#Perpendicular Gothic

[tmcphotoblog]

Chichester Cross is an elaborate Perpendicular market cross in the centre of the city of Chichester, West Sussex, standing at the intersection of the four principal streets. It is a Grade I listed building.

[rabbitcruiser]

The Centre Block of the Parliament buildings in Ottawa burned down with the loss of 7 lives on February 3, 1916.  

[imaxyxia2]

[vox-anglosphere]

More views of the unique inverted arches supporting Wells Cathedral

[vieformidable]

King's College Chapel has the world's largest fan vault.

It's considered as one of the world’s finest examples of Perpendicular Gothic English architecture.

[vox-anglosphere]

Gothic restoration on display in magnificent Peterborough Cathedral

[rabbitcruiser]

The Centre Block of the Parliament buildings in Ottawa burned down with the loss of 7 lives on February 3, 1916.  

[vox-anglosphere]

Salisbury, Britain's tallest cathedral, on a sun-drenched spring day.

[stormhearty]

✨ pairings: Eris x Reader x Azriel (ft. Cassian)

🔮 preview: Everything about the three of you was very opposite — you were a pastel princess, while the two were dark macabre. And yet the three of you melded together like a melting pot. Eris and Azriel adore their little princess — and would do anything to make you happy — whether it be distracting you from the voices in your head to killing a boy who looked at you a little too long.

📣 trigger warnings: mentions of blood and killing, Azriel and Eris being overly touchy with our reader, short skirts, corsets, mentions of sex (kind of explicit), pet names: my morose, my darling, sweet angel, temptation (Azriel and Eris to (Y/N)), mia cara (Azriel to Eris), mon cher (Eris to Azriel)

🔎 rating: PG-13 | 🔏 word count: 3.5k

💜 masterlist + notes: Like… I love dark gothic and the Addams family is so iconic, love them. So… Why not do an Addams Family AU x ACOTAR with our favorite boys Eris and Azriel? They would be gorgeous in macabre — like Eris giving me Morticia vibes, elegant but ruthless while Azriel is big Gomez vibes with the pinstripe suit and cigar in between his fingers; both wearing black, all the while reader being this pastel princess in bright pastels and pinks. Ugh, such a vibe. I’ve never written a bratty reader before. And thank you to @prythianpages (and sorry Hope! I couldn’t do the FIRE OF MY LOINS” as much as I love it LMAO) and @dawneternal for suggestions for the nicknames for (Y/N)!! This fic has a bunch of sexual tension and dark intentions, I hope I portray it correctly. I hope you enjoy it.

A long sigh escaped your lips, eyes staring into the hearth across the room, your eyes distant and your mind racing — a normal occurrence for you. It seemed as if your mind never calmed; voices echoed in your head, real and from beyond the grave — a silly power of clairaudience. You didn’t know what to focus on — you didn’t even know if the thoughts in your head were yours anymore and you often were found like this, staring into space, eyes unfocused.

You arrived at the spooky hilltop house not too long ago, stepping through the large wooden doors and going through familiar halls and doorways to your favorite little nook in the whole house: a simple overgrown sunroom.

Flopping down on the familiar black gothic couch, you laid perpendicular, body facing the glass ceiling, legs slung over the back of the couch. The hearth across from you roared to life as if the house knew you were home, and that thought made you smile softly. Eyes wandered around you, spotting a familiar book on the side table. You immediately recognized whose book it was — Eris’s. That man loved a good Edgar Allen Poe book, and always seemed to carry one around in his large lithe hands.

Attempting to be as graceful as your lover, you plucked the book from its place, opening the book to read a page of poetry, in an attempt to drown out the voices in your head; however, your mind continued to race, the voices in your head relentless with whispered words.

That lady down the hill… she kept saying…

The girls at work called you —-

People think you’re nothing but a —-

With a frustrated groan, you threw the thick book across the room, hearing the loud thud as it landed a few inches from the fiery hearth. A pout tugged at the edge of your pink-stained lips, eyes shifting from the faced-down book and focusing on the movement of the fire, another attempt to muffle the voices in your head.

Azriel heard the loud thud from the grand staircase and he couldn’t help but raise a brow at the sound. His shadows zoomed from underneath his feet, guiding him towards the familiar sunroom, quiet footsteps following their trail. He saw familiar pale legs slung over the black couch, feet bound in pink lolita heels, topped off with a pretty bow, and calves covered in white lace leggings.

