#Only Angel | Larry

[highladyofterrasen7]

I can see a theme

[harrylights]

do you ever try to come to the other side?

(a quick drawing of H from the angel!harry fic i’m working on—based on harry styles for better homes & gardens shoot)

[transgaysex]

god remember jake marshall. from rfta

[ao3feed-larry]

Only angel

by livehsl

Harry Styles se presento en el show de Victoria Secret, pero lo que no se imagino, era que terminaría follando con una hermosa modelo en su camerino.

Words: 1493, Chapters: 1/1, Language: Español

Fandoms: One Direction (Band)

Rating: Mature

Warnings: No Archive Warnings Apply

Categories: F/M

Characters: Harry Styles, Louis Tomlinson

Relationships: Harry Styles/Louis Tomlinson

Additional Tags: Female Louis Tomlinson, Dirty Talk, Smut, Top Harry Styles/Bottom Louis Tomlinson, Cis Girl Louis, Model Louis Tomlinson, Singer Harry Styles, Heterosexual Sex, Blow Jobs

via AO3 works tagged 'Harry Styles/Louis Tomlinson' https://ift.tt/dqYJ6gs

[the-soliloquies-of-sadists]

#388

“Hey Larry, so this is the faggot I texted you about.  He was lost a couple nights ago and came knocking on my door…. 

“Get this!  I’m watching my porn—you know the five-on-one gangbang of that Russian bitch.  She’s about 5 feet, and each of the guys are like fucking linebackers, and each with gigantic cocks.  They are smacking her around and shoving their cocks into her holes whether or not there’s already a dick in there.  At one time she had two cockheads in her mouth, one in her cunt, and one in her shitter.  The fifth guy was fucking her tits.  I love her.

“I’m going to town on my cock.  The bottle of lotion almost empty.  It’s an all night pud pounding session for sure.  Then there’s a knock at the door.  It’s eleven-thirty at night!  I pull up my shorts, that’s the only I have on. 

“I open the door and this faggot is standing there soaking wet; it had stopped raining then.  And he tells me he ran out of gas with his dead phone, and he was walking to get help.  He came across the Miller Road bridge; it was washed out.  He thought the Reed River was shallow.  Fucker got swept away.  He was walking around for hours before he found my road and me. 

“All the while he’s telling me this, he keeps staring at my hard-on tenting in my shorts.  You know that once I get a hard-on going, that it takes a long time for it to go down.  Well it was rock hard, and I didn’t care.

“So when the fag asked if I would help him, I grabbed my cock through my shorts and demanded, ‘Strip!’  I walked back to my chair and shouted, ‘Leave your wet faggy clothes on the steps and get in here and give me some head.’  The bitch did just that.  You know how hard it is for me to find a good woman who knows how to blow my fat hog.  This faggot throated me without any struggling.  He was taking me the way that Russian bitch was taking those five men in the video. 

“Just like she was getting slapped, I decided to give that a try.  Oh my god, here watch this.

“I just snap my fingers and point down, and there, just like that, the faggot comes over and kneels in front of me.

“This cocksucker can take one slap after another.  And I’m not holding back.  I’m giving him way worse than I used to hit Paula.  For her it was one slap.  I’ve already given him a dozen swats here.  But listen to what he says when I stop….

“Did you hear that?  The faggot said, ‘Thank you Sir.’  Can you believe that?  It’s grateful for me treating it like shit.  No matter what I do to him, he’s game.

“In the video after the guys nutted on her face and tits, they pissed on her.  I thought, well why not.  I pushed him off my cock.  I grabbed him by his hair and dragged him out of the trailer.  I pushed him out and he fell to the ground.  I went up to him and started pissing on his face.  And the faggot tried to catch it in his mouth!  He wanted to drink my piss.

“Watch this.  All I have to do is take out my cock and aim it at his mouth and he opens up his toilet mouth.  Oh man this is nice.  When I get done with his mouth, give him a try. 

“So, the other night, when I first pissed on him, it was a long piss, and I was pissing through a hard on.  After I was done, I kicked him.  He recoiled, but in doing so he had his ass up in the air.  It reminded me of the Russian porn star.  I had a hard on, and I just did it.  I shoved my fat cock and fucked the faggot hard.  I could tell he wasn’t ready.  It’s a good thing that the closest neighbors are half a mile away.  He was screaming like a bitch. 

“After I unloaded my balls into his shitter, threw him into Angel’s old kennel, gave him a blanket, and locked the cage.  There was no way I was going to have a stray fag in my trailer while I’m asleep. 

“You want to use his toilet mouth?  You have been telling me that I should get a good woman and have a faggot on the side to fuck.  You have that now, right?  You ever encounter a piss drinker or one you can slap around?...

“Let him suck on you afterwards.

“So yesterday morning, I took his car keys from his stuff I locked away and went looking for his car.  Found it fairly easy.  Yeah, he was telling the truth; he was out of gas.  I went through his bags.  It looks like he was driving to Chicago for that leather convention.  I brought back his suitcases, mostly full of toys.  I don’t know what the hell half of them do.  A number of dildoes.  The one that’s in his shitter right now is one with a dog tail on the other end.

“He told me he’s into something called ‘puppy play’.  I told him that he’s not fucking my dogs.  He told me he likes being treated as a dog and that being thrown into the kennel was a dream come true.  He put on this hood in the shape of a dog, and I couldn’t stop laughing.  I told him I would treat him like a dog, just without the mask.  I told him that he’ll be kept naked except for the dog tail.  I told him that I just wish that I didn’t have to look at his pecker. 

“And you know what he did?  He took out this tiny contraption.  It’s on his pecker right now.  It keeps his junk locked up so he can’t play with it or even get hard.  Look at it! There’s a padlock on it.  The faggot gave me the key!.  Never even thought of anything like this was even done. 

“Back on my dick.

“He was going to go to Chicago for the week, but he said that he would rather stay here with me and be treated like a dog.  I’m like fine.  I keep him naked, he eats his meals from a bowl on the floor, he sleeps in the kennel out back or on the dog mat beside my bed, and he’s not allowed to talk other than the thank you’s.  I put a shock collar on him like I do all my dogs, and he got so horned up.  He is one sick puppy. 

“He gives a great blowjob doesn’t he?  You were right, a faggot on the side is what men need to have to deal with bitch wives.  If I had this faggot, Paula would probably still be with me.

“Too bad, on Tuesday he’ll head on back home.  I doubt I will get to find out what all those toys were.  You know what was weird?  In his trunk, he had a toilet seat on legs.  That’s it over there.  I’m going to keep it.  You know for when we go fishing at the lake.  If we have to take a dump, instead of walking half a mile to use the one at the bait and tackle shop, or to squat in shrubs.  Now we can just sit and let go.

“Faggot, why are you grinning at me like that?  You are chuckling  Don’t you ever laugh at me.  I ought to take my belt to you.  You need to learn some manners.  You…

“…What are you trying to say?  No. No.  I told you that dogs don’t speak….  Where are you going pup?

“The toilet seat with legs?  OK.  So what?

“What the fuck?  What the hell are you doing?  Why are you crawling under…?

“…No!  Oh my fucking god.  Oh. My. God.  You want me to sit on that toilet seat with your face underneath? 

“Larry, have you ever done this?...

“…Wait, you have had a fag stick his tongue in your shitter?  I’ve seen bitches flick their tongue across a man’s ass in the pornos, but this faggot seems to want his tongue to go inside.

“Look at him.  He’s giddy.

“Larry, would you ever sit on the faggot’s face?...  You would? Ok.  I’m going to trust you on this. 

