#Or will they just beat me to death
Explore tagged Tumblr posts
coffincanary · 1 year ago
Text
Getting a new hyperfixation while the old one is still active is like watching two titans fight each other
88 notes · View notes
Text
Tumblr media Tumblr media Tumblr media
The worst trauma comes from those who you love
22K notes · View notes
thefrsers · 6 months ago
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
#soulmates fr😭
2K notes · View notes
starry-bi-sky · 1 month ago
Text
mmm throwaway conversation between Dan and Danny that popped into my head that I had to write out:
"You spent ten years being a one-man mass extinction event, then went back in time and fought me, and lost." Danny snarls, arms crossed and throat tight. His mouth pulls back to bare dagger-sharp teeth, and his eyes burn with the familiar thrum of ectoplasm heating up behind his eyes. "If I didn't believe you were half of Vlad before, I do now."
His other self -- and really, can he even call him that? He's half of Vlad too. Two halves severed from each other and welded together to make a new whole, -- snaps his head over to him. Wild-eyed and furious, he looks unlike the man Danny fought before, the one unruffled and untouched, unbothered by the world around him. It's familiar, but not like the way a reflection is.
"What's that supposed to mean." The Other hisses, matching Danny's scowl one-for-one with fangs much bigger and sharper than his.
But there's a reason lions fear hyenas. Danny matches the rumble in The Other's chest with one of his own, and shoves his face close to his. "I don't lose."
809 notes · View notes
ruporas · 2 years ago
Photo
Tumblr media Tumblr media Tumblr media
i’ll find you again in every universe. let us be a little more honest, let us have a little more time.
#vashwood#vash the stampede#nicholas d wolfwood#trigun#despite it all though badlands rumble is like. the only universe where we get wolfwood thinking vash died first... and i think that means a#lot to their relationship and how it may bloom if there was more to badlands rumble considering vash literally saw wolfwood carrying a piece#of vash after his supposed death. u know! despite the short time they were together vash still meant so much to wolfwood that he couldn't#just move on or forget him in anyway. needed to keep a piece of him for himself and the rest of his days. but ofc vash lives and wolfwood#was like ill beat ur fucking ass into tomorrow. there's just so much honesty in vash being able to see that gesture bc he wouldnt know#otherwise just how much he might mean to him. ANYWAY. trimax with with the eternal pining featuring the two chapters where imo#where the both of them really fell for each other... i wrote my thoughts about this on another comic i did before#but vash solidifying his feelings during the hospital arc -- ww solidifies his when he realizes his allegiances are permanently with vash#98 my lovelies but also to me they are so one-sided bc ww pined like no tomorrow and vash only realizes after ep 23?24? his heart did tickle#whenever ww complimented his smile though#and tristamp vw my beloveds. it really just feels like they get the  chance to be closer and closer and more honest with each other#with every version that comes about. in trimax they knew how little time they had but struggled so desperately to get closer. in 98 ww felt#more willing to forsake for vash. in badlands rumble theyre Angry but as mentioned earlier ^ more blatant truth... due to circumstances#mainly but has the chance to lead to discussions and tristamp literally. first day of knowing each other ww saves vash - 2 days later vash#saves ww like. Man. AND NOW THEY MAY POTENTIALLY GET EVEN CLOSER!!!! with s2....#ruporas art
5K notes · View notes
turtleblogatlast · 4 months ago
Text
[ cw: death mention / strangulation mention / stabbing mention / blood mention / self-sacrifice / codependency mention in tags / ]
I think a lot about how common it is for Raph to be the one to have direct focus put on him when Leo gets into all his near death experiences.
Like, when Leo is thrown off a building, it’s Raph who’s right there jumping after him, not even thinking about the consequences to himself when he does. When Leo almost gets skewered by the Krang, Raph’s right there to take the blow and send Leo to safety without a second thought. When Leo’s being strangled to near death, it’s a Krangified Raph doing the job, doing exactly what Raph would never, ever want to do. When Leo is telling Casey Jr to close the portal, it’s Raph who tries desperately to convince Leo otherwise.
Likewise, Leo is consistently very single minded when Raph gets forcibly separated from them. Both when in the sewers and by the Krang, Leo is dead set on finding Raph first and foremost.