(Y/N).

He wasn’t aware that you had arrived home, not even his shadows were aware. Usually, you would parade yourself throughout the whole house — practically announcing your presence to your lovers. But the fact that you had arrived at the house, both he and his husband were not aware of your presence in the large house made his heart feel unsettled.

Cradling a glass of wine in his hand, he summoned his shadows back to him as he walked over to the large carved archway and leaned against it, eyes shifting up from your feet to your legs, and just a bit over your knees, before noticing the discarded book near the hearth.

“Sweet angel?” he called your nickname and watched as your head popped up, eyes focusing on him and a delicate hand giving him a little wave from your position. He could tell you were too lazy to shift yourself into a proper position; however, he did not mind at all.

He got to see a gorgeous view of your tempting legs.

Though he was quite sure Eris would have a few words about it.

You laid your head back down, head hanging from the edge of the couch, and focused back on the hearth. As much as you loved being around your lovers, your head was far too occupied and all you could focus was on those damned voices.

You didn’t even hear Azriel’s footsteps grow closer to you, didn’t hear the gentle clink of the wine glass being placed down on the marble side table where the book had laid earlier. But when you felt cold hands on your knees, you were brought back from your thoughts and looked up at your lover, a worried gaze hidden deep in cobalt hues. His hands ran up your thighs, fingers touching the edge of your white tennis skirt, gently squeezing your naked thighs in his grasp.

You shivered at his touches, eyes fluttering close and a deep chuckle vibrated through Azriel — his voice always made your body tingle in the right ways.

But what you were grateful for the most was that when Azriel touched you, the voices in your head stopped — silence finally taking over your brain. And you let out a relaxed sigh, your body becoming putty on the couch, your head slacking over the edge of the couch.

Azriel recognized that sigh and couldn’t help but coo, fingers continuing to massage your thighs, his shadows slithering from underneath his fingertips to crawl over your skin, as his eyes looked over your outfit. You were dressed in a pretty white ensemble with hints of pink — a short skirt that stopped above your thighs and an intricate floral corset that hugged your curves in all the right ways. Due to your position, your skirt bunched a bit higher on your thighs, showing the juncture between your legs, with a tiny peek of your pristine white underwear, where he noticed tiny pink bows at the bottom seam. Azriel wasn’t sure whether you were trying to seduce him, but he knew from that sigh that you weren’t overtly trying to seduce him.

Your brain had just been in overdrive because of your powers.

His eyes traveled from the column of your neck to your face — one full of content and relief. Azriel was glad that he could keep you at peace, he knew how awful your powers could become when your mind was overwhelmed with voices. You had always told him and Eris that their touches were the only thing that kept the voices at bay — and they didn’t mind, they loved touching you — whether it be in the most sinful ways or the most innocent ways … but both opt for the former.

“You feeling better, sweet angel?” he murmured, his voice soft and gentle, not wanting you to be overwhelmed by your senses. He watched as his shadows slithered over your outfit and your skin and your body shivered again.

You nodded, a soft hum escaping your throat as your eyes fluttered back open to look up at him. You focused on his touch, focused on those tendrils of shadow — feeling those calloused and scarred hands squeezing and rubbing your flesh. His hands and shadows were nice and cold against your normally warm skin.

It helped calm your racing mind from those pesky voices that bothered you throughout the day.

Eyes locked onto cobalt hues and he gave you a soft smile, his hands sliding up your sides before grasping your upper back and heaving you up. A squeal escaped your lips as you were brought up to sit at the top of the couch, arms wrapping around Azriel’s strong shoulders as his hands slid to wrap around your waist, keeping you steady.

“There’s my sweet girl…” Azriel murmured, pressing a kiss on your cheek and you giggled, smelling the fruity taste of the alcohol he was drinking in his breath.

“Hi, Azzie…” you greeted him with a smile, snuggling your cheek against his own.

“You scared me for a moment, I didn’t even know you were home…” he hummed out, fingers slipping underneath the lace of your corset, tugging them to free you from the bindings.

A sigh escaped your lips and rested your cheek on his shoulder, just savoring his touches, savoring the silence of your head — focusing on your lover.

