#Official Film Chart

[thepeoplesmovies]

The Ape Rules In Kingdom of the Planet of the Apes At Official Film Chart

The Apes rule in the Kingdom of the Planet of the Apes makes a Number 1 debut on the Official Film Chart. The standalone sequel to 2017’s War for the Planet of the Apes flies in at the top spot with 59.6k sales entirely on digital downloads. Starring Owen Teague and Freya Allan, the takes place many years after the previous film; with apes now the dominant species on earth and humans living in…

[doyoulikethissong-poll]

ABBA - Waterloo 1974

"Waterloo" is a song by Swedish pop group ABBA, with music composed by Benny Andersson and Björn Ulvaeus and lyrics written by Stikkan Anderson. It is first single of the group's second studio album of the same name, and their first under the Atlantic label in the US. This was also the first single to be credited to the group performing under the name ABBA. The title and lyrics reference the 1815 Battle of Waterloo, and use it as a metaphor for a romantic relationship.

In 1974, "Waterloo" represented Sweden in the 19th edition of the Eurovision Song Contest held in Brighton, winning the contest and beginning ABBA's path to worldwide fame. The song differed from the standard "dramatic ballad" tradition at the contest by its flavour and rhythm, as well as by its performance. ABBA gave the audience something that had rarely been seen before in Eurovision: flashy costumes (including silver platform boots), a catchy uptempo song and simple choreography. It was the first winning entry in a language other than that of their home country; prior to 1973, all Eurovision singers had been required to sing in their country's native tongue, a restriction that was lifted briefly for the contests between 1973 and 1976 (thus allowing "Waterloo" to be sung in English), then reinstated before ultimately being removed again in 1999. Watch the performance in Swedish here. Sveriges Radio released a promo video for "Waterloo" that was directed by film director Lasse Hallström, whose first notable English-language film success was What's Eating Gilbert Grape in 1993. ABBA recorded the German and French versions of "Waterloo" in March and April 1974; the French version was adapted by Alain Boublil, who would later go on to co-write the 1980 musical Les Misérables.

The song shot to number 1 in the UK and stayed there for two weeks, becoming the first of the band's nine UK number 1's, and the 16th biggest selling single of the year in the UK. It also topped the charts in Belgium, Denmark, Finland, West Germany, Ireland, Norway, and Switzerland, while reaching the Top 3 in Austria, France, the Netherlands, Spain, and Sweden. Unlike other Eurovision-winning tunes, the song's appeal transcended Europe: "Waterloo" also topped the charts in South Africa, and reached the Top 10 in Australia, Canada, New Zealand, Rhodesia, and the US (peaking at number 6, their third-highest-charting US hit after number 1 "Dancing Queen" and number 3 "Take a Chance on Me"). In 2005, at Eurovision fiftieth anniversary competition Congratulations: 50 Years of the Eurovision Song Contest, "Waterloo" was chosen as the best song in the contest's history.

"Waterloo" is featured in the encore of the musical Mamma Mia!. The song does not have a context or a meaning. It is just performed as a musical number in which members of the audience are encouraged to get up off their seats and sing, dance and clap along. The song is performed by the cast over the closing credits of the film Mamma Mia!, but is not featured on the official soundtrack. It is also performed as part of the story in the sequel, Mamma Mia! Here We Go Again, by Hugh Skinner and Lily James.

The Australian film Muriel's Wedding (1994), features "Waterloo" in a pivotal scene in which lead Toni Collette bonds with the character played by Rachel Griffiths. The film's soundtrack, featuring five ABBA tracks, is widely regarded as having helped to fuel the revival of popular interest in ABBA's music in the mid-1990s. "Waterloo" features prominently in the 2015 science-fiction film The Martian. The song plays as the film's lead, played by Matt Damon, works to ready his launch vehicle for a last-chance escape from Mars. In "Mother Simpson", the eighth episode of the seventh season of The Simpsons, Mr. Burns plays "Ride of the Valkyries" from a tank about to storm the Simpson home, but the song is cut-off and "Waterloo" is played, to which Smithers apologizes, advising he "must have accidentally taped over that".

"Waterloo" received a total of 89% yes votes!

(the video is posted by ABBA's own account, not Eurovision's = safe to watch)

[loguine-linguine]

Ok hear me out!!!

Steve is a musician who sings pop music and posts on TikTok. He’s kind of a C-ish list celebrity (definitely a bit of a nepo baby) and his music is poppy and catchy. It’s the kinda stuff that you can immediately tell is coming from someone who is actively holding things back/ isn’t writing from any truth. Mall music at its purest form. Then one day with no announcement Steve drops a double sided album that is like GOOD GOOD pop music. It’s also noted very quickly that the pronouns in all the songs have definitely switched to he/him. People freak out and he starts charting for the first time in his career. Kinda Chappell Roan-esque situation where he skyrockets to being a queer pop icon very very quickly.

He starts doing interviews. He shows up to these interviews in outfits aren’t dramatically changed from what he usually wore (polos, jeans, bomber jackets, 80s jock vibes) but it’s all just much more camp. The cropped shirts are shorter, the jeans are tighter, and the colors are all suddenly pastel. He has also started wearing makeup (not heavy makeup but it’s definitely a lipgloss, eyeliner, mascara, highlight/blush on the tip of his nose type situation). He shares that he dropped his old producer (who he had been set up with by his father) and that he’s now working with his best friend Robin. He comes out as gay, talks about his struggle with comp-het, and proudly shares that he is super excited to contribute to the growing movement of music that is being written by queer people, for queer people. His TikTok also blows up.

This is when Tommy Hagan first starts showing up. Tommy is an actor who is pretty well known for doing teen drama TV shows (like Riverdale type deals). He introduces himself to Steve at some sort of industry event right after Steve gets big and pretty quickly starts showing up in his TikTok videos. It comes out that the two are dating pretty quickly after that. They date off and on for about a year and a half. Tommy is a shitty enough boyfriend that even Steve’s fans don’t like him. He stands him up for dates, embarrasses him at events, says rude and dismissive things about his music, etc. Robin (who is also kinda famous by proxy/writes her own music now similar to Billie Eilish and Finneas) absolutely hates his guts. Publicly. They finally break up officially after Tommy cheats on Steve with an actress named Carol who is on a show with him. It gets exposed by the tabloids and Steve finds out by seeing a photo of them making out on one of those celebrity drama TikTok accounts.

Eddie is also getting famous around this same time. He’s the lead for Corroded Coffin and also starts acting occasionally in horror films. He doesn’t really pay much attention to other celebrities or the drama that goes on. He was never into that kind of thing before the band took off so he doesn’t see why he should now. Eddie and the rest of the band are at an awards show of some sort and the others make fun of him the whole time. He can’t stop staring at this absolutely beautiful man sitting at a table near them. “The guy is wearing a slutty little lace shirt, the tightest pants in existence, and has skin that looks like honey and caramel had a child Gareth you really can’t blame me honestly.” Steve and Eddie don’t officially meet until the after party where they immediately hit it off.

A few months later Steve announces a new album and releases a single. It’s just Please Please Please by Sabrina Carpenter but gay and clearly about Tommy.

The music video comes out and people loose their minds. It’s the same sort of video as what Sabrina Carpenter just released for Please Please Please with the stunning outfits and the whole bad boy thing. Steve spends the whole video in dresses and skirts. There’s even a corset at one point. The bigger freak out is the fact that the Barry Keoghan equivalent is Eddie and its a hard launch of their relationship that fans had absolutely zero clue was even a possibility because why would horror/metal man Eddie Munson even know Steve Harrington???? Robin and the Corroded Coffin guys think the whole thing is hilarious. Eddie and Steve are so so happy :)

[centrally-unplanned]

IRL (In Real Life) - Buffydom Propaganda And The Internet-That-Was

It is 1997. You just got back from the latest Hot Topic run to restock on whatever the most raven-black bomb of Manic Panic they have on the shelves is, so you can do double-duty bleaching your hair in the shower while watching a CRT TV precariously mounted on the lip of your sink. On that TV is the Season 1 finale of Buffy the Vampire Slayer, and you are obsessed. Unfortunately for you, no one else in Bowling Green, Ohio, shares your passion for a CW WB show about vampire hunting teens who purposefully fumble their line deliveries. You are alone, and you have shit you gotta say about it to someone, anyone, who will understand.

