#My opinion about some characters you don't have to agree with me~

[blakbonnet]

HAPPY FOX DAY TO ALL THOSE WHO CELEBRATE! Today's a special special AOTW because our featured author this week is best beloved @asneakyfox 🦊

Fox, I genuinely think you're one of the greatest fandom philosophers of our times, and what you write is so much more than regular old meta. Because we're all playing in the sandbox here and while a lot of us lose sight of canon sometimes, you have all four feet firmly planted in the lovely source material we've been provided with. And you don't stop there, you try to actively engage with the community, especially making sure you are keeping an eye on all the differing opinions. I feel like this is why your thesis resonates so thoroughly with different people--it's not trying to prove a point, it's very 'holmes saw a dead body and ejaculated'. You are just so smart that you make the rest of us smarter, but it's never intimidating to talk to you, and I love love love that I get to read your stories and your thoughts because of this show and this fandom.

Fox, brilliant as ever, agreed to answer a few questions for me:

What's your meta writing process like? Do you think in disparate strings about scenes and then write them down as they come to you OR is it usually a conversation or a thought that eats at you until you sit down and untangle it?

generally i'll be thinking about something, usually because i saw another post (or had a conversation about the show on discord; special shoutout to the crew on @figmentof and @scarrletmoon's servers, and especially to @glamaphonic, anything i've ever said you thought was really insightful probably came out of a dm conversation with glam) and some part of a post about it will start writing itself in my head, and unfortunately once that process starts the only way to stop it is to write it down.

even more unfortunately i never know whether it's all going to flow out easily into a coherent essay right away, or if it'll be one of those things where i write two really good paragraphs that ought to go in the middle section of a post that takes a while to figure out how to structure; i just have to start and see where it goes. some meta i've written that got lots of notes was written all at once the moment the thought struck me and posted as soon as it was done, but there's also a few that have been sitting in drafts for months as i keep rewriting the same section without being sure where it goes next.

Favourite themes or characterisations you like to explore while meta writing? (things like Ed's fisherman era and what led to it, etc)

i guess if there's a big theme i keep coming back to it's ed's character arc over the course of the show, his relationship with violence and how it affects his perception of himself and how he has to grow through that to be ready to commit to his relationship with stede. one of the very first things i ever said about the show on tumblr, way back in summer 2022, was that ed's absolute deepest fear was that he is fundamentally unlovable, so it was really a delight to see s2 dive so hard into addressing the exact issues i'd been looking at so explicitly. and of course there's also a lot of fandom racism that plays into some takes that go around about ed, and i think it's really important to call that out and push back against those takes.

i feel like it would be kind of silly to not call out izzy here too. izzy plays an absolutely crucial role in highlighting those exact issues in ed's arc, and i honestly just think the way their whole relationship develops in canon is deliciously meaty and a lot of fandom takes seem determined to flatten it out into something much more boring. so it's important to me to try to highlight the ways you don't have to pretend izzy was a secret good guy all along to appreciate the role he plays in the story.

finally i guess this has only developed over the last several months but i guess one of my trademarks now is speculation about what got deleted from s2. i've always been good at the game of watching a movie and guessing at scenes that were cut or changed, and my spider-sense for that was going off like crazy as i watched s2, and i didn't want to get too speculative at first, but as information has actually come out from samba and vico and other sources, a lot of it's lined up with what i thought. and i'm really interested in how the ofmd writers' room approached storybreaking, so it's worth it to me to try to understand this.

Whose head is it easier to get into - Ed or Stede? Why?

i guess i already answered this! i love them both a lot, and i'd been writing meta for a good while before i consciously realized i'd written a LOT more about ed than about stede, and the ed posts tend to be individually longer than the stede ones too. i think some of this is because ed's arc reads super clearly to me while stede, despite being the main character, gets an arc that's a lot more subtle and internal in some ways (and also i do think suffered significantly from the cuts to the second half of s2). and some of it's because people can be Wrong On The Internet about ed in ways i feel the need to push back against more than about stede. but some of it's just, you know, vibe.

it's always interesting to me that nearly all prolific fic authors in this fandom have a clear very strong preference for which POV they prefer - i don't think all fandoms are like that - but i guess my own alignment is obvious.

Your personal favourite thing you've written that you'd like more people to read

the obvious answer here is the one actual fic i have written for this fandom, "Nothing Could Touch It" which came out of thinking about how there's some post-s2 fic about ed reckoning with this relationship with izzy that i really like but none of it quite got at how i feel like canon's framing it. (don't worry it's not all about izzy! stede's there and there's a bunch of cuddling!)

as far as meta goes though i would call out this as the one i'm probably proudest of, this is the one where i most completely tried to lay out how i saw the show framing ed's relationship with violence during the s1 hiatus, and i think after s2 it holds up pretty well. but also since i was just talking about how i don't say enough about stede, this is the post where i tried to lay out the stuff i really admire in stede as a character.

What is the one word that you think you use a lot?

i've got a bunch of verbal tics i overuse but the one i'm self-conscious about in meta lately is "reading against the text," which sounds so pretentious and lit-crit i really wish there were another good phrase for it. but i think it's really useful as a way to clarify that sometimes i'm saying a particular take is clearly not how the narrative of ofmd is framing something but that doesn't mean you need to stop interpreting it that way. reading against the text is really fun and i recommend it sometimes! but you'll have more fun if you're aware that's what you're doing!

If you were writing his arc, keeping in mind that he stays largely antagonistic in line with the show, how would you have resolved the Izzy problem: would you have made the same decisions the writers made and written a redemption by death OR do you think that the spirit of the show specifically demands Izzy get a good guy (or not as bad a guy) ending where we see his muppetification

one of the predictions i was most confident of before s2 was that if izzy were redeemed, he wouldn't be able to remain in the cast as a good-guy crew muppet afterward. (for this reason i thought the likeliest possibility was a slower redemption arc that wouldn't fully complete till the end of s3.) several times i tried to game out what role a fully redeemed izzy could possibly continue to play within this story, or what personality traits that he showed in s1 he could even hang onto after a full redemption, and i couldn't come up with anything that felt plausible. not "loyalty to your captain," because his devotion to blackbeard was clearly toxic at the root and would need to be purged entirely before it could be replaced by anything healthier; not yelling at people to stop having so much fun and work harder, because that could work in a different story but would run directly counter to the core themes of ofmd - so what's left? i went looking at popular izzy redemption fic that tried to address that question, and some of it came up with answers that worked in the context of a fic focused mostly on izzy, but it was never anything that could possibly work in a tv show that already had established themes and would continue to focus primarily on other characters. and izzy wouldn't be able to just fade into the background with the other muppets after all the focus on him a believable redemption arc would require. so i knew once he was redeemed he'd be done as a character one way or another.

and s2 i think bore that out, honestly in a much more obvious way than i expected - over the course of izzy's s2 arc he's basically divested of all his s1 personality traits until all that's really left by the end is saying twat all the time, and Guy Who Says Twat is not a role the story's going to particularly need going forward. to keep him around after that you'd need to give him enough new traits that he'd be for all practical purposes a new character anyway.

i do sometimes wonder about a world where izzy's s2 arc saw him be offered a clear chance at redemption and choose to reject it and get worse instead. i kind of missed antagonist izzy by the end, and i wonder if a lot of people who'd originally wanted a redemption for him wouldn't have been happier with that even if they didn't realize it - a descent into full villainy would have kept izzy and his relationships with both ed and stede more central to the plot right up till the end, and in particular the sexual aspect of his feelings for ed could have stayed very directly relevant, where the redemption arc necessitated resolving that very firmly to clear it out of the way as early as possible in s2. i never agreed that ofmd's themes necessarily meant redemption for izzy was inevitable - ted lasso was much more overtly a show about redemption than ofmd right from the start, and even ted lasso let at least one of its antagonists make it all the way to the end as an unrepentant scumbag. if there's anything that meant izzy really had to be redeemed imo it wasn't the overall spirit of the show so much as izzy's role in ed's arc - before anything else izzy's narrative role was always to be a walking symbol of the part of ed that fears vulnerability and holds him back from committing himself to love, and for ed and stede to be happily together by the end of s2, ed had to get to a place where he could see that part of himself as something he no longer needs in his life but also doesn't hate anymore. nothing could have symbolized that like having ed embrace izzy as he dies granting ed permission to just be himself.

Why OFMD 🥹

you know, i could say a lot here about how i think ofmd is genuinely incredibly well-written in some ways that are really unusual on american tv. season 1 in particular is just incredibly tight and elegantly plotted, and s2 is messier but that just makes it all the more interesting to look at the constraints they were under that led to that. my day job's in narrative and i really do professionally admire ofmd a lot, which is one of the reasons i tend to think about creator intent more than some people do when i'm writing meta - death of the author is a super valid perspective but personally i'm really interested in trying to figure out why the writers made the choices they made and what i can learn from that for when i'm in their position.

so all of that's true. but also we all know it's kind of beside the point here, this is a hyperfixation, it's not rational. i can tell you i watched the first nine episodes of our flag means death and liked it a lot but in what i would describe as a basically normal kind of way, and then i watched the tenth and at some point during that episode a rat inside my brain hit the dopamine spigot with a wrench and now it won't turn off so here we are.

aaaand if you've made it to this point, please join us in evil ganging up on fox with love by sending a lovely letter to them over on @ofmdlovelyletters who was also kind enough to make this header <3

[brucewaynehater101]

I miss the feeling I had when I first joined this fandom, I knew virtually nothing so everything was correct and I loved everything, even if that stuff just isn’t true, i was like

Bruce is a bit emotionally constipated but loves his kids? Hell yeah sounds legit

dick is a silly happy flippy man who is a bit promiscuous? Love that for him

Jason is a mega feminist literature nerd who is also buff and takes care of the street kids? Perfect man honest

Tim is a nerd who never sleeps and is queer and has never known the touch of a man nor woman? Sweet

Steph is waffle obsessed goofball? Well I prefer pancakes but right on

Cass is a mute badass who loves her fam? I love her

Duke is a normal dude? Well someone has to be and he seems neat

Alfred can do no wrong? Aight, I love old perfect tea men

Damian is a little prick? So are all middle schoolers give him time

But then I had to go learn about the characters and now I have complex opinions about them, and can see the inherent racism and sexism in how they are portrayed

You know before I joined the bat fandom I did not use the exclude tag in ao3? Like tmnt and dp have some bad stuff but usually I could just scroll past.

but now I am having to avoid fics where whole ass adults are bullying and/or oversexulizing a child

Im constantly on the look out for untagged batcwst

I struggle to find fics that don’t describe dicks ass

I have been in this fandom for probably about two years now and y’all I swear

sorry for ranting, and don’t worry I love all your stuff and I know the just back click don’t leave mean comments rule

I’m just tried bc most of the stuff I thought was true turned out to be false

Mm. I do find it a little exhausting trying to navigate the lines of what's canon, what shouldn't be canon (but is due to racism/sexism/homophobia/etc.), and just having fun.