I also think it’s interesting that during each of Leo’s near death experiences, the lightheartedness of his words during them goes directly hand in hand with both how close Raph is to him physically and how much danger Raph is also in in that moment. From a literal “I told you so” as Leo’s falling away from Raph to a soft joke about how “hero moves” are Raph’s style - both of these are on the more morbidly carefree side and both of these notably take Leo farther away from Raph and, in turn, have Raph not in immediate danger.
On the other side of things is the apology from Leo, heedless of the danger he himself is in as he seriously and genuinely speaks to a Krangified Raph face to face. Then there’s Leo’s freezing and desperation as Raph takes a hit meant for him and sends just Leo to safety, leaving Raph himself behind. Both of these involve much closer proximity and Raph being directly harmed - these together make Leo much more vulnerable in his words and actions, something not even the threat of death can make him.
These two care about each other so much, and they’re way too much alike for their own good.
#rottmnt#rise of the teenage mutant ninja turtles#rottmnt raph#rise raph#rottmnt leo#rise leo#honorable mention to the time Leo desperately tried throwing himself into harm’s way to get to Karai#and Raph is the one who has to pull him back#I also think that it’s interesting how both of them go about self sacrifice#because wow they both have problems with it#Raph’s tends to be immediate reactions not even thinking as he throws himself over his bros#Leo’s are often shown to be ‘for the greater good’ (said greater good often being his family)#once again I am saying that post movie these two would likely have codependency issues#considering Raph’s already present acute seperation anxiety and Leo’s immediate memory of Raph standing over him bleeding#another thing to mention is how Future Leo’s actual death still falls into the whole ‘morbidly lighthearted words’ category#I also wanna point out that in Many Unhappy Returns the trust that Leo wants so much does NOT come from Splinter but from RAPH#side note but in regard to the fighting that Raph and Leo were up to during the time between the shredder and the krang#I think it’s interesting that it’s NOT depicted as screaming matches - very blatantly not this actually#also also! I totally love how the movie parallels Oroku Saki and Karai with Raph and Leo respectively#there are so many parallels in general in this show+movie it makes me froth at the mouth#and because it breaks my heart - the beginning of the movie had Raph getting angry at Leo and lashing out at him#the end of the movie has the Krang very very angry at Leo and lashing out at him#both of these times has Leo ‘ruining’ a mission so…bad parallels#in the movie as well there’s a Krangified Raph who beats Leo senseless#so I have to wonder if Raph and Leo just…can’t roughhouse anymore#else Leo would flinch or Raph would be so scared to accidentally hurt Leo like he was already used to do before#then suddenly their usual dynamic of Raph never having to be softer with Leo is thrown on its head#worse is if they’re so terrified of this dynamic leaving that they power through their own sufferings to maintain it
298 notes · View notes
kiaxet · 1 year ago
Text
HOW ABOUT THAT @somerandomdudelmao DISASTER TWIN REUNION, HUH
Went a little feral to the tune of 2.2K words of self-indulgence. What else is new?
~~~~~~~
Donnie can't sleep. More accurately, he won't sleep. Not until he's done. He'd never been one to leave a project unfinished; death and resurrection hadn't changed that.
He taps incessantly, repetitively, on a keyboard and screen, the motions long since past inputting data and now only serving to keep him awake. The repetition is soothing, easy, and - counterintuitively - he finds his head drooping forward into sleep-
And he snaps back upright. No. Not until he can confirm Leo is okay.
Leo is behind him, he knows. Breathing. In bed. Asleep. Very much alive. And-
He jumps and whips around as a thud sounds behind him. "What the-"
Leo is on the floor.
Well, that answers the question as to whether his twin is awake.
For a fraction of a second, part of him wavers uncertainly. He loves his idiot twin. The question he hasn't been able to answer is whether his reaction to Leo waking up will fall on love or idiot twin-
"Leo!"
He can hear the exasperation in his voice, and yep, it's the latter. He takes a knee next to Leo and hauls him into his arms, lecturing him all the while, and if he can hear the annoyance in his voice then Leo sure as hell can. Sleep deprivation for the purposes of keeping his brother's soul alight had done nothing for his temper. "I swear to God, all you had to do was make a sound! Why are you such a difficult patient?"