“OK faggot, you are going to be sorry….  Last chance to back out before you get smothered in my nasty crack.  I have no idea as to how clean it is, but fuck, you don’t seem to care.

“Good lord this seat is low.  How the hell…

“…Oh.  Oh.  Oh my god.  Jeeze!  Ahhhhh.  Wow.  Why the fuck did I have to wait this long to discover this?  Holy shit.  This is amazing.

“Larry.  No woman would do this…. I just can’t believe…  Damn, my dick is rock hard.  Hey, go into the trailer, or wherever, I want to take some time, enjoying this.  We’ll talk later.

“Pup, keep up doing what you are doing….  Mmmmm.  You know what?  Does this seat work the same if I turn it around.  I would prefer not to look at your body in front of me.

“Ugh!  Getting up from one of these things is a bitch.  Let’s move it to the edge of the concrete step.  There.  Now that’s at a better height.  Now I have my phone to watch some porn.  Here comes my shithole.

“Oh man.  This is the best.  You sure know how to make a man feel good.  You let me do what I want.  I said you are to go home on Tuesday.  Now, I want you to stay longer.  I want this tongue in my shithole pretty much all the time.

“That fart just slipped out….  Did you just moan? 

“Oh pup!  Let’s fucking do this….”

[isackwhy]

Hii could you do like nicknames the group would call their partner?

i am drunk!!!!! so yes. will do.

tgc n their pet names for their partners :3

isaacwhy

def a babe man. most definitely.

hun. baby. princess. ummmm

if ur a woman he’s def doing like the ��my girl” or “my woman”

or “my man.” for the gays. happy pride month gang

my baby when y’all are cuddling

calls u my love when he wants a favor but u still cherish it

if u use a nickname (nickname gang) and he’s like jokingly annoyed at u he’s calling u by ur full name and u just sit there like

:O

but i feel like he’s use babe the most. simple. easy. yk.

softwilly

just like isaac,,,,i fear he’s using babe the most

or honey instead of hun

the occasional baby or darling idk

i feel like he’d use the really cheese ones as like kinda jokes but giggles when he notices u freezing and blushing at the use of sweetheart or something

comes up w something stupid like pookie bear rainbow sunshine and u just stare at him

larrycroft

NAH SEE NOW HES HEAVY ON MAKING UP NAMES

or calling u cinnamon apple as a joke at first n then it becomes normal

def calls u pookie. little bisexual.

texts u w half the texts ending in bae

but irl baby suffices most of the time

or angel when ur cuddling :)

bigt

another babe man.

babe is just so good.

or baby. lots of baby in a gentle tone.

will call u random shit but not like larry or nick does like he’ll remember u like something and be like my little peanut butter princess/prince or my sandwich sweetheart

he’s so weird god help him

i love him tho it’s okay

feel like he’s call u lovebug idk

yumimain

imma be honest i feel like he’s only use babe.

or maybe baby interchangeably

like extra simple w it bruh

or honey

i don’t see him using many pet names idk

[beatriceoverwall]

I love Buffy like the concept is awesome I love the monsters I love the characters even with their flaws and the way they speak and everything

But I can't shake the feeling every time I watch that Joss Whedon doesn't like his characters? It's not even the main cast and the fact that some issues don't get satisfactorily addressed because like, that's life! But like side characters that make sense to show up often due to being set in a small town and a school just get hardly any characterization which is a shame. Like Larry (think that's his name) is a hero in an alternate universe, he's gay, and he dies at graduation, he was also a bully, but we don't get to know anything more about him. Harmony gets bitten and then is comedic relief with no real satisfying ending even on angel. That random woman who Giles shacked up with for two episodes? Forgotten immediately. Any characters outside of the main ones that Buffy or her friends seem to have a good connection with in an episode? Well too bad they're never coming back again! Kendra? She is nervous around boys and more serious than Buffy, then she dies. She could have been so cool a character, they could have learned so much from each other! Oz, though I love him, leaves to control his werewolfness and there's no story telling us where that journey takes him. Amy was a promising friend to willow then turned into a rãt for years just cause. The annointed one seemed pointless, just a gag for Spike to use? Dawn makes friends in an episode which is cute and then they're never seen again. Just...there was so much potential for fleshing out the world but instead it feels so insular. Lonely almost. There's no world outside the immediate context of whatever the Scoobies are doing at that moment. I suppose it's just that they have a cool setting of a school and other media has used that to full effect having recurring characters that really make the place feel real and just don't use it at all. Like why is Buffy worrying about fitting in and hiding that she's the slayer when she doesn't talk to her classmates anyway? And why don't they try and put things in place to stop situations like the Invisible girl happening again? Why does Buffy and friends only interact with people if they're dating them or if they want information out of them? I know they work to certain beats every episode but there's something cold about it. I love Buffy but it does feel lonely in that world sometimes in a way I can't fully explain.

[melminli]

Devil's Advocate II

pairing: hazbin hotel x fem. reader

summery - after you died, you didn't really find it surprising to end up in hell. though, what you did find quiet amusing was that your life down here sucked just a bit less than the one before.

word count: 1.5k

contains: cursing, strong language, sinner reader, violence, religious themes (obviously), sexual themes, demon horniness

part I

"So...ya and that pretty lady over there seemed to be pretty tight, if ya know what I mean." Angel Dust asked curiously, ready to hear some tea. He grinned as he tilted his head to the side flirtatiously. "She some ex of yours, or somethin' like that?"

Husker just looked at him with his usual grim look while he was cleaning a few glasses. Then his gaze briefly wandered away to your figure, who was forced to deal with the Radio Demon and the Princess of Hell. Yeah, you haven't really been successful in getting out of this hotel yet.

"None of your business." He said with his monotone voice and let Angel hang his head in disappointment. "...I'm far too sober for this shit."

A groan could be heard. "Oh, come on, ya grumpy cat! Don't leave me high and dry, I know there's some good story to be heard!"

Before Husker could leave him hanging one more time, a red demon manifested next to them, much to their surprise. "I would also like to hear this good story, if you wouldn't mind sharing it with us, my good friend!" Alastor expressed his interest and looked menacingly at the barkeeper for a few seconds to make it clear that he did not have the privilege of turning his request down.

Fuck you, Larry. This is all your fault. "...we go back a long way." He reluctantly shared the information. "She was obsessed with money back then too, so I saw her in the same casino as me sometimes. Though, she died a long time before me, so I've only really known her since I went to hell." He summarized as briefly as possible.

Angel Dust raised an eyebrow. "That's it?" He asked, a little disappointed, even though he hadn't expected the man in front of him to be a good storyteller. "How did she die?"

Cat eyes looked a little nervously at the two people in front of him, while he didn't make a sound. How unfortunate, Alastor thought to himself, and his sharp teeth showed as he understood the situation. "Looks like Husker isn't allowed to tell us this information. That's very interesting! Very interested indeed..." He laughed, and his creepy gaze shifted briefly to your figure. "Seems like we need to find out directly from the source."

The once Overlord looked over at Angel Dust with slight concern and saw how the spiders' eyes were also glancing towards your form. It wasn't that he didn't trust you, but demons as reckless as him fell into your trap like flies to a web. Besides, it wasn't like he was on your best side right now. "I'd be careful." He said to the crowd even though he didn't give a rat's ass about Alastor. "She's not known for making packs with demons left and right for nothing, and I can assure you there's not the slightest chance of escaping from her contracts once you're in it." He said and added. "That's the price for holding up her end of the deal without any sneaky tricks, I suppose."

Well, that sounded unusual. After all, it was normal that one Demon after another stabbed the other in the back, there was no such thing as trusting the other person's word. But maybe that was why you were so popular. "Calm down, I'm not gonna sell my soul to her." Angel laughed. I couldn't even if I wanted to.

