#No. None of you get context

[p00lverinecentral]

Really? While we're poolverine car blade banging???

[bixels]

tarpit site.

[luna-loveboop]

I find it funny that Wild, who has basically a couple years ish of full life experience, comes up with the most insane theories for everything

He assumed that the only other explanation to Four being able to split in Four was. That he was quadruplets who'd been hiding this whole time???

Also apparently he believed that his wolf companion Twilight in botw was a diety (and felt very uhh shocked upon finding out that he was not)

Malon made things worse, telling him about her aliens theory

What's even FUNNIER is that every time Wild expresses any sort of confusion at magic stuff that he's never seen before, everyone else in the chain acts like it's crazy for him to be weirded out by it

Honestly maybe Wild's the only one with his head on straight, rather than everyone else who are just like 'it's magic bro' like no he's right this is weird

I appreciate this because it's very considerate of the fact that he woke up with no memories not too long ago, so he doesn't have much experience to explain the stuff that's 'normal' for the chain. Plus the explanations he comes up with are funny.

:)

.

Art and comic and adorable character by Jojo @linkeduniverse au :D

[3liza]

I didn't want to reblog this actual thread because my sidetracking doesn't need to be on a good and helpful mental health post. BUT. I wanted to ask anyone who has noticed the same thing I have about this topic: why do you think this kind of therapy does not work on the very large percentage of autistic people that it does not work on, including myself. many professionals and laymen have tried this tried-and-true method of subverting depression on me and I will just argue back, and I will have more reasoned arguments than they will. and I will engage with their question ("why do you feel that way") and the proceeding argument in good faith, but the therapist will not be prepared to advance past the professional Jedi mind trick of just telling me my extremely studied reasons for thinking a certain way aren't rational and should simply be abandoned. they don't have any more rabbits in the hat after that. so what the fuck

[kazamajun]

[unknownsigils]

living in obscurity

[gearbroth]

random tf2 doodles (+a gordon)

[daisyswift3]

So I think I may have cracked the code. Listening to Clara Bow w this context in mind from the 4th, 9th, and 10th 🎃 messages makes the lyrics cut even deeper and explains the purpose of the anthology.

What Taylor is essentially saying is that above all else she is proud of her humanity. “Human. Human. Human.” “Flesh and blood.” Unlike some ppl in Hollywood like greedy big suits (cough SB^2 cough Big Machine cough) she’s managed to keep her humanity intact and didn’t let these negative experiences corrupt her or turn her bitter. She was able to find peace and courage in spite of it. And she’s saying I am abt to come out of the closet and while I am hopeful I’m also a little fearful. But isn’t that an amazing thing? Because being fearful, sad, furious, insecure, hopeful—these experiences are unique to humans! “Your heart beats red and hot and furious in your chest.”

“And most importantly, they will know about the human heart.” THIS is the purpose of the anthology. This is why she released 31 (13 backwards) songs for her fans to dissect and decode. Bc she wants them to understand that she’s not a god. She’s a flawed human just like the rest of us.

I think there’s a very good chance that THIS is what her movie is going to be about. Her journey out of the closet and all the hardship that came along w it and helping other ppl to understand the human heart. And I wouldn’t be surprised if there was a memoir that was released w it—“the professor said to write what you know.” And it makes sense too why the manuscript lyrics match perfectly w the all too well short film. Bc they’re talking abt the exact same thing!! She has a relationship w a much older man, experiences heartbreak, heals, and then writes abt it in a book—the story of us AKA the manuscript.

And this is why 🎃 kept referencing the story of us. I couldn't make sense of it a few months ago but now in hindsight it all makes perfect sense. Message in a bottle was probably a red tv vault track for this reason too. Bc the message in a bottle is the manuscript. The puzzle pieces really do all fall right into place.

[ryllen]

Look what came through the mail today! The letters & ( •̀ω•́ )σ 3 little gremlins from letterstoear.

Just wanna say i adore the flower stickers on the letters too much, they are that much worth mentioning.

