#My process is usually like

[whoareyoueventhough]

Journeys of an Aquacadet with face blindness 😔😔😔

[ruporas]

dragon meat, you, and me

[loverworm]

sorry but i am very interested in piercings. also you can put in the tags how many total you have if you want

[missusruin]

body-horror space cat; OC drawing commission for @/RealmOfMin on twitter

[hinamie]

updated version of the 6 fanarts challenge to celebrate 30k !!! thank u all for suggesting and for continuing to support me n what i do <3

[c6jpg]

Well? Have I convinced you yet?

[icewindandboringhorror]

I know this is just a silly bad quality random screencap of a screencap that I found on facebook lol, BUT it's a succinct enough image to easily describe the concept in a quick/accessible way hopefully :

-

(and of course, feel free to elaborate in tags, etc.! (especially elaborating about other senses as well.. can you "hear" in your mind just as well as you can "see"? taste? etc.) It's an interesting topic to me, as someone who's like a 4.5 at MOST lol. I'm curious what option will be the most common :0c )

[anneapocalypse]

Tired of the false dichotomy between "you should create for yourself without desiring any form of connection" and "feedback is everything and without it there's no reason to create." Neither of these things are wholly true, and it's frustrating to me that people have taken "create for yourself" to mean "you shouldn't want feedback or enjoy it, you should create in a vacuum with no hope of human connection" and are lashing back against what they think it's saying rather than what it's actually saying. I love comments and feedback and connecting with my readers as much as anyone and would never discount the value of that experience and I try to be the kind of engaged reader I would want to have because I know how much it means. I especially know how much it means to a niche creator because I've been that creator myself and I so treasure the readers who took a chance, gave my stuff a try, and stopped to say something supportive about it.

But that's also exactly the thing: the things I want to write are often things that do not in any way guarantee me an audience, but they're what I enjoy, and creating for myself is what gets me through those long first drafts where I know there is no guarantee of an audience because the reality is I'm choosing to write this thing and nobody owes me a readership. Internal motivation matters because there are parts of the creative process where internal motivation is all you have. I've seen people give up or nearly give up on projects that probably would have found an audience, if a niche one, because they convinced themselves that nobody would care and then couldn't motivate themselves to care. Or they decided that a small audience wasn't good enough; they need their work to be Popular or it was worth nothing.

And if someone doesn't want to invest themselves in creating something that might have a small audience, well, that's their choice. But creativity is inherently an act of risk, and a lot of amazing art would never be made if the creator wasn't willing to risk silence, rejection, loneliness. Yeah, those things suck. I'm not saying they don't, that's why it's a risk. But art isn't always about safety. Sometimes it's about creating because you simply have to get this thing out of your head, and you hope someone will connect with it, but you don't know until you try. So everything can't be external motivation. It just can't be. It's too limiting, it's too stifling. I can't live that way, personally.

[soupacool]

psssst look under the cut

surprise I actually screen printed this poster

sorry I only have the one process pic but it was finals when I made this so I was in a rush

14x17, 5 color screen print- one for each type of skill + black. getting the layering and registration just right was a bitch and a half but I love how it came out <333

[shevr]

loreaccurate goat update based on recent material

[fulcrvm]

I am thinking thoughts about airports and flying again. And Dreamling, of course.

So. Human AU. History professor Hob has to fly around a lot for work, perhaps for conferences or smth of the sort so it's always to a small handful of the same nearby cities. He's pretty neutral on the idea of flying in general, though he wishes it was a bit more environmentally friendly, but Hob is a sucker for a nice airport and especially a nice airport lounge during layovers or before boarding.

Hob has begun to frequent a small local airline (White Horse Air, the logo is a coat of arms with a little pegasus, wyvern, and hippogriff on it, haha) when traveling because he likes their service (they've never lost his bags, not even once!) and their flights are never fully booked, which makes them quieter and easier for hob's chronic pains. He always picks seats with no one next to him so he can sprawl out and so it's easier on his knees.

Until, one day, he boards the little plane and there's someone in the seat next to his. Hob's sure that when he booked his seat, the other one was empty. Oh well, whatever, Hob's not going to bother the other man already sitting there for one flight— he'll just have to be a little more mindful booking next time. Hob shuffles into the seat, and notices that the stranger sat beside him is reading Sir Thomas Malory's Le Morte d'Arthur! Hob gets excited because! That's a William Caxton publication! And Hob has so much to say about Caxton! He turns to the stranger to strike up conversation about it and... is immediately lost at how pretty the stranger is. Handsome, gorgeous, yes of course, but pretty, with the shell pink lips and focused blue eyes and slight frown at the book in his hands. Hob picks up his metaphorical jaw off the metaphorical ground and strikes up conversation with the stranger. Though the other man starts off apprehensive, somehow the two hours of flying fly by and the two of them end up talking about all sorts of art, history, and everything in between. Hob learns that the stranger works in publishing, thus his interest in Caxton.

Their flight lands, and the two of them disembark at the gate, still attempting to continue their conversation while Hob tries to wrangle his carry-on bags. (The Stranger only has a small laptop bag on one shoulder and a suit jacket folded over his other arm with him.) Then Hob has to check the time and begrudgingly says that he should probably head towards his next gate soon— this is just a layover after all. The Stranger looks ever so slightly disappointed and admits that this is his actual destination and he needs to meet his sister soon. They part ways, and Hob tries to dwell on the strange warmth in his chest. He thinks about the Stranger for his entire work trip afterwards.