Husker placed another clean glass on the counter. "It doesn't have to be your soul. She'll find something she wants from you, and she's good with her mouth, so you'll give it to her. They all do in the end." He said and reached for a bottle of whiskey, ignoring the two incredulous looks he received. He took a sip and was initially confused as to what was going on with the two until he realized what he had said and choked on his drink. "Words! I meant to say words, damn it." He corrected himself.

Alastor didn't blink for a few seconds, and Angel, on the other side, just laughed amusedly. Maybe he wasn't so wrong with his first guess, after all. "Of course ya were."

"Well, thank you for your kind hospitality, but I'm afraid that I'll be taking my leave now." You spoke to the two girls. As much as Charlie regretted it, she couldn't convince you to spend a few nights at the Hazbin Hotel. Apart from the fact that she would have had a new guest, it might have enhanced the hotel's reputation if someone as renowned as you had visited. Though, unfortunately that didn't work out.

I've messed up again. Charlie tried not to look too depressed, even though she really was an open book. "Oh, all right. Thanks for listening to me."

You smiled while rubbing her shoulder. "Of course, darling." You replied, but that didn't really seem to cheer her up. You couldn't help but be a little gentler with her, she had a good heart for a hell born. "Let's make a deal." You suggested to her as an idea popped into your head.

Right after the sentence came out of your mouth, Vaggie narrowed her eyes and stepped protectively in front of her girlfriend. "Charlie doesn't make deals with demons like you." She said protectively, and you leaned closer to her at what she said. Your pupils narrowed to slits and two more eyes opened menacingly on your face. "What do you mean with demons like me, little lady, hm?" You asked her as the light in the room began to flicker, and you saw her continue to stand her ground, even though you could smell the slight fear emanating from her.

You pulled back again and returned to your normal self. "I'm just kidding, I know I'm a greedy bitch." You laughed out and saw how Vaggies eye twitch in irritation while Charlie laughed along a little uncomfortably. "Well, even though I wouldn't mind making an official deal with the little princess, I was thinking more of a friendly kind of deal." You suggested. "I'll put in a good word if the subject of your hotel comes up with anyone I know, and in return, I'd just like to ask you for a teeny tiny favor."

That didn't sound so bad. It would be good for their image if someone like you would spread a few good things about the hotel. Before Charlie could agree, Vaggie straddled back in. "And what does this favor involve?"

You conjured up a collar with a bell and an old Poloroid camera with a snap of your fingers. "Make Husk wear this and take lots of photos of it. Preferably of the process too, 'cause I'm working on some thank you cards for my company." You say and put the two things in her hands. You then remembered something. "Oh! And give this to him too." You added and handed Charlie a piece of paper. "That bastard owes me sixty thousand dollars 'cause of that Berry guy, or whatever his name was."

You were about to turn around and walk to the door when you met two red eyes right in front of you. "Leaving us so soon, what a shame." Said the Radio Demon with a smile as you took a step back so that you were no longer face to face. "Your presence turned out to be quite entertaining, I too had secretly hoped that you would give our great hotel a chance." He announced, pointing his funny stick at you.

You pushed it aside with your finger. "Well, thank you, Blossom, but I'm afraid my presence is in demand at other places." You pronounced not very regretfully.

He raised an eyebrow and would find your nicknames more amusing if he'd understood the reference. "And where would that be?"

You looked neutral. "I actually have a massage appointment at six. See you then." You said goodbye and went away with a poof after you clapped with your hands.

A few seconds of silence passed after you disappeared, and Vaggie looked at the objects in her hands again, a little questioningly. "So, what's the best way to go about this?" She asked Charlie, who was already looking thoughtfully at the bar. "Let's ask him first. Maybe he's in a good mood."

Vaggie looked at the man in question and saw him drinking a large bottle of alcohol before throwing it in the back to get his hands on another one. "Sweetie, do you know Husk?"

[adventure-showdown]

What is your favourite Doctor Who story?

TOURNAMENT MASTERPOST

synopses and propaganda under the cut

The Happiness Patrol

Synopsis

The TARDIS arrives on the planet Terra Alpha, where the Seventh Doctor and Ace discover a society in which sadness is against the law - a law enforced zealously by the brightly uniformed Happiness Patrol. The planet is ruled by Helen A with the aid of her companion, Joseph C, and her carnivorous pet Stigorax, Fifi.

The penalty for those found guilty of unhappiness is death in a stream of molten candy prepared by Helen A's executioners, the robotic Kandy Man and his associate, Gilbert M.

Propaganda no propaganda submitted  

Blink

Synopsis

In an abandoned house, the Weeping Angels wait. The only hope to stop them is a young woman named Sally Sparrow and her friend Larry Nightingale. The only catch: the Weeping Angels can move in the blink of an eye. To defeat the ruthless enemy — with only a half of a conversation from the Tenth Doctor as help — the one rule is this: don't turn your back, don't look away and don't blink!

Propaganda no propaganda submitted

[twopoppies]

The anon about the TT saying “they will have F” the account it seems was a teenager thirsting after Louis and then apparently changed course drastically

They really did say that about F who is a child these are the people who preach “respect Louis”

There were caps of the TT all over not as much as when a Larrie may say one thing because the angels don’t want to admit they’re not so angelic and most are actually weird so only a few people posted it but we all saw it just the same

Yeah. I saw it, too. I think the person who originally said it is very young. But even so…

This was my favorite comment about it, though:

🤣

[themenendezbrothers]

2006 partial transcript of Erik and Tammi on Larry King Live.

E. MENENDEZ (by telephone): The only book that's ever told the true untold story about me, what I did, the secrets I've never spoken about, about my childhood and prison.

KING: Why did you decide to do it now?

E. MENENDEZ: Well, for many reasons. One of the foremost is because I wanted people to really be able to get a sense of what Tammi and I are like together and what she means to me and hopefully what I mean to her and who I am because no other book or movie or documentary has ever, ever showed who I am as a person. Certainly, nothing's ever been written about me by someone that actually knows me.

But there's another reason, one that's very meaningful and important to me and that's that in being married to me, and Tammi will tell you all about this, she's faced a lot of hardship and in fact this book has outraged a lot of people. Some people thought it shouldn't be written and I disagree.

With this book, Tammi isn't just standing up for me and standing up for herself, she's standing up for millions of prisoner wives and family members who have been demeaned and outcast because they love a prisoner.

KING: Who would be outraged, Tammi? Who's outraged?

T. MENENDEZ: Well, my family for one and a lot of people that -- I -- I get a lot of e-mails from people that just, you know, don't understand why I wrote the book, why I'm writing it, you know. I get a lot of, you know, negative e-mails.

KING: Erik, we hear little beeps. Do they monitor your calls?

E. MENENDEZ: All -- all the calls are monitored and definitely recorded.

KING: Have they moved you around prison to prison?

E. MENENDEZ: They -- I spent nine years at Folsom Prison, at old famous Folsom Prison so it was the New Folsom. Now I got transferred to this prison about a year ago and I was in the Los Angeles County Jail for over six years.

KING: But how do you adjust to incarceration?

E. MENENDEZ: Human beings adapt. The one thing that we never are able to really adapt to is the level of violence and the angst between prisoners and guards and prisoners. Having to survive each day in here is -- is very difficult.

I wrote, I don't know if you're aware of the fact, I wrote a separate chapter to this book because I really wanted people to get a sense of what I go through in prison each day and what Tammi and I go through just to be together and get it in my own words and I wanted people to be able to see that because it's really an -- it's such a difficult experience to describe in just a few sentences that it's -- I felt it important to put it down on paper.

