#POV crowley

[gun-roswell]

Chapters: 1/1 Fandom: Good Omens (TV) Rating: General Audiences Warnings: Creator Chose Not To Use Archive Warnings Relationships: Aziraphale & Crowley (Good Omens) Characters: Crowley (Good Omens), Nina (Good Omens) Additional Tags: azicrow, Ineffable Husbands (Good Omens), Falling In Love, Love Confessions, Fluff, POV Crowley (Good Omens), GO S2 Series: Part 54 of The Ineffable Tales - Aziraphale/Crowley (Good Omens), Part 58 of 100x300 Summary:

Crowley is confronted by his feelings for his Angel.

[jesmalestiel]

Writer’s Guild Presents: My Love, My Angel

@goodomensafterdark

The third installment of mine and crowleyscardigan's poetry collab! (Yes I know I am posting this super late given we published the poem on January 19th, but the past few weeks have been SUPER chaotic!)

The week 3 prompt was Kiss, and so we wrote two sonnets, one from Aziraphale's perspective and one from Crowley's! ❤️❤️❤️

CW/TW: none

Excerpt

My love’s eyes are the warm gold of the sun, Their skin and scales the soft caress of dawn. My love’s hair is the flames of a war won. Their lips curve into a smile, a bow drawn.

Continue readiing on AO3

[yink07]

Hi guys! I really apologise for posting so late again! Please note: it's not even midnight, which means I'm still on schedule! 😬 I got the prompt wrong today and started thinking about the prompt for the 14th instead of the 4th. As it happens, I already have the post done for the 14th, because I only realised I was doing it wrong a few minutes ago. So I quickly wrote a text for this day. It's a poem of Crowley's thoughts, I hope you like it!

Here's the text for day 4 of my event - Good Omens Chocolate Gift Box [Ineffable Husbands Edition 2025]

Prompt:

'Every song makes me think of you'

Crowley's thoughts:

Music has a curious peculiarity. It makes you think about things. Visualise things. Experience things!

In every song, I can see a part of you. Even if it's insignificantly tiny, You're there.

You're not perfect, Nor do you have to be! That's precisely what makes you beautiful, Infinite.

You have in you a little bit of everything in the Universe You are marvellous, Harmonious, Unique. An indescribable symphony that no creature would be able to interpret. I find it difficult to do so myself.

I look for you in every song; In all of them I find you.

Every song makes me think of you Because you are everything to me

[hattersarts]

drew some book!husbands. they feel like they've taken more traits from each other than the show.

[mrghostrat]

being a writer and an artist is actually fucking wicked because i can write aziraphale into a cute outfit and think "GOD what i would give to see that" and realise "abt 2 hours actually"

and then! i get to see it!!

Worst of all, it was cold all the time, which meant Aziraphale was rugged up all the time, looking totally soft and pink-cheeked and cheery in his never ending range of thick knits, which made Crowley want to scream into the nearest pillow and/or bite his own hand off.

[daneecastle]

Reversed Veil of Worlds:

Crowley's POV

10/20 pages

1-5 | 11-15 | 16-20

[crowlixcx]

Now that you're gone Was what I did so wrong, so wrong That you had to leave me alone?

Careless Whisper by George Michael - The Brainrot Series

(requested by @seven-stars-in-his-palm & @sabotage-on-mercury)

[musicawizard]

How much trouble can I get into for asking a few questions?

[3lliesan]

Just a thought about the Ramshackle prefect that actually got used to nrc as their new home now.

The ramshackle prefect who pushes through despite the headmaster being as irresponsible as can be despite his position.

Yuu, the magicless otherworlder who fought 7 Overblots and survived, saving the Isles of Sages and those who overblotted with nobody dying.

Yuu, the beloved prefect who adores their friends despite how chaotic everyday life is with them around.

Yuu, who stands strong and happy for themselves for finding a place where they feel like they belong and rest easy...

.

.

.

The great magicless prefect, who saved the entirety of the Isle of Sages and possibly the whole world.

The prefect whose heroic deeds stop. have finally been spread out for the world to know.

