#Overpowered Protagonist

[manhuareadofficial]

Disastrous Necromancer

In a world where the rules of reality have shifted due to a global fusion, Lin Moyu takes on the hidden class of Necromancer during his job change. With this rare class, Lin Moyu becomes nearly immortal, as his life is tied to the survival of his summoned creatures. As a powerful Necromancer, he declares himself the God of the Dead, wielding his undead army to wreak havoc on enemies. His journey is one of immense power, where he sits atop a throne of bones, walking the fine line between life and death​.

[the-rebellious-gege]

So I think this should have been obvious to me a long time ago…but I’ve only just now realized (after a good long bit of self-reflection) that I pretty much only love fandoms with overpowered main characters. I’m thinking about making a comprehensive spread sheet to compare the attributes of said characters haha

But really, I think I just love that the struggles of these overpowered characters are most often internal, emotional conflicts. When it comes to the heart they can be rather daft, but in battle they are hands down a menace and going to fuck shit up. That vibe of “oh shit they’re here” is just…

So good. <3

I can’t even describe the sensation I get in my chest when they show the bad guys what’s up. Or dazzle the bystanders? Oh yeah.

It’s such an obvious and overdone trope, but I will die on this hill, please and thank you. The real world is too difficult the majority of the time, I wanna walk in someone’s shoes whose not bound by the laws of nature.

[da-janela-lateral]

I'm extremely sure Undertale fans have to watch Mob Psycho 100 and Mob Psycho 100 fans have to play Undertale. I'm being serious right now. These are sibling works do you understand.

[disgracefulthings]

Is it me or...

Is Han Sooyoung from Omniscient Reader's Viewpoint very similar to our resident hamster?

[froschli96]

you know, i always find it really funny when dudebros complain about syndicate and odyssey being too "jokey" or not "taking its characters seriously" or whatever…

like, did y'all collectively sleep through "it's-a me, mario!", "i meant besides vaginas", ezio inventing the latte, bartolomeo's... just... *gestures vaguely* entire character, etc?

like, it's fine to have preferences of course, i myself prefer a more serious and grounded tone, but these are usually the same people who tout the ezio trilogy as "peak assassin's creed", call ac1 a glorified tech demo and hate on connor for being "too serious and boring", like? make it make sense!

[sad-endings-suck]

Blue Eye Samurai: regarding Mizu’s “plot armour” or her “ridiculously over-powered” abilities.

“Mizu is way too overpowered, it doesn’t make sense.”

I feel like a lot of people don’t realize just how much the mind over matter mentality plays a roll in Mizu’s “abilities”. Mizu isn’t the best because she’s physically the strongest, or had the best training, or the most experience, or whatever. Mizu is the best because she has single-minded focus and immense tenacity that borders on psychotic due to how intensely dedicated to revenge she has been for almost all of her life. All the years she spent training, all the time she spends taking out enemies, she is being driven by single minded focus and iron willed determination that never wavers. She has been sharpening and honing not just her body, but her mind, for exactly this. She has dedicated her entire life to her quest for vengeance, and in her own words, there is no room in it for anything else.

People also seem to be making a lot of assumptions about what kind of training and how much training Mizu has or has not had. As the audience, we’ve only been shown bits and pieces of Mizu’s past, which includes her experience learning martial arts. Asking shit like “how is she so good with a sword if she’s only self taught?” is like asking “how can she read and write if Master Eiji is blind?”. The answer is that Mizu has obviously learnt these things from more than one source, but documenting her entire education in detail doesn’t exactly serve a purpose to the narrative. We are explicitly shown in one of Mizu’s flashbacks that she’s been practicing with a wooden sparring sword since she was very young. It’s actually her child self that we see in that brief particular flashback. Not her teen/tween self, her child self. She’s also following the movements and instructions of an older man that is clearly a skilled samurai or warrior of some kind based on context (which y’all love to ignore). Besides, who else would want/need a sword from a master sword-maker besides an expert swordsman? How many skilled fighters from all over Japan have come to Master Eiji’s forge hoping for a blade, and wait with nothing better to do but train while their blade is being made? How many of them have divulged information about certain fighting styles (like Shindo-Ryu, which Mizu was familiar with despite never having been to the dojo before). Or practiced around her and with her? We are clearly shown through Mizu’s flashbacks that receiving training from a visiting client has not been unusual for her throughout her apprenticeship with Master Eiji, and her little spar with Blood Soaked Chiaki was no one time event. Yet Mizu is never given the benefit of the doubt by the audience, despite context clues indicating that she should be.

“Taigen has way more training in an actual dojo, so why is Mizu better?”