Fortunately for you, the marketing team at ye old WB anticipated that their audience would be a bunch of fucking nerds, and boy do they have a solution to your problem! Welcome to the Bronze:

A while back I stumbled upon the inexplicable existence of "IRL (In Real Life)", a 2007 documentary about the community that formed around the aforementioned Buffy fan discussion forum/chatboard. Officially running from around the launch of the show until it switched over to UPN after its fifth season (with the forum dying a dramatic death in the process), The Bronze was a highly active center for the Buffy fandom, which generated several spillovers into real life. In particular, it was famous for the creatives and even actors on the show occasionally posting on the forum, which culminated in members of the community organizing a yearly party in Los Angeles where posters would fly out and be joined by said cast and crew. This documentary charts its culture & history via interviewing an array of its members.

As always, I am not here to give the blow-by-blow; instead, what is the narrative this documentary is trying to sell?

My previous documentary write-up was about nerd culture in the 2010’s; newly ascendant, growing confident in its own values and looking to justify that to itself, wealthy and with a developed enough ecosystem for crowdfunding to create professional, polished documentaries of its own heroes. None of that is true for IRL. Filmed on whatever camcorder/potato hybrid proto-Ebay would cough up from its zero-bid listings in a series of hotel rooms and people’s living rooms in 2003-2004 after the forum had died, this is the era of nerd culture at its most conflicted and insecure; mocked by the mainstream and unsure if it should be proud of that fact or deeply ashamed of it. And this documentary wears this conflict right on its sleeve; one of its opening lines is a confident assurance to the audience of “don’t worry, we aren’t like those nerds”:

Throwing Trekkies under the bus in the process, cold! Particularly given how it proceeds to barely even blink before pivoting to explaining their hobby of running “WITTs”, multi-day-long collaborative roleplays:

You are exactly those Trekkies my dudes; you weren’t just at the devil’s sacrament you were hosting it! "WITT" stands for Whedon Improvisational Theatre Troupe, you can't recover from that guys.

(I love how “dozens” is large by the way - it was for the internet in 2001, right?)

Anyway, beyond documenting the forum and its members, the conclusion this documentary wants you to hold is that the Bronze was a special place of real community, and it is a community of “normal” people, who made real relationships. And in particular, that internet relationships can be just as real as those found in meatspace, that these relationships transcended the digital and entered the physical; and that this is what fandom can be about.

I want to start with the ways that narrative was correct within the context of the time. I can actually explain that Klingon comment! I have one extant interview with the director of the film, Stephanie Tuszynski, and she put her motivation as follows: 

FFN: What made you decide to study Buffy fandom, particularly the Bronze, for your documentary? ST: The idea to do a documentary film about the Bronze actually came to me very early on, because "Trekkies" came out in the late 1990s so I was already a Bronzer at that point. And when I saw it I started throwing things at my television. I was incensed. That wasn't a documentary about the fandom experience, it was "hey let's find the most extreme examples possible and have a freak show!" It infuriated me […] It reinforced every awful stereotype about media fans while purporting to be objective.

It wasn’t a random example - the 1997 documentary Trekkies set the “standard” view of fandom as extremist oddballs, and Tuszynski specifically wanted to counter that. It was the early 2000’s after all, nerd stereotypes were strong, you had to fight them explicitly! In a society where there is strong background hostility to one’s identity, you will attempt to normalize it using known reference points; and certainly the people on these forums were more “normal” than the stereotypes admitted to because that entire binary framework is a dead end.

More importantly to the narrative is the online aspect, “making friends on the internet”. Another find I have is a blog post from a professor who used the film in a class; and in the film’s narrative of “people with no one ‘irl’ to share their hobby with finding friends online” triggered a debate around if the online relationships are “taking away” from in-person relationships that are presumed to be more valuable. A debate that still rages to this day over social media! But the contours were different back then, the internet was presumed to be niche, ancillary, and relationships made online in a completely separate box from “in person” friendships. The documentary goes to great lengths to explain that they were a real community because that idea is so contested. Ironically, they do this by emphasizing that they met up in person, hung out, attended each other's weddings, etc; as if only by meeting up in person could the relationships be validated as real? But you can’t truly fault them for meeting their implicit critics halfway in making their case.

So what can I fault them for?

*****

I was perpetually amused when watching the doc that they included two married couples in the filming, and for both one of the spouses would talk and the other would sit there, in silence, the entire time. Maybe they were members of the community and just not talkers; maybe their lines got cut in post. But what I kept thinking was that they were there selling normality to me; married couples are just inherently less oddball, less threatening, and in the era where “nerd = virgin” just less nerdy. Like with the Klingon line, there is an intentionality to the “just like you” vibe.

Which, as mentioned with the extensive forum roleplay, inevitably breaks down once the reality of forum activity is dug into. And I buried the lede here - you may have seen the title of the “longest” roleplay was “RTBS Soul Restoration Project”, but what does that mean? RTBS was a forum member’s name, and well:

Oh yeah, we are saving our friend from “a fate worse than death: worshiping Britney Spears” - welcome to 2001 baby! This is peak “nerd wars” stuff, the normies hate our shit so we hate the normie shit right back. Which is exactly how nerd culture was in the 2000's. I am not at all throwing shade at their tongue-in-cheek roleplay, resplendent in the ludicrously purple prose and asterisk-laden action descriptions as required by the early internet; but it sits in clear tension with some of the other messaging in this film. Leave Britney alone guys!

The documentary highlights a number of common practices from the forum - people doing daily greetings, the way that it being one unending massive chain of posts with no threading or topics meant people would mass-tag individual people to respond to and form “circles” that way - but there are things it leaves out. I did what any normal person would do after watching this documentary and read through over a year of archived posts on The Bronze to understand the community - but man did I not have to, as on literally the first page of my archived link I see:

And through God’s good grace that second link is archived:

Yes there are pictures at the link, and yes later on it does compare Buffy’s cleavage to the Mona Lisa. (The Giles link is not quite functional, but I was able to find it; sadly it is not nearly as thirsty)

I also found these “onboarding” sites for new members. Remember, this forum was the official forum, which meant there were no community mods or ability to “pin rules”, it was pure anarchy - so advice filled the gaps. And one of the bigger ones, in its *sighs and rubs forehead* blue font on black background, warns against “hottie posting” aka talking about how hot say Angel is, not because it isn’t allowed, but because it is like “pointing out the sky is blue” - it is so common that it will just get washed out.

It might seem like a similarly sky-is-blue comment to note that this forum was heavily about shipping, hotness discussion, fanfiction, and the like. Of course it was, right? These website “senior members” were trying to minimize it, police it, but it broke through constantly and also simmered under the surface through discussions and RP’s from my own review of the forum. The documentary, however, spends incredibly little time on it. Brief mentions of Angel fics, and no mention (iirc) of discussion of how hot the women were at all. Because once again those details really don’t fit into the narrative it is trying to sell.

At one point in the documentary someone notes how diverse all the friends they met in this community were? Which I broke out laughing over. In one way it is not wrong, I get it! Midwest college kids meeting people from all over the country, ages 40 to 14, talking about something no one in their podunk town understands. But on the other hand, you could not come up with a more standardized slice of humanity if you tried to rig it. Everyone here is an American+ with computer access in 1998, it is a grab bag of sys admins, nerd creatives, and comp sci majors.  I did a random sampling googling the people interviewed to see what they are up to now, and literally a third of them are librarians. Even their fashion is like God played a prank on this director; not even a 2000’s anime con panel lineup is this stereotypical in the combinations of alt-goth lit girls and nerdcore computer bros.

The evolutionary process of joining this forum -> liking it enough to go to the live meetups -> liking that enough to participate in a documentary about it was a pressure cooker spitting out only a certain kind of person. Which is truly fascinating to see on display! This is the internet-that-was; and it bleeds through the grainy film despite the director’s efforts at times to the contrary.

Though even then it was only a very specific slice of the internet-that-was, because this is a very special breed of Online; namely, the professionals.

*****

Something that is decidedly not typical of The Bronze as an online community is that, as mentioned before, Joss Whedon and other creatives posted on the web forum, answering questions and also just playing around, and how that led to in-person parties where both forum members and cast/crew attended - the Posting Board Parties, or PBP’s. At these they hosted fundraisers, talked about the show, and in the documentary one girl reverently describes with incredible Repressed Lesbian Energy her experience of seeing Eliza Dushku dancing next to her. The PBP had a panel of party organizers, admission systems to keep out the “undesirables”, budgets, the works.

All this the documentary shares openly; it is a peak moment where the digital becomes real in a transcendent way, opening doors analog reality never could. It is also a cold-sweat-waking nightmare story from the lens of a modern Hollywood social media manager; one person in the documentary tells the tale of how one time lead actress Allyson Hannigan posted her phone number on the forum asking people to leave her cute voicemails. The person in question immediately called, and got Hannigan herself instead of the voicemail, so they chatted for a bit (The guy telling this tale is obviously lovestruck; his wife is sitting in typical silence next to him). Today this would be a code-red, nuke your phone situation; but the circle was so cloistered, and the rules so unwritten, that no one cared in these early years.