The mysterious otherworlder who currently resides in NRC under terrible conditions.no no no no-

The ramshackle prefect who endured 7 Overblots without any compensation or praise for what they've gone through. shut up shut up shut up shit

The pitiful damsel in distress- unfortunate victim without anybody to help them in a school full of heartless villains!

Don't look at me like that again I'm really not the victim please don't-

The fragile flower that needs to be saved instead of basking in happiness.

...

Ah.

I see.

Everyone else can just disappear.

-̷̠̹͓̣̪͕̘͚̺͙̀̃͒̀̓̉͝͠d̴̡̘͚͖̠̻̟̎͋͆̄̈ơ̶̪͖̟̱̝̲̜̟͋͐̒̂̿̚͠n̴̘͈̬͕̘̊̏̄̚'̵̧̺̩̠̪̦̬̰̦͆̓̏́́͘͜͝͝ť̵̖̟͈̥͈̦̤ ̸͈͇͙͓̒̅͆ẗ̵̢̟̲͓͇̘̮̪̝͕́̏̑̾a̸̛͚͔̖̻̿̄́̄̄͛́͠k̷̮̽̋͒͛e̵̛̫͙͕̘͚̱̐̎̎̅̂͘͘͝ ̵̬̟̥̤͓͗̄̈́̏̅̔͠m̵̢̛̘̘͉̣͌́͋̓͊͒ė̸̢͓͉̱̖̖̼̱̩̟̏̉͑̄͑̒͠ ̶͈̋̓a̴͔̲̔͒͆́̒̉̑̽̈́̅w̵̡̢̯̘̩̖̘̭̿̋̂ą̵̡̩͓̹̠̪̍̽̃̋͑͗͊̇́̕y̸̡̦̞͙̥̤͕̗͊͋ ̴̪͉̔f̶͕͊̔ŗ̶̛̩̺͔̽̓́̆̌̀̈́̀o̵͈̖̯͔̩̥̽̃m̵̝̠̳̜̗͇̗̏̕ ̶̢̈́̒͗̂̄̍ṫ̴̲̍̽̃̾̒͘̚h̷͇̪̣͈̓̏͒ė̶̗̼͕͖͖͚̋̄̐̉̍̄̽͑m̴̛̩̤̘̝͕̦͉͔̝͕͋̋̅̏̈̌̎̚͝.̴̭̟͑̏͗̑̆̑̽̽̚̕

[kay-jaye]

when it finally happens, crowley freezes where he’s standing in the bookshop. he’s between shelves, fingers lingering over the spines of books like he’d been running his hand along the leather. he hadn’t. crowley can’t bring himself to touch anything in here, sit on any of the furniture, move a single item out of its place. it’s stupid, he’s afraid to burn himself without the angel here. stupid.

there was no bell chime of the door opening. only a shift in the air, like warmth returning to the limbs after falling asleep, and suddenly there’s an angel standing where no angel should be, just inside the entrance.

they find each other immediately. the angel looks surprised but not by much, and very, very tired. he shoulders bated relief and fear, while managing to look determined still. crowley doesn’t know what he looks like. drunk maybe.

“i’m back,” aziraphale finally says, breathes, really.

crowley says fuck somewhere in his mind, but what comes out is “i can see that.”

you’re bound to experience déjà vu when you’ve been alive as long as he has. crowley sees this playing out somewhere nicer with an apology dance and champagne over dinner. but that would’ve been months ago, and he knows better.

the angel knows better, too. that’s how crowley justifies it.

“forget something?”

that breaks aziraphale’s shaky resolve down into something shameful, and crowley is equally ashamed at the painful satisfaction it gives him. “crowley—” the angel tries.

“no, that’s not it.” crowley’s aware of the ice-cold wave that washes through the room and how it’s probably his own doing. “i’m pretty sure you knew you were leaving that behind.”

there’s a pause, and then aziraphale says, “i didn’t think you’d be here.”

crowley lets out an unimpressed noise. they’ve known each other for too long. “lying never looks right on you angels.”

the silence that follows is awkward and angry. the longer they stand there, unmoving with miles of space fitting in the feet between them, the more it begins to feel like an act. the scowl on crowley’s face starts to edge off, and he’s afraid of whatever real expression will be there when the mask drops.

aziraphale refuses to move or say or do anything. crowley thinks maybe this place is neither of theirs anymore. maybe aziraphale needs permission to be here. maybe crowley will burn if he stays.

but maybe there’s nothing left they can give each other.

crowley is bitter, but he’s also done.

