#Norma Osborn

[realnormanosborn]

Mrs. Roman <3

I completely forgot to add her sunglasses and the design on her shirt but ¯\_(ツ)_/¯ I'm too lazy to add them in

[comicbooksaregood]

Spider-Man and His Amazing Friends

Volume: 1

Issue: 1

The Triumph of the Green Goblin

Writers: Dennis Marks

Pencils: Dan Spiegle

Inks: Vince Colletta

Colours: Bob Sharen

Covers: John Romita Jr., Al Milgrom

Marvel

[stoneflakes]

Rip to Norman, but if he wasn't turned into a goblin and hopped in her universe, she could have chewed him alive.

[the-unspeakable-tsar]

May: Oh you poor girl...she really hasn't been the same since they locked her uncle away in the asylum.

[orangeispice]

Remember that time Bobby Drake flirted with Norman Osborn's niece because I do

[virblaze]

spideypool wip

[satoshy12]

Danny's parents are Black Panther and Victor von Doom. Try to think 2 Royals 2 Kings! Searching for the Clone who is in US.

Or very special

Red Skull + Captain America = Phantom with his mighty shield!

Red Skull Jack:" IT was that red face, We just thought he was a Ghost Danny!"

Wolverine + Sabretooth

Dr. Strange + Dormammu (don't ask how the Fentons did it)

Spider man + Norman Osborn (maybe her as female (big fan of female Norma Osborn)) = Harry's half brother by his best friend

Daredevil + Kingpin I bet he would be happy being a dad again

Hercules + Ares

Mephisto and Ghost Rider as Jazz parents. Mephisto is Red = red hair. Jazz x Peter Parker.

or DC other parents

Jazz:" How did you get Reverse Flash and Flash DNA!!" Jazz parents are the Flashs, she didn't even knew he could bleed!! Kid Flash got a big sister, and Impulse a cool Aunt.

or other comics Spawn and violator Maddie:" We thought it was Ghost, but it was just Demons..." Danny gave up, at least he came out human. Before the Portal!

Danny finds out hes a clone/ adopted, and instead of processing that like a normal person he decides, "Well its not like they can find me so imma mess with my bio parent(s) while venting my frustrations. Two birds with one stone."

Hence (hero or villian of your choice) begins receiving letters via untraceable magic of him telling them he's thier clone/son and just telling them about his day/past adventures.

Unfortunately most of his adventures are horrifying and the person is desperately scrambling to find thier dumb (possibly undead) child and rescue them.

It probably doesn't help that Danny only signs his name as Phantom and is careful not to give clues to his location.

[doolallymagpie]

may be drafting Petra Parker 2350’s “alright let’s do this one last time” speech

[heckcareoxytwit]

In this AU, the Spider-Man characters are the Fairy Tale characters. Princess Petra as Spintress is the gender-flipped version of Peter Parker while Merry James Watson the bard is the gender-flipped version of Mary Jane Watson. Also, in the Fairy Tale AU, the male musician is the dude in distress instead of the usual tiresome princess damsel in distress cliche. Kraven the Huntsman is the Fairy Tale AU version of Kraven the Hunter. Bishop Octopus is the AU version of Doctor Octopus except that he's not a villain yet. Vulture is a literal vulture but big and green. Norma the Fairy Gob-Mother is an unpredictable gender-flipped version of Norman Osborn.

Here, Merry James Watson is kidnapped by Kraven the Huntsman so that he could lure Spinstress into his hideout. Spintress races to the hideout to fight Kraven and save her boyfriend. While fighting Kraven, Norma the Fairy Gob-Mother appears in the battle to help Petra but rather for sinister purpose. After beating Kraven, Petra reunites with James only for Norma to appear and disrupt the couple. Both Petra and James smash the special orb before Norma could get her hands on it.

Edge of Spider-Verse v3 #2, 2023

[realnormanosborn]

Norma Osborn 🫶🫶🫶

[tempural]

i honestly kind of love the way you draw fem!norman osborn. she's like joan crawford had a baby with divine. i wanna be her fucked up sugar baby.

You probably have a sugar babying chance! Since Piper doesn't wanna take Norma's offer.. who will? Glad ya like the lady Norman :)

[justforbooks]

Lynne Reid Banks, who has died aged 94, hit a jackpot with her first book, The L-Shaped Room (1960), the story of an unmarried middle-class girl, Jane Graham, who takes a dingy room in London to hide her unwanted pregnancy. The novel was a cracking read that caught the cusp of a momentous change in social attitudes. Its profile rose even higher when it became a film in 1962, with Leslie Caron playing its heroine. It sold in its millions and never went out of print.

This success was both a blessing and curse for Reid Banks. In the decades that followed, she published nine further novels (two of them sequels to The L-Shaped Room), two award-winning volumes of biographical fiction on the lives of the Brontës, two books about Israel and numerous books for younger readers. But nothing she wrote ever matched the acclaim for The L-Shaped Room.