What they share less openly is all the drama that went into this event. They wax nostalgic about how the parties brought them together, but what isn’t mentioned is the church schism it caused, as the moment cast from the show started attending the party it got mobbed by outsiders. By its ~3rd year there were approximately 400 guests but only ~50 or so were from the forum. They had a huge fight about it, the head of PFP planning committee - “Morbius the Vampire”, who was later jailed for financial fraud btw - told the dissenting faction why don’t they just throw their own party if they hate his so much, and so they did. There was more fighting about it, and eventually they held a peace summit at an LA joint called Mel’s Diner to merge the two factions together. (My source for this is a book, which I will link later)

Hilarious, for sure, but while so much of what we have discussed is “proto online nerd communities”, this part is most decidedly not. The typical web forum absolutely cannot replicate the experience of roleplay-posting your way into shaking hands with Joss Whedon and having a shitfight over party budgets in LA. But most posters never got to attend these parties, of course, this didn’t mean much to them. While for those who did, you cannot help but imagine that this played a gigantic role in making them all become a “real” community. And care enough about that circle to, well after the forum was gone, schlep to a hotel room to be interviewed for a documentary about it. Participating in a documentary is always, in some way, an exercise in selection bias; but here the pruning is turned up to 11 - this is a very elite slice of a very unique fandom experience.

*****

I have one deeper level to go on this thread, somewhat buried in time today, that further shaped the participants here: “Whedon Studies”. The 2000’s was not the birth of media studies as an academic discipline; but it was the birth of fandom-driven media studies, and Buffy was nearly unassailably the leading light of that movement. Academics hosted entire conferences (and inexplicably still do!) on Buffy, Firefly, etc; almost all from the lens of gender & media, as Buffy’s brand was deeply entrenched in that deconstructive milieu. This movement would die a fiery death during the 2010’s shift in media & gender politics, and when the controversies around the toxic working conditions on the set of Buffy/Angel led to Joss Whedon’s near-total expulsion from creative pursuits. The whole edifice is, in a deep way, “cringe” for many of its former participants today.

But what is relevant for our story is that director Stephanie Tuszynski was a full member of that movement; while composing this film she was, for example, giving talks like these at conferences devoted to the Buffyverse:

God that is a lot of talks. This film itself was her thesis project for her I believe philosophy masters, and in our scant interviews lists other fandom-academic film projects she wanted to tackle (which as best I can tell fizzled out later). And the interview subjects were often participants in the same space as well! Academic-types doing media studies with a Buffy bent, or things like culture writers for new media outlets. One of them, writer Allyson Beatrice, even published a book about the Buffy fandom that was in regular bookstores:

To quote the blurb:

A hilarious collection of true stories from Allyson's days as one of the Internet's leading cult TV fan gurus, her mind-boggling escapades include meetings with network executives in dark steakhouses to try to save doomed TV shows and one hastily arranged wedding for two committed Buffy fans. 

I highlight this not to say that academics cannot make documentaries, they certainly can. What I am saying is that if you point your camera at career Buffyverse writer Allyson Beatrice, and label her as a typical forum member giving you the hometown everygirl perspective on the community, you are, however unintentionally, lying to your audience. In its quest to give you the just-like-me Buffy fandom experience, what this documentary elides is that it is often giving you the lens of people who are fans of Buffy as a career. Those people are going to be bringing very different experiences to the table - of course they are concerned with sanitization, with nerd culture debates, the works. That is their bread-and-butter trade.

This dynamic bled into the forum’s day-to-day; there was a very clear hierarchy of “veterans” and “top” posters, who organize the live parties, have deep roots in the community, and even the ear of the show team...and everyone else. Particularly because as mentioned there were no rules on the forum, but since that can’t actually function in practice they self-generated community rules and thus their own leadership class. Cliques and groups were common and named, and veteran posters even had formally designated groupies:

I had also by this time become a groupie. I so enjoyed one particular Bronzer’s posts that she allowed me to become the seventh of her groupies. It was through groupie-dom that I got my first taste of firsthand WITT: several Bronzers, on the occasion of the birthday of she-to-whom-we-group, each took turns grabbing the microphone and praising the day that she was born. In retrospect, I’m not sure why we did this. But it was fun, and very funny, too, as we each took turns waxing melodramatic off the top of our heads. And from work, no less.

The source for this by the way is a 400 page ethnography of The Bronze posted by academic who did *cough* “field research” there; I am sure their membership in the “Bronzers Adoring Darla” fangroup was purely for comprehensive data collection purposes.

And to emphasize, I am not saying this is problematic or anything - the groupie things were all in good fun, best I can tell. I simply aim to showcase how the Bronze wasn’t just a baby version of online fandom forum dynamics; but also a baby version of e-celebrity mechanics. Something the documentary does not even attempt to touch on because that would be something normal people would not understand.

*****

All of the above may have come off like one big roast, and it is a little bit, but as I have mentioned before every documentary is propaganda. It is just impossible to have a tight film building a narrative out of the pieces of letting people speak to the camera without that narrative being but a slice of the truth those people want you to know. The Bronze web forum was a very special place to these highly invested fans, and this documentary is not lying to you about that.

But it is also a big part of early internet fandom! The Bronze was famous at the time, and it is right there at the beginning of so many shifts; the first generation of non-technical internet users, a new era of ‘fantasy’ media with the trappings of prestige and social critique, a boom in critique-as-community, and more. I very much want the full picture of that community; who made it up, what did they want from it and what did they get from it, and so on. No film could offer the full picture; this film’s homebrew rawness gives a valuable piece of it, and I enjoyed it for that. I just aimed here to draw out not only what the broader, more accurate dynamics of The Bronze were, but also the cultural question of why the film focuses on what it does, hides what it refuses to show, and what that says about 2000’s internet & nerd culture. Hopefully I succeeded in that.

And also to have fun looking at some incredibly dated Buffy fandom bullshit. May it have been fun for you too! {hugs you and waves goodbye}

[yourladyem]

Beetlejuice Beetlejuice has officially passed Dune: Part Two at the US domestic box office.

Beetlejuice Beetlejuice is projected to close out its latest weekend in theaters with a cumulative domestic box office total of $283.97 million. Its 3-day gross of $5 million has pushed it past the domestic total for Dune: Part Two, which earned $282.1 million in North America. This means that the Tim Burton movie is now officially the highest-grossing Warner Bros. Pictures release of 2024 at the domestic box office.

The Beetlejuice Beetlejuice box office making it the highest-grossing domestic movie for Warner Bros. also means that it has climbed to No. 4 on the overall domestic chart for the year.

Could be the highest grossing of the year for Warner Brothers studios. It's also ranked as one of the highest-grossing films for the studio ever.

Maybe this will cause the studio to push for a third film!

Sources: Screen Rant and The Numbers

[doomed2repeat]

✨CONGRATS BRIDGERTON SEASON 3!!!✨

This is the final count for the show, so it’s officially at #6 on the Netflix most popular chart at 106 million views! It should be a while before S3 is knocked off the list. Hope this means more Bridgerton in the future with an announcement for renewing for seasons 5 & 6.

Polin’s season was so loved! Luke Newton and Nicola Coughlan should be proud of the work they did to lead Bridgerton and reintroduce the show to new audiences and fans. They can walk into the beginning of filming for the next season with their heads held high!

[kaiispost]

Charles Leclerc x artist!male reader

Fake Media | Face Claim: no one | y/n is a pop artist

announcement: i’m officially back for a lil while

***

yourinstagram

liked by charlesleclerc and 1,547,359 others

yourinstagram you can take me hot to go!!

view all 3,388 comments

charlesleclerc watching me win?

* liked by yourinstagram

taylorswift not even inviting me?

dojacat icon

ferrari so let’s ride!

f1 vroom 🏎️ 💨

charlifanxcx collab with charli when?

*liked by yourinstagram

charlixcx

*tagged yourinstagram

liked by 2,346,299 users

charlixcx the 360 remix with yourstagename out this friday.

view all 11,248 conments

yourinstagram can’t wait for them to hear it…

spotify they ain’t ready

theshaderoom thot daughter and gay son 😭

charlesleclerc brat summer and it’s the same but i’m in the music video so it’s not

taylorswift can’t wait to hear yourstagename

lizzobeeating he’s so julia!