Whereas Taigen, while he was determined to become more than just a fisherman’s son and was driven to rise through the ranks of the Dojo and become a skilled samurai, did not have that same desire or determination to hone every part of himself to be the most deadly weapon he could possibly be, like Mizu did. Taigen believes in the samurai code of honor and upholds it in his own way (preventing him from learning how to “fight dirty” so to speak) and he also had a life outside of his training (he had a social life, he drank, he partied, he snuck around a lot to see Akemi presumably, etc). In fact, we actually never see Taigen practice, train, learn, hone his skills, or anything (to my recollection) throughout the whole season, until he’s bested by Mizu in combat. I’m assuming Taigen had to work quite hard for several years to become as good as he is, but I get the sense that ever since he has been regarded as a prodigy he has allowed himself to get cocky and maybe a bit too comfortable. He has always been the best and always thought himself to be the best, so he never needed to give 150% effort when he fought. In fact, as he got older and more practiced, and it became more and more apparent how much better he was than everyone else, he probably stopped giving his 110% and allowed himself to get a bit comfortable putting in 100% effort, and then eventually 80% effort (which is part of the reason why I think he’s so pissed he lost to Mizu in their first fight, because he knows he could have done better: been less cocky, been more tactical, more driven, etc).

We also never see Taigen meditate or mentally or physically prepare himself the way we do with Mizu. Mizu will pray before a major upcoming battle, not because she’s religious, but because she’s mentally, emotionally, and spiritually preparing herself. We even see Mizu submerge herself in very cold ocean water (during the winter mind you) as a ritual/practice of sorts that serves to center herself and prepare mentally and physically for what’s ahead when she feels herself getting “too emotional” or too stressed or unfocused or even just slightly off kilter. Mizu sacrifices every part of her life, so that she can be the deadliest version of herself possible. She has no social life. She has no friends, or significant others (Mikio aside). She has no other activities to participate in, because she’s been completely alienated and thus being anything but the best is not an option in her mind because she has no options. She tried married life. She had the best possible life that she could have had as a biracial woman in Edo era Japan. She did as she was told by her “mother”. She showed her true self to Mikio, just as he desired. Yet the blood and vengeance still caught up with her. She has no other options anymore. Pursuing revenge is the only thing she knows how to do, because every other avenue in life has been cut off from her. So she has to be single-mindedly focused on her vengeance, which means being as skilled and as dangerous as she can possibly be. She has no hobbies or jobs or responsibilities beyond sword-making (which allows her to become as familiar with the blade as possible) and training herself. If she has extra time, she uses it to practice, to train, to improve, to simply maintain peak performance. Such as when she was hacking through those trees in episode 2. Afterwards, we see Taigen attempt to replicate her training (by cutting down trees with his sword). Though even then, it was more about curiosity and trying to suss out Mizu so he could gauge her skill level, then it was about actually honing his own abilities (until episode 3 when he practices with Chiaki’s broken blade). Which does count as training in its own way (assessing your enemy), but my point still stands. Taigen does not have the same unwavering focus and force of will that Mizu does (partially because he does not actually want to kill Mizu, as we do see Taigen go cold blooded with focus when he kills Heiji Shindo, but those are whole other discussions).

“Mizu just has ridiculous plot armour, that’s the real reason she survives every encounter.”

I feel like people that think Mizu has ridiculous plot armour are just not at all familiar with the Samurai or Western/Cowboy sub-genres at all, or even action as an overarching genre on its own. I don’t believe I have ever engaged in a single piece of action media in which the protagonist didn’t have “plot armour” in some way. Basically half of all male protagonists from any and all modern western action movies ever, have been way too over-powered and been able to take a ridiculous amount of damage that should have killed them multiple times over. These action heroes (who in western media are almost always cis-het white men) have ridiculous plot armour in the most classic sense. Yet no one complains when it’s a white man. Only when it’s a queer-coded biracial woman of colour. Shocking.

In fact, you could argue that every main character in every fictional story ever told has plot armour to a certain degree, because having an entire narrative revolve around one character is inherently “unrealistic” and therefore the main character has plot armour, yes? No? Yeah, that’s what I thought. Oh, and on the topic of the samurai genre specifically (and many martial arts based action media) there are certain genre specific tropes that are nearly integral to the genre. One of the most prominent being the samurai/ronin/warrior/martial arts master that is “ridiculously over powered”. It’s literally part of the genre. In fact, the western/cowboy genre is quite similar to the classic samurai genre. Now, how many westerns have you watched in which Clint Eastwood or John Wayne shoot 5+ guys with one pistol before any of the guys they shoot even get a shot off? A lot I bet. Is that not the definition of “over-powered” and “unrealistic”? Or is it just a genre trope, or even perhaps, a genre staple? No one thinks Arthur Morgan (Red Dead Redemption 2) is over-powered. No one thinks that Joel (The Last of Us) is over-powered. In fact, when the TLOU show came out, people actually complained that Joel, the fifty-something year old man that has been living in a post apocalyptic wasteland for 20 years, was not badass or strong enough (he kills dozens of humans and super zombies and he’s legally a senior). So, who is the “judge” of what is and is not realistic in action media that borders on sci-fi/fantasy based on how “over-powered” the protagonists “realistically” are?

