#OKAY SO END OF PART 1

[shou-jpeg]

-Back on the Beat-

Part 1. 06

So Porsche wasn’t much help. Porchay doesn't really want to ask Ohm for advice, since he hasn't actually told Ohm much of anything that’s been going on… and Mine only knows that Porchay had his heart broken by “that psycho who dislocated Sun’s jaw”. 

...He still brings it up sometimes...

Porchay goes back to his message chain with Kim and scrolls through their recent exchages.

‘Fuck it’ he thinks. 

And sends Kim a text this time.

END OF PART 1 

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[pomarrillo]

thought id pick up fe3h again after 4 years! blue lions this time 😁 and then church route next if i dont get burnt out by then

[silverwhittlingknife]

So you're a go to source for all things Dick&Tim bros and you tend to write primarily from Dick's POV. So, odd question, but if you were to summarize their relationship from his POV in FIVE panels which panels would you pick? Keeping in mind that one specific aspect of their relationship that you love needs to be clearly represented by each panel (loyalty, trust etc). I hope this is a fun challenge and not an annoying question so if you don't want to answer that's cool! Have a wonderful day!

No more talk. The same thoughts run through two minds... (SotB 29) / You're my equal. My closest ally. (RR 1) / I can't stop thinking how much I rely on him. (GoG 3)

25 Feelings Dick Has About Tim

This was such a kind ask & a cool challenge which I totally failed; here are TWENTY-five panels of Dick's POV on Tim sdfdsfds Look, I got carried away! Marcia and Cindy! The boys!!

OKAY SO BEFORE I GET TO THE PANELS A FEW NOTES:

WARNING THAT THERE ARE SOME NEGATIVE EMOTIONS IN HERE because I love conflict but but but you gotta remember those are not the final word!! They are complicated people and sometimes they get mad at each other BUT ultimately their relationship is so hugely important in both their lives & they love each other and rely on each other so much -!!! <3

Also I have CONCLUDING THOUGHTS at the end about what Dick's POV leaves out (mostly: a lot of Dick defending & protecting & supporting Tim, which Dick does instinctively but isn't very self-aware about most of the time)

I have loosely organized my list into 5^5 format (5 categories with 5 examples each!), so if you want to skip to a relevant one, here are the categories!!

Below the cut:

I hate him and find him infuriating (#1-5)

On second thought, he's endearing & fun (#6-10)

Grief is complicated & he's all tangled up in mine (#11-15)

I love him & think highly of him (#16-20)

I rely on him & though it's hard for me, I trust him (#21-25)

I hate him and find him infuriating (#1 - 5)

1) He thinks he’s so smart and can psychoanalyze me and Bruce, but he doesn’t know me at all, he should get lost (New Titans 61)

2) He thinks he’s so smart and can psychoanalyze Bruce but he doesn’t know Bruce at all, he should get lost (Gotham Knights 26)

3) He is so nosy about stuff that is MY business (Robin 0)

4) He sounds like an insincere suck-up half the time... but okay, fine, if you push him he's got a sense of humor about it (New Titans 65)

5) I'm sure he's a better vigilante than me. It's my fault for being a failure, but I resent him anyway. (Nightwing 9 - Dick's having a nightmare)

On second thought, he's kinda endearing (#6-10)

6) He worries too much and gets anxious so easily, but it makes him fun to tease (Robin 67)

7) I'm not that competitive - okay, so maybe I'm a little competitive, I gotta make sure he doesn't get a swelled head (Prodigal)

8) I'm supposed to be his favorite! It is not cool for him to be fanboying over my not-girlfriend's not-boyfriend!! (Birds of Prey 19)

9) We have fun together. I can kick back and relax when it's just the two of us. Plus I get to boss him around a bit. (Prodigal)

10) He’s always trying to reassure me, and I guess it's a little comforting, but also he doesn’t really get it. Or me. He makes excuses that he shouldn't, because he doesn't understand that I suck. (Nightwing 64)

Grief is complicated and he's all tangled up in mine (#11 - 15)

11) He reminds me of everything I try not to think about. Sometimes the memories are so strong it hurts to look at him. (Batman 441)