KING: How old are you now?

E. MENENDEZ: I am 35. I just turned 35.

KING: Do you ever regret what you did?

E. MENENDEZ: Immensely so, immensely so, not a day goes by when I don't wish I could undo this or I could bring them back. It's my unending regret and in a sense it's my real prison.

KING: Children do not have to love their parents. I guess parents love their children. Children don't have to love their parents.

E. MENENDEZ: Well, I think that -- I think that all children love their parents. I think that children love their parents even more than parents love their children. Parents are like gods to kids.

Certainly my parents were the only -- the greatest figures I've known. I was literally dependent upon them for survival and I think that kids love their parents more than parents love their kids.

KING: Do you ever see or talk to Lyle?

E. MENENDEZ: I have not spoken to Lyle in over ten years. I have not seen him in over ten years. The last time I saw Lyle we were -- it was three o'clock in the morning and we were put in separate vans and we were chained up and there was that experience where I -- where I last saw him.

But Tammi really captured -- she writes about -- writes about this and she really captures it. It's very hard to describe that last moment when I saw him. You're going to have to read about it.

KING: Why can't one prisoner talk to another prisoner somewhere else?

E. MENENDEZ: You just can't get around the prison system, Larry. The prison system is what it is. KING: Why commit to a marriage to this beautiful, young lady? You're never going to have sexual relations. Why didn't you say to her "I'll be your friend. I'll write to you. I'll talk to you. Get a romantic life."

E. MENENDEZ: You know that's a good question and -- and Tammi is going to have to help me answer it. I mean the first time I looked into Tammi's eyes I felt like I had come home. She's not just my best friend. She's my -- she's my great love, Larry.

This woman is everything to me and so at the beginning of our relationship we tried to just make it a friendship and it was a friendship for many, many years, a platonic friendship.

But then when she came up to visit, and you can tell him about this baby, when she came up to visit, I just -- I saw so much more in her and I fell hopelessly in love with her and I couldn't help falling but I never expected her to fall in love with me.

Marriage was certainly the farthest thing, you know, in the back of our minds, well certainly hers and I just, you know, that's something that we go through now and as you read in the book it's been her great struggle.

I think it's a great struggle for anyone that marries or is with a prisoner is that separation and joining the two different worlds. It's still a struggle that we go through but it's our love that keeps us together but it's not an easy road.

KING: You don't feel he subjected you to something, in other words that he could have said "I'm madly in love with you but you have a right to a life outside of this"?

T. MENENDEZ: Well, I mean I know that he struggles with that every day, you know, especially when we talk about the appeal later. You know, we've had some bad news with the appeal and I know that he's come to me and he said, you know, "I don't know if I can let you do this life."

And, I know that he -- it's not like he's like you got to be with me and this is it. He struggles with it. He wants to release me but yet, you know, it's a pain within him that wants me to stay so, you know.

E. MENENDEZ: It's the hardest thing I can -- I can -- I can go through is exactly what Tammi said. It's like I want her to be free. I want her to have pure happiness. She's a beautiful woman. She's intelligent. She's incredibly compassionate.

She can -- she can -- there's 100 guys that can give her more on a physical level than I can but I -- so I can -- I can -- I have to focus on just cherishing her and appreciating her beautiful finer qualities and pour all of my energy into her and that's what gives me joy.

It's the only thing that gives me happiness in prison and letting it go it would -- it would certainly all but ruin my life. I mean just devastating. It would be the end of me. But, at the same time, I struggle with it because I want her to have that and Tammi as long as she'll have me I will -- I will cherish her forever.

KING: The book is "They Said We'd Never Make It, My Life with Erik Menendez," available online at erikmenendez.com. It's a hell of a read. We'll be right back with both of them right after this.

(COMMERCIAL BREAK)

KING: We're back with Erik Menendez and Tammi Menendez. They are married. They are happily married. They are the -- I guess they're the co-authors, although she's listed as the author, "My Life With Erik Menendez" available online at erikmenendez.com. Do you often, Erik, think what any man would think -- she's got to be with somebody tonight?

E. MENENDEZ: You mean in terms of her being unfaithful?

KING: Yes. I mean, who wouldn't think it?

E. MENENDEZ: It's a fear that's almost primal, that I certainly had early on. But Tammi is -- Tammi's a remarkable woman. I mean, any woman that could be with a guy in prison is going to be remarkable. but she is -- she's something really, really special. And she calms my fears, and just her morals and her values and her ethics. I don't doubt her. And I've -- it's inconceivable to me.

T. MENENDEZ: I'm always available for his calls. If I wasn't available for his calls, then he might get a little...

KING: ... You never see a man you're attracted to, ever?

T. MENENDEZ: Well, I mean, it's rare. It's rare. But I have seen a few, you know...

E. MENENDEZ: ... Well, that's not a fair question, Larry. Have you ever seen a woman you're attracted to?

KING: Yes.

E. MENENDEZ: You're married.

KING: Of course.

T. MENENDEZ: But I mean, no. I had a friend that I worked out with, a body-building body friend of mine. And Erik was really...

E. MENENDEZ: We don't like to talk about him.

T. MENENDEZ: ... Nervous about me being with him and working out with him, who -- he eventually became Mr. California. And, you know, so -- that was a little -- yes. But I mean, yes, we have that, because he's in there.

X

[rattlebear25]

Part 4

Here i introduced my Angels OCs who aren't so important for the main plot, they appear just in two scenes lol, made only for have fun with the designs and explain Lucifer's frustration. Their names:

Ingo (the pink flamingo)

Nubis (the dog like angel)

Ophanim (the Throne one)

Larry (Helluva Boss Cherub)

Poipiku Version

••• Part 1/ Part 2/ Part 3 /Part 5 / Part 6 / Part 7 / Part 8 / Part 9 / Part 10 / Part 11 / Part 12 •••

[leseigneurdufeu]

Love how Julian Fellowes was like "everyone is three dimensional. Sarah O'Brien regrets her actions. Thomas Barrow [whole trauma package]. Vera was driven by despair. Robert is not stuck in the past out of malice but out of a sincere belief it's better to do things this way - which will benefit some of his tenants in the end - Branson is angry and reckless but can you blame him given his background? Lady Mary only lashed out out of fear and yes it's bad but she's human. Lavinia was the sweetest angel on earth but she sold her uncle out to Carlisle to save her father. Carlisle truly loved Mary but he was also a spymaster and a blackmailer. Lord Sinderby and Mrs Pelham saw the errors in their ways confronted to the happiness of their children with "unconventional" choices.