*liked by yourinstagram

charlixcxdaily waitttt this is going to be ICONIC! 🤭

ynisfather OMGGG FINALLYYY😭

mileycyrus ommfgggg!

ynleclerc literally everyone rn

charlesleclerc

liked by yourinstagram and 2,486,086

charlesleclerc bumpin’ that

view all 5,497 comments

yourinstagram i’m everywhere i’m so julia!

applemusic oh absolutely!

juliafox so stylish!

ynfan1 wait so it’s basically confirmed?😭

leclercxyourname yess omgg!!! also him sitting infront of yourname’s piano?

charlixcx literally their fav reference 🥲

tmz 👀🔍🎹

sza this is going to be such an epic record

f1 bumpin that beat!

yournamedaily omg even THE f1 account is in on this?? oh they’re endgame

yourinstagram

liked by charlesleclerc and 2,005,342 others

yourinstagram the 360 remix with me out now everywhere! thank you to everyone who was in the music video, it was fun :)

view all 6,455 comments

charlixcx thank you for being on the remix

yourinstagram omg it was so fun to record, the bts is crazy.

billboard instant cult classic

spotify ur such an icon

charlesleclerc that was so fun to film, especially the the aftermath 😉

leclercdaily WAIT WHAT OMGGG YALL ARE CRAZY

sza that was such a lit party, u should def host another party soon!

arianagrande made so many core memories

troyesivan legendary

yndaily on repeat all day

f1driversdaily

liked by ynhater2 and 6,789,206 others

f1driversdaily charles via yourname’s story

view all 33,957 comments

ynhater2 ewww this is gross, i thought the f1 was safe… i guess not🤢

antilgbt right, this is a sad day for all f1 fans

sza babe this is so embarrassing for u… touch some grass and smoke a blunt, stop being weird.

f1fanpage OMGONGOGMOMG

sza ugh so happy for themmm

normalpeople32 god no, THEY got charles

christonly1 can we not promote this behaviour?

ylnstarsign this is so hot

yourlocalchurch god will lead him to the right path

yourinstagram no thanks!

zendaya y’all so weird, their relationship doesn’t have any effect on you whatsoever. you people be so miserable and single, get a life.

zendaily spot on!

yn4life yes absolutely zendaya!!! ilysmmm for thisss

yourinstagram

* tagged charlesleclerc

liked by charlesleclerc and 11,496,937 others

yourinstagram we did it, number one on the charts! these last couple of weeks have been crazy, ily charles for going through it with me and staying with me. forever grateful ❤️‍🩹

view all 45,496 comments

charlesleclerc forever yours ♾️

charlixcx WE DID ITTT ILYILYILYILY

chrlixcxfanpge U DID IT, UR FIRST NUMBER 1

sabrinacarpenter so happy for you and charli🥹

yourinstagram when r u and barry coming overrr

billieeilish sososososososo proud of uuuu, uuu made itt andd urr sooo loveddd

rayeofficial ahhhhhh soo happy for the two of u love birds and congrats charli on ur first number one!!

yndaily YESSS YALL FINALLY OFFICIAL

ynleclerc yessss ur finally outt

haterofsin i’m unfollowing, this is despicable

ynhater2 🤢 don’t shove it down our throat, it’s nasty

fanofyn these hate comments are so💀

nickjonas so glad to have been a part of this video!

[henry-fox-biggest-stan]

I have the Stranger Things: Worlds Turned Upside Down: The Official Behind-the-Scenes Companion book, I got it in 2018, so here are some fun facts from it

In the party’s dnd charts it says Will’s class is “magic-user” 👀👀 and one of his abilities is “true sight” 👀👀

The first scene written and the first scene filmed are both the dnd game at s1 ep1

Mike supposedly has rainbow blinds in his room (as a reference to E.T since Elliot also has rainbow blinds)

When El throws Lucas against a wall, that was Caleb, not a body double. Apparently he was excited to film without a double and asked for it (he was thrown against a mattress). Called said he had so much fun.

During the scene where El sends the van flying, the duffers said than when they first tried it (without filming) it all went as it was supposed to, it flew the right directions. The first time they filmed, tho, the van fell on top of one of their cameras and destroyed it.

Steve is in his last year of high school (as opposed to Nancy, who is in her second, or Jonathan who is in his first)

Steve plays basketball and baseball. He was supposed to be an asshole and die the first season, but Joe Keery came and gave a bit more depth to Steve’s character.

243 people auditioned to play El

Some of El’s powers include biokinesis, teleportation, and psychometry

Hopper fought in Vietnam 

At first the upside down wasn’t supposed to appear on screen at any moment. We would have heard what happened over walkie talkies or radios.

A demodog is just a teen demogorgon (I think this was explained at the show, but I have seen people say they are different creatures)

Jonathan does cycling, is in the school newspaper, and the photography club

Caleb is very good crying on command

Mike’s bike is the newest because his family has the most money, Dustin begun painting his bike but hasn’t finished it yet, and Lucas has a fluorescent saddle

At first they weren’t allowed to use ghostbusters costumes but they talked to Ivan Reitman and eventually got green light 

Dart was supposed to appear in the first season but they didn’t have enough time

The upside down was originally called the underworld 

Nancy and Jonathan (their relationship) are inspired by David and Jennifer from WarGames (1983). Also by Willie Scott and doctor Jones from Indiana Jones

Bob was supposed to die on ep 4 instead of ep 8

For the scene with Will and Morse code (when he’s tied to a chair) the duffers just told Noah to watch a YouTube video on Morse code the day before 

Talking about Noah, after being possessed and convulsing to the point everyone was amazed with his acting, the moment they stop filming he just gets up and asks for a cup of tea like nothing happened

For the upside down spores they actually used dandelions 

Hopper is repeatedly described as a cowboy lmao

In s1 when the boys dress El up in a wig and a dress and Mike does her makeup, they are dressing her up in their vision of what a girl is

Finn said than it was only halfway through the second episode than Mike realized than El is a real girl, a real person, and not E.T.

The duffers were inspired by the breakfast club for the making of Nancy, Jonathan, and Steve’s characters!!

Nancy played volleyball, was in the cheerleader team (?!?!?!), was in the French club, volunteered at church and did social volunteering, and did a writing workshop

Barb played softball, the clarinet, was part of the Mathematical Olympiads, volunteered at the library, and was a babysitter.

[seren1tyhaze]

road snacks

PAIRING: haechan x afab reader

WORD COUNT: 1.6k

SUMMARY: a cross country move with your boyfriend is exciting and sometimes a little more steamy than you thought it would be

AUTHOR'S NOTE: I officially present my first Kinktober 2023 entry! This is another piece I had finished but was trying to finish other wips but don't want to hold off posting things that are ready anymore. Please enjoy prompt number 16 "Public" :)

WARNINGS: explicit smut, public sex, soft Haechan who is actually not very soft

PLAYLIST: Lost in the Light by Bahamas, Yacht by NCT 127, Malibu 1992 by COIN, Daylight by Matt and Kim, Catch by Epik High + HWASA

~~

The sun is starting its descent in the horizon, bright rays stretching across the sky as you stretch your arms across the dashboard in a deep stretch. It’s nearing the sixth hour of the long first day of your road trip and your energy is starting to fade. You’ve been up since early this morning, taking on the first few hours of driving before swapping with your auburn haired boyfriend currently tapping his thumbs on the leather wheel car beside you, humming lightly to the music filtering through the sound system.

Leaning back in your seat, you sink down, letting your eyes slip shut as you lean your head against the window and let the sun warm your bare arms and face. The music is calm and filled with beautiful harmonies, lulling you to sleep for the first time on the journey. You had promised each other you would help whoever was driving stay awake, but with plans to stop at nightfall at a hotel, you figured it wouldn’t hurt to take a short cat nap.

You don’t know how much time has passed when you feel a light brushing of fingers along your exposed shoulder and you reluctantly push your eyes open to see an apologetic gaze from the handsome man next to you.

“Babe, I’m so sorry, could you hand me something from the cooler?” Hyuck asks, applying some pressure to your shoulder to massage it with his fingers.

You melt into the touch, nuzzling your cheek warmly against his hand before nodding, unbuckling your seatbelt to carefully lean between the front two seats and open the cooler in the back. Travelling together has been a dream, stopping at different tourist spots on the way, letting him take pictures of you on his film camera, and charting out which cities along the way had all-you-can-eat hot pot.

“Water? Ginger ale?” you ask, wedging your waist between the seats to get a better angle.

Suddenly you feel Hyuck’s hand on you, causing you to jump and your upper body to lurch forward, trapping you between the seats.

“HYUCK!” you squeal, craning your neck to try to get his attention.

“What?!” he whines back, laughter seeping in as you feel the car slow down, easing his foot off the gas to reduce speed.

