#People really get the “this isn't what I personally enjoyed” and “this thing is objectively bad” mixed up

[kcrabb88]

I feel like we really lost something when we started looking at writing as a reader-centric product meant to appeal to the desires of a specific audience rather than a writer-centric approach of someone writes whatever particular thing particular compels them/whatever weird thing the demons in their head want to talk about, and people out there who are also compelled, and/or relate, find that writing. A lot of discussions of writing really center around what readers want rather than a writer's exploration. Sometimes as a reader I don't know what I want. I click on a fic or pick up a book I'm not sure about but that looks interesting, and I love it. Reading what I expect to get is it's own joy, but we always need to expand our horizons and not get mad at creators for not always writing what we want/expect.

[sunderwight]

SV AU where Shen Yuan transmigrates into a dragon.

It's not so bad, at first. He's an extremely magical sort of dragon so he can easily take on a humanoid shape, and he has dominion over an entire mountain, with a magical gate that leads to his palace. Said palace has a fully stocked treasury, a library, garden, etc, with the only real downsides being that the place is kind of huge and very difficult for a neet with limited housekeeping or landscaping skills to keep up with. The original dragon had enslaved a bunch of fairy spirits to do it for him, but since Shen Yuan has moral objections to that, he'd let them all go and they'd run off before he could even think to offer to hire any of them as paid employees instead. Not that he can blame them for being in a hurry to get gone.

He does his best, and generally enjoys being a dragon lazing on his mountain, or wandering the beauty of his palace and investigating the books and scrolls kept there. He doesn't actually seem to need to eat or drink, so that's not really an issue, and nobody looks keen to bother him. But after a few months the dust starts to really pile up, and trying to figure out how to do his own laundry without modern equipment leads to several disasters, and even though he doesn't need to eat he's starting to think it would be quite nice to have a fancy sit-down dinner and enjoy it for its own sake anyway. He has an enchanted larder but his food prep skills aren't up to much.

So, Shen Yuan ventures away from his mountain. He keeps to his human disguise when he's not traveling, and at first tries to hire on some help from a nearby city. But when he explains that he lives on the mountain, he realizes the difficulty, because everyone in the area knows that only the dragon lives there. So they all think he's either a liar or a fraud, or some servant of a nefarious supernatural creature angling to trick and possibly devour them.

Shen Yuan tries approaching another town in his dragon form, to see if anyone will actually deal with him if he's being upfront and honest about the situation, but the townspeople just panic. He returns to his mountain to rethink his strategies, and in the meanwhile the alarmed locals hire a swordsman to go after him. The guy gives him a few very painful cuts before Shen Yuan mostly-accidentally sends him careening into a boulder. One broken arm later the swordsman is gently persuaded that the pay he was offered isn't worth the effort on this job, and leaves.

Discouraged, Shen Yuan decides he's gonna give this one last try. He picks the second closest city, flies up, and is like yes hello, yes I am indeed a dragon, no I'm not trying to burn down your walls, yes it would be excellent if you stopped shooting arrows at me, look they don't even get past the scales? It's kind of silly? Okay, yes, thank you very much. Good. Now, the thing is, I'm looking for some people. I want to take them back to my mountain with me, to my incredibly nice palace, and -- what was that? A princess? No no I don't want a princess, what would I even do with one? If anything I'm looking for the complete opposite of a princess!

Anyway, the locals take this to mean that the dragon is demanding a sacrifice in the form of a pretty boy of no particular pedigree, and Shen Yuan takes this to mean that he's finally made his case clear and they're going to dig up someone who is willing to overlook his being a dragon in exchange for free room and board and fair wages out of his massive treasury.

SY's a bit disheartened when the entire city could only apparently turn up one such person -- an underfed teenage boy who looks at Shen Yuan like, despite the situation, he is still expecting to be eaten at any moment. Poor thing! But at least having one servant means he can potentially get more, especially if it all goes well. The lad can tell others that working for a dragon isn't so bad! Well, provided that he doesn't give up in alarm at the state of the mountain palace.

For his part, Luo Binghe at first thinks he's definitely going to get eaten, and then that this dragon is weirdly nice about planning to eat him, and then that maybe the dragon has other (even less savory!) plans for him, until finally he sees the state of the dragon's laundry and the foot-thick layer of dust in the corners, and gets completely distracted. Mortal terror forgotten, those floors should not be that filthy, Lord Dragon respectfully that isn't how anyone should prepare rice either, but oh Binghe has never seen a kitchen so nice before in his life...!

Anyway, needless to say, it works out just fine.

[dark-and-kawaii]

༺ 𝒯𝒾𝑒𝒻𝓁𝒾𝓃𝑔 𝐻𝑒𝒶𝒹𝒸𝒶𝓃𝑜𝓃𝓈 ༻

Just some random headcanons I have for my three favorites, Zevlor, Dammon, and Rolan!! I hope you enjoy these!

Fluff - NSFW

- 𝒵𝑒𝓋𝓁𝑜𝓇 -

Our soft sweet man is just such a softie in bed.

Zevlor is so afraid of hurting you while bedding you, he absolutely hesitates at first asking you if you're sure, if this is really okay, that he's not worth your time, and that he’s afraid you’ll get hurt.

You'll definitely have to be the one to initiate the relationship, and you're 100% going to need to be the one who initiates sex.

Loves when you rake your nails gently down his sides and won't stop you from playing with his tail... He gets really flustered when you go for his tail during sex. The way he moans as you rub your hand over the tip of his tail causes him to groan and moan, Zevlor tries to bite back the sound but at times it's hard to contain such noises.

This isn't a boy, this is an absolute man. Degrading nicknames are pretty much off the table for him simply because he has so much respect for you. Now you could probably convince him to say a few things here and there, but it's so out of character for him and he never thought his red skin could get much redder until you get him to call you his "whore". Zevlor will always tell you afterwards, “You know i didn’t mean that, correct? I would never look at you in such a way.”

He loves you and he wants you to know that, Zevlor never wants you to feel like an object. To him you are his person, his life partner who helped him save his people and defenseless children.

Oh gods, if you helped him keep the children safe that alone makes him view you in such a bright light. He loves kids and the thought of having his own has crossed his mind more than he'd like to admit.

Holding you in his arms is something he cherishes deeply, he worries it might be the last everytime so he always gives you one last tight, but soft, squeeze. It's almost like he's memorizing the feeling of your body against his.

Loves to pepper you with kisses while on top of you! Every time he finishes he brings his head up to look at you with a tender smile before saying, "I love you."

Whether it's after a passionate moment, or simply going to sleep this man will wrap his tail around your thigh. If Zevlor is spooning you he will drape his tail over your hip or legs. Not only does this comfort him but it also reassures him that he's not alone anymore and that he has someone to protect other than his people.

Zevlor will always sleep on the side closest to any door or cave entrance; that way he can be the first they attack, giving you time to escape. He's incredibly selfless.

This man gets incredibly worried if you come back to him with an injury of any kind! He might even scold you, “What were you thinking?!” Will tend to your wounds like a professional -he’s done this several times thanks to being a hellrider-, and once he’s done wrapping you he’ll hold your hand begging you to be more careful next time.

- 𝒟𝒶𝓂𝓂𝑜𝓃 -

Is so awkward at first, like oh my god he is so awkward if he has a crush on you. Will hold your hand and just kinda shake it before letting it go.

Blushing and hiding his face is something that happens if you walk over to him just to admire his work.

He has a few moods in bed, soft, rough, and playful. Our incredibly handsome blacksmith has a dirty book stashed in his house so like common we all know he’s into some freaky stuff.

Will lift you in his arms before either tossing you on his bed or laying you down gently, always expect a kiss on your neck once he’s back on top of you.

If you don’t grab his horns while you two are connected he’s going to be disappointed, won’t ever say anything to you about it, but he loves when you play with them or use them as leverage while riding him.

I definitely like to think Dammon is an expert at shibari, so expect to be tied up. I think deep down he’d love to have you tied up while he works, teasing you every so often until he’s finished the sword he’s been working hard on.

Likes to graze your skin with his sharp teeth and nails, he loves the way you shiver in response.

