#Now if a character is just an asshole for exactly no reason? Kill. Kill them.

[cat-of-starlight]

There's been a Limbus Tier List floating around so here's my take :)

Original -> https://twitter.com/Lobo_Ryuu/status/1668559857140793350?s=20

[torchstelechos]

Do yall think about the ending of ISAT in any other characters POV? Cause I think about it so much, that must be buck fucking wild. Like, you get to Dormont after MONTHS of traveling with these people, you're feeling strong, you feel like you have a chance, so yall go separate directions to get everything done before the big day tomorrow and your buddy Siffrin goes to take a nap. You're like, ah! Classic Siffrin, so silly and nonchalant about everything, they never once thought we would lose. What a swell fella :). Then not even a full half a day later, more like a few hours later, he appears out of no where with a fucked up face and starts hitting you exactly where it hurts emotionally. No reason! You didn't do a fucking thing! They just fucking went for it! And now you're pissed cause that was a close friend of yours that you considered family, you're sad, you're mad, you dont understand what happened. You meet up with everyone at the clocktower early because apparently he did that to everyone! So good! Good! It's not just a you thing! You all talk it out and you all agree that maybe you should leave them behind tomorrow if they keep acting like this. Except. Except. They never came to the clocktower, they never came to talk to you about what happened and thats. Not acceptable. You need to understand what happened because after sleeping on it, why did he do that? They wouldn't ever do that to all of you, so something must have happened!

And then a Star appears.

And you learn exactly what has been happening behind the scenes but it doesnt make sense. But you know that your buddy just went to solo the house and you know they arent strong enough to do so, you know exactly what their level and strength and weaknesses are and the King is rock type! He's going to kill Siffrin if you dont go save them! So you start running through the house to go save them while the Star guides you, but the doors are all unlocked. There are ghosts everywhere. The hallways dont make sense. Something is broken, failing, and you are running out of time. so you climb up and up and up until finally you get to the final floor and then to the King's room expecting Siffrin to be a splat on the floor but. He's still alive, theres a chance! So you go and protect them from the King but uh, huh. The King is nearly dead? Siffrin almost solo'ed the King? A scissors type versus a rock type nearly won? And it was only a nearly and not a he won because Siffrin was frozen in time? What???? So you freeze the King, you save Siffrin, but they're injured and sick and have a fever so you try to take them to the head housemaiden to get healed but uh. Shes speaking nonsense??? Utter bullshit. Skipping, repeating, saying things out of order, and then she says you all can go home and everything falls apart around you.

Cause Siffrin? Yeah, your buddy who was being a tad bit of an asshole? And they just solo'ed the bad guy without you? Yeah, he's the last boss you need to beat actually. And they're huge! So big! You get ready for them to fight you, except he. Attacks himself. In front of all of you while crying. He's sad. They're hurting themself. You can not do anything but you start to connect the dots and you figure everything out. Then everything becomes normal again and they say what they wished for and hey! You wanted that too! So you hug them as he cries himself out and all of you are tired. That was a lot. They're craft tired and sick but they're okay. So you're happy and relax. They want to go back to Dormont, so you all go. Then THIS LITTLE ASSHOLE WALTZES OFF ONLY TO COME BACK INJURED TO HELL AND BACK???? He said he was going to go say thanks to that Star person, who you still aren't sure is a person but whatever, and then he comes back exhausted and clearly just used craft after being told not to?

And YOU STILL DONT KNOW HOW SIFFRIN BEAT THAT FUCKER AFTER SOLOING THE HOUSE, OR THE DEAL WITH THAT WEIRD SHADE IN THE SKY IN THE SHAPE OF SOME FUCKING WEIRD LEGUME. WHAT. HOW???? WHY??????????

Anyway I think about this a lot, it must have been a long and confusing two days from their POV

[warblogs17282]

Look, I like reading Stolago fanfics and all that, but I'd be lying if I said that Stolago shippers don't come out with some of the worst takes I've ever seen in regards to Stolitz, so allow me to weigh in my opinion on this.

Short Answer: Stolago would not work in canon.

Long Answer:

Point 1: The 'is Stolago an incest ship' debate.

We don't know. It's implied that Paimon has given birth to a lot of children and can change animal forms, making it very possible that Stolago is an incest ship, but at the same time, that doesn't automatically mean that Vassago is biologically related to Stolas, so I can't make a judgement on this point until we know more about Vassago's character.

Point 2: But Stolas went with the BTB guy!

Pay close attention to Stolas and Blitz after the BTB guy asks Stolas to dance with him, notice how Stolas was basically silently asking Blitz for permission to dance with the BTB guy, and Blitz also silently gives permission for Stolas to dance with the BTB guy. So it's not like Stolas just went 'oh cool this guy wants me, fuck you Blitz I'm fucking dancing', and that silent act of asking for permission proves my point.

Also, Stolas was very drunk during this section, and we know people who are drunk don't tend to think very clearly, so I really cannot blame Stolas for having that dance with the BTB guy, especially when we factor in the cocktail of everything being emotionally heavy for Stolas, and Stolas generally feeling alone and isolated during most of the party.

Plus, Stolas has no history with the BTB guy at all, so even if it does turn into a one night stand for Stolas, there's not gonna be much emotional connection between them. One of the main reasons Stolas fell for Blitz like he did is because of their shared history, all those years ago at the circus.

What was the point of me mentioning all of this exactly? The point is that Stolas and Vassago also have no shared history with each other to what we know, plus, Stolas quite literally says in s2 e1 "my first ever friend!". Plus, it expresses my dislike of the 'Vassago could be a rebound for Stolas' that I've seen float around a few times.

Point 3: Stolas has moved on/will move on from Blitz.

Ah yes, this Stolas?

The same Stolas that silently asked Blitz for permission to go dance with the BTB guy?

"would be an indicator I didn't want to talk right now."

"Seeing you right now is hard!"

Notice the phrase of "right now" that's used twice?

Stolas at no point said he never wanted to talk to Blitz again, only that he wasn't comfortable with doing so right now, because the emotions associated with that night are still very heavy and hard to process for Stolas.

This fact is further backed up by the fact that Stolas never blocked Blitz's phone number.

one more, this Stolas? for the car trip home.

Point 4: "Blitz is just an asshole who feels no remorse for the things he's done to others."

I could dive deep into Blitz's character to disprove this point, but I'll let the examples do the talking for me.

Moxxie: Do you remember what you said to me after my first day with the company?

Blitzo: ...Not really.

Moxxie: I remember. You told me I did a good job and that you were proud to work with me. I feel like you wanted to say something more judgmental, but... you said that because I needed it... And it helped.

Blitzo: Look, I'm hard on you, because I know what you're capable of, Mox. You care too much about what everyone thinks except for... me, because, y'know, my opinion is correct, but just... keep doing a good job. 'Kay? You shoot 'n kill good, you escape things easy... you can be strategic and cold-blooded when you need to, aaaand don't expect any more compliments; I'm maxed out.

Moxxie: Thank you, sir.

Blitzo: You know my name... Use it.

Moxxie: Thanks, Blitzo.

This Blitz?

This Blitz?

This Blitz?

THIS BLITZ??????

There's plenty of other examples I could put here, but I'll leave it here.

Point 5: "Blitz will just move on eventually."

Do you all seriously think that Blitz saying "your boring as fuck monogamy" wasn't foreshadowing Stolitz happening?

The Blitz that's angry that the BTB guy is 'stealing' Stolas?

The Blitz that admits the only person he actually wanted to sorry to was Stolas?

The Blitz that lets Stolas dance with the BTB guy without causing much of a scene, despite how much it hurt him to do so?

Plus, not to mention all the times in the past where it's been shown that Blitz cares for Stolas, including his wellbeing.

Point 6: "Stolitz has no chemistry"

I'm not even gonna bother covering this point, you clearly haven't been paying any attention to the show at all if you unironically think that Stolitz has no chemistry.

Point 7: "What about a love triangle?"

lost-romantique has already made two great posts on the matter, go check that post out.

Finally, I'd like to briefly talk about how Stolago being canon would undermine the plot of helluva boss by quite a bit.

Stolitz is one of the key relationships in the show, and the show revolves around Blitz, including his relationships, so naturally Stolitz is one of the key things for Blitz's character growth, so ending Stolitz for Stolago permanently would stunt Blitz's character growth quite significantly, undermining the plot of the show as a result.

Not to mention it'd also undermine Stolas' character growth as well, considering one of the main things that Stolas needs to work on is the classism, and rebounding to another prince won't help with Stolas unlearning his biases and such, overall making Stolago a rather bad idea for the plot as well.

Plus, even if Stolago was to become canon, it most likely isn't lasting more than an episode anyways, because this scene in the trailer could imply to us that Stolitz is getting a new beginning.

Another thing is that we know nothing about Vassago at the moment, and the things we can imply about him in regards to his title of prince points more to Vassago being a support figure/friend for Stolas (something Stolas badly needs atm) rather than a rebound for Stolas.