He deposits Leo carefully on the bed - "Sit still!" - and checks him over, running every scan he can think of and making sure his brother's new body really is in good working order, spouting increasingly irritated commentary all the while. Of course the fall didn't hurt him - Leo is tougher than that, and Donnie does better work than that - but he still can't help the rising anxiety in his throat.
This almost didn't happen.
"-stupid, stupid selfless idiot!"
Donnie almost couldn't save him.
"Grrhh-"
Leo nearly died for real. Permanently beyond Donnie's reach. Well and truly gone-
"Do you have any idea how close you were to having nothing left to save?"
And now here Leo is, in perfect health, sitting on Donnie's bed with a big dopey grin on his face as Donnie chokes on his anxiety and damn near shakes himself apart-
Oh for fuck's sake.
"Hey. Are you even listening?"
Leo speaks up for the first time since he's woken up, voice shaky from disuse. "D-Donnie?"
And that is not a goddamn answer to anything Donnie has been saying, because of course it isn't. It's Leo. He's always had his own priorities. "Yeah. No. You're not fucking listening." Donnie heaves a long-suffering sigh, sinking back into the routine comfort that irritation at his twin provides. "At least you're talking." Small favors. "Although I'm surprised you're not throwing your stupid jokes at me." Even smaller favors.
He stops short as Leo's hand closes around his wrist, drawing Donnie's arm to Leo's plastron. "You're real," his brother breathes, looking from Donnie's hand to Donnie himself with tears streaming down his face. "You're real!"
And then, in the space of a thought, Leo's joy breaks, his smile turning desperate. "Are you?"
For a moment, Donnie stares at his twin, wondering at the sudden change in expression. He takes a breath-
And the part of him that had lain dormant for so long after he'd woken up - the part of him that had been screaming for his twin's safety ever since they'd recovered the few scattered embers of Leo's soul - gasps to life, blooming like a time-lapse video of a flower and reaching to the edges of Donnie's soul. Leo had called it their twin sense, and Donnie hadn't had it in him to argue after a while. Whatever it is, it's back, connected to Leo's renewed presence, and-
Donnie's heart floods with emotions. Relief and joy sprout quickly and are nearly swept away in a tide of exhaustionanxietyfearfearfearfearFEAR-
But down beneath it all, steady against the rising wall of terror, is the little blue spark of hope that his brother always carried. His core. The thing that let him continue on in the face of insurmountable odds, and lent that same strength to everyone around him. A ninja's greatest weapon.
It's Leo. It's Leo-
And Donnie can't leave him alone in his fear. Not when there's no need for it. Not when they're safe.
He lets that breath out, and sits next to Leo on the bed. "Mhm. I'm alive. And you're alive. We're safe. The Krang are gone." That's all the news that's fit to print, or at least the most important parts. What else does he have to say?
Oh.
"I'm sorry I..uh…"
He's sorry he what? Died? Left a mess for Leo to deal with? Didn't do enough while he was alive to keep everyone else alive in turn after he was gone? Kept his brother's soul in a fucking mug, because that was the only way he could ensure he wouldn't break it while Leo was still fragile? All of the above?
…yeah, it's all of the above.
He owes Leo one hell of an apology, and he's never been good at any of this, so instead he shrugs haplessly and leans forward, pulling Leo into his arms and hanging on tight.
It's a matter of moments before Leo has him flat on his shell on the bed and is sobbing into his arms. Normally he'd hate seeing his twin cry, but it's proof of life - proof that Leo made it, that his soul is intact enough for him to still be Leo, that he's alive and awake and here - and Donnie will take it.
And if he's squeezing Leo back pretty hard himself, well, that's fine too. Nobody else needs to know.
~~~~~~~
Donnie is yelling at him.
Donnie is strong enough to have picked Leo up off the ground, well enough to be on his feet without support, running tests and reading Leo the riot act over his latest boneheaded maneuver - in this case, forgetting he was missing an arm and falling out of bed.
Donnie is yelling at him, because Donnie is here to yell at him.
And Leo is smiling, because he couldn't be happier. He lets the words wash over him, draping over his shoulders like a favorite cozy blanket that he'd lost so many years ago, and he basks in the warmth that is his brother's voice and smiles.