I'm also trying to cultivate the mindset of what I've seen on Tumblr about not policing other people's ships/ideas. I am highly uncomfortable with some (particularly underaged people and adults dating), but I'm also not leaving hate comments. Like you said, the backspace exists for a reason.

Idk. There's a toooon of takes/ideas about the batfam that are inherently false, but as long as they aren't racist/sexist/etc takes, I don't see the harm in them. So what if someone wants a coffee obsessed Tim? So what if Jason's kill code is very strict? As long as they don't claim it's canon, let them be

But yeah. I have a mile long exclude list for fics on AO3. I used to use it only for triggers (I can not do stockhold syndrome, my lords), but now it's got other weird ass shit I've stumbled upon (I saw a fic where the batkids were spanked as punishment??? Like I said, not gonna leave hate comments or single anyone out. Just not my cup of tea).

I also am usually not a fan of romance/sex. It's why the batfam intrigued me so much (found families usually don't have that in it). I like exploring dynamics outside of romance and thus love the batfam. They've got so much going on that romance/sex is not needed. They are such a mess without that dynamic being added (talking about the Bats getting with a third party, but, again, trying not to yuck anyone's yum).

However, I agree. There's a ton of misinformation within fandom. I like how complex canon gets with the characters, but there's also widely different takes with them (mostly talking about Bruce here. He can either be trying or just a straight up horrible dad).

[creatingblackcharacters]

Would you ever do a lesson on raceswapping characters in fandom? I think prioritizing original and canon Black characters is more important of course, and tbh most of your lessons already apply when writing ANY Black character...I'm just tired of the constant influx of antiBlackness from the pro- and anti-raceswapping people. People who hate it are usually racists who don't want the sanctity of their whiteness challenged, but I've noticed in fandoms that embrace raceswapping more liberally (usually also by white people who think they're progressive for drawing a canon white character with a paint bucket tan and then claim they're a part of some unnamed diaspora in their headcanon) can get very racist very quickly. Ever notice how in some fandoms a white ship will race swap a character to be ambiguously brown and of ambiguous ethnicity, only to make them physically bigger, aggressive, flirty, dominant than they are even in canon? I've seen it happen to characters that are actively characterized as shy/quiet in canon, as soon as you slap on the digital blackface, the whole personality changes in fandom. And even then, people are allergic to specifically BLACK headcanons. So I debate with myself if raceswapping should even be entertained in fandom, especially by white people. At the same time, I've carved spaces for myself with my Black headcanons for characters I know are ambiguously white in canon/race not named but implicitly defaulted to white. This was in a time where there were less Black characters in general, but even now that we have a handful of great stories, they are still talked about so much less, with less content, and even shafted within the canon they come from. I think telling people to just find/create canon Black characters to love is only part of the solution and feels dismissive sometimes (this is not targeted at you), though I agree that it is important to do that also. Most important, even. Sorry for the length of the ask, just something been on my mind and wondered your opinion.

I got a little overwhelmed by the writing of this question, so I'm going to try to break it down to see if I'm understanding you:

What it sounds like you're saying is that when people headcanon a character as Black, they tend to still be racist about it? And this is specifically based on how they make the characters they've headcanoned stereotypical traits, such as aggressive and overly sexual?

And then, you're unsure if you even want characters to undergo this change, specifically by white fans, due to this racism?

I'm a little confused by the end, but it might help me by asking this: what is your solution to the rest of the problem? Like what do you think is the rest of the solution, since you said it's only part of it?

To be honest, I'm not going to take the pleasure of the melanin beam away from myself just because nonblack people can't not be racist. I don't think that's fair to me that I shouldn't experience something I like just bc they can't act right about my existence as a human being. That's a THEM problem! But that's me 🙌🏾 I can understand if there are people that don't do it.

As for what you've said here about the racism itself, you are right. It's part of how Black people are perceived, that they do this. Part of me feels like I already addressed some of these things in all three of the stereotype lessons, just bc people need to see what pre-existing biases- whether they mean them or not- they have in order to know why they're treating these characters this way. How no one can be normal about a Black character being normal lol.

However, I can understand how there could be a more overt, to the point illustration of how the change happens. So that change from their canon characteristics to "aggressive". I'm not sure if it would require an entire lesson on the topic, but I could make a mini lesson on what's occurring. I'd probably just use a visual like I did for the latest lesson (which also addressed the brown bucket character).

[ninyard]

Hii, I guess this is a question not only for you but also your followers. Why wouldn't it be ok to like aftg? Like I've seen people say is problematic? But the only thing I've seen criticized is how unrealistic it is and like is a book so... idk maybe I lack critical thinking on some topics so if anyone could point me where to look I'd love to keep liking these books while being aware of it's failings :3

this is an interesting question! i guess the biggest part of whether it wouldn't be "okay" for someone to read aftg would be somewhat down to personal tastes.

re: the unrealistic part, i think if you go into a lot of books expecting them to be "realistic" you'll probably find there's a lot out there that just... isn't. i myself think that 90% of the biggest arguments i've seen about it's realism are from people who 1) refuse to suspend disbelief for the sake of enjoyment or 2) go into it with a certain expectation as to how realistic it's going to be before reading.

you can pick apart a million different books and movies and tv shows out there and find "unrealistic" parts in them all. and what do people say is even unrealistic about it? the different languages that are spoken in it? the trauma all the characters have? i understand it, to some degree, but i think people who think that fiction that is unrealistic = fiction that is bad, are probably just reading the wrong things. and that's fine. it's personal taste. but not everything has to be realistic for someone to enjoy it. that's just me.

as for the problematic aspects of it, i guess my gut instinct is to say that's once again down to personal perspective and opinion. i personally don't like or agree with some things in it, but i don't know if i can definitively say, oh it's problematic for this reason or that reason. are there triggering topics in aftg? are there uncomfortable scenes and problematic things that the characters do and say? are there bad people who do bad things? yes. that's just the truth. does that make the books themselves inherently problematic? i don't think so. but maybe i'm wrong with that. i don't know.

if you try to justify and explain and dissect everything that happens or is said in a book like aftg, i think you can probably find yourself in a real rabbit hole of is this appropriate? is this okay? is this problematic? i just feel that, it's a book, that has shitty things said and done in it, and it's up to you yourself whether you think those shitty things cross the line of being problematic or not. there's limits to everything, and while i dont think aftg crosses those limits, it doesn't mean i think it's perfect or an exception to criticism.

i guess what i mean is that if you try to find things wrong with aftg, you'll probably find something. it's not perfect. you could pick it apart if you really wanted to. but i suppose i'm just happy enough to enjoy it without doing that because it is what it is. it's a book about people who have had shitty things happen in their lives, about people who say and do shitty things, but i don't think it glamorises or makes those shitty things okay. me liking the series also doesn't mean i'm 100% a-okay super cool with everything that happens in it either. i am not the media i consume or enjoy.

but it's also really important to listen to people who talk about things that do personally hurt them or make them feel like they're not seen for who they are or what they've been through. i can say that i personally am not offended or hurt by 99% of what happens, but that doesn't invalidate someone who was. that doesn't invalidate other people who aren't me who say "it's problematic for x reason". i'm happy to share any insights into this if anyone wants to send them my way!

maybe this isn't a good answer to your question and i'm still not sure if i've gotten my point across properly. there's a million things problematic about aftg, i guess, but it's just about where you draw the line between the problematic content inside the series, and it maybe being a problematic series from the outside. i don't know exactly where to point you towards to have a balanced understanding of why it might be okay vs not okay. i'd just say to keep an open mind and listen to what people say when they raise their concerns about it.

[proshippers-against-censorship]

I am a proshipper for the most part. But there is a small area of exception for me personally - sexual RPF featuring minors. I saw the ask explaining how celebrities aren’t helpless babies and in most cases, I agree.

I CANNOT STATE ENOUGH that I don’t give a shit about the portrayal of underage characters in fiction. But in real life… minors in the public eye are sexualised enough. There are so many of them that didn’t want to be in the public eye in the first place.

I just don’t think it’s respectful to the CHILD to write sexual fiction of them. And circling back to the asker’s point… some of them ARE helpless babies as far as you meant it. Minors who have elected to be in the public space have elected to be in the public space. But so many of them have been pressured into it by their parents, etc., and do not like the fame at all, let alone this consequence of it.

I agree that arguments on RPF often infantilise grown adults who are capable of decision making, but in this case the people who are being discussed are NOT EVEN ADULTS.

I am asexual. This affects my view of this when I say it: if I came across sexual fiction of me, I would feel disgusted and violated beyond belief. And if I set a boundary by saying so, then that boundary should be respected. In my opinion, it is just general human decency to do so.

(Yes, I would have the intelligence not to Google myself, but people CAN be sent fanfiction of themselves.)

If you disagree, I respect that because that is your opinion. But this is mine.

It's fair to be squicked out and have an opinion, as long as you don't attack others who don't share that opinion.

