#POSTING AT TERRIBLE HOURS GO !!!!

[milkweedman]

finished my hat finally and its super warm and comfy and i keep putting it on and then feeling the strong urge to knit more warm items. and then i take the hat off and can be normal. and then i look at the hat. and im like oh its such a warm and comfy hat though why would i not wear it ? so i put it back on and then the urge returns.

may have knit a cursed hat, basically ?

[werewolfoffeverswamp]

me when my fate approaches me at alarming speed but i am completely oblivious. because i am just a pool toy.

[amid-fandoms]

i just started crying cause i've never been so sure about anything as i am about dnp dropping the relationship bomb on us. my gut rarely ever lies and this has me by the fucking throat

[melit0n]

"Like lovers entwined...I know for the last time; you will not be mine. So give me the night, the night, the night."

[buddiebitch]

in the midst of all this terrible news ryan murphy saw fit to grace us with a tiny sliver of shimmering light

thank you ryan murphy for feeding us this week

[llicorice]

dark enchantress cookie's pets.

[silkjade]

‘Rose, oh roses, grant me my wish. Blooming from the stone, the Golden Rose sang to me.’

“An exiled scholar once cultivated these roses specifically to survive the desert.…but something so special should be regarded alongside someone worthy of its beauty. Delicate, yet strong. For your personal archives….”

“personal archives” because my s/i is an archivist at the akademiya, and now here it is in our teapot bedroom muahaha

[ridragon]

You guys should read 17776. It's best to go in blind. It's about how football will look in the future.

(Warning that there is a very fast moving part specifically in the beginning in case you have photosensitivity, and the story includes gifs and videos. If you are sensitive to unreality some parts may bother you.)

[bitternace]

WHY ARE YOU SO EVIL!!! /POS. ATTACKING YOU.

Xemnas and Xigbar for 37 if that number hasn't been done? If it has, how about 74?

no puedo pedirle lo eterno a un simple mortal // ay, todo lo que he hecho por ti.

[ID: a mostly black and white drawing with a purple overlay of xigbar and xemnas shown from the hip up on the left side of the image. the background is black and has some diagonal lines with a bit of transparency on the right side. the shadows are harsh, with only a bit of light falling on their faces.

they stand before each other turned to the audience. xigbar, holds the handle and the middle of No Name before him, head tilted down as he looks to the audience. xemnas stands a full head taller behind xigbar, his left hand held some distance below the bladed tip of No Name, his left eye is covered by his fringe.

xemnas visible eye is painted ochre with a white pupil, while xigbar's eye is white and gold. The eyes on no name's handle and the gazing eye on the blade are a vibrant cyan. the caption reads the spanish lyrics "i can't ask a simple mortal for a forever" and "oh, everything i've done for you." /End ID.]

close-up under keep reading.

[cern1cal0]

>> I'M THINKING MIKU MIKU OO-EE-OO <?>

[sugarsnappeases]

just did a fifteen hour shift i WILL kill myself if anyone attempts to make me move for the next fifteen hours

[boygirlctommy]

3 YEARS SINCE CTOMMY DIED... GOOD LORD

[queen0fm0nsterz]

thinking about the Lady again and she actually is the Character Ever.

Starting off with her design. How ridiculously simple it is, right? Her yukata is plain brown and has a single layer, her wig (and yes, I am positive what she wears is not her hair but a wig soley because of how easily it comes undone... that kind of hairstyle is meant to STICK when done with actual hair) has no decorations befitting a woman of her powerful status and her mask is nothing but... empty. You could mistake her for a mannequin and you wouldn't even be wrong. It's by design, after all: she is as insanely important, as a figure, as she is anonymous as a person.

But then, it's with amusement that you note that that boring, unexpressive mask is called the "Rascal's mask" when unlocked. It's such an oddly affectionate nickname stemming from a person so utterly despicable. And then you notice her hair. Her long, black hair that should be hidden under her wig, as the hairstyle goes, but are instead hanging out freely. Not very traditional at all, right? You could almost read it as a small act of defiance of... something. Now, what that thing is, I doubt even she knows. Maybe it's just her way to seek individuality without having to step into zones she does not want to touch.

And then, of course, the lack of shoes. It's not uncommon for people to wear slippers in the house - especially for the Japanese - but she just... doesn't. In that small, small way, she is similar to Six - and every other child in the Maw running around barefoot. Except she's above running, of course. She's got the privilege of floating like a ghost so that she may never touch the ground.

(The only time when this rule is broken is when she fights Six, poetically enough. You can see her visibly step back.)

These strange little things are the first things that push you to wonder about her as a person. Not the title, not the Lady of the Maw: the individual behind the mask. Who is that person? What is she like? Is there a way to answer these questions? I think yes, if you know where to look - but is it worth to ask these questions considering what she does?