Tail play? Absolutely a thing with our babe Dammon. He will tease your slit and clit with his tail and if you’re slick enough he’ll slowly push it inside you. He won’t ever purposely try to hurt you and if you wince the slightest he’ll withdraw his tail and apologize. Only when you’re comfortable enough will he try again.

Likes to wrap his tail around you in general. Dammon loves it when you visit him while he’s working because he knows you’ll come from behind to hug him and his tail just naturally curls around you.

He’s a tail guy, it's hard for him to control his tail at times but if he’s happy you’ll know not only because of his eyes but also his tail.

If you’re a tiefling expect his tail to be entwined with your own.

Coming back to him with an injury is something he never likes to witness. It hurts him, like it really hurts him. He isn’t some hellrider or fighter like you or zevlor, he’s just a simple blacksmith who isn’t that strong on the battlefield -we all saw that 8 HP-. So how in the hells is he supposed to keep you safe, even when he thinks he’s made the toughest armor and you still come back with a wound… Oh gods it kills him. He feels like he failed you and failed as a blacksmith.

Dammon will always want to tend to your wounds, it's the least he could do since he feels so crummy about it. Will get as gentle as he can be, he’s pretty quiet during the process and you’ll be the one asking him what's wrong. He’ll sigh and pause momentarily until he tells you what's going through his mind. A simple caress to his cheek is all it takes for him to smile at you before placing a kiss where he just patched up.

No doubt Dammon wants kids, plural. I think he’d like at least three children, the gender doesn’t even matter so long as they’re all healthy :,)

- 𝑅𝑜𝓁𝒶𝓃 -

This bitch, this stubborn, high maintenance tiefling, GOD I LOVE HIM.

Let’s get one thing straight, he prefers to be on the bottom.

Rolan doesn’t mind being on top but he much rather you do the work so he can watch your hips grind down on him. Loves to admire your body, like he really likes to admire you. You’re the most stunning female he’s ever met, won’t tell you that of course, but he thinks it every single time you’re on top of him.

Doesn’t like quickies, sex is a form of art to him and he likes to take his time and be one with you. He didn’t pick you to be his because he wanted to get off quickly, he chose you because he loves you and likes to be in your presence. That’s a rare thing for him and he intends to take advantage of that.

There’s only one place he likes a good quickie and that’s when he’s at Sorcerous Sundries. It’s also when he takes the most control, pinning you against that bookshelf he was just rifling through, the books falling off the shelves, it’s chaotic but he surprisingly doesn't mind it.

Something Rolan really enjoys is when he’s reading a new book and you come to him wanting to be in his lap. He used to find it obnoxious and would tell you that he’s busy, but when you stopped your attempts it made him feel strange… He never had a family besides his siblings, what if he becomes the reason you run off… The thought of you abandoning him because of his attitude pushed him to start asking you if you’d like to sit in his lap while he studies. Rolan still found it infuriating at first, but the more he allowed it the more he started to enjoy it. Now he finds himself holding you as if you’d vanish with one arm, his hand always resting at your thigh or the small of your back with his book in the other all while smiling pleasantly.

Has zero interest in kids, like it's going to take some convincing -even then good luck-. I can only assume he had a rough upbringing and I'm also assuming he was abandoned by his biological family. This has left a sour taste in his mouth when it comes to kids. “We have a perfectly good life now, why ruin it with a whiny one?”

Coming home with an injury??? Yeah you better expect, no you already know you wont hear the end of it. He’ll mock you for wanting to be the hero again and tell you how incredibly stupid it was of you to run off defending others when you should be more worried about yourself.

As he bandages your arm it's quiet, the only noise coming from the crackling fire. You’re silent, not wanting to speak with him after he berated you. Rolan is the one to speak up, telling you that he just worries. Its rare to see him with his walls down, even after being in a relationship for so long, but he breaks the walls as he stands to look at his bandage work. “You, Cal, and Lia are all i have… Please, don’t try something like this again. For my sake.” You aren’t sure what to say, he’s never sounded so hurt, so vulnerable. It’s the perfect time to tease him, “Are you getting sentimental on me?” He’ll just glare at you telling you to shush and to go get some rest.

Enjoys watching you, Cal, and Lia getting along. While you three joke and have your arms over one another’s shoulders while cheersing, Rolan can’t stop smiling. As soon as you turn around though his smile fades and he tells all three of you, “you’re all idiots, honestly.”

[softringing]

The thing that's so off putting about Sampo is that he's willing to go really far to make others happy, even at the cost of becoming a punching bag. But at the same time, he's been warning us about himself purposely, masked fools and the dangers of becoming too selfish when it comes to elation.

It's obvious he wouldnt harm ordinary people in a serious way but at the same time, we don't know if he's actual hiding evil intentions.

Remember that sampo has dead snake imagery in his design, and usually, snake imagery isn't used on moral characters, it's used on evil, morally grey or manipulative characters.

It's telling you not to trust people who hide things easily behind a disguise but at the same time, Sampo has a "line he won't cross".

He's so paradoxical that it's actually hard to tell what his motive is. I feel like he might have split personalities because of his mask's influence or just him as a very odd and mysterious character.

I went though the trashcan lore (I feel stupid) BC in his event, after you sell items it gives you these random texts and one of them has "Diagonese's Utopia" achievement that you get from searching belebogian trashcans.

I posted this on twitter and my theory revolved around the fact that Sampo's mentality may not be the same as a normal human's.

I always felt that his odd behaviour of acting like a "fool" was genuis. Because the best way to fool someone is to make them believe that YOU ARE the fool. They won't doubt you because in their eyes you're less intelligent or less complex than them.

But when I dug deeper, I realised that Sampo actually ENJOYS being hated. This is where my search through the Belebog trashcans apply.

(some of these are out of order sorry 😔)

I initially thought Sampo was Tatalov, the Garbage King because of Sparkle's portrayal of him in the dream bubble. And as you can see in the above images where there's a story of a trashcan being stabbed by someone they raised (Tatalov/Garbage King), you can link it back to the fact that Sampo MAY have betrayed someone he once loved. "The moment of betrayal" also closely aligns with this!!

"Wind of change" "snake", these elements are all mentioned in the above story of Tatalov stabbing someone--> sampo's wind is element, he has snake imagery!! Should be straight enough to say HE IS TATALOV RIGHT?

Now listen closely, in the DREAM BUBBLE, Shentana (aka Natasha) talked about how Tatalov was once a great ruler who cared about equality and justice (sampo behaviour) but was blinded by "the thing beyond the sky" (stelleron). => Now it's making a reference to cocolia rather than SAMPO. Which DOES NOT ALIGN WITH SAMPO BEING TATALOV/GARBAGE KING and hence the "backstabbing " story gets muddled and confusing.

My theory was that Sampo killed the person that made him (Seppo Illmarinen) according to the Kalevala story, after he realised that no one truly LOVED him for who he is, but rather only his ability to bring wealth and fortune. Hence, he felt vengeful, and decided to kill Illmarinen as a revenge because of how others saw him as an object (maybe including Illmarinen too). But in that story, it's mentioned Tatalov said "you will collapse beside me" to the dying trashcan (Seppo).

That's when I went back and looked at "Garboski" (Koski) from Sparkle's dream bubble. Garboski mentions that Tatalov betrayed them, and sealed them for 10,000 years. Garboski also mentions that he will reward the people who found them with WEALTH (sampo's function in Kalevala) and then he decided to eventually give anyone who found them a painless death. You can clearly see over time that Garboski's mentality went lose. I tried to link Garboski's story of being sealed for 10k years to Tatalov's betrayal but it said 15 years since the dying trashcan hadn't seen their face. That's when everything got far too confusing for me to comprehend and link together but the only thing I was able to TAKE from these stories is that they are both about BETRAYAL.

The consumable above depicts a colorless rose. You can only see it's reds in the reflection on the dagger. Which led me to think-> Sampo's eidolon "the deeper the love the stronger the hate" might refer to the fact that he despises being loved by others because he had lost trust a long time ago from the events that happened to him, how he was betrayed by the people he thought loved him but turned out to be just to use him for their convenience and selfish desires.