12) WHY IS HE BEING IMPOSSIBLE ALL OF A SUDDEN??? THIS IS SO FRUSTRATING (Nightwing 139)

13) We're the same. He says all the things I don't let myself think about. It's like arguing with myself. (Nightwing 139)

14) He thinks he gets to tell me what to do but he doesn’t, fuck him (Battle for the Cowl)

15) Life sucks, so what. I sucked it up so he should too (RR 1)

I love him and think highly of him (#16 - 20)

16) He’s the closest thing to a brother I’ll ever have.  If someone hurts him I will hurt them harder. (Nightwing 6)

17) I can't handle the idea of losing him. (Nightwing 97)

17) He’s so good and I’m not. I'm afraid I’m bad for him. (Nightwing 110)

18) He’s better than me, and it’s kind of a relief because I know no matter what he’ll be okay. (Gates of Gotham 3)

19) In my head he’s the responsible one.  (Gotham Knights 10)

I rely on him, and though it's hard for me, I trust him (#20-25)

20) I know I have to trust him but I'm afraid he'll make the wrong choices and get hurt (Nightwing 139)

21) I'm sure I know what he should do because I see myself in him - not that I can take my own advice, but he should (Blackest Night 3)

22) I trust him.  When I’m losing my grip on things, he pulls me back. (Gotham Knights 10)

23) I want him to trust me (Red Robin 12)

24) He can tell when I'm lying. Sometimes he sees my weaknesses better than I wish he did. (Detective Comics 874)

25) He’s always there when I need him. (Teen Titans / Outsiders Secret Files)

Final rambling thoughts:

TIM: Uhh, okay, so I'm just skimming this list - do you really trust me? you're not just saying that? - but anyway, I'm confused because you left some stuff out? Like some stuff that's kinda important? DICK: No? I think I got everything? TIM (starts counting on his fingers): The time I was having a bad day but then I called you. The time I got captured by Two-Face but then you saved me. The time I fell off a train but then you saved me. The time I fell off a building but then you saved me. The time I fell off a different building - DICK: I feel like you're trying to make some kind of point but I'm not sure what it could be.

SO THE THING IS, I put 25 panels in here and not a single one has Dick catching Tim when he’s falling!!! But I think that's a central motif of their relationship from Tim’s POV, not Dick’s. I love Dick, but in some ways I think he is spectacularly un-self-aware.

And I think he especially has a lot of blind spots about Tim. He kinda intermittently gets that Tim admires him, and he enjoys it in a playful I-get-to-boss-you-around way. But Dick tends to consistently underestimate all of his own good qualities & skills, and he meets Tim at a point in his life when he's especially down on himself & his abilities. And so he's unable to see his own influence on Tim, & therefore unable to fully understand a lot of Tim's priorities and loyalties and motivations, because you can't actually understand Tim without understanding Dick's impact on him. There's a fascinating moment in Bruce Wayne: Murderer when Dick's completely blindsided & upset to discover that Tim doesn't entirely trust Bruce, even though this has been a definitive fact of Tim's whole thing ever since he showed up with his Batman needs Robin theory, and Barbara has to actively remind Dick of the obvious-to-everyone-except-Dick fact that a lot of Tim's loyalty is to Dick, and Tim loves Bruce but feels free to be more wary of him. (And to give Bruce credit: this is not something he ever begrudges.) But anyway Babs points this out, and Dick manages to sorta process it for about five seconds, but he cannot actually accept it into his worldview so instead he discards it at the speed of light and goes off and has an argument with Tim instead sdfsfdsf

All of Dick's virtues - Dick's kindness at the circus and Dick's determination to fight through grief and Dick's rigid sense of morals and Dick's vigilante skills and every time Dick has ever backed Tim up or listened to him or protected him or saved him from something or just been casually kind to a stranger in Tim's presence etc etc etc - all these things loom really large in Tim's mental story of Who Dick Is, and What Dick And Tim's Relationship Is. Tim meets Dick before he meets Bruce, trusts Dick more than Bruce, aspires to be Robin instead of Batman. And so in Tim's default version of the story, Dick is the super-special and admirable hero and Tim is... nobody in particular, a tagalong outsider who's barely managing to be a hero, not part of Dick and Bruce's family and not part of their story, who, if he's VERY LUCKY and tries REALLY HARD, might be able to fight his way to proving himself and offering something to Dick that Dick will value, if Dick doesn't get fed up with him first.