“do whatever you need, aziraphale. i was just leaving.”

he should’ve waited for the angel to come to his senses and move out of the doorway, grab whatever book, paper, or trinket he missed so badly in heaven that he had to come back down here for. but crowley can do it. he can walk past him and hold it together and get in the bentley and go to sleep for a couple years like he should’ve months ago. crowley starts for the door.

closure is for humans who have expiration dates and ducks to get in rows.

he’s almost in the clear, so close to the angel that he can feel the nervous energy radiating, and crowley already knows he’ll be dreaming of that cologne for the next decade. he thinks briefly that there will be some magnetic force that kicks in and things will be like they were supposed to.

then the angel moves, reflexively, and a hand to crowley’s chest stops him in his tracks. the pressure is minimal, but it still knocks all of the air out of his lungs.

crowley barely gets a good look at the angel before arms are wrapping around him. it only takes a moment, and then, like warmth waking up the limbs again, he’s hugging back without another thought.

it’s nothing like the kiss—rushed, desperate, final. it’s wrong and it’s right. it’s over and not.

aziraphale says something into his shoulder, but crowley won’t let go to pull away because he doesn’t want to hear. to know if this is goodbye. the angel just continues, and crowley realizes he’s singing softly. out of tune and out of breath.

something about nightingales.

it both fills and breaks his heart.

“i would’ve followed you anywhere,” crowley whispers, “just not there.”

aziraphale nods, quiet, and eventually slides his hands away. crowley lets him. the angel looks him in the eyes, as if the sunglasses aren’t even there, and then without sparing a single glance at anything else in the room, the angel leaves.

[vyeoh]

As a camp counselor I can completely understand why god kicked crowley out of heaven for asking questions

[gun-roswell]

Chapters: 1/1 Fandom: Good Omens (TV) Rating: General Audiences Warnings: Creator Chose Not To Use Archive Warnings Relationships: Aziraphale/Crowley (Good Omens) Characters: Crowley (Good Omens) Additional Tags: Poetry, Ficlet, Inspired by Fanart, Pining, Scrolling memories on the Mobile Phone, POV Crowley (Good Omens), love letter Series: Part 30 of The Ineffable Tales - Aziraphale/Crowley (Good Omens), Part 165 of Poetry Shorts Collection (Various Fandoms) Summary:

The Demon is writing a poem for his Angel on his mobile phone?

Part of Azi/Crow / Fandom Poetry series

[beebopboom]

imma cry…

look at them

[somehow-a-human]

Whose POV is it anyway?

An Introduction

DO NOT ASK NEIL ABOUT FAN THEORY

Cracking down on the storytelling of Good Omens season 2 through the lens of a changing narrator.

If you haven't read this interview with Good Omens cinematographer Gavin Finney, and you're interested in the fantastic dedication and detail that went into this TV show, definitely give it a read. Not only is it lovely, but Neil also posted the article with a caption mentioning that it's got so many secrets in it. Obviously that made me take a closer look.

I have already gone into a fair bit of detail about the different Lens Filters that Finney mentions in the article in a separate post and I will be referring to them quite a bit so if you aren't familiar with them I would suggest reading that first!

This first post is going to cover the basics of changing narrator/POV's and I'll be writing additional posts for separate episodes/minisodes/scenes since there's obviously way too much to cover in a single go. So shall we take our first look?

It's no secret that something's a *bit weird* with season two, and there are SO many theories about it. I love to read speculation, metas, theories, and opinions, it's definitely fun but my personal ideas align more with the idea that we're simply being shown the events of season 2 through the memories of multiple narrators, different POV's, and it slightly skews the story, sometimes within one continuous scene.

I am also a sucker for a good multiple timeline theory but that isn't this post.

Lens Filters

As I stated above, I wrote a post about each of these individual filters earlier. What I didn't go into in that post was speculation about the filters. While I think they're pretty straightforward, especially the filter for hell (Black Pro-Mist ((BPM)), I think the other two have a bit more room for speculation.