I will repeat, I enjoy Stolago in fanfiction and such, but can you all at least admit it's a bad idea in canon and to stop hating on Blitz so much and accept both Stolas and Blitz for the fact that they're both lovable and flawed characters please?

[literaryavenger]

Captain America: The Winter Soldier

Summary: You're part of the Strike team and join Captain America as he tries to live his new life in the 21st century. [Reader is NOT Hydra]

Pairing: platonic!Steve Rogers x F!Reader, platonic!Natasha Romanoff x F!Reader

Warnings: Language. Rumlow being a dick. Mentions of death. My poor attempts at being funny. Idk, everything else in the movie?

Word Count: 2.7K

A/N: Happy New Year! This the first chapter in a new series I'm starting! I'm not sure how long it's gonna be yet, but I know it's gonna be longer than Broken. These series is about an alternate universe where the reader exists and lives through the events that happen in the MCU. A lot of the details will be changed to insert the reader, a lot of the lines said by other characters will be changed to be the reader's and I've also made up a lot of things and scenes and added them, trying my best not to change the official timeline and the main events. I hope you enjoy this and all chapters to come!

Masterlist | Series Masterlist

“You heard the boss, newbie, text Romanoff and tell her to pick up Rogers.” Rumlow taps his knuckles twice on the table for emphasis before getting up and exiting the conference room.

You make sure he doesn't miss the way you roll your eyes at the now old nickname before writing ‘New mission, need you at the jet in one hour. Asshole wants you to pick up the old man in spandex’ on your phone and sending the message to Natasha, then you get up and make your way out of the room.

“Armory.” you say as you enter the elevator. 

“Confirmed.” the elevator voice says as the doors start closing. 

You suit up for the mission just assigned by Pierce and go to the jet to start doing the checkups you know the rest of the idiots on the STRIKE team won’t even think about doing. 

After making sure everything’s ready and in order, you can do nothing more than wait for everybody else.

Natasha and Steve get there exactly an hour after your text. 

“Right on time.” you point out.

“It wasn’t a coincidence, YLN.” Natasha smirks, making you laugh.

“Cap.” you greet him with a smile that he returns. “Y/N.”

The rest of the team meets you a few minutes after. “Ready for take off.” Rumlow says to the pilot and the jet takes off.

Once you get close to the target Rumlow starts briefing Steve and Nat. “The target is a mobile satellite launch platform: The Lemurian Star. They were sending up their last payload when pirates took them, 93 minutes ago.”

“Any demands?” Steve asks.

“A billion and a half.” Rumlow answers.

“Why so steep?” Steve questions frowning.

“Because it’s Shield’s.” you answer promptly, ignoring the scowl on Rumlow’s face that disappears almost immediately.

“So it’s not off-course,” Steve says, understanding flashing in his eyes as he glares at Natasha “it’s trespassing.”

“I’m sure they have a good reason.” Natasha offers.

“You know, I’m getting a little tired of being Fury’s janitor.”-Steve seems really annoyed now.

“Relax, it’s not that complicated.” Natasha simply says.

“How many pirates?” Steve’s attention is back on the screen.

“Twenty-five, top mercs, led by this guy. Georges Batroc.” Rumlow pulls up the photo of Batroc on the monitor and looks at you expectantly, making you roll your eyes.

Of course you’re the only one who actually looked through the files.

“Ex-DGSE, Action Division. He’s at the top of Interpol's Red Notice. Before the French demobilized him, he had thirty-six kill missions. The guy’s got a rep for maximum casualties.” you fill everybody in, although it was obvious most of the guys aren't listening. At least the Captain is.

“Hostages?” Steve questions you, but Rumlow cuts in.

“Mostly techs. One officer, Jasper Sitwell.” he shows his picture. You’ve seen Sitwell around headquarters, he seems pretty close with the STRIKE team. Not that you hang out much with them outside of mission, or at all for that matter. “They’re in the gallery.”

“What’s Sitwell doing on a launch ship?” Steve asks more to himself, and he has a point. “Alright, I’m gonna sweep the deck and find Batroc. Nat and Y/N, you’ll kill the engines and wait for instructions. Rumlow, you sweep aft, find the hostages, get them to the life-pots, get ‘em out. Let’s move.”

Yep, he’s definitely in Captain mode.

“Ay ay, Captain.” you salute with a smirk that mirrors Natasha’s while Steve gives you a fake annoyed look.

“STRIKE, you heard the Cap. Gear up.” Rumlow says but you’ve already started getting ready and stopped listening to him.

“Secure channel seven.” Steve says into his wrist communicator.

“Seven secure.” Natasha replies. “Did you do anything fun Saturday night?”

“Well, all the guys from my barbershop quartet are dead, so… No, not really.” Steve answers, making both you and Natasha laugh while the pilot lets you know that the drop zone is coming up.

“You know, if you ask Kristen out, from Statistics, she’d probably say yes.” you point out, exchanging a knowing glance with Natasha.

“That’s why I don’t ask.” he fires back

“Too shy or too scared?” Natasha pushes.

“Too busy!” He yells over the wind as the door opens and then he jumps. 

You and Natasha both roll your eyes and look at each other smiling, not needing to talk to understand the other.

You barely register Rumlow and Rollins commenting on Steve jumping without a parachute before grabbing one for yourself and jumping alongside Nat.

You and Natasha have known each other for a while now, all the way back since she was first brought in by Clint.

You trained with both of them, went on countless missions together (yes, including Budapest) and you would’ve been right by their side in New York if you hadn't been on an important undercover mission and had strict orders directly from Fury not to blow your cover.

After that you got assigned to the STRIKE team by Alexander Pierce, though you still have no idea why. But orders are orders so you’ve been working with the idiots ever since.

But you and Natasha are thankfully still pretty close and your down time is spent mostly with her, sometimes also visiting Clint and his family at his farm.

 Nat’s still annoyed at Clint about naming his only daughter after you, middle name but still, and not her. But to be fair, you have known Clint longer, a fact that always amuses both you and Clint to bring up.

You’ve just landed when you hear Rumlow saying “you seemed pretty helpless without me” to Steve.

“What about the nurse who lives across the hall from you?” Natasha says.

“Yeah, she seems nice.” you add.

“Secure the engines, then find me a date.” Steve says in his captain voice.

“We’re multitasking.” Nat tells him before turning to you. “you take port, I’ll take starboard and we’ll meet at the rendezvous point”

“Copy.” you say and make your way to the engine room on the right side of the ship. You start taking down guys and can hear Rumlow saying they’re ready in position.

Just as you finish with the last guy you hear Steve calling your name. “What’s your status?”

“Port engine room secure.” you answer.

“Good, make your way to help Rumlow with the hostages.”

“Roger that.” you can almost hear him groan in annoyance as you smile while following his orders.

“Natasha, what’s your status?” you can hear her grunt while she fights through the comms. “Status, Natasha?” 

“Hang on!” She says as she keeps fighting. “Starboard engine room secure.”

You hear Steve countdown from three and then the team moving in on the targets, you get to the rendezvous point just in time to see Rumlow rounding the corner with the hostages on his tail.

“Hostages en route to extradition.” he says in his comms as you look around for Natasha.

“Romanoff missed the rendezvous point, Cap. Hostiles are still in play.” you let Steve know while helping take care of the hostages.

“Natasha, Batroc’s on the move. Circle back to Y/N and protect the hostages.” he receives no answer and at this point you get a little worried. “Natasha!”

You want to go looking for her but you know better than to leave your post, and you’re also very aware that Natasha can take care of herself. 

So you keep protecting the hostages while listening intently to the comms where you can hear Steve fight, then you hear a voice you assume it’s Batroc’s talking French and are even more surprised to hear Steve answer back in French. Impressive.

You can hear him fighting again and then you finally hear Natasha’s voice but don’t pay too much attention to the conversation, bringing your entire focus on the hostages now that you know she’s okay. 

You’re helping people into the life-pods when you hear an explosion go off somewhere on the boat. You don’t even realize you’re holding your breath until you hear Natasha’s voice again and let it go, feeling even more relieved after hearing Steve too.

The ride back is very uncomfortable as you help Natasha with the minor injuries from the explosion, Steve refusing help and insisting that he’s fine, and in the mood he’s in you’re certainly not about to argue. 

As soon as the jet lands he stomps away angrily and you share a concerned look with Natasha, worried about what he’s gonna do next. 

You help Nat to the medbay and leave her there when she assures you she’s okay and to not make a fuss over her.

So you make your way to the usual conference room for debriefing but when you get there Rumlow very smugly assures you that you’re not needed at this meeting. 

You’re used to being left out of meetings with the STRIKE team and Pierce by now, since you’ve been forced to join you’ve been left out of more meetings that you’ve attended, but it still bothers you sometimes.

Still, at least you don’t have to spend too much time with those neanderthals. Not your circus, not your monkeys.

So you just make your way to the Armory to put away your gear and then the locker room to change and go home for what you think is gonna be the rest of the day.

-

A few hours later you find yourself in the hospital where the STRIKE team has been called in the middle of the night because, guess what? Someone tried to kill Director Fury. Or, as it turns out, succeeded. 