[necrotic-nephilim]

-debby ryans at you- how are you feeling about that thunderbolts* trailer, snookums. your old blog is trying to crawl from its grave.

you are an unhinged rat for sending me this ask i hope you know <3 you already knew that but i'm telling you anyway bc you're a rat bc now i have to explain myself-

this is from @eebuckley my partner <3 i've alluded to it in the tags of this blog but i used to be a semi-popular MCU blogger from like 2018 to 2020. (semi-popular for the ship i wrote, anyway) and since like, probably Infinity War/Endgame i have been slowly more and more disillusioned by the MCU ranging from only passively being interested in projects to outright despising them if i saw them. which sort of sucks, given how much i loved the MCU at it's height. i was like. aggressively into it. like a "i had asthma attacks watching trailers bc i got so excited" level of into it. maybe cringey in hindsight, honestly but yk. whatever brings you joy, ig.

and anyway- my partner witnessed my very real and normal reaction to the Thunderbolts* trailer and now i'm *mad* bc i'm actually excited about it. it made me feel about the MCU a way i haven't felt in years, especially after a lot of announcements that rlly pissed me off.

cannot believe it looks like we might actually get a comics-accurate Yelena and a comics-accurate Bucky. i'm such a sucker for Bucky Barnes, he's one of the only Marvel characters i actually read Marve comics for and i'm forever bitter how badly he got screwed over. if that movie is good i'm going to end up writing fanfiction. probably crossover fanfiction bc over my dead body will i write just plain MCU fanfic. and i'm a Jason Todd/Bucky shipper anyway so i could make it work, i think-

anyway TLDR is i'm excited and i'm mad about it and how dare yo expose me for being an MCU fan on THIS blog. you coulda send this ask to my MCU blog that still exists and i have occasionally used. but instead you *exposed* my ass on my refined DC blog as a filthy Marvel fan. i will be divorcing you again. ty gn ily

[welcometogrouchland]

I am going to try and rewatch thanks to them 😎 (<- unaware of the horrors)

[yandere-kokeshi]

Why is that person acting like the fanfic police? Like bro? If you don’t like it or agree, why tf are you still here?

Also, if you’re actually good at reading these fics (which i assume you think you are since you feel like you’re entitled to bossing other people around), then you would be able to analyse that Bakugou does have an obsession with the reader in a yandere type of way, but he is completely aware of it and is therefore able to control it.

The guy ur calling out? His fanfics are immaculate 👌 get another hobby pls ✌️

[unproduciblesmackdown]

rogue one posting like attention everyone who didn't like all the characters or get why they did things: i Am better than you

[atlantic-riona]

.

[cy-cyborg]

I'm begging dragonage fans to do a tiny bit of research about arm amputees before loudly shouting their opinions on the inquisitor returning in the next game Please lol.

Apparently, it was confirmed that the inquisitor, your chatacter from the last game (who looses their arm in the final cutscene of the DLC), will return in Veilguard as a customisable character, similar to Hawke, and they will play an active roll in the story. This has caused a lot of people to start speculating on how they'll handle the inquisitor's missing hand, with most people agreeing they'll have to have a prosthetic to be an active part of the story. Which, while I do think this is the rought bioware will take, isn't true, and a part of me really hopes they leave the inquisitor without a prosthetic arm like in the end of Tresspasser

Partially because we already have a companion with a prosthetic (neve) and it would be nice to see some diversity in how amputation is depicted in such a mainstream game, but also because you dont need a prosthetic to fight as any of the main 3 classes from inquisition.

Mage:

mages just need a staff, the game shows them as 2 handed weapons but it's totally beleiveable that it would be usable 1-handed (Neve also uses a dagger-like weapon in the trailer, you can make a "staff" in inquisition that functions more like an energy sword, and the Mage in the chargers uses a staff resembling a bow, so I think it's more that they just need a focus, the shape doesn't matter as much). A knight enchanter may struggle more 1 handed, but I wouldn't write it off as an option with some modifications made to their main staff.

Warrior:

the easiest to justify, because there are several cases of arm amputees fighting with a sword and sheild in history, and while many did have prosthetics, most weren't functional (meaning they were mainly for aesthetic purposes and didn't actually aid the fighter in any way. There were exceptions, like Götz of the iron hand, who's prosthetic was functional, but most were not). The inquisitor looses their arm just above the wrist*, so they still have most of their forearm. Most sheilds strap to the forearm, so it wouldn't take much adjustment to make that work, and you can use the other hand for the weapon. Obviously, two-handed weapons will probably be off the table, though, lol.

*edit to say, as several people pointed out, i got that wrong, my bad 😅. The inquisitors arm is actually amputated through the elbow, the screenshots i was looking at just weren't very clear and it has been a while since i got to trespasser lol. It would still entirely possible to strap a shield to the upper arm though, with some pretty minor adjustments to the existing straps on standard (as in, those used by non-disabled warriors) tall shields, so the point still stands.

Rogue

this is the one people tend to be the loudest about and the one I understand the most. Obviously duel-weilding daggers won't work (unless you give them something like the hidden blades in assassin's creed on their stump side, I guess) but using a single dagger still would, and is a perfectly reasonable approach, given that's how most irl people used daggers. Archery, though, absolutely can work without a prosthetic, despite what people think. Dragonage has crossbows, not something like Bianca (rip) but a small, single-handed crossbow is an option. Even ignoring that though, amputee archery is a thing irl, and not every arm amputee uses prosthetics for it. The bows are modified to be held in one hand and drawn with the mouth using a kind of pully-system built into the bow that I could very easily see being modified into some dwarven-style contraption in game (some double arm amputees use their feet to draw regular bows, but I don't think that would be pheasable in combat).

Like I said, I think bioware will probably go with a prosthetic, but i hope that they don't. Or at the very least, show them with it sometimes and without it other times (the same goes for Neve, no one wears their prosthetic 24/7, I'd love to see them both take them off around the home base, even just occasionally). A lot of arm amputees in particular prefer to go without one, and arm prosthetics in media are some of the worst offenders of the "perfect prosthetic"/"miracle cure prosthetic" tropes. It doesn't count as "diversity" or disability representation if it doesn't actually change anything other than the look of the chatacter, and im really, really desperate for some actually decent amputee representation in games.

[quimichi]

₊❏❜ ⋮ MEETING THEIR FAMILIES -HEARTSLABYUL VER.

warnings: bad treatment towards reader (Riddles part), bad writing :3

summary: You meet their families

characters: Heartslabyul x F!Reader

word count:

a/n: I originally planned to do all in one part but I decided not to since it's so so much and I'm currently having a writers block but I wanna make you guys happy so-its in parts :(

Riddle

Riddle's mother is a strict woman, and she does not hide her dislike for you. She frowns the moment she sees you and crosses her arms. The situation is tense as she watches you, her gaze sharp and unblinking. She seems to be considering your motives with her son, but it is clear that she has a low opinion of you for some reason.

Riddle is nothing compared to her; he has no power, he's weak standing beside you. Yet, he stands proud, he loves you and no matter what his mother will say, his mind won't change. "Mother," he begins. She shoots a hard look at him. With that stare, she seems to say 'do. not. talk."

Riddle goes silent. He knows that if he does talk, it might ruin her approval...if that will ever happen. But you decided to speak up, nervously, "It's a pleasure to finally meet you! Riddle has told me so many lovely things of you!" you bow down, showcasing your respect. His mother's expression does not change. She seems to consider you for a while before speaking:

"Do you think yourself worthy of my son? Do you think you are a good match for him?"

It's clear that she is sizing you up, and her gaze is piercing.

"Yes." Riddle grabs your hand and gives it a tight squeeze. Showing you his support, no matter what he won't back out either, cause he knows whats coming. Your words only draw a frown from his mother. Her expression turns sour.

"I do not think you can give my son the life he deserves. You are too low class for a nobleman. It is clear why you would date him, but what do you have to offer us? It would disgrace his name and our family to wed a commoner. A magicless commoner!" She continues to size you up. She is relentless. Her frown only hardens with every passing moment.

"My son is a nobleman. He deserves a woman of nobility. Riddle dear, I know the perfect girl for you she-" "No!" His voice rings through the halls with booming thunder.

"How dare you," he shouts, his eyes like daggers. He looks as though every muscle is about to tense up so hard it'll burst. "She is good enough. She is worthy of my love. There is no one in this world who I will ever love and admire more! If you don't agree with this relationship then-!...Then I might just leave.

Riddle is standing protectively in front of you now. His heart is thrumming so hard he can feel each pulse. His last words were spoken unsure, timidly, but it's the truth.

"...Then do."

Trey

Trey's parents are thrilled to meet you. The moment they saw you at their doorstep, they took you into their family. They are gracious hosts, offering you food and drinks as soon as you step into the house. Everything is warm and welcoming. Not to mention the cake they baked for you!

The afternoon tea goes smoothly, with conversation flowing as easily as a river. "Again, thank you so much for the tea and cake! It was absolutely delicious!" "It was nothing," Trey's mother says as she refills your mug. She smiles warmly, keeping herself composed with effort. She has heard a lot about you, after all, and the impression she has received so far has been wonderful. Its hard for her to contain her pure excitement, she might explode. All her husband can do is calm her down with a hand on her shoulder, smiling both at you and his wife.

Trey doesn't dare say anything, his lips pressed shut in a smile as he watches from his place. He doesn't want to draw attention to himself, content to watch you and his parents interact.

"BROTHER!" You hear two voices yell from the hallway...seems his siblings arrived from school. Trey's young siblings finally make their grand entrance, their voices filling the room with an unexpected cacophony of excitement and joy. The scene is a chaotic one, but in a good way.

His younger brother runs up to you immediately, "Oh-Oh-! You're the pretty girl-!" Before you can question anything his sister also tunes in, "Ohhh-! She really does look as sweet as gum drops-!" "You two, shush immediately-! I'm so sorry-!" Trey's mother apologizes for the behavior of her youngest children, but you shake it off. How could you ever be upset about the honesty of those sweethearts. You definitely will have a word with Trey once you get back...

Cater

Cater never kept it a secret, how much he despises his sisters and mother sometimes. More than once he told you stories. But he has also told you that slowly, the relationship gets better...slowly.

Cater's mother is especially overbearing. She tries her best, but she seems almost incapable of not adding only their favorite sweets to the tablem. She is a bundle of nerves, and she often dotes on Cater. It's as if she finds comfort in treating him like a child, because he is so quiet and calm. Yeah, quite and calm, if only they knew who he truly was.

"Thank you so much for having me." a genuine smile sets on your lips as she pours tea into your cup. "We are so glad to have you," Cater's mother says with genuine warmth.

His sisters continue to prod you in both questions and comments, being too forceful and tactless at times. They think they're being endearing and curious, but don't quite realize that they're over stepping. Cater sits beside you, his eyes darting back and forth as the questions keep flowing. Hes annoyed, of course they will ask inappropriate questions and take the attention.