[phoebelovingcare]

i think the most shocking feature of the full-release version for below zero is al-an's threat level.

i think that might be lowballing it a bit tbh

[mblue-art]

out w these tall clowns 🌲🌸

[exilethegame]

Vethna's really out here murdering bitches in the rewrite

[zanethepa1n]

kill me and make it hurt

[anghraine]

Okay, breaking my principles hiatus again for another fanfic rant despite my profound frustration w/ Tumblr currently:

I have another post and conversation on DW about this, but while pretty much my entire dash has zero patience with the overtly contemptuous Hot Fanfic Takes, I do pretty often see takes on Fanfiction's Limitations As A Form that are phrased more gently and/or academically but which rely on the same assumptions and make the same mistakes.

IMO even the gentlest, and/or most earnest, and/or most eruditely theorized takes on fanfiction as a form still suffer from one basic problem: the formal argument does not work.

I have never once seen a take on fanfiction as a form that could provide a coherent formal definition of what fanfiction is and what it is not (formal as in "related to its form" not as in "proper" or "stuffy"). Every argument I have ever seen on the strengths/weaknesses of fanfiction as a form vs original fiction relies to some extent on this lack of clarity.

Hence the inevitable "what about Shakespeare/Ovid/Wide Sargasso Sea/modern takes on ancient religious narratives/retold fairy tales/adaptation/expanded universes/etc" responses. The assumptions and assertions about fanfiction as a form in these arguments pretty much always should apply to other things based on the defining formal qualities of fanfic in these arguments ("fanfiction is fundamentally X because it re-purposes pre-existing characters and stories rather than inventing new ones" "fanfiction is fundamentally Y because it's often serialized" etc).

Yet the framing of the argument virtually always makes it clear that the generalizations about fanfic are not being applied to Real Literature. Nor can this argument account for original fics produced within a fandom context such as AO3 that are basically indistinguishable from fanfic in every way apart from lacking a canon source.

At the end of the day, I do not think fanfic is "the way it is" because of any fundamental formal qualities—after all, it shares these qualities with vast swaths of other human literature and art over thousands of years that most people would never consider fanfic. My view is that an argument about fanfic based purely on form must also apply to "non-fanfic" works that share the formal qualities brought up in the argument (these arguments never actually apply their theories to anything other than fanfic, though).

Alternately, the formal argument could provide a definition of fanfic (a formal one, not one based on judgment of merit or morality) that excludes these other kinds of works and genres. In that case, the argument would actually apply only to fanfic (as defined). But I have never seen this happen, either.

So ultimately, I think the whole formal argument about fanfic is unsalvageably flawed in practice.

Realistically, fanfiction is not the way it is because of something fundamentally derived from writing characters/settings etc you didn't originate (or serialization as some new-fangled form, lmao). Fanfiction as a category is an intrinsically modern concept resulting largely from similarly modern concepts of intellectual property and auteurship (legally and culturally) that have been so extremely normalized in many English-language media spaces (at the least) that many people do not realize these concepts are context-dependent and not universal truths.

Fanfic does not look like it does (or exist as a discrete category at all) without specifically modern legal practices (and assumptions about law that may or may not be true, like with many authorial & corporate attempts to use the possibility of legal threats to dictate terms of engagement w/ media to fandom, the Marion Zimmer Bradley myth, etc).

Fanfic does not look like it does without the broader fandom cultures and trends around it. It does not look like it does without the massive popularity of various romance genres and some very popular SF/F. It does not look like it does without any number of other social and cultural forces that are also extremely modern in the grand scheme of things.

The formal argument is just so completely ahistorical and obliviously presentist in its assumptions about art and generally incoherent that, sure, it's nicer when people present it politely, but it's still wrong.

[ratcandy]

collection of moth things i never posted all of varying quality and age

[jtl-fics]

Fluent Freshman - Part 22

PREVIOUS

Y’know how sometimes you have something that you need to do or something that you know is going to happen but you just keep…putting it off? Like you know at some point it is going to happen but you put it off over and over and over and over again? You’re getting increasingly anxious every time you put it off because you know it has to get done but you also know that the longer you wait the worse it is going to get. Finally, FINALLY, the anxiety is just a little too much and you end up having to deal with it.

You finally deal with it and the whole ordeal takes maybe five minutes tops and it was in no way shape or form worth the level of anxiety that you put yourself through. Like you worried about this for a good and long while and it wasn’t even that bad?

That is currently how FF feels about being stabbed by Andrew Minyard.