Bronze Glimmer Glass

BGG was described by Finney as being used for 'bookshop scenes', but after S2 back numerous times and paying as much attention as I could to the lighting and colouring of the scenes, I think this is generally true but not always true. There are times when bookshop scenes seem to use a different filter, and other locations also seem to be shot with the BGG filter as well. I think BGG aligns with Aziraphale's POV. Or if Not Aziraphale, an outside-of-Crowley narrator? Based on the scenes (which we'll specifically get into in other posts) which BGG seems to be used, context clues, character behavior, etc, I think BGG clues us in that we're seeing, if you will, through Aziraphale's eyes.

Black Diffusion FX

BDFX was described as being used for 'Crowley's present day storyline' and fuck me, that's not ominous or weirdly phrased at all Mr. Finney! This filter definitely aligns with Crowley. Most of the time he's separate from Aziraphale it seems that this is the filter being used, and certain scenes switch filters mid-scene when he begins to go off on snarky Crowley-centric commentary.

Catch-22 & Herzog

The books on Gabriels bookshelf, great books obviously, but I think books that are also meant to give us context about the story. Pride and Prejudice is a love story about making snap judgements on someone's character, and coming to recognize somebody might be good despite their title or appearance. The Crow Road is a story about life, death, love, morality, mystery, and God. 1984 details the tragedy of Julia and Winston's attempt at falling in love while living under in a police state. You see my point?

That's why I wanted to touch a bit more on Catch-22 and Herzog specifically when talking about the possibility of changing narrators/POV's in Good Omens 2.

Catch-22 frequently switches narrator and the events described are often not necessarily sequential. This way you're getting information about previous scenes as the story continues, so while you're reading the book you're forming a more complete image of the events as the story continues from different characters POV's and iterations of the story. Sound relevant?

Herzog is the other book I wanted to talk about. To be fair I haven't read Herzog in full like I have Catch-22 but I pulled out my copy to reference and flip through a bit to remind myself. Herzog unlike Catch-22 doesn't switch narrators but the narration by the main character, Herzog himself, switches between first and third person throughout. When he is narrating through his letters, you get a deeper look at his thought processes and emotions. It also relies on flashbacks to bring context to the life of Herzog.

While these books touch on other elements that are relevant to the Good Omens story, namely Yossarian's relationship and views of God in Catch-22, the way these stories are told intrigued me for this context.

Crowley's Hair

Yeah I'm gonna mention the hair, because I think the hair is linked. Crowley's shorter sideburns, trimmed mutton chops in the 1827 flashback, and shorter Job wig seem to be clearly aligned with the BDFX filter/Crowley's POV as far as I can tell. I don't know if this means it's just another way to denote POV, but it seems way too consistent not to mention it. The longer sideburns, fuller mutton chops, and longer Job wig all match up with Aziraphale's POV or the BGG filter. My thoughts here are that his hair is another hint of who may be relaying the information to us, AKA is it internal or external. I am making my best guesses though and there are still some situations that I feel less sure about. For example, when Aziraphale takes the Bentley to Edinburgh and Crowley is in the Bookshop with Jim his sideburns are long, is it because he's remembering these scenes unreliably? Is Aziraphale imagining the events? Is it because Jim is present? A brief fluttering thought I toy with from time to time is the fact that in the before-the-beginning scene they are long, and what that means in context of the rest of the season.

S2 Promo Posters

Finally this set of season 2 promo posters showing the characters thoughtfully considering scenes in their heads just gives me a lot of these POV vibes.

I'm planning on doing individual posts for specific scenes, episodes, and minisodes that require detailed breakdowns. I'll update this list with links as the posts are finished!

POV "Your 'Something's Wrong' Voice"

POV a Trip to Hell and a 25 Lazarii Miracle

POV a Companion to Owls

POV The Dirty Donkey & I think I Found a *Clue*!

POV Bodysnatchers & Cosplaying a bookseller

POV 1941

POV The Ball

POV The End?

Whose POV is it Anyway - a Conclusion

[leoisalright]

random spn doodles from my sketchbook :0

[mrghostrat]

BIG NAME FEELINGS - 9/17 (MINI BONUS CHAPTER)