"Where was the first kiss?" "Ohhh my god did he use his tounge?" "Cater, your hair today looks frizzy." "You look cute but...that top with those jeans...i don't know. Cater you should really watch what your girlfriend wears!" "Yeah! Spend some money on her, damn." "Bad boyfriend."

The constant barrage of questions and comments from his sisters would make even the most stoic people wither. You are not one of those people - you are more patient than you ever realized. You smile through the barrage of words, answering most that you can, ignoring the rest. It hurts, some hurt. You get Cater now to 100%. Your calm demeanor and soft eyes would calm anyone's heart, but his sisters are a bit too persistent, their endless questioning seeming to have no end.

This goes on for some time, until Cater is visibly agitated. "Stop," he says under his breath. He is usually calm and collected, so it draws everyone's attention, even his mother's. "What?" One of his sisters finally asks, feigning innocence.

"Enough," he says simply, but his tone is enough to get them to back off.

He takes a few breaths before giving his mother and sisters a smile. The situation diffuses, but you can sense that he is annoyed. "I just wanted to introduce you to my girlfriend, we didnt came here for an interview. Her outfit is perfect, and I'm NOT a bad boyfriend! I know I'm not..."

Ace

Ace's older brother is charming, witty, and well-liked by everyone. He teases his little brother without any cruelty, making lighthearted jokes at his expense. He is very protective of Ace, he just wants his little brother to be happy. And obviously he wants him to behave in this relationship too.

"He has spoken of you a lot," the older brother comments, his tone teasing. His brother wiggles his eyebrows towards him,  "A bit too much, it seems," Ace says, keeping his voice low, but you hear the annoyance.

"I can't help but hear all about you whenever he's calling me... how much he cares for you, how he's so lucky to have you..." his brother's tone is good-natured. He's just having fun, and hes so glad his brother found true happiness. "Ohh, what else did you say?" Ace can hear the teasing in your voice, no way you're going into this too. "Shut up-!" "Oh, you know," the older brother laughs. "He says you are the sweetest, most beautiful being in the whole wide world. You're an angle with the patience you have for him. He would do anything for you without a second thought. He swears he has never loved another as he has you."

"What a mushy little guy my brother can be," his older brother says, sounding amused.

Ace is turning red. His voice comes out slightly strained, cracking. "I-! I NEVER-! Shut up I never said anything like that, that's way to sappy!" "Mhmmmm, sure bro, sure" His older brother smiles, genuinely.

"I've never seen him so happy," he says, "He's truly a good guy, he just has some rough edges. I'm glad someone like you took their time to get to know him...Take care of him for me."

Deuce

His mother beams. "Oh! This is the one you've been telling me about? You've done well. She is a beauty!"

Deuce's face is tomato red. He is the picture of nervousness, his eyes darting about the room with his mouth clamped shut for fear that he will say too much or too little. His mother's enthusiastic and effusive approach is overwhelming him. He wants to sink into the floor, damning himself for telling his mother and grandmother about you so much. "We are so delighted to have you here. Please," his mother continues, offering you her seat. "Sit, sit! No need to stand around!"

She smiles widely at you as she gestures to a plush chair across from them. A low table separates you, and the three of you are arranged across from one another. Deuce's grandmother walks slowly behind his mother, bearing a tray of tea and pastries in her hands. Without a word, she sits down and quietly offers one of the small cakes to you.

She doesn't take her eyes away from you, smiling wide. You can't help but smile back at her, but before you can thank her she leans closer to Deuce mother. "Perfect aren't they? I knew someone wil eventually see that our Deuce is a catch." She wasn't as discreet as she thought she was, but you can only agree with her, Deuce is a catch.

"Thank you so much-!" "It's nothing, dear," she says, her voice soft as velvet. His mother breaks the silence, leaning forward in her seat. "Now then, tell us all about yourselves. We have heard plenty from our son, but we want to hear from you."

Deuce is paralyzed. He has nothing ready to say. His mouth is dry and his heart is pounding in his chest. Although he is more than happy both his most loved family members love you, he is still nervous. It's embarrassing! "Wait-!" His grandmother immediately stands up from her seat. She disappears and reappears with a thick photo album. She settles back down and opens it.

"Now, let me show you my handsome boy when he was young. I think this is a much better idea!"

Deuce's head falls back, someone kill him. His heart stops at the pictures of himself....fuck...he's naked....

[linkspooky]

PITY VS. EMPATHY

Jujutsu Kaisen Chapter 265 quickly surpassed Gojo's death chapter as my favorite chapter in the entire manga. It's a high point in both Yuji's character development and the Sukuna fight, a notion most of the fandom agrees with. That being said, it's once again time for me to take a stance contrary to most of the fandom opinion. I was going to make this post two weeks ago but I'm glad I waited, because this week's chapter helps me illustrate my point in the contrasting way Yuji treats Sukuna and Megumi.

As you can probably tell by the title, my hot take of the week is that what Yuji is showing Sukuna isn't true empathy. It's not atn attempt to understand Sukuna's worldview, but rather condescending pity from a place looking down on Sukuna, which is why it infuriates him so much. This is illustrated in Yuji's atual actions this chapter, which is to go at great length to show memories from his past to make Sukuna understand HIM and not the other way around.

Whereas, what Yuji shows Megumi is compassion, because he's not telling Megumi what to feel or imposing his own views on him but rather accepting the fact that Megumi might be suffering too much to keep living on.

I'll explain more under the cut:

Guanyin, Goddess of Mercy

Yuji is, not as far along in his character development as he might seem. I don't want to undervalue his growth, this chapter shows definite progress, and I understand why it would seem that this is the completion of his arc of being a cog in society because he straight up says people don't need roles, and it seems like the manga is quickly coming to a close.

However, sometimes characters words don't exactly match their actions. Sometimes characters aren't self aware. People often call characters multi-layered and complex, but what does that mean exactly? For me, a mutli-layered character is the embodiment of "people are never what they appear to be."

A story has multiple layers when you're not supposed to take everything the author says at face value. Every time you read a story, whether you are aware of it or not you engage in some level of personal interpretation. You're not supposed to automatically accept everything the author feeds you without question. Therefore characters are not exactly what they are stated to be, and good character writing allows room for interpretation for what is going on in a character's head beneath the surface.

In a jungian sense this would be the ice berg model of consciousness. There's the persona, or the ego, which is what the person presents to the world and the people around them. Their own-self conceived image. Then there's the part of the ice berg that submerged, which accounts for all of their internal mechanisms and facets of their personality they aren't aware of. This could range from anything to like, how trauma can affect people's actions without them realizing it, things they are in denial of and don't want to admit to themselves or just like someone who's bossy but not self-aware about that trait until someone else points it out for them.

Everyone's have that friend who you try to call them out on their bad behavior, but no matter how hard you try they just won't admit it. That alone illustrates there's a difference between self-perception, how we view ourselves, behavior - how we actually interact with the world, and pther people's perception of us. Somewhere in between these multiple points of view there exists a vague outline of a person, and personality, whatever "personality" means exactly.

To step away from Jung, in a character writing sense this means a good character's motivations, personality, and actions can be viewed from multiple angles. There is conflict between how Yuji views himself, his actual actions in the story, how other characters might view him, and how he's framed in the story. The first two, Yuji's self-assigned roles, and what his actual actions amount to is a conflict that's run over the entire story.

It starts from chapter three, where Yuji's answer for why he wants to become a sorcerer is that he wants to fulfill his grandfather's dying wish, and Yaga immediately says "Is that what you really believe, or are you just using your grandfather as an excuse?" The story shows us Yaga was right to point out the discord between Yuji's stated motivation and his actual desires because Yuji changes his answer.

This stated motivation, "To do something that only I can do", or have a role as another way of putting it is Yuji's central motivation for most of the manga. Of course as I said people have multiple layers, so he can also have multiple motivations. Yuji's desire to have a good death, him wanting to be surrounded by people when he dies, his belief that fulfilling his role as a sorcerer will save other people from curses, all of these things are equally true but that one desire to have a role to play in the grand scheme of things is at the center of it.

The role Yuji has chosen is to kill curses so people can have more natural deaths, and also to stop more victims of curses from piling up. He's also resolved from the start to die with Sukuna in his body, to also spare victims of curses Sukuna might attract, and also kill Sukuna for good.

Even these stated motions are challenged right away, and then again continually through the comic.

I'm not going to go over Yuji's entire arc here, but the fact that Yuji is someone constantly interrogated for his motivations and even punished in story for his altruism is a constant pattern in his character arc.

It extends deeper than just the fact that Yuji is a selfless person in a world where selfish people like Mei Mei, and Sukuna get ahead while people like Nanami die young. A world where it is in your best interest to stick out your neck for others.

For me a lot of the harsh consequences Yuji's conflict in the story also centers around the fact that he can never live up to the role that he has assigned himself. Not only is Yuji mistaken in his perception of himself, but the fandom in general is as well, because most people tend to take Yuji's stated desire to guide people to good deaths and save them at face value.

For example, people were excited to point out the Guanyin symbolism directly referenced this chapter, and also the significance of the seal for Yuji's domain.

There is much speculation, but it seems certain that this hand sign is an invocation of Ksitigarbha, a revered bodhisattva in East Asian Buddhism. Ksitigarbha is also known as Jizo Bodhisattva in Japan. His name can be translated as Earth Womb, Earth Matrix, and Earth Store. These translations evoke the image of a vessel, which seems relevant to Yuji's role as Sukuna's vessel.

While I agree the symbolism is well suited for Yuji's goals, someone who wished to guide people to a more peaceful death, and also the way Yuji opposes Sukuna right now determined to kill him who lingers in this world as a parasite for a thousand years finally back to the cycle of reincarnation. It even alligns with his desire to try and make Sukuna understand the value in one individual's life by showing him his memories. In that way Yuji is fitting the role of someone guiding others to enlightenment.

However, Yuji is not a bodhivista in the end. He is a normal teenage boy. In fact this is the crux of Yuji's character to me, he is a good kid, but he's not as good as he thinks he is. If anything this is what this chapter goes to great length to demonstrate, that Yuji despite being a science experiment to create the perfect vessel for Sukuna for Kenjaku's 1,000 year plan, had a normal childhood. All of the things Yuji says in this chapter are for the most parts the musing of a normal kid his age.