Remember that red roses represent passionate love and that Firefly mentions Sampo looks like he'd been training to use daggers all his life. So the symbolism of that consumable might be that Sampo trusts people's hatred more than their love because when you hate something, the hatred is (mostly) sincere. Why would you pretend to hate something you love? Sampo ENJOYS this sincerity.

He hates love because you can always hide things behind it under selfish pretense. Why else would that consumable reflect a red rose 🌹 ONLY on the dagger and not the rest of it? Because as soon as Sampo was betrayed/betrayed someone, it became clear to him/them that their true emotions towards him are HATRED not love. And SAMPO LIKES THAT!! HE LIKES BEING THE FOOL, HE LIKES BEING DESPISED BECAUSE YOU CAN'T DECEIVE HIM AND HURT HIM WITH LOVE.

He uses roses to decorate his packages in the event, also his suitcase and he uses roses to attack in HI3.

He hates love because the more someone loves him the further he will doubt them.

And that's pretty MESSES UP! To have a mentality like this means he you must've gone through some messed up crap, just like how he mentions at the end of his event that he had a "Hot-blooded past". If you didn't know, "hot blooded" usually means feeling complex emotions all at once, like anger, love, hatred, doubt, pain.

The description of the consumable sounds so warm in the begging and suddenly shifts to a tense mood? Did you notice that? It's so paradoxical. So hot-blooded. And it says "that person" so speficially!!

I'm still not sure what to believe about sampo's past, but I'm sure that his idea of love is completely messed up. In HI3, as you fight him during his boss battle, there's a bar called "depth of love", which is UHH WHAT THE HECK?? IT TELLS YOUTHE MORE YOU HURT HIM THE MORE HE LOVES YOU.

In his beta lines that were removed Sampo says something along the lines "Sampo gives all the affection yet never receives anything in return *sigh* but I'm used to it anyway 😃👍"

Ummm?? OKK?? IM SUPPOSED TO BELIEVE HE IS SANE? HE IS MENTALLY STABLE AND UR TYPYCAL CONMAN? NO WAY IM NOT!!

I hope this theory makes sense. I just need everyone to know this man has some screws lose but I love him anyway!

[melrosing]

got bored made some Lannister ocs

besides Stafford we don’t have names or deaths or anything for Joanna’s other two brothers and her two sisters so since everyone else has ocs I decided I wanted some and it was free real estate ✨ names/ages/personalities under the cut

joanna lannister (247AC - 273AC) guess what i didn't actually make her up but not like we have much detail on her anyway so w/e. eldest child of Jason Lannister & Marla Prester, and just a frustratingly perfect girl (at least as far as Cerella is concerned) who always seems to get her way. has always enjoyed gossip and that becomes an interest in court and politics once she moves to KL at 10 to become one of Queen Rhaella's companions. as a child at the Rock she was best friends with Genna, but it was a complex relationship where Joanna was slightly resentful of Genna's power over her (as Tytos' daughter) and Genna was resentful of Joanna's apparent perfection, and the way she seems to wring an affection out of Tywin where he has none for his siblings. Joanna isn't exactly a mean girl but is well aware of the effect her charisma has on others, and can make you feel like shit by looking straight through you (albeit w a smile on her face) if she doesn't feel you're much worth her time.

stafford lannister (248AC - 299AC) i didn't make him up either but canon says he's a blundering idiot so we'll go w that. Stafford just had the luck to be the firstborn son of a Lannister knight, so he gets wealth and riches with little responsibility to show for it. he's thought of as a bit of a Tytos 2.0 but without his humour or heart of gold. thinks he has a fascinating life but is just rich. tells dreadfully boring stories but never seems to notice the snores. constantly landing himself in shit and waiting to be rescued. that's all there is to say about Stafford.

gerold lannister (249AC - 280AC) yay my first oc. well he's just a bit of a creep really. twin to Cerella, born first of the two. Gerold thinks he's the perfect Lannister specimen (he's more like.... weedy handsome squidward) and figures he ought to have been born in Tywin's place. but somehow he ended up the second son of a fourth son and nothing much is expected of him. he's not much good at anything and noone likes spending any time around him because he's perpetually consumed by bitterness. he's not close to his sister Cerella either, bc he seems to treat her worse than anyone, constantly talking down to her etc and mocking her crush on their cousin Tywin. in his final years, as his other siblings are growing up and moving on w their lives, Gerold remains bitter & stagnant, and no-one cares to see what's up except youngest sibling Loren, who has never been close to his brother but takes pity on him, believes maybe Gerold just likes men (specifically he suspects he likes TYWIN) and Loren is a theatre kid all his friends are gay it's fine. he decides to reach out. except Gerold isn't gay and in a confrontation between the two, Loren discovers that the true object of Gerold's affections is: their sister Cerella!!! who has already been married off to Sumner Crakehall. his secret out, Gerold kills himself shortly after, and Loren never tells anyone what he learnt but is consumed by guilt and disgust for the rest of his days.

cerella crakehall née lannister (249AC - 295AC) younger twin to gerold. Cerella has a cold demeanour but the heart of a romantic. when she was a small child she was in awe of Joanna and followed her everywhere, and Joanna likewise enjoyed Cerella's hero worship and treated her as a mini-me. however, as Joanna blossomed, Cerella felt ugly and awkward by comparison. Joanna only seemed to verify this by gradually ignoring Cerella in favour of Genna, and later in favour of her friends at court it KL. Joanna seems to get everything she wants before she can think to ask for it, whereas people seem to forget Cerella is in the room. and the one thing Cerella has always wanted is Tywin: she thinks they're entirely alike, and she's even modelled herself on him in hope that one day they would make a perfect match. except Joanna gets Tywin too: she has his attention without even seeming to ask for it, and takes him because she can. Cerella thinks she might have got her comeuppance when Jo is sent home from court, after Aerys affections for her become a little too heated. Tywin won't want her now. except he does, and they're betrothed not long after. Cerella, despondent, doesn't argue when she's married off to Lannister bannerman Sumner Crakehall (his second wife), and never returns to the Rock thereafter. she notices Joanna's son training in the yard at Crakehall but wants nothing to do with him; Jaime Lannister will wonder why in all those years his mother's sister never deigns to speak to him.

rowena cary née lannister (255AC - present) her father's favourite (though he dies before she turns six), Rowena looks the spit of her grandmother Rohanne Webber. Jason never knew his mother, and so has highly idealised notions of her (whilst the rest of the Lannisters loathe her for leaving without a trace). he likes the idea that Rowena is Rohanne born again, but wouldn't get away with naming her Rohanne - so names her an approximation. and she's just a fuckin disney princess lol. extremely amiable, not a girl of any great talents but does her best to please everyone. she never sees much of her eldest siblings, who are at court or squiring by the time she's old enough to engage with them, and the twins pay her no particular attention, but the adults around her love indulging her, and she's close to her younger brother Loren. there are no great expectations of Rowena, so despite many great westermen begging her hand, she marries for love to a wealthy merchant of Lannisport. sadly, they're unable to have the children they long for, but enjoy entertaining at their Lannisport manse, and enjoy welcoming nieces and nephews into their home (Tyrion is a regular visitor uwu). w her red hair, people tend to forget she's a Lannister at all, and so does she tbh.

loren lannister (257AC - 297AC) born in what many thought were finally past Marla's childbearing years, Loren is the youngest of Jason's brood. there are no great expectations of Loren, and Loren has none of himself - but in some ways he ends up being the most successful of the bunch, besides Joanna. he likes writing plays, acting in his own plays, and generally getting merry with the folk of Lannisport. the Lannisters of the Rock tend to forget Loren exists because he's seldom there, always in the city instead - till he moves out of the Rock entirely with little fanfare, and uses his inheritance to build a theatre in the middle of town. his plays do well and he's popular with the people, but very much a rich kid cosplaying poor lol. he never marries but has affairs w men and women, and when he hears of a bastard that might be his he throws a load of money their way without checking to see if it's true. Loren enjoys attention and pays close attention to others in turn, but is largely estranged from the Lannisters besides Rowena. after trying and failing to help his estranged brother Gerold, Loren falls into something of a depression for a time, doubting himself and all his instincts - his estrangement from the rest of his family becomes much more definitive as a result. anyway after a fairly prolific career Loren falls from some theatre scaffolding to his death at 40 years old, to the misery of Lannisport and the faint bemusement of the Rock