Without further explanation, he spreads his hand out over your ass, kneading with his fingertips slowly, just as he had been doing to your shoulder a few moments before. Despite the awkward angle you are currently curled into, you sigh and feel your cheeks start to heat. Despite all the alone time on the trip so far, there hadn’t been much time for anything beyond quick kisses or spooning in bed in the weeks leading up to the move. You’ve both been so busy and exhausted that every night your eyes have slipped shut the minute your heads hit the pillow.

“I’m sorry, what am I supposed to do when you’re on display for me and I’ve been horny for days,” he adds, voice dropping into a gruff tone as his hand moves between your thighs that are pressed together from the position.

“I thought you wanted something from the cooler,” you reply, trailing off as you feel him slide his fingers slide up the seam of your leggings, getting dangerously close to your core.

“You know what, I am kind of hungry, now that you mention it…” he replies, applying more pressure to your ass with his thumb, glancing up in the rear view mirror wickedly as he pulls off the highway and into a deserted corner of a rest stop.

As he puts the car in park, you wiggle trying to free yourself from the awkward position, feeling your calf starting to cramp. You let the lid to the cooler drop shut, knowing he’s definitely not thinking about that drink anymore.

Hyuck turns around in his seat, moving his hands to your waist, making contact with your bare skin from your shirt riding up just below your breasts. He pulls you gently so you are no longer wedged between the seats but keeping your ass close to his face.

“Now, how about that snack,” he murmurs barely audibly as cool air sends shivers up your spine when Hyuck pulls at the waistband of your leggings, exposing you fully.

“Donghyuck!” you cry out, arms tensing up and teeth digging into your bottom lip. The sun is setting slowly and a hazy dusk covers the sky. Anyone walking by would definitely be able to see and your cheeks burn at the thought of someone tapping on the window or pulling out their phone at the sight.

He only laughs, dipping his head down to press kisses at the thin lines of the bear tattoo on your lower back, laving at the skin there with his tongue as he always does. His hand slides up your chest, massaging you there and taking your nipple in between his fingers to squeeze it gently. A moan bubbles up in your throat and you dig your palms into the back seat below you, letting your head drop down.

Hyuck keeps kissing your skin, brushing his lips over and over, making you squirm. He gently lifts your hips up to give him a better angle, pushing your thighs open gently and lowering his head between them. You can feel his breath cool across your dripping core, arousal building in you and your temperature starting to rise in the cramped car.

“Baby, please,” you groan, turning your head to try to make eye contact with him as he continues to tease you.

“Begging? We’re begging now, are we? I thought you were scared someone would see,” he chuckles cruelly, sitting back and dragging a finger suddenly through your arousal before pulling it up to his lips and loudly sucking on the wet digit.

You groan in annoyance, feeling frustrated at not being able to move and have a sneaking suspicion he’s going to edge you despite the urgency of the situation.

“Please Hyuckie, I need your mouth on me now,” you mutter, voice barely above a whisper, almost drowned out by the soft music still playing in the car.

His eyes darken at the sound of the nickname in a lust-filled tone and his hands return to your ass cheeks, spreading them lightly to give him better access. His mouth is suddenly on you, tongue dragging along you to gather your arousal on his tongue, swirling at your clit. Your legs start to shake with pleasure and he tightens his grip as he slides a hand up your back to push your ass up further.

You don’t realize you’re holding in your moans until you taste blood in your mouth, having punctured your lip lightly. You know you aren’t going to last long after weeks without sex so you push your hips back, grinding against his lips for more friction. 

You can feel him smile against you, pulling you even closer to him by the waist, moaning against your core and tasting every inch of you. He was starving, nose bumping up against your clit repeatedly and sending waves of pleasure through your body.

Your mouth drops open to warn him of your impending orgasm but there’s no time as it crashes over you, a strangled cry falling from your lips that surely could be heard by anyone parked nearby. His grip on your waist tightens as you try to pull away, refusing to breathe until he’s worked you through your pleasure with his wicked tongue.

He finally breaks away from you with a messy sounding smack of his lips and you don’t need to look back at him to know that his cheeks are flushed and silky strands are dangling on the sides of his forehead. He pulls your leggings up for you and gently pulls you back into the passenger seat, slumping back into his own once you’re settled.

You’re out of breath and your arm hurts slightly from being pressed in an awkward position for so long. Your chest is heaving underneath the thin material of your shirt and you sigh, finally bringing your eyes up to meet your boyfriend’s gaze.

He’s smirking deviously, as he always does, and his legs are spread wide, cock visibly hard in his loose sweatpants. There’s a slight sheen across his forehead and his lips are still wet. You flush at the sight of him, heart pounding in your chest as you reach forward to close the space between you. You can taste yourself on his lips and moan into his mouth as your tongue makes contact with his. You run your fingers through his hair, dragging his head back to break the kiss and meet his eyes again.

“Now, is my boyfriend going to let me have snack time too? Or is he not going to share?” you ask menacingly, shoving your free hand down the waistband of his pants suddenly to grasp at his cock.

All he can do in reaction is moan, letting his eyes roll back as his head gently hits the window as you tug on his sweatpants and lower your lips over his lap. As much as he craves eating you out, you know blow jobs are his biggest weakness and it was your turn for payback in the darkening parking lot on the side of the highway.

This trip might end up taking longer than you both had planned if your quick snack breaks turned into full course meals, but neither of you really minded.

[jbaileyfansite]

Interview with The Hollywood Reporter (2024)

Talking about his role in Showtime’s Fellow Travelers, Jonathan Bailey can’t help but be earnest. It’s a trait he calls out about himself but is learning to embrace, as he notes the importance of the series for LGBTQ+ viewers around the world, and within his own life, where it’s helped him chart a path forward and earned him his first Emmy nomination. 

“I’m so grateful that it’s for something that I can talk passionately about endlessly, and it feels really important,” Bailey says of the supporting actor nomination.

In the limited series, Bailey plays Tim Laughlin, an idealistic congressional staffer who falls in love with Hawkins Fuller, a career-first State Department official played by Matt Bomer. Their relationship begins during the Lavender Scare of the 1950s, when homosexuals were banned from holding positions in the federal government, and evolves across several decades, as the pair contend with the Vietnam War, the AIDS crisis and societal pressure. 

Bailey spoke with THR about the significance of the show, created by Ron Nyswaner and based on Thomas Mallon’s novel, and balancing the shooting schedule with Bridgerton and Wicked, as well as his upcoming role in Jurassic World 4. 

What made you say yes to this role?

I heard that Ron was going to be investigating and exploring 40 years of queer life and experience. But at that time, it looked like I might not be available. I pursued it. And after doing something like Bridgerton, it felt important to me to find something rich and complex. There’s nothing more of a gift than to be able to educate yourself, and also in the investigation and in the performance of it, to live a really dangerous life, but within safety, and, ultimately, write this love letter to those that came before us. I was enchanted by the idea, and there was no part of me that didn’t think it was the punkest thing to do. 

What impact do you hope this series can have? 

By stepping back 50 years or 70 years, you can highlight exactly what’s going on in our societies today. There’s rhetoric we hear now in politics that echoes Senator McCarthy’s speech that’s featured early on in the series. I’ve been in Thailand working recently, and there are so many people across the world now on these streaming platforms that get to watch it, and there are so many people who are living under a similar sort of regime to the Lavender Scare and the oppression of McCarthyism, and so much more extreme than that. I think the impact we wanted was for people to be celebrated, educated, and also for all the people who have lost their lives fighting, and spent their lives having to fight, to pay homage to them. I know this sounds incredibly earnest and sincere.

That’s not a bad thing.

No, it’s not. And that’s one thing that I’ve learned from Tim, because I can see how it’s changed the course in my life, put into focus levels of importance about how you communicate your own identity, and understanding that all of us inherit such a deal of shame, which comes from powerful figures using fear and an aggressive sort of alienation to control people. I’ve had more messages about this than anything I’ve ever done, and more people stopping me and wanting to talk about their own lives, whether they lost their fathers, their uncles, or they were children of someone who died in the ’80s. But then also now I get to live my life.

The thing that makes me really smile is that last Pride month, I was filming Wicked, and when I’m working, I’m incredibly disciplined and don’t really go out. But for Pride, me, Andrew Scott and Jessica Gunning all ended up on a night out together. We snaked through SoHo and had a really good bop that night. And it’s just so funny to see all of us now nominated for Emmys. It’s kind of extraordinary. And you think about that, about how now that’s being celebrated, which is amazing. But I look up and think, “Where are the 50-year-old and 60-year-old gay actors?” There’s a whole generation that’s been lost. That’s why the earnestness is afforded, for sure, and I feel very proud.

The Fellow Travelers scene, where Matt Bomer’s character seductively tells yours to “shut up and drink your milk,” has really taken off, especially after you turned it into a T-shirt collection with Loewe to raise money for your LGBTQ+ foundation, The Shameless Fund. What prompted that? 