“…I’m sorry, Azzie…” you murmured, “My head was too much, I just wanted the voices to stop…”

“—-Is that why Eris’s book is on the floor, darling?” he asked with a chuckle, pressing a kiss on your shoulder as his eyes went back onto the book on the ground. He should pick it up and place it where it belongs — he didn’t want his husband’s favorite book to be burnt.

But he couldn’t be bothered at the moment — not when his favorite girl was in his arms. And he wasn’t mad — how could he be with his darling? He knew you were trying to distract yourself but it wasn’t proper etiquette to be throwing things in the house.

“Did you have a tiny tantrum?”

You pouted, bottom lip shaking a bit. You didn’t like throwing tantrums, and most of the time it wasn’t; however, you were just so frustrated with the voices you just threw the book.

You didn’t mean it.

“I’m a good girl, Azzie… Always have been…” you muttered.

Azriel chuckled again at your statement, soothingly rubbing your back.

Yes, you had always been a good girl — their good girl.

Before he could retort that statement, he heard familiar footsteps behind him, his shadows slinking back into his form. Azriel didn’t need to look behind him — he knew those foosteps like the back of his hand, “Do you think (Y/N)’s been a good girl, mia cara?”

You blinked momentarily and looked behind him to see Eris stepping into the room, dressed to the nines — a red vest over a pristine white see-through shirt and simple black slacks. You loved how opposite the two men could be — Azriel in his blue and black ensemble and Eris always in some red hue.

The redhead walked over, standing next to his husband as a hum escaped his lips, looking over your outfit.

Much like Azriel, as much as they adored you in black — what they had dubbed family colors — Eris loved you in your pink and white outfits, you were like a candy waiting to be eaten.

But mind out of the gutter, amber hues noticed the discarded book near the hearth and he couldn’t help but raise a brow. That wasn’t where he had left his favorite poetry book. It didn’t take long for the male to connect the dots — the discarded book to the question.

Eris gave a low chuckle, reaching over to run long fingers through your hair, tugging the pretty little pink headband, and watching it drop onto the couch. He smoothed your hair down over your back before he opted to grasp your hips, squeezing them as he stepped closer to you, feeling his husband step to the side to give him room.

“Seeing my book haphazardly on the floor tells me she hasn’t been a good girl, mon cher…” he answered, his breath over your features.

You could smell and taste the hint of rose tea in his breath and you couldn’t help but lick your lower lips on how alluring Eris was — well practically the both of them were. The way they stood next to each other was practically a painting made by the Gods and you were a mere mortal gazing up at their etherealness. You didn’t even care that Eris had voiced you weren’t a good girl — your mind had fogged up too quickly at the sight of your beautiful lovers, that you spaced out, staring up at them with wide-doll-like eyes that both your lovers couldn’t help but chuckle on how innocent you looked.

“My morose?” Eris whispered your beloved nickname. That snapped your attention back up at him, your head tilting. It took a moment for your mind to catch up the fog slowly dissipating.

You blinked twice before you pouted, “I have been a good girl, Eris…” you whined softly, a hand unwrapping from Azriel’s shoulder to place on Eris’s muscular upper arms, well-manicured nails gently scraping the sheer fabric, “My head had too many voices, they wouldn’t shut up… I tried to distract myself with your book and well —-”

Looking over your shoulder and focused on the book on the ground, teeth biting into your lower lip before you looked back up at your two lovers through your lashes, “…I didn’t mean to throw it to the ground, Eris… I needed a distraction…”

“And you didn’t bother looking for me or Azriel to help distract you, my morose?” Eris questioned, his voice stern yet soft, understanding why you had done that.

“I didn’t even know she was here, mia cara…” Azriel informed his husband, his hand still playing with the straps of your lace.

Eris furrowed his brows as he looked down at you — it was very unlike you to be quiet with your entry. He knew something was up — and from what he could guess, it was due to being overstimulated with your powers.

You pouted again, eyes averting their gaze as your hands slipped from their respected position on both men to play with the lapels of their outfits, “…I didn’t want to bother either of you. And my mind was just… preoccupied by the stupid voices. I didn’t want either of you to get mad too because I was so frustrated…”

You heard Eris sigh and his free hand that was not occupied with your waist, which was now joining his husband’s on your back with undoing your laces, gently grasped your chin to force you to look back up at them.