That depends on you. Me personally, I think there is narrative worth to be found in what she has to hide. Her foil, Six, finds value in the aspects of herself she does not hide: she is very unapologetic in her selfhood. The Lady isn't, for the most part.

(I wonder if that would make her envious of her younger counterpart in a different context?)

Frankly, looking back on her choice of attire, the fact that her personal bedroom is barely decorated is not surprising. She only has the essentials: a bed, the vase with the key, a few pictures of importance (of people long forgotten, herself included no doubt) and... an ungodly amount of misplaced clothes all over her quarters. All the same yukata, repeated over and over, maniacally folded and arranged in towers, but never where they're supposed to be.

A bedroom is the reflection of yourself. Of your inner world. The fact hers looks so barebones is quite telling about who she is. Or isn't. She herself may have some trouble trying to figure that one out.

I think that, in a vacuum, it's easy to assume that the reason she's so displeased by her reflection is soley out of vanity. That is definitely part of it, but I don't think that's all there is. Because after seeing the mannequins that all look just like her, the four women in the picture who also wear her same exact clothes... and that hidden quote.

This quote, which is from Alice in Wonderland. Specifically from a conversation in which Alice expresses how she doesn't recognise herself anymore because of how many times she grew big and small during the course of the day. She is not the same person she was before entering Wonderland.

I find the way she clings to the dolls and the music box to be much more... sombre when keeping this in mind. In a way, that scene is reminiscent of Monster Six clinging to her music box in the chaos of the Tower; an attempt to attach to something safe. For the Lady, it's even more personal. Those are her toys. Her song. No one can take them from her and claim them as theirs. These materialistic tomes are physical proof of her identity. She likes dolls, and she likes to sing that song from her music box. Surely, that much is something.

But a ceramic toy and an old music box are not really enough to placate the inner turmoil. Hence the broken mirrors, the hidden statues... the hung down portraits with their eyes scratched out - from times of the past. There is a person looking back in the mirror which she does not recognise. That can't be her, right?

It isn't. The reflection is but a faux image of her outward appearence. The inside, however... much like this concept art shows, she is melting away. Rapidly decaying no matter how much she tries to stick to her youth.

Because at the end of the day, that's what she's doing, no? The toys, the music box, her appearence... all of it, just to cling a bit more to the person she used to be. Point being that I doubt even she remembers what she used to be.

You'd think a person like this would be inclined to feel at least some sympathy for all the lost children wandering the Nowhere. A sense of kinship, perhaps, or even just... basic human compassion. She has proved to have very human emotions, after all. This is where she proves you wrong. Whenever you think she's stepped the lowest, she always goes lower.

In her humanity, she is brutal. Relentless, ruthless. She offers no sympathy to anyone and has no empathy to spare either. She is very much aware of what's going on under her roof: she not only allows the Maw to continue being the way it is in spite of having the power to change things, but she actively engages in its despicable practices. She has petrified children in her quarters, as well as their ashes - of which the use is unclear - and then she is responsible for the Nome population and exploitation being so large and so eerily heavy. She's twisted necks, broken bones, murdered innocents.

The Shadow Children are, to me, one her greatest offenses. I don't think they serve any particular purpose other than... being there because she wanted to make them. Children ripped away from their life because of her whims. Not even in death can they rest because she can get her hands on their souls. They're nameless, forgotten shadows with blank masks: they're just like their creator, in that way. Ripped of all individuality and devoid of everything.

Everything she sees, the Lady devours. Not a creature is safe from her shadows and her wrath, especially if they come and actively intrude in her activities. She's twice as aggressive if the Maw is at stake.

The Lady's personal bedroom has another motif piece which I did not previously mention: the Maw wallpaper. While Roger and the Chefs have wallpapers that portray them with her, the Lady... does not. She only has the Maw. She's not part of that picture.

The Lady can't let the Maw change its ways. She is the Maw. The Maw must survive: so must she. To change the Maw would mean challenging herself enough to bring about a change; to her, who does nothing but lament what she lost, that would be too much effort. Too outside of the comfortable zone where she can survive in peace. Miserable, but unbothered.

... For the most part. Until Six comes around.