I went to present an award for Matt at the [Human Rights Campaign] in Washington, and being in the room with people who were just so galvanized — it was my first American gala, and I was infected by the energy. I had this idea of a T-shirt, and it occurred to me that it should be about the spilling of the milk.

I think we had four scripts before we started, and there was one version of a sex scene, which I’ll leave to Ron Nyswaner to reveal at some point in the future, which was wild, and then when I saw that it moved to the milk. I just thought, this is such an incredible moment of the exploration of power within sex and intimacy. “Shut up and drink your milk.” It feels to me like an incredibly political line, somehow. 

Has playing Tim informed what roles you want to take on next?

Yes, a hundred  percent. Since then, I’ve magically been able to find parts that have similar character arcs, that have something massive to question and to overcome. But right now, I would say that I’d probably be looking for something as far away from Tim as possible, and I’m going back onstage anyway. I started in theater, and I wouldn’t have been able to give the performance in Fellow Travelers had I not done 12 weeks onstage just before it, because it’s so academic and it’s so in the body. You sort of have an exorcism, and you end up being a husk with no conversational skills or anything. But what you do have is stripped-back, pure instinct, which is so great to feel. I’m looking forward to going back onstage next year. But I’ll be excited to see what parts are lurking around the corner after that. 

You’re doing Richard II in the West End, another intense role.

Yes, and equally as sort of questioning and as poetic, I think, as Tim. In between running away from dinosaurs — I just spent a whole day doing stunts [for Jurassic World 4] — I just walked around Valletta with my AirPods on listening, trying to learn a soliloquy, and I’ve managed to get one soliloquy down, so I’m thrilled.

You were also shooting Fellow Travelers, while also shooting Bridgerton and Wicked, right? 

That’s right. The whole experience has just shown me how amazing producers can be. I think it was 32 days in a row where I didn’t have one day off. And I flew back and forth four times. I’d go from Hawk’s house in the ‘60s at the cabin, go straight to the airport, sleep on the plane, go straight to a regency ball, sleep there, then go straight to Wicked to be learning choreography. And at that point, I was so late in joining the Wicked lot, because they’d already started filming, and that also was incredible for Marc Platt to make that work. There’s nothing quite like the feeling of trying to work out the priorities of whether you have to learn the choreography today, or work on your American accent, or pelt your hair ready for another Bridgerton snog.

How did you keep track of all those different roles in your mind? 

I probably wouldn’t rush into doing that again. Music for me, is absolutely key, but it always sort of has been. It was an absolute freefall and luckily, I’ve got patient friends and family, and you just have to sort of sign off for a bit. I found playing Tim an incredibly happy place to be, which is also a testament to his spirit, I think, because obviously it was some really brutal stuff and the yearning and the constant battle that’s going on in his head of questioning what’s right and what’s wrong. But I would say that I was quite good at rolling all the way through and then at the end, I had a five-day holiday, and my hair had died from all the the perming and straightening, because I had to perm my hair for Bridgerton and straighten my hair for [Fellow Travelers]. I was like a teenage beauty advert, doing everything to my hair. I remember going on this holiday and I got to the beach, I sat down in the sun, and my hair was just like floating, whisping off, like breaking away. And I looked completely and felt completely insane.

Why did you want to do the new Jurassic World movie?

The original film Jurassic Park was just a completely life-changing moment because I went with my full family, and it was quite a rarity to all go, because I’ve got three older sisters. Every frame of that film is imprinted in my mind, and the Frank Marshall-Spielberg duo of the films in the ‘80s and ‘90s are just what totally encapsulated, enchanted and inspired so much in me. I couldn’t quite believe I was stepping into something that I so adore, and the script is brilliant. And it’s David Koepp again, who wrote the original, and it just asks some really brilliant fundamental questions that the original film did as well.

Source

[thepeoplesmovies]

Furiosa: A Mad Max Saga Fires Right To Official Film Chart Top Spot!

Fury Road is no problem for Furiosa as Furiosa: A Mad Max Saga rockets to Number 1 for the first time on the Official Film Chart. Following its release on DVD, Blu-ray and 4K UHD, Furiosa flies 30 places to land at the top in its sixth week on chart, knocking The Fall Guy down to Number 2. Also re-entering the Top 10 this week is star-studded family film IF, leaping eight places to Number 3,…

[doyoulikethissong-poll]

Coolio featuring L.V. - Gangsta's Paradise 1995

"Gangsta's Paradise" is a song by American rapper Coolio, released on August 1, 1995 from his second studio album. Interpolating Stevie Wonder's 1976 song "Pastime Paradise", "Gangsta's Paradise" features vocals from American singer L.V. who served as a co-composer and co-lyricist with Coolio and Doug Rasheed, with Wonder also being credited for the composition and lyrics. L.V. released a solo version of the single in 1996 on his debut album, I Am L.V. This version featured additional lyrics written by L.V. himself, with rap lyrics written by Scarface and Dani Blooms. "Weird Al" Yankovic's parody "Amish Paradise" reached number 53 on the US chart.

The single reached number one in the US, UK, Ireland, France, Germany, Italy, Sweden, Austria, Denmark, The Netherlands, Norway, Switzerland, Australia, and New Zealand, making it Coolio's most successful single. In Australia, the song stayed at number 1 for 14 weeks, a record that would only be broken 22 years later by Ed Sheeran's "Shape of You". Following Coolio's appearance on Celebrity Big Brother 6, it re-entered the UK singles chart peaking at number 31. In the UK, "Gangsta's Paradise" was the first rap single to sell over a million copies as well as the first rap single ever to go straight to number one. In the US, the single spent twelve weeks in the top two of the Billboard Hot 100, of which three were spent at number 1 and nine at number 2. The song was certified triple platinum by the RIAA on February 23, 1996, indicating 3 million copies sold. It has sold a further 1.9 million downloads in the US in the digital era as of September 2022. Following Coolio's death on September 28, 2022, "Gangsta's Paradise" debuted two days later at number 5 on the UK Official Singles Sales Chart Top 100, and reentered the Official Top 100 Singles Chart on 7 October 2022 at number 55.

In 2008, it was ranked number 38 on VH1's "100 Greatest Songs of Hip Hop". Coolio was awarded a Grammy for Best Rap Solo Performance, two MTV Video Music Awards for Best Rap Video and Best Video from a Film, and a Billboard Music Award for the song/album. The song was voted as the best single of the year in The Village Voice Pazz & Jop critics' poll. The accompanying music video for the song was directed by American film director Antoine Fuqua and featured Michelle Pfeiffer reprising her earlier role as US Marine LouAnne Johnson in the movie Dangerous Minds. The video also includes scenes from the movie. The video hit one billion YouTube views in July 2022.

"Gangsta's Paradise" received a total of 92,1% yes votes! 🎉

[transformerskinkfest]

Fic Fest FAQs!

Welcome to the official blog for the first Transformers Kinkfest!

This promptfest will be running for two weeks from 17 - 31 October 2024, with daily prompts (based on your submissions). The list of prompts will be released in August to give you time to write/draw/create - then, once the fest starts, share your creations for each day's prompt!

PLEASE NOTE THIS IS AN 18+ EVENT.

What kind of prompts will these be?

Each prompt on the main list will be a Transformers-specific kink. There will also be an alternative list with broader prompts (like, say, bondage). Feel free to pick from either list or combine the two, and feel free to make different decisions on different days - up to you!

As for what Transformers-specific kink means: basically, these are kinks that rely on/take advantage of Transformers being Transformers. These can include kinks that depend on Transformer physiology, like fuel-siphoning or alt mode sex, but they can also depend on Transformer culture, like faction roleplay. (Those have all been suggestions to date, btw. :))

What if I have a prompt idea but I don't know what the kink would be called?

Totally okay! We're flying without a star chart here - it's not like even the estimable TF Wiki has a list of Transformers kinks :D. Describe it as best you can, and I will try and sum it up for the list as best I can. There will probably need to be some explanatory notes to the prompt list...

How do I suggest a prompt?

Send an ask with your prompt idea. I can't guarantee that every idea will be included - it will depend on how many we receive, and I'll also use my discretion when it comes to picking prompts.

Just to keep things organised, please send your ideas here to @transformerskinkfest. (However, I will also include any that end up getting sent to the mod's blog at @decepticonsensual.)

Please keep in mind that the prompt is just the kink. Don't bother to include a specific pairing or a specific continuity, as these will not be part of the prompt list. (If you did include these things in an ask you submitted, that's okay, but I'm only going to take the kink idea part of the ask.) Speaking of -

What characters/continuities can I create for?