“It’s just weird that Mizu is so powerful when other characters within the story are not. It makes Mizu such a Mary Sue.”

Okay… so, with all that in mind, let’s circle back to where I started when referring to Mizu as someone driven by unwavering determination, and how that affects her “abilities”. That facet of her personality and motivation is nothing new when it comes to the action genre, especially for protagonists of revenge storylines. Think of Kill Bill or John Wick. Why does John or the Bride keep going and keep winning even when they are constantly getting injured and always fighting. Is it because they are simply that much better than everyone else? Yes and no. No, because they are not superheroes (technically), but also yes. Because their single minded determination and need for revenge drives them to push that much harder than anyone else on their skill level. They are the best, but they win against everyone else that is also “the best” because they want it more. They need it more. Mind over matter. They are willing to endure what others are not through sheer will and pure cold rage. Mizu, Beatrice Kiddo, John Wick, and so many more similar protagonists in action-revenge narratives don’t keep winning and keep getting back up no matter how inured they get because they are just “that much stronger and more talented than everyone else”. Yes, they are extremely skilled and would probably be one of the strongest and most deadly combatants/killers in their respective universes regardless… but their refined skill and raw talent and power are not the only reason they win. Their unwavering force of will, extreme determination, ice cold fury, and single-minded focus on revenge is what drive them to be that much tougher. Their tenacity is their superpower. They want to win more than their opponent does. They need to win, because this is their one and only goal in life as of now. Mizu (Blue Eye Samurai) Beatrice (Kill Bill), John (John Wick), they all share a philosophy in life when it comes to their revenge, which basically boils down to “Either I kill you, or I die trying. There is no middle ground, there is no negotiating, no other choice, no path of least resistance, no other goal or motivation. You will die, because I ain’t fucking dying until you do.”

Mizu doesn’t have plot armour and she’s not over-powered. She is an archetypical protagonist of the action-revenge narrative and the samurai/western genre as well. She arguably even has better reason to be completing the feats that she does than John Wick or The Bride, because the medium of Blue Eye Samurai is animation and not live action, and the genre borders on magical realism far more than Kill Bill or John Wick. Now, how many anime protagonists (probably almost all male) can you think of that are “ridiculously over-powered” especially compared to any live action counterparts, but no one complains about it? Why does no one complain about it (aside from misogyny)? Because the medium of animation inherently has different “rules”, expectations, and set standards for suspension of disbelief, than the medium of live action film or television. For example, is it ridiculous and unrealistic when you’re watching a Looney Tunes cartoon and Bugs Bunny’s legs pinwheel in super-speed for 3 seconds straight before he starts running, or when he runs off a ledge and gravity just lets him hang there for a sec so he can look straight at the camera before he falls? No, it’s not “unrealistic” or emersion breaking, not even a little, but why? Is it because any of those things seem even remotely probable or “realistic”? Of course not! It’s perfectly acceptable because the medium, genre, target audience, atmosphere, art/animation style, narrative choice, storytelling style, and more, have all established that Bugs Bunny defying physics is normal in Looney Tunes, and therefore not a “plot-hole” or “unrealistic”. In fact, if Bugs Bunny or Tom and Jerry didn’t defy physics in ridiculous ways all the time, then it feels far stranger and off-beat than if they did. Same goes for pretty much all action anime. If the characters in those stories were strictly limited to what is 100% humanly possible in real life, most of those animes wouldn’t even have storylines anymore. They’d be turned into completely different content that may be unrecognizable from the original source material. Or wouldn’t even have any material anymore because all the characters would be dead after their first fight scene. So why is Blue Eye Samurai being held to a different standard?

Now, do y’all get it yet?

[silverselfshippingchaos]

don't think I've mentioned here, but there actually is a S.ugiura fankid! She's very lovely!

[ayasenisan1713]

I’m now at chapter 935 of Drug-eating genius mage’s novel—also called Genius Wizard takes medicine (this novel is wonderful, really. You should read it.), and I recently began studying quantum physics. The more I studied it, the more I found out that many elements were related to quantum physics throughout the novel (of course, it’s still understandable without knowing quantum physics).

