#Noel Purcell

[mariocki]

The Saint: Little Girl Lost (5.10, ITC, 1966)

"You're wonderful! Why should you do this for me, taking all these risks?"

"Oh, because you, uh, have a talent for embroidering the truth which fascinates me."

"But that's not the only reason, is it?"

"No. No, your father took over my favourite brewery and the beer's been terrible ever since."

[letterboxd-loggd]

Doctor at Large (1957) Ralph Thomas

February 11th 2023

[whats-in-a-sentence]

Canning and Noel Purcell, briefly back in Sydney from Tokyo where he headed Westpac's office, strove to maintain a degree of calm in Conroy's outer office while Metcalfe and Williams helped Canning compose a press release based on words advised by the board. It was a brief announcement:

The chairman of Westpac Banking Corporation, Mr John Uhrig, announced today that the managing director, Mr Frank Conroy, had resigned.

This followed discussion by board members of the need for the leader of the bank's change program to be someone who comes fresh to the task.

A new chief executive will be appointed from outside the bank. Mr Uhrig said the board anticipates that will be achieved prior to the annual general meeting.

Pending a new appointment, Mr Uhrig will act as executive chairman on an interim basis.

"Westpac: The Bank That Broke the Bank" - Edna Carew

[erstwhile-punk-guerito]

[myfavoritepeterotoole]

Jack Hawkins, Noel Purcell, Peter O'Toole and Richard Brooks on the set of Lord Jim

Lord Jim (1965) directed by Richard Brooks

Peter O'Toole as Lord Jim

Jack Hawkins as Marlow

Noel Purcell as Captain Chester

[marciabrady]

MAD ABOUT MEN (1954).

[moviesteve]

New Post has been published on Movie Steve

https://is.gd/h6cYBC https://www.moviesteve.com/wp-content/uploads/2019/12/surfeit4.jpg #DianaRigg, #EmmaPeel, #JohnSteed, #NoelPurcell, #PatrickMacnee, #TheAvengers Undoubtedly a fancy episode when it first aired in late November 1965, A Surfeit of H2O manages to be whimsical, sinister, ridiculous and ingenious all in one go, with a[…]

[trashvideofinland]

Kesytön maa / Land of Fury (1954) Barium Video https://www.videospace.fi/release/kesyton_maa_nauha_barium_video_finland

[mariocki]

The Saint: The Wonderful War (2.16, ITC, 1964)

"Uh - Mr. Sykes!"

"Well?"

"Perhaps you will dine with me at the palace this evening?"

"Perhaps."

"We shall be honoured."

"Yes, I'm sure."

"Will, uh, nine o'clock be convenient?"

"If I have to, nine o'clock's as good a time as any."

[letterboxd-loggd]

Saints and Sinners (1949) Leslie Arliss

August 25th 2024

[byneddiedingo]

Kirk Douglas and Anthony Quinn in Lust for Life (Vincente Minnelli, 1956) Cast: Kirk Douglas, Anthony Quinn, James Donald, Pamela Brown, Everett Sloane, Niall McGinnis, Noel Purcell, Henry Daniell, Madge Kennedy, Jill Bennett, Lionel Jeffries, Laurence Naismith, Jeanette Sterke. Screenplay: Norman Corwin, based on a novel by Irving Stone. Cinematography: Russell Harlan, Freddie Young. Art direction: E. Preston Ames, Cedric Gibbons, Hans Peters. Film editing: Adrienne Fazan. Music: Miklós Rózsa. After watching Julian Schnabel's take on Vincent Van Gogh in At Eternity's Gate (2018), I thought it made sense to go back and see Hollywood's portrait of the artist, Vincente Minnelli's Lust for Life. Schnabel is himself an artist, of course, so it's not surprising to find his film focused on the aesthetics of madness (along with propounding a theory that Van Gogh didn't commit suicide but was the victim of an accidental gunshot). Minnelli and screenwriter Norman Corwin are less successful in finding a coherent image of Van Gogh than Schnabel and his co-screenwriters Jean-Claude Carrière and Louise Kugelberg were, partly because the latter were working with one of the most insightful actors of our time, Willem Dafoe, while Minnelli's Van Gogh is played by Kirk Douglas, who brings to the role a physical resemblance to the artist but is never quite strong enough to craft an integrated characterization. Lust for Life seems to suggest that Van Gogh's problems stemmed from a lack of reciprocated love -- from his father, the church he tries to serve, the several women in his life, the art-buying public, the citizens of Arles, and his fellow artists -- most notably Paul Gauguin, played (perhaps overplayed) by Anthony Quinn in an Oscar-winning performance. The film is visually stunning, although the transformation of the landscapes that Van Gogh sees into what he painted is handled more subtly and intelligently in Schnabel's film. Minnelli seems content merely to juxtapose place with painting. The sensational events in Van Gogh's life, especially the amputation of an ear, are treated sensationally in Minnelli's film, which only suggests that Van Gogh did it out of frustration with Gauguin, as if pleading for that artist's attention. We also get a sentimental deathbed scene, a kind of reconciliation with Vincent's brother, Theo (James Donald). Lust for Life is a watchable but flawed and inconsistent film -- even the name of the artist gets a variety of pronunciations, from "Van Gokh" to "Van Gog" to "Van Goh."