Anything under the Transformers umbrella! That includes shows, films, comics, games, novels, and that Optimus Prime Potatohead, which is actually canon. We live in an age of marvels.

What if I can't create something for every day?

No worries! Create as much as you want to. If you contribute something for a single day's prompt, that's awesome, and if you do it for every day, that's also awesome.

How do I share my fic, fanart, or other creations?

Post on your own account and tag #transformerskinkfest or #tf kinkfest, please!

Please make sure you TAG/WARN FOR YOUR WORK APPROPRIATELY. (A warning that you aren't going to warn people - like the "Choose Not To Warn" tag on AO3 - is fine, provided that readers have to choose to click through to your creation after seeing that warning.)

That title looks like it says Transformer Skink Fest - is this a festival for fanfic and art about Transformers becoming lizards?

No, but now I wish I'd thought of that.

[icanseethefuture333]

The Astrological Observation of Gen Z, (a series)

Part I 👼🏽🩷:

The rise & fall of "chick flicks" & the possible resurgence of those films thanks to Barbie? 💗 + Victoria's Secret Angels/fashion show makes a come back, will it succeed 👼🏽?

SPOILER ALERT

Here is the birth chart (placidus) of the most loved and adored doll of all time, Barbie! The Barbie movie begun filming in March 2022, had it's first premiere on July 9th, 2023, and was aired officially on July 21st, 2023. If the movie started to be filmed in March 2022, then that means the movie would have been created during Barbie's solar return. The movie was going to have a big impact on the world from the moment it was produced. Although, yes of course it's Barbie who's super famous, but I believe that the intention behind the film was more sincere than other movies in comparison. In Barbie's solar return chart, there is a fear of being "forgotten" or "lost", which is exactly what Barbie struggled with in the movie. There is an Aquarius dominance and a 11th and 9th house stellium. Her North node, Moon, and Uranus are in her 12th house which deals with the subconscious. In the film, Barbie and the woman who owned her as a little girl had a telepathic connection (Aquarius Venus at 2° in the 9th house), which she did not know until she started having "oppressive thoughts about death" (Aquarius Mercury in the 10th house at 28°). Which Weird Barbie gives her a "choice" of going back to normal or knowing the secrets of the universe (a spiritual awakening). Which then explains how her 11th house and 9th house partnered together in the film. Friendship, philosophy, and wisdom all being important lessons that Barbie was forced to experience. Barbie's journey throughout the movie was painful and scary. She wasn't able to be the one to give advice or help little girls anymore, this time - people had to help her, which gave her the confidence to become the woman she wanted to become (Barbie has so many squares and conjuctions in her solar return chart, like let me go buy a Barbie doll and tell her how much I love her, I'm so sorryyyy 💔😭).

Barbie's transits on the day of the Barbie movie's official release. Aspects that are standing out to me are Part of Fortune sextile Pluto, Uranus sextile Moon, Pluto sextile Jupiter, Mercury trine Venus, and Mars square Ascendant. The movie will go down as a cult classic. It globally is a big hit on social media and caused people to even dress, think, and feel differently (especially regarding their femininity). The mars square ascendant could be why men or people with internalized toxic masculinity feel uncomfortable with the movie. It triggers something in them and I feel like secretly that men who say they hate Barbie, actually love her??? They could be remembering childhood memories of the doll and possibly even wanted to play with one but weren't allowed to or wished they spent more time with their moms or sisters. The Mercury trine Venus represents how the film was able to convey women's thoughts well and the things they wish they could say but were suppressed due to the patriarchy. Women as a whole really love Barbie or think highly of her. The film's hypothetical birth chart has a 12th house stellium and still conveys the significance of intuition and the subconscious mind. What's beautiful is the film's Pluto is in the 5th house at 29° in retrograde. If they intended to have people reconnect with their inner child, then it was done successfully. Which confirms my belief and also hope for sweet, sappy, inspiring chick flicks about friendships and self love happening again.

This wouldn't be a post about the 2000's if we didn't discuss the Victoria Secret's fashion show. The first episode was released on August 1st, 1995 during prime time so around 8 pm PST / 10 pm EST. Here is the hypothetical chart (placidus) of the Victoria's Secret Fashion show. I have never in my life seen so many retrogrades before, YIKES! The show has a lot of karmic debt and with the amount of scandals the company had, I'm not even surprised. Saturn in the 1st house, so there is a strict beauty standard that the show wants to uphold and dislikes when someone else tries to break the mold. I watched the Victoria Secret documentary and this is what was said as well. The women who worked there tried to bring more inclusivity to the company and the men acted very pompous and stubborn whenever they tried to create positive changes. They wanted to get away with their cookie cutter looks and corrupted desires. North node being at 0° the fashion show was supposed to embrace change and throughout the years resisted it's main intention or purpose of making women feel sexy. Now that they are trying to rebrand, they'd really have to really get over their ego in order to succeed. The exact date and time of the upcoming fashion show is unsure but it will be aired sometime in the fall. With the Victoria Secret's Fashion Show Sun sign being in Leo, then that means the episode will air right after it's solar return (I'm noticing a pattern here of companies releasing projects after it's solar return👀). Things seem to be going in the show's favor and it will be fair or more inclusive as they said it would be. There is a 7th house stellium here and a Moon in the 1st house so it seems as though they want to come off as genuine as possible. Saturn still remains in the 1st house, so there is still some stern energy here, maybe the rules for the models is strict or there is some sort of tight schedule for the show? Jupiter in the 3rd house, people will be talking about it or there's going to be articles/podcasts about the show. Pluto square South Node, the company's past scandals will still linger in the air. Uranus trine Chiron, someone in PR could write formal apologies to the staff? Saturn square Jupiter, Saturn is not done with them yet. It's literally grabbing them by the throat and saying "repent for your sins". It's not great, but not terrible either, but I'm leaning towards the fashion show will do just fine. The women will be exceptionally beautiful and the style of the clothes is gonna be different. It could take some time for people to be on board again with the show airing due to past controversies. Some will enjoy it for nostalgia, while others will not care to watch because it's not their thing or won't watch out of support for the victims.

The Tour '23's birth chart (whole sign)

The show having its Aquarius Moon in the 12th house 24° is very significant in my opinion given the fact it displays the hidden nature of women and the different aspects of the divine feminine. I watched it today and there was a lot of focus on motherhood, feeling unique or out of place in the world (a lot of people saying they felt like an alien), and having different body types, attributes, or features being seen. With an Aries chiron and north node, I feel their way of approaching things was more blunt and why they were more comfortable exhibiting/talking about scars, stretch marks, protesting, and (tw:) eating disorders. Another interesting aspect I noticed was mostly the narrator Gigi Hadid and the show has a Virgo Mercury in the 7th house 16°. Quite a few of the women narrating were mothers themselves, such as Gigi Hadid. Gigi has her Mercury in the 1st house and she has a Taurus stellium. The 7th house is connected to Venus and it is known for beauty, femininity, and love. There was also 5 segments all around the world but the show made its debut in Lagos, Nigeria. The Pisces ascendant I believe explains the fluidity and ability to transform or adapt to your environment. As well as being sensitive, free spirited, and having spiritual consciousness, for example, there was the use of Yoruba and Igbo mythology in the fashion show. The Victoria's Secret Fashion Show originally had a Leo stellium and it was more superficial, a lot of hyper focus on glitz and glam. Where as now there is a Pisces stellium and still has a familiarity of signs from its original birth chart (the essence of Libra, Taurus, and Leo still being there). The Capricorn Pluto in the 11th house 27° acknowledges what they have done in the past and their problematic behavior. With 27° being a Gemini degree, its as if the company is wanting to say to the generation: "Let's talk about it". The fashion designers in the documentary all discussed the importance of self expression and their hardships to get there. Doja Cat being the main performer of the series isn't surprising given the fact she is also a Libra Sun. Similar to the show, Doja and Victoria's Secret, are both known for being quite controversial (perfect pair, don't you think?). With The Tour 23's Sun being in the 8th house, it feels that it is the death of their ego. A new chapter for the company, while still keeping some parts of itself and it's past. Neptune and Saturn being in the 1st house explains why everyone was so vulnerable about their journey, insecurities, and dealing with self criticism. With its ascendant being a leo degree (5°) I believe it will gain some traction or buzz because of the individualistic style and fresh new faces / designers, but it won't be anything that will people talk about long term.

[hooked-on-elvis]

[BEHIND THE RECORD - Elvis onstage from 1969 to 1977] "I Can't Stop Loving You"

Written by country singer Don Gibson, who first recorded it in 1957, RCA Victor released "I Can't Stop Loving You" in 1958, and it became a country hit single. The song was covered by many artists over the years, most notable one being Ray Charles, in 1962, due to how he turned the tune into a No. 1 single on the Billboard chart.