This isn't me criticizing Yuji. I'm just trying to state the message I believe Gege is getting across in this chapter. It's similiar to the conclusion Yuji himself comes to, the conclusion that the value in life lies in the memories you make on a day to day basis, even if you're not living a life full of adventure.

Yuji's conflict is that he pursues the role of a bodhisvatta, and he holds himself to the standard too of someone who exists to be a sorcerer because by doing his job as a sorcerer people will get saved as a result. However, Yuji as a person will always fall short of this ideal, because ideals by the nature of them being IDEAL and therefore not compatible with reality.

To use an example for another media, it doesn't matter how hard Shirou Emiya strives to save others, or how selfless he tries to be, he will always fall short because the ideal of saving absolutely everyone is impossible. However, in most versions of Fate's story Shirou absolutely refuses to compromise on this and in the future, Shirou will continue to strive towards the ideal of saving everyone until his inability to achieve that ideal and the number of people he's failed to save eventually breaks him.

So Yuji may genuinely hold onto an unbreakable ideal, but is his inability to let go of that ideal necessarily a good thing? His ideal might break but what about Yuji as a person? Yuji will in the end always fall short of that ideal because of his humanity, especially since Yuji is the most human character in the story and practically the only one with a normal background.

There's also as I stated above Yuji might not be aware himself of the ways he falls short of his ideal, because he has a flawed self perception. Yuji is getting closer with his revelation in this chapter of looking at reality instead of trying to have a role like a character in the story, but that doesn't mean he's finished (since the story's not finished) or he's become a fully realized character.

One of my favorite quotes from my favorite Yuji video helps describe the point I'm getting at with Yuji's lack of self awareness and the way he sometimes falls short of the savior he sees himself as.

By assigning himself the role as heroes, and the other characters as victims to be saved Yuji sort of condescends to the people he endeavors to save. I describe this as condescending because this way he doesn't see the people he saves as fully fleshed out human beings who are separate individuals from himself.

Yuji is alligned with Higuruma of all people, someone who shares Yuji's savior complex and becomes disillusioned because the people he decided of his own free will to protect as a defense attorney are not perfect victims.

Someone who becomes disillusioned when looking at flaws in other people, and also cannot deal with his own guilt when he too, becomes like the crimminals he once defended after becoming a murderer.

In fact Yuji sees himself in Higuruma's inability to live with his guilt, and only being able to see himself atoning with his death. Yet, despite Yuji seeing himself Yuji also seems uneasy with Higuruma being unable to see one other way forward in life.

Also, remember that Higuruma is a defense attorney. The whole point is he's supposed to defend crimminals even if he knows they did the crime and try to get them off their sentence and win the trial. Therefore at this moment Higuruma has failed to live up to his ideal.

There's another character Yuji is paralleled to constantly, who also shares Yuji's symbolism of being associated with a divine, and benevolent figure.

Geto's ears, his dressing as a monk in a Gojo-gesa, this official art all connect Geto to be Budha and yet it's quite obvious that Geto has failed entirely to live up to his role as the budha.

There's so much symbolism aligning Geto as a divine figure bringing salvation to others, and this corresponds to his original ideal as a sorcerer who belived that sorcerers had an obligation to use their powers to protect others, because in a just society the strong protect the weak.

Geto is an outsider who wasn't born into the Jujutsu World who entered in with an attitude different from most sorcerers by trying to become a sorcerer for altruistic reasons. However, Geto, like Higuruma grows disillusioned when he's confronted with the fact that the people he wants to save are flawed.

However, Geto's ideal was mistaken to begin with because much like Yuji, by distinctly separating people into the weak and the strong, he's separating them into two categories where the former is inherently inferior to the latter. Other people existed to be saved by Geto. He couldn't cope with the fact that the people he wanted to save were people and not victims.

So we finally circle back to chapter 265 where Yuji is attempting to relate to Sukuna and see some humanity in him... or is he?

Yuji shares the same flaw of both Geto, and Higuruma where he sees the people he wants to save as existing in a separate category than himself. So, is what Yuji is offering Sukuna understanding and an attempt to emotionally reach out to him, or is he attempting to show Sukuna the mercy of a conqueror.

Even if Yuji wins the battle and spares Sukuna's life in the end, it won't be Yuji's compassion or empathy that won him the fight. If Yuji wins against Sukuna it's simply because he's stronger. Yuji only feels confident trying to offer Sukuna in the first place because this time he's finally confident he's stronger. It's mercy, offered at a threat with the same time. Yuji, like Geto, is still separating people in categories of strong and weak, he's just showing mercy to someone he now considers weaker than him which is why Sukuna reacted the way he did.

As I said above, Sukuna begins by just assuming that Yuji had just let go of his anger, and was now trying to reach out to him on some other way. He calls him weak for being unable to keep hating his worst enemy, because in Sukuna's world view Yuji should keep hating him and wanting to defeat him with all his strength to the end. Sukuna mistakenly believes for a moment that Yuji is the kind of person who, cannot sustain his anger even towards his worst enemy.

It's when he realizes that Yuji is just showing him simple pity that he snaps. Yuji doesn't care for understanding Sukuna's worldview or seeing the humanity in him, in the same chapter he says he can't forgive people who act like lives are worthless.

To Yuji's credit he admits he doesn't really know which side of the fight is truly human, or whether or not he's right, he admits it's his own personal belief. A lot of Yuji's wisdom this chapter, I'd argue, comes from admitting the things he does not know, and acknowledging that there's no objective truth or "meaning" to the world. However, he still separates people into "good guys, and bad guys".

Yuji isn't actually that interested in considering the perspective of those he considers the "bad guys" he just still had a faint hope that he could somehow convince Sukuna to see worth in his life by sharing memories, therefore convince Sukuna that an individual's life can have value.

He doesn't want to understand what Sukuna thinks, he wanted to change the way Sukuna thought so it was more like himself. Yuji doesn't ask Sukuna any real questions about himself while exploring his memories. Kind of ironic, because for some reason Sukuna of all people was patiently listening and even engaging Yuji in conversation while he went through the most mundane memories of his childhood.

Irony on top of irony, Yuji's worldview does resemble Sukuna's in some ways. They're supposed to mirror each other after all, Yuji is literally the son of his identical twin brother reincarnated. First and foremost Yuji's offer of mercy isn't really breaking away from Sukuna's ultimate ideal of "Might Makes Right." Yuji isn't seeking some other way of settling this besides fighting Sukuna, he's going to make Sukuna submit because he's stronger.

Maybe there was no hypothetical "third way" for Yuji to put down Sukuna other than fist fighting him into submission. There probably wasn't, Sukuna's pretty up front what he's about, and what he's about is being the strongest and nothing more. He lives and dies by violence, a Sukuna who isn't the strongest is nothing more than a corpse so can that person be reached? However, I just wanted to point out that Yuji wasn't interest in solving this in any way other than a fist fight to begin with. As opposed to say, the way that Takaba handled Kenjaku taking a third route by making Kenjaku feel entertained for the first time in 1,000 years.

In the middle of that fight Takaba even APOLOGIZES to Kenjaku, for saying that it doens't matter if he doesn't understand his audience and he fails to make 1% of them laugh as long as the other 99% of them are laughing and states it's his duty to make everyone laugh otherwise he's failed as a comedian.

Yet, another reason why this is the greatest fight in the manga. Yuta even remarks in the end that Takaba isn't someone who can kill people. Not only does his cursed technique negate most damage to him by turning it into cartoonish antics, but Takaba's comedy is also all about understanding his audience and trying to get his audience to understand him because his comedy began when he clowned around as a kid when he was lonely. All of this to say we've been shown more points of view than just "Might makes Right" and there are characters who've resolved conflicts in other ways. Kenjaku is also, probably as monstrous as Sukuna, and yet Takaba engaged him right from the start by asking him about his motivations and if there was some other way he'd be happy than the merger.

You could argue that maybe Sukuna can't be understood. Characters in the story certainly try to and all they amount to doing is projecting their own ideas onto Sukuna. Yorozu projects her obsession with love onto Sukuna and we get the idea that Sukuna must somehow be lonely at the top, but in the end Gege subverts this expectation by showing us that Sukuna was never lonely, rather characters like Kashimo and Gojo projected their feelings of unresolved loneliness onto him. They are strong, and he is strong, ergo he must feel the same crushing loneliness as them. Gojo himself demosntrates not understanding Sukuna as he expresses regret in the afterlife that he was unable to make Sukuna go all out and that he related to that guy's loneliness only for Sukuna's response to be a very gratified "You cleared my skies."

Sukuna: Others love us for our strength, and we respond to that love.

The twist of that is Kashimo and by extension the audience assume that Sukuna must not understand love, and therefore he's lonely. However, Sukuna all along had his own definition of love, that people express their love and admiration for him by trying to fight him and he receives their love by facing them at his full strength and giving them the chance to prove themselves. Sukuna's habit of toying with his opponents is an extension of this he wants to see them realize their full potential in their fights with him. Sukuna does understand love, he just REJECTS our understanding of love. Sukuna does not think in the way that we do, but that doesn't mean he doesn't have things he values, or is devoid of positive traits. Respect for his opponents, honoring strength, these are all values they're just not Yuji's values.

As stated above, the irony of all this is that Yuji does buy into "Might makes Right" to an extent. To reiterate, following Geto's "the strong exist to protect the weak" still divides people into two categories strong and weak and implies the weak are helpless. A benevolent might makes right, as you might say. Yuji wants to show compassion to the weak, but he also loathes weakness, he loathes himself for being weak.

"There still may be lots of people who are weak like you."

Higuruma even points out the flaw in his mindset, well if you loathe yourself for being weak, then what about other people who are weak do you loathe them too? I think it's no coincidence that Yuji is paralleled not one, but two (Geto, Higuruma) people who tried to use their strength in benevolent ways only to start out loathing the people they were trying to help. I'm not saying that Yuji secretly hates weak people, but his mindset of black and white, weak and strong, a mindset that can't accept the greys of reality is a dangerous mindset to have and Yuji has the potential to become like those two.

However, these parallels exist for us the audience to see just how close Yuji was to repeating the cycle, because it makes it that much more meaningful when Yuji grows in ways that Geto and Higuruma doesn't to move one step forward towards breaking that cycle instead.