[batmanisagatewaydrug]

You seem like an incredibly well read person, plus someone with a lot of insight into intimacy because of your work. So, in light of your romance book reviews, which are an absolute highlight on your patreon, do you have any insight into what is needed/suggested for a good romance novel?

g o d this is so fucking hard and also really fun to chew on. I want to preface this by saying this is ENTIRELY subjective and based completely on what I *PERSONALLY* find that I enjoy in a romance. this isn't, like, an objective guide on how to write a romance that doesn't suck. that doesn't exist because people like different things, and I'm speaking from one perspective.

also I should say that my preferred flavor of romance novel is solidly contemporary. I haven't read many historicals, certainly not enough to opine well on them, I don't do those mafia dark romances or whatever the fuck, and I've barely dabbled at all in any kind of fantasy romance, whether they're full high fantasy or witchy urban fantasy stories. (although I'm about to do one of the latter next month, you can vote for a book on my patreon rn!)

having gotten all of those caveats out of the way, here's some shit I like and dislike:

there are exceptions to this but broadly, I prefer a POV for everyone involved in the relationship. to me a romance where we're only seeing events from the POV of one member of the relationship automatically makes it seem like one person matters more in a dynamic where everyone should be of equal importance. also, god, if the plot's really going to hinge on not knowing what's going on in one partner's head suggests that miscommunication is going to be a pretty critical part of the plot, and I hate that shit. TALK TO EACH OTHER. I'LL KILL YOU.

on that note, there needs to be an actual compelling reason why the characters can't be together, okay? the #1 driving tension of every romance is "why the fuck can't they be together yet" and you BETTER have a good answer. whether it's interpersonal or external forces, if there's a very easy solution to what's keeping them apart then your characters look dumb and I'm bored. one of the most frustrating romances I've ever read involved two characters who were mutually attracted to each from the JUMP, who refused to act on it because they were coworkers (neither of them in any position of authority of the other, nothing unprofessional or inappropriate about it) and they were "only" living in the same state for A YEAR. A FULL YEAR !!! shut up. get a grip and kiss each other.

now, having said that: whatever your bullshit reason is for these two characters to be interacting with each other, you need to COMMIT to that shit so hard that I, the reader, will feel silly for even questioning the logic. the worst offender I've ever seen on this front is D'Vaughn and Kris Plan a Wedding, which pulls its protagonists together via a reality TV competition and then just... promptly loses any interest in really dealing with the actual realities of being filmed 24/7? it's insanely distracting how little the book engages with its central hook, and was a huge point deduction for me. whereas you have, like, The Bride Test, a book with a premise that skirts dangerously close to a little bit of human trafficking but embraces the whole premise so wholeheartedly that you completely forget about the potentially horrific elements in there. who cares that Esme was bribed here with the promise of a green card if she seduces a man she's never met? there's whimsy happening! we've moved on! it's literally fine and she's in no danger except the danger of a BROKEN HEART.

this one is going to seem SO obvious but like. I need them to be actually like each other. I'm not saying they can't be mutually bitchy while they grow to like each other or anything, they don't have to always be NICE to each other, but there are so many M/F romances where the dude is just flat out fucking MEAN and condescending to the girl until he decides he wants to fuck her. and sometimes even after that! stop it! after a certain point I don't want her to fuck him I want her to run him over a car!!!! there's suuuuch a line between "guy I butt heads and exchange banter with but could fuck if we just got to know each other" and "man who hates me and is for real fucking bullying me."

"kisses only," "doors closed," whatever term they use for a romance novel without any sex scenes on page, I don't like it. listen: I know that they're not everybody's cup of tea, and I FULLY recognize that a lot of romance novel sex scenes are unfathomably cringe. and yet, I need them. partly because they're funny, but also because if this book wants me to be invested in the developing relationship between two adults who are supposed to be WILDLY sexually attracted to each other, then I want to see the damn sex. no matter how many bad similes or unfortunate adjectives it entails. and if you're not going to show me the sex, don't you dare have the characters gushing about how great it is. I'll be the judge of that, thank you very much. (I'm looking at you, Sorry, Bro.)

related: there's this thing that I call "Horny Wolf Syndrome," which is derived from this tweet:

initially I used it to refer to when previously sweet-tempered male romance protags inexplicably started talking like horny wovles during sex scenes - "LET ME SEE YOUR PRETTY CUNT ON MY COCK" and the like - but now I more generally use it to refer to scenarios in which characters of any gender completely dispense with their established personality while they fuck in order to fulfill a more broadly appealing, one-size-fits-all sexual fantasy. I hate that shit; if your characters act like completely unrecognizable people during sex, you didn't write very strong characters. one of my favorite things about writing sex scenes is that it's so SO interesting to see how their the characters' personal quirks translate into a setting that's very different from most other contexts, and it's deeply disappointing when authors take the easy route in favor of some pornhub dialogue.

one of the things that actually won my most recent read, Raiders of the Lost Heart, a HUGE amount of points with me was how frank the female lead was about initiating sex for the first time. it was completely in character for her and felt really different than any other book I've read, and honestly? it was a breath of fresh air.

[olderthannetfic]

I accidentally killed my own desire to write, and I need some advice. To be really blunt about it, what's the point of writing? When I would spend lots of time laboring over making a good story with a plot and characters who were in-character and connecting all the dots narratively so payoffs were satisfying, my reward was dead silence and virtually no clicks. I posted some mindless smut to my side account one day and got more hits in a day than most of my other works combined got in a year. I know, I know. "Write for ~*~yourself~*~" is the common response. It's the "be yourself!" of writing. It's supposed to be a magical phrase that'll make everything okay. But... I don't like knowing that something I spend months working on won't be read by anyone while something I write in a car while bored got thousands of clicks. I don't like making something I'm proud of and then no one ever looks at it. That's not fun for me. It's not fulfilling.

For a solid decade, I've tried to ignore how the level of interactivity in fandom is falling. Fewer comments. Fewer kudos. No comments in the bookmarks. You put your tumblr and Discord in the AN and get a handful of asks and one person who adds you, talks to you twice and then ghosts you. Most of the comments are "well, actuallys", made even more annoying by them being wrong as opposed to actually correcting an error. I avoid fandom drama, wank, and infighting. I don't engage with things I know will make me unhappy. I try to be happy over in my own little corner. I comment on every single work I read. I want people to enjoy fandom. I used to.

Some dumb smut I wrote in 40 minutes gets five times the hits of the writing I'm most proud of, and it gets it in just under three months. I am not a great smut writer. I haven't stumbled onto an incredible talent I had that makes it so the issue is that I'm so amazing my smut brings all the boys to the yard. People just don't like what I write and put effort into. It's very likely that despite 20 years of writing fic, I suck at writing. And people enjoy my writing most when they don't have to put up with anything substantial and can just skip to the sex.

So for the last eight months, when I write, I just sort of give up. Close the Word doc without saving. No one will read this. No one cares about this. There is no fan eagerly awaiting every update like I await updates from my favorite authors. There's not even someone saying, "update soon!" Close the Word doc. Delete old WIPs. There's no point. I do not tell stories worth reading. I used to. In the FFN days people genuinely enjoyed my work. I'd never have had an opportunity to do the 'I won't update until I get 3 reviews' thing because getting that many on a chapter was usually something I'd do overnight. Post before bed. Wake up. Read the reviews before school. I peaked in high school, I guess.

And now I'm just sort of lost. I still have lots of ideas. Ideas for fics fall into my head all the time. That's never been a problem. What I don't have is any motivation to write them. What's the point of writing? If no one else is reading, I guess the point would be so I could go back and read my own story and have fun with it. Write for myself. But I can review the story and have fun with it in my head without writing it down. It's substantially faster and more importantly, isn't incredibly depressing.

So, at the risk of definitely being calld the second-coming of True Art Anon or a troll or validation-seeking or haha mentally ill haha... what's the point of writing?

--

Okay, so write porn in a car while you're bored.

Look, you can whine all you want about my response, but what you've written here is blatantly about depression.

Lots of people in fandom are still interacting. And no, it isn't just on fics that are objectively written to some pro fiction standard or whatever. Teenagers still breathlessly review poorly spelled cracky masterpieces about this year's big anime and so forth.