It's enough to interrupt the yelling for a question, though he doesn't really hear it - just keeps smiling, and says Donnie's name, and it's so nice to be able to say it with a smile now, because Donnie is here-
-he is, right? This isn't just a dying hallucination on Leo's part, right?
(It couldn't be- he remembers his death, remembers breathing his last, remembers being trapped- but this-)
He reaches out, taking Donnie's wrist in hand, and pulls his brother closer to him. "You're…real…" It certainly feels real - skin and scales, softer than his own, and his fingers barely fit all the way around the wrist instead of encircling them with room to spare - and he stares down at it, tears rolling down his face as he finally looks back up at his twin. "You're real!"
The Krang show you what you want to see.
The thought strikes him unbidden, turning his joy and relief to ice. It's a well-known fact: a Krang infection can show its host what they want to see, visions of comfort and family and home, and extract intel from the host's reactions. He knows that- he knows that, and-
And he'd died surrounded by Krang- and even if he couldn't see or hear or feel, he knows he'd been held captive-
But it's Donnie- he wants this to be real- he needs this to be real- he wants his twin back so badly he can't think, and the idea that this could be a Krang hallucination is almost too much to bear-
"Are you?" He can hear how choked the words are as they leave his lips, but he needs to know-
And Donnie stops, and sits down next to him, and tells him everything he wants to hear - everything he could've ever wished for. They're alive. They're safe. The Krang are gone. It all sounds too good to be true.
And then Donnie offers him an apology and a sad half-smile, pulling him into a strong hug-
And the ice in Leo's mind shatters in a flood of warmth as his twin sense opens for the first time since Donnie's death. He feels his twin's irritation, and deep-seated exhaustion, and a choking wave of guiltguiltguiltguiltguilt-
And beneath it all, steady and strong as ever, the thrum of unending determination, powered by an unfathomably deep well of love. It's the backbeat to the melody of Leo's life, the point-counterpoint to his own heartbeat- it's something he'd never had to live without until he did, but it's back, rushing in to fill the silence he'd known with the strength to go on and the knowledge that he is loved loved loved, strong and overwhelming and all-encompassing in the way only Donnie can love-
It's something the Krang could never imitate.
This is real. This is all real-
He throws himself against his twin, toppling them both over on the bed as he clings to Donnie, unable to stand even a fraction of an inch of space between them, as though he could push their hearts together through their plastrons, and he cries, sobbing out worry and terror and grief and the slow, crushing exhaustion of a losing battle finally lost. He cries as though the world was ending - and it had, once when the Krang had invaded and again every time he'd lost a member of his family, over and over until he'd sent his last hope through a portal that had cost his littlest brother his life and succumbed to death himself.
And now he's alive. Here, wherever here is, with Donnie. Clinging to his twin, and being held in turn as Donnie gently sits them both up, never letting go as Leo cries himself out.
It takes a while - long enough for Leo's gaze to settle into a stare and his thoughts to settle into a comfortable static. He's alive, Donnie is alive, and he has no fucking idea what else is going on, but he's just going to be okay with that for now.
His thoughts rouse enough to inform him of something wrong - the line of tension Donnie is carrying down his neck and over his shoulders. That won't do. Leo could try to massage it out with one hand, maybe try to get Donnie to talk about it, but Donnie never likes to talk about it, and Leo isn't one for slowly soothing away tension when he can just take an axe to the release valve instead. Plus, it gives him something definite to focus on, instead of…this whole situation. Whatever 'this whole situation' actually is.
Donnie had mentioned his stupid jokes, right?
"H-hey Dee?" His voice wavers from disuse, thick with tears, but he pushes through. "Why did- why did the tree buy a camera?"
"What?" Oh, Donnie is not going to see this coming. Excellent.
"To do a photosynthesis." It's nowhere near the level of pizazz he normally uses for a punchline delivery - he's still too tired and frazzled and clinging to Donnie entirely too hard for that - but that beautiful pause of a terrible joke sinking in tells him it had hit home nonetheless. Donnie moves - he can hear the telltale slap of face meeting palm - and then breaks down into helpless laughter, smacking the back of Leo's shell as the tension Leo had felt in his twin's shoulders abruptly relaxes. Good. It worked.