“We would never get mad at you for seeking us out to help calm your mind, my darling…” he whispered, his lips hovering over yours, “You know that we like helping you, making you feel calm and making those voices stop… What we don’t like is you trying to solve your problem by yourself… Do you understand?”

You nodded and tilted your head up to gently capture your lover’s lips — it was your way of apologizing to both of them.

Eris chuckled into the kiss, the hand on your chin moved to cup the back of your neck to deepen the kiss. All the while, Azriel had finished untying the laces and tugging the corset off of you, leaving your top half bare. You shivered as the cold air of the house prickled your skin, and it didn’t help that both of your lover’s hands immediately cupped your breast, their cold fingers teasing flesh, leaving goosebumps along their wake.

A long whine escaped your lips as your head tilted back from the kiss, mouth a gape as the men decided to lean in and press kisses on either side of your neck, their lips pressed against your pulse point.

“Since you need a distraction, our sweet temptation, we can offer our full attention…” Eris teased.

Azriel chuckled against your skin, teeth going in to bite the junction of your neck and shoulders, while Eris’s hand shifted from the back of your neck to slide to your front and down the length of your body to slip underneath that damned tennis skirt.

And when fingers pressed against your covered core it left you mewling and absolute putty in their hands.

Oh, how Azriel and Eris loved distracting you, leaving your mind empty and wanting — much like the good girl you begged them you were.

“You know you didn't have to pick me up…” you commented, though you couldn't help but be giddy that both of your lovers opted to pick you up from your little hang-out with your friends.

Azriel and Eris were leaning against the black Hearse — Azriel puffing out a cloud of smoke, a lit cigar between his fingers; Eris held a parasol, shielding himself from the sun. The two men were very stoic but immediately softened at the sight of you practically skipping towards them.

Eris cooed and opened his arms, and you hopped into them, arms wrapping around his waist while his free hand tangled into your locks, lips brushing at the crown of your head.

The two of you were lost in hushed whispers — mostly Eris asking how your little hang out and if you had fun — while Azriel just watched with a fond smile on his features. Two of his favorite and most beloved people — right there.

Cobalt hues shifted from the two of you towards the group of friends that you hung out with today. Azriel knew — oh how he knew — that your so-called friends weren’t too fond of you.

Even now he could hear them whispering how strange you were for being part of a throuple. Eyes wandering your form that was practically engulfed by Eris’s large form. And when those judgmental eyes caught with his own, Azriel glared at them and watched them scamper off in fear — all except one.

A boy whose eyes were not on him — but on you. One full of lust and want, a look that Azriel didn't like. He watched those lecherous gazes run up and down your form, the boy’s tongue sticking out to lick his lower lip.

How absolutely disgusting.

Azriel grunted softly, displeased with the development of the day. He wasn’t too fond of lingering gazes your way — his precious angel, being ogled at from afar, especially in such a lewd way. At the grunt from his husband, Eris’s amber hues looked up in a questioning gaze. Azriel didn’t need to glance at his husband, didn’t need to communicate verbally, his gaze said everything Eris needed to know.

Eris’s lips did not move from the crown of your head, his movement inconspicuous to you who was babbling on how your day went. When amber eyes glanced at where his husband was looking at with a cold gaze, Eris felt his chest roar with fire.

Eris gently pulled away, lifting your chin so he could press a kiss on your lips, feeling your hands slide up his chest and wrap around his neck. You were so lost in the kiss that you did not realize that what your lover was doing was a distraction.

Azriel sent his shadows forth, watching them skim across the concrete toward the boy, who feebly tried to run away from them. Before a yell could escape his lips, the shadows consumed him, making him disappear into thin air.

Only Azriel and Eris knew where the shadows would have brought him.

Eris hummed into the kiss, pleased with what his husband did before pulling away from the kiss, amber hues looking over your spaced-out look. How adorable were you. “Time to go home, my morose… The pups are in the back waiting for you…” he said with a smirk.

He watched you return to Earth, hearing how the hounds were in the back seat, and he let you scramble out of his hold and hop into the back seats, where the two large black hounds greeted you with face licks, you squeal in delight as you closed the door behind you.

“Will you be joining us later, mon cher?” Eris mumbled, knowing exactly where his husband would be later that evening.