You’re behind Steve, Natasha and Hill alongside Rumlow and Sitwell, watching Fury flatlining and the doctors calling it.

You want to go with Nat to see Fury, be there for her knowing she cared about him as much as you do, but obviously Rumlow has to be a dick and order you to stay put. And, whether you like it or not, he’s your boss.

He rudely interrupts Nat and Steve’s conversation telling him they need him back at headquarters and you can already tell something’s suddenly off.

As much as Rumlow can be an asshole, he’s never been openly rude towards Steve.

You can hear Sitwell in your earpiece telling the team to bring Rogers in for questioning as he and Rumlow get closer.

“STRIKE, move it out.” he orders but you don't start moving until Steve’s by your side, giving him what you hope is a reassuring smile. 

When you get to the Triskelion Steve is taken to Pierce’s office and you get ordered to go to Forensics and check into the evidence found on the roof, then go to Operations Control and wait for there for further instructions, so you do. 

When you get to the control room you see Sitwell concentrated on a particular screen so you get close trying not to get noticed and see Steve fighting STRIKE and SHIELD agents in the elevator. 

You barely have time to understand what’s happening before he’s throwing himself off the elevator and lands on his shield near the entrance of the building. Thankfully Sitwell’s “Are you kidding me?” covered your quiet “holy shit.”

You’re in the room when Sitwell gives the orders to track down Rogers to all the Agents and when he’s done, you discreetly follow him and the rest of the STRIKE team out the room.

For a bunch of guys who work for a top secret organization they sure suck at knowing when they’re being followed. 

No one talks until they get to a deserted corridor. “Pierce is going to kill us. Rogers has the flash drive and can use it to find Zola. You fucked up big time letting him go.” Sitwell sounds pissed.

“Take it easy, four eyes.” Rumlow sounds just as angry “You’re not the one that got punched by a supersoldier.”

They keep talking about the flash drive and Steve and Pierce and Zola. That name sounds familiar but you can’t remember for the life of you where you heard it from.

Then it hits you.

Zola was a former Hydra scientist from World War II, turned ally when the war ended. Thank god the Howling Commandos were hot so you actually paid attention during that particular history class. 

You're about to turn away so you won’t risk getting caught eavesdropping when you hear your name being mentioned.

“Someone should keep an eye on her.” Sitwell says, making you worried of becoming the next Shield target, but Rumlow proceeds to ease your worries.

“That’s a waste of manpower. The whole reason she’s even on our team was so we could keep a closer eye on Rogers, but she just spends all her time with Romanoff.” 

So that’s why Pierce assigned you to the STRIKE team.

Yeah, you’re closer to Steve than most people but it’s not like you’re best friends, you sometimes hang out outside of work but most of your interactions are mission related.

You decide you've heard enough to kind of put together what’s going on, but there’s not much you can do to help Steve yet, not knowing where he is. So you stick to following the STRIKE team, praying that your absence in the control room goes unnoticed. 

STRIKE gets a hit on Steve’s location and you follow them in your car to a mall but think better than to follow them in, waiting patiently outside. 

After a few minutes you see Steve and Natasha in their not so well thought out undercover outfits and, once again, the Captain surprises you by hot-wiring a car. 

You follow them, more discreetly this time, knowing Natasha and Steve would be better at realizing they’re being followed. 

You get to an old army camp in Wheaton, New Jersey and are about to follow them in and make yourself known to them, but before you can get out of your car you hear the plan the STRIKE team has through your comms.

The idiots never even thought about using a different channel. Of course Rumlow would underestimate you this much. 

So you decide to drive deeper into the trees surrounding the camp to make sure you’re not visible and wait, knowing Steve and Natasha will need a fast getaway. 

You can do nothing more than watch as a missile hits the bunker and the helicopters start coming. You want to go and help them, make sure they're okay, but you will yourself to stay put and not give away your position. 

When you can faintly see Steve’s figure, almost running with what looks like Nat in his arms, you finally turn the car on and drive coming to a stop right in front of him and startling him to a stop on his tracks.

“Get in.” you urge him, and he seems wary of you, rightly so. “Come on, Cap, they can’t know I’m here!”

He seems to decide to risk trusting you and delicately sets an unconscious Nat down in the back seat before getting in the passenger’s seat.

As soon as his door is closed you drive away as fast as you can, heading back to Washington and you can feel Steve’s eyes on you.

“How do I know I can trust you?” he finally says after a minute of silence, his eyes never leaving you. “You’re part of them, after all.”

“I can see where you’re coming from, but trust me I’m not one of them.” You glance at him and you can tell that he’s not convinced yet, so you go on. “I didn’t even know who ‘them’ were before today. Apparently the reason Pierce assigned me to the STRIKE team was in hopes to get closer to you. He overestimated how close we actually are. If Natasha was awake right now she would tell you how much I hate working with those assholes… You can trust me.”

You take a look at the rearview mirror and see Natasha, but her relaxed face does nothing to ease your worries. 

Steve seems to pick up on your concerns as his features soften and, ever the hopelessly optimistic, he chooses to believe you.

“Okay,” he says, “what do we do now?”

“We have to get you somewhere safe” you check your mirrors as much as you can, making sure you’re not being followed “I don’t know any safehouses outside of Shield's radar. We need a place we can go that they know nothing about.”

“I have an idea.” he says, you glance at him and see him already looking at you, so you nod.

[a-legacy-not-to-be-forgotten]

Why Ceroba and the Feisty Four were right

Not bothering with any fancy opening, it's exactly what it says it is: Ceroba and the Feisty Four were right to call out Starlo.

Now before you crucify me, I love Starlo as a character. But I'm tired of people (not calling out anyone in particular) pretending that he's done absolutely nothing wrong and demonize Ceroba and the Feisty Four for snapping at him (largely Ceroba, but I see the Feisty Four get shat on every now and then). And this is not me calling Starlo a jerk. Typically, calling him a flat-out jerk would mean he did shit on purpose with malicious intent, and I don't think he acted out of spite. Rather, he did all those things because he just didn't think about it in the moment. I understand that, and I can 110% relate to that myself, honestly.

That being said, he did make some legit dick moves over the course of the game. Exhibit A: Having Moray walk around with a snake in their boot and giving them rashes.

IK some of Starlo's more wild fans would probably do anything he says and all that, but put yourself in Moray's shoes (or boots I guess would be more appropriate). If your friend made you walk around with a rubber toy in your footwear that gave you a nasty rash, I think you'd be reasonable at least a bit angry at them.

Exhibit B: The Boulder Droppers

They're literal goddam boulders. That shit could've killed someone. Setting them up at a busy mineshaft is reckless enough as it is but leaving them on after you're done using them just makes things even worse.

Exhibit C: Blaming Clover for everything that happened and shooting them over it.

What am I supposed to say? If you hate Ceroba for what she did to Kanako and Clover, keep in mind that Starlo basically did the same exact thing.

Again, this is not me calling Starlo an asshole overall. Yes, he is a good monster deep down and just made some legit mistakes. But my point is, he does have flaws nonetheless and I can't stand people who ignore them. Like, him accepting what he did was wrong and coming to terms with that is one of the best parts of his character! C'mon guys.

And yes, people treat Ceroba as a horrible friend because she wasn't into it and apparently 'hates that part of Starlo' or whatever. If Ceroba actually hated Starlo's obsession with Western culture, do you think she'd indulge in his ramblings on humans?

...or helped him set up all of those wanted posters for him?

...or helping his family search for him when he 'goes missing' during a neutral run?

*sarcastically* Wooooooow, what a horrible friend...

Yes, I understand Ceroba is a very blunt and sarcastic person, but I think because of that, she ends up coming off as harsher than she means to be. Trust me, I can relate to that.

To call her a heartless bitch is a disservice to her character. She does care deep down, even if she isn't that good at showing it.

And hey, she's a mourning widow and mother, I wouldn't blame her for not being good at showing positive emotions.

As for the Feisty Five, our favorite enby fish puts it best themself:

My point is, despite snapping at him, Ceroba and the Feisty Four did not hate Starlo. They understood that his obsession over Western Culture was really important with him. It's made clear that they know he's a good monster deep down, despite his transgressions and were very ready to forgive him.

They just wanted him to dial it back. And yeah, he needed to. Granted, this is targeted at the 'Starlo did nothing wrong' crowd. If you admit that he's pretty heavily flawed but that Ceroba's done worse, I can accept that. Hell, despite me being a Ceroba apologist, I might even agree with you to a degree. But I am a bit tired of the fandom putting him on a pedestal while overhating everyone who remotely criticizes him.

[flower-boi16]

Viv doesn't get that to make sympathetic characters, she needs to make them suffer from consequences of their actions not blushing off. Having the world turns against them not bend over them. Having narrative put them in the wrong not justify them.

(Hey to any TOH fans that see this post, this'll have Viv critical stuff in it so if you like HH/HB, best to ignore this post)

Exactly. Demonizing every character that Stolas has hurt is not going to make him more sympathetic when he's still an asshole, he's a bad depiction of a male abuse victim because HE'S the abuser in these situations, yet the show doesn't think so.

