#OK TAG RAMBLE OVER I WAS JUST LIKE '!!!!!!!!!'

[old-desert]

Inktobertale 2024 Day 5: Camping

Cross doesn't know that the first law of the multiverse is that there's nowhere Ink can't be.

[aforgottenthing]

Tragedy enjoyers when there’s not one, not two, but three combinations of tragic relationships at the center of the narrative AND they’re bisexual

[tls12lessthan3]

thinking about orvs metatextual engagement with its genre and specifically how that interacts with its women again. kim dokja is a self insert for the reader - what he thinks is largely meant to represent what we think, especially in the beginning before sing shong really fleshes out his character. kim dokja sees the world through tropes, directly acknowledging the genre around him and the cliches we expect e.g. the overpowered mc, the scheming villain, the beautiful heroine.

but a major part of his arc is deconstructing this reductionist view of the world in a way that parallels the author's deconstruction of the genre, and that plays really well with the way orv writes women. yoo sangah is perhaps the best exanple - shes introduced as the heroine, a one-dimensional pretty girl who in any other novel would become kim dokja's love interest. but the authors allow her to be her own character, directly challenging the stereotype of the heroine and calling attention to the genre's typical lack of depth for such a character. i think this undercurrent plays in the background often but really comes to the forefront when yoo sangah reminds kim dokja of her putting pepper in their bosses' coffee, a memory kim dokja had supressed because it didn't fit with the pretty girl persona he made for her.

i interpret that moment as yoo sangah pushing her way out of the mold of heroine often found in these stories, demanding a depth be added to her character, asking kim dokja - and thus the reader - to see her in her entirety, to see the heroine archetype for what she could be. orv is at all times in conversation with its genre, and its simultaneous writing of female characters with agency and depth and acknowledgement of the tropes these women are expected to fulfill is undeniably a part of that. and its a part i enjoy. most of the time.

[sideblogdotjpeg]

ive been thinking about the red string superstition recently and also sol bufo always and it makes me sick how uncannily caldwell tanner has made sol to perfectly target me personally

(+ cropped versions !)

[dizzybizz]

bee ess dee

poe posting

[buqbite]

Halo

[cradle-of-darkness]

au for funsies where sylvie joins bliss ocean and gets a little too into it (to the point of basically acting like a supervillain) (definitely not an excuse to think about evil sylvie)

[makiswirl]

can i just say. and this is probably a niche hill to die on. that i am so gobsmacked every time someone vaguely hints at the idea that jotaro doesn't care meaningfully for the other crusaders, usually particularly kakyoin and joseph, when those two actually tend to be the ones he reacts to being hurt the hardest

like he cares for his loved ones!!!! that literally plays into his character motives in every single part he shows up in!!! stop lying to me!!!!!!!

[sludgekludge]

stop pointing shit out about the helluva designs i'm still caught up on asmodeuses tiny head ever since you pointed it out /lh

no. look at it

i want you to look at it

[a2zillustration]

(It's ok Yurgir will respawn in Avernus)

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[[ All Croissant Adventures (chronological, desktop) ]]

[[ All Croissant Adventures (app) ]]

[120percents]

i just think it’s so funny that zoro does not even wanna comment on the usokaya situation when usopp explicitly asks and he very pointedly looks away when they kiss and yet he proceeds to butt in every single time sanji flirts with a woman or implies he knows about romance to redirect attention back on himself like god i wonder where your interests lie…

[veifei]

notes on veifei and reciprocation of the gaze

(or, rethinking the PVS as taking place After yingdu, and thinking about vein and xf looking at each other, basically. is this even anything)

- xia fei's PV — in a post Yingdu context we see 'influencer' xf, the news report at YE6 refers to him as such, prior to that he's just a part time model:

- liu xiao's appearance in XF PV is transactional; conversely vein's appearance doesn't have that implication — its one sided; vein gazes upon XF with a smirk/smile, a look of (personal) interest

- what's the point of showing this scene?