Yuji is someone who experiences the same loneliness as Sukuna and Gojo for being the strongest, though to a lesser extent because he wasn't born into the realm of sorcerers. At the start of the manga we're introduced to Yuji a kid who despite being someone friendly to everyone he meets and incredibly social, has a friend group consisting of two friends. Two friends who hang out with him because they need a third member for their occult club. Yuji for the whole manga excluding one exception really only knows how to form relationships based on someone else needing him.

Noritoshi Kamo: Itadori why did you become a Jujutsu Sorcerer? Itadori Yuji: It just sort of happened. i'm a loner. I wanna help a lot of people so when I die I'll be surrounded by people.

Yuji has also appeared in flashbacks in early culling game as someone who doesn't really understand, or even take notice of weak people. Yuji in Amai Rin's flashback is beating up bullies, a heroic notion, but from the perspective of somone spineless like Amai who was just going along with the bullies so he himself wouldn't be bullied because he didn't have the strength to stand up with them, and wasn't born with the body of an MMA fighter at fifteen, Yuji looks scary.

The reason why reducing people to labels like strong and weak is reductive is that humans are complex and contradictory creatures. Let's take Amai Rin for example, an incredibly minor character. In the real world, Amai Rin would be someone as equally complex as Gojo Satoru. Amai Rin a middle school bully would have just as many layers to his personality, inconsistencies, contradictory behavior, different sides of himself as Gojo Satoru himself.

Humans are complex in the first place because we can't see inside their heads, we can only see inside our own heads and know that we're complex and sometimes say things we don't mean, behave differently depending on the situation, do things we're not proud of, but we also usually don't perceive others the same way because we are not inside their heads like our own. Amai Rin is just as complex and multifaceted a human being as Gojo Satoru, he is a person with his own memories and life experiences that shape him, but from Gojo's worldview Amai Rin is a minor character. By reducing him into someone weak, Gojo doesn't care to try understanding him.

So Yuji for the longest time does not try to see the humanity in weak people (except for his big moment with Junpei) he just sees them as people to be saved. Which is why his real moment of progress to me comes the next chapter, with the way he shows empathy to Megumi.

Yuji begins when speaking to Megumi by relating his frustration with his grandfather for not wanting to go through chemo and accepting his own death in old age. Yuji is now mature enough to understand that just because his young body is tough enough to endure chemo, doesn't mean an old man's body can withstand that pain. When he was young Yuji had a very immature viewset of "Well, I can endure it, so why can't they?"

Yuji then compares the situation with his grandfather to Megumi. Yuji wanted his grandfather to keep living, so he couldn't understand why he wouldn't even try the chemo. Yuji wants Megumi to keep living, but he now understand why Megumi wants to give up. Yuji' fe elings of wanting Megumi to live are not more important than Megumi's own feelings of despair and wanting to escape pain.

Yuji is no longer imposing his feelings onto Megumi. Yuji is respecting Megumi's feelings, because in the end he can't FORCE Megumi to live. It has to be Megumi's choice whether he wants to live or not.

Yuji is no longer pushing Megumi away, or acting protective of him, while disregarding his feelings. He has gone from "as long as I'm around you'll suffer" to "I'll be lonely without you." Yuji doesn't ASK Megumi to live even though he wants to, because he knows he can't tell Megumi to keep on living. What Yuji does is just an honest expression of his own feelings. He's sharing his own feelings after listening to Megumi's ideal life with Tsumiki and Yuji, because that's what empathy is, an exchange, a conversation.

People often jokingly use the term "yap sessh" on Twitter, but yeah that's the different between a conversation and a "yap sessh" in the former you actually care what the other person has to say, in a latter it's only about expressing your own opinion.

That's why this panel, is such a perfect contrast with this panel.

One is Yuji offering Megumi a choice. The other is Gojo taking Megumi's choices away by giving him the false choice of "go to the Zen'in Clan and be a sorcerer and your sister will be abused, or come with me and be a sorcerer." Gojo railroaded Megumi into being a sorcerer and never let him decide for himself if he wanted a normal life. Gojo didn't see Megumi as his own person either, he, just like the Zen'in Clan just saw Megumi as the holder of the Ten Shadows Technique.

This is entirely different to Yuji who respects Megumi's feelings. Yuji expresses that he'll be lonely without Megumi, but that's just laying the cards on the table. In the end Yuji leaves what happens next entirely in Megumi's hands. Yuji cannot tell Megumi to live, even though he wants him to live so badly, he cannot tell Megumi to just get stronger and keep on trucking because he's not Megumi, he's not experiencing Megumi's pain right now.

Yuji does not tell Megumi to live and therefore becomes the first person in Megumi's entire life to give him a choice. This choice is the most important choice of all, a choice we make every day of our lives. The choice of whether we want to keep on living in this world.

Hopefully, Megumi chooses yes.

[dotster001]

Hello! I really liked your fanfic about mistletoe and I would like to submit my application. Can you write what type of girl the characters in the twisted wonderland like?

What Kind of Girl they Like

Summary: Fem! Reader What girl the twisted wonderland boys say they will fall for, versus who they will be attracted to.

CW: Fem! Reader, some of the boys are assholes with their answers, it's explained away in the who they end up with section, so take it with a grain of salt, also these are just my opinions. If you don't agree that's ok!

A/n:it is truly humbling how few of these I actually fit the description of 😭 also, feel free to send in an ask if you want the staff and non nrc boys, or a masc. Reader version (there are some differences for some of them for a male lover)

Masc Version gn! Version

Heartslaybul 

Ace Trappola

What he says

"I dunno, she'd have a great bod and make me sandwiches. Kidding! Sevens, don't glare at me like that, I was just messing with ya! She's probably smart, and sweet as sugar, and let's me get into trouble. And a great bod wouldn't hurt- hey don't throw stuff at me!"

Who he ends up with

Ace is going to be naturally attracted to a girl he can "bring out the worst in."  She probably starts out shy and quiet, then Ace adopts her into his friend group, and now they are sassing each other back and forth. She calls him out on his bullshit, and fights against his teasing with teasing of her own. But she also takes care of him when he's down. He's hiding a lot of insecurity under his cool guy exterior, so if she lets him snuggle, and lets him whine, and then whispers how much she loves him, he'll be a happy man. Also, side note, he's fine if you like sports, but if you know nothing about basketball, it means he gets to look really good when you come to his games. Just saying….

Deuce Spade

What he says

"Huh, I've never really thought about it. Um, I guess she's nice and funny, and isn't scared of my past. I'd also want her to be a little like you, Y/N….not that I like you! Well, I like you, not like like you, shit I'm sorry! This isn't sounding any better…"

Who he ends up with

He really means it when he says he wants someone like you. You're one of his first friends, and, in his mind, the person you date/marry should be your best friend. But if it's not you he ends up with, he will probably be attracted to a girl who's book smart, but less street smart. A little "dumb" like him, in a cute kind of way. He likes a cuddler, and maybe a girl who is shorter than him so that he can feel like he's swallowing her whole when he wraps his arms around her. Also, someone who encourages him and helps him with his homework/paperwork. 

Riddle Rosehearts

What he says

"I don't have time for a relationship right now….but I think I want someone well behaved who follows the rules- what are you smirking at? Just because you're a rule breaker doesn't mean every girl is. I'd also like her to be in the medical profession. You know, someone who works the same profession as me so we have similar interests."

Who he ends up with

As much as he hates to admit it…he's attracted to rule breakers. Not as bad as Ace obviously, he's not trying to go gray early. But if she says something like "let's have a non herbal tea" when it's time for only herbal tea…damn what a rush. By the time he gets serious with someone, he'll be confident enough in himself to cut ties with his mother, so she has to be strong willed, and willing to live off of a low budget for a while.  He'll need someone understanding, who knows he'll have relapses and be too much and too angry sometimes, and she has to be understanding of that, and encouraging of improvement, or he'll live with guilt for the rest of his life. 

Trey Clover

What he says

"Someone who's willing to settle down and grow fat and old with me. You're laughing, but I'm going to be running my parents bakery, and feeding people is my love language. Speaking of, you better finish off that slice of cake before the others steal it."

Who he ends up with

Trey isn't that picky. He really means it when he says he wants someone to get old and fat with. That's his dream. Running a bakery with his wife by his side, and growing old together as your own kids grow up and bring home their own spouses. But he also wants a girl he can blindside with his sadistic side. Someone who'll enjoy that side of him, but also someone who easily forgets it's there. It makes things more fun for him.

Cater Diamond

What he says

"Ha ha someone trendy and totes hot. Someone totally cammable. Aw, are you jealous? Don't worry, you'll always be my fave girlie, even if you're not the girl I love."

Who he ends up with

Cater wants someone who won't disappear when he looks away. Yes, if she's "cammable" that's the first thing he's looking for, but when all is said and done, if she seems like she's going to be flaky, he won't take it too seriously either, as a defense mechanism. He needs a girl with mental endurance, because he's going to spend the beginning of the relationship trying to scare her off. Not that he wants to, he just needs to know he won't be left alone like he usually is. He is going to be attracted to a girl who humors his trends and magicam addiction, but who also sees through him. Someone balanced.  She sees the real Cay Cay, but she's also willing to be his "trophy wife" online.

Savannaclaw

Jack Howl

What he says

"Oh, I uh, well someone who can keep up on a run with me I guess…"

Who he ends up with

Jack says he wants someone who can work out with him. And he would really be happy if he had a girl who was as active as him…but he'd also be happy with a curvy girl. He gets blushy thinking about holding someone soft and plush against his firm muscles. But he's flexible. In the end he won't choose his future wife based on appearance and activity. Wolf beastmen mate for life, so the main thing he is looking for is loyalty. Loyalty, and someone who would want to raise lots of kids with him. As long as you have those two traits, nothing else really matters to him.

Ruggie Bucchi

What he says

"Girlfriends are expensive, shihihi. Tell you what, you find me a lady with sticky fingers, and we'll eat the rich together."

Who he ends up with

This is a deflection. Ruggie loves the idea of a busy business wife, while he is a trophy househusband, cooking and cleaning for his high powered  lady. He wants a strong woman who will scratch his ears and tell him he did such a good job! Then he'll draw her a bath, and massage her feet as she tells him about her day, then they'll snuggle and make out until they fall asleep…that's the dream anyway. He can be a little worker bee until you rise through the ranks, which you will, Ruggie has absolute faith in you. You guys can rob people early on if you have to. In short…Ruggie wants a dommish woman who will call him a good boy and keep him well fed.