"This is so fucking stupid," is all Donnie manages as his laughter fades, and he slumps fully against Leo with a murmur. That's...abrupt. Sure, Leo had felt Donnie's exhaustion, but he hadn't realized it'd been that bad. He takes hold of Donnie, gently laying him down on the bed to rest-
Remember what happened last time Donnie fell asleep next to you.
He gasps sharply at the thought - not again NEVER again - and keeps his hand steady as he moves, laying both fingers gently against Donnie's neck and feeling for his pulse. It's easy to find, strong and steady and even, like it had been before the infection had taken Donnie's vitality and then his life.
But he's alive, and healthy, and sleeping. He's okay. And Leo-
Leo moves his hand to the side of his own neck. His pulse is also easy to find, quickened with the adrenaline of an unknown situation and multiple consecutive shocks to his system.
Okay. Take stock. Assess. Figure out a plan from there.
He's alive. Donnie's alive. The Krang are gone. And everything else…is a big fat question mark, with no easy answers and no indication as to where to begin looking for them.
Well.
Uh.
"What the fuck," Leo whispers to the room at large, as though the walls could answer.
~~~~~~~
(A world away and still very close, a younger pair of twins cling to one another the way a drowning man clings to driftwood: desperately, clutching tight, as though letting go will spell their doom. Neither of them know where the emotions came from, or why; all they know is that each of them are damn glad the other is alive, and they'll do everything they can to make sure that continues to be the case.)
(What the fuck, indeed.)
1K notes · View notes
blu-ish · 1 year ago
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
and then he gets arrested lmao (dumbass/affectionate)💙❤️
(Part One)--(Part Two)
803 notes · View notes
catharusustulatus · 1 year ago
Text
Steddie Drabble, TW: child abuse.
Initially, Wayne doesn’t care for Steve. Calls him “the Harrington boy” or “Richard’s son” with contempt, asks if “Richard’s son” is coming over for dinner again and Eddie just rolls his eyes and says “yes, Wayne, STEVE is coming over at 7.” Wayne doesn’t like him because…well, he’s not stupid to judge a book by its cover, he thinks.
But the fifth time Harrington comes over, he brings a bouquet of flowers, and Eddie, well, his cheeks are redder than the spaghetti sauce Wayne’s been stirring, so that’s something.
And then the sixth time Steve comes over, he brings Wayne a Garfield magnet. It’s small, “found it at the thrifty mart with Robin, I’m sorry it’s not brand new…” Steve mumbles, and Eddie is wide eyed and smiling, and Wayne LOVES Garfield. He puts it on the fridge, pats Steve on the back, says “um, thank you son.”
They fall into a pattern, the three of them. Steve comes over for dinner every Friday night after work. He dresses clean and is polite to Wayne, helps with the dishes, sometimes brings bread rolls or licorice or beer or jokes. Eddie starts setting the table. Wayne starts laughing at the jokes. After Steve leaves, Wayne knows Eddie smiles himself to sleep. It’s different, now.
And then the next time Steve is supposed to come over for dinner, he doesn’t show. Eddie had been making macaroni and cheese all evening, grating the cheese carefully as he bopped his head to some metal song, cheerful, and then it was 7 and then it was 8 and then Wayne thought “maybe call him, Ed.”
Nobody answers. When they call again, nobody answers. And Wayne has a bad feeling about it.
It isn’t until almost 11, dinner cold and Eddie pacing, about to radio someone named Robin when Steve’s car pulls up, they know the lights so well. They run outside to greet him and Eddie freezes when Steve starts falling out of the drivers seat, face dark and pained. Wayne jumps into action. Wayne catches Steve and hauls him into the trailer, his living room, and oh god, he’s covered in bruises like he was put through Eddie’s cheese grater, and oh god, Eddie’s broken out into tears behind him.
Steve’s left eye is swollen shut, and his face is purple and bloody. His lip is split and his hair is wild, his shirt is torn, and Wayne wonders what’s underneath the shirt as he gets the first aid kit, wonders how the hell he thought Steven was anything other than an angel.