- POST yingdu context/interpretation — vein is overseeing/watching over (an unaware) XF? Amusement? (endearment?) (veifei stonks are UP because xf would have to have really captured vein's attention for him to still be looking at him 'beyond the grave'/from the shadows)

- other instances of the (un)reciprocated gaze? the ED; vein looking towards the light, XF looking out towards the rain; the first meeting in which there is a reciprocal gaze (tho really the focus/framing is on vein looking down at XF); XF 'looking up to vein' in the metaphorical sense (what he says to shiguang in bahati), gazing up at the clocktower (which vein is atop of in the OP)

- XF is Unaware of vein's gaze, but looks at him/up to him regardless; vein is Aware of XF's gaze, and does seem to gaze back (reciprocation of the gaze)

- the role of surveillance -- suggesting control/dominance (vein's PV, and his appearance in XF's) - but we see XF's 'self surveillance' in his PV too - submission/acceptance/...reciprocation? A 'please watch me' - XF is looking For vein/looking AT vein -> what he does ("i got nothing left to lose / all i do is pursue") is for vein's return(ed gaze)

[cometcare]

haiii are you still doing requests :-3? may i request my barruni fankid who i lovingly HATE!!!!!!!

TUMBLR USER TILLFATE IT'S AN HONOR

[the-one-who-lambs]

When you're a mortal leading the "shipping the two immortals" pack but the three-eyed ex-god of death has the intrapersonal emotional intelligence of a piece of toast

Based on my fic, the Risen Lamb and the Fallen God lmao

[moeblob]

WOW it's way later than I planned to just be finishing art but here we go! I did manage!

[threegunbrainrot]

i dont have any trigun mutuals so i'm just gonna ramble my thoughts into the infinite void of tumblr. and im sure others have touched on this same topic but

it almost seems like vash is getting softer with every new installment of trigun? like incredibly consistently and incredibly specifically.

let me explain.

i'll start with tristamp and work backwards; the tristamp vash we all know and love there is incredibly adverse to violence.

more often than not he ACTIVELY refuses to fight and just WON'T draw his gun. this post loosely counted the amount of bullets that he shot throughout all of season 1, and almost ALL of them (like to an insane degree) were dished out against knives, who vash knew was strong enough to take the hit.

the few times vash does draw his gun against a human in tristamp, it's as a blunt force weapon (against the badlads gang and livio, for example) or to disarm others/save someone with ricochet (like shooting the punisher before wolfwood can kill livio).

he just doesn't shoot people. at ALL.

then if we look at 98 trigun, things change drastically.

here, vash isn't afraid to hurt people a little if it means more will be saved in the end. of course he never kills, but he actually shoots people here. not only that...

he holds a casual, sarcastic conversation while pointing his weapon at people.

he constantly shoots at limbs to immobilize people, fires warning shots extremely close to peoples' vitals, and performs several very insane trick shots throughout the show to wound those with armor.

tristamp vash wouldn't even draw, but 98 struts around firing warning shots into the sky and singing about bloodshed for intimidation! i'm not sure there's a single episode where he doesn't shoot someone at least once.

...so what about trimax, then?

(PLOT SPOILERS AHEAD)

he is so. shockingly. violent.

of course he never kills. of course he's still trying to save people, but there's this anger in him that i was completely taken off-guard by reading for the first time.

tristamp vash is so soft he's painful to watch. 98 vash makes a heartbreaking effort to be as silly and nonthreatening as possible, constantly making himself out to be the fool. but trimax?

he's... literally grief-stricken and out for revenge. explicit revenge. he's angry and he's hurt and he lays his intentions out so clearly. he's making THREATS.

seriously:

hunting legato. HUNTING him.

it's not even a matter of drawing his weapon anymore. he does it constantly, and fires just as much. never to kill, but he doesn't joke around the way 98 vash does. the most he'll offer is a sunny smile to reassure others and nothing more.

i'm not that far into the manga, either. i'm sure there's countless more (and probably better) panels to convey this side of trimax vash, but i suppose it also says something that i've found so many panels depicting this so early on.

but the progression of vash's personality is fascinating regardless.

from a tortured, angry loner desperately trying to cling to his morals for rem's sake

to an equally devastated man who devotes himself so completely to acting the role of the fool

and finally to the sad, chronically depressed shell of a person in tristamp who refuses to so much as draw his weapon.