And then there's Larry Grey

[folkdances]

my opinions on the sexualities of (nearly) every single main aa character and some side characters also

mia fey: bi

phoenix wright: bi

larry butz: straight. he tried to go gay it just didn't work 😢

winston and gaspen payne: straight

maya fey: in my heart she's a lesbian. textually? idk. i will say dubiously lesbian because she said regina berry was cute but most likely i think she is aro

dick gumshoe: straight but he has fooled around with men before, he just doesn't take it seriously. like he doesn't mind banging boots with men but when he pictures a future he has a wife

miles edgeworth: do i even have to say it. gay

will powers: straight and transfem.

dee vasquez: gumshoe situation where she's straight but i know she has gone down on a girl at least once in her life

lotta hart: straight

gregory edgeworth: he's like a spore to me. asexual reproduction. he cut his fingernails one day and the next a baby had spawned into being. but like straight i guess

manfred von karma: straight. his earring doesn't fool ME!

ema skye: lesbian and ace she will have sex every now and again but mostly out of curiosity whenever she forgets what it feels like

lana skye: lesbian.

angel starr: bi

jake marshall: straight

damon gant: gay

maggey byrde: straight but in a larry way. she tried going gay and it didn't work. her and gumshoe are like schrodinger's bi couple

morgan fey: straight but perhaps a lesbian in another life

mimi miney: lesbian but in a tiktok astrology sapphic way

franziska von karma: she thinks she's straight for a while but she is a butch lesbian (butch in the gender identity sense as well)

matt engarde: gay

adrian andrews: straight. sorry.

dahlia hawthorne: EXTREMELY loaded opinion here. i will say straight but in a very complicated 'there's more important and weird stuff going on' kind of way so no way to really know

ron and desiree delite: straight

diego armando: straight but i do think he thinks about it in prison

viola cadaverini: lesbian idgaf

iris hawthorne: straight but she fools around a little after prison at phoenix's insistence (they are friends don't test me)

kristoph gavin: gay

olga orly: lesbian. what else was i supposed to make of the nickname 'quick-fingers'.

apollo justice: gay and transmasc (the voice training? hello.)

trucy wright: another loaded bomb. i will say aroace but with a lot of weird pseudo comphet stuff happening where she knows she doesn't like boys but she's been acting for long enough that she's semi-convinced herself. she'll figure it out one day

wocky kitaki: straight and he gets really offended if you suggest he's gay but he has thought about it at night

klavier gavin: bi and cis but he goes by she/him pronouns

juniper woods: beat me and take my blood but straight

athena cykes: lesbian and ace. she did have a crush on juniper

simon blackquill: straight until he gets out of prison and edgeworth is his gay awakening. he doesn't really care that much though. probably aro as well

aura blackquill: lesbian. like textually

pearl fey: straight

nahyuta sahdmadhi: straight and cis

dhurke sahdmadhi: bi.

rhoda teneiro: straight

kay faraday: lesbian and nonbinary also

shi-long lang: he doesn't care that much probably bi though

tyrell badd: straight but one day he gets asked if he's gay and he sticks his lollipop in his mouth for a long time before saying "... who hasn't had ... gay thoughts?" and it's never brought up again.

raymond shields: straight

justine courtney: straight

sebastian debeste: straight and transfem but she only figures that out a few years after aai2

abstaining from commenting on bronco knight and simeon saint. for now

[romance-club-daily]

Why do many find the HS universe disappointing? I LIKE IT (no shade to those who don’t like it). Astrea’s broken heart being a part of the universe is mind-blowing! It adds such depth and complexity to the characters. Like, they could’ve kept the spoiler after Diamond Rush (which I’m patiently waiting on, lol)

I look at it as an exciting evolution of the story. It opens up new possibilities for character development and plot twists that we might not have anticipated. It feels like the author(s) is inviting us to explore a more expansive universe, where the stakes are higher and the stories can take unexpected turns. I’m excited to see where this journey leads us next!

I wish I could agree with you anon, but I can't, not for now (at least).

Ranting incoming! Sorry in advance! I have some points and you can feel free to disagree with me too.

Everything you brought up as an argument could work precisely because Astrea's Broken Heart (ABH) is not from the same universe as Heaven's Secret (HS).

I'm not against stories that are set in the same universe, given the post on the connections between contemporary and mundane stories that I pointed out a few days ago (7 Brothers, Garden of Eden, The One, Vying for Versailles and Elite Tag). I think these are easier because the lore is grounded in reality, nothing supernatural or anything like that. The connection between Chasing You (CY) and HS doesn't bother me either, precisely because CY is a story with completely different themes, the HS plot wouldn't directly affect the CY plot (they all die in the 1st apocalypse?. Probably. Nobody cares because that's not what the story is about). And honestly, it seemed more like an easter egg than something really thought out.

But ABH deals with precisely the same theme as HS (the same mythology in this case), except that before we learnt about the joining of universes, the way this theme was being dealt with was different from what we had seen in HS and was, in my opinion, a breath of fresh air compared to HS. The way the hierarchies were beginning to be dealt with, the interaction of the then angels with the Father, the characters' relationship with the subject and so on. New things (and better in my opinion).

But as soon as you say that this story takes place in a universe of an already established story (which already has 2 stories, 3 in fact), things start to go wrong. Because in order to subjugate a story to a universe, things start to become limited at certain points. There are things you can't do, and if the aim is to keep the universe cohesive in the writing, adding lore here and there like the issue of angels in Heaven's Secret Requiem (HSR) is valid and doesn't affect the story, but what about Mikael being the Father's right hand (because they call him Father), Raphael being that important to Him, but in the HS universe there's no mention of them, or the treatment isn't even the same?

The Beast also seems to be an important figure in ABH, a supreme evil. But putting it in HS is going to be what? Because we know that evil is the Shepamalum, the first Satan presented in HS1 was a minion and honestly, hell looked more like a corporation with a CEO taking part every quarter of a year? Is the beast going to be Satan #546465? Will it be antichrist #7894646? Or will it be Shepamalum? Or demon Larry who made a revolution calling for better working conditions and decided to sacrifice some people as a form of rebellion?

Jokes aside, I can't see how a story that's just starting its second season suddenly (because I don't know to what extent this was planned inside, but as an audience we only know about it now - another problem) has to subjugate itself to an existing universe with its most important hierarchies and lores that have already been established. The number of plot holes is going to increase a lot.

Which brings us to the point of how this was passed on to the public. How do you announce something important like that after the second season of a story, already established, and via Facebook of all places???????? Like?

I have theories. Firstly, the two stories were released on the same day. HSR as a direct spin-off. nice. ABH as something completely new, interesting, unusual. ok. Announcing two spin-offs of the same book, on the same day, would be insane and the accusations of capitalising on every drop of HS's popularity would be off the charts (we've only had that with the HSR part, but it would probably be worse). But doing it afterwards, the way it's being done, isn't much better, the backlash is there and I think it's fair.

They probably waited to see if the book was going to be a success on its own, so that they could talk about it and people wouldn't get too outraged (from the reactions it didn't do much good). They could have done this much more organically. This month's update would finally introduce us to the agency's superiors, and what better way to announce that a story is part of an existing universe than by mentioning existing characters! They could take advantage of this and introduce already known characters, or just mention them by name. It would be much more organic and we would see the connection in the story, not in a random Facebook advert.

Another point is that it could be that they didn't want to create a story of similar mythologies that rival each other. HS has its own fanbase, ABH is also creating its own, the way it's constructed is different, and I think the latter is better. Then, to avoid problems, they put everything in the same universe and that was that. But I don't really believe that because Alice herself (HS) is Elena's (ABH) editor in the story. Which leads me to wonder, was this planned from the start or did they see the potential later and change their minds in the middle of the first season? How serious is this for them to announce it on Facebook and not in the story itself? They had to have the guts to admit it on launch day, why hide it?

So as not to be too long-winded, and to summarise my opinion, I don't think it's an advantage for ABH because it limits the development of the lore too much, since what is going to be dealt with already exists in a certain way, the plot and the development of the plot worry me within this universe. On the other hand, it's advantageous for HS because the popularity of ABH joins it. I don't like the decision at first, I'm going to continue treating them as separate things. I really hope that they have a plan up their sleeve that is spectacular, that things work out and no story is harmed in the process, because ABH has become one of my favourite books. And I must emphasise that I also don't like the way they're trying to squeeze every last drop out of HS, the way it's been done has its ups and downs, HSR was a good decision, HS2 not so much. As well as having other stories that deserve continuation and an exploration of the universe (such as Moonborn with the werewolf and vampire clans, Sails in the Fog with other pirates, Heart of Trespia with the unexplored lands beyond the sea…).