Eddie gets a dish towel wet in the kitchen and cleans Steve’s face, quiet and crying, and Wayne sets the first aid kit down next to Eddie and makes some coffee. He thinks about talking, doesn’t. Touches the Garfield magnet for good luck. He feels like maybe Steve needs it.
Steve who is holding Eddie’s wrist as he cleans him up, wincing and crying from his good eye. Finally, after a silence that gives Wayne heartburn, Eddie sits back on his heels and says whisper quiet, “your dad?”
Steve gulps, blinks. “My uh, my dad. I was writing you uh, uh a love note.” Eddie looks over at Wayne. Wayne wipes his brow. “But uh, he found it, and your name’s not uh, Edith” Steve lets out a chuff, winces again. “So he asked what was going on, and I told him. I told him. And then he said I had one minute to take it back or he’d make me take it back.” Eddie lets out a small gasp, more like a howl, and sits completely on the floor. Wayne sits down at the table, cold mac and cheese looking like a sick joke. And he’s so mad. Wayne is so, so mad, seeing this young man who so obviously loves his pride and joy, shares in his pride and joy, who brings him apples to make apple pie, he growls out
“Don’t you worry about a thing, Steven, not one thing. You stay here long as you like, hell, don’t leave. We got you, boy.”
And that’s that. Steve crumples in on himself, and Eddie pulls him into a big hug, just holds him, rocks him, coos “a love note, huh, sweetheart? For me?” And Steve nods until he nods off.
The next morning, while Robin takes care of Steve, Wayne and Eddie break into Steve’s room, clear out everything he owns, and slash his dad’s tires. That was Wayne’s idea - the least he could do for a loved one.
1K notes · View notes
poorly-drawn-mdzs · 7 months ago
Text
Tumblr media Tumblr media
Siffrin plays Disco Elysium AU: Featuring backseat gamer Loop.
390 notes · View notes
blueskittlesart · 2 months ago
Note
*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?
tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.
#i really do have a love-hate relationship with this timeline#because it's FASCINATING lore. genuinely. and i think it carries over the themes of certain games REALLY well#but i also think it's indicative of a trend in loz's writing that has REALLY annoyed me for a long time#which is this intense need to cling to oot#and on a certain level i get it. that was your most successful game probably ever. and it was an AMAZING game.#and i think there's definitely some corporate profit maximization tied up in this too--oot was an insane commercial success therefore you'r#not allowed to make new games we need you to just remake oot forever and ever#and that really annoys me because it makes certain games feel disjointed at best and barely-coherent at worst.#i think the best zelda games on the market are the ones where the devs were allowed to really push what they were working with#oot. majora. botw. hell i'd even put minish cap in there#these are games that don't quite follow what was the standard zelda gameplay at their time of release. they were experimental in some way#whether that be with graphics or puzzle mechanics or open-world or the gameplay premise in its entirety. there's something NEW there#and because the devs of those games were given that level of freedom the gameplay really enforces the narrative. everything feels complete#and designed to work together. as opposed to gameplay that feels disjointed or fights against story beats. you know??#so I think that the willingness to allow botw and totk to exist independently from the timeline is good at the very least from a developmen#standpoint because it implies a willingness to. stop making shitty oot remakes and let developers do something interesting.#and yes i do very much fear that the next 20 years of zelda will be shitty BOTW remakes now#in which botw link appears and undergoes the most insane character assassination youve ever seen in your life#but im trying to be optimistic here. if botw/totk can exist outside the timeline then we may no longer be stuck in the remake death loop#and i'm taking eow as a good sign (so far) that we're out of the death loop!! because that game looks NOTHING like botw or oot.#fingers crossed!!#anyway sorry for the game dev rant but tldr timeline good except when it's bad#asks#zelda analysis
163 notes · View notes
engagemythrusters · 1 year ago
Text
the obscene amount of chronic pain Luke Skywalker must face...
1K notes · View notes
eff-plays · 1 year ago
Text
Tumblr media Tumblr media
Is this your remorseful and selfless and uncorruptible meow meow.
589 notes · View notes
redrobin-detective · 1 year ago
Text
Continuing my incredibly sporadic and incredibly all over the place Adventure Time watch, it's really hitting me how Finn and Jake really are at completely different stages in life.