I know I mention The Owl House quite a bit whenever I talk about these shows but when I think of an actually well-written male abuse victim, I think of Hunter. Both characters are depictions of male abuse victims, except that Hunter is everything Viv WISHES Stolas could be.

Hunter is a better-written character than Stolas because he's ACTUALLY COMPELLING AND SYMPATHETIC. He's a 16-year-old boy in an abusive environment who was isolated and indoctrinated into a cult for his whole life, not knowing any form of social interaction due to never interacting with people his age, and was essentially raised to be a child soilder. And then later in the show he's faced with the hard truth that, his whole life was a lie and the person who he looked up to was actually a genocidal POS. Oh, and he's a clone of that genocidal POS's brother who he repeatedly cloned and killed over and over again.

Ya, I'm more willing to empathize with that then "I coerce someone into having sex with me for my pleasure, am a terrible & neglectful father, but my wife was mean to me!!!".

Hunter has a compelling arc of escaping and healing from his abusive environment he was trapped in and he has ACTUAL REAL CHARACTER GROWTH. Stolas meanwhile literally has no fucking arc because the writers insist on coddling him for his mistakes.

And THAT'S the thing; while the show portrays Hunter as a sympathetic character...it doesn't coddle him whenever he fucks up. In ASIAS, Hunter kidnaps a bunch of teenagers and almost forces them to join a cult. Now, I don't want to ignore any context here since there IS sympathetic reasoning for this (Hunter doesn't exactly know what he's doing here is wrong due to his indoctrination and does still care for the entrails), but even with that sympathetic reasoning...the show still acknowledges that what Hunter's doing is fucked up, and it has him realize this and go out of his way to fix his mistake, providing some of THE best growth for him as a character. It doesn't demonize the entrails cuz why would it? They have a reason to be upset at this and the show KNOWS this, yet it does that while keeping Hunter as sympathetic.

Compare that to Stolas who has 0 character growth throughout the show because Viv is too busy woobifying him and treating him like an UwU soft boy who did nothing wrong.

The Owl House is so much more competently written than Hazbin or Helluva, just saying.

[mahoutoons]

the women of death note deserve better

so i just finished death note. i have Thoughts about the show. some good, some bad. its not the type of show i'd usually watch but there was something in it that kept me watching. but there was one aspect of the show that bothered me to no end, one that made me consider dropping the show more than once. and that's its treatment of its female characters.

now i know shonen isn't exactly known for writing women well. this isn't to say ALL shonen is like that, but the more popular ones definitely have this problem. the women are either sidelined, reduced to love interests, or aren't allowed to reach their full potential, and this can really be seen in the women of death note. for a show that prides itself on having complex, layered characters with depths that keep people talking two decades later, it sure does drop the ball when it comes to writing women. so here i'm gonna go through all the women of death note and how they were done dirty. keep in mind this is all referring to the anime, i haven't read the manga.

naomi misora

starting off with the one that pissed me off the most. naomi had me intrigued from the moment she first appeared on screen. she was a former fbi agent who left her job because her asshole fiance convinced her it was too dangerous, and then blew off her suggestions (which ultimately lead to his death which. el oh fucking el). she was able to piece together that kira could control how his victims die. she could add a lot to the story given that she previously worked with L. she could've been a part of the task force and would help them piece together clues that would pin down kira. does she do all that? LOL NOPE. the writers decided she was too powerful and killed her off within two episodes of her introduction. now i know this is death note and a lot of characters die. but naomi's death pissed me off the most. here was a woman who had so much potential and could solve the case within two episodes and she's killed off. oh but at least she stars in a spinoff novel half the fandom won't read! isn't that just GREAT? look how much we love women guys!

yeah all this time later and i'm still pissed off about how they did her. naomi bby you deserve so much better.

misa amane

OH BOY GET READY FOR A BIG ONE. so misa was actually the reason i wanted to watch death note because she's fucking gorgeous. i didn't have many expectations about how she'd be written considering this is a popular shonen, but even then i was disappointed. misa is the main female character of death note. she's presented as the second kira who has shinigami eyes, which gives her the power to see a person's name and lifespan by looking at their face. she was saved by a shinigami who was in love with her and got his notebook, and her current shinigami rem (more on her next) also has feelings for her. she worships kira because he killed her parents' murderer. she finds out light is kira because her shinigami eyes don't allow her to see the lifespan of a death note owner and as such asks him to make her his girlfriend.

misa misa misa. my gorgeous goth girl. you deserved to be written so much better. a second kira who has shinigami eyes? she could've been so cool. but the writers made 90% of her personality revolve around light and treated her as this dumb, impulsive girl who worships the ground light walks on. and light doesn't even treat her that well. he just uses her and takes his frustrations out on her. oh, and don't get me started on this bullshit

look, i get that misa is a killer and had to be restrained. but WAS THIS FETISHY CRAP NECESSARY?? WHAT WAS THE POINT OF THE FUCKING CROTCH STRAP?? when light was imprisoned he wasn't tied up like THIS. this is just another case of shonen authors being fucking weirdos with their female characters.

and in the end she kills herself because light dies. instead of letting her heal and live her life the author decides "welp, the man we based 90% of misa's character on is dead, time to kill her off too". just absolute bullshit. she deserved so SO much better.

rem

rem, my gorgeous butch shinigami. she became my favourite character when she was introduced. i was actually surprised by how direct they were about her feelings for misa. i'd seen bits and pieces of remisa before and i thought it'd be one of those ships the writers dance around but they explicitly had her say she has feelings for misa. i was so surprised and happy at that. but of course, this is a popular shonen so i shouldn't have had high expectations. my problem with how they treated rem comes in her death. she dies after killing watari and L to extend misa's lifespan. if a shinigami extends a human's lifespan they die. now, i'm not gonna say her death is an example of bury your gays because gelus, the male shinigami who saved misa before, met the same fate. however, i will say its very Interesting that the only canonically lesbian character who explicitly declares her feelings for another woman dies BECAUSE of those feelings. and then she isn't even acknowledged by misa which is so weird considering how much rem helped her. there's no scene of misa even mentioning rem or mourning her death. she dies without anyone knowing. i do enjoy the doomed yuri aspect of remisa but i really do wish they'd have misa at least acknowledge rem's death.

wedy

wedy, aka merrie kenwood, is a spy who joins the task force in the yotsuba arc. she's an expert at getting through security and is crucial in helping pin down higuchi as kira as she's the one who installs the bugs in yotsuba's meeting room and higuchi's cars. another cool female character with a lot of potential. you know what that means. TIME TO KILL HER OFF! wedy doesn't get much screentime and then dies within eight episodes of her introduction. which is slightly better than naomi. but still. i won't say this is also a case of misogynistic writing as aiber also dies. however, there is a pattern of having a female character with potential, not giving her enough spotlight, and killing her off shortly after her debut.

sayu yagami

sayu, my poor bbygirl sayu. she's introduced as light's bubbly little sister. in the timeskip she goes to college. her most significant role is getting kidnapped so her father could give up the death note to mello's men, making her the classic damsel in distress. and the poor girl is so traumatized that she's in a catatonic state and has to be wheelchair bound and taken care of by her mother. oh, and there's also that weird comment matsuda makes about her which... really dude? sayu isn't AS badly done as she doesn't play much of a role beyond her kidnapping. but still, she also deserves so much better.

kiyomi takada

i didn't think i'd be as pissed off about how they did a female character as i did about naomi and misa but BOY they proved me wrong. takada was light's girlfriend in college but she doesn't play a major role until the timeskip where she becomes kira's spokesperson. like misa, she worships kira. she's happy when she finds out light is kira and would do anything for him. so another woman who worships the ground light walks on. how original. she's supposed to be smart but they never demonstrate it. and need i mention that rivalry between her and misa? making two women catty to each other over a man who isn't even all that, how very typical. but what pissed me off the most was her kidnapping. that scene where mello asks her to take off all her clothes, and then she's left with nothing but a blanket? so fucking weird, i don't care if she's kira's spokesperson. this show has a history of treating its women weirdly and i'm not gonna believe this was anything but the author being weird once again. because what even was the point of that? and then she's killed by light to destroy all evidence. i'm saying this a lot at this point but takada also deserves better. she deserved to live up to her potential.

halle linder

out of everyone, halle is treated the best and that's not saying much. she's a double agent serving as takada's bodyguard and a spy for the spk. she's also the only woman besides sayu and sachiko who survived till the end and wasn't killed off. which i just realised. out of all the women in this show, only THREE survive till the end. isn't that something? i think my only issue with halle is the lack of spotlight. which is a theme with these women.

i thought of adding sachiko but she isn't much of a character. but there you have it. i'm not sure how bad it is in other popular shonen. but death note is full of women who had potential but the author squandered it for the sole reason that they're women. and its so jarring because people can write essays on light, L, near, mello, etc. even MATSUDA had more care put into him than any of these women. which is a damn shame. these women deserve to be in a show that actually cared about them, where they can actually live up to their potential.

i don't dislike death note. it definitely has its strong points. but the treatment of its women is something i take issue with, very strongly. if the author wasn't a weirdo and a nasty misogynist i feel like these women would've been the complex characters they deserved to be.