Yes, there may be reasons why you in particular are in a slump when it comes to fandom friendships or "plz update" comments. We can talk about that. But this ask is all gloom about fandom in general. That's not realism: that's you having a problem.

--

As for why a person should write: because the actual hours you spend doing the writing are fun.

If they aren't pleasurable in some way, find another hobby.

--

But if you want an answer to the age old "Why did my 5 minute fic get 1000000x more asspats", I've seen meta about this for literally decades.

The most likely reason is that the fic we write quickly and without much thought often feels fresher and more fun. The things we labor over endlessly can feel overworked. Even in cases where they don't, they're often heavier subject matter or more niche subject matter. On top of all that, we just care more, so even a high level of feedback doesn't really feel like enough for the effort and care we put in.

--

Do you really need me to tell you why you don't feel the same as in high school when things were fresh and new?

Go read up on combatting burnout or dealing with post-college anxiety or managing stress in a dead-end job in your 30s or finding meaning in your 40s or whatever is going on.

Everyone goes through fallow periods in fandom and in life.

Feeling reinvigorated has to do with internal factors and some general life circumstance stuff. It doesn't have that much to do with number of kudos. That's just the surface trigger for a mood that was already there.

[toskarin]

A question of curiosity - assuming you play them due to your involvement with a bunch of them, what are your favourite kinds of characters (be it mechanically or narratively) to play in TTRPGS? And do you have any associated anecdotes to go with them?

courtesy readmore

mechanically kinda depends on what's on the menu, but if it's combat-focused, I personally really enjoy characters who "deny" things

not really the kind of character who I'd ever expect a GM to put in their element on purpose (I usually make a conscious effort to remind the GM of things I'm capable of so that I don't trample on any fun setpieces) but definitely the kind of character who modifies objectives just by being in play. I also like magic-users in concept, but that's more of a flavour thing

I think that's reflected a good bit in the kind of narrative play I enjoy, too. when I make a character, I prefer to do it with the rest of the party in mind, less to make the character "compatible" and more to make them sharply contrast in ways that encourage the other characters to have moments where they can reaffirm who they are (both in narrative and out of narrative)

there's a fine balance to strike here. on one end of things, you risk yes-manning so hard that the party quickly becomes a problem solving engine with a single striking surface. on the other end of the things, you risk being The Chaotic Neutral Guy

the space in the middle there represents the characters that people often want to regularly interact with, but rarely want to play. the sort of character who isn't actively disruptive, but raises a lot of red flags when they suddenly show enthusiastic agreement for what you're doing. the kind of character you almost need a diminished sense of discomfort to play without getting in your own feelings about

I adore playing characters who are catered to find plot hooks in other players' characters and tug them just enough to pull them to the surface

most parties have characters who disagree on things that aren't easily resolved. that's always fun, but (because people courteously tend to avoid conflict) it's very rare for those conflicts to come up without GM prompting, and "create productive conflict between two characters without leaving out the rest of the characters or starting a fight between players" is often an equally uncomfortable situation for a GM

lots of fun directions to take it!

have an arc that would benefit from a character taking charge but their player doesn't feel comfortable just Doing That? it helps to have someone else try to take charge who obviously should not be allowed, just to get everyone behind the alternative

have someone with a pure heart who doesn't really get to show that in a party of players who don't want to be mean? maybe someone who's a little more morally-compromised could give them a window for explaining what they actually believe

have a character who's part of some mysterious cult that nobody else is going to find the time to look into? the party could benefit from having a nosy character to justify cracking open that backstory

GM needs to fuck something up to remind the party of how dangerous things are? why not add to the mood by showing what your often-cold character looks like when something manages to actually upset them

[WARNING: DOING ANY OF THIS WALKS THE PRECARIOUSLY THIN LINE BETWEEN BEING COMPELLING AND BEING ANNOYING]

observant readers (well, those who have followed for a while) might have noticed I periodically go on rants about the much-maligned "evil character in a good party" and how both sides of the argument represent a communication and courtesy breakdown. that also very much ties into this sort of thing. I won't go over Tolerable Villainy 101 again, but you get the idea

distilled, I like playing the sort of thoroughly worldly bastards who often end up important in their own right, but mostly on accident, by virtue of being important to what makes other characters compelling

[endlessburningdarkness]

That "perfect victim" post you reposted has me all fucked up because it makes me think about Shen Jiu, and how his treated.

His a victim of severe trauma, and it manifests in ways that are "imperfect." It always pissess me off when people say, "if only Shen Jiu had tried. " Tried what? Get over his trauma? It's hard to do when A) there is no therapy and you have no real support system. B) The people around you don't give a shit and are hostile. And C) the before mention people make the trauma worse by making you feel unsafe or invalidating you. Try to get along with his martial siblings? He tried, but every time he did, it backfired and made everything worse for himself. He tried to save Liu Qingge's life twice, only to end up getting accused of murder each time. Try to be kinder? He tried with Ning Yingying, only to be accused of grooming her because of one of his coping mechanisms.

It was never about Shen Jiu not wanting to get better but that he couldn't.

What makes it all the more fucked up is how everyone treats Shen Yuan compared to Shen Jiu. SY acts "normal" because he has no trauma, so his liked. The peak lords would rather deal with someone "normal" than a victim and their trauma. Even Yue Qingyuan seems it easier to deal with a Shen Qingqiu who doesn't know him than one that does and actually dealing with the trauma.

And ain't that fucked up.

it is incredibly fucked up.

I love Shen Jiu (and Harry) because they are rare examples of imperfect victims. Because most victims, shockingly, are not perfect. Trauma rarely makes you a better person. In fact, more likely, it will make you angry, difficult, bitter and even cruel.

I find this type of character much more relatable and realistic than "perfect victims" who are sweet and kind and forgiving and let things go and are never ugly, hurtful or vicious in their trauma response. I think it really comes down to the idea that trauma isn't some fun thing you can brush off, you can't be normal after significant trauma. It will leave a mark, it will change you, sometimes permanently, sometimes in ways that are embarrassing and frightening and unattractive. Sometimes, you'll do awful, hurtful things to cope.

And I think that's fine. It's fine for Shen Jiu to be traumatized. In a way that isn't palatable to the reader or to society. It makes sense for him to be the way that he is. After the life he's lived, he is still shockingly kind to a number of people and as you've noted this backfires on him spectacularly. He had no parents. No one to teach him healthy ways of doing anything. He was enslaved, treated like an object, a dog, and then he was betrayed by the one person he thought was on his side. Anyone would be fucked up after that. Anyone would give up trying to be better. And that's fine too.

I think it's hard for people to face that trauma, real trauma that is, isn't this pretty, enticing thing which makes someone cooler, but genuinely painful, damaging, and difficult to overcome. That is what makes Shen Jiu's and Harry's attempts to overcome their trauma so damn impressive and compelling. That Shen Jiu fails is not due to some inherent flaw or weakness on his part but because it's so fucking difficult, even with support, to recover from the awful things that happened to him.

Often traumatized characters are expected to react perfectly, and a lot of fanfic of them is all about hashing out the ways they would overcome their trauma in an ideal way and become "normal", happy, well-adjusted people we can enjoy without feeling bad. For example, character's with sexual trauma magically overcome it by getting fucked by the right person.

And this is exactly why Shen Yuan is easier for the other characters and the fandom to love. He doesn't have Shen Jiu's baggage, he isn't damaged, he doesn't have trust issues or paranoia or jealously or hatred. He doesn't have the trauma. It's easy to be good when you're not hurt and no one has betrayed you. It's easy to be nice when you've never had to beg for every meal. Shen Yuan has everything on easy mode, and that's the appeal of him in many ways. The quicker, easier, smoother route to happiness.

I for one however, prefer the harder road. I am here for when characters don't respond to awful things happening to them in polite, unchallenging, comfortable ways so the audience can enjoy it without flinching.

Because the message I am interested in is that it's okay. It's okay to have trauma, terrible and unwholesome trauma even. it's okay to be broken in ugly, painful ways. It's okay to never become "normal" like other people. It's okay to never do the things that trigger you. It's okay to be traumatized and to act like it! And that's why I love these types of characters.