But that's not Dick's version of the story!!!

Dick's version of the story is almost the exact opposite, a story where Dick's an outcast failure black sheep who's screwing up everything he tries, and meanwhile Tim is The Sudden New Perfect Robin Who's Better Than Me And Probably Bruce Loves Him More And Probably They Gossip About What A Loser I Am, mixed with a complicated edge of Tim Thinks He's So Smart But He Doesn't Know Me/Us At All. Dick gets much more attached to Tim over time, and Tim gets unnervingly better at the know-it-all psychoanalysis so then Dick gets to have complicated feelings about him being right instead of just annoyance at him for being wrong, plus Dick's relationship with Bruce improves a lot, so Tim stops feeling so threatening. But Dick never fundamentally changes his basic theory of their relationship in which Tim is highly impressive and capable, and Dick is not so much.

And so asking Dick about Tim is kinda like if you asked George Bailey to tell you about Harry Bailey in It's A Wonderful Life; like, you'll be there for five hours while he tells you how great Harry is, and how accomplished Harry is, and how he doesn't really get how or why Harry does the things he does, and maybe George does feel a little resentful or jealous sometimes, but that pales in comparison to all his admiration and trust for Harry who he loves so much, who's better than him in so many ways, and he's not gonna openly gripe but secretly he can't help but feel sometimes like he's such a failure in comparison to Harry, a perfect person who emerged fully formed from Zeus's head with all the virtues and also all the accomplishments, etc. etc. etc. --

-- and he will not actually remember the part where he changed and saved Harry's whole entire life unless you literally send him to an alternate timeline in order to force him to remember it. <3

[mbirnsings-71]

"I will fall in love with you, over and over again."

"'Would you fall in love with me again?' The question is spoken quietly, even though there's no need for quiet, but something about how gently it's asked shakes Eddie. 'You ask that as if I would ever fall out of love with you, Buck.' 'Haha very funny, now humor me. Would you fall in love with me again?'" -------------------------------------- Basically Buck asks Eddie a question and Eddie answers it as best as he can for him.

Fandom: 9-1-1 (TV)

Pairing: Evan "Buck" Buckley/Eddie Diaz (9-1-1 TV)

Tags: Cuddling & Snuggling, Evan "Buck" Buckley Has Abandonment Issues, Evan "Buck" Buckley Has Self-Worth Issues, if you squint cause like it's just a throw away sentence but yeah, Eddie Diaz Loves Evan "Buck" Buckley, Evan "Buck" Buckley Loves Eddie Diaz, they just love each other basically, that's it that's the whole fic they just love each other, and reassure each other that they would always love each other, No Beta We Die Like Buck did for three minutes and 17 seconds, or how Bobby did for like 15 minutes, Post-Episode: s08e08 Wannabes (9-1-1 TV), cause I mention it soooooo yeah gotta tag that appropriately, Canon Compliant, Kissing, just one kiss but it should be tagged, One Shot, Praying they aren't super OOC! We will see, first published work in this fandom so please be nice!

Complete | 1,714 words | Read on Ao3

[jchorsky]

Main theme of ISAT music analysis yaaayyyy yippieeee

big thanks to @ asterythm on discord for the music sheets i am forever endebted to you. here's their post with their stuff! GO GIVE THEM SOME LOVE DICTATION IS HORRIFIC. https://www.tumblr.com/starsalive/755820156323774464/isat-title-theme-piano-sheet-music-for-solo [somebody who actually knows what they're doing @cocoisindecisive responded with corrections, so the edits are gonna be in these brackets!! i couldn't leave this unedited because it felt wrong] Since they've only done the main theme, i'm just gonna pick apart that. Big fuckin text post + absolute raving and ranting!! please tell me there is a functional line break here PLEA