I guess, that's what I think about it. And sorry for the long text again!

[thecourtscorkboard]

Phoenix Wright: Ace Attorney Review - A Flawed but Charming Masterpiece

As we finish up Phoenix Wright: Ace Attorney, we discuss this game's legacy: and how it stacks up in modern times.

I'm... not exactly sure where to start here.

It would be a bit spoiler-y to say how I think of PW:AA in relation to other games, but I guess there's nowhere else to put it. I think PW:AA is one of the best games in the series, and an incredibly strong starting point. It's my second favorite game in the overall series, and for quite a few very good reasons; it's one of the few games in the entire franchise that I don't think has a single bad case. In fact, it has two of my favorites back-to-back; 1-4 and 1-5.

Here's how we're gonna order this. I'm gonna go through an overall list of pros and cons, giving a few paragraphs explaining them. After that, I'm going to give some closing thoughts and an overall ranking of the cases and top 5 characters. Sounds good? Sounds good.

PROS

Pro One: Tone-Setting.

PW:AA knows how to set a tone. Each case has a very unique feel to it, from the frantic and almost manic speed and nerves of 1-1 to the depressing and bleak atmosphere of 1-4 to the downright oppressive and confounding nature of 1-5. Each case is very easy to distinguish from one another: they have different "vibes", I guess is the best way to put it.

Each case establishes these vibes in different ways. 1-1 puts you straight into the deep end; Mia's still holding your hand, but the case is relatively simple and the stakes aren't very high. 1-2's tone is unfamiliar but not depressingly so, still managing to be relatively lighthearted and fun. 1-3 is incredibly fun and filled to the brim with excitement; we get to see a movie studio! 1-4 and 1-5 take on very bleak tones, but it's different types of bleak; 1-4 is incredibly high-stakes and rather straightforward, setting its bleak atmosphere through the time of year and the overall aesthetic of the case surrounding it all (DL-6), while 1-5's tone is created over time as the corruption and rot at the center of SL-9 comes to light. For example, in 1-5, Gant starts off as a goofy and kind of lovable old codger. By the end, you want to punch him in the face.

This is all done through some of the strongest opening cutscenes in the mainline series. Each case has an incredibly unique and tone-setting opening, from 1-3's exciting showdown between the Steel Samurai and Evil Magistrate to 1-5 starting on an overview of the city during a thunderstorm and ending on a reminiscence theme; tones are made with opening cutscenes, and PW:AA does it nearly flawlessly.

Pro Two: Characterization.

PW:AA is one of those very rare AA games where there's not any characters I downright hate. Hell, the only character I dislike is Sal Manella for obvious reasons, but if you took that away I honestly wouldn't mind him that much. Even from the first case this game sets up its characters and keeps their core values intact; Phoenix believes in his clients no matter what, Edgeworth cares about bringing criminals to justice, Larry is awkward but well-meaning, Mia is a veteran who teaches Phoenix what she knows, Maya is experiencing new stuff and exploring, and so on. Even one-off characters stick around in your head!

One thing I really like about AA in general but PW:AA in particular is that, to some extent, every character we see has some sort of flaw. Phoenix acts first and thinks later. Maya does the same but with a far less mature outlook. Edgeworth gets tunnel-visioned and others, like Manfred, Gant, and even White, will take advantage of that. Even minor characters have flaws; the Bellboy is easy to embarass, Cody lies to protect his favorite hero, Angel has an incredibly personal vendetta, and so on. Even minor flaws exist; Vasquez smokes, Jake (implicitly) drinks, Gumshoe is forgetful, and so on. It all makes these characters feel like real people.

Every culprit has something about them that makes them stick out as their own unique character. Frank is a nervous wreck, Redd is rich and corrupt, Vasquez is aloof and deeply tragic, Yogi is a great actor, Manfred is hilariously aggressive, and Gant gets under your skin. Even the victims have levels of characterization! Hammond was corrupt, Goodman was diligent and liked by many, Hammer was vengeful, and so on. Even Sal is recognizable. No character in this entire game just fades into the background; they all stick.

While we're on the topic of characterization, I'd also like to point out the dialogue in this game. It can go from downright hilarious to deeply personal in just a few lines and the tone can change seamlessly. It's great.

Pro Three: Mystery

At its core, Ace Attorney is a mystery series: a mix of whodunnits and howcatchems. PW:AA has some of the strongest in the series in that regard. 1-3, 1-4, and 1-5 are all standouts: 1-3 is the purest howcatchem in the series while 1-5 is a brilliant example of a whodunnit turning into a howcatchem. Even 1-2 carries its own weight here. Its mystery is lackluster, sure, but it's still engaging!

Circling back to those opening cutscenes, 1-2's, 1-4's, and 1-5's all set up their mysteries within just a minute very well. 1-3's mystery is set up over the course of the first couple of minutes in the case, and they're all articulated well and feel, for lack of a better word, believable. These are things that could feasibly happen, but at the same time some of them are downright challenging (lookin' at you, 1-5!) in very good ways.

The clues provided to us, in most cases, are easy to piece together but not handholdingly so; this game trusts that the player can piece things together by themselves, including things that are seemingly unrelated or mentioned aaaaaaages ago like the parking stub in 1-5, the bent fencepost in 1-3, or the metal detector in 1-4. It's all a really neat and effective way of engaging the player in, generally, well-crafted mystery narratives.

Pro Four: Worldbuilding.

Yeah, bet you didn't expect that one.

PW:AA is a very grounded game. As such, it has pretty grounded worldbuilding; it all makes sense in its confines, which is the type I enjoy. Evidence Law makes sense for what we see, and at times the worldbuilding actively works its way into cases like 1-4's statute of limitations or 1-5's taking 30 minutes to go from the Prosecutor's Office to the Police Station. 1-3 makes the Steel Samurai feel alive, mostly thanks to its opening cutscene: even 1-2 expands on a wider outside world, with Redd White's role in the suicides and blackmailing of political and business figures.

Stuff that doesn't need to be explained, like prosecutor's badges or why trials can only take three days, are! There's also elements that exist behind the scenes, like guilty defendants having to face a higher court or the bureaucracy present in the Police Department. It's all meshed together into a believable world; which, speaking from experience, is not easy to do.

Pro Five: Aesthetic.

I know this is kind of lame to give to PW:AA given that all AA games have similar aesthetics, but I feel like PW:AA gets some leeway because it was the first game in the franchise and therefore set the series's aesthetic going forward. I love it. Characters are portrayed realistically (more or less): nobody in this game feels cartoony at all, which I appreciate. In addition, this game's setpieces are very grounded: lakes, law enforcement buildings, offices, and of course the courtroom.

The courtroom itself is incredibly well introduced and designed; one of my favorite bits is how when Edgeworth points at von Karma he points to the side of the room von Karma is on instead of just forward. The defendant's lobby is probably my favorite setpiece; it's just... cozy.

Like, look at the courtroom! It's so grandiose yet so grounded at the same time. I could see myself in this room! It's a treat for the eyes; the clashing light browns of the desks and Judge's seat with the golden and white walls is awesome. PW:AA knows color theory and it shows. I particularly love the white pillars in the back.

Pro Six: Music.