[thewistlingbadger]

The reason why people hate Silco actually doesn't have to anything with his crimes or the way he treats others. It actually has everything to do with the way the show is structured.

If you think this sounds far fetched, I just want you to stick with me on this and read this post with an open mind bc genuinely I think it's really important. Lots of people do dislike him bc of his actions and his relationship with Jinx, but I'm going to argue those reasons aren't the main/true reasons for the silco hate. To do so, I must highlight some very important points about arcane.

1. The show is about CHANGE.

Everything in Arcane is always changing. The setting, the music genres, the designs, the styles, the storylines, the characters, their relationships- everything is constantly changing in this show. Change is what is what drives the show on every single level. Change is why Arcane makes us emotional and passionate, because as humans we dont like change, and the show is always changing at exact the right/wrong moments.

2. There's two kinds of change

For the simplicity of the argument, we're going to talk about major change and minor change. Major change will be defined as a change that COMPELETLY changes the character's identity. Minor change will be defined as a change that only changes a PART of the character's identity. In Arcane, some characters only go through minor changes, some only go through major changes, and some characters go through both during the show's course. An example of a major change would be Jinx. She starts the show was a meek, innocent, screw-up and later completely transforms to a lethal, broken person. Her character completely changes. An example of a minor change can be seen in Viktor. First he believes that the hexcore is good and can be used to save himself. By the end of season he's seen the harm it can cause and is hellbent on destroying it. This is a minor change because while he does change, he doesn't completely change. He only changes in a minor way.

3. Setting the stage

In order to measure change, you must have a starting point. You can't know how much someone or something has changed if you don't see where it started. For this reason, Arcane season 1 opened the majority of its episodes with flashback cold opens. At some point in the first season, we see all of our main characters years before the show starts. It's important to show this so the audience can better understand the characters. Viktor's running scene hits hard because we say him trying and failing to out run the toy boat as a child. Vi's hate for topside and enforcers is completely understood because we literally see them kill her parents an incite violence on her people.

4. We don't like you

Because the show focuses on change so much and because we're so exposed to it, we tend to oppose the things that DON'T change in the show. The majority of the fans side with Zaun because we've seen time and time again that they refuse to change their ways despite the harm they're causing. Marcus and Heimerdinger are two of the most unliked characters in season 1 because they don't change. Marcus starts the show as a selfish asshole cop and that's how he dies. Heimerdinger's whole thing is that he's IMMORTAL. He's literally not changing no matter how much time passes, and it's because of this that we feel for Jayce and Viktor and don't feel for Heimerdinger, even when he loses his council seat.

Okay, so we've talked about all of these now. What the hell does this has to do with Silco?

Well, lets look at what we talked about in conjunction with Silco.

Silco only really goes through one change in the show and it's a minor change. He starts the show willing to risk ANYTHING to get his Nation of Zaun and by the end he comes to the conclusion that he's no longer to willing to risk anything for Zaun. This is a pivotal change for him, but it isn't exactly a big one. Silco started the show as a violent, radical, antagonist and he dies being all three of those things. So no major changes here. And when we look into his minor change, it truly isn't that big because had Jayce asked him for anything else, literally anything else, Silco would have gave it to him. He's basically willing to do anything, minus one thing. One. singular. thing. That is so important to him.

2. Silco got a flashback scene like everyone else, but his flashback wasn't highlighting the change in Silco's character. It was highlighting the change in his relationship with Vander. In his flashback, Silco is unhinged, ragefully, and hostile in behavior as he delivers a smart monologue. This Silco is the same Silco we see later in the show, he doesn't change. He remains calculated, cunning, and heinous throughout the show. From the earliest point in his life that we see till we see his final breath.

3. The show has us programed to be opposed to those who are stagnant. Silco is stagnant. He does not change. In this regard, he's like Marcus. He's like Heimerdinger. And thus, since he's lacking change, we dislike him.

Just think about that for a moment. We literally never see Silco be anything different in the show. Even in the few moments he has were he's softer or weaker than normal, he's still the same guy. The fact that he's always been the same to us has led us to jump to conclusions about his character and his relationships based on limited evidence. We ALL assumed that the falling out between him and vander was his fault. We ALL assumed that he was this terrible guy even prior to the betrayal or vander. Because we never saw him change, we all though he couldn't change.

Isn't that a bit...sad? Like for us and for him. We genuinely have no idea who he was prior to Vander or prior to the betrayal. We all just assumed the worst from him because it was all we ever got to see. For all we know, the betrayal may have no even been his fault. For all we know, Vander could have been the fucked up one out of the two. We literally have no idea because we never see who he really was.

In a heart to heart he was with Jinx, he tells her "That day, I let a weak man die, and another was reborn." How right he was. We never get to see who this "weak man" was. Silco effectively did kill him.

[panandinpain0]

Help the second you wrote about a twin I was thinking male!mcgonagall!reader (or any I’m just a too-gay-to-function dude) x draco

then draco showed up

so bye bye draco (unless) (maybe reader makes him less of an asshole) (I can fix him trope?) (but like confronting him for being weird to his sister and forcing character development) (yk who I am) (what I am) (why I am) (acty do you bc that would be nice to know) (I should stop now) (ok done)

Unsolicited Advice

Excited to see Draco's character development after this 🤭

@@@

Requested by: @mailmango

Draco Malfoy x Male!Hufflepuff!McGonagall!Reader

--

Wow, (Y/N) really should not have taken potions again this year. Granted, he had taken it last year… and failed. And it was a required class- but he should have requested an alternative. Rolling his eyes, (Y/N) wiped at the smudged ink on the side of his hand.

A book was dropped on the floor just a few feet away, startling (Y/N) out of his frustration. Draco Malfoy’s gaze darted around to see if anyone had noticed him drop the book he was holding, cheeks lightly flushed from what (Y/N) could only assume was embarrassment.

Quickly picking up the book, Draco found an empty table nearby and tried to suavely saunter over to it, but it looked more like a poor attempt to recover from his previous accident. As he watched Draco sit and pull out his things to study, (Y/N) recalled what his twin sister, Sweetpea, as their parents had fondly nicknamed her, had told him about Draco bothering her.

He wasn’t about to go out of his way to scold or intimidate Malfoy, but seeing as he was right here… He knew his sister could handle herself and would ask him for help if she wanted to, but this was the perfect opportunity to tell Draco what was what. (Y/N) considered the consequences this action would have as he put away his things. Whether he went through with it or not he needed a break from studying.

Silently nodding his head, (Y/N) decided to confront Malfoy.

Even if he wasn’t harassing his sister, Malfoy needed a wakeup call. At least, that was (Y/N)’s reasoning.

Slinging his bag over his shoulder (Y/N) approached Draco, who was surprisingly alone. Where were his lackey’s?

(Y/N) cleared his throat to catch Malfoy’s attention, “Malfoy?”

Draco looked him up and down before scoffing, returning his gaze to the book on the table in front of him.

This thoroughly ticked (Y/N) off, leading to him slamming the book Draco was reading shut. The nerve of this punk! He only raised an eyebrow as Draco objected.

“You can take a few moments to listen to what I have to say,” (Y/N) shot back in response to Draco’s, ‘Hey!’.

“And who are you, exactly?” Draco’s glare deepend as he leaned back in his seat with crossed arms, looking up at (Y/N).

“(Y/N) McGonagall.”

The only recognition (Y/N) received was a petty blink, but he took that as enough and continued.

“My sister was telling me you were bothering her-”

“I wasn’t bothering her, I was flirting with her, and if Potter hadn’t-”

(Y/N) leaned forward with a look that could kill, and Draco decided (completely on his own) that it was time to shut up.

“Harassment and flirting are not the same things, especially when she’s actively asking you to leave her alone,” (Y/N)’s words dripped with poison and Draco’s eyes widened. “The worst part is that it's not just my sister- it’s other girls too. And if you’re not bothering people you’re bullying them.” Draco noticed the way (Y/N)’s brows creased with anger, eyes aflame with the passion he had for this issue. It took him aback.

It wasn’t like this was the first time someone had told him this, but a complete stranger- and a Hufflepuff no doubt- standing up to him took him by surprise. Draco inspected his face further but he didn’t recall doing anything to this guy- they’d never even met. The only thing he knew was that his sister was the Hufflepuff girl he’d been asking out and they were both McGonagall’s.

“Nothing to say to that?” (Y/N) shook his head at Draco expectantly after not receiving any response, straightening his stance. With a sigh he continued, “Just leave my sister alone. Maybe if you were nicer to people you’d have more friends that aren’t afraid of you- or should I say afraid of your father?” (Y/N) rolled his eyes and took a step back from the table.

Draco seemed to snap out of his trance and regained his glare. “What do you know anyways? I have just enough friends and I never asked you for advice.”