Elvis Presley performed the song in many iconic concerts of his career - from 1969 into the 70s.

The first time Elvis Presley was recorded singing "I CAN'T STOP LOVING YOU" was during one of the American Sound Studio sessions, on February 1969. It wasn't an official recording tho. A jam version of the tune was recorded while EP was warming up with his musicians so they could cut the songs that would be released in his LPs for the times following — "From Elvis In Memphis" being the album this recording session was intending to create at first.

Not long after this recording session, "I Can't Stop Loving You" was worked up as a number to Elvis' concerts. Rearranged, the song gained a more dramatic tone than we can listen to from how it originally sounded in Elvis' voice at the recording taped at the American Sound Studio previously, so from this moment on Elvis would perform the tune in quite a few iconic concerts of the latter era of his career, the very start being during his comeback to live performances on July/August 1969, onstage at the International Hotel's showroom in Las Vegas, Nevada.

Soundboard audios with "I Can't Stop Loving You" recorded during his concerts, including in 1969, were released on some his live albums throughout the years, such as "FROM MEMPHIS TO VEGAS (IN PERSON)" [recorded in 1969], "ELVIS AS RECORDED AT MADISON SQUARE GARDEN" (recorded in 1972) and "ELVIS: RECORDED LIVE ON STAGE IN MEMPHIS" (recorded in 1974).

Live performances of Elvis singing the song were also officially taped, and they are very known to the fans for obvious reasons because they are part of some of the most notable moments of Elvis' history as a performer.

First official taping of EP performing "I Can't Stop Loving You" live took place during one of his engagement seasons at the International Hotel on August, 1970, as released on "Elvis: That's The Way It Is" documentary, then again on April 1972, filmed for "Elvis On Tour" documentary, and not long after that another performance of this tune was filmed during the "Aloha From Hawaii via Satellite" concert, on January 1973.

BUT, BEFORE WE CAN GO TO THOSE FOOTAGES, HAVE YOU LISTENED TO THE JAM VERSION RECORDED IN STUDIO IN 1969?

— NOTE FROM AUTHOR I love sharing Elvis' performances of the same song over the years, but what I would really love you to listen to now is the 1969 jam version of the song we're talking about, for it sounds so different from the live performances the fans are already very familiar with. I didn't knew about this recording until a few days ago and I loved it so much that this track is the reason why I needed to talk about this song. You will read about the moment EP was recording this song soon after.

Elvis Presley in the waiting room of the American Sound Studio, early 1969.

▼ FEBRUARY, 1969: "I CAN'T STOP LOVING YOU", RECORDED AT THE AMERICAN SOUND STUDIO, MEMPHIS, TENNESSEE.

Song starts at 0:35

Album: American Sound 1969 (2019)

It was an American Studio tradition: paying tribute to the chief with a rendition of “This Time,” a Chips Moman-penned hit for Troy Shondell in 1961. Elvis had heard about the rite, and he serenaded his producer at the start of the February session with the few lines that he knew, segueing into Don Gibson’s “It’s My Way,” a song he had asked Freddy to check out the year before. Plunking along on his acoustic guitar, laughing at his own mistakes but singing his heart out, he drew the band into another Don Gibson number, “I Can’t Stop Loving You,” which he would transform into a dramatic show-stopper six month later in Las Vegas. Excerpt from "Elvis Presley: A Life In Music" by Ernst Jorgensen and Peter Guralnick.

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

— NOTE FROM AUTHOR COOL, ISN'T IT? 😍 Have you heard the 1969 jam session version before? Don't know about you but I just can't stop loving it. So, now let's hear how that baby sound onstage.

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

[FOOTAGE]

LIVE PERFORMANCES OVER THE YEARS

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

REHEARSAL ▼

July, 1970.

LIVE ONSTAGE ▼

"Elvis: That's The Way It Is" (August 1970) "Elvis On Tour" (April 1972)

"Aloha From Hawaii via Satellite" (January 14, 1973)

RECORDED LIVE ▼

Live at Convention Center Arena, San Antonio, TX (April 18, 1972)

Live at Madison Square Garden (June 10, 1972)

High Sierra Theatre at the Sahara Tahoe Hotel, Nevada (May 13, 1973)

Live at Mid-South Coliseum, Memphis, TN - March 1974

Song starts at 0:38:

I can never get enough of how Elvis' history is so amazing. ♥

What are your thoughts about the jam version of "I Can't Stop Loving You" by EP? I'd love to hear from you.

By the way, do you like this track-to-track-history posts? I've written some so far but I have some others I'd like to share too. If you have any requests, any Elvis Presley songs you'd like to know more about the recording sessions or comparisons of the times a same tune was performed live by Elvis over the years, feel free to hit me with it. I sure will have great fun researching it for you.

[venusvity]

2022, the year Venus finally secured the Converse and a Pepsi sponsorship. Arguably, this is the least liked year of Venus for a majority of Constellations for numerous reasons. Trying to replicate the success of Summer Luv!, the girls would release their 8th mini album, VENUS HIGH! with the title track Hi-Tops, along with a collaboration with the brand Converse.

Commercially, the song peaked at number ten on the Gaon Digital Chart and topped the Billboard K-pop Hot 100, their first number-one song on the chart. Following the release of Venus High!, Venus promoted the song with live performances on several South Korean music television programs and amassed six music show trophies. They also held a concert by Converse, which sold out in seven minutes.

VENUS' collection with Converse. Each girl got to desgin their own shoe. The collection sold out in 15 minutes.

Venus would come back with their fourth full album, their last project with beloved creative director LEXA. Love, Venus would feature the title track, "So Sweet," along with eleven other tracks.

"So Sweet" won eight first-place music program awards in South Korea, including a triple crown (three awards) on Inkigayo. It also won a Melon Weekly Popularity Award.

"So Sweet" debuted at number one on South Korea's Circle Digital Chart. It remained atop the chart for thirteen weeks, becoming the longest-running number-one song in its history. The song debuted number one on the Billboard Vietnam Hot 100 chart issue. It topped the chart for three consecutive weeks. In Japan, the song peaked at number 12 on the Billboard Japan Hot 100 and number 13 on the Oricon Combined Singles Chart.

The music video would feature heavy Pepsi product placement but is still beloved by fans as it's the last video directed by LEXA. Lexa would make a lengthy Instagram post announcing their departure from Angelico and Venus' creative director, leaving fans and the girls concerned in what direction they would go in next.

LEXA'S DEPARTURE LETTER: it only feels right to share my favorite moments with my favorite girls, though there are plenty more. if i could post 100 images on this post i would lol. as of today, i have officially stepped down as the creative director of venus. these five girls are so special, talented, and overall wonderful visionaries i wish had more freedom over their careers. i do not wish to get sued so i won't say much, but i hope you all can use critical thinking skills as to why i've decided to leave angelico. i wish yoonah, bliss, chloe, sena, and jiah nothing but so much love and well wishes for the best. I'll always have so much love for my five favorite stars in the sky 🌟 until next time, venus! ❤️

The girls would take a short break, something unheard of in their career, to regroup and find a new creative director. In comes Adrian Reyes. Adrian would take over as not only their creative director but producer and marketing manager, ushering Venus into their most controversial era.

??? would be the ninth mini album by Venus with the title track GOTCHA. The ??? era would be defined by the marketing used to prepare for the era. Posters were posted around the world about the "missing sister of Venus" with four girls on the poster. Billboards asking, "Have you seen our moon?" would be put up around LA, Seoul, Busan, Tokyo, Shanghai, and various other cities featuring the four members Sena, Baebi, Jiah, and Bliss, but no Chloe. This led fans to believe she wasn't going to be included in the comeback until a thirty concept film, "Why Venus Has No Moons: ???" It was posted to their YouTube channel.

Venus was finally getting lore, and fans were...very mixed about it!

Stills from "Why Venus Has No Moons: ???" directed by Adrian Reyes.

The album would come, and the title track, GOTCHA, would cause a mass debate on Twitter on whether the song was good or not. The debate still goes on to this day. "GOTCHA" won 10 first-place music program awards, including a triple crown on M Countdown.

In South Korea, the song debuted at number 17 on the Gaon Digital Chart for the issue dated and peaked at number 5 in its second week. It also debuted at number 1 both on the component Download Chart and on the component BGM Chart.  In the United States, the song debuted at number 5 on the Billboard World Digital Song Sales chart. It also debuted at number 37 on the Billboard Global 200 and 29 on the Billboard Global Excl. US during the same week.

Venus would win Artist of the Year and Best Female Group at the 2022 MAMA Awards.