#On my Way! to rewatch again

[tadagyoten]

SQUID GAME S2 SPOILERS

squid game s2 - play my way by jakeneutron

guys Hear me Out . the song fits this season so well ok Let me be cringe in Peace...

tumblr keeps ruining the quality so i give up tumblr count ur days

i've watched this new season twice already it's peak i fear... like the original is great obv but the characters in s2 r sooo good . s1 i only gaf abt the Main Three but now we have like 8 diff characters i actually love

plus the GAMESSSS . can u tell i'm a mingle bias... the games this season r so much more intense - a team game that forces you to make connections with strangers in order to survive, just for the next game to use those connections to force u to choose between your friends who'll live and die... and we aren't even on the 4th game i'm Scared

thanos come back to me the kids miss u...

unpopular opinion but i don't really care abt the old man yaoi between gihun and inho like i'm still not recovered from gihun/sangwoo how am i meant to move on . thanos/minsu/namgyu & hyunju/youngmi r superior 2 Me... minsu crept into my Heart i love when a man is pathetic and docile💜pls don't die early queen... he reminds me of dabeom from night has come which makes me a Little Nervous about what they're gonna do with his character iykyk

anyways season 3 in the next month Please?......

[h0estar]

every now and then i look back on this GIF i have of nalu during tartaros arc and cry about how this particular scene alone solidifies the beauty of their relationship (natsu holding lucy's hand gently in the face of chaos and panic did wonders to my heart)

[cxlandine]

does anyone remember who in the bad kids told the others about what they saw in the nightmare forest? i think fabian did and i'm almost certain riz didn't but they keep (accidentally?) triggering each others' forest traumas and it seems like A Thing.

fabian flirted with a mirror right next to riz and everyone teased him about kalina being his girlfriend, riz suggested gorgug answer the riddle for all of them under threat of being killed and eaten by a big animal, fig created a sexy rat for when fabian was talking to spot. is this anything.

[secriden]

Style in episode 4 made me soft in a way that I truly did not expect. I’ve used the word “guileless” (def: innocent and without deception) before to describe him but I don't think that has been shown more clearly then in this episode.

He tries to be manipulative and lasts for all of one single morning and then comes running to Fadel the second he hears about Fadel asking about him. He's so excited, so exuberant at the thought that Fadel misses him, so happy that his little (terribly obvious and juvenile) plan worked.

Which is why I think he was genuinely taken aback when Fadel only had harsh words for him as a reply (this is not a criticism of Fadel; in this he has been consistent. Doesn't mean they weren't hurtful though). Look at the way Style's grin slowly dies. Watch the way he straightens and backs away a bit, like he wasn't expecting the clawed swipe of Fadel's dismissal.

But Style is resilient. He's tenacious. We see him rally and steel himself to resume his pursuit: because Style is nothing if not determined to hold on to the thinnest thread of hope that he's breaking through Fadel's shell. And can I just take a moment to get emotional about Style offering forgiveness even when Fadel hasn't asked for it?

This, though. I do think this was uncalled for (this is a criticism of Fadel). You can make the argument that Fadel has tried honesty and blunt rejection and it hasn't worked, but I would have respected Fadel more if he'd stuck to his guns and kept rejecting Style in the same manner. Especially when everything else about his character shows he's actually very up front and direct. With Bison, with Kant, hell even with himself.

Fadel is mocking Style's clear and wanton desire for him. Look at the sardonic little grin Fadel gets right before he says, "You won't ever get what you want." Consider the way he was touching Style with that gentle, focused intensity; how he cuts up his shirt and tears it open and leans in close in a way that suggests purposefulness while having zero intention of seeing it through. Fadel knew what he was doing and he did it on purpose, to hurt.

And you can see that Style is genuinely hurt here. I think he has always been prepared for Fadel's rejection, but not his cruelty. Not Fadel making sport of him and his very real emotions and desires. Because Fadel has been rude and condescending before, but he's never been contemptuous like he is here.

And I wonder, partly, if this is because both times we see Style and his dad, his dad is scolding/chiding/correcting him to some extent. Perhaps that's just how they interact. Or perhaps, as implied by the way Style sarcastically said "Thanks, dad" as Fadel drives away in episode 1, Style doesn't enjoy the way his father scolds him and always has criticisms or corrections for him. Perhaps Style just wants to be accepted for who he is, especially by the man he is starting to have real feelings for.