This, somehow, happens a couple times. Turns out they both frequent White Horse Air, and though they're never in booked seats next to each other again, the flights are always empty enough that they can shift to sit next to each other once the plane's in the air. They chat the flight away, and then part ways once they disembark, with the Stranger headed to the baggage claim and Hob to his next flight. One time, the Stranger even requests the hostess to bring out a special bottle of Chateau Lafitte 1828 just for the two of them to share. Hob's in awe. He really enjoys their conversations, it's nice to be able to talk about his interests in a non-academia environment. The Stranger always has the most intriguing and eye-opening perspectives on everything, too. It doesn't really help that Hob thinks... maybe he's developing a tiny, teeny, really inconsequential really crush on his Stranger. He's not in grade school anymore, how does he feel like this about someone he doesn't even know the name of yet!

This all comes to a head when Hob mentions to the Stranger that his layover is a bit longer than it usually is, and if the Stranger is in no rush, they can continue their conversation in one of the airport's lounges. White Horse Air is a bit too small an airline to have their own lounge, but Hob's collected enough miles to get into one of the other airline lounges and is fully willing to pay to get in one if it means more time with his Stranger.

The Stranger is extremely enthusiastic about the idea— which shows up physically as a subtle, coy upturning at the corner of his mouth and a little sparkle in his eye. (Hob feels proud that he can read this reaction so well.) He's so enthusiastic, in fact, that the Stranger offers to get them both into a first-class lounge. Hob doesn't even pretend to hesitate to say yes.

Let's just say they get to the lounge, split some cheese and wine, and the proceed to get even more enthusiastic with each other in a private room. Hob's lucky he brought a change of clothes in his carry-on. (Maybe Hob's not so lucky and can't sit comfortably during his next three-hour flight.)

Hob gets a bit emotional when he has to leave for his next flight (already missing being able to hold his Stranger's face so gently, being able to card his fingers through his soft, smokey hair) and gets his guts together to ask if the Stranger wants to exchange phone numbers or something, so they can be in contact more regularly. Perhaps even, meet on purpose maybe? The Stranger smiles and kisses him lightly on the cheek when he slips a business card into Hob's hand.

Hob's so caught up in it all that he doesn't check the business card until he's fully boarded and sat on his next flight. And he gawks.

Morpheus Aion The Dreaming Publishing House

As in, one of White Horse Air's biggest shareholders? Aion, as in, probably the sibling of Teleute Aion? As in, Teleute Aion, the CEO of White Horse Air?! Hob almost passes out.

In the end, Morpheus and Hob laugh it out. Morpheus promises he never abused his sibling privileges to invade Hob's privacy, but used the sibling perks to frequent White Horse Air flights a little more than he even needed to just for the chance to see Hob again. They're both happy to not need to keep flying just for that chance anymore, haha. Idiots in love! Turns out, while Teleute lives where Hob keeps having his layovers, Morpheus and Hob actually live just a few hours driving from each other from their shared initial departure location. It all works out perfectly, and Morpheus self-restraint from inviting Hob to move in (so they don't have to keep travelling to see each other, no matter how small) lasts not even a year after they officially start dating. Hob doesn't even pretend to hesitate to say yes :)

(Years down the line, much after they're married, Hob finally has enough miles to get them back into those first-class lounges to have more fun. It's all very lovely.)

[phoenix-before-the-flame]

Something silly inbetween comms

Can someone get this freak out of his homie's fucking kitchen. (Ref under cut)

[keripulli]

“Atleast you’re real…”

A gift for @xxzaelxx, was incredibly inspired by their style (it’s so cool but uh I kinda missed the mark in replicating it)

[alteredsu]

I re-blonded my hair and cut my bangs 💛

[fisheito]

collab #2 with @xenole i was given a chibi yakumo and i.. i...... turned it into thiS

[bonus-links]

This series is amazing! I love the character depth you added to Slate and his ... death? But my question is, why is Era of the Wild Zelda (do you have a different name for her?) so jaded in the last bit? Was there something Loft did that I missed? It seemed like everything was done with good intentions, and Zelda would have noticed that.

here’s what I was thinking when I wrote the scene, and sorry for writing a bit of an essay lol: Loft did have good intentions, and both Zelda and Slate know that. But there’s also a whole tangled mess of reasons why they’re both pretty put out with him about it anyway, most of which he could have never known the context of, but kind of stumbled into trampling all over anyway by being so bullheaded. (To be fair, Loft has his own complicated reasons for acting the way he does here, but that’s not what this post is about)

For Zelda, she’s had a long time to come to terms with the struggle over her sealing power, the things her father said and did, the tragedy of Everything, etc— but the thing about being in limbo fighting tooth and nail for so long is that it makes all that trauma feel both like ancient history and as soon as yesterday. So for Loft to a) inadvertently (and he really didn’t mean it like this, but that’s what it sounded like) imply the sealing power she suffered so much over wasn’t even enough and b) pressure Slate about his inability to access his own divine power,,,,it rankles. Regardless of whether Loft meant it that way, that’s how it felt from her point of view. She’s also just, like, kind of protective of Slate about things like this.