Azriel let out a deep chuckle, leaning over to kiss him briefly, “Keep our girl preoccupied… I’ll be there as soon as possible… Oh, and make sure you make her moan loud, I would love to hear how well you take her from the cellar…”

Eris smirked, opened the passenger seat, and slipped in, allowing Azriel to close the door. Ensuring his husband was safely inside, Azriel made his way to the driver seat and drove home — the unwanted guest in the depths of the cellar was waiting for Azriel.

“Doesn't she sound exquisite?” Azriel muttered, head tilted back towards the ceiling, listening to the loud moans and whines that came from the floors above — the sounds practically echoing around them. A pleased sigh escaped his lips before those brows furrowed and looked down at the bloody mess of the room — body parts slewn all over the floor, blood seeping into the concrete wall.

Cobalt hues looked his way and the large bulky man stepped from the shadows, “You know what to do with the body, Cassian…” the male muttered, rolling up his blood-stained sleeves, shoulders rolling back and a sigh escaping his lips.

The large man gave a graceful bow of his head, watching the head of the family turn his heels and head up the winding stairs back up to the main floor.

Cassian was the long-time family butler, large and menacing, he fit well within the weird and strange macabre family. He was used to the bloodthirsty and morbid ways of this family, nothing phased him.

Especially when it came to Azriel and Eris's sweet angel.

Cassian quickly realized that his masters would do practically anything for the girl that caught their eye.

Especially murder.

This wasn't the first time Azriel or Eris had opted to dismember a member of society for (Y/N)… there were far too many people to count at this point for the butler.

And no one would suspect his masters — they were to quick and clean, and his job? Was making sure that evidence was erased, especially after situations like this.

With bleach and cold water in each large hand, he started to clean the cellar, packing each body part into a separate bag — where he'd feed it to the carnivorous plants that Eris loved taking care of.

They do enjoy it when they are fed humans.

👑 General Tag List: @prythianpages . @strangelygreat . @honeybeeboobaa . @pit-and-the-pen

[vox-anglosphere]

St Dunstan's was a great loss, but the aura of sanctuary remains.

St Dunstan-in- the- East Church, London

[dresshistorynerd]

Favorite Historical Architectural Styles

Since I've done my favorite historical fashions, I thought it would be fun to do historical architectural styles too. I want to write more about architecture too, but I've started thinking should I do a separate blog for architecture and architectural history or should I just do it all here? I think it would be better in a way that I wouldn't have to worry if anything I want to write is too far from the actual topic of the blog, but then again, there is a lot of overlap, especially when it comes to Arts and Crafts movement (which I'm currently writing my thesis about and which I definitely will talk a lot about), and also I would have to manage yet another blog.

Anyway, I'll again do this from oldest to newest. I will limit myself to western styles (except when we get to Modernism all styles are very international), even though there's a lot of non-western styles I enjoy, but it's what I know most about.

Perpendicular Gothic

I love Gothic architecture in general and the several first entries will be my favorite sub-styles of it. I love the the way Gothic Cathedrals try and so often succeed to feel like forests. I love how the structural elements are used to create the aesthetic. I love the organic visual elements. I love that it's such a unique style in Western architecture. And I love the amazing craftsmanship that went into it.

I'm particularly a fan of English Gothic because of it's insanely beautiful and complex ribbed vaults. From English Gothic my favorite though is the Perpendicular style, which was basically the English late Gothic. It's characteristics can be seen in the second pic. It has the stretched arch and the very flowing and organic traceries. I do include here the rest of English Gothic too, since even though the Perpendicular style is my favorite of them, all if it is still one of my Gothic favorites.

German Late Gothic

As it's becoming clear I love Late Gothic architecture in general the most, and in the geographical axis I also love German Gothic. Early and High Gothic were mainly divided into French and English styles and the French style dominated in the continent, just being altered a little to the local building traditions outside of France, but during late Gothic it diverged much more strongly into different styles.

German Gothic also has beautiful complex faulting (though less insane than English) and it also has that same pursuit of massive height French Gothic has. Those combined with that Late Gothic's more streamlined flowing and organic aesthetic, some of the German Late Gothic cathedrals really sell that feeling of standing in a forest.

