with Shinoda, whose voice seemed off at first but blends perfectly with her more breathy rasp, and as a songwriter, Shinoda is in full pop form, with fuzz and reverb alongside some fantastically muffled drums leading in the echoing verses until a very typical but still anthemic chorus about falling victim to perhaps misguided hope and optimism leading you on in a moment of vulnerability: giving your life and receiving very little in return. It was a clever move to have Shinoda lead in, with Armstrong driving the song from the second verse on, but appearing in smokier, backing screeches during the first chorus, and once the full band comes in, whilst it doesn’t go as hard as it could, it’s still an incredibly full mix as you’d expect from Linkin Park. The band may have replaced the singer and drummer, but the core emotive thesis that LP have been working with for decades may still be here, and honestly, for as much shit as I will give her “apology” and public connections to Scientology, Armstrong kills it here. I’m a sucker for some good pop-metal and whilst this is far from their best, it’s a killer track, I’ll give it that, even if it probably won’t last too long past this week - though it’s 2024 so anything could happen - and it comes with a lot of baggage that I don’t think anyone was looking for.

For chart trivia purposes, as always: “Numb” returns after peaking at #14 in 2003 and returning to #20 in 2017. When it peaked, the Black Eyed Peas’ “Where is the Love” was #1. Its official mashup version with JAY-Z’s “Encore” matched the #14 peak on three separate occasions across late 2004 and early 2005.

Conclusion

I didn’t lie, did I? It was a fascinating week with an array of genres, artists, stories and even quality, but Fred again.. sweeps the competition here, getting Best of the Week for “just stand there” with SOAK and the Honourable Mention for “peace u need” with Joy Anonymous. Worst of the Week is more of a toss-up because the worst this week has to offer is largely just mediocrity, but I think Drake takes it by default with “Circadian Rhythms” as Cench wastes even more of our time with “Moi” featuring RAYE as the Dishonourable Mention. As for what’s on the horizon: The Weeknd, Playboi Carti, Tate McRae, Charli xcx and Troye Sivan with Dua Lipa on the new remix, it could be a lot at the top of the hit parade next episode so prepare for that. As for now, rest in peace to Will Jennings, Frankie Beverly and the legendary James Earl Jones, and I’ll see you next week!

[hiphopvibe1]

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