What I’ve Been Watching This Year
by Isobelle Cruz [April 13, 2023]
March has passed and I figure it’s too late to follow through with a post on the female directors I love, so instead, here’s a short list of the shows and films I’ve been watching this year in no specific order.
Beef (2023)
Directed by Lee Sung Jin
My most recent and favorite watch…lo and behold, Beef. A show about two extremely vulnerable and flawed people masking themselves through pride and borderline pettiness. Beef has it all from road rage, heist, and arson, to child abduction.
The Netflix Original starring Ali Wong and Steven Yeung features some of the most lonely characters I’ve seen on film. Danny Cho is a struggling self-proclaimed contractor that works every opportunity he’s given to keep him and his brother afloat while also standing by his promise to buy their parents a house in Los Angeles. With all of that weight at hand, Danny resorts to attempts at suicide and at the perfect time, meets Amy Lau—a woman just as lonely, struggling, and desperate at life as Danny.
But I promise you, it is not as touching as I made it out to be.
Danny and Amy take turns attacking each other after a road rage incident—pissing in Amy’s bathroom floor, vandalizing Danny’s truck, breaking into her house, fucking his brother, kidnapping her daughter—it never seems to end. … Until it does, in the middle of nowhere. The final episode of Danny and Amy in the Deserts reminded me of animals in the wild, a representation of what humans are in the grand scheme of it all. Beef is a must-watch for the hot-tempered, prideful Asians out there who are looking to see themselves on screen
Aftersun (2022)
Directed by Charlotte Wells
Aftersun was an experience. It was uneventful yet somehow spoke so much to me about the joys I’ve been holding myself back from and continue to do. I’d say that Aftersun is so well-loved because of how much it’s able to connect with its audience, despite their varying experiences in life.
It reminded me so much of a trip I had gone on with my father when I was about the same age as Sophie. It’s happened, it’s passed, and I can’t say it really made a drastic impact on my life. But it was there. It is now a memory—which is exactly what the film was. Instead of showing a major turning point in the protagonist’s life, it showed a memory, and it was enough for me to love.
Daisy Jones & the Six (2023)
Directed by James Ponsoldt, Nzingha Stewart, and Will Graham
Let me start off by saying how rich the production for Daisy Jones & the Six was, firstly through their music. I still remember when I first got my hands on the book and searched the band on Spotify, knowing very well that no results would come up, but now there they are—-with 3 million monthly listeners and 24 songs released.
Although the production and marketing went beyond my expectations, the writing seemed to lack, unable to show depth and establish the characters’ relationships with each other. The show went straight to the point, as though the writers had been scared of losing the audience’s attention by putting more focus on the little things, which I would doubt. It lacked the craziness that was found in the book. It lacked the drugs, women, fans, and the skyrocketing feel of their career that were always present in Reed’s works.
Nonetheless, these things never dragged down my rating of the show. It was interesting to finally see what Daisy and Billy’s chemistry looked like on screen and hear their lyrics come to life, which were, oh, so difficult to read on paper. Amazon Prime did its job to reach DJATS fans’ expectations and to entertain newcomers to the fictional band. — Let’s just hope Netflix does the same for Evelyn Hugo.
Suzume (2023)
Directed by Makoto Shinkai
My first anime experience in the cinema. Suzume’s soundtrack blasting from the speakers and Makoto Shinkai’s breathtaking art displayed before me brought this urge to jump through the screen. The atmosphere his art carried through the room was something I wish I could do with my own works.
Throughout the whole watch, it didn’t come to me that this was a love story between two people. There was that obvious crush Suzume had on Sōta, but it surprises me to hear a few people refer to this film as romance. It was moreover an emotional adventure, shining light on the lost souls that have made inches of the world alive.
My favorite scene, before Sōta is turned into a keystone, wherein Tokyo is shown in slow-motion with people going through their everyday lives—eating, shopping, and commuting–-while not knowing their world was on the brink of end, made me ponder of the unseen things that make life the way it is. Everything that has brought everyone to where they are.
There had been times when Suzume and Sōta would prepare to lock up a door once again and I’d think to myself, when will this end? It was as though listening to a song that would repeat the same line over and over again, but besides that, the pacing was captivating---had my eyes stuck to the screen the whole time.
Suzume is exactly what you would expect from Makoto Shinkai. Beautiful art, music, and an okay story.