Finnish "Gothic"

I have a soft spot for the Finnish Medieval stone churches, which are not nearly as sophisticated or detailed as the other European counterparts, but still made with beautiful craftsmanship and they have some cool own features. It's very far from the European Gothic traditions, as you can see, but that's still the influence, hence Gothic in scare quotes. I love the simple outward appearance with the exposed thick stone walls, the details of the gable that worked as the calling card for the building master and the very steep roof. Like everywhere at the time, the roof in these has wooden structure, which is frankly super cool. It was not a simple engineering problem to make a roof that steep and massive at the time, but the structure works so well there's 600 year old roofs with the original logs still working perfectly well. I also really love the original medieval murals in them, which were painted over during the Reformation (you can't have color in a Lutheran church damn it), but thankfully some of them have been restored from under the paint.

Finnish "Renaissance" Log Churches

Renaissance also didn't land in Finland similarly as it did rest of the Europe. When Renaissance was going on in Europe, they still were building those "Gothic" churches here. These log churches were based on Scandinavian version of the Renaissance church, but they didn't really look like Renaissance churches, and were kinda it's own thing continuing a lot of the aesthetics from those Gothic churches. This is a highly specific style, but I just think they are so cool and pretty? Like they really made a CUPOLA out of log.

Arts and Crafts Movement

Arts and Crafts Movement didn't have exactly a style, rather a design philosophy that was more important than specific style. There's of course a lot of stylistic similarities in the works of the different members of the Movement, because they had overlapping sources of inspiration and were influenced by each other, so we can think of it as a style. I could, have and will talk about them for hours, but briefly now: It was a moment in latter half of the 19th century and early 20th century and their goals were reviving craftsmanship skills and professions, socialism, opposing industrialism and abolishing the hierarchy between fine arts and applied arts. They were very much influenced by Medievalism and Gothic art and architecture, though unlike Gothic Revivalist, they took more from the guiding principles than the aesthetics. They basically started Modernism and lay ground to all the Modernist architecture's main principles, like form follows function.

Art Nouveau

Art Nouveau was directly influenced by the Arts and Crafts Movement and was the first mainstream Modernist style. I especially love the more toned down Finnish Art Nouveau, or Jugend as it's called here, but I do love the style more broadly too. I'm not that into those almost Baroque style versions of it though, with barely any straight lines. I love the round doors, the stylized floral patterns and the use of light.

Organic architecture

This has to be my favorite modernist/post-modernist (?) style. It's direct successor of Arts and Crafts movement and it's also more of a design principle than a unified style. There is some stylistic similarities, but it is stylistically very diverse philosophy. It was most prominent during the 20th century, but it always stayed in the sidelines, though there are still architects who might be considered practicing organic architecture. Organic architecture is all about living in harmony with nature, taking inspiration from it, designing the building to fit the building spot and the surroundings, extra care taken in to preserve the nature already there, and using local natural materials when possible. My favorite architects are Raili and Reima Pietilä, who were most prominent organic architects in Finland. (I almost moved into apartment designed by them, but it was in pretty bad condition, so it wouldn't have unfortunately been worth the price.)

Brutalism

I know it's not for everyone and it's not easy to make it work but when it works, it really does. It was born in 1950s during the reconstruction era. Brutalism is not just concrete though. The point is to show the raw materials and the structural elements. Technically a lot of Gothic and Arts and Crafts architecture is then brutalist. Timber frame architecture? Also brutalist. I'm only half joking, of course the style itself is also very bare and, well, brutal, but I love it for the same reasons. I really love bare textures of materials and exposing the materials of the structural elements. And I do actually really like the texture of concrete. Though I will say concrete is destroying our world and we should use it as little as possible. But we should also protect old buildings and keep using them rather than built new ones, so I feel fine admiring the old brutalist buildings. The best brutalist buildings combine materials very intentionally and make works of art with the light.

Bonus - Favorite contemporary architecture: Traditional methods

As we're living in the post-modern times, there's not really unified and specifiable styles or architectural ideologies anymore. They all kinda flow into each other and architects don't organize themselves into clear groups based on style and design philosophy. So it's hard to put into words the style I like in contemporary architecture. There's been growing interest in studying traditional structures and methods, learn from their sustainability and incorporate them into contemporary architecture. They are techniques that have been developed through trial and error on the span of centuries, so we really don't have to reinvent the wheel here. Traditional methods of a given area have also been developed for that area and it's climate, from the materials available there, so they also push us to use local materials. Typically these traditional structures are very simple, often made from solid material, which makes them easier to built without construction error (a huge problem in modern structures), and easier to fix and maintain, when inevitably there is issues. Also they are beautiful, definitely more so that steel and glass. I love solid brick structures, log structures, timber frames, natural stone, rammed earth and all of them, especially when these beautiful materials are left bare.