[stardustvanfleet]

soft pretty bob jakey bc i’ve been having a tough week and i miss him :-( 🩷

[vodid]

Pleasseeee talk about Bay Megatron being a tragic hero 🙏 I yearn for bayverse character depth (Lord High Protector Megatron my beloved)

u got it o7 anti-villain might be a more appropriate term, but in his own story he's the tragic hero i'm sure

in every single movie, megatron is purely and solely concerned with saving his planet or his people. he doesn't care who gets in the way or who can get him there; the ends justify the means and he will take any and every opportunity. despite his heroic intentions, the movies heavily portray him as an unreasonably evil guy, which just isn't fitting for his goals i feel. or rather — not surprising from bayverse — they failed to portray it correctly and in an impactful way. we had his goals, but we did not have the right presentation or emphasis for how he felt about those goals (dotm may be the only slight exception of this as it was far closer to showing the emotions of our cybertronians than the other movies) but generally, he was shown to hold a lot of resentment for optimus and sought to destroy everything, with only hints of his actual end goal there.

the first movie, he was presented as wanting to use the allspark "for evil" and killing every autobot in the process. here, he's just straight up an evil guy, having been seeking the allspark for ages, but after the destruction of his planet and their numbers depleting due to war, i'm sure fixing that became his goal. also with the addition of hating humans, because they were also getting in the way <3 they had him frozen and were using his potential babies for their menial tasks! /hj (which they created using reverse-engineered technology from him; they literally handed it to him on a silver platter. we'll see this again in a few movies)

however, the second movie (which leads me to believe what his intentions were in the first ^) he was concerned about getting energon for their youth, starving before they're even hatched, and went for the most tried and tested method of obliterating a sun for energon that i'm sure would last them for ages and through the development of their baby decepticons. optimus has to die in the process? a massive bonus! humans have to die in the process? huuuuge bonus. he gets to feed their young in the end and gain a new army of decepticons to help revive cybertron and establish a new generation? biggest bonus. no one will be able to get in his way.

the third movie, the guy lost almost everything. left with only a few of their young, he just wanted to go home and have it be fixed. this was his final chance. he went as far as to lower himself to be "equal" with an autobot prime for his major advantage over everything: the spacebridge. and with what little energy and mental coherency he had left, he went for the most extreme option of not only enslaving billions of humans, but bringing cybertron into earth's orbit. when his plan begins to succeed, he is already losing energy but feels massive relief of finally seeing his planet once more. he could finally fulfill his life's goal. sentinel got him there, but he was also about to take it from him (teehee A+ carly manipulation). and we know how megatron feels about people getting in his way !

fourth movie, he worked with what was handed to him. literally handed to him. humans made a grave mistake not only creating a bot that will essentially function like megatron, but once again, an entire array of bots (this time all activated and functioning independently!) ready for directions. the seed that would turn biological material into transformium was his ticket to creating more of these ksi bots. his ticket to reviving their species. it was a little sad how back-burnered he got in this movie tho lol he got demoted to second-rate villain harder than the first two movies combined! so again, his goals were muddied.

fifth movie, we attempt to bring cybertron back. again. and judging by the red mark upon megatron's face, he had made a deal with quintessa. or she had taken over him in some way but we know how megatron feels about mind control. but having a common goal, there was probably little resistance to quintessa and was merely marked. he is again, rather low on energy methinks and understands, with the years humans have spent living with cybertronians, they have actually become highly dangerous. he's not stupid. he learned from his past and will lay back and let quintessa do the work if that meant it would work out in the end for him. this movie was a bit more sloppy with its writing but megatron is still concerned about their home.

it's to such a severe degree, that the autobots' goal is no longer to bring back their home like many other iterations; it's to stop the decepticons from getting there first. from getting there at all. they'd rather sacrifice their home and race than to let the decepticons have it, and it's for that reason megatron had been pushed so far so many times in each movie, with increasingly dangerous and unconventional methods. call him mr. grasping at straws, but he wouldn't let the autobots goal of stopping decepticons — thus giving the decepticons a goal of destroying autobots — get too much in his way. his end goal was ALWAYS to save their planet and people.

doesn't mean megatron is good. he is still unequivocally a villain who became corrupt by the failures he endured at the hands of the autobots bent on stopping him. it just makes you wonder

[xxplastic-cubexx]

Sorry I screamed on your ask :( I saw it on Twitter I just had to run to your ask box to say that. It was so beautiful. And not just for Erik's Magnum but like the color was really pretty. The composition flows so well and the way you positioned the shadows add such sensuality. Just chef kiss. Also I love how thrilled Charles looks ajfjskfk and poor gambit.

Also for a second I forgot the common concession that Charles is a size queen 🤭🤭 Maybe wore pants that hug the contour of his dong wjfmdkgk.

Is it his hand pulling the pants low or is it just that heavy? 🤔 Charles would love to carry that d tho ahfkskfk

Thank you for the academic review of my lighting my friend LSSKSJA TBH working on my tablet makes me wanna eat gravel sometimes because when i post from there the colors will look so pale and desaturated on my laptop… like what is that …