ISAT's OST is very economical in that it constantly reuses one central motif. I want to go on a very brief tangent to cover this motif because I feel like that's worth doing. ---What the fuck is a motif?--- i want you to repeat something with me, okay? deep breaths. A MOTIF AND A LIETMOTIF ARE NOT THE SAME. A MOTIF AND A LIETMOTIF ARE NOT THE SAME !!! PLEASE DONT USE THEM INTERCHANGEABLY MY HEART HURTS EVERY TIME !!!!!! thank you. so, a motif is a little piece of music information - usually a melody, but not always, i think? - that is reused and changed. It doesn't represent anything, really. That's the difference between it and a lietmotif - a lietmotif represents a person place or thing, and a motif just doesn't. ---Great, So what's the motif?--- it has two parts, this first part:

(this is repeated with the last 3 notes moved down a tone.) *[this is a LIE how did i think this, i literally just had to LOOK]*

this is the second part:

(which has the last part change a little bit when repeated in order to resolve.) There's some nice rythmn made with the dotted crotchet and the quaver, but nothing crazy like syncopation. It's mostly conjunct, but there's one or two little leaps in the melody. It's a fairly basic melody -- perfect for changing and adjusting to the needs of each piece.

this is used in every single track in the game! I'm not kidding, it's in every single one, try and listen for it! it's a very smart use of a motif. Onto the actual piece of music!

[to quote directly - "you dont mention that the "second part" of the motif is very similar to the first statement but with it's first measure having it's intervals being inverted (and the final eighth note keeping the pitch of the dotted quarter note). or that the second measure is again similar just that the missing C from the first measure is now the downbeat of this measure, and the B that used to be the downbeat is now and 8th note preceding the new downbeat. (plus the first statement of this second iteration changing the final three pitches so that its a stepwise walkdown from G to E)" - i knew something was different, just not what exactly, thank you for correcting me] --Main Theme--

It uses the motif as it's melody (see above), and while I won't cover that again, I will cover the harmony! The instruments are fairly simple, there's a chiptune piano and some kind of strings (?) helping with the harmony in the background. The two play together throughout.

While the key will obviously change between pieces and songs, harmony is a very important and sneaky way to hide meaning in a piece. Harmonies are also very hard and hurt my brain, so if i'm wrong feel free to tell me. (Also i hate reading bass clef)

[Dsus -> Esus4 -> G (kindanotreally) -> A sus4 -> A // ii -> iii -> V -> VI] A lot of suspended chords - suspended chords don't really hold on major or minor, so this leaves it feeling a bit unstable + airy. But, each suspended chord eventually resolves onto the major of each chord, so it still feels major. The thing that decides if a chord is major or minor is generally the second note in that chord - 3 semitones away from the first note on a major chord, and 2 on a minor chord. Suspended chords have the second note be either 1 (BUT IT'S NAMED SUS2????) or 4 semitones away (sus2 / sus4). This lets it dance around either, and it keeps tension until it resolves into either one. [ to quote directly again - "and then the chord progression you outline seems like gobbeldygook to me. measure 1's downbeat is not a Dsus chord, it's pretty clearly a power chord, and it leads into an F not an Esus4. measure 2 is mostly fine though, only think is that it is definitelly a G chord! if you wanted to be pedantic you could say it's a Gomit5 but i really wouldnt bother specifiying that and whoops your roman numerals are wrong! the big issue is that this 2 bar phrase DOES contain a tonic chord. in fact its the first of the measure! this is pretty clearly in D dorian, but i think you've confused it for C major since they share a key signature. but nope! given that correction and the ones above the roman numerals looks more like a [I -> III -> IV -> V]." YEAH IM REALLY BAD AT THIS I DON'T HAVE ANYTHING ELSE TO SAY 😭😭]

[Dsus -> F -> G -> Gsus -> Asus4 (kind of???????) // ii -> IV -> V -> ii -> ii] this little countermelody continues (i'm not sure if it's because i'm looking at the piano version and OOPS it's too late now, or because there is just a countermelody. what am i saying this would be countermelody either way????) and layers quavers over a crochet and minim harmony. The harmony itself mirrors the same as before - loads of sus chords with occasional, brief resolutions to major chords. But, what's weird is that I haven't seen a single I / Tonic chord yet? there's not a single chord that's just the first note of the key. That's kinda weird - most pieces even start with that. There's something there - technically, we're not at the start of the journey, we're at the very end of it, the very end of this year-long journey that all of the character's have been taking. [ corrections: "closer with measures 3-4 its just that measure 4 is an an Asus4 to A and that adjusting for you being in the wrong key the chord progression is still that same [I -> III -> IV -> V]" ]