This is what he was so worried about that he had lost sleep, had nightmares, had lost weight, and had exacerbated his stress ulcers over.

Getting stabbed wasn’t anywhere near as bad as he had thought it was going to be. Maybe it was the fact that it was just a single stab wound instead of the Psycho levels that he had been imagining (Wow, showers were going to be so much less stressful now that he didn’t have to confirm Andrew Minyard’s location before triple checking the lock). Maybe it was the fact that he is PUMPED full of adrenaline from his fights against Jackson and Romero but the stab wound didn’t even really hurt at the moment.

This isn’t even the worse thing that had happened to him this year!

That honor still goes to the joint winners of when his Step Family and mother found out that he had a full-ride to Palmetto and when he had tripped up the same step on the stairs at school three times in a row as people watched and laughed.

(Maybe also the solitary congratulations from his Grandma in regards to his graduation but FF doesn’t let himself think about that, won’t think about it.)

He wouldn’t necessarily call being in a state of ‘stabbed’ a pleasant time but Andrew was being so NICE about it.

“Stop trying to sit up you fucking idiot!” Andrew shouts at him.

Well….Andrew’s version of nice.

(This is the same version of nice that he had misunderstood for months at this point. Maybe FF is just enough in shock from the stab wound in his stomach that he’s starting to grasp the basics in the difficult language of Andrew Minyard’s niceness.)

Andrew had gotten off the phone with 911 and then started pulling off his own jacket before draping it over FF’s upper body, wedging his phone between his shoulder and his ear, and then Andrew started to apply pressure to his stomach wound.

Ow.

That is not a great feeling. This stabbing may eke out past the great triple trip of March 2010.

“No, take back your jacket. You’ll get cold if you don’t have it on.” FF argues because his own jacket is barely doing the job. Maybe it’s the cold pavement of the alley, maybe it’s the blood loss, or maybe it’s the cooling sweat he’d worked up but he is shivering pretty badly.

A thought occurs to him as he feels the weird wet stickiness of his own blood sticking to Nicky’s shirt. “Can you help me get my jacket off?” He asks looking pleadingly at Andrew, “It’s my dad’s. I don’t wanna mess it up with my blood.” He clarifies when Andrew looks at him like he’s a lunatic.

Except his second call must connect right then because Andrew’s answer is non-sensical to what FF had asked, “Neil, let Roland know the police and ambulances are en route.” There’s a brief pause and the pressure against his stomach increases as a muscle in Andrew’s jaw jumps. “Smith got stabbed.” He says and he looks angry, angrier than FF had ever seen Andrew when he’s talking to Captain Neil. There is another pause, more than likely Neil saying something or asking a question, “No, it wasn’t them.” Andrew grits out and the pressure on FF’s stomach hurts, “Just get out here, I need help with smith and making sure these two assholes don’t go anywhere before the police come and grab them.” He says before he pulls one hand away from Smith’s stomach (wow he really is bleeding isn’t he?) to hang up the phone.

Andrew’s gaze turns back to him fully, “You’re not moving an inch Smith, your jacket can be cleaned.” He hisses. “Now stay still and don’t fall asleep.” He orders.

Andrew seems stressed so FF complies. He can’t help but notice how Andrew’s hands seem to be shaking as the press down on his stomach. He kind of wishes he had a pillow or something for his head because he’s starting to feel a little dizzy. Andrew’s jacket would be safer from his blood if it was a pillow instead of a blanket. Still, FF would sooner die than spit on any of Andrew’s current efforts to make him more comfortable.

He looks at the knife sticking out of his stomach. Well, he might die regardless of whether or not he spits on Andrew’s efforts.

He needs to take his mind off this.

“Should we take it out and pretend the Dundee knife stabbed me instead??” FF asks letting his mind go to the first thought in his head so that he could be distracted from his own mortality. “I think it’s still under the dumpster over there.” He moves to point one of his hands towards where the knife had remained throughout this entire ordeal.

Andrew’s knee pinned his arm before he could move it, “Stop moving Smith.” Andrew reminded him before moving his knee. “We have to leave the knife in. You’ll bleed to death otherwise.” Andrew reminds.

“I guess that’s true, so do we just say that Romero got a handle on your knife and stabbed me?” He asks fighting his own shivers since he’s a little worried that any shaking on his part would just make the stab wound worse.