Shaking his head, (Y/N) knocked gently on the table, “Well, if you change your mind come and find me.”

Draco watched him walk away, glare falling as he thought about what (Y/N) had said. Aside from the fact that he was extremely out of line, he was kind of attractive… not that Draco would ever think of a boy like that.

…

Draco sat with a slumped posture, picking at his dinner, fork moving a pea across his plate slowly.

“Catch it!”

Goyle snorted in response to Crabbe’s shout, opening his mouth to catch a grape Crabbe was about to throw over Draco’s head.

Reaching up to snatch Crabbe’s wrist, Draco glared up at him. “If you throw one more grape I will hex you.” The venom in his voice had Crabbe shrinking in his hold, putting down the grape and eating his dinner after Draco let him go. Goyle followed his actions.

Usually Draco would dismiss the guilt he felt after making Crabbe and Goyle feel bad, but after (Y/N) talked to him today he couldn’t.

Maybe the Hufflepuff had a point, Draco thought as he glared down at his food, not that he would ever admit it out loud.

--

Et Voila! I hope you enjoyed and I really like doing the whole branching off thing with the same universe of characters and (Y/N)'s.

-Author Max <3

[yelena-bellova]

Let me first say that I hold absolutely zero hate for any community, any minority, any gender. While I know it would be convenient for whoever disagrees with this post if I were a hateful, racist, homophobic asshole, that’s not the case. I also bear no ill will towards Masali Baduza. These are my opinions that no one else has to agree with.

I don’t like the Michaela/Michael change.

1: It’s a direct f-you to the book fans.

I have read only one Bridgerton book and didn’t get into the show till 2022 but I have known for a long time that Francesca and Michael are one of the most popular couples. I’ve known WHWW is tied with AOFAG for the most popular book. I know that Michael Stirling is a sacred name in this fandom. People have been waiting years to laugh at him, to be charmed by him, to swoon over him for years.

And now…he’s never going to exist.

Imagine if a queer character were made heterosexual. The community would be screaming. It’s not the gender politics influencing people’s emotions on the subject, it’s losing a character as they were written. We trust those who adapt literature to stay on the basic path of the story with the usual minor changes. Michaela having the same general vibes as Michael is not the same thing. This creative choice is relegating WHWW essentially to just general inspiration.

2: Jess Brownell comments while discussing the change were bad.

“I know for people who love the book When He Was Wicked that Michael Stirling is one of their favorite characters. I understand that people are going to have feelings about the fact that this character won’t appear exactly as they expected.”

“I would also just say that the book still stands. Michael Stirling still exists in book world.”

So…that’s it? Go read the book? That’s supposed to be enough? I’ll say it again, FANS HAVE BEEN WAITING FOR MICHAEL FOR YEARS. They deserve more than “lol sad for you. Go read the book!” As the show runner for a popular adaption, it’s a poor answer.

Jess also included comments about how she related as a queer woman to Francesca feeling different from her family in WHWW. Ok, great! By all means, write a personal queer storyline for your show. Please do not take a beloved character and erase them because you felt a certain way reading the book.

The fans are the only reason why the show is so popular. While no creative team should let the fans dictate every move they make, it’s very clear they ignored them entirely when it came to the love for Francesca’s story. Going this much against what the fans have 100% reasonably expected is a move that kills successful shows.

3: It’s poor representation.

Genderbending a role is the absolute laziest way to bring representation to a project. Rather than craft a new character, studios take pre-written material and give it to a woman, a POC, someone disabled or someone from the LGBTQ community to appease those asking for representation. In this case, the amount of changes they will have to make for Francesca’s storyline will create more work than it would have taken to just create a new character with their own story. The entire basis of Francesca’s season requires a male lead.

If you want representation, if you want the audience see themselves in the characters, WORK FOR IT. Don’t put forth the least effort possible and upcycle a pre-existing story. As a member of multiple of the aforementioned communities, I don’t want the bare minimum when it comes to feeling represented.

Not to mention that Francesca is one of the strangest choices of characters to make queer. Whether or not they tried, the Bridgerton writers created two brilliant opportunities for LGBTQ representation with Benedict and Eloise. Both have been theorized about (and Benedict was confirmed this season) for years and they could have written both/either a full queer storyline and it would have made total sense. Fans would have loved it! Francesca’s sexuality being changed from the book feels forced.

4: It cancels out the depth of John and Francesca’s relationship.

To spend a whole season building up John and Francesca’s love story only to end it with laying groundwork for another relationship is…so bad.

John spent the season putting in effort to come out of his shell for Francesca. He is the first person outside her family she’s comfortable enough to connect with. They find something in one another that cannot be duplicated. With Francesca utterly flustered by another person after JUST MARRYING John is a disservice to both of them. It takes away so much of the relationship’s meaning if Francesca now has an eye, even fleetingly, on someone else. Not to mention her face after kissing him? That is so far from book Francesca’s devotion and love for her husband. By initiating Francesca’s draw to Michaela, especially through the foreshadowing of Violet’s speech leading up to their meeting, the show has made John a present afterthought.

Let me finish with this…

It is NOT homophobic to dislike the change.

It is NOT racist to dislike the change.

It is NOT misogynistic to dislike the change.

Unless someone is spewing direct and discriminatory hate, they are simply a disappointed fan. 99% of the comments I’ve seen are people saying yes to queer storylines, yes to representation in Bridgerton itself, but begging not to dismantle another storyline to bring those things forth.

[truessences]

Was on Reddit in the Stranger Things subreddit and someone asked who the most intelligent member of the party is. Here was my answer.

I think Mike is the smartest of the kids, Dustin has an overall knowledge base of nerdy stuff but I feel like Mike, also has that but tends to think quick on his feet, is creative, brave, observant(sometimes) and strategic. A lot of big plans have happened because of him spearheading them.

S1- everything he did for El and being able to explain to everyone about the upside down after learning about parallel worlds from his teacher

S2- causing a diversion for El and Hopper to get in and close the gate. True sight and that Will was a spy.

S3- being the only one really who was trying to keep El from over doing it and also immediately coming to El’s aid in the sauna sequence. Plus that was also his plan.

S4- figuring out the pen and thinking to go see Suzie.

I also might be biased as he’s my fave and I think people are way too hard on him but I think my examples help lol.

I’ve always felt like they all had their specialties anyway or what I think they’d be good in and a lot of it overlaps obviously.

AND THEN, I talked about how he is also extremely self-sacrificing and some extra stuff because as always, I feel like people are way too hard on him.

Exactly! He’s also so self sacrificing! People say he hasn’t been the same since S1 and I agree in a sense but not about his character but that’s really on the writers.

S1- telling Brenner that he’d have to kill him (us) to get El. Willing to throw himself off the cliff for Dustin, trying to stand up to the bullies for Will.

S2- running to the soldiers to tell them it’s a trap when he could have easily died. The plan to go into the tunnels which led to him getting attacked lol.

S3- trying to fight Mind Flayed possessed Billy TWICE. Because Billy on his own is scary but a possessed one?? Come on now lol. People really say they hate S3 Mike and I will never understand why lol. My boy was so brave. The other stuff is because of Hopper and I’ll forever die on that hill.

S4- he didn’t get as much to do in terms of forward action but immediately running out to El in the desert when there’s no way he could have known that it was safe for him to do so.

He very much clearly is the leader and the heart of the group. I feel like people say otherwise just because they don’t like him and outside of “oh he’s just a boring character” I don’t personally think he’s done anything to be unlikable, I feel like there are reasons for a lot of his moody (outside of teenager) behavior. He doesn’t get any slack from the fandom and at times his own friends (Max and Will at times and even Lucas). He’s the only one who didn’t get the chance to really talk about his feelings UNTIL S4.

And then someone responded that he was being a jackass in S3, which is why a lot of fans seemed to dislike him and I'm like no, sorry that doesn't make sense to me. Hopper is literally an adult and threatened Mike at least 3 times in their conversation. Like you don't *have* to like anyone but I feel like the reasons that are given for Mike specifically don't make sense to me. As I said in the post, everyone has their moments of being assholes but Mike is the ONLY one who doesn't get a pass. I feel like Lucas was treated pretty badly in S1 but that's gone down thank goodness but Mike still gets shit and to me it's unfounded.

Like don't piss me off lol

[yuikomorii]

After thinking more deeply about it, people shouldn’t get mad when seeing the majority shipping AyaYui because they are the most perfect for each other…not always in the good way. They are both obsessive weirdos that are unable to communicate properly and end up doing so much dumb shit that not only hurts them but also the ones around them.

Now I’m not saying they are the most problematic characters in the game, but they just are such menaces for whoever is connected to them. They be wondering why Yui wouldn’t make such a good couple with Subaru and Azusa but the reason is that they’re exactly too soft for her. They just want a kind and motherly girl but Yui keeps putting them in uncomfortable situations, doesn’t respect their boundaries and is unable to comprehend their introversion. Ik she was in a dangerous situation at first but that’s over after the second game, isn’t it? They started dating so if that’s what she truly wanted, she has to take responsibility for that and bring her brain to work.