Edit (after Ep 5): I'm so sorry, Papa Style, I did you so wrong. ;u;

@lazzarella made a post recently about Dunk's phenomenal acting in this scene (among others) and I concur so hard about how intense and scorching and "both fiery and steely" Style's anger feels in this scene. He's furious and wounded and you can see it in his gaze, the tension in his jaw, the way he bares his teeth up at Fadel when he says "...punch me in the face? Go on!"

And honestly, he is justified. Fadel's incredulity has no basis here: he stooped back to using public humiliation, something which Style very pointedly has not engaged with since his conversation with Bison in episode 2. Every instance of approaching Fadel since then has clearly been aimed to involve himself in Fadel's private life*.

*Yes even or maybe especially the support group in episode 3. Because while Style may have been treating the whole thing too lightly, all of it is directed privately to Fadel with his secret looks and winks. As far as the other support group members are concerned, Style was a somewhat overdramatic new member that had no connection to Fadel.

But what Fadel did by cutting up his shirt and sending him out in shame regressed them back to their early dynamic, which was far more antagonistic.

This is why Style lashes out at the support group again. Look at the anger simmering in his eyes. The way he makes direct, insistent eye contact with Fadel as he speaks, returning again when he talks about feeling used. Style, overall, is a character that doesn't take anything too seriously so it's almost shocking to see him this visibly angry and so pointedly challenging Fadel in a space where Fadel cannot easily brush him off.

But even now, even in all his rage and hurt, Style is true to himself and his heart. He doesn't want revenge or an apology, he wants Fadel to acknowledge that the thing between them, fragile as it is, matters; that what they did meant something to the both of them.

And this is why I was so broken about Style offering forgiveness without Fadel asking for it earlier: because all it took was Fadel admitting that he missed Style for him to unreservedly offer reassurance and safety for Fadel's heart. There is nothing ambiguous about what Style says at the jeep: he makes his own intentions clear by offering certainty, taking responsibility, promising the very commitment he was asking Fadel for.

He makes himself vulnerable to and for the man who literally just mocked and humiliated him that morning. Style really just let all his anger go immediately like that.

And no, I don't think he was doing all that for the car. This is just how Style talks. He has a flair for the dramatic, and this was the perfect way to reveal his news to Kant. But look at how delighted, how filled with boyish glee he is while he tells Kant the news about Fadel agreeing to be his boyfriend. Consider the way he reacted in the moment: the joy in his voice and the wonder in his eyes when he said "Really? We're dating now?", the way he covers Fadel's cheeks in a hundred butterfly kisses.

Also, a thought that occurred to me - could this be Style's first relationship? We know from episode 1 that he sleeps around, but there's seemingly no mention of a previous serious/committed relationship so far. His dad seems surprised to hear Style is seriously pursing someone. Could Fadel be the first person to capture his interest for long enough that Style developed actual feelings?

Which is also why his fear is now so visceral. He is genuinely terrified of Fadel, but I don't think it's just because he's realised how dangerous Fadel is (after all, he's known that to some extent since he watched Fadel break a man's arm with his thighs). No, his fear stems from the fact that Fadel now has reason to hurt Style.

In the face of the betrayal of his own trust, Style answers Kant's plea to friendship and entangles himself with Kant's lie willingly... and thereby forfeits all rights to the safety he was so confident of in the middle of the woods by an abandoned factory. Because now Style knows that if Kant gets found out, it won't matter that Style didn't intentionally mislead and take advantage of Fadel's vulnerability in the forest. Because he still chose Kant over Fadel here, and that makes him undeserving of the open door he asked Fadel to give him.

Style is incredibly transparent in all his thoughts and emotions and this is why I say that Style is guileless: he is incapable of true deception. His heart is too close to the surface, his desires too obvious, his thoughts too clearly broadcasted on his face.

He is the perfect foil; not only to Fadel (who until this episode held everything so buried inside his chest that we only understand his true feelings in snatches of memories or moments when Fadel is certain that he is truely alone) but also Kant (whose deception, whilst cracking under pressure, is intentional and calculated - thinking about that bowling alley accomplice right now - in a way Style never could be).

And this means that any success on his part in the upcoming episode(s) in deceiving Fadel is going to fall on either Fadel's own willful blindness or the suspension of disbelief the genre requires of the viewer -- but it won't be because Style is actually any good at playing the role now that he knows the full truth.

This is why my heart breaks for Style. Because Kant forced a burden on him that he was in no way prepared to bear. And eventually Style will have to choose between his loyalty to Kant and his burgeoning feelings for Fadel and, regardless of his choice, the narrative demands that Style sacrifice a piece of his own heart in the process.

[jackie-gremlin-ghost]

Who up thinking about the few times we actually saw Todd show any emotion other than apathy, it was usually when Scratch was nearby?