PW:AA has the most memorable music in the series and for pretty good reason. The Pursuit theme is my second-favorite in the entire series, and it's instantly iconic. This is the Ace Attorney song to many people, including myself! That's not mentioning the Reminiscence themes, which all set and fit the tones of each case perfectly. DL-6 and SL-9's reminiscence themes are perfect for their cases, but I'd also like to point out Maya's own specific reminiscence theme; this plays after Manfred tases her and Phoenix in 1-4, and it fits the inner turmoil and the line where she says she wishes she'd never woken up perfectly. Speaking of DL-6 and SL-9's themes, they both do something very different that fit each case; DL-6's is somewhat hopeful, like there's still a mystery to be solved. SL-9 has come and gone. There's nothing left but despair.

This game plays with your emotions with its music in a very, very, very good way. There's the adrenaline-pumping octane energy of the Pursuit theme and the sadness of the reminiscence themes, but also the sense of relieved finality you get with the Victory music or the "let's get busy" feel to the Investigation theme: and we're not even mentioning character themes yet.

Every character theme has a sense of purpose. Jake Marshall's establishes his rough-and-tumble attitude: the song is wild, carefree, like if you told it to slow down it wouldn't listen. Gumshoe's is weathered and basic but still strong and good at heart; it fills your chest, y'know? I think overall, though, there are two standouts: Maya's, which is upbeat, cheery, and maybe a little scared to be on its own; and Gant's, which immediately makes itself known and takes over the room. Each theme has a purpose and a feeling; it's an incredible use of music.

CONS

Con One: Pacing.

PW:AA is not... the best paced game ever. Out of all the baseline cases, 1-2 is probably the best paced; 1-3 and 1-4's final days feel rushed, with 1-3 being the biggest offender. The DL-6 trial is criminally short for an already short game; 1-5 is nearly half of the game's length on its own! 1-3 is too long and 1-4 is too short, whereas 1-2 is perfectly passable; but I don't think I'd call it excellently paced by any means. 1-5, as much as it pains me to say it, is also a bit too long at times. There's only one excellently paced case (1-5), one case that's paced well (1-2), and three cases that have pacing that's a little all over the place.

One argument I've seen is that another case could easily fit between 1-1 and 1-2, and I'm honestly inclined to disagree. I just think that 1-3 could've been shorter and 1-4 could've been longer: like I said, the DL-6 trial is far too short for one of the most pivotal moments of the series! I get this was their first attempt, and it was a decent showing, but it's still lackluster.

This game just kind of feels a little bit all over the place. There's never really a great time to stop outside of days shifting over for a lot of these cases, which makes sense, but pausing in the middle of an investigation or trial to do something else feels awkward. It's not a satisfying game to put down, which is probably a good thing for some people; but it isn't for me.

Con Two: Original Pixel Art.

Oh, man. I know I just praised this game's aesthetics, and this still holds up, but good God some of the original pixel art sprites were ugly. Edgeworth's stands out the most: it looks like he's trying to see something from far away without his glasses on (which DD later shows is probably what he's doing, but I digress).

It's not like Edgeworth is the only example, either. The contrast between 1-5's sprites and the rest of the game is painfully apparent on the original DS release, which makes sense—1-5 was released in 2006, 5 years after the first game and when AJ was being developed, so of course it matched that aesthetic—and the witness stand backdrop just... isn't great.

Con Three: Navigation.

Bear with me for not having a photo for this one. PW:AA's navigation system is very outdated; and it shows. I complimented it for setting up the general aesthetic, so I guess I can point out that it brought in my least favorite feature that would last until DD. The navigation system is occasionally pretty cool, but more often than not it's just a hassle. I get why it exists, and like I said it's occasionally cool, but on the whole... it gets in the way.

Having to go through two separate locations to get to another is annoying, and it's easy to lose track of the map in your head. It's not "you need to write it down on paper" bad like the first Zelda, but it's definitely not great.

We've still got one promised place to go; my top 5 favorite characters. We'll do this ascending, so let's start with #5!

Number Five: Damon Gant

I think Damon Gant is the best example AA has for "affably evil". He's a heartless piece of shit, sure, but he's also the kind of guy I'd go out and get a beer or watch a movie with. This alone speaks to the power of his character; he's a masterful manipulator, an open abuser, and a two-time murderer, but still a rather fun and swell guy to be around. Have you ever watched Django Unchained by Quentin Tarantino? He reminds me a little bit of Calvin Candie, just... y'know, actually smart. And not a racist. Sometimes he's fun to be around and it is incredibly uncomfortable to be fun around him. It feels almost... wrong, you know?

Over the course of 1-5, as Gant's mask slowly slips, so does the overall tone of the case; a double murder mystery becomes an incredibly thrilling conspiracy, all with this man behind it. He influences every little part of this case: there is nothing that his grimy hands do not touch.

And I love it. His shadow looms over the case, and once you go from "whodunnit?" to "howcatchem?" and finally piece together how you're going to take him down? Oh, man. Peak cinema.

And God, is it satisfying to take him down! Watching him slowly crumble into nothing is one of the most satisfying moments in the entire series, and us doing it nearly singlehandedly (with a little help here and there from Edgeworth and Ema, of course) is an absolute perfect way to cap off Phoenix's arc.

Let's talk about his design, too. Orange is his most prominent color; his suit is orange, his skin is orange, even the gold police badge on his tie looks orange, and it's on a red tie; red and yellow make orange. Orange is a color of happiness, enthusiasm, and youth, but it's also a color of spontaneity, superficiality, and in Confucianism is associated with transformation. It's a color that perfectly fits Gant's charming and goofy mask slowly transforming into the man that spontaneously killed Bruce Goodman and keeps up his charades through superficial charm and goodness.

Number Four: Maya Fey

I'll be the first to admit that she is way lower on this list than I expected: but this is not a diss at all. Maya is at her second-best in her debut appearance, and for good reason; this is just as much her game as it is Phoenix and Edgeworth's, making up the last part of this game's core three cast.

Maya is incredibly fun and plain enjoyable, but she also brings a very tragic and emotionally heavy element to this game. Throughout the game she's constantly battling feelings of inadequacy; this all comes to a head in 1-4, but it's hinted as early as 1-2. Maya's arc through this game is trying to find a place to fit in: Phoenix is a defense attorney, Miles is a prosecutor, even Larry is a bachelor... but Maya is just a "spirit medium in training". She's not even good at the one job she has yet.

The climax of her arc and the end of 1-4 tie into each other and it's an incredibly emotional moment; her relationship with Phoenix evolves from an employer-employee one to siblingesque very naturally. By the end of the game, you'd be hard-pressed to say they weren't related if you didn't know their surnames!

Let's go back to color theory. Maya's main colors are purple, black, and white: her robe is purple, her underrobe is a very light lilac, her hair is black, her pearls are white, and so on. It's a color of royalty and creativity: much like how Maya is the heir to the Kurain Channeling Technique through her mom, the heir to Mia's legacy, and the driving force behind some of Phoenix's big breakthroughs like drilling witnesses to get information in 1-2 and that von Karma killed Gregory Edgeworth in 1-4. Black is a strange color and hard to pin down to have a single meaning; it's a color of defiance, sadness, death and life, and so on. In Japan, it's a color of mystery and the unknown; much like how her psychic powers are never fully explained and are incredibly alien and out of place (but in a good way!) throughout the game.

White, meanwhile, is associated in China and Japan with grief: and hooh boy, does Maya carry a lot of it. Grief over her sister and mother, grief over not living up to anyone's (perceived) standards, the grief she gives Phoenix, and so on. White is a color of death: perfect for a spirit medium. Also: red and blue make purple and her pearls are white. Redd, White, Blue[Corp]...

Number Three: Phoenix Wright

Phoenix is at the top of his game: which makes sense, given that he literally is! This is some of his best characterization in the series and an incredibly strong first showing. Mia calls him a genius and it really shows; he pieces together some pretty complex theories by himself, like the entirety of 1-5 and the first half of 1-4. I like to equate him to a chainsaw; he needs time to rev up, but once he does he'll cut down anything in his path.