Now about Mr. Yours Truly, he wasn’t irredeemably bad in the first game but he was such an asshole, let’s be frank. After the first game, Yui started treating him poorly or, again , not paying attention to whatever he was going through but I just couldn’t feel bad for him. They both fucked eachother up so bad but in an equal way so I can’t say any of them is better than the other, like some of their individual fans do. I’m not saying this about the Admin but some Yui and Ayato stans must actually hate the characters and only love their fanon version of them. Just because they forgive their abusers and are friendly doesn’t make them the kindest character anyone has ever seen. They did too many bad things to be considered the kindest and I’m not gonna follow the “they went insane” excuse because I really don’t care. All characters are insane and broken but not all of them did as much shit as they did.

I’m not justifying anything from that dick but e.g. when Karlheinz commits a genocide to make ghouls, he is said to have abused his powers and is evil but when Yui commits a genocide because her cute Ayato-kun 〜 died and kills all living things on both worlds, that’s seen as romantic? Like that’s extremely evil and selfish of her too. Or when others complain about the vampires being possessive and jealous, when Yui is the same person that stabbed Shu and threw him in the dungeon afterwards out of jealousy and she also paralysed Ayato then used him as her pleasure slave only because he drank blood from other chicks. Again, I’m not excusing them but she’s just as worse when triggered enough. All the fanwars are stupid when the game only has characters that wouldn’t be perceived as mentally sane or innocent angels in real life.

// Uuh… you kinda worded it a bit too harshly but I do get where you come from.

The thing is Yui, Ayato, Azusa, Subaru and Yuma are characters described by Rejet as either pure or kind-hearted, yet this doesn’t mean they necessarily have to be saints sent from above 24/7. Good people can react horribly under stress, pressure or shock. Yes, they can do wrong stuff and treat others badly as a result, but this doesn’t mean they have a bad soul. Trauma is not the same from person to person and everyone reacts to it differently. It can turn good people into monsters depending on the severity of the circumstances and some might never come back to their original nature. And, even if they do, this will not excuse their actions, but as long as they try to change for the better and take accountability, I believe they deserve a second chance.

Rejet makes Yui go mad in some endings and After stories to demonstrate that she is capable of doing something as awful as the Diaboys if an event hits her hard enough, just like it did to them. And, to be honest, that's realistic. Of course, not the story, but the fact that every person, no matter how strong, has a breaking point.

Speaking of the genocide committed by Yui, the reason why it’s considered romantic is not the deed itself, but the fact Yui created an Ayato ghoul after exterminating everything, only because she wanted to be killed by the man she loved. I think this was the only time Yui seriously used her brain, and the fact she was crazy when doing that, makes it hilarious.

As for the Yandere endings, Yui does that to Shu in MB, if I recall correctly but it was so unexpected because she really didn’t get any vibes throughout the route, therefore I guess it was just random writing. In Ayato’s route, the obsessive tendencies were obvious when she started looking through Ayato’s swimsuit magazines and tried measuring her boobs to the ones of those girls. I was pretty sure she would pull a possessive move on him later on, lol.

Truth be told, I don't mind that in fictional couples as long as they're both obsessed with each other and it's not one-sided. Besides, it’s funny how even Ruki called Yui “Ayato obsessed” in CL.

As a DL fan, I understand that no character is a total green flag because they all display toxic behavior in regular circumstances, no matter if intentional or not. Nonetheless, that shouldn’t stop us from loving them. Some people prefer the softer aspects of DL, while others prefer the darker, but keep in mind that those who prefer talking well about their favs don't want to be always reminded of all the bad things they did, especially if those characters regret them or weren't in the best mental state at the time.

[xoxoemynn]

omg you watched kevin can f**k himself! I was obsessed with that show when it was airing, definitely due for a rewatch. what did you think? the breaking of the sitcom with allison and kevin in the last episode has stuck with me since I saw it almost 2 years ago

YEAH IT WAS SO FUCKING GOOD. I've wanted to watch it for years but was too lazy to figure out how to and now it's on Netflix so there's that issue sorted!

I wanted to take my time watching and ended up binging it because I could.not.stop. so I know I missed things and I want to go back and rewatch, but I also want to let it simmer a minute.

Going to put some incoherent ramblings behind a cut just to be safe for spoilers (and yes I know it's been years but I know a lot of people are just hearing about it for the first time now that it's on Netflix).

The last 15 mins of the show HAUNT me. I had a feeling that was coming but actually SEEING it was terrifying. We all KNEW this was Kevin, we all KNEW the sitcom filter was obscuring how abusive his behavior was, but when we actually see him the way he REALLY is and how everything about him changes, it's just HORRIFYING. And it puts everything we just watched into a new perspective because the way he corners her, his tone when he asks her what she said to Molly, when he starts listing off things that happened in the show that even knowing all along that he was a narcissistic, abusive asshole you still might be tempted to think "oh, maybe he's just clueless to the fact he's being awful" and you realize no, he was AWARE and he knew exACTLY what he was doing to control Allison and keep her down...literally I cannot get that scene out of my head.

And then looking back on the series as a whole...

Just how JARRING the contrast was between the sitcom world and the real world? And how it faded away so slowly you almost don't even notice it at first until you get closer to the end of the series and you're mostly in the real world? How the sitcom filter obscures the bandages Allison wears. How dingy the house looks when it fades. How the women's appearances change, looking cute and put together in the sitcom world but in the real world we see Allison's roots are showing and her clothing is in worse condition and Patty's hair looks less TV ready despite being a stylist. How we start to see all the characters differently once Kevin begins to lose his grip on them. How we never actually see Pete in the real world?!

One thing the show does really well, and a reason why I'm so eager to rewatch it, is not outright revealing everything that's happening. Allison wears long sleeves for most of the show; when we see her in a hospital gown there are bruises on her arm that are never commented on. We'd never had any reason to suspect Kevin's abuse was physical, but especially after seeing the finale, I think it's fair to believe that. And then you look back on all the other times Kevin "accidentally" hurt Allison, like the time he slams the door into her face and we see her simply cover it up with makeup... yeah.

Just all the LAYERS to the show. Analyzing it from the lens of how sitcoms treat women, the wives in particular, who are shown as humorless, nagging shrews who are just expected to put up with their husbands who act like children and are engaging in all kinds of antics to the delight of a laugh track that would be horrifying in real life. (And the fact they brought in the actress whose character was killed off in between seasons of Kevin Can Wait and then barely spoken of again was a BRILLIANT bit of meta commentary.)

But then also what it's like to be in an abusive relationship with a narcissistic, charismatic alcoholic, and how isolating and desperate it can feel when nobody sees what you see, nobody understands what you're experiencing, because everyone else is content to live in this world where he's the goofy life of the party. And at the beginning you may be going "okay, girl, just LEAVE," but then as you learn more and more about just how controlling Kevin is, and what he's capable of, and also Allison's own childhood, you start to see why she was SO desperate she'd go so far as to fake her own death because she thinks it's the only way she can ever escape him.

It's just so. good. And intense. I wish they had gotten one more season because while the ending was brilliant, I felt like some parts in S2 were a bit rushed, particularly with Neil, but it was just SUCH compelling TV and I cannot get it out of my head.

[bonefall]

What irritates me so much about the Leafpool and the three situation is: it's Starclan's fault. It never had to happen in cannon. Squirrelflight isn't barren. If the Erin's wanted drama, they could have made the three Ashfur's, and had Squirrel pretend they're Bramble's. I'm glad in BB you made her barren, but it still just irritates me. Leafpool got done so dirty. If I was in her paws, and after Bramble had me forcibly step down, I'd ask someone to honor sire (maybe from a different clan?) kits for me then look Bramble straight in the eye as I started showing.

It's one in a long list of "retcons that happened to reduce the agency of characters because the warrior fandom will otherwise find any reason to fucking hate women." I don't believe that Po3 was written with the revelation of Leafpool's Wish in mind.

(leafpool's wish is where the "barren/StarClan telling Squilf to take the kids" Thing comes from)

In fact, most books that come out seem to completely forget the detail. Squirrelflight's Hope doesn't mention it. Bramblestar's Storm totally omitted it. Squirrelflight is never pissed that StarClan literally lied to her.

So it makes it really feel like a less egregious version of Spottedleaf's Heart; a poorly thought-out addition specifically aimed at the fandom misogynists who write screeds about how Brambleclaw/Thistleclaw Were Good Actually and their shitty behavior was just a Bad Woman Who Wronged The Poor Babies.

AND to be clear what I'm getting at with this comparison is that both these books are awful, because they're cowardly. They don't stick to their guns and say, "BLUESTAR AND SQUIRRELFLIGHT WERE RIGHT TO MISTRUST THESE MEN BASED ON THE REASONS THEY HAD." They badly retcon in EXTRA reasons for them to come to the conclusions they did.

They concede to the fandom misogynist. Their existence agrees that the original reasons they had were weak, so the writers shoveled in extra horseshit to make them "more correct" to do what they did.