“I stabbed you Smith.” Andrew says looking at him with a furrowed brow.

“Yeah, I know,” FF agrees, “but we’re not going to say THAT to the cops.” He says and shock really is one HELL of a drug because he thinks he might have actually given Andrew Minyard an incredulous look with his atrophied face muscles. It’s either Shock or the knowledge that even if he irritates Andrew, what’s Andrew going to do about it?

STAB HIM?

“You’re going to lie to the cops?” Andrew asks, “I STABBED you Smith.” Andrew repeats.

“Yeah, I know!” FF repeats back, “You stabbed me on ACCIDENT.” FF makes sure to use the same intonation that Andrew had used to emphasize the word Stabbed. “Jackson wanted to stab me on PURPOSE. You saw that knife Andrew.” He tries to gesture towards the knife again but again Andrew’s knee pinned his hand.

He could use his other one but the reminder to stay still is enough.

“I still stabbed you.” Andrew says removing his knee again when it’s clear that FF wasn’t going to try and gesture again.

“Well, if I was going to get stabbed by anyone, I guess I’m glad my first time was with you.” Andrew let’s out a bark of a laugh that sounds more like it was punched out of him than anything, “Honestly, I don’t think Jackson would have given me his jacket afterwards or try and help me keep my blood in my body.” He says and it feels like a victory (not a both hands in the air victory cry level victory but it was close) when Andrew’s face settled into one of faint amusement.

“Probably not.” Andrew agreed, “He doesn’t seem big on Aftercare.” He says.

FF doesn’t know what that means but nods like he does, “So, Romero got a hold of your knife during our tussle and he’s the one who stabbed me. Okay? That’s the story I’m going to stick with no matter who asks me.” He looks Andrew in the eye.

“Alright Smith,” one of Andrew’s hands leaves his stomach and clasps around his shoulder and FF can’t help but notice how neither of Andrew’s hands are shaking anymore. “We can lie to the police.” He squeezes FF’s shoulder.

“Nice.” He says and lets his head fall back onto the concrete. He hears a siren in the distance and hopes it’s coming for him.

They sit in silence for maybe 30 seconds before the door slams open and only Andrew’s hands on his stomach and shoulder keep him from shooting straight up in a panic. Captain Neil seemed to take in the scene at lightning speed but it was Andrew who spoke first, “You left Aaron and Nicky with Roland?” He asks.

“Yeah I did,” Captain Neil confirms and FF can see the moment that his eyes land on the knife handle jutting out of FF’s stomach, “Andrew, what are we going to tell the police?” Captain Neil asks and FF could already see Neil crafting a lie to cover Andrew. That’s one of the things that FF likes about Captain Neil and Andrew’s relationship. He thinks it’s nice that both of them have someone who no matter the circumstances would be there with a shovel to help bury a body. He even thought it was nice when he thought it’d be his body!

“The second guy stabbed me.” The lie comes out smoothly which is good because he is planning on committing to it and Captain Neil blinks and looks at him, “He got hold of Andrew’s knife during the tussle.” He adds.

Captain Neil looks to Andrew, “You said it wasn’t-“

“I guess Smith can lie to a liar.” Andrew interrupts.

Captain Neil’s eyes widen before a wicked grin spread across his face that made FF just a little uncomfortable but only because Andrew’s grip on his shoulder suddenly tightened and his nostrils flared the way they did before the two usually started speaking in Russian.

He can handle being stabbed, he cannot handle being in shock and pretending that he doesn’t know what the two of them are saying to one another.

“Can you tell Nicky I’m sorry I got blood on his clothes?” He asks and both Captain Neil and Andrew’s gaze snap away from eye-fucking each other. He looks down and the clothes are black and they haven’t moved the knife so the wound is plugged still but yeah there’s definitely blood seeping into the shirt, not to mention the hole. “Could you tell him I’m sorry about that?” He asks.

“You are going to tell him yourself Smith.” Andrew hisses, “You are going to be fine. Do you understand me?” He asks before turning to Neil, “Can you bunch your jacket under his legs, it’s better to keep them higher than his head and heart?” He asks.

Aw.

Andrew is just so nice.