[simshousewindsor]

The Royal House of Windsor: A Landmark Collection 

ST LEO'S CHAPEL, WINDSOR CASTLE

St Leo's Chapel, Windsor Castle formally titled The King's Free Chapel of the College of St Leo, Windsor Castle, is a castle chapel built in the late-medieval Perpendicular Gothic style. It is located in the Lower Ward of the Windsor Castle grounds in Easton.

The castle has belonged to the monarchy for almost 300 years, and the chapel has been the scene of many royal services, weddings and burials, known specifically as host for the annual Garter Day service.

In a 1900 petition started by Edward I, St Leo's Chapel and the nearby Windsor Gardens superseded Westsimster Abbey as the chosen burial place for the Windenburg royal family.

Prior to then, members of the royal family were buried at Westsimster Abbey, and monarchs and consorts were buried at Windsor Gardens.

What is the Royal Vault?

The Royal Vault is the burial chamber located 14 feet beneath St. Leo's Chapel, and is situated beneath the chapel's alter. 

King Edward I ordered the excavation and building of the Royal Vault in 1901, with construction on it being completed in 1906. The vault was designated as the final resting place for both senior and minor members of the Royal Family following its completion.

The stone-lined vault measures 70 feet long and 28 feet wide. There is enough room inside it to hold 28 bodies – 24 coffins on shelves along the vault's two sides, with space for an additional 4 coffins in the center. Its entrance is closed off by an iron gate.

Edward I became the first Windenburg King to be interred in the Royal Vault following his death on 18 May 1941. His remains were placed in the vault on 2 June 1941, after his state funeral.

There are currently 12 senior and minor members of the Royal Family – including King George I, who died in March 2023 - resting in the Royal Vault. Over the last 70 years, several Royal Family members have been uprooted from their original burial grounds to be moved into the Royal Vault, such as Prince Albert, Duke of Hastings who was initially buried at Westsimster Abbey.

Where is the Royal Vault located?

During funerals, a slab of black-and-white, diamond-shaped stone flooring is removed to provide access to the vault. The coffin is then lowered through the hole in the floor into the Royal Vault by an electric lift.

Once the Royal Vault lift reaches the bottom of the shaft, the coffin is moved down a corridor and into the vault itself. The coffin is then interred in the vault, placed either on one of the shelves or on a plinth inside.

Monarchs & Consorts Buried at St Leo's, Windsor Castle

Edward I (Royal Vault)

Lara-Leigh (Royal Vault)

Edward II (Royal Vault)

Amelia, Princess Royal (Royal Vault)

Lord John Carmichael (Royal Vault)

Prince Albert, Duke of Hastings (Royal Vault)*

George I (South Quire Aisle)

Monarchs & Consorts Buried at Windsor Gardens

Albert I (Crypt 1)

Isabella, Queen consort (Crypt 1)

Albert II (Crypt 2)

Adaline, Queen consort (Crypt 2)

Willam I, Duke of Brindleton Bay (Crypt 3)

Cynthia, Duchess of Brindleton Bay (Crypt 3)

Laura, Queen consort (Crypt 4)

Prince William (Crypt 4)

Royal Family Buried at Westsimster Abbey

Princess Catherine, Princess Royal (Bay 2L)

General Sir Leo Hardy Jr (Bay 2L)

Prince Otis, Duke of Norfolk (3L)

Birdie, Duchess of Norfolk (3L)

Prince George, Duke of Newsoms (Bay 2R)

Princess Nina, Duchess of Newsoms (Bay 2R)

Princess Grace of Newsoms (Bay 5R)

Burchette Gates Sr (Bay 5R)

Princess Esther, Duchess of Hastings (Bay 7R)

Can you visit the Royal Vault?

No, visitors aren't allowed inside the Royal Vault at Windsor Castle. However, the public can attend services - for free - at St. Leo's Chapel itself.