"Don't worry guys, it's not that Squirrelflight took her sister's children to protect everyone involved, and that she's right to mistrust her mate who trained in HELL and never revealed any of his own secrets until his shitty half-brother killed her dad once. Nope! God lied to her and told her to. Told her she was barren, even. Now Squilf can remain morally pure while Brambleclaw abuses the shit out of her. Soblem Prolved."

So like... I don't even think that they should have been Ashfur's. This worked perfectly fine as it was in Po3. Just commit, assholes. Bramblestar's an untrustworthy piece of shit. Condemn him for turning on his children, confirming every terrible suspicion Squirrelflight had. Point out that the Three get treated differently when the secret comes out. Ask what, exactly, Leafpool could have done differently and have people have different opinions on this.

but like. keep squirrelflight being barren :/ Please let women just be unable to have kids sometimes. Please.

[onnahu]

Spirit: Stallion of the Cimarron is one of the greatest (kids) movies

It's a masterpiece. And in the first step of proving it to you, I'll shit on Disney because it's Disney. There's not even a decade between the Pocahontas movie and Spirit release. 7 years to be exact. Both movies are about colonization and Natives to some extentions, but how they're depicted is wildly different.

First off, I don't think I need to talk much about how grossly the corporation misused the story of Matoaka. I won't even talk about the second part of the movie. Honestly, their only saving grace is that the character herself is voiced by a Native.

Meanwhile in Spirit, the producers don't look at us as stupid. They don't spell it out that it's a movie about colonisation. They don't pretend there is anything even slightly positive in there. Also, because it's from a horse's perspective, the viewer don't need to have really any knowledge, which is good, as the targeted audience are children. Spirit is an outsider, just like the viewer, and isn't intrested in joining the conflict.

Actually that's another thing. How compelling Spirit is as a character. Because yes, he's a horse, but he's a part of a family. He's trying to go home, he's trying to protect his people (horses?). He was overly curious, and it hurt him (kind of what happened in Pocahontas, mind you). He has his flaws, and he's lost in that new weird world he got threw into. Like, what not to identify with?

Anyway. I'm skipping over things bc I'm just typing without any plan, but at one point Spirit is taken to the labour job. He's unhaooy (obviously), all horses around him were taken from their families and are lost and just hopeless. Do you know what happened to Native Americans when they got captured? Among others, they were put into labour. A really weird coincident, isn't it.

Also, the villain??? The Colonel is a bad man, we see it from the beginning. He's not oppose to torturing animals, not opposed to killing them nor people. He's evil. And yet, in the end, he's able to accept his defeat. It doesn't make him a good person. It doesn't make him less evil. But it shows that even evil people have their rules and morals, however twisted they are, and death isn't the only mean to end a confilct (even if now it's just a conflict between an asshole and a horse and his Native friend). He could shoot at least one of them. But he didn't out of respect. No less evil, but it gives some hope for change. That's what we need in movies for kids. I mean, sometimes it's important to show irredeemable people, but it also takes away from reality. Things are not black and white, and SSotC really shows it. (Unlike most Disney villains, that especially nowadays either doesn't exist are bland or are just evil to their core without any nuance.)

Also it feels like i'm being disney hater. And I kinda am, but mostly for reasons i'm a hater of all multimillion companies. Dreamworks isn't out of it either. But currently I'm focusing on their movies, and Disney was less of a shit back before 2000 anyway.

Yeah I also kinda forgot the whole thing I had going on with how Natives are depicted. Is it perfect? No. Is it one of the best representation at the time and especially in the big companies? Yes. The people are not shown as either stupid nor naive. They're also not bloodthirsty or some shit. They are what Spirit is - they're just trying to live their lives and protect what theirs. The horrible reality of how colonisators treated them isn't censured that it's erased, but enought to be adequate for children that will watch the movie. It makes us curious about the culture, history, and that's exactly what we need for minorities.

Also the music? THE FUCKING MUSIC IN THIS MOVIE WILL TEAR MY HEART OUT!!!

[theneighborhoodwatch]

Found this welcome theory video that i found interesting: https://youtu.be/9Lz6OcILeSc?si=tcPnCX3QC4JmAyC-

Thoughts :3?

(functional link to video)

i tend to avoid youtube coverage of welcome home because i'm petty, but fuck it, it's a new year and i've never actually heard of this youtuber before. i'll give it a shake. liveblog under the cut:

"y'know if it wasn't for the unsettling mysteries, the feeling that somebody is always watching you, and the mold.... i'd wanna live in the neighborhood" that's exactly why the mold and paranoia's so scary babeyyyy

"update number two" Tch.

i'm less inclined to call the writing in this update character development so much as it is just character establishment. especially since before the july 22nd update (bc that's what this video is about) all we knew about the other neighbors was what the WHRP was willing to tell us. i feel like i'm preaching to the choir though.

ok i laughed at the grindset alpha male howdy joke

"now i wanna move onto eddie bc i wanna make a connection between [eddie and howdy]" :D OH DO YOU NOW.

i do love the energy in this video, very infectious. i too have recommended people welcome home solely on the basis that they would have the hots for eddie and y'know what i haven't been wrong yet.

I WAS GONNA SAY SOMETHING ABOUT HOW LIKE. almost all of the characters have that backstory element of having coming from somewhere else before settling down in home, but i see the point about howdy and eddie specifically dealing with stuff that comes from someplace else as like, an actual job. putting a pin in it.

i'm not Sure how i feel about the idea that the world of home/the world in which home exists is Within our world? pretty much from the beginning i assumed it was running on re:creators/deltarune dark world rules (i.e. it is a world that was born from human thought and its existence is dependent on/influenced by our world, but at the end of the day it does exist on like a separate plane of reality) and i still stand by that. barbieland in barbie 2023 is a more apt comparison though.

"possession route" Tch.

ok actually i can't tch at that because i have talked about it in my own posts. TL;DR: i think possession/haunting theory could work but only if it's anything other than actual literal ghosts. as soon as you try to make it FNAF 2 i sleep.

don't have much to say about Real Poppy Lover Hours except emphatic smiling and nodding. although i will say i have seen people use "oh she's more like a mom/aunt/etc.!" as an excuse to sideline her in fanwork bc for some reason some folks think that her having a motherly personality means that she can't be shipped with anyone? even though all of home's residents are adults who aren't even related to each other? that's a gripe for another post, though.

THE CONCEPT OF SALLY BEING AS BIG AS POPPY IS KILLING ME. I PROMISE SHE'S SMALL SHE JUST HAS A BIGASS HEAD. she would want to be big though wouldn't she.

...actually now i want big sally. note to self to draw that later.

i do like the examination of whether or not sally referring to the audience is meant to mean anything. personally i think it's just a bit of wordplay/red herring action but You Never Know!

i misheard "girlboss bossgirl slay" as "girlboss boygirl slay" for like a split second. still fits tbh.

IT'S FUNNY THAT THEY MENTION THINKING THAT THE WHRP IS A SINGLE PERSON bc i do have an ask about that right after this. i'll save my thoughts for that response though.

it's funny that "was the majority of the gang being some form of queer/disabled/nd/etc. planned in-universe" is a question at all bc at the risk of sounding like an asshole it feels so obvious to me that it very much was not. the interview is definitely playing into those themes though.

"them <3" yeah

again. extremely refreshing to see a welcome home video from someone who actually likes welcome home instead of the clicks that covering it will give them.

BARNABY-SANS COMPARISON IS... DISTRESSINGLY APPROPRIATE.

he always knows when to show up, huh.... huh.... i've been trying to break away from being so self-referential ever since welcome home and consequently this blog blew up but. huh...

do i think he's a service dog? i think to answer that question we would first have to answer the question of whether or not he's even a Dog or just Shaped Like A Dog. the laws of his reality say he is a dog, but we can at least guess that even even those can't be trusted. i think it's possible that he may see himself as in service to wally, that he worries about what will happen if he doesn't butt in, but i don't know if this is an objective truth.

"[wally] being so mysterious i don't think is like, him wanting to be mysterious. [...] there just may not be that much about him." and then relating that to how typically protagonists in puppet shows have more subdued personalities than their co-stars so they can be more relatable to the audience. Teehee. (this is positive)

oh there's something kind of poetic about the idea that each bug video ends bc wally's snapped out of his dissociation by one of his friends calling his name when paired with the idea that he's disassociating in part due to his connection with the audience isn't there. being reminded of one's own personhood through your connections with others, and how that has the potential to become more bittersweet the more wally continues to risk it in the process of regaining a sense of purpose as The Audience Surrogate. oogh. that's just me waxing poetic though.

oooh that whole passage about the idea of remembrance and the pursuit of a "correct" story and tying that back into how welcome home in-universe has been almost universally forgotten and the themes of living as a disabled or mentally ill or queer person. beautiful connection.

"hmmm, how much agency do you have in your life actually" AHEHEHE. HEHEHEHE. HEHE.

conclusion: Good Video. thank you for sending it.