[Esus -> Gsus2 -> C -> Esus -> Gsus2 -> C // iii -> V -> I -> iii -> V -> I] WHOOPS I LIED. there's the tonic chord! there's C! There's a good reason for a tonic to appear here, though - we have a perfect cadence, and that is very interesting. Those roman numerals are about the placement of a chord within a key. kind of - it's important for stuff. A cadence is the harmonic ending to a phrase - in this case, a perfect cadence, from V -> I. This sounds "complete" to our ears, it feels like the piece could end there. what's weird is that it repeats twice, and keeps going on the second one. Furthermore, the melodic phrase is ending here, the motif is ending. This would be a far more "complete" ending if it stopped here. But it doesn't.

It changes from block chords to ostinatos (MIGHT BE THE WRONG NAME.), but each of these semi quaver / demi semi quaver progressions return back to one note while playing out a countermelody at the same time, still allowing for some kind of harmony. This change also builds up the pace in the piece, letting it build to the ending - this is the only thing that really drives the piece beyond this point, this building rythmn. Even then, it stops on this little crotchet chord! And then keeps going, into what is probably the most interesting part. [corrections - "a couple of things wrong with this one. first of all i analyzed the chords for measures 5-8 as [Fmaj7 -> Gadd9 -> Amin7 -> Cmaj7-> Fmaj7 -> Gadd9 -> E -> A] with roman numerals: [III-> IV -> V -> V/III -> III -> IV -> V/V -> V]. no PAC here! also, even if this was actually in the key of C major there is no V -> I in the bass and none of the soprano movement need to be an actual PAC. just a bunch of movements by fifth :]. you say the rythym is the only thing pushing the piece forward, and while it sure is definitely a fun effect that's building some nice tension the constant movement by fifth's is definitely also contributing to the tone. be wary of blaming an entire piece's success on one element!"]

[Asus -> Gsus -> G -> Esus4 // VI -> V -> V -> iii] In terms of intrumentation, something weird happens here - the chiptune piano falls away into a far more real-sounding one, while the strings stay the same within this section. in terms of harmony, again! tons of suspended chords, with one or two resolutions that keeps the piece feeling major. This cadence is. Weird. [V -> iii] isn't really a resolution at all, and as far as i could find it doesn't have a formal name the way some others do. some parts resolve (the E notes) but others don't, (the A notes), so it ends up feeling only half-satisfying. This makes sense - the music is gonna loop, because this is game music, so it does make sense to have it not resolve. But. It resolved perfectly eariler - we did have a perfect cadence. So then, why break into this tiny little two bar ending, that doesn't even resolve? That can smoothly go back onto itself, and also back into the beginning of the piece? This part is quieter, the demi semi quavers have rested back into minims, and it feels a little bit like an anti-climax to the build from earlier - it doesn't feel like a dramatic ending that the build was maybe working towards, more like a quiet moment. Despite that, the texture in this two bar section never thins - the piano is never left behind by the strings - the strings don't get quieter either, just the piano. Why is this two bar section here, then? Why end on this, and not on the part before? Two bars, huh. What a strange number to choose. [corrections - "chord progession is: [A -> G -> E -> A]. i'd argue that the previous secondary dominant to the A tonicized the A, placing us in the key of the domimant (A minor). so because of that i''d say the roman numerals are [I -> VII -> V -> I].

maybe pedantic but i dont think its actually that weird or bizzare of a choice for the chiptune melody to be replaced by an acoustic(-sounding) piano. the isat soundtrack consistently uses both acoustic and virtual instruments! this is just establishing that and letting the listener know to expect more of this specific element of the soundtrack. as title themes tend to do!

and the piece is quite resolved by the end actually. if i believed what you believed about the sheet music and never listened to the track i could see how i could think that, but giving the track a listen and using your ear to sus out details reveals how resolved it actually is!" thank you for the corrections im real bad at this]

[personinthepalace]

The Question in Justice League: Crisis on Infinite Earths - Part 1

(also it seems like Huntress is going to be in this movie as well so hopefully there will be some Huntress and Question interactions!)