He can’t BELIEVE he thought Andrew wanted to hunt him for sport.

He’d apologize for thinking that but he thinks it’d be better to just let that particular misunderstanding go unmentioned.

Captain Neil bunches his jacket up and puts it under FF’s legs before he goes over to check on Romero and Jackson. In the corner of his eye he sees Captain Neil pause at the sight of Romero before moving over to Jackson.

“Why is he in these?!” Neil asks baffled.

“It’s a weird sex alley Captain Neil! I don’t know WHAT to tell you!” Yeah he’s definitely going into shock. The sirens are getting closer though so he’ll probably be okay.

***

The cops all have a bit of a laugh about Jackson’s cuffs until Neil tells them exactly who they are taking into custody. Neil could admit that he’s a little irritated with Andrew that at no point did the man clarify that the people who FF and Andrew were dealing with were Romero and Jackson.

Those are his father’s goons.

“They were here for me.” Neil says to the police officer and Andrew’s hand tightens in his, “They tried to take Smith because he’s my friend.”

They had decided on their story before the cops came. FF had no idea who any of these people were and was just defending himself. He’d gone out to catch his breath in the alley when Jackson had shown up. Neil had asked how in the world FF had handled Jackson on his own but FF must have been getting kind of loopy from blood loss because all he said was, “He told me to sing so I did.”

Neil can find out the full story later.

The important part is.

“Jackson went after Smith but Smith won the fight.” Neil says looking at where the cops are trying to decide how to get the fuzzy pink handcuffs off of Jackson to get him in the far more secure police issued handcuffs.

“Your friend said that you and he took out Romero together. That Romero is the one who stabbed him with your knife.” He says.

“Yes.” Andrew answers simply and Neil squeezes his hand as a reminder, “I went out to grab a smoke and Romero followed after me. Romero got hold of one of my knives in the struggle and stabbed Smith.” Andrew says with his usual deadpan affect.

“Yeah that’s what your friend Smith was saying too.” The officer says. “Well, I’m sure the FBI will want to talk to you all further but for now it’s a pretty clear cut case of self defense and no one but your friend has any serious injuries.” The officer pats Neil on the shoulder and Neil manages not to shirk away from the touch. The officer retracts his hand, “You guys are free to go tonight.” He says and turns back towards the car where a dazed Romero is in the back seat.

“Where did they take Smith?” Andrew asks since they’d been shepherded away from Smith the moment the ambulance had come. They hadn’t been able to ask which hospital Smith was going to be taken to so they could go and get updates.

“Lexington.” The cop answers, “Go on and see your friend. He seemed pretty loopy he kept talking about some beauty contest thing when he was getting loaded into the ambulance. I’m sure he’ll be a riot on painkillers.” The cop goes for a joke but it twists something in Neil’s stomach to think of FF so out of it that he’s talking nonsensically.

He feels Andrew’s hand stiffen in his and knows he’s not alone.

“Thanks.” Neil says before they head towards the front of the club. The club had been emptied out when the cops had come so Roland was babysitting Aaron and Nicky for them while they talked to the cops and FF was loaded out to the hospital.

In a way it’s almost a blessing that Nicky and Aaron are both so blasted that they aren’t comprehending any of what’s going on. They’ll have to drop them off back at the house before they go to the hospital. They’ll beat Wymack there easily even after the interrogation and drop off.

FF had asked them to call Wymack to let him know what was going on “I gave him the rights to make health care decisions for me if I’m incapacitated.” FF had said so Neil texts Wymack the hospital and the address after Andrew rattles it off for him.

“I don’t like that you hid it from me.” Neil says in the car.

“They wanted to kill you.” Andrew won’t apologize.

They still hold hands on the drive back to the Columbia house.

Andrew takes care of getting Aaron into bed while Neil helps Nicky.

Nicky who looks at Neil with a loopy smile and Neil hurts knowing that tomorrow when Nicky finds out about tonight and how he was too blasted to do anything to help FF.

Andrew and Neil reconvene in the Maserati and make their way to the hospital before either of them realize the issue.

“What is the name of the patient you’re looking for an update on?” The receptionist asks.

Both Andrew and Neil freeze.

Fuck.

MASTERPOST FOR ALL PARTS OF FLUENT FRESHMAN AU

NEXT

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