[tinyshe]

WASHINGTON, DC (Catholic Online) - “I started this list as the 100 Best Pieces of Sacred Music, but I decided instead to recommend specific recordings. Why? No matter how fine the music, say Bach's Mass in B minor, a poor performance will leave the listener wondering where the "greatness" went.  So the recommendations below represent a merging of both: All of the compositions are among the very best sacred music ever written, but the recorded performances succeed in communicating their extraordinary beauty.  

“I also dithered over whether or not to make a list of "liturgical" music, or "mass settings," or "requiems." Each of these would make interesting lists, but I chose the broader "sacred music" with the hope that this list might be of interest to a wider spectrum of people. Composers are not limited to any denomination -- some are known to have been non-believers -- although the music belongs to the Christian tradition.  

“I've also decided to limit my choices to recordings that are presently available on CDs, DVDs, Blu-rays, or digital downloads.  I don't expect those who are curious about a particular title to start hunting down LPs, especially since these vinyl recordings are suddenly in great demand and prices are rising.  

“This list is alphabetized, rather than listed in chronological order. This was necessary, since recordings will often include several pieces composed years apart, perhaps much more. Thus, to reiterate, there has been no attempt to arrange them in order of preference -- all 100 are among "the best" recordings of sacred music currently available. The recording label is indicated in parentheses.

What I would call 'Indispensable Sacred Music Recordings' are marked with an ***.