Because I am, and I’M NOT OKAY! 🥺😭

[its-hai-time]

hello Nimona people

[camellcat]

"cordelia could you please drive me home?" "of course" OF COURSE she replies to buffy, softly, without hesitation. even if she goes right back to harping on about the world ending, of course she'll help buffy. head in my fucking hands

[jennalouisecolemans]

just some doctor/clara: [15/∞]

[deathbyfiction]

"Who are you talking to?"

"My husband..."

[hufflepotato-18]

WITH THE ROTATIONAL CAMERA WORK??

CRIMINAL-

[s0fter-sin]

i’d love to know how much of early day's spn subtext was deliberate or just a happy accident bc the subplot of 1x08 bugs is sam and dean butting heads about how they were raised and sam hating it while dean tells him he should accept it as they protect a family; predominantly a father and son

the father and son argue bc the son is different and not who the father wants him to be while the son feels ignored and shunned (aka sam). sam spends the episode empathising with him and telling him he can look forward to going to college to get away from him just like he did while dean cuts in to say he should stick with his family

the entire episode, dean defends john and the way he raised them ("maybe he needed to raise his voice but sometimes you were out of line"), it even starts with him and sam arguing over their illegal ways of making money and how they were brought up in the life; dean adapting to and enjoying it and sam wanting to be honest and straight

they talk about sam being sure john is and always has been disappointed in him just for dean to say john used to go to stanford whenever he could to check on him and something about his expression is so bitter; like he knows john would never express that care for him

but at the climax when they're trying to get matt to convince his dad to leave, sam is the one telling him to tell the truth and make his dad listen whereas dean tells him to lie; implying he wouldn't trust his son enough to believe him

he outright scoffs at sam and asks him what he was thinking for trying to get matt to tell the truth

the entire episode, dean is advocating for the kid to work it out (almost to just take it) and stay with his family but when push comes to shove, he tells him to lie

sam who spent years resenting john and his family for how they were raised, fell back on "making him listen"; echoing all the arguments he had with john, trying to force him to understand who he is while john's too blinded by vengeance to even begin to try. the same way sam refuses to see how they were raised and why they were raised that way from john’s point of view, hinting at how similar people they are (which still isn’t an excuse but also not the point rn)

dean winchester, the king of repression and masking (and fawning), dean who at this point is still staunchly defending john, tells a shunned kid with a harsh father to pretend in order for his father to care enough to listen to him and believe him

dean knows reasoning won't work bc he's watched it happen over and over again with sam and john

even the way matt tries to say, “but he’s my… (father)” feels like he’s coming over to dean’s point of view; that matt as a son respects his father to enough to tell the truth and no matter how much they’ve fought, that should trump everything. but dean still insists he lies. and matt tells the truth. and his father doesn’t listen

there's no way they intentionally made dean subconsciously know that a man raising his son in a mimicry of how john raised them wouldn't respect or trust his son enough to believe him about something potentially life threatening after half a season of john ignoring them about something potentially life threatening

right?

[buggachat]

man it sure would be nice if i could rebinge miraculous ladybug. too bad it takes me 2 hours to watch a single episode

[puppppppppy]

i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you

[whumpypepsigal]

so i found a new blorbo CHARLES SUN and…

you would have to sedate me i’m sorry

*feral* the show is so good, excellently paced and well-acted…. plus, it has all the stuff we enjoy the most:

whump, crime family, family drama, daddy issues (MAJOR!), mommy issues (MAJOR!), well-done action sequences, trauma, “protect the family” sense of duty mindset, lots of baking (by my poor blorbo charles as a coping mechanism), sibling issues, oldest son vs youngest son dynamic (- two brothers, who have both spent their lives competing for attention, approval, and freedom; in their own different ways -), conflicted tortured oldest son, did i mention major daddy/mommy issues and PLENTY OF THE GOOD OL’ EMOTIONAL WHUMP.

and oh their troubled mother is played by THEE MICHELLE YEOH !!!!!!! ✨MOTHER✨

ahhhh charles, his father brainwashed him, turned him into a ruthless killer and put him through so much trauma. my man just wants to have a normal life, bake pastries etc and reconnect with his mother and brother. like look at him (HE NEEDS A HUG AND SEVERAL CHURROS)

i am a sucker for this type of genre. 10/10 no notes. HIGHLY RECOMMEND MY FRIENDS, GO WATCH IT 🎉.

[secriden]

Oh I just realised the crazy not-flirting shenanigans do NOT end, and in fact continue in episode 3.

Style. Style what are you doing.

[flownwrong]

Hard Core Logo (1996) without people