Reid Banks was a dramatic and dynamic woman who lived her life with gusto. If the slights of the literary world sometimes hurt her, they never quenched the energy and passion she brought to her work. Stories flowed effortlessly from her pen, characterised by lively dialogue, well-crafted plots and compulsive readability.

The Indian in the Cupboard (1980), a children’s book she wrote for and dedicated to her youngest son, Omri, came closest to her first success, in sales, translation into 20 languages and transformation into a Hollywood film in 1995. That pleased her. But in the same year, she expressed outrage that her longstanding publishers had turned down her latest adult novel. She nevertheless found another publisher and received considerable praise for Fair Exchange (1998), a book she dedicated to her friend Norma Kitson, whose remarkable struggle against apartheid in South Africa infuses its story.

Lynne was born in Barnes, London, the only child of a Scottish doctor, James Reid Banks, and an Irish actor, Muriel (nee Marsh, who went by the stage name Muriel Alexander), and began her education at a Catholic boarding school. At the start of the second world war, aged 10, she travelled with her mother and a cousin to Canada, which she thoroughly enjoyed. On her return to London, she went to Rada, and thence began acting in provincial rep, like the heroine of The L-Shaped Room.

It was during this period that she met and enraged the young John Osborne, whose first wife, the actor Pamela Lane, was her close friend. Osborne’s letters revealed not only his dislike of her, but the probability that she inspired one of the main characters in his own first success, Look Back in Anger.

A combative streak in Reid Banks got her into spats all her life. But she was no less forthright in her judgments of herself than of others. She did not hesitate to call herself a failed actress, failed playwright (of several plays) and failed television reporter, before her true career took off.

In the doldrums, she began writing freelance journalism, and when she went to interview the head of the embryonic ITN for the Radio Times, she also talked him into employing her. She thereby became one of the first two female reporters on television in 1955. This did not satisfy her for long, however, as (she claimed) they only gave her “the rubbish” to do. When she complained, they put her into a cubbyhole and set her to work writing scripts.

Bored stiff, she began using ITN’s stationery supplies and time to start work on her first novel. She later recalled how the newsreader Reginald Bosanquet would read a page off her typewriter in mocking amusement. But the laugh was on Reggie when the Evening Standard later ran the headline: “ITN girl sells film script for £25,000.” The real sum for The L-Shaped Room was £20,000, but that was still princely in those days.

She was not happy with the film, which changed the book’s story. It was a hit, but it took her 30 years to forgive the director, Bryan Forbes. It also infuriated her that people assumed she had written of single motherhood from personal experience, rather than imagination. Although on the crest of a wave of fame, money and success, Reid Banks left the country and did not return for a decade.

She had met the man whom in 1965 she was to marry, the Israeli sculptor Chaim Stephenson, while he was visiting Britain. She was not Jewish, but she went out to Israel and loved it, becoming an Israeli citizen. The couple lived on a kibbutz near the Sea of Galilee, and their three sons were born there.

It surprised but delighted her, soon after her arrival in Israel, to be asked to leave her hot, tiring work in the vineyards to teach English to a class of children. She threw herself into this new occupation with zeal, relishing the chance to use her acting skills, and achieved outstanding results.

But as the years went by, she missed Britain, and in the early 1970s she came back, the family settling uncomfortably at first in the London suburbs, but later living happily in a farmhouse in Beaminster, Dorset, and later still settling in Shepperton in Surrey. Her output of books for children continued (she produced many sequels and series), and she travelled, gardened and wrote for newspapers.

Chaim died in 2016. Reid Banks is survived by her sons, Adiel, Gillon and Omri, and her grandchildren, Daniel, David and Paloma.

🔔 Lynne Reid Banks, writer, born 31 July 1929; died 4 April 2024

Daily inspiration. Discover more photos at Just for Books…?

[flooficandii]

all the school doodles i have so far of a certain spider and her villains!!

a few notes:

so far i have experimental designs for paloma's black cat (felicity hwang) and green goblin (nadia osborne- originally written above as norma osborn)

they both have. Very interesting relationships with paloma both in and out of costume

felicity is a model moonlighting as a thief that pulls major fashion heists. paloma pascual is one of the big names she targets

she's utterly and completely infatuated with spider-velvet and believes she can be a better lover to her

nadia osborne is the matriarch of the osborn fashion house, of which paloma was a part of before becoming an independent designer

nadia played a big part in paloma's career, acting as a mentor and mother figure to her. the two had a falling out and are now rival designers

theres a lot of very fucked up mother-daughter dynamics there that im excited to explore TEEHEE GIGGLES

speaking of fucked up!! surprise!!!!! in paloma's universe miguel is an mj variant! (miguel javier witrago-o'hara)

this miguel is actually a pretty cool person and also paloma's husband

ex-husband**** (⁠≧⁠▽⁠≦⁠)

they were married.... once . then paloma had to choose between a career she'd built from the very foundation and the love of her life

🤭

this totally has no bearing on how she acts with earth-928b miguel btw... haha absolutely none at all... i swear i promsies...