1.Allegri, Miserere, cond., Peter Phillips (Gimell).*** 2.Bach Mass in B Minor, cond., Nikolaus Harnoncourt (1968 recording;Teldec).*** 3.Bach, St. Matthew Passion, cond., Philippe Herreweghe (Harmonia Mundi).*** 4.Bach, Cantatas, cond., Geraint Jones and Wolfgang Gonnenwein (EMI Classics). 5.Barber, Agnus Dei, The Esoterics (Naxos). 6.Beethoven, Missa Solemnis, cond., Otto Klemperer (EMI/Angel). 7.Bernstein, Mass, cond., Leonard Bernstein (Columbia). 8.Berlioz, Requiem, cond. Colin Davis (Phillips). 9.Brahms,  Requiem, cond., Otto Klemperer (EMI/Angel).*** 10.Briggs, Mass for Notre Dame, cond., Stephen Layton (Hyperion). 11.Britten, War Requiem, cond., Benjamin Britten (Decca). 12.Brubeck, To Hope! A Celebration, cond. Russell Gloyd (Telarc). 13.Bruckner, Motets, Choir of St. Mary's Cathedral (Delphian).*** 14.Byrd, Three Masses, cond., Peter Phillips (Gimell). 15.Burgon, Nunc Dimittis, cond., Richard Hickox (EMI Classics). 16.Celtic Christmas from Brittany, Ensemble Choral Du Bout Du Monde (Green Linnet) 17.Chant, Benedictine Monks of Santo Domingo de Silos (Milan/Jade). 18.Charpentier, Te Deum in D, cond., Philip Ledger (EMI Classics). 19.Christmas, The Holly and the Ivy, cond., John Rutter (Decca). 20.Christmas, Christmas with Robert Shaw, cond., Robert Shaw (Vox). 21.Christmas, Cantate Domino, cond., Torsten Nilsson (Proprius).*** 22.Christmas, Follow That Star, The Gents (Channel Classics). 23.Christmas, The Glorious Sound of Christmas, cond., Eugene Ormandy (Sony). 24.Christmas: Moravian Christmas, Czech Philharmonic Choir (ArcoDiva) 25.Desprez, Ave Maris Stella Mass, cond., Andrew Parrott (EMI Reflexe). 26.Dufay, Missa L'homme arme, cond., Paul Hillier (EMI Reflexe). 27.Duruflle, Requiem & Motets, cond. Matthew Best (Hyperion) 28.Dvorak, Requiem, cond. Istvan Kertesz (Decca). 29.Elgar, The Dream of Gerontius, cond. John Barbirolli (EMI Classics).*** 30.Elgar, The Apostles, cond. Adrian Boult (EMI Classics). 31.Elgar, The Kingdom, cond., Mark Elder (Halle). 32.Eton Choirbook, The Flower of All Virginity, cond., Harry Christophers (Coro). 33.Faure, Requiem, cond., Robert Shaw (Telarc). 34.Finnish Sacred Songs, Soile Isokoski (Ondine). 35.Finzi, In Terra Pax, cond. Vernon Handley (Lyrita). 36.Gabrieli, The Glory of Gabrieli, E. Power Biggs, organ (Sony). 37.Gesualdo, Sacred Music for Easter, cond., Bo Holten (BBC). 38.Gonoud, St. Cecilia Mass, cond. George Pretre (EMI Classics). 39.Gorecki, Beatus Vir & Totus Tuus, cond. John Nelson (Polygram). 40.Gospel Quartet, Hovie Lister and the Statesman (Chordant) 41.Guerrero, Missa Sancta et immaculata, cond., James O'Donnell (Hyperion) 42.Handel, Messiah, cond., by Nicholas McGegan (Harmonia Mundi)*** 43.Haydn, Creation, cond., Neville Marriner (Phillips). 44.Haydn, Mass in Time of War, cond., Neville Marriner (EMI Classics). 45.Hildegard of Bingen, Feather on the Breath of God, Gothic Voices (Hyperion). 46.Howells, Hymnus Paradisi, cond., David Willocks (EMI Classics).*** 47.Hymns, Amazing Grace: American Hymns and Spirituals, cond. Robert Shaw (Telarc).*** 48.Lauridsen, Lux Aeterna & O Magnum Mysterium, cond. Stephen Layton (Hyperion).*** 49.Lassus, Penitential Psalms, cond. Josef Veselka (Supraphon). 50.Leighton, Sacred Choral Music, cond., Christopher Robinson (Naxos). 51.Liszt, Christus, cond., Helmut Rilling (Hannsler). 52.Liszt, The Legend of St. Elisabeth, cond., Arpad Joo (Hungaroton). 53.Lobo, Requiem for Six Voices, cond., Peter Phillips (Gimell). 54.Martin, Requiem, cond. James O'Donnell (Hyperion). 55.Machaut, La Messe de Nostre Dame, cond., Jeremy Summerly (Naxos). 56.Mahler, 8th Symphony, cond., George Solti (Decca). 57.Mendelssohn, Elijah, cond. Rafael Frühbeck de Burgos (EMI 58.Monteverdi, 1610 Vespers, cond., Paul McCreesh (Archiv). 59.Morales, Magnificat, cond., Stephen Rice (Hyperion). 60.Mozart, Requiem, cond. Christopher Hogwood (L'Oiseau-Lyre). 61.Mozart, Mass in C Minor, cond. John Eliot Gardiner (Phillips). 62.Nystedt, Sacred Choral Music, cond., Kari Hankin (ASV). 63.Organum, Music of the Gothic Era, cond., David Munrow (Polygram). 64.Palestrina, Canticum Canticorum, Les Voix Baroques (ATMA). 65.Palestrina, Missa Papae Marcelli, cond. Peter Phillips (Gimell). 66.Part, Passio (St. John Passion), cond., Paul Hillier (ECM New Series). 67.Parsons, Ave Maria and other Sacred Music, cond., Andrew Carwood (Hyperion). 68.Pizzetti, Requiem, cond., James O'Donnell (Hyperion). 69.Poulenc, Gloria & Stabat Mater, cond., George Pretre (EMI Classics). 70.Poulenc. Mass in G Major; Motets, cond., Robert Shaw (Telarc). 71.Puccini, Messa di Gloria, cond., Antonio Pappano (EMI Classics). 72.Purcell, Complete Anthems and Services, fond., Robert King (Hyperion). 73.Rachmaninov, Liturgy of St. John Chrysostom, cond., Charles Bruffy (Nimbus). 74.Rachmaninov, Vespers, cond., Robert Shaw (Telarc). 75.Respighi, Lauda Per La Nativita Del Signore, cond., Anders Eby Proprius). 76.Rheinberger, Sacred Choral Music, cond., Charles Bruffy (Chandos). 77.Rossini, Stabat Mater, cond., Antonio Pappano (EMI). 78.Rubbra, The Sacred Muse, Gloriae Dei Cantores (Gloriae Dei Cantores). 79.Rutter, Be Thou My Vision: Sacred Music, cond., John Rutter (Collegium).*** 80.Russian Divine Liturgy, Novospassky Monastery Choir (Naxos). 81.Rutti, Requiem, cond., David Hill (Naxos). 82.Saint Saens, Oratorio de Noel, cond., Anders Eby (Proprius). 83.Schubert, 3 Masses, cond., Wolfgang Sawallisch (EMI Classics). 84.Schutz, Musicalische Exequien, cond., Lionel Meunier (Ricercar). 85.Spirituals, Marian Anderson (RCA).*** 86.Spirituals, Jesse Norman (Phillips) 87.Telemann, Der Tag des Gerichts, cond., Nikolaus Harnoncourt (Teldec). 88.Thompson, Mass of the Holy Spirit, cond., James Burton (Hyperion). 89.Shapenote Carols, Tudor Choir (Loft Recordings) 90.Stravinsky, Symphony of Psalms, cond., Robert Shaw (Telarc). 91.Tallis, Spem in alium & Lamentations of Jeremiah, cond., David Hill (Hyperion).*** 92.Tschiakovsky, Liturgy of St. John Chrysostom, cond, Valery Polansky (Moscow Studio). 93.Taneyev, At the Reading of a Psalm, cond., Mikhail Pletnev (Pentatone). 94.Vaughn Williams, Five Mystical Songs, cond., David Willcocks (EMI Classics).*** 95.Vaughn Williams, Mass in G, cond. David Willcocks (EMI Classics). 96.Vaughn Williams, Pilgrims Progress, cond., Adrian Boult (EMI Classics).*** 97.Verdi, Requiem, cond., Carlo Maria Guilini (EMI Classics).*** 98.Victoria, O Magnum Mysterium & Mass, cond., David Hill (Hyperion).*** 99.Victoria, Tenebrae Responsories, cond., David Hill (Hyperion). 100.Vivaldi, Sacred Music, cond., Robert King (Hyperion).   “ -----