Babylon (2023)
Directed by Damien Chazelle
Ask me if I’m tired of watching films set in Hollywood and I would likely say yes. But that doesn’t stop me from doing just so over and over again. It surprised me to see how negative the reviews on Babylon have been and almost allowed myself to be swayed by them, but thankfully, had chosen otherwise.
Although I do see where some of the negativity comes from.
The film has been branded as “ Chazelle’s attempt to pander to the Academy for another best pic nomination” by audiences, and as yet another film showing off the lavish and wild lives of Hollywood. Inequality, drugs, women, abuse, and everything. What’s new?
Well, I don’t really care about what’s new or what makes Babylon a poorly-made knockoff of Cinema Paradiso or Once Upon a Time in Hollywood. Chazelle was able to keep me entertained and laughing throughout its 3-hour duration, and sometimes it gets really tiring trying to make cinema a technical experience. I can proudly say (shaking as I type this) that I loved Babylon.
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O sindicato dos diretores dos Estados Unidos revelou os indicados ao DGA Awards 2024. A cerimônia acontece no dia 10 de fevereiro.
Confira abaixo:
-Melhor direção
Greta Gerwig (Barbie)
Yorgos Lanthimos (Pobres criaturas)
Christopher Nolan (Oppenheimer)
Alexander Payne (Os rejeitados)
Martin Scorsese (Assassinos da lua das flores)
-Melhor estreia na direção
Cord Jefferson (American Fiction)
Manuela Martelli (Chile ‘76)
Noora Niasari (Shayda)
A.V. Rockwell (A Thousand and One)
Celine Song (Vidas passadas)
-Melhor direção em série de drama
The Last of Us - Peter Hoar
Succession - Becky Martin
Succession - Mark Mylod
Succession - Andrij Parekh
Succession - Robert Pulcini & Shari Springer Berman
-Melhor direção em série de comédia
Ted Lasso - Erica Dunton
Barry - Bill Hader
Ted Lasso - Declan Lowney
O Urso - Christopher Storer
O Urso - Ramy Youssef
-Melhor direção em filme de TV ou minisserie
Toda Luz Que Não Podemos Ver - Shawn Levy
Uma Questão de Química - Tara Miele
Uma Questão de Química - Millicent Shelton
Uma Questão de Química - Sarah Adinah Smith
Daisy Jones & The Six - Nzingha Stewart
-Melhor direção em programa infantil
Percy Jackson e os Olimpianos - James Bobin
American Born Chinese - Destin Daniel Cretton
Goosebumps - Rob Letterman
Stand Up & Shout: Songs From a Philly High School - Amy Schatz
American Born Chinese - Dinh Thai
-Melhor direção em documentário
Bobi Wine: The People’s President - Moses Bwayo & Christopher Sharp
20 Days in Mariupol - Mstyslav Chernov
Beyond Utopia - Madeleine Gavin
Still: A Michael J. Fox Movie - Davis Guggenheim
Kokomo City - D. Smith
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From Scratch – La forza di un amore: trailer e foto della miniserie con Zoe Saldaña
From Scratch – La forza di un amore: trailer e foto della miniserie con Zoe Saldaña
Read More Nella nuova miniserie romantica targata Netflix e ambientata in italia, Amy e Lino vivono una storia d’amore indimenticabile, ispirata all’omonima autobiografia bestseller del New York Times. From Scratch – La forza di un amore sarà disponibile dal 21 ottobre: ecco trailer e foto. Con Nzingha Stewart alla regia, il film vede nel cast Zoe Saldaña
From Scratch – La forza di un amore:…
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did you hear about the new show redrum jenna bans is producing... they have my attention... would prefer good girls to not have been cancelled lmao but. they have my attention.
I hadn't heard about it yet, anon, but oh my gosh, that sounds like so much fun! I'm delighted by Jenna producing and Carla Banks-Waddles showrunning too. Carla wrote some of my favourite eps of Good Girls 2.05, 2.09, 3.02, 3.10, and 4.06 (!) Show description below if other people are interested too :-)
Redrum is described a sexy, swampy dark dramedy/thriller about two best friends — Jess and Sadie – who host a podcast about New Orleans’ most infamous serial killers. But when they make fun of the wrong sociopath and people close to them start to turn up dead, our friends, who are grossly ill-equipped for this unfortunate circumstance, realize they have to do what the police haven’t: find the killer before they become the victims of their own story. Let the good times roll.
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