If you're interested in an exploration of Shen Jiu's sexual trauma, I'd like to recommend my fic, not to me, not if it's you. I would love to hear your thoughts on it.

[jester089]

Not a peep

Sorry to all my unfinished requests sitting in my inbox. I will do them eventually. But their's so many character type requests and those take the most out of me because I need to really think. So I'm taking an intermission to write what I want to write. TADC Crew x Eerily Silent Reader

Caine

You never talking or making any kind of noise intrigues Caine. He has never met a human that never talks, non the less never makes any noise at all. He will most likely try to get you to say something or set up scenarios where you trip and knock something over. But they never work. You either notice them before hand. Or are able to think fast enough to stop any noise. Once he's over the initial want to disrupt your constant silence he doesn't really think of you differently. You're unique sure but you're still human.

Gangle

You freak Gangle tf out. The fact that you kind of just appear without her knowing. Or you could have been standing near her for minutes her not knowing. It makes her think you're going to do something bad to her like Jax. You never talk, or emote. Your face always unchanging. After enough time of you doing nothing good nor bad to her she starts to get used to you. You still make her uncomfortable but the fact that you haven't done anything makes her not as worried. She still isn't ok with the fact that you kind of just are around her and she doesn't know. But with enough time she will react less strongly to it. It'll never not scare her. But it can be lessened.

Zooble

Zooble appreciates you. You don't do anything to help or hinder her. You don't annoy her or try to talk to her. You are the only person she will willingly let into her room. And she stays true to that. Because when you are with her you don't touch things and don't make noise. You just exist near her. She doesn't like people. But you give her some much needed connection and attachment without pushing her like everyone else. She will secretly try and make you talk, but she never goes as far as a lot of the others. It's most just a "Hey, you feel like getting something to eat?" Just basic questions thinking you might slip up one of these times.

Kinger

Kinger surprisingly doesn't dislike you. You'd think with how jumpy he is with normal people he would really hate your quiet nature but he doesn't. Sure you scare him more often then not but he knows you are never trying to. You just exist in a way that works for you and that leads to everyone getting jump scared every other hour. You seem really mentally stable compared to everyone and not surprisingly are a very good listener. So he enjoys being around you. In moderation. It's hard to keep up conversation without any responses or even reactions from the person you're talking to. It's like talking to a living breathing inanimate object that moves. He's genuinely debating on if you're a robot or not. But your chest rises and falls just like his, you eat, drink, sleep (despite not having to), and move in a very human way.

Ragatha

At first like many others you, freak her out. She feels like you're planning something bad with how you never talk or interact. You just observe. She feels like you're gathering information to better mess with/kill everyone. It makes her sweat and get all stiff when you're so much as in the same room as her. It takes her a whole lot of time to realize you aren't hostile. You aren't really friendly either. You're just there. She appreciates you not being bad. But also you're unnerving to her and everyone else. You know when you scare someone and they "jump"? Well when you just appear next to her she jumps, literally. One time she was already on edge then you appeared next to her, she got a good foot off the ground that time.

Jax

Naturally once meeting you Jax does everything he physically can to make you talk, or react, or make any kind of sound. He always fails no matter how good his "prank" was. It annoys him. One time you got hit in the face with a full paint bucket and you didn't react or cry out in pain. You took the hit straight in the nose then hit the floor. Despite that and your nose being caved in you didn't react in the slightest and you didn't make even the smallest sound. Now he avoids you. He's scared that if he keeps pushing you're going to snap and kill him. And I don't know about you but I wouldn't mess with someone who can take a full paint bucket to the face, get their nose broken and not react at all.

Pomni

You initially freaked out Pomni but she's actually learned to really appreciate you. You still make her slightly uncomfortable but she isn't afraid of you like she used to be. You are an amazing listener, you are surprisingly strong considering how you look, you keep Jax away from her, and you help her look for an exit. Well help is a strong word. You just exist around her and every now and again when she asks for your help with something you do. She really wonders if you are just like that or getting put into the digital realm messed with your head somehow. But she can't worry about that now. Right now she needs to find a way out of here.

(You can kinda tell when I am or am-n't writing for myself. Personal stuff is usually shorter and worse quality. I go above and beyond with requests because I want people to enjoy them. But that does make me get burned out quicker.)

xoxo, Jester

[jamiepaige]

Constant Companions Closeup #8: LIAISON

(also on spotify!)

Welcome once more to the Constant Companions Closeups - a series of in-depth dives into the songs off of my latest album, Constant Companions! After the nightmarish tiktok voice brainrot of Aggrandicize, it's finally time to talk about Lesbian I mean Liaison!

---

...It's a love song.

...

That's about it.

...

..

.

Oh you want me to say more okay

I don't really write simple and straightforward love songs much!! Love is absolutely a core aspect of my songwriting, and I love a lot of people and a lot of things, but even when I invoke romantic love, it's usually not entirely literal? If that makes sense.

But, like, c'mon. I'm a lesbian. I love women with the best of 'em. Sometimes I just wanna be gay! Especially on an album as fraught with emotional moments as Constant Companions is, I feel like it's really important to have at least one simple moment to settle on.

...

oh you want me to say More

Well okay. I like yuri. I like vocal synths. And maybe my himejoshi ass likes making certain combinations of vocal synths do gay shit lesbian style.

lets move on already

---

I love the band Phoenix. I'll be completely honest and tell you that I first heard their music when Lisztomania and 1901 came out as DLC for Rock Band 2 but hey that's how a lot of people my age found a lot of music when they were younger probably. Their album Wolfgang Amadeus Phoenix was one of a couple major sonic touchstones for how I wanted Constant Companions to sound - bouncy, warm, synthetic-yet-natural, with multiple shades of idiosyncrasies - but Liaison in particular was a pretty bold-faced attempt to directly evoke their music, at least in terms of arrangement.

Now, I'm not well-read or French enough to fully match the bright-eyed abstract lyricism or historical knowledge of their songwriting completely - but I can be Jamie Paige about it, reference Arthurian legend, and quote another freaking song I wrote

🤼‍♀️, also known as :women_wrestling:, isn't the gayest song I've ever written, but it's certainly up there, and it gets referenced pretty heavily in Liaison. Maybe this is the aftercare once they're done in the ring? Maybe there are more complicated layers hiding beneath the saccharine sweetness of these hopeless lovers...

Maybe I'm just gay. Ever consider that, huh?

That being said, for reasons I won't go into here, there's some amount of the vocal synth fandom that interpret Solaria and ANRI as being in a sort of toxic embittered lesbian situationship... which does make the layers a little more interesting... though if you ask me? I think lesbians deserve to be happy. What about that you shithead

---

Finally, because I have a moral obligation to make sure you've all seen this, please enjoy ODDEEO's very personal and moving take on Liaison.

Of course, let me know if you have any other questions below!! Otherwise, I'll be back tomorrow to talk about the most transgender song I've ever written - Object of Affection!

[sarasade]

It's been pretty interesting to follow the

"Why Didn't Viren Get Redeemed vs Viren Got What Was Coming To Him"

discussion after The Dragon Prince's 6th season got released.

Hot Take

I think Viren got redeemed.

Because to me Viren humbling himself and acknowledging the hurt he has caused was redeeming. His conversation with Soren was the main event. His rather heroic death was only the cherry on top of the character development cake that has been baking since s4.

I think Viren dying wasn't as significant as what he did before that and how he tried to provide Soren with some kind of comfort and closure, you know, as a parent should, before going. Viren's redemption wasn't just him dying for Katolis but acknowledging his wrongdoings and trying to salvage what he could.

That was pretty redeeming for me at least. Viren did the right thing even when he knew there wouldn't be any reward for it. Even if he couldn't stop Aaravos from destroying Katolis or manipulating Claudia even after his death. Like, man, I kinda feel for the guy.

I think it has always pretty easy to feel sympathy for Viren. Viren wants to matter and wants to be important. However, his grandiosity, as psychologists would call it, keeps him from creating genuine connections with others. His friends, wife and children are only there to prop up his ego or get rejected if they fail to live up to his expectations. It's also pretty damn tragic that Viren opens up about his deep insecurities to Aaravos of all people. Someone who was the most likely person in the world to exploit these insecurities for his own gain.