Leona Kingscholar

What he says

"Body pillow"

"That's not-"

"Body pillow"

Who he ends up with

He's going to be attracted to a strong woman who whips his ass into shape. Someone who says, "Hey bitch, you're going to therapy, cause I love you and want you to be happy!" And then she actually makes him go. And when he does go, she rewards him with snuggles, and soft kisses. He wants a woman who's never scared of him, who's self assured, and is certain and vocal about her feelings for him.

Also, she has to accept that nighttime is when she's a body pillow. That's an absolute must.

Octavinelle

Azul Ashengrotto

What he says

"Why do you wish to know? Are you attempting to reach my standards? Ha ha, let's see. A woman who is ethereal, who is willing to dress stunningly, and sit in my lap when I make deals, so that competitors can see what a high value man I am."

Who he ends up with

If that didn't make you want to throw up 🤢. He'll be attracted to someone who makes him feel beautiful in subtle ways. He knows how easy it is to spin a verbal web of lies. But there's some things you can't fake. Like allowing someone to rest on your lap, and caressing their hair. Or squeezing someone's hand gently when you have to let go. Or pressing a kiss to someone's cheek after you help them straighten their outfit. It's the soft romantic moments that'll speak to Azul when he finds his love. Aside from that, he's not looking for anything in particular. Just someone who makes him feel loved and beautiful.

Jade Leech

What he says

"Fu fu who's to say? Perhaps you are the woman of my dreams. Or not."

Who he ends up with

She's a woman who can see through him. She's someone who never compares him or confuses him for his twin. She's smart. Very smart. She eats his mushrooms and goes on hikes with him. She is patient with Floyd. What Jade is looking for….is female Jade. Someone like that is the only one who can truly keep up with him.

Floyd Leech

What he says

"Aw Shrimpy! Are you worried? Don't worry, whoever she is, I'll still squeeze ya!"

Who he ends up with

He's looking for someone fun. That's his only criteria. At least that's what he says. He can't be sure if he loves her because she's fun, or if she's fun because he loves her. In that sense, it's sort of a soulmate situation for Floyd. Whatever will be will be. He'll just know. 

…

…

…

Also she has to be squeezable. 

Scarabia

Kalim al Asim

What he says

"I love everybody!"

"But-"

"Have some of this ice cream, it's amazing!"

Who he ends up with

He wants someone he can spoil, but he doesn't know that. It's something in his subconscious. He doesn't want things in exchange either. So she has to be someone who is okay with being spoiled, and doesn't feel guilty about it. He's going to be attracted to someone who loves life like him, but also helps to keep him grounded. And if she has a spark of danger in her, oh man, he'll be simping so hard. 

Jamil Viper

What he says

"I'm not going to even think about it until my freedom is assured. Kalim has promised, but it would be irresponsible to force someone into servitude with me."

Who he ends up with

Jamil is going to be attracted to a hard worker. Someone who's dedicated, and slightly serious. He's also looking for a girl who will see how hard he works, and pampers him from time to time. He's never been in charge of anything, so he likes being the boss of the household. Not that he doesn't see her as an equal! On the contrary, he wants his marriage to be a partnership. But the idea of having somewhere where he is king is definitely something he likes. She can rule the house from as well. They can split the time they rule over the household. They'll take turns being served and pampered.

Pomefiore

Epel Felmier

What he says

"Um, she knows I'm the boss. Wait, that came out misogynistic, sorry I jus mean she knows I'm manly and can support her an all that."

Who he ends up with

He says he wants a cutsie tiny housewife, so that he can be the manly man at the manliest job for mans. He really will be attracted to any girl who doesn't doubt his masculinity, nor call him cute. Someone who tells him that they feel safe and secure with him. He says he wants a short wife. But he's fine with any size or shape as long as she sees him as someone who can care for her. 

Rook Hunt

What he says

"Mademoiselle trickster, I can find beauty in every woman."

Who he ends up with

What he says is actually true. He can and will fall in love with every kind of woman. It's hard to say who he will tie himself to, in the end. It'll be someone who he heavily bonds with and imprints on. It's a lot like with Floyd. Essentially a soulmate situation.

Vil Schoenheit

What he says

"Hm. Why do you want to know, potato? I suppose she's professional, and beautiful, and cares about her image enough that she doesn't cause a scandal."

Who he ends up with

The thing about Vil is, he's not that far off from Rook in his take on beauty. He doesn't so much believe in conventional beauty, or societal beauty standards. He knows everyone has an individual definition of health and beauty. When he says he's looking for a beautiful woman, he's looking for someone who's willing to reach her full potential. Or, more accurately, to allow him to help her reach her full potential. Vil never admits it, but he adores pampering and styling people. His love language is helping people look their best. So if she's someone who knows herself enough to know what style she likes, he'll appreciate it, and take up the mantle of doing the hard work, ie making outfits, styling hair and makeup, formulating skin care etc. TLDR, he wants a confident self possessed woman he can dress like a doll, and show off.

Ignihyde

Idia Shroud

What he says

"-------------" mutes ipad.

In his head, he doesn't think any woman would ever love him. But his dream woman is a sexy anime cat girl.

Who he ends up with

What he'll be attracted to is someone who is patient, speaks at a reasonable volume, and is assertive enough to make him leave his room. Essentially, winning Idia's heart is a siege. You'll have to starve him out. That's the patience bit. The reasonable volume comes from him being easily scared by loud noises. Assertive enough to make him leave his room…well that speaks for itself. He wants to believe he can be part of the outside world, and the girl he will fall for will be willing to show it to him.

Diasomnia

Sebek Zigvolt

What he says

"She is someone of noble bearing, who shall help me defend my liege!"

Who he ends up with

He'll fall for a woman who is stronger, mentally, physically, etc., than him. A woman who can put him in his place. A woman who speaks, and it makes him shut up, and sit pretty. She's assertive, and can come off as abrasive to others but to Sebek? Sevens, he'd die for a smidgen of her affection.

Silver

What he says

"I don't think it's worth it to try and define the girl I'll fall in love with. There are so many wonderful women, and my father always told me that love is the greatest mystery in this world. Who's to say who I'll fall in love with?"

Who he ends up with

Silver will fall for someone soft. The entire romance will be soft. Soft caresses in the moonlight. Soft kisses in the morning. Soft fingers gently intertwining.  She'll be empathetic about his sleep condition, never blaming him since it's not his fault. She'll be gentle with his animal friends. She'll be sweet and kind and the very image of a Disney Princess. I'm picturing Aurora, actually. How ironic.

Lilia Vanrouge

What he says

"Fu Fu Fu wouldn't you like to know."

Who he ends up with

Lilia can and has fallen for every kind of woman. He's lived a long time. He's had the time to romance lots of women.  What he'd probably fall for in this stage of his life, is someone he can tease, and play around with, but who is also ready to settle down a little bit. Someone who enjoys the little things in life. He's getting a little old. He wants to build onto his family that he already has. Silver can stand to have three or ten more siblings, right?

Malleus Draconia

What he says

"You."

Who he ends up with

You.

....

Tag list-@shytastemakerthing @stygianoir @leonia0 @lleoll @eccedentesiast-sapphic

[paper-mario-wiki]

Ok I usually agree with you on things but even as someone who didn't like tadc, I don't see the issue with selling merch?? Lackadaisy, hazbin/helluva boss, monkeywrench, literally almost every indie project does that, it's how they get a good amount of their funding, why is that itself an issue?

alright this'll be the last question i answer on it because we're officially at the point where people are saying "oh yeah, well what about this?" in reference to stuff i already spoke about, so i'll use this as a summary:

I was asked what I think about The Amazing Digital Circus a few weeks ago, and as a show, I think it's pretty inoffensive. I think the premise and character design is pretty generic, and I think the plot is definitely trend-riding, but ultimately the pilot had some funny jokes and pretty good visuals.

I added an addendum later on to follow up in saying that my perspective has shifted to one of disdain, because I'm sick of seeing it everywhere, and I'm tired of people saying it's already a masterpiece despite the minimal legwork it has put in so far as a story. This is compounded by the fact that the studio company behind it, Glitch Productions, is being unrelentingly commercial with it, to the extent that there was merch designed and available the same day the video itself went live, especially since the pilot itself was never even set to get a sequel, let alone a "series", despite the fact that it is being advertised and sold as a series. This left a bad taste in my mouth, as in my eyes it's become a pretty hollow flavor of the week fandom with a hype culture that people are conflating with actual quality.

Someone asked about the nature of the "no confirmed episode 2", which I later provided some context for in the form of a screenshot from an article where staff of Glitch Productions came forward and said pretty unambiguously that there wouldn't be more episodes unless people bought enough merch. This isn't a horrible sin by itself (Toby Fox famously sold merch for a demo of Deltarune), but the fact that merch sales are being treated like a crowdfunding campaign, with the threat of cancellation very unambiguously behind the "encouragement to buy merch in order to help greenlight the show", is a tactic that feels gross to me. Crowdfunding itself is okay, but the fact that there is no set goal in place, no "if we sell x amount of shirts the show will be get an entire season!" or anything like that, sounds a lot like "if you do not buy enough acrylic charms and tshirts then this show you like will not continue. how many have to be sold? we'll let you know when we reach the goal".

That is, in its entirety, the discourse, AKA my opinion that people kept asking for clarification and justification for. I personally really don't like The Amazing Digital Circus for its lack of depth combined with its ruthless commercialism. I find it repulsive in that way. That's it.

[glorystark]

Empty eyes | Dean Winchester x Reader

Summary: Dean doesn't take Charlie's death too well and because of the Mark of Cain affecting him, he tells you things that will regret.