And boy does that show up here! His thought processes can easily match the player's, and his own arc does as well; over the course of the game he slowly comes into his own as an attorney and problem solver just like the player. By the end of the game he's experienced but not seasoned: again, just like the player.

He has incredibly solid relationships with the entire main cast, and his chemistry with every character is awesome; I particularly like his chemistry with Maya and Edgeworth of course, but he also has some incredibly strong dynamics with Ema, Gumshoe, Lana... even His Honor and Redd White of all people! He's a great bouncing off point for every other character as well as the player.

Talking about color theory a bit more, his main color is obviously blue. It's an old color, and people described it before they had a name for it. It's a color of business—which makes sense, given his role as CEO and owner of the Wright and Co. Law Offices—but it's also a color of authority and nobility: when people think of police officers, the color blue comes to mind, doesn't it? It's a color of the law! Blue is also associated with Heaven and immortality in some Asian cultures, giving Phoenix an almost divine presence; a gift to his clients, saving them from darkness.

Number Two: Miles Edgeworth

Edgeworth has my favorite arc in this game. I think this game really did a good job in making him fascinating: he's an incredibly tough nut to crack, but under his exterior he's very soft and sensitive. He's initially presented as this incredibly intimidating and corrupt conviction machine, but over the course of the game it becomes clear that he doesn't believe in convictions. He believes in justice. Instead of caring about a win record, he cares about what that words to his very twisted worldview.

This all stems from DL-6, the core lynchpin of the game. I'd actually argue that even more than Phoenix and Maya this is Edgeworth's game: I think that JFA and T&T fill Phoenix and Maya respectively. But PW:AA, despite being named after Phoenix, revolves around Edgeworth's trauma and beliefs. When those are shaken in 1-4 and 1-5, he becomes frazzled, dazed, incredibly irritable. His arc breaks down barriers he's kept up for years and doesn't know how to handle coming down. This is his story.

I think that his transition through 1-5 is one of the best parts of this game. To see him slowly realize he has absolutely nothing left to lose and just go full steam ahead on the person who has ruined his career, Damon Gant, is satisfying: it gives Edgeworth even more agency and coolness than he already had, which was already a lot!

His main color is red, obviously. Red is a color of passion and desire, but it's also one of blood and intimidation; it's complex and has two faces, just like Edgeworth. It's also a color of religious reverence, showing up frequently in Catholic art: Edgeworth himself almost looks like a pastor with his black undershirt and white collar. In that respect, there's the opportunity to view his arc through the lens of Christian (specifically more modern, Western, and sometimes secularized) themes of redemption: a dark and tortured soul brought to the light, finding a sort of peace through both the light and his struggle towards it. It's also a color of anger, which Edgeworth has no shortage of: anger at the world, anger at himself, anger at us.

Number One: Ema Skye

I'm admittedly very biased by her later appearances, but Ema is also an incredibly fascinating and amazing character in her first appearance. She is the heart and soul of 1-5, both as your assistant and the reason for the case's existence: it was Gant's fabrication of her murder of Neil, after all, that led Lana to forge evidence.

She has an incredibly active role throughout all of 1-5, as your assistant, suspect, and pseudo-charge: it's hard not to feel like you have to take care of her. Her personality is incredibly bubbly and endearing, creating adorable dynamics with Phoenix and Lana as well as an incredibly hilarious mini-crush on Edgeworth that she's so unsubtle about. Takumi really shows his maturity as a writer with 1-5 as a whole, but Ema is a great example of how he's become a better character writer over time.

As your assistant, she's spunky and fun; she's not even somewhat reserved like Maya is from time to time, but at the same time her spontaneity is far more mental than physical. A lot of people call her a Maya clone, but I disagree: she's a Maya mirror, just like how 1-5 is a mirror of 1-2. Whereas Maya is spiritual, Ema is scientific and materialist; Ema's main color is pink, in a similar spectrum to Maya's purple; her hair is brown, like Mia's, instead of black, and so on. The dynamic that she leads with Lana is incredibly captivating.

Let's finish this off with a discussion of her main color; pink. Yes, I know that most of her design is white, but her design is splattered with splotches of pink that stand out and are meant to be eye-catching, from her glasses to her necktie and undershirt to her watch and even her bag. Pink is her color and it's a color of soothing, love, and in Japan is a rather masculine color. She tries to soothe Lana's worries through her unconditional love, and it's that love that shines through the darkest parts of 1-5; be it Ema's love for Lana or vice-versa. In full honesty, I just decided to bring up pink being a masculine color in Japan because I wanted to share a headcanon I have that Ema is trans. Sue me. There's even an element of her relationship with Lana in the color alone; until the 1850s pink was seen as a masculine, immature and boyish shade of red; a color of young boys in contrast to the crimson worn by men and seen as a symbol of authority. Edgeworth's jacket? Lana's muffler? It's not hard to see the connection.

Overall Thoughts

PW:AA is a treat. It's my second favorite game in the franchise, and for good reason! It's a very very solid mix of mystery and character-driven storytelling, with a whole host of standout moments and an incredibly fun cast. The core cast is generally at their best here; not to degrade his latest appearances, but I think this game by far has Edgeworth's best characterization. I also think Gumshoe and His Honor are at his best here, and even with characters who have their weakest showings in this game still have standout moments that make them incredibly loveable.

My favorite thing from PW:AA isn't its characters, cases, or even its music, though. It's how it slowly builds up Phoenix alongside the player! We mimic his journey; we start off being handheld by Mia, and then we're thrust into a situation without her that we get through with her help. We also rely heavily on Maya but still get to shine on our own terms. In 1-3, we're finally on equal footing with Maya, solving the mystery with her. In 1-4, we take it on in a leading role; Maya takes an understandable backfoot for Phoenix's strong showing, but we still need her to finish the case and Mia still needs to intervene near the end. In 1-5, the core moments—the final trial especially—are nearly done entirely by Phoenix alone. It's an incredibly awesome buildup of development for both the player and Phoenix.

As a fic writer, I'd also like to point out some standout ships. While I don't ship it, Phoenix/Edgeworth ultimately finds its roots in this game; and it roots itself in very well! There's a reason it's the most popular. They have great chemistry. Some ships I do ship that also find their roots in this game are Lana/Mia, Ema/Maya, and some of my favorite non-romantic ships (be they platonic, adversarial, or something in-between): Phoenix and Ema, Gant and Ema, Edgeworth and Gumshoe, Phoenix and Maya, and Phoenix and Mia all shine through in my mind and find their roots in this game. It's a lynchpin for the fic-writing, shipping side of me!

PW:AA isn't a perfect game, but I think that's where a lot of its charm comes from. It's rough around the edges when you really look, but those rough edges make what shines really shine: the highs of 1-4 and 1-5, the dynamic between Maya and Mia in 1-2, the incredible way it sets up themes and vibes, and so on. It does a lot in its limitations and sets up an awesome format for the later games to follow.

Overall? It's fantastic. It's very understandably cemented itself as one of the greatest mystery games of all time! It's aged incredibly gracefully and is a perfect introduction to one of my favorite series of all time.

PW:AA holds a very special place in my heart as the second Ace Attorney game I've ever played and the first one I finished. It was a very fundamental part of my childhood; I started playing Ace Attorney in elementary school. It's incredibly nostalgic for me and this game is a massive reason why.

To wrap it all up, we'll give this one an overall rating and place its cases on our case tier list. See you for 2-1 and Justice for All!

Overall Rating: 8.5/10