Viren had to taste his own medicide but I don't think TDP says that's an objectively good thing per se or that we should enjoy this sort of revenge fantasy uncritically. Viren is still portrayed rather sympathetically and of course there is the part about his actions affecting others and the world in unpredictable ways. It's still a tragedy because Viren's actions and personal problems have caused so much collateral damage. The Why behind Aaravos exploiting Viren and Claudia is part of that tragedy, too. There are no winners here. In a way Viren is a victim of his own narcissistic tendencies, too.

This isn't just about the final episodes of Viren's arc. To me it's essential to ask What was Viren's biggest sin he should be redeemed or punished for? Depending on your answer you may have a relatively different reading of s6 story development compared to mine.

To me it's not a specific action he took but his whole worldview. Viren is a fictional character (duh!) so his story isn't exactly literal but metaphorical, a representation of certain values and morals real people and society holds. In s3 TDP draws a pretty straightforward, though brief, comparison between Viren and reactionary right-wing ideologues. It's not exactly subtle.

It's just one way TDP goes to show how toxic and abusive Viren's core values are. that gets reflected both in Viren's personal life aka how he treated Lissa, Soren and even Harrow and Claudia (last two more indirectly). Since he also had a ton of political power as a high mage and briefly as a king we see what he did with that power. It's a pretty clear take on people who dehumanise others, fetishise power and see all living things as something to exploit. TDP explores that both philosophically and psychologically through Viren. Dark magic encapsulates this philosophy well since using magical creatures like tools or objects is essential for it to work.

Also also- I don't really get why people see redemption or atonement as something black and white. It's not bad or anything but Redeeming Yourself For Your Sins is a very Christian concept and Christianity isn't the only way to understand villain story arcs. Like I wish there could be more discussion about WHY redemption is the main analytical framework we impose on villains when villainous characters have a ton of variety anyway.

I don't really have anything to complain about Viren's death itself and I'm not surprised that he ended up dying (for real this time). Aaravos seemed like someone who'd turn against Viren the moment he stopped being useful to him so Viren's life has been hanging by a thread since s4. Viren was the best part of TDP and every scene he's been in had been a delight, well expect the s5 dream sequence because it was too long-winded and obvious, anyway, I'm sorry to see him go and I look forward writing AU fix-it fics where he and Aaravos are married and run a hot brown morning potion shop with all their four totally not dead children. RIP Viren. You lived like a messy bitch and died like a messy bitch. Iconic.

[itsaspectrumcomic]

Hello,

I really enjoy your comic. Both from aesthetic and informative point of viev. I have a question about begging stages of your crative process. How did you pick a suitalbe art style for a comic of that sort? I'm asking because I want to illustrate my struggles with OCD in similar form (I can never find any good representation of OCD in media and it's so often used as a comic relief I'm sick of it, so I thought if i want to see it I'd betterdraw it myself) However my usual art style is way too complicated for a comic like that and i don't know how to simlify it without copying anyone else's style.

I am aware asking you about art related advice might be too much, so you don't have to respond. But your comics are really good and i wanted to ask about it a person who does it well. And please tell me if me asking is inappropriate, I have trouble discerning what i am allowed to ask for and what is impolite.

I apologise if my message is unclear. My way of communicating tends to be chaotic and I'm afraid I'll be misunderstood so I tend to talk way too much. Also English is not my first language.

Thank you for hearing me out.

Don't worry, I'm very happy to talk about my art process!

I deliberately simplified my art style for It's a Spectrum since I wanted to be able to draw them quickly and get my ideas across clearly without worrying too much about the art being 'good enough'. My usual art style is closer to what I'm using for my graphic novel:

They have more realistic eyes! And body proportions! They actually have noses!

For It's a Spectrum I focused on simplfying the things I find more difficult or time consuming like eyes, clothes, shading, and backgrounds, and I avoid drawing more complicated poses or angles unless it's necessary to get my point across.

Dots for eyes, no background, just head and shoulders, didn't even draw hands for this one.

One way to learn to simplify your art is by trying to draw really quickly without losing the most important parts of the drawing. Have you seen those drawing challenges where you have 10 minutes to draw an object, then 5 minutes, then 1 minute, then 10 seconds? That's a really good way to practice because in the end you're forced to avoid adding any detail that isn't completely necessary.

Also, look at other comics with styles you like! There's nothing wrong with taking inspiration and mix and matching different aspects into your own work. At first your art might start off looking similar to others, but the more different people you're inspired by and the more you draw your own work, the more you'll develop your own style.

If you do make any illustrations about OCD, feel free to send them my way! I would love to see them :)

[connect404]

So I saw this tweet earlier Abt the dynamic between Stanford and fiddleford during the partnership and how similar it was to Stanford and bill's dynamic (incoming essay)

AND I COMPLETELY AGREE

As much as I love fiddauthor (or just ford and fiddleford in general) , fiddleford doesn't deserve the type of treatment he got from Ford.

Throughout the entire partnership,ford treated him poorly and only ever cared about him if it was related to the portal. Fiddleford was willing to work with him even though he knew he was being treated poorly,not to mention he didn't know abt bill or his intentions yet (at the time) and still had his suspicions while working with ford. He remembered to give ford a gift (hand-knitted special gloves for him to wear with several failed attempts beforehand AND a snoglobe of the shack) yet forgot to get a gift for his own wife.

He does all this but the second he tells ford that the portal is dangerous and should be destroyed,ford gets angry at him and says he doesn't need him ???

That's not to say ford isn't completely a POS , he does enjoy fiddleford's company and his partnership with him. Ford even gets closure with fiddleford and actually apologizes to him for all the shit he did to him. Ford gets character development for the most part and actually becomes a somewhat decent person. He's terrible but that's what makes him a great character. He does horrible things but also acknowledges he did said things and actively tries to not do that,even if it's hard to avoid it.

(op said he's objectively an awful person for what he did but also loves him anyway because that type of writing is what makes his character compelling and honestly I relate)

It's a shame that ford favours results over sympathy/empathy. He only ever cares people when they are of use to him and when they say something he doesn't wanna hear,he throws them to the side and searches for another.

Another thing Abt ford is that he tends to be stubborn and an egoist. No matter the situation,he always puts himself before others. This can be a good thing sometimes (like when he gets electrocuted instead of just giving bill the equation) but it's always shown in a negative light. Stan dedicated almost his entire life to bring back his brother after several decades and he never even got a thank you or when instead of hearing Stan out on that invention he broke in highschool, he just let his brother get kicked out (Ik the twins are kinda crappy people but Stan breaking ford's perpetual motion machine was an accident damnit. It's been 30+ years and he still won't let it go 😭😭)

DESPITE SAYING ALLAT....ford isn't completely to blame for his behavior and how he treats other people around him to the point of being manipulative. Sure,his main flaws are what make him act this way (insecurity,need to be better than others,doesn't really think of others,etc.) but I think the only reason they've become worse is because of bill and how he manipulated ford,basically feeding into his ego and validating his beliefs. That, combined with his occasional selfish urges makes him want more.

More knowledge.

More praise.

More fame.

And this need for more makes him impatient. So much so that he starts using the same manipulation tactics (whether intentionally or unintentionally I'm not sure) bill used on him on fiddleford to try and get the same results,since said tactics work on him,so it would makes sense for him to do the same.

TL;DR yes,ford is a bad person but he's a bad person with layers and that's why I love him sm. Also fiddleford deserved better treatment

Anyway this'll probably get like 5 likes but uhhhh I'd love to hear any take on this really.

Agree,disagree I'd love it hear it

[jewishvitya]

Tal Mitnick, an 18 years old Israeli that refused to serve in the military:

It's not just a couple of soldiers that are bad soldiers or that enact violent occupation on Palestinians, it's actually a whole system of violence. Of pulling people into the army and making them work for the occupation and for oppressing Palestinians.

Militarism in Israel is very entrenched in society. And the military is some golden goose that you're not allowed to touch. You're allowed to criticize the government, you're allowed to go out for gay rights, for women's rights. But when it comes to criticizing military action against Palestinians or other oppressed communities, this is totally out of the norm. You cannot speak against the military because it's so entrenched in society.