Deal W. Hudson is president of the Pennsylvania Catholics Network and former publisher/editor of Crisis Magazine. Dr. Hudson also a partner in the film/TV production company, Good Country Pictures.

[singeratlarge]

HAPPY BIRTHDAY to the First American Music Concert (Boston 1731), bassist-composer Samuel Adams, Suzy Bogguss, Brahms’s 2nd Symphony, drummer Clive Bunker, bandleader/multi-instrumentalist "Charlie" Creath, Skeeter Davis, Bo Diddley, Ellie Goulding, Simon Guggenheim, artist Aad de Haas, John Hartford, Dmitry Kabalevsky, Rudyard Kipling, bandleader-pianist Vincent Lopez, Jack Lord, Jeff Lynne, Robert Quine, Henry Purcell’s brilliant 1689 opera DIDO & AENEAS, film director Carol Reed, Del Shannon, Frank Sinatra’s 1968 “My Way” single, the 1950 single “60 Minute Man” by The Dominoes, Patti Smith, Dave Stewart (Hatfield & The North), Noel Paul Stookey (thank you for the fan mail), Russ Tamblyn, Tyrese, Tracey Ullman, V (BTS), Fred Ward, Stevie Wonder’s 1981 single “That Girl,” Tiger Woods, and a pair of Monkees, Davy Jones and Michael Nesmith, born the same day (different years). Both men have brought meaning and joy to my life in different ways.