I had noticed before how the use of magic was linked to real physic principles, but it’s really amazing how not only the characters and plot can still be exciting and as interesting as when I began the novel after 900 chapters (since some very good novels sometimes become repetitive and predictable after hundreds of chapters), but also intellectually interesting as magic uses real scientific theories and philosophical concepts, which makes it even more amazing when you know the knowledge in question (it’s like knowing hidden references in a movie; some people see someone holding a shield in a fight while others recognize the shield and say: hey, it’s Marvel!).

I also really like the main character’s personality. Huh. But this one is my subjective opinion.

[psykoe100]

Happy pride to my two favorite bois <3

[bayofwolves]

i really gotta tell y'all about my cringey eighth grade spirit animals next gen arc sometime. i found all the pages i wrote for it back in the day and holy hell i'm laughing

[manhuareadofficial]

Hero X Demon Queen

Hero X Demon Queen follows the story of a man who just wants a quiet life in the countryside, but fate has other plans. Transmigrated into a new world, he becomes a foundation-level figure in a novice village. To his surprise, even the Demon Queen, who once ruled over the world, is defeated by a dog he raised. As a result, the Demon Queen starts living in his house, and his peaceful days are filled with unexpected adventures alongside the powerful queen​.

[epickiya722]

You know, you really gotta appreciate how everyone efforts to bring AFO down, even if they didn't succeed themselves, contributed to actually making him defeatable. Endeavor actually managing to kill for the first time started it by forcing AFO to use rewind. Then Tokoyami and everyone else's onslaught on him make regress to a young enough state where his mental faculties could be more easily exploited by All Might. Heck go back a bit more and even thought she died for it Start and Stripe outsmarting him with her quirk brought them all enough time and weakened him enough to make all of this even possible in the first place. Even if they were defeated, everyone contributions will bring their victory.

BNHA's new theme song needs to be 🎶WE'RE ALL IN THIS TOGETHER🎶

Let's be real here, AFO is a tough opponent and then on top of that, there's the other villains that they're fighting. It definitely going to take team effort and power-ups to win this war.

Deku having multiple quirks? THAT IS JUST HAVING EXTRA TOOLS TO FIGHT THE GUYS WHO HAVE MORE POWERS!!

Well, duh, he's gonna need multiple quirks (that he still struggles with, BTW, he's not an expert so that's just extra on his plate)! Look at the villains!! LOOK!!

[jonsnowunemploymentera]

I know that we’re all waiting and excited for Euron Greyjoy to serve the Eldritch apocalypse in TWOW, but frankly I’m more interested in what Jon and Bran will be up to. Bran is probably spending the majority of the book under the tutelage of Bloodraven (and potentially breaking from it). He’s probably going to unlock, or rather expand, new powers and there could be elements of greenseer magic that we probably haven’t seen yet.

Then we have Jon who, post-resurrection, will have magic crashing into him like a dump track: old god magic, R’hllor magic, and all that other weird stuff he can do. All the powers he’s been suppressing in ADWD will come spilling out and I’d imagine part of TWOW will be Jon trying to adjust to this magic as he’s going through all this rage and resentment (brought on by learning the truth of his parentage and dealing with the betrayal at castle black). I expect TWOW to have Jon in a really dark place and there’s the chance that magic will spill out as he (understandably) lashes out; whether he’s using magic knowingly or unknowingly, who knows. There’s even potential for Jon to get a magic mentor in the form of Melisandre; though it’s unclear how long Mel will hang around at the Wall because she needs to get back to Stannis so that the Shireen-bonfire can happen.

And - this is pure speculation on my part - TWOW seems to be the one book where magic is dialed up to 1000; I’m envisioning magic in this book to be a constantly pulsating element that as some point bursts into a huge explosion. With the Others coming and whatever Euron’s doing (and potentially Dany and her dragons), magic should have a heightened presence which makes me think that Jon and Bran are going to be experiencing some upscaling in terms of raw power. As magic becomes more and more prominent, Jon and Bran will do bigger more impressive things. I really cannot wait to see what they pull off in this book.

[filbuddy3]

keep this thought under tight scp containment but i think truly only lesbians actually understands saitatsu

[memento-mariii]

The way dudebros* will froth at the mouth and scream mary sue any time a female protagonist dares to be competent or have any agency in her own story but then they turn around and go gaga over male characters who are treated as basically infallible by the narrative 🤦‍♀️🤦‍♀️

(*oftentimes male, but actually gender neutral)

[blazeshardcat]

if anyone who follows me is a writer or has plans to write stories, especially longer ones, hear my plea . do not write that extended flashback that takes up 20+ chapters, i promise there's another way. we can stop the cycle together