A lot of conversations start with the military, and because most people did serve, it's seen as this kind of thing that everyone needs to pass in order to become an Israeli.

So. Yeah. When you're older you don't feel ostracized as much because after a while it's less relevant to daily life. At least in my experience, I didn't serve and it's not really talked about much at this point.

In Jewish Israeli society, the military is trusted more than most other institutions. Tbh, more than any other institution I can think of. And it's seen as a right of passage. Some people will be okay with you if you volunteer for a social service instead - work at hospitals, schools, etc. Others think you shouldn't get the choice, and unless there's a medical issue you should be going to the military.

The narrative of self defense is absolutely believed, so by refusing to serve, those kids are seen as saying "I will enjoy the sacrifice made by others, but I will not contribute myself." It's seen as ungrateful. But that's if you don't express a moral objection to the military.

If you challenge the military itself, you're challenging Israeli society. And that's how it's taken. "I refuse to participate in the occupation" - "So you're saying I did something bad by serving. You're saying I'm a bad person." And when most of Israelis served in the military, and those that didn't serve often still support it or have loved ones that did or still do, this is challenging the moral character of pretty much all of us. Which, it should.

The military nurtures a mindset of dehumanization to a scary degree. I listened to a few interviews with stories from Breaking the Silence, an organization meant to bring to light the way the military abuses Palestinians, and there's something described by Yehuda Shaul.

He tells the story of serving in Hebron, in the West Bank, and he describes the daily stated mission of soldiers there.

While on patrol at night, they pick a random Palestinian house - explicitly one that they have no intelligence against, a civilian family - and they get in, wake the family up, separate men from women, search or something, get on the roof, jump to the next roof, get into that house, wake that family up, treat them the same way.

Again, at random. And he described two goals for this:

One, to create the feeling of being persecuted, and two, to make our presence felt.

They want Palestinians to feel beaten down and powerless, and they want them to feel that the military is everywhere, so they're too scared to resist.

This isn't random rogue soldiers, this is what the military does there on a normal day. And he said it's impossible to treat a population this way without seeing them as less human than we are.

I don't know if I can just say that the military is another tool for indoctrination in addition to everything else it does. But as a kid, I had a left-leaning friend from the Tel Aviv area, and we'd argue a lot. Because you don't need to be a full on leftist to disagree very strongly with a teenage settler. And as I was going through the process of changing my mind, I saw him going through the same process in the opposite direction - he became way more right wing during his military service. He told me the stories of why, and all those stories did was make me feel like I don't even know this person. I wonder sometimes how many young people go through the same.

[saintsenara]

How are you able to enjoy toxic/unhealthy/“problematic” ships/characters without feeling weird (for lack of a better word) about it?

I ask this because I want to be able to do this myself as it seems like a much more enjoyable way of engaging with fiction to me. I can get over some ships just being toxic and the characters not being good together and still enjoy their dynamic but I have trouble with the other ships that feel morally wrong. I know it’s just fiction but I can’t seem to get over the ick feeling I have when I think about those ships/characters. I feel like I’m being too puritanical about these things but I don’t know how to stop feeling like something is gross when I feel it’s gross…

Do you have any tips to stop jumping to moralizing ships/characters?

thank you very much for the ask, anon!

i'm going to be upfront that this reflexive gross feeling isn't something i've ever really struggled with - both in fic and more broadly. this is due to various personal idiosyncrasies, above all the fact that i've got disengaged boomer parents who didn't police our media consumption [my favourite book when i was eleven? lolita...] and that i'm a doctor, which is a profession which requires you to develop a very high threshold for what you find disgusting. the human body - at all stages of its life-cycle and its cycle of decomposition - produces a lot of different fluids... and it's also the case that [just as if you can think of it, there's porn for it] if an inanimate object exists, somebody somewhere has got it stuck inside them...

and so the situation that i find myself in is that i consider it infinitely less weird that i enjoy the odd bit of hot tomarrymort action than that i actively enjoy cutting through bone with a saw...

but, obviously, "get a medical degree" isn't particularly helpful advice...

i am a ride-or-die fan of the concept of stepping outside of your comfort zone. this is why i'm such an avowed multishipper - i think it's good for us as fandom citizens to examine the potential of our faves in relationships [romantic or otherwise] which are either not their canon endgames or which aren't our preferred pairings, and in situations which don't align with their canon experiences [whether that means making them suffer or giving them full-on fluff]. it draws out the multiple aspects of a character to consider them from these different angles - and it prevents us from getting so stuck in one interpretation of a character or configuration of a ship which means that it puts our backs up to stumble across stories which approach things differently.

but stepping outside of your comfort zone doesn't mean that you have to go enormously far. it may be that a reader decides - having only ever read teen-rated fics where characters' sex lives don't extend beyond hand-holding and forehead kisses - to take the plunge into an explicit piece filled to the brim with watersports and age play. it may be that a reader decides - having only ever read teen-rated fics for one canon pairing - to read a teen-rated fic for a non-canon alternative. both of these are entirely valid approaches.

by which i mean, our comfort levels and our thresholds for discomfort are subjective, they're personal. if there are ships or themes or characters you don't want to read about because they don't feel good... you're not doing something wrong if you avoid them. exposing yourself to fics you expect to make you uncomfortable can be useful - and fiction is certainly a way to explore discomfort which gives you much more control over the experience than encountering it in real life - but it's not something you're obliged to do to be active in fandom.

the thing you are obliged to do to be active in fandom is to be nice to other people, no matter what their tastes in fiction. this means, at its fundamental level, that when you see people who ship pairings or like themes which make you think "ew"... you keep it to yourself/the group chat rather than putting it on the timeline.

but, once this is something you've got the hang of [which takes a bit of time! but practice makes perfect!], something i feel can be a really useful way of overcoming a tendency towards knee-jerk moralising reactions is to just vibe in the vicinity of people you know like the content you instinctively feel is gross.

this doesn't mean you have to read any of this content - but you'll learn just by hanging out near them that the people who do are just... normal. one minute they might reblog a rec for a pairing you think "absolutely not" about, the next they might reblog a cat picture which makes you squeal with delight. you'll like some of their content, but not all. you'll agree with some of it, but not all. you might like progressively more of it as you spend time in their orbit - maybe they'll explain why they like the pairing or character in question and you'll think "huh, i've never looked at it like that" - or you might not. this is absolutely fine.

all of us - at one time or other - have made a black-and-white moralising pronouncement: people who think x are gross; people who like y are fucked-up, you'd never catch me doing z. and these pronouncements are different from our wider, societally-influenced moral codes - which are good things, otherwise we'd live in the purge - in that they're fundamentally ways for us to feel good about ourselves and our families and our friends by defining ourselves as better than a faceless other. we say "you'd never catch me reading that, it's foul" when we know [or think we know] that the friend we're talking to would agree with the statement. we are far less likely to say it if we know that the friend - whom we see as a human being who is beautiful in their imperfection and inherently worthy of love simply by virtue of being alive - was reading and enjoying that just the other day.

and so the best way to train yourself out of reflexively moralising ships or characters or tropes is to put a face to the faceless other who likes them. be intentional in sharing a space with fans of the stuff you feel uncomfortable with and, eventually, it just becomes background noise. you'll scroll on tumblr, say "well there we are, jane's written some more of her sirius/harry piss kink fic - although i'm not interested in clicking on it" and go on with your day.

because the other thing i think it's really useful to do is to train yourself into reframing your disgust as disinterest. there are plenty of things which i don't seek out to read - and some of these topics are completely benign and some are darker [i don't enjoy reading explicit non-con, for example] - but this is because i try to frame it as that i don't think these things would interest me.

this is still the maintenance of a personal comfort zone, but thinking of the content outside this zone as something you are disinterested in turns it into something neutral. when you think of it as something to be disgusted or grossed out by, it naturally provokes a visceral response which makes you look through a moral lens. thinking in terms of disinterest, instead, gives you sufficient detachment from this visceral response to recognise, interrogate, contextualise, and control it.

and - in time - this neutral reframing may result in you feeling more interested in taking the plunge into the ships and characters and stories you currently don't vibe with, once you don't have an instinctive disgust response as a barrier.

or it may not. and this is absolutely fine.