Before I began my long association with Davy Jones, I was already a fan of Mike Nesmith’s “cosmic country” and multi-genre/media work. In 1979 I was working in a San Francisco used record store, an outpost for noting trends. After years of The Monkees not being on my radar, I saw a revival of interest in them due to the HEAD film circulating on the “art movie” circuit, The Sex Pistols covering “Steppin’ Stone,” and a New Wave gestalt that celebrated the Pre-Fab 4 for their garage band template. I reappraised their records and re-discovered Nez’s solo work, which inspired me and influenced my songwriting. Years later I added Nez’s “Silver Moon” to my solo set, which caught Davy’s attention and we sang it live a couple of times. That was my “talking point” when, in 1996, I finally met Nez during the JUSTUS sessions in Nashville—at which all 4 of juggled percussion instruments around the studio like rock’n’roll Marx Brothers.

My relationship with Davy began in 1992. I was working in a recording studio in central Pennsylvania. One day he rang up and booked a meeting, asking me, “Do you understandThe Monkees?” I’m looking at this guy I used to see on the back of cereal boxes, and I must’ve given him the right answer because we went to work on a video and archival projects. We lived near to each other and started playing music together. It turned into a long and creative unfolding of recordings, tours, and friendship. I’m extremely grateful for the career doors he opened for me and the stage craft I learned from him. Of course I was devastated when he died, and I wrote a song “Like a Big Brother” (still to be recorded) that summed up our connection.

To celebrate this day I found this clip of us covering Nez’s song “Papa Gene’s Blues” with Peter Tork. Cheers! https://www.youtube.com/watch?v=2rZf8BIUP9g

#Monkees #Nesmith #Michael #Mike #DavyJones #PeterTork #PapaGenesBlues #JohnnyJBlair #Head #SteppinStone #NewWave #countryrock #cosmiccountry #garageband #birthday

[wri0thesley]

Q and R?

Q: How do you feel about collaborations?: i’ve only ever been half-involved with one that fizzled out. as a whole i’m super awkward and anxious and would never approach anyone but i’d love to do a collaboration at some point with other writers!! i dont think i could like, take turns writing and do a joint piece with someone but i’d love to do like a Themed Thing where say we all took one character (member of bruno’s gang, la squadra, jojo, jobro) and then did a piece on a similar theme (inspired by a book/musical/folklore/fairy tale) or in the same au world. i think that would be fun! i don’t like ‘shared out’ collabs because i always feel like i can tell what one writer wrote and what the other did?? i LOVE good omens but like i can definitely hear pratchett’s voice come through way more in some of it. 

R: Are there any writers (fanfic or otherwise) you consider an influence?  my favourite fanfic writer i discovered through their overwatch fic, they do not write for jojo. tw for their overwatch stuff for dark themes but here. non-fanfic wise, i feel like anne rice, francesca lia block and maybe like laura purcell come out the strongest in my writing? but influences/heroes include: terry pratchett, oscar wilde, victor hugo, donna tartt, diana wynne jones, angela carter, shirley jackson. i’m a big fan of short horror stories, gothic romance and fantasy with that kind of . . . i’m not sure how to describe it other than a kind of twee self-effacing britishness (which diana wynne jones and terry pratchett do in ABUNDANCE). i also love classic children’s/girl’s fiction - stuff like enid blyton, boarding school books, frances hodgson burnett and noel streatfeild!! 

[mr-divabetic]

We're talking about diabetes wellness with music from Jessye Norman. Divabetic's Diabetes Late Nite podcast guests include Patricia Addie-Gentle RN, CDE, Mandy Reece PharmD CDCES, BC-ADM, BCACP, FADCES, Maximize Your Metabolism Authors Dr. Noel Maclaren and Sunita Singh Maclaren, and Know Diabetes By Heart Ambassador, Sarah. 

Throughout the podcast we will be featuring music from Jessye Norman's Roots: My Life, My Song (Live at The Philharmonie Berlin) album courtesy of SONY Music. 

LISTEN NOW: https://www.blogtalkradio.com/divatalkradio1/2021/03/09/divabetic-diabetes-late-nite-podcast-inspired-by-jessye-norman

[marciabrady]

MAD ABOUT MEN (1954).