Jake had this whole other life going on before Finn became aware. Dogs in this world mature faster, age faster and don't live as long as humans. Jake went through multiple different phases, phases where he was cruel and reckless and even criminal. I had gotten used to Jake being this calm and wise center of the series that it has been eye opening to see that it was a multiyear long struggle to get to that point. And then Finn began coming into his own and wanted to be a hero and Jake changed again for him.
People have commented on the nature of Finn and Jake's relationship and it really does feel like a sibling pair in which there's a sizable gap between the elder and the younger. Jake does at times take on an almost parental role in guiding Finn. As Finn is growing up and really figuring out who he is, Jake is solidly in doggie middle age. While Finn is roaring with restless, reckless energy and trying to figure out who he is, Jake has mostly settled himself and is now making peace with his past and his future.
Jake's death is made out to be tragic but I bet he passed nice and easily of old age without want or regret. A peaceful death. But I believe the real tragedy was not in how Jake died but the fact that he didn't adequately prepare Finn for it. Jake had been the main pillar over the course of Finn's entire life. He has lost people and suffered a lot as teen/young adult, he couldn't imagine a life without Jake even though Finn would live long after Jake had met his natural end. I wonder if the two of them even realized how incongruous their lifespans were. Surely Simon or even the Islanders could have explained it to them. I wonder if it would have even mattered.
Finn did everything with his entire body and being, including love. He had decided early on that Jake was going to be his partner, best friend, brother forever and maybe nothing Jake or anyone said could have convinced him to move on.
648 notes · View notes
starry-bi-sky · 4 months ago
Text
"Stillborn? No, still born" Danyal au -- VLAD MASTERS THE BITCH HIMSELF
*Points at Vlad* THIS MFER GOT SOME TEEFS TO HIM. !! Okay okay, Vlad Masters in the stillborn au is different compared to most of my other aus in the fact that I am far more heavily leaning into his original ambitions of wanting a family and being desperately lonely. Because you know what wanting a family implies? Wanting to be a parent.
Fucked up father figure that could've been Vlad. Complicated love-hate relationship between the only two halfas in existence.
Danny hates Vlad, but he hates even more that he's genuinely considered his offers of mentorship. Vlad is the only halfa around, and they both have fire cores. Danny has these powers he doesn't understand, can barely comprehend some days, and can't control. But Vlad does. Vlad can. And Vlad wants to help him. He's the only other person who can get close whenever Danny runs too hot. Whenever his igneous hair cracks, splits, and spits back out into magma and his friends can't get close, Vlad can.
His hair is made of magma, which runs so hot that people need specialized suits in order to get near it. He physically cannot get close to the living as a ghost unless he's calm enough for his hair to cool into igneous rock. Which isn't as often as he would like. And sometimes he's too hot for other ghosts to get near unless they have fire cores -- which Vlad has.
There have been many times when Danny's having a meltdown (literally) and gone somewhere to be alone, to let his anger and hurt and loneliness overflow and spill out, that when he's come back to, Vlad's right there with him as an anchor. It's desperately frustrating, it's the only time they can get along. They don't say anything, Danny just turns and clings onto the only person he can touch as a ghost.
Its not fair. Vlad wants to kill his foster dad, and Danny can't let him do that. But he wants to be trained by the man, he wants his help and wants what he can offer. But Vlad can't step away from his revenge long enough to let him. It's just not fair. He thinks for a moment that maybe it could work, and then Vlad does something to remind him that no, it can't.
Vlad Masters sees too much of himself in Daniel Brown -- from the way he holds himself, to the defenses he puts up, his quiet anger that builds and builds and builds until it explodes. That simmers beneath his skin. All the way down to the fact that they have matching cores. This boy is cut from the same cloth as him, and by god does he want to help him. He's always wanted to be a father, and Daniel Brown is too much like him for him to ignore. He genuinely, truly cares about Danny and his wellbeing.
He wants to help him, child just let him help you. Let him kill your foster dad so he can adopt you himself and help with these powers that terrify and intrigue you -- he knows what that's like to have something that you can't control, to have a heat that you can't cool down from. "We're in the same boat you and I, let him help you please."