Warnings: moc!Dean Winchester, Dean being a dick, minor mentions of injury, swearing, ANGST, major character's death

Pairing: Dean Winchester × reader

Featuring: Sam Winchester

Word count: 2,3k

We watched in agony as Charlie's body, wrapped around a white sheet, burned in the flames. This should never have happened to her kind soul. She died so we could save Dean. I couldn't help but feel guilty; my heart ached because I lost a friend, again. I knew Sam felt the same. We both asked Charlie for help with the Book of the Damned, and we both lied to Dean about the book being destroyed. Now it was too late to make things right. Memories flashed through my eyes, making me tear up. I remembered when she helped us with the Dick situation, or when I taught her some hunter-kind-of-tricks. How happy she was and wouldn't stop thanking me. She didn't deserve this, anyone but her.

“Charlie,” Sam started, grabbing my and probably Dean's attention. “We are gonna miss you. You're the best.” He stopped when his voice cracked, and now I was sure he felt far worse than me because looking back, he suggested not telling Dean about the Book of the Damned not being destroyed, which I didn't agree with at first. But seeing Dean, my Dean, slowly fade away right in front of my eyes changed my opinion. Maybe it was selfish, me and Sam both were. But we couldn't let Dean become something he fears, a Monster. We couldn't lose another person, another family member, but we didn't realize who we were putting in danger on this path.

“We love you, Charlie, and I'm so sorry,” I said, blinking through tears.

“Shut up,” Dean said coldly, making Sam and me look at him. “You got her killed. You don't get to apologize.” He continued.

“Dean-“ Sam started, but Dean cut him off.

“You too, you two are the reason she is dead,” he said, not taking his eyes off the flames.

“We were trying to help you,” I said, still looking at him.

“I didn't need help,” he said bitterly. "I told you to leave it alone.”

“What were we supposed to do, just watch you die?” Sam asked, not letting me be the only one receiving the cold tone from his older brother.

“The mark isn't gonna kill me.”

“Maybe not, but when it's done with you, you won't be you anymore,” I stated. “Dean, you're all we got. So of course we were gonna fight for you because that's what we do,” I said softly.

“Yeah, she's right, we had a shot-“ Sam was cut off again by Dean.

“Yeah, you had a shot. Charlie is dead.” He finally turned his head to look at me and his brother, who was standing next to me. His dark emerald eyes bore into mine, and I couldn't recognize them. Never have I ever seen him look at me with those eyes. Because no matter how much crap we went through, he always made sure I was fine, and his eyes held nothing but sweetness and, on most occasions, worry. “Nice shot.”

“Are you even listening to me? You think I'm ever gonna forgive myself for that?!” I snapped, not being able to keep my voice down anymore. He is grieving, but so am I. If I could, I would trade places with her.

“You know what I think,” he started, still with the same voice tone. “I think it should be you up there and not her.”

I felt my heart break for the hundredth time today. I parted my lips, not taking my teary eyes off him, which clearly showed how hurt I was. Sam let out a small gasp and widened his eyes after he heard Dean's words, clearly not expecting his brother to go that far.

I knew he blamed me, probably even more than Sam. But knowing that he wanted me dead hurt more than any physical torture I've experienced.

Sam called his name, still shocked after what he heard, but his brother just walked away, breaking my heart more and more.

—————

It has been a week since I lost Charlie, since I lost my Dean. He has been searching for the Stynes ever since but has been having a bit of trouble finding their location. So meanwhile, he went on a few solo hunts. He hasn't said a word to me and to Sam, just a few like ‘buy some beers’ ‘did you find anything about the Stynes’.

He found another hunt for today and was packing his bag in his own room. We both haven't stepped in our shared room ever since the accident, which meant we weren't even sleeping on the same bed. I'm done with being ignored, so I knocked on his door and opened it without waiting for any response. He didn't even turn around, probably knowing it was me.

“Dean,” I called his name, not even knowing what I wanna talk about, but getting him to look at me was the first step. “Dean,” I called, this time louder, and when he still didn't turn around, I walked towards him and grabbed his arm. “Alright, I'm done. When will you finally stop ignoring me?!”

He looked at my hand, which was grabbing his arm, and slowly turned around, finally looking at my face. “I'm not ignoring you, I just don't want to talk to you or be near you,” he said bitterly, pulling his arm away and reaching for his door.

“Dean, you know you're not the only one who lost someone, okay? And believe me, I know it's my fault she's gone, and I'll never forgive myself for that. But, god, you're practically killing me. I miss you,” I said desperately, waiting for something in his eyes to change, waiting for him to embrace me in his strong arms, but... Nothing. His eyes didn't even hold hatred anymore, just emptiness.

“I don't know what you expect me to say, ‘I'm sorry you were so stupid’ ‘I'm sorry you got another person killed off’ ‘I'm sorry you're so fucking useless’ Huh?! Is that what you want me to say? You want me to feel sorry for you?!” he yelled, showing the anger and darkness in his eyes while he harshly slammed me to the wall, making me whimper slightly. His words cut deep into my skin, but I tried my best to ignore them, knowing this Dean wasn't really my Dean.

“I want you to understand, I want you to know that I'm sorry. I want you to tell me that we're gonna go through this like we always do,” I said softly, looking deeply into his eyes, trying to crack him.

He let out a dark chuckle and grasped my shoulders, lowering his head to be on the same height level with me. “You want me to tell you that we're gonna go through this? Well, baby, in that way, I'd be a big liar.”

“Dean, me and Sam, we are so close to saving you. Please, just don't let the mark control you,” I begged, feeling small under his touch.

“I don't want nor need you two saving me, and believe me, at this very moment, I'm trying to not let the mark control me, so don't provoke me,” he whispered against my ear, sending shivers down my spine.

"I thought you trusted me.”

“Well, that trust was destroyed when you got someone who was like a sister to me killed. Have you ever noticed how many innocent people died because you were being too stupid?” he said harshly.

"We all have made mistakes, Dean," I said, as I thought about the hunts where innocent people died, and I couldn't save them. I didn't want Dean to know how much his words were affecting me, but, god, I felt like a crumpled paper.

“Seems like that's the only thing you ever do,” he smirked, letting his eyes fall on the floor again before looking up at my eyes again. “Tell me, how does it feel knowing you don't mean anything to anybody and you're just a burden in our lives? How does it feel knowing nobody loves you?”

That's it. That was the punch line to make me break into tears.

“Y-you love me, you said that before.”

“You know I lie to get laid,” he said, smirking, proud of his response.

My heart was racing more and more, and I felt nauseous.

“Dean, please-“

“You're nothing, do you hear me? Nothing!” he grabbed my cheeks harshly. “Your existence doesn't matter. You.don't.matter.” he said, spitting the words out before letting me go. He took his bag and walked out of the room, not even glancing at me. I slid down the wall as I started sobbing silently.

Then I heard a buzz from my phone.

New message from Sammy:

“Y/N, Dean just said he found a hunt, probably three to four werewolves, and he told me to go with him. I was really surprised but didn't question him. I think he's getting better. I'll also talk to him on the road. Next time, he'll definitely ask you too, just like old times. Don't stay up and don't worry; we got this :) love you.”

He asked Sam to go, but not me. If he hadn't told me that he hated me a few minutes ago, I'd think he was worried. But if it was really 3 or 4 werewolves, there's nothing to be worried about. He just wants to stay away from me. He told me I was a burden to them; he'll probably throw me out of the bunker soon.

Dark thoughts ran through my mind, and suddenly a rush of anxiety ran through me. What if there were more than a few werewolves? What if they get hurt? What if Dean hates me even more?

I checked Sam's message again and saw that he sent me the address of where the werewolves' location is and where the hunt would probably take place. I quickly rushed to my room, grabbed my car keys, and went to drive to the location.

—————

I was hiding behind some of the trees in the forest, watching as each of the boys fought one werewolf, two already dead ones on the floor.

Everything seemed good so far; I mean, their guns were on the floor, but they were fighting each werewolf single handed and there was no need for me to make my presence known. The boys were winning as always. And that's when I realized they don't really need me in their life. I knew the words that came out of Dean's mouth tonight weren't really Dean's, my Dean. But he was somehow right; before I became the hunter I am today, I made many mistakes. Some were small, and some led to people getting hurt or even killed. I also put their lives in danger multiple times because I was being reckless. Finding the demons that killed my parents blinded my vision. I was ready to get back to the bunker when I saw both of the werewolves giving up until I noticed something.

A werewolf close to Sam's back, and it seemed like none of the brothers noticed him. I searched for my gun but remembered I forgot it in the backseat of my car. I cursed under my breath and did the only thing possible right now to save Sam. I couldn't let Dean lose another person, especially his brother, who I knew meant the world to him. I couldn't put him through something like that again when there's a chance to save the younger Winchester.

So I ran towards Sam, trying my best to not slip because of the woods on the floor. The Werewolf was close, and nobody noticed him. I'm not the only stupid one after all. The boys turned their heads to me for a slight second, surprised at my presence, but didn't stop fighting the other werewolves.

Until I pushed Sam away from the werewolf he was fighting onto the floor. He seemed confused at first, until he saw it. I assumed Dean did too but couldn't be too sure since he was behind me. I let out an agonizing scream when the werewolf grazed his claws into my stomach and the other one, which Sam was fighting before, grazed his claws into my back before my lifeless body fell on the floor. Dean didn't hesitate more seconds before getting his gun from the floor and shooting all the werewolves.

I was bleeding like a waterfall from my body and my mouth. But the good thing is-

I didn't feel any pain, or anything in that matter…

Dean Winchester’s Pov:

No no no.

This can't be happening.

It's all a nightmare, just another stupid nightmare.

I heard Sam's crying voice telling the love of my life, his best friend, to wake up, holding her torn apart body in his arms, asking her why she pushed him away. But there was no answer.

It's a nightmare happening in real life.

Her beautiful y/e/c are open but so empty, unrecognizable.

I stood over her body, not being able to move from my spot.

There is so much blood everywhere.

Her blood.

This is hell.

No, I’ve been to hell and it's worse than hell.

I started tearing up more and more, reality hitting me more every second.

I let out an angry scream and fell on my knees when I remembered my last words to her.

“You're nothing, do you hear me? Nothing! Your existence doesn't matter. You.don't.matter.”

She wasn't nothing, she was my everything.

She mattered, she was the reason I kept going, now she's gone and it's all my fault.

All my fault.

All of the words I said came back to me, making my chest hurt.

As I knelt beside her lifeless body, surrounded by the aftermath of our shattered world, I whisper into the silent abyss, "I'm sorry, Y/N. I'm so sorry."

And deep down I felt the Mark laughing…