[clowndensation]

it's like. louis attempted to tell this story to daniel the first time, broke down, and attacked him before he could finish it.

and then decades later he's convinced himself that it was leaving the story unresolved that's holding him back from living his life fully now. so he invites daniel back again. and louis is sitting poised and put together, confident in his ability to recite his history in a pretty, poignant, neat little narrative that will resolve all the guilt and yearning and emptiness inside of him. that if he can just tell a compelling, satisfying story, maybe it will actually be that, and not the life he lived through, with all the pitfalls of his own failures lurking inside.

and then season 1 ends with him once again being forced to confront that the story he wants to imagine and the life he actually lived aren't the same thing. the boundaries around his narrative are shredded and he's left exposed, and subsequently able to face his past for the first time since that original interview. and you think, you think, "well this is it. they've crossed the event horizon. there's no use hiding the truth anymore, not after it's come flooding out into the open like this"

and then season 2 opens. not only is it back to the original, practiced distance, we now have armand literally enforcing that distance. a man sitting at the table who's interjections must be disregarded, an intentional interruption to the flow of the story. he doesn't exist to aid or add detail, he exists to distract louis when he gets too deep in the story. the only time we do get louis allowing any deep truth to come out is when armand leaves the room.

it's like. louis wants a story that's true, and the truth is what he's convinced will leave him satisfied. armand wants a story that will satisfy louis, to the extent louis will accept it's true.

[gregorovitch-adler]

John not being there in part 1 of The Three Gables makes me sad. :(

I know he needs time to grieve for Mary, but still. I miss him a lot.

That being said, I don't mind Mariana being the narrator this time. I love her voice too.

And I like the fact that Mariana and Sherlock are getting some alone time together (after loads of episodes of Mariana - John's alone time and John - Sherlock's alone time). Quite intriguing.

[gomzdrawfr]

practice doodles

[synthshenanigans]

something something the window in light & night is a mirror and its all just been Whole looking in a mirror thinking about himself/his brain

[flowersfortheghost]

since the spiderverse fandom is dying out, i have a confession to make

i thought gwen and miles were already dating until i saw the clocktower scene and was like "wait.. they're just friend?"

[majorasnightmare]

i know that technically the lack of party reactions to several of the act 2 Dark Urge Lore Reveals (and general lack of reactivity to non cutscene durge plot in general) is because of development constraints and budget and Releasing The Game On Time At Some Point, but PERSONALLY i just find it enjoyable and interesting to interpret it as addressable character flaws in them 💔

i love when characters are incidentally shit friends to people they care deeply about for very understandable reasons, and also i love when those seemingly small decisions explode into disproportionate consequences and maybe also have a body coubt

[anaalnathrakhs]

letterboxd users absolutely flabbergasted that a movie underlines its point about a toxic social norm with cinematography, instead of having characters say they're gonna do a Toxic with their mouth

[witheredgardenparty]

Every now and then I see the discourse circulate on this hellsite, and I wonder if people know that the term 'yandere' used to have an extremely specific definition that no longer holds up to how people use it today

[edwardshundredyearoldspunk]

15 Christmases With Doctor Who 🎄🎁!

The Christmas Invasion (December 11)

The Runaway Bride (December 12)

Voyage of the Damned (December 13)

The Next Doctor (December 14)

The End of Time (Part 1 & Part 2) (December 15)

A Christmas Carol (December 16)

The Doctor, The Widow and the Wardrobe (December 17)

The Snowmen (December 18)

The Time of the Doctor (December 19)

Last Christmas (December 20)

The Husbands of River Song (December 21)

The Return of Doctor Mysterio (December 22)

Twice Upon a Time (December 23)

The Church on Ruby Road (Christmas Eve! )

Joy to the World (Christmas! 🎄)

[whoblewboobear]

You ever think about the Porter character assassination and feel rage?