[swampgh0stt]

have you considered fem!William Afton tho I got inspired by Norma Osborn

“How can you be failing the only language you speak, Michael!?” Willow’s voice was harsh over the phone, enraged to have been interrupted at her place of work. When the principal had first called her, she already knew it was about her eldest. It was always her eldest causing trouble. And now, with the divorce going forward, Michael had been acting out more frequently.

Frankly, she was done with it.

“What’s the excuse this time? Are you really so committed to making me look like a bad mother!?” Willow paused, feeling herself bristle when there was a knock at her office door. “Oh, for fucks sake—“ she covered the phone with her hand, her voice softening: “Come in!”

“Willow?” Henry poked his head in first before allowing himself the chance to slip into her office. He shut the door behind himself, a gentle but concerned smile on his face. “Is everything alright? I heard you yelling.”

Willow immediately slammed the phone down on the receiver, putting on her best smile for the man of her desires. “Everything’s fine,” she assured in a gentle tone. “Michael’s acting up again, is all. Nothing to worry about.”

[kyglow]

starter for @miss-muses muse: peter ross ( spider-boy ) his costume for context for: norma osborn ( green goblin ) context

" times up gobby! " - ' gobby? what was he thinking with spider-boy becoming aware he needed to work on his quips. dodging an array of spiny blades and pumpkin bombs first only to then safely web sling to a pillar. his mask was damaged as he was unable to see causing him to remove it. peter had followed his goblin into an abandoned warehouse thankfully no one was going to get hurt however everything about this seemed suspicious as their battles were usually taking place in the middle of the city as the goblin got kicks when it came to putting lives in danger. peter then leapt down off the side of the pillar landing on the wooden floorboards as he approached the goblin who was unmasked cautiously. of course, peter knew it was his boss norma however he refused to reveal the identity of the goblin to the public much like she didn't reveal his identity to the public as peter was worried his family could be killed by his other villains if they knew who he was.

" so what was your plan this time? a derailing of a train, a bus of innocent people being held hostage or - - let me list off other villainous plots to bad shows and movies. you aren't holding a town called westview hostage are you? " he scoffed as his voice had a form of playful confidence present in his tone as eyes remained on her. taking another step his spider senses would go off as he heard a mechanical whirring as out from beneath him a metal contraption sprung to into action. too slow to escape it as it first grabbed him by the ankles and then wrists with his legs and arms now outstretched. the male would struggle, how could he fall for this james bond type trap. " damn! " he sighed only to then chuckle nervously. " don't tell me you're going to kiss me cause careful you might like it and make all the tumblr shippers go nuts. comic book fans would hate it and blog about how it's wrong however i disagree cause it could be so right, you know? " still having his jokey-like demeanour interjecting some form of lively humour in his nervous situation. " i do like the green twinkle in your eye it brings out the crazed maniac in you. " he teased purposely however peter always found his boss beautiful even though it was wrong to be together.

[irunevenus]