[silverjurors]

Answering questions about O'Khasian culture in my rewrite from @zenixromeave (ty so much)

1. what kind of clothes do people wear? what is the weather like and how does this affect clothing? are there any patterns or motifs often used to decorate clothing?

O'Khasian clothing trends depend on who is in power at the time, however, I will answer based on what is popular during the MCD time period

The weather in O'Khasis is fairly temperate (think like the UK's kind of weather), which means it rains quite a lot, it hardly ever snows, and when it's hot, it's BOILING. This doesn't affect the populations clothing styles as much as it could, as the working classes are more inclined to wear more layers of clothing anyway, and it really only influences the upper classes when they want to travel

Many working class people in O'Khasis tend to wear blue, if they can afford it. A popular form of clothing style is a hooded capelet worn over the shoulders (similar to a cloak but not the same). Blue is a very popular color in O'Khasis, especially amongst those who can't afford to buy or maintain white fabric. Other clothing trends among the working class include but are not limited to

Both men and women tend to wear trousers, mostly for mobility in work settings.

For formal events like going to church, losely fitted fabrics are popular, as they were popular in Irene's time and people tend to imitate her clothing styles when in prayer

Many working class men specifically tend to obscure their face in public or religious settings (inspired by the High Priest)

Wearing teal and green during festivals, holidays and celebrations

It's a bit different for the upper-classes, as they can afford to maintain white fabrics and more 'fancy' things. As such, O'Khasian nobility dresses in a more 'traditional' way, but there are some notable differences, such as

Married men wear their hair in 'wedding braids' at almost all times, and if they are wealthy, these braids are decorated with fine jewelry and silver

Wealthy women wearing less layers of clothing than working class women, although it often looks the other way around due to some elaborate draping and pinning going on

Many upper class citizens of O'Khasis have the symbols of Irene stitched into their clothing, usually a flower that looks similar to our chrysanthemum, and almost always in gold (on blue fabric), or blue (on white fabric)

Other symbols that are popular in O'Khasis' upper classes clothing include - the moon (Eamonn), a rune of Enki, and occasionally numbers corresponding to a specific verse of their religious text

Only those highly affiliated with the church/the Jury wear symbols associated with Xavier, as it's seen as a sign of a warrior and/or someone who can be incredibly violent for a religious cause

(I could keep going but I fear I have rambled too much)

2. is there any distinct architectural style? what materials are commonly used?

My mental vision of O'Khasis pulls from a number of sources, but the best I can describe it would probably be a combination of Ancient Roman and Perpendicular Gothic architecture. Lots of mosaics, fancy stained glass windows, arched tall buildings, beautiful sculptures coming off of houses and churches, that sort of thing.

The most commonly used material in O'Khasian architecture is concrete, brick, and wood. However, to be more specific, more fancy and elaborate churches tend to have marble and handcrafted wood interiors, whereas the churches used by the working classes usually just have regular floor tiles. The wealthiest families and most expensive houses have andesite in them as either flooring or statues, as andesite has to be imported, making it just as expensive as marble in O'Khasis.

Aaand that's all I got for architecture so far, idk why I fixated on flooring but there we go

[vox-anglosphere]

The mediaeval ceiling has been restored in The Lantern of the Fens

Ely Cathedral by leevistal.

[trans-girl-uchiha-itachi]

this is also petty as all hell, BUT,

does it bother anyone else that hogwarts takes so much visual inspiration from collegiate gothic architecture a la oxford when it supposedly is a medieval castle designed for defensibility? what in the goddamn is up with all those massive Perpendicular glass windows?? FIRST of all you'd put that in a cathedral and not A KEEP, and SECOND of all, if hogwarts is colloquially "a thousand years old" in the 1990s, the core/central parts of the castle cannot possibly have been constructed very much after 1000 and that's at LEAST A CENTURY TOO EARLY for gothic. *pounds fist on table* i demand ENGLISH ROMANESQUE god damn it!!!

i am forced to conclude there were several waves of massive & tumultuous reconstruction due to wizard internecine warfare and can only imagine the sheer levels of shenanigans required to keep the chamber of secrets, uh,,, secret

[camisoledadparis]

The nave & vault of Winchester cathedral one of the longest gothic churches in the world. Begun in 1371 but the vault was not completed until the 15thc. The whole is a remodelling of the Romanesque nave with the original piers encased inside later perpendicular work.