But his methods are all wrong, and Danny is too much like him -- stubbornness and all -- for him to agree when they oppose each other so greatly. But again, Danny is much like him -- which means that Vlad is equally stubborn, and in every single one of their fights he's parental. He's annoyingly parental. He drops his interest in Maddie to focus his efforts in trying to coax Danny onto his side. It's like trying to get a traumatized cat to trust you, and on some levels it works. It's like he makes some progress, and then moves too quickly and the cat immediately runs off and you have to start back from square one.
TL:DR; Vlad and Danny both want to find family in each other but they're too different to get along and ultimately they are doomed by the narrative to be at constant odds with one another unless one of them is changes, and it doesn't matter who.
#dpxdc#dp x dc#danny fenton is not the ghost king#dpxdc crossover#dp x dc crossover#vlad masters#danny fenton#vlad masters the father figure that could've been#its TOXIC your honor#stillborn? no still born au#stillborn danny au#danyal al ghul au#parental vlad masters#*points at Vlad and Danny's canon relationship* I CAN MAKE IT MORE COMPLICATED#vlad also has magma hair but he's managed to figure out a way to keep it cool enough to stay as igneous rock. which danny wants to figure#out how to do. Vlad's happy to teach him but Danny is just. too angry all the time and his core too young for it to work. He's too angry.#This also means Dani just straight up won't exist in this au or if she does her reason for being needs to change because Vlad making Dani i#a sign that he's given up on trying to convert Danny to his side. which THIS Vlad will not be doing.#if she exists in this au Vlad made her in order to give Danny a blood sibling for him to bond with and hopefully help convince onto his sid#which means Dani probably doesn't betray Vlad because Vlad does genuinely care about her too. Their dynamic is even MORE complicated#tldr: Vlad: LET ME ADOPT YOU | Danny: STOP TRYING TO KILL JACK AND I'LL CONSIDER IT#Vlad: HE ICED ME OUT OF STARTING A FAMILY AND HIS INCOMPETENCE RESULTED IN THE DEATH OF A CHILD. NO. | Danny: THEN FUCK OFF#Starry looks at Vlad's original ambitions and goals (wanting a family + revenge) and extrapolates on that. he was far more interesting#before DP made him standard power hungry and evil imo#Danny calls vlad 'dad' once while concussed and delirious and vlad never forgot it. he rode that high for a MONTH.#FUCKED UP PARENTAL FIGURE VLAD Bruce has competition and doesn't even know it.#hey. mister wayne. bruce. a supervillain is trying to adopt your firstborn. omg he can't hear me. he has the WayneTech Beats in. mISTER WAY
198 notes · View notes
ruporas · 1 year ago
Text
Tumblr media
i killed. i murdered. i'm nothing like these sleepy people here… nevertheless, you can actually be grateful? bastard… i’m saying… thank you. because you spilled blood, you saved all of these people’s lives. i couldn’t have done it without you. (ID in alt)
#vashwood#vash the stampede#nicholas d wolfwood#trigun#trigun maximum#participated in altades' dance collab :3 very grateful for the opportunity and many thanks to them for organizing this!#there was a lot of vw arc choices... but i went for the leonof arc bc it's a dear vw moment to me#i think a lot of the leonof arc further breaks down vash's ideology and for the readers - together with ww- to learn that his ideals aren't#pure naivety and that vash knows he's at an odd standpoint with himself. he's criticized ww for shooting rai-dei just prior when ww had don#so on the behalf of vash but here he thanks him for killing on behalf of his home and its genuine. bc vash's presence - although it's not#his fault - he was the reason leonof and gray had gotten to the ship and killed people there. that's the guilt he has to live with and#despite his anger he'd still resolute not to kill. meanwhile ww just did what he had to - beating down on a seemingly immortal monster but#at the core made up of many lives he had to take and i feel as the fight dragged on - his own mentality waned. committing active carnage#while remembering the orphanage... and bearing that guilt alongside the words vash left with him during rai-dei's death#only for vash to thank him afterwards what he's done and for apologizing for pushing his beliefs on ww when he had no solutions of his own#anyway. i just have so an immense love for this arc bc they just got around to appreciating each other in weird ways. though ofc its still#weird and confusing for ww bc every new info on vash it'll just be strange to him as someone who's human#ruporas art
2K notes · View notes