O Fogo da Perseguição: As Bruxas de Salem na Fogueira

Salem, Massachusetts - Os julgamentos das bruxas de Salem, ocorridos em 1692, continuam a intrigar e assustar a imaginação coletiva. Investigamos as origens, os eventos e as consequências dos julgamentos das bruxas de Salem para entender melhor o contexto e os mistérios que cercam este período sombrio. A Contextualização Histórica - Puritanismo e a Nova Inglaterra No final do século XVII, Salem era uma pequena comunidade puritana na Nova Inglaterra. Os puritanos, conhecidos por seu rigor religioso e moral, viviam em um ambiente de medo constante do sobrenatural e do pecado. A crença na presença do diabo e na bruxaria era generalizada, e qualquer desvio das normas religiosas era visto com extrema desconfiança. Tensão Social e Econômica A sociedade de Salem estava marcada por tensões sociais e econômicas. Conflitos de terras, rivalidades pessoais e disputas familiares criaram um clima de desconfiança. Além disso, a recente Guerra do Rei Filipe (1675-1678) e os ataques de nativos americanos aumentaram a sensação de insegurança e medo. O Início da Histeria - As Primeiras Acusações Em janeiro de 1692, Betty Parris, de nove anos, e Abigail Williams, de onze, filhas e sobrinhas do reverendo Samuel Parris, começaram a exibir comportamentos estranhos e inexplicáveis, como convulsões, gritos e contorções. O médico local, incapaz de encontrar uma explicação médica, declarou que as meninas estavam "afetadas pelo mal". Logo, outras jovens na comunidade começaram a mostrar sintomas semelhantes. As Primeiras Acusadas Sob pressão para identificar a causa de seus comportamentos, as meninas acusaram três mulheres de bruxaria: Tituba, uma escrava caribenha; Sarah Good, uma mendiga; e Sarah Osborne, uma idosa enferma. Essas mulheres eram vistas como marginalizadas e, portanto, alvos fáceis para as acusações. Os Julgamentos e a Histeria em Massa - Crescimento das Acusações À medida que o medo de bruxaria se espalhava, mais pessoas foram acusadas, incluindo membros respeitáveis da comunidade. A histeria em massa tomou conta de Salem, e acusações infundadas se multiplicaram. Qualquer comportamento considerado fora do comum poderia ser visto como prova de pacto com o diabo. O Tribunal de Oyer and Terminer Em junho de 1692, foi estabelecido o Tribunal de Oyer and Terminer para julgar os casos de bruxaria. Sob a liderança do juiz Samuel Sewall e do magistrado William Stoughton, o tribunal aceitava "provas espectrais" — testemunhos de visões e sonhos onde o espírito do acusado aparecia como um espectro. Essa prática controversa e sem base racional alimentou ainda mais as condenações. Execuções Entre junho e setembro de 1692, dezenove pessoas foram enforcadas, e uma, Giles Corey, foi esmagada até a morte por se recusar a entrar em um pedido de culpa ou inocência. Além disso, várias pessoas morreram na prisão enquanto aguardavam julgamento. As execuções ocorreram em Gallows Hill, um local que hoje é lembrado como um símbolo da injustiça.

As Bruxas de Salem tornaram-se um símbolo potente da injustiça e da perseguição. A história serve como um lembrete sombrio do perigo da histeria em massa e do poder destrutivo do medo irracional.

Hoje, Salem é um lugar de reflexão. A cidade reconhece seu passado sombrio com um memorial às vítimas e um compromisso com a educação sobre os perigos do preconceito e da superstição. A história das Bruxas de Salem continua a ressoar, um eco de um tempo de medo e injustiça que nunca deve ser esquecido.

Sobre as crianças que iniciaram toda a história

O comportamento de Betty Parris e Abigail Williams, que desencadeou os julgamentos das bruxas de Salem, permanece um mistério até hoje. Em meados de janeiro de 1692, as meninas começaram a exibir comportamentos estranhos, como contorções, gritos incessantes e atirar objetos1. Um médico local, presumivelmente William Griggs, foi chamado para examiná-las e, sem encontrar uma explicação médica, atribuiu o comportamento à feitiçaria.

Existem várias teorias que tentam explicar o comportamento das meninas. Algumas sugerem que elas podem ter sido influenciadas pelo medo e pela superstição prevalentes na época, enquanto outras sugerem que elas podem ter estado sob pressão para acusar outras de bruxaria. No entanto, nenhuma dessas teorias foi comprovada, e o verdadeiro motivo por trás do comportamento das meninas continua sendo um tópico de debate entre historiadores e pesquisadores.

Nota pessoal: Eu acho repugnante o fato deles terem julgado e condenado a morte de forma tão cruel pessoas sem provas racionais ou cabíveis movidos apenas pela religião e crenças originadas da mesma, que como sempre como prova a história causa diversos danos irreversíveis a vida das pessoas. Afinal simples desculpas e colocar um artigo ou o que seja falando "então erramos e nos sentimos muito culpados!" não traz ninguém de volta dos mortos e não faz sumir as crueldades que essas pessoas sofreram. E por fim, o que mais me incomoda nisso tudo, é o fato que não só eles causaram tanta agonia e dor a estas pessoas, como até hoje se aproveitam do ocorrido lucrando com a história da morte destas transformando todo o ocorrido em atração turística e recebendo dinheiro como de pessoas que vão ao museu e/ ou visitam a cidade pela curiosidade da historia. O fato de até hoje lucrarem com tudo que causaram só prova que não, não estão arrependidos e sim a morte destas pessoas contribuiu e muito para tornar Salem conhecida. Uma vergonha tudo o que foi feito e continua acontecendo. Minha opinião pessoal!

Existe um museu em Salem chamado Salem Witch Museum. Este museu está localizado em um edifício neogótico na Washington Square North, em Salem, Massachusetts. O museu foi fundado em 1972 e seu acervo conta com documentos reais do julgamento. Entre suas salas e recintos, estão treze cenários em tamanho real que simulam os fatos e atos, através de apresentações diárias, do júri que existiu na cidade e a caçada às bruxas de Salem entre 1692 e 16942.

Segue o link do site deles caso queira ver arquivos de fotos ou conseguir qualquer informação extra: