#My least favourite is when it forgets that

[miaoua3]

(pairing: hoshi x f!reader)

sitting on the couch in the living room while reading a book to pass the time, you hear the door open and close, meaning that your boyfriend is finally home.

already smiling, you sit and wait to hear with what pickup line you will be greeted with today.

it has become sort of a tradition for soonyoung to say some flirty and silly pickup line upon entering your shared apartment instead of a plain “i’m home.”. yesterday for example, he greeted you with a “what’s brewing, my hot caramel and chocolate latte macchiato?”. they didn’t even make sense, but they were your favourite part of the day.

so, after 15 second of silence after he has entered, you knew immediately that something was wrong.

getting up, you call out “baby? is that you?”.

rounding up the corner, you see him clumsily trying to take off his chunky boots. upon noticing your presence, he mumbles “hm? oh yeah, hi.”.

oh-uh.

you immediately walk towards him, grabbing his round cheeks in your hands gently. directly his face so you can look at him, you coo through a pout. “what’s wrong, baby? did something happen? can i help you somehow?”.

noticing his red eyes slowly blinking at you, your heart breaks just a bit more.

through a quiet mumble, he said “just…it was a long say today. bad and long.”

rubbing his cheeks with your thumbs, you whisper just as quietly as he did “can i do something for you, baby?”.

his shoulder slightly drop in exhaustion as he closes his eyes.

“just hug me…and please don’t let go.”

immediately getting to it, you pull his head down so it rests on your shoulder before pulling the rest of him towards you. his arms immediately snake around your waist while he rubs his face (and all of his makeup) on your shoulder.

the entire time you just let your hands run up and down his back and head, shushing him whenever you feel his shoulder unconsciously tense up, probably because his mind can’t stop thinking about whatever things happened to him today and that got him feeling this stressed.

after what must’ve felt like half an hour (when in reality it was just 10 minutes) of hugging, you mumble against his ear “do you want me to prepare you something to eat? i went to your parents’ today, your mom gave me some kimchi to bring you, i could maybe make something with it while you take a shower?”.

upon you mentioning shower and insinuating for you two to separate, you feel his whole body tense up again, his head shaking ‘no’ firmly.

sensing that he will get upset again, you just say “okay, let’s just go to bed then, hm?”.

with a curt nod from him, you waddle to your room awkwardly while still holding him to yourself.

helping him change out of his clothes and into his pyjamas, you quickly help him take his makeup off and wash his face, never straying too far away and always keeping at least one hand on any part of his body.

finally, as you two lay down on your bed, he immediately crawls on top of you, forgetting that he’s a bit heavy and that he is definitely cutting off your breathing for the moment because of his weight on top of your chest.

but you ignore it, for the moment. because your soonyoungie, the love of your life, is seeking out your affection in hopes that his bad day can at least end on somewhat of a positive note.

you don’t even realise when he fell asleep until you hear low snoring from him, totally concentrated on playing with his short blonde hair.

feeling the dreamland calling for your name too, you kiss the top of his head before you close your eyes too.

“sweet dreams, my sweet boy.”

[s0fter-sin]

rewatching s1 and in ep2 w*ndigo, dean makes a joke about not bringing provisions into the woods just to pull out a bag of peanut butter m&m’s and stick with me here, it’s why the later seasons’ “goofy dean” loses me

this moment is clearly a joke but if you think about it too much, it also makes some sense; a family size bag of peanut m&m’s is calorie dense and even the high sugar is good to keep you moving which they need on an overnight hunt. it also shows how due to their upbringing, they’ve had to eat lower quality food, things they always had access to that was cheap and also in bulk

what does dean eating ghost pepper jerky then tipping water on himself exist for other than to be a cringy joke? what does smelling old chinese food, testing to see if it's still good then shaking his head with cabbage hanging out his mouth when it isn't serve? it's just to make him look stupid and contrast sam's healthy/clean diet (and superiority but that’s another conversation) which has always existed but it used to be nuanced and natural

we see dean as a child give up the food he wanted to eat so sam could eat it. (“i’m sick of spaghetti-os,” “you’re the one who wanted them,” … “i want lucky charms!” “… there’s only enough for one bowl and i haven’t had any yet!” proceeds to give them to sam, 1x18) we know he hustled and stole food to ensure sam ate. (“so, what’d he take?” “get this- peanut butter and bread.” 9x07)

we also see throughout the early seasons dean teasing sam about his salad or healthy choice while he eats some form of burger or other fast food (or notably, cheerfully eating prison food that sam won’t touch, 2x19). it's typical sibling teasing but it also shows that it isn't new for sam to eat like that and for dean to know he eats like that

sam being picky isn't just a character trait they chose for him, it's a result of how dean raised him; he raised him to like and want healthy food and be food secure enough to reject food he didn't want

but dean eats anything he is given and seeks out unhealthy - cheap, plentiful, filling - food

he is the opposite of picky to the point of it being a consistent bit; they show him multiple times eating when it's socially frowned upon to do so eg. questioning a grieving victim when they're trying to be discreet (1x14, 2x15, 2x18)

a similar moment to the chinese food is in 4x19; dean wakes up in the car while sam brushes his teeth outside and is hungry. sam says there's a sandwich in the backseat, dean smells it and recoils bc it's an old tuna sandwich. the moment is funny on its own but it also exists as a comparison of their lives to adam's; he has a loving mother, goes to school and importantly, a steady stable childhood

it’s a joke with a purpose

it also supports dean's food insecurity; he wakes up and is immediately hungry, enough to complain about it and seek out food before anything else

dean is always hungry bc he never has access to nutritionally rich foods bc he got used to using the money he earned to buy sam's more expensive food. he got used to his cheaper, denser foods and grew up with (and continues to live with) intermittent access to said foods. think of how long it takes to drive from one state to another; how many hours it can take to see another town that offers food, if you arrive at a reasonable enough time for anything to be open. also think how they can’t keep any food beyond what fits in an esky; nothing that needs defrosting, nothing can be heated up. it’s bags and jars and take out for as long as they can trust it

then they get the bunker which has its own kitchen

dean even describes himself as "nesting" when he decorates his room, something he hasn't had since he was four years old, and he uses said kitchen to cook a burger from scratch that he is proud of. he is food secure for the first time in his life and it shows in how often he cooks for both himself and sam

so these moments where they have him acting goofy regarding food are no longer character driven and only exist as a joke which is why they come across as cringy and out of character compared to similar earlier moments

a lot of my issues with dean's characterisation started when they introduced the bunker. the argument can and is made that the reason these jokes happen is bc he feels safe in the bunker, that bc he now has a home he can relax and unmask but that still doesn't feel sufficient. they crank up these sillier moments for both of them, giving them a sort of playing house comedy vibe of two roommates with completely different personalities but it doesn't feel like an authentic progression. it feels forced; an attempt at humour for humour's sake

food stopped being an informed part of their characters and their trauma and instead became flanderised; sam is the judgy vegetarian health nut and dean is his borderline slovenly carnivore counterpart

[ivys-garden]

Life Series Recap: session 6.

Hey mcytblr. How are you keeping?

Well I've had Insomnia and accidentally ate half a loath of stale bread so let's distract ourselves from it all with some nice life series stuff, eh?

Todays wild card was… OK so like, this is probably the weirdest one (and also probably my least favourite but that's a me issue)

So like… every animal dies. Then new ones spawn. Then they become something random… wat

Now despite what the random signs that keep suspiciously appearing around grian say, thus isn't actually TOO dangerous. But hey that just leaves more room for these Theatre kids to drama it up in this messy soap opera of a series

So, without further dillydallying, let's look at these fools

The Final Gals (Scott, Cleo, Pearl, Impulse, Bigb, Etho)

Billy is dead. So is Grian, probably. they've got like 20 reasons to kill that lil scamp now.

Today is a full on trap day it seems! Scott is once again enabling so everyone gets their murder hats on. Impulse traps the base with pitfalls, obviously taking inspiration from Mumbo.

Bigb also gets his traps on, killing skizz in revenge and killing lizzie for no reason. Ps are we ignoring that Jimmy almost called him a son of a bitch orrrrrrrr

Oh yes, Bigb and Etho are now officially full members, and now the Bigb is a hostile mob, we can trust him again!

I mean, not too weird, they've got a Cleo. A very big brained and Dastardly Cleo. They plan to trap the wheat field with bombs. Heck they convinced Tango and martyn it already was! They also managed to acquire a cheeky Villager, so bows of death may be making a comeback.

Speaking of bigb actually, he's like even more trust worthy. It's almost scary. He refuses to betray Pearl and instantly tattles on Scar AND when lizzie coms a knocking over I.pukse trying to kill her and Impulse blames him, he fully accepts guilt no questions asked! What was in his water today, are we sure this is the same guy?

Scott does some miscellaneous chores. He fully turned the tower into a cake, which yada yada two nickels. He also goes never raiding with Cleo and makes his once per session trip to go complement Jimmy in a totally jot fruity way, Promise. Ignore how it's only his parrot Scott tried to save from that Blaze that means nothing.

Now, Pearl. She is given the task by gem

To kill gem. So she and her new murder bestie Impulse get on they're cammel and get down to mischief. Starting with creepers!

They failed miserably with creepers. Gem is a very fast rat

They go for a raid!

The wild card kills it. Dam.

They go for a spawn egg trap + a cammel nap!

The session ends before they can pull it off God dam it.

Pearl also thinks complimenting gem will get her to like her again so take that as you will. I say, knowing full well how you fuckers will take it. I see you, and so does G O D.

Oh, Pearl also acquires a very special tool that I'll mention in Etho's bit, but needless to say he gives it to Impulse and provided he does bimbo his key binds… again, he could come back from the dead…

The Family (Gem, Joel, Etho)

Joel found a bloody trial chamber. what the devils. He looted that bitch so good.

Anyway

All the cows are dead.

Also, a new watchtower? Pog? No. Its hideous. Much like gems barn, which has become a real ship of Theseus.

Speaking of Gem, she invents new and exciting ways to hate Pearl! This week: forgetting that gem ripped her eye out!

Yeah no fair how did she forget that.

Anyway, as gem is fully insane she decides the only way Pearl can make it up to her is to (checks notes) Murder her. Yep. Now, if my friend murdered me I'd probably take that negatively, but not Gem. She's itching to 1v1 pearl. Shame that Pearl is actually being cautious and thinks that trapping her is more sensible (tho maybe she should 1v1 gem since Pearl sucks at making traps. Just saying)

Speaking of traps, Gem and Etho try to kill ren! For no reason! He's their friend! It doesn't work but like, what the hell guys!?

Gem also chose to give her life to skizz…. More on how that went at 11.

The Bamboozelers (Scar, Jimmy, Lizzie)

Oh the Bamboozelers. Where do we start?

The Bam Bunker of course! Scars off hand pipe dream was fully realised this session as Jimmy and Lizzie spend all session building they're super secret bunker!... Scott manages to bimbo his way in and Scar invites Etho in… and it's not hidden at all… but hey, bunker!

And just in time too, turns out living on an open grassy mountain with plants that limit mobility during a mob spawn wild card is a bad idea. Lizzie almost died to wither had Jimmy not killed her so as to not waste her life.

I mean he did waste her life by trying to kidnap an Iron Golem but, eh.

Now looking at pay offs for last sessions events, we get anticlimax! Jimmy tries to kill gem when she offers her help in murdering people and Lizzie finds out that Ender porters fail if you died after you set them up. Whoops!

Speaking of Lizzie failing, she blows up Martyn and Ethos tower! He was supposed to get Tango as requested by skizz, but he's too smart. Lucky that martyn isn't eh?

No, when Scar wasn't being ironically killed by vex in trial chambers, or trying to make Shulker boxes for Actually no reason, or ruining traps for people, he was…. Being gaslit into thinking evokers still dropped Totems by grian. He did come up with a good idea of egg farming, but unfortunately eggs were turned off it seems, guess no big brain Scar this session.

Also for some reason Scar tries to get people to kill Pearl. Pearl has done nothing to him, but I guess that fits Pearl overall, do nothing and forgive everyone and still people want to kill you.

Oh also shears is dead. :(

Renwood (Martyn, Ren)

Oh ren. He's having a time. He's trying to be polite and friendly and make a “zoo lake” and asks why he and Martyn aren't smooching.

But at every turn this man has his life threatened by his own allies, his animals die (INCLUDING THAT BLOODY HORSE NOOOOOOO) and his homie/probably husband is killing people! What's that about?.... The shot was sick tho.

Hey, He may now have no allies or food but…. At least the lake protected them?

Idk they're probably doomed.

Martyn has some strange happenings this session. He goes skateboarding on a camel for one. He is also back to calling people humpers God damn it.

He also does make up for knocking Skizz off his stupid bad incredibly dangerous bridge by trying to lure people into the danger zone for him, but this ends about as well as every other trap done by anyone. At least he helped Grian get…revenge…

The Tuff Guys (Bdubs, Tango, Etho)

Firstly, Pancakes.

Secondly, etho doesn't know what Mt Saint Hellens is. You mean Yellowstone, Mr. Kakashi sir.

Anyway, on to things that are actually important, Bdubs finished his house!

Oh wait, I said things of importance.

Etho decides to make my life difficult by allying with 3 teams, all of which hate each other. So thanks for that, glad you died in that stupid trial chamber.

Etho ignores whatever stupid goals Leader Tango set out and instead focuses on the important thing of getting a Wolf army kitted out with armour and the less important thing of trying to get a shulker box to solve his inventory problem. That sir, is actually just a skill issue.

Now, Wardens. Where there be Wardens, there be a Tango to adopt them. Yep the Tuff Guys get a warden… for about three seconds until it gets trapped and everyone tridents it to death. This is also when “The Suprise Tool” was acquired by Pearl, a TOTEM OF UNDYING. Yeah Impulse is effectively on green now thanks to that, Thanks Gri! Impy FTW

(Ps homework for y'all is to find out who got that last hit on the Warden)

Now, I seem to remember Tango doing something to skizz… it resulted in grian taking revenge and bombing the hell out of the Tuff Towers and

Oh

Oh No, Skizzle…

The Spanner (Grian)

Let's start with grian. He is MOURNING Mumbo, even though he got bloody atomised last session he still pretends he's here. He names an Iron Golem after him, who later kills Jimmy so hooray revenge! Go Bloop!

He also goes chamber busting and continues to be besties with Scar… hey weren't they trying to kill each other not 2 sessions ago or….

He also fixes the “Spider Nest” tnt launcher so skizz doesn't blow himself up, skizz also names the tower after Mumbo in his honour.

Oh Grian also forgot to activate the wild card for like 5 minutes. Silly Goose. Hey at least it got people nice and paranoid.

Now, Skizz. He starts of great, Bombing Gem. I mean gem let him and he lost the life like 10 seconds later but he did it! He then does the stupidest thing I've seen since Skynet and builds a rickety bridge to drop TNT on tango's head. He was asking for martyn to wind charge him off.

Skizz seems to be really focused on Tango, he did ask Jimmy, Bigb & Lizzie to kill him after all.

But, well… Tango killed him. Did he thi k it would? No. But it did anyway. He tossed a wind charge up at Mumbo Tower and skizz fell. Grian didn't even have to watch to know what happened.

The Tuff Guys tried to make amends, but at that point it was too late. Also etho didn't help by talking to the wrong Grave like a Bimbo.

Grian then has a mental breakdown! And he does what people who have those in this series do and decides allying with Joel is a good idea somehow. He tries to replace the Spanners with the family. To pretend nothing happend.

It isn't working.

What will happen next? Who can say…

Me. Tango is gone next session. Mark my bloody words

More importantly tho, JIMMY HAS HIS BEST PLACEMENT (not counting real life) WOOOOOOOOOOOOOOOOOO! PHOENIX BLESSING IS REAL

[gemsofgreece]

speaking of greek films, do you have any recommendations? maybe even of the romcom variety? i've only seen zorba

And here's me whose ass still hasn't watched Zorba and even more embarrassingly I kinda thought it was a fully American movie adapting the Greek novel with some Greeks contributing, like actress Irene Papas and the music score by Mikis Theodorakis. It turns out you're right though, the film was directed, written and produced by the Greek filmmaker Michael Cacoyannis but then it was distributed by 20th Century Fox so it was a Greece - USA production.

I don't know if you can speak or are learning Greek though because Zorba was a co-production and it was mostly in English but a fully Greek production is in Greek and most don't get subtitled for international audiences. I will give you some personal recs but I can't guarantee you will find subtitles easily or you will have to do some severe digging. I have made the recs in an older answer so I am linking that post:

I will give a more updated rec list too:

Faves of mine:

From the link above the ones I would advice one to not miss are:

Η Κάλπικη Λίρα (The Counterfeit Coin, 1955). It's not only my favourite Greek movie but it's also in the All Time Top 100 Best Movies of International Cinema list of some very legit major institution that I am forgetting now XD It's a social dramedy with top tier comedians and drama actors co-starring and it's basically four different life stories connected through the same counterfeit coin.

Αχ, αυτή η γυναίκα μου! (Oh, that wife of mine!, 1967) It's a situational comedy. It's hilarious but if you don't know Greek, I don't know how well it translates to a different language. Man desperately wanting a promotion gets in a chaotic situation when his playboy boss first gets outraged and then obsessed with his wife, without knowing her true identity.

 5 λεπτά ακόμα (5 minutes more, 2006) I still think this movie is very underrated. It's a metaphysical philosophical dark dramedy with a great understated score. You can find it on youtube, obviously without English subtitles and with bad quality but hey at least it's on youtube! A morally neutral man with jealousy issues dies and is given five more minutes in the mortal world, which will determine his afterlife.

Το Τανγκό των Χριστουγέννων (Christmas Tango, 2011). Romantic drama. A soldier gets unintentionally entagled in the unrequited / forbidden romance of his mysterious aloof commander. Now this movie has a queer element. It does not have a queer happy end but it has both straight and queer themes and honestly it's a beautiful movie. You can find it on youtube.

Ρεμπέτικο (Rembetiko, 1983). Drama. The tragic life of a female singer of the then underground Rembetiko music scene, the music genre the Greeks of Asia Minor brought along after the Asia Minor Catastrophe and the population exchange between Turkey and Greece in the first half of the 20th century. Personally, I am not crazy about this movie but this doesn't mean necessarily anything because it gets good reviews in imdb even outside Greece. But I personally recommend it for its INSANE score and songs. These songs have become emblematic in the Greek music scene. The composer, Stavros Xarhakos, makes a cameo in the movie.

I still recommend the other recs in the old list too, especially the comedies. Also, like I have said, you can't go too wrong with Greek comedies of the 50s-60s in general. Since I said that, here's a list of faves and critics' choices of Greek movies from the 50s-70s.

Some other faves not in the old lists:

Το χώμα βάφτηκε κόκκινο (Blood on the Land, 1966). A Greek Western! Who would have thought but it is good! When I say western, I don't mean Cowboys vs Natives of course, but I mean land property disputes, rural, animosity gets out of hand, social class inequality etc etc and it is actually linked to Greek social history of the 20th century. And finally a Greek movie that takes good advantage of the Meteora. The movie was a nominee for best foreign film in the Oscars .

Strella, 2009. This is a strictly 18+ movie. It is a queer movie BUT it is also a very edgy movie, like, it can be perceived as extremely edgy no matter if you are a member of the LGBTQIA+ community or not. It's not the imagery that makes it edgy but the plot at some point takes a serious left turn. So, only watch if you're into weird cinema territory. I have warned you. Personally I am not into weird cinema but I liked this one. Man gets out of prison after years of incarceration for committing a murder. He befriends and soon gets into a relationship with a trans female sex worker. The protagonist, Mina Orfanou, is actually a trans woman and she was really praised for her performance in this.

Ιφιγένεια (Iphigenia, 1977). Directed by Michael Cacoyannis like Zorbas, this is a movie about the myth of the sacrifice of Iphigenia, Agamemnon's daugher, with an all-Greek cast. It is kind of those theater-to-movie films so don't expect Troy level of production. It has very minimal sets. Also, it's the 70s, the bible and sandal era, so the costumes are really anachronistic and inaccurate but other than that it is a good movie. It was nominated for the Oscar for foreign language film. And it's on youtube with English subtitles.

A few other recs:

Antigone (1961). Even more than Iphigenia, this is almost pure theatre filmed. The acting is theatrical, the staging is theatrical, it's all just theatre really. This is a very loyal adaptation of Euripides' Antigone. The acting is very good.

America America (1963). A movie by Greek American filmmaker Elia Kazan that I haven't watched yet but it is very famous. Biographical historical drama, inspired by Kazan's uncle. The struggles and feats of a Greek of Anatolia, Ottoman Empire (modern day Turkey) trying to secure a passage to America in the late 19th - early 20th century. It is an Academy Awards winner.

Πολίτικη Κουζίνα (A Touch of Spice, 2003). The life of a boy and his relationship to his beloved grandfather, who instilled in him the love for cooking and astronomy, as they part ways when the boy and his parents are deported from Turkey after the ongoing tensions started from the incidents of the Istanbul pogrom in 1955, while the grandfather is able to legally stay behind. I wouldn't put this movie in my faves but it is very aesthetically pleasing and has a wonderful score. It is also an introduction to the special historical bond Greeks have with Constantinople / Istanbul and the tragic story of it all.

Έτερος Εγώ (Heteros Ego / The Other Me, 2016). Crime Mystery. This movie is very popular. I think it's overrated but you can judge for yourself. It is on youtube. I personally liked more the TV series that was its continuation (the first two seasons only, because the third was horrible). It is suitable for 17+ audiences. An eccentric criminology professor is summoned to investigate murder cases where the murderer cites quotes by Pythagoras.

Man of God, 2021. If you are a Christian / religious, watch it. I would like this movie more if the director had not forced all the cast to perform in English in order to make an international screening. It takes away from their performance because it is so unnatural and illogical. But otherwise it is an interesting topic and the actors try their best despite that massive handicap. This is the true story of Saint Nektarios of Aegina island and his unfair defamation by the rest of the clergy.

Η Φόνισσα (The Murderess, 2023). Unfortunately this movie does not hold a candle to the original novel of Alexandros Papadiamantis written in 1903 - quite possibly the first feminist literary work written by a man - but it is your next best alternative unless you can read the book or a translation of it. In this case, totally skip the movie and read the book, which is excellent and my favourite Greek novel. But if you watch the movie, just know it took many liberties for the worse. It has good acting and cinematography though. The story explores the life and mind of Frankoyannou, a hardened peasant woman, as more and more female infants and young girls are found murdered in her village, including her own grand-daughter.

Miss Violence, 2013. This movie is incredibly disturbing and I wish I could forget what I saw. If you like disturbing cinema, obviously 18+, watch it. It sickens you to the core though. An ordinary 11 year old girl commits suicide the day her ordinary family celebrates her birthday. Minute by minute we learn more about the family though and minute by minute we realise this is not a regular family AT ALL.

More weirdness. If you actually do like weird cinema, then you can also explore Yorgos Lanthimos' old Greek movies. These are easier to find since Lanthimos is globally famous now. Dogtooth was his Greek movie that was a nominee in the Oscars. But he has a couple more. (By the way, Miss Violence makes Dogtooth seem like a My Little Pony episode.)

More length. Theo Angelopoulos was an acclaimed Greek director, famous for his slow lengthy movies that explore philosophical and other themes. Several movies of his are acclaimed internationally. His most awarded ones are Ο Θίασος (The Travelling Players, 1975), Ταξίδι στα Κύθηρα (Voyage to Cythera, 1984), Το βλέμμα του Οδυσσέα (Ulysses' Gaze, 1995), Μια Αιωνιότητα και μια Μέρα (Eternity and a Day, 1998), Τοπίο στην Ομίχλη (Landscape in the Mist, 1988).

More Kazantzakis. Since you have watched Zorba the Greek, a film based on the novel Life and Times of Alexis Zorbas by Nikos Kazantzakis, perhaps you will be interested in two more movies based on other novels of his, even if they are not purely Greek or Greek productions. The first one is the very famous The Last Temptation of Christ (1988) starring Willem Dafoe, directed by Martin Scorsese. The problem is that this movie is often very misunderstood as edgy / anti-Christian / atheist whereas Kazantzakis' intent with his book was kinda the exact opposite so he probably rolls nonstop in his grave with some readings I have seen being made of the movie, even here on tumblr. Scorcese obviously focused more on the edgy factor than Kazantzakis did, further encouraging such misinterpretations but you could still be able to understand the meaning of Kazantzakis' book through the movie, now that I told you that Kazantzakis was essentially a secular theological / Christian philosopher. The other one is Ο Χριστός Ξανασταυρώνεται (Christ Recrucified / He Who Must Die, 1957). A French / Italian production, also featuring the Greek actress Melina Mercuri. A Greek village in Anatolia in 1920 (Modern day Turkey) stages a Passion Play for Easter. Staging the play leads to them rebelling against their Turkish rulers in a way that mirrors Jesus's story. There is also a Greek TV series adapting the novel in 1975 - 1976, which is closer to the book and gets better reviews and you can watch it in the streaming platform I recommend below.

ERTFLIX. Ertflix is the state TV's OTT platform and it is entirely for free, while also available internationally. It has both desktop and app formats and you can also add it to several TV boxes, Chromecast, Roku etc For the free service that it is, it has an abundance of series, movies and documentaries so I can never stop praising it...! There you can find numerous Greek movies / series / documentaries to watch, plus even more foreign stuff with Greek subtitles if you're learning Greek and need to practice. Plus it has interviews, the invaulable archives of the state TV and so much more. In Greece it is not necessary but for using the platform abroad you will have to register as a user but it is entirely for free. Ertflix I love you. Below is a screenshot with some Greek movies available now:

Scroll to the Greek cinema option (or to the Greek series). The site is built in both Greek and English.

Where you can find ERTFLIX:

The aforementioned TV series based on Kazantzakis' novel.

Upcoming movies of Greek interest:

Maria. The biopic of Maria Callas, rather her last years, starring Angelina Jolie. Is Jolie a good casting choice for Callas? Well, no. People say she does a good job in it however. I don't know about that and I am going to be sceptical because I love Maria Callas and I don't think she can be easily (at all) imitated. I 'll watch it though. From the trailer I see Jolie did a very legit job with Callas' speaking manner and accent, this is hopeful. Part of the movie was filmed in Greece too.

The Return. Starring Ralph Fiennes and Juliette Binoche, this is a retelling of the last part of the Odyssey, once Odysseus has returned to Ithaca and has to reclaim his rule and home from Penelope's suitors. It is a realistic retelling, not featuring the gods, based on the trailer I saw. I had my reservations for this casting but Fiennes looks good as old Odysseus IMO and Binoche is a brunette French, of course she can pass easily as a Greek. They are also both good and serious actors and I am sure they give their best in the movie. The drawback is that it's like we return to the 70s with these poor and anachronistic costumes and sets. And also aside from the protagonists, who would have thought there was so much diversity in Ithaca / s, a REAL, TINY and REMOTE Greek island. Telemachus looks like the blondest of Swedes and then the Ithacians have apparently descent from Scandinavia to Southeast Asia to central Africa. Amazing. Ithaca, the New York of Bronze Age. At least Fiennes (in this) and Binoche do pass as Greeks... What makes the movie a little promising for me is the amazing physique Fiennes achieved for it: the parts half dead old beggar and parts godly warrior king. He nailed it. The scene with the bow, I know already I will get the chills.

From this alone I know Fiennes is doing a terrific job in this. He is always invested very seriously in his movies.

Anyway, one third of the movie is shot in Greece and ERT (the Greek State TV) is actually a co-producer (a rarity with international movies of Greek mythological interest nowadays), so once it's done from movie theaters, it is going to be available for free on ERTFLIX... apparently globally. I so hope this movie does not disappoint me.

A lot of these can be found in links in greek-movies.com but you didn't hear it from me.

[glasskey]

Nick & June's Mixtape Vol. 4

All hail Noirvember. Of course it’s only right that we celebrate it’s passing for the year, with a Mixtape from the first half of Season 4. It brought us a classic noir style entrance, a fight for survival and an unforgettable farewell.

I'm Trying to Keep You Alive

This is easily one of my aesthetically favourite scenes from the Handmaid’s Tale. It’s dripping with classic noir shots and character poses, and features the sniper circle that comes full circle at the end of season 4, with the handmaid’s torch beams as they enthusiastically slaughter Fred. It’s easy to forget that this is the first time June’s seen Nick in almost a year, and that the last time she saw him was when she first learnt about his role in the Sons of Jacob. The guard’s death is a clear statement; Nick is no longer the cocky boyish driver she once knew, he is now dangerous and powerful, commanding a team of snipers with a mere swipe of his fingers. “I’m not leaving you” the guard says immediately before he is cut down by a bullet, a premonition of Nick and June’s separation throughout seasons 4 and 5 as he tried to “move on”.

June lies on the ground, covered in blood, eyes darting around into the pitch dark. Nick appears, a faceless figure accompanied by a death squad, demanding the location of the Handmaids. There’s an aura of dread, and then suddenly Blaine steps into the light, kneels down and briefly brushes her shoulder with his fist. “I’m trying to keep you alive” he whispers, it’s a warning and also a secret reassurance that, as always, he’s there to hold the Gilead wolves at bay.

A tear rolls down her face, he’d lied to her or at least not told her the truth about the Sons of Jacob, can she trust him? Then as he whispers to her and their eyes meet, she understands why HE of all people is there. Here in the darkness their secret bond still exists, she slides her hand away from the gun.

As she rises to her feet and looks in his eyes, a blinding light floods them both as snipers swarm. They’re surrounded, and yet to one another they are the only two people that exist in that moment. It’s been an eternity but the man she loves is there, changed but always there.

The dark aura suggests he could have become just another part of Gilead’s killing machine, but as this confirmation of secret devotion and trademark illumination in one another’s presence tells us, his loyalties remain squarely with Osborn.

The Strength of His Might

The looming brutalist grey building Osborn is carted into here, in the back of the van tells us in no uncertain terms that yes folks, it’s torture time. The doors open, it’s a barren concrete hallway and there’s no escape. But there IS Nick, and as he steps up he tenderly removes the restraint from around her neck, caressing it, a sign that he will save her neck from the figurative noose.

He fucked up, he can tell she knows who is now, what he’s done and he’s going to have to promise, to SWEAR he’s on her side. He kneels down as a pledge of his fealty to her that mirrors the moment at the end of season 1 when she revealed her pregnancy. She remains gagged, it’s a sign that she’s resolved to keep her mouth shut and without his help, she WILL die. While Nick has paid her the courtesy here of asking her to “Please let me help you”, the reality is he’s not going to give her the choice. He’ll help her whether she likes it or not. Nick knows that while he may have a bit of pull, he only gets one vote on a board of many Commanders, and they WILL kill her if she does not give up the goods; regardless of the fact that scarcity has suddenly increased her value as a handmaid.

As Aunt Lydia appears in the background proclaiming to be Osborn’s “Guardian Angel”, Blaine unleashes one of his trademark bible quotes from the passage The Armor of God. As usual Blaine’s giving us double the value at half the price here, with a veiled message for Osborn about personal strength and faith as protection against evil forces, all the while appearing to pledge allegiance to Gilead. No sooner had he turfed June from the van into Aunt Lydia’s clutches, than he was busy twisting Lawrence’s arm to get her out of them.

He’s not to be denied either, Lawrence owes him a favor and it’s time to cough up. There’s some subtle back and forth over firelight and whiskey here but the long and short of it is that Lawrence’s position is still precarious and Blaine won’t hesitate to rip out the rug if he doesn’t comply. Lawrence recognizes this desperate longing in the young commander, he loved and lost Eleanor, and he’s acutely aware of just how bad June can be for the health of the men in her life. But as we all know, Nick doesn’t give a fuck about his own neck and sure enough Lawrence does as he’s bid.

While Nick may have gotten what he wanted, he’s also revealed to Lawrence that Osborn is his ultimate Achilles Heel. There is nothing he won’t do, no arm he won’t twist and as we later learn, no commander he won’t kill for her. Lawrence is constantly making mental notes for his future 3D chess games and while Nick may have won the day, he definitely lost the war. Lawrence proceeds to spend the next 2 seasons using Nick to his advantage with Osborn as his lure.

She Loves You. I Love You.

At the end of Episode 3 June is transported from the brutalist realm of Gilead torture central to a picturesque pastoral setting. Sure, she’s unceremoniously shoved from the van by The Eyes but never mind, because guess who’s stopped by? Nick is waiting in the middle of a large ageing wooden bridge, its arched beams are reminiscent of the interior of an ancient church. June walks in slow steps like a bride down an aisle as Nick stands like a groom waiting for her.

Notably in this scene Nick is standing almost to the other side of the bridge, metaphorically he still hasn’t quite switched sides yet but he’s well on his way. For a moment the darkness of Gilead is gone, the menacing sound of barking dogs has been replaced with the sound of birds and a gentle stream, an aura of eternal romanticism permeating the air. It’s a gorgeous illustration of the escapism and solace these two find in one another.

Ah if only life for Nick and June were that simple, unfortunately the reality is that June’s hands are still bound, her “wedding dress” is a Handmaids uniform and Nick is still dressed in his dapper commander garb…..these two aren’t getting married, once again they’re saying goodbye. As Nick assures her that both himself and her daughter, love her, she spies the red handmaid van inching stealthily down the drive behind his back. It’s a reminder that every moment of comfort these two have ever known, has been invaded by the spectre of Gilead.

There’s a sense of true desperation in the way they touch foreheads here, their minds clinging to one another, perhaps for the last time. As she rips herself away, June suddenly has her “fuck it” moment. If this is the last time they see one another, and it well might be, she’ll let him go on her own terms. Aunt Lydia can wait in the van and cattle prod be damned.

As the music swells and the camera spins we get a glimpse into the dizzying heights of their romance. It’s intentionally intoxicating and indulgent and true to nature, heartbreakingly fleeting.

I’ll be back with more Hitlists, Playlists and Mixtapes soon. Until then you can find the others on my page.

[completeoveranalysis]

[7]

SO. I follow what the dialogue is putting down here, but I’m a little confused about some of the line attributions. 

We have the “But isn’t this something that you hold very dear?”, as if it was asked by The Adult Sakura (Lava Lamp’s Mother), but the speech bubble is pointing towards Cardcaptor Sakura. In which I’m not sure if they changed the speech bubble in editing or if the translation has worded something slightly off.

But! Going off what we can actually see, Cardcaptor Sakura is assuring her that the gift is ok - that she still has the cards with her even without the wand.

This might imply that she doesn’t need the wand to use the cards at this point in her timeline - which would follow her natural growth through CCS. If I’m remembering right the wands were always just an aid for her to activate the powers easier (at first someone else’s magic, then her own), so it makes sense that after several years she would have grown the ability to activate her magic more naturally and without relying on any intermediate devices. 

But USAGE aside, this also touches on one of my favourite little things about the cards - how Sakura treats them like people, and more importantly, like her friends. So, even if she ISN’T meant to be implying that she can use the cards without a wand (which she might be), she’s still saying that They Are With Her Regardless And That Is Still Good Enough For Her. Which I adore deeply. 

[pokimoko]

Hello!! I came across a couple of your animals with pride flags series (idk what you're actually calling it lol) and I wanted to request an intersex blue-ringed octopus (I'm not intersex myself tho lol, just thought it might look neat)

Oooh, this was a fun one! Thank you for the request! 🐙

[in-tua-deep]

when I was 12 I was sick and missed a science test. when I was back at school the teacher told me I could make it up after class but it completely slipped my mind and I went home on the bus

the next day I went to the teacher to apologize and tell her I could stay after that day if it was still okay and before I could she was like “You saw the zero in the grade book” in such a matter of fact way

I, in fact, had not looked at the grade book?? I had no idea that she’d put a zero in for my test. I was just a distractible kid with undiagnosed ADHD who… forgot to stay after school because my usual routine was to get on the bus

I didn’t say that of course. I just nodded in absolute befuddlement and then stayed to take my test that day

I’m much older than 12 now but I still remember my confusion and shame and the bolt of momentary panic before she told me she would let me do the test and I’m like. idk. it kind of stuck with me. I was 12. I was a pretty good student otherwise, yeah distractible but in a quiet “doodle on every paper near me” and “has two to three books on hand at any given time so I don’t get bored” kind of way.

I think even after all these years I still don’t understand why she felt like she had to scare me

[sysig]

Maybe something with Mousey being jealous of Hunter and Smoker for one reason or another? hehe

Day 7 - There might be a reason for that

Bonus:

[aro-aizawa]

me, whenever i figure a plot twist in a 20 year old anime: oh wow i am SO big brained rn i am such a genius

me, two minutes later, conpletely blindsided by a major plot twist:

[contained-mess]

.

[princessmyriad]

.

[yukizme]

nanami kento swore that he didn't love you. he just memorized your coffee order because it was the most basic decent thing to do. not because it gave him an excuse to talk to you, even if it was for two minutes.

nanami kento swore that he didn't love you. he just always kept a spare hair tie with him because you once mentioned that you always forget to bring an extra with you during missions. not because he always remembered every little thing you had ever said.

nanami kento swore that he didn't love you. he just didn't particularly like gojo, especially when he was making you laugh. not because he wanted you to laugh like that with him.

nanami kento swore that he didn't love you. he just felt his heart drop to his stomach when you got injured on a mission because that's what he'll feel for any other colleague. not because he couldn't bear the idea of not seeing you ever again or hearing you call him 'kento, my angel.'

nanami kento swore that he didn't love you. he just asked to be paired with you because you spoke the least amount of nonsense and you proved to be a good company. not because he was slowly losing interest in talking to anyone else who wasn't you.

nanami kento swore that he didn't love you. he just read the books you recommended because they were already on his reading list. not because he wanted to talk to you all the time about everything and anything under the sun.

nanami kento swore that he didn't love you. he just brought you your favourite food whenever you seemed in a bad mood because he needed you to focus on the task. not because he didn't like seeing you upset and the thought of you being all sad and teary-eyed made his heart hurt.

nanami kento swore that he didn't love you. he just hated the idea of you loving someone else.

[ohwowimlonley]

ohhhh free use with poly!marauders would be something like the boys making it hard for reader to do watch a movie because they keep using her holes and passing her around. imagine the boys sitting in one couch and the reader is seated in remus' dick, waiting for him to cum until she is passed to the other boys 😵‍💫

Changed this a tiny bit to fit a bit better but here :) (btw its roommates!marauders)

Cw for free use/advanced consent

-

You’re alone in your room, curled up in the corner of your bed, blanket covering your thighs as you finally start watching you’re favourite movie. It’s the middle of the day, so you’re the only one at home while the boys are out at work. See, you and your roommates had come to an agreement; they would go out to work and pay the rent and bills and buy groceries (and occasionally gifts for you), allowing you to spend your days as you please. In return, they ask for only one thing: your advanced consent.

Now, let’s not get silly here, you can always tell the boys no at any time, and they constantly remind you of that fact. All the agreement means is that they don’t have to ask you, and sometimes they pull you away from what you’re doing when they really need you. There are also a few rules in place. For example, you shouldn’t wear panties around the house (that is, excluding extenuating circumstances), and you shouldn’t touch yourself before asking for their help first.

Just as the plot starts to get good, your bedroom door creeks open. You jump, not expecting anyone to be home for at least and hour and a half, but relax when you see it’s only Remus. Once he determines you’re not in the middle of something vital, he pushes the rest of the way into your room. He doesn’t say a word to you just yet, just pulls his tshirt over his head and works on unzipping his jeans, pulling out his cock from his boxers and tugging on it.

“Rem! You’re home early,” you grin up at him, not bothering to ask him why, it doesn’t matter so long as he’s home. He makes a noncommital ‘hmph’ sound as he clambers up next to you, grasping at your him and turning you onto your stomach, letting your shirt rise up and expose your pussy to the room, still puffy from James using it this morning.

“Shush,” he grunts, but he doesn’t really mean it. He just wants to get inside you as quickly as he can, “boys’ll be home soon, wanna have you first,”

You go to respond, but Remus interrupts your train of thought by letting a fat glob of spit fall from his lips onto the folds of your pussy and follows it with scraping his fingers through the stickiness. He wastes no time at all before slipping his cock into you, not going slow like he usually does to let you get used to his size.

You whine loudly at the burn his cock leaves you with, and while he doesn’t slow down he does set a soothing hand on the small of your back and bends over yiu to press a kiss to the bcak of your neck as he starts up his fast pace. It doesn’t take long for you to get used to the stretch, and you let your mouth drop open in a long, continuous moan.

You lose yourself in the sensations, almost forgetting about the movie still playing in the background as your roommate manhandles you all over your bed, using his full strength to let out his frustration on you. Remus hears the soft click of the front door opening, but you don’t, so you let out a confused whine when he pulls out of you.

“Shh, sweetheart,” he soothes, seating himself at the head of your bed and pulling you over his thighs, slipping himself back into you, “boys’re home, gotta make sure they don’t take my girl, huh?”

You don’t respond. You can’t, what with Remus slipping his fingers against your poor, aching clit. The door to your room is already wide open, so James and Sirius can see the two of you as soon as they get to the upstairs landing. James clears his throat and you whip your head around to see your two other roommates standing side by side, watching you take Remus’ cock. You make eye contact with Sirius, and he rolls his eyes playfully.

“Told you he’d get home first,” he jabs his elbow into James’ rib before taking his hand and sitting on the end of your bed with the other boy in tow.

“Your fault really, Pads,” he points out, then smiles up at you, shrugging his shoulders, “the boys were arguing this morning about who got to have you first when we got home,”

“I was gonna share with Jamesie here, but Moony’s a stinkin cheater,” the boy in question doesn’t pay them any attention, just renews his grip on your hips and brings them down to meet his own thrusts.

“Rem!” You protest, turning back towards him and putting your palms on his chest to keep your balance. You can feel him throbbing inside you, a telltale sign that he’s close, and thank goodness for that because you’re getting there too, and on days where they pass you back and forth like this, it’s best if you cum as little as possible in the beginning.

“Who’s it gonna be next, love?” James is always more careful with you, his voice always questioning, never demanding. This by no means indicates that he isn’t just as desperate as you. In fact, on days where it’s all three boys, theres never a time where he isn’t practically forcing his cock into you.

There’s no opportunity for you to even try to answer his question, because Remus is anchoring you to him and spurting his cum deep inside you.

Sirius goes to tug you from Remus’ lap, but he locks his arms around your back and prevents you from moving even an inch further away from him. Sirius and James let out grumbles of displeasure.

“Rem, honey, share,” you remind him. When he eventually lets you go, James gets to you first, “can I face this way? I wanna watch my movie,”

All three boys chuckle amoungst themselves, and silently vow to make it as difficult as possible for you to watch your movie.

[yieldtotemptation]

ANIMALS ft. Natty

natty x male reader smut

10k words

“All I’m saying is,” Natty starts, like she always does, with more unsolicited advice than you can handle at 2 AM, "for someone that complains so much about not having a sex life, you really don’t do much to fix it."

“And what, oh wise friend of mine, is your recommendation.”

“I don’t know. Get a haircut. Dress better. Try not being a massive pussy?” Natty shrugs. Or at least you think she does. Only so much you can tell over the phone.

You sigh. Bite back the urge to tell her to fuck off. But then, who else would talk you to sleep at this ungodly hour? So instead, you concede the point. “Noted.”

“Or, you know, if it’ll stop you from being such a little bitch,” and now she’s laughing, cackling really, and not once has that ever, ever meant anything good. "You could always just fuck me."

—

Two weeks and twelve hours post-Natty’s incredibly unhelpful suggestion that did absolutely nothing to alleviate you of your insomnia, and you’re back on the phone with her.

Only this time, there's video.

So, yay.

"Help me, please."

It’s a Friday and Natty's begging, again.

Because she knows she can count on you, knows that you’ve long since resigned yourself to your fate as Natty’s on-call ‘fixer’. There for everything from life-changing career decisions to helping her figure out what show to stream next.

And now, apparently, choosing her outfit for tonight.

“Help me, help me, help me, help me.”

God, this woman and her begging. Knowing full well that it’s your kryptonite.

"Okay, okay, okay," you're relenting, much earlier than usual. Mostly because as far as Natty’s petulant requests usually go this one’s a walk in the park. “But don’t you have people for this sort of thing? People who don’t, and I quote, ‘have a dogshit taste in style?’”

“It is dogshit!” Natty calls out, already turned around and leaving you (her phone) on the vanity, facing out to her bedroom and all its hideous pinkness. She disappears from the screen, diving deep into her closet for yet another pair of shorts that will most certainly hug way too close, or a top that dips way too low, or a pair of heels that scream—'hey, I have legs, would you like to spread them?' "But!"

Natty returns to the camera with a leather belt—oh no, that's a leather skirt—in hand; clad in nothing but a casual cotton bra/underwear combination that she’s filling out far too well for your sleep-deprived brain to handle.

She holds up the skirt against her waist for your consideration. Poses. It wouldn't cover a thing. Or maybe that's the point—again, you don't have any fashion sense, whatsoever.

“You’re a man, and I need a man’s opinion because I’m hoping to take one home tonight to fuck my brains out until I forget about this shit-storm of a week. So, you know—help a girl out?”

“As always, you have quite a way with words.”

Natty leans towards the camera, bending down to stare right at you. It makes entirely too much sense that she’s built an entire career around doing just this.

“It’s my third language, asshole.”

The insult lands softer than she likely intended, considering well, you’re a little too distracted to take it. It’s entirely her fault. The angle makes her tits look far too immaculate to pay any attention to her mouth.

Maybe she should consider going out just like this?

Yeah, that’d definitely get her fucked.

But, she frowns before you can make the suggestion, turning on her heels and sashaying back to her closet, leaving you to choke on air at the sight of her ass stretching out her favourite pair of panties. (The white pair with the pretty-pink bows. The one that rides up her ass when she stretches, bends, sneezes—basically any time she’s not standing perfectly still. And even then.)

Anyone else and this whole thing would be weird. Well, weirder than it already is.

See, you and Natty have this thing; this odd, cat and dog relationship that’s been going on since what feels like the dawn of time:

You’ve watched her shamelessly cycle through men faster than a teenager through a box of tissues, leaving a trail of broken hearts and broken cocks in her wake.

While she’s been forced to witness every time you’ve met ‘the one’, only to be there months later to help pick up the pieces when you’re burying your feelings in video games and alcohol and porn, wondering how it all went so wrong.

All this to say that seeing Natty bouncing around in her underwear with that laser-beam of a smile of hers; with all of her soft curves, thick thighs, her ridiculous ass and again, those immaculate fucking tits isn't that unusual.

In fact, it doesn't really do anything for you at all.

(Fucking liar.)

“Here, how about this.” Natty appears from the corner of the screen, having found a top that’s somehow made of even less material than the bra she’s already got on. The gall of her to ask, "Too much or not enough?"

You deadpan. “Does it come in adult sizes too?”

Natty grins, because she can read it right on your stupid face. She looks so, unbearably hot. Without even trying that hard. This bitch. “So just right, then.”

And then she twirls, leaving you to face her back, and before you even have time to blink, Natty’s bra has fallen down her shoulders; and you’re hating how you lean in to look because this damn app has no zoom feature to save your sorry eyesight.

Her fucking tits. Perfect, bouncy. Even through the pixels, even from behind, you can still see the way they spill.

She slips on her chosen top for the evening—a tiny, strappy number—and spins back around to face you in all her Natty glory. By the skin of your teeth, you’re looking away and leaning back, feigning nonchalance and leaving her none the wiser.

You think.

“You know,” Natty says, tilting to one side, hand on hip. Fuck, even that slightest movement makes them bounce. Utterly, utterly obscene. “You should just come tonight.”

You’re saying, “Fuck no,” before she’s even finished her sentence. ‘Coming tonight’ means ‘clubbing’, and ‘clubbing’ means being stuck listening to the shittiest music, surrounded by the worst people in all of Korea, drinking overpriced slop and watching Natty turn down a revolving door of douchebags on the dancefloor.

So, yeah.

If ‘fuck no’s’ were bricks, you’d be building the Great Wall of ‘Fuck No’, big enough for aliens on the other side of the galaxy to see with a fucking telescope and have their first contact with the human race be a giant ‘Fuck No’.

And that’s your polite way of turning her down.

Yet somehow, Natty’s hardly deterred.

“Come on, it’ll be fun,” Natty sing-songs, shuffling on her tiptoes, shifting her weight from foot to foot, making her entire body jiggle. It’s like she’s intentionally trying to sell you on the idea with every little movement. Make you believe that if you came with her, you’d be able to find someone who comes close to looking half as good as she does in that… whatever-the-fuck that is. Bralette? Crop top? Whatever. Fat chance. "Come on, come, come, come. Be my wingman please!"

You already have your second ‘fuck no’ queued up, but Natty just won’t stop fucking talking.

“Don’t you want to get laid? Don’t you think you need to have fun after what’s-her-name?” Natty continues, pouting at you through the screen.

And there it is, a study in how Natty usually gets her way—jutting out her bottom lip, digging her thumb into the waistband of her panties to expose just a smidge more skin, leaning just right to make her tits look like they’re about to pop out. It’s like she’s got a fucking manual.  

“Don’t tell me you’d rather stay at home with Handalf the Grey than come out with me and all my hot friends?”

“You mean having to clean up after all your ‘hot friends’ and their bullshit while you run off to score free drinks?” You retort, recalling all the other times when she managed to entice you out of your self-imposed isolation and into the deafening, sweaty hellhole known as a nightclub.

“Said hot friends that you’re too much of a pussy to hit on, mind you,” Natty chides, and then oh-so-casually decides to drop this nugget: "They all like you, you know, they'd be more than happy to break this dry spell of yours if you just asked. Don’t act like I haven’t seen the way you look at Julie."

You can feel your cheeks reddening. You’re not a teenager. You shouldn’t blush at this shit. But here you are, falling for Natty’s words and their magical abilities to needle at your insecurities and fill your head with thoughts of her friends and all their... well, incredibly positive attributes.

Natty pounces on your lapse in composure and gets closer to the camera, crouches. Drops down so she’s on her heels and all you can see in that tiny window of your phone is the red of her plush, plump lips.

“Come, you pussy—”

“Natty—”

“Do it pussy—”

“Natty, if you think that’s going to work—”

“Pussy, pussy, pussy—”

You’re yelling down the phone: “Fuck, fine!”

Natty’s victory dance is already in full swing before the words have even left your mouth. Bouncing around her room in pure joy at once again having ruined your evening. Dancing in that barely-there outfit, treating you to entirely sinful ripples across her curves and dips, pure sex on a pair of toned legs. Really makes you wonder how the fuck is she not illegal in at least fifty different countries.  

You hide your face in your hands, because there it is, the reason you’ve never really been able to deny her:

Her laughter, her energy, her fucking shameless glee whenever she manages to get her way (which, if you’re keeping count, is every single time).

She’s just so frustratingly adorable.

Somewhere in her celebrations, Natty finds exactly what she was looking for. Reaches down to the floor, picking up a belt—no, that’s another skirt—this one even tinier than the first.

“Oh, this is perfect,” she preens, holding it out to the camera (to you), before stepping right into it. She spins around, making it dance around her hips. It does wonders for her thighs. "How do I look?”

You swallow. “Like you’re going to get fucked tonight.”

The glint in Natty’s eyes. Like you’ve just served up the finest compliment on a silver platter. You feel sorry for whatever poor soul crosses her path tonight.

Natty winks. “Here’s to hoping.”

—

Guess what?

Turns out you were right: this is the worst place in the world.

Only, you’re the sole person here that seems to think that.

Hours have passed since you helped Natty look perfectly fuckable and you’re at the bar, trying and failing to get the attention of the bartender. Unfortunately, he, like every other male with a beating heart and a boner seems far more interested in Natty’s little dance routine than his thirsty clientele.

You can’t blame him, really. It’s built in how she moves.

Strobe lights cutting through the air like knives, slicing her into this series of absolutely pornographic snapshots as she dances. And she’s not alone, she has friends—beautiful, all of them, in their own ways. They spin and twirl around her; but Natty’s the sun here, the star that everything orbits.

(You included).

You see it play out—the Natty effect. Men, even women alike gravitate to her, drawn by that magnetic force that is Natty at her very best. Trying to get a dance, maybe whisper a line they stole from some movie in her ear, even dare to reach out to touch or press themselves up against her.

But she’s a black hole, a dark star. Can’t get too close.

One by one, they’re swallowed up by the void of Natty’s disinterest. The shoulders slump, the smiles falter, and the hope in their eyes dies as Natty, with a simple flick of her wrist sends them stumbling back into the crowd, forgotten almost immediately.

And the whole time she’s doing this, she’s got you in her line of sight. A wink here, a smile there, a dance on its own; and all you can do is nod and pretend like you’re okay with all this.

You inhale. Deeply.

Her outfit looks even tinier in person.

You turn away for just a moment, shaking off thoughts of Natty, of her hips and their sway and her winks and her smile; attempting (and failing) to flag down the bartender once more.

This fucking night.

But, when you look back, Natty’s no longer on the dancefloor.

She’s standing next to you. Arms looping around your neck.

“Natty—”

But she’s not listening. Her eyes are darting around the room, searching for something—or someone—that you can’t see. Your stomach clenches, because that look on Natty’s face? That’s not her usual I’m-about-to-make-some-poor-soul-my-bitch look. That’s something else entirely. That’s fear.

“Shut up, I need a favour,” she’s in your ear, yelling over the thrum of the bass that’s rattling your ribcage.

You lean in, bend down to meet her, because, frankly, you’re worried. You’ve never seen Natty like this, wide eyed and shaky. Never seen her be anything but comfortable.

You’ve also never been this close to her. Felt her breath hot against your neck, felt her body press up against you, felt her softness, felt her—

Fuck, you should be asking her what’s wrong, but before you can even do that, the bartender's filling two shot glasses and sliding them over to Natty.

She takes one. You take the other. It tastes lethal.

Natty’s nails dig into the back of your neck, and she looks at you, intense. Words fast and frantic. “Just pretend we’re together, okay? For a bit. Until I can figure this out. Just—just keep playing along, yeah?”

You blink. The room blurs around you. You think you might’ve misheard. “What?”

“Be my boyfriend,” she says, taking a second shot before you can even digest the first. “I need you. There’s some creep and I need you. Now, please?”

You turn immediately, scanning the floor, but the lights and shadows make it near impossible to make out anything other than vague shapes and strobes of colour, let alone pinpoint a face. "Natty, where is he, I can—"

"No, no, no," she cuts you off with a shake of her head. “Focus on me.”

“Wait, why do I have to—”

“Oh, shit there he is—”

And then she’s kissing you.

Ending whatever argument you may have had, because she’s grabbing, pulling you in, and her lips are on yours and oh fuck, she’s really, really kissing you.

It’s a slap to the face, and you need to reel in from the sting. Because you’re already forgetting what you’re doing, forgetting how your limbs work, because Natty’s putting on the performance of a lifetime and you’re having trouble keeping up.

Her hands are in your hair, yours at the small of her back, and she’s pulling you close, squishing against you and the taste of her—sweet like candy and sharp like vodka—filling you all the way up.

Your tongue catches up, flicking against hers, licking inside of her mouth and she’s even convincing you—as if she’s the one that’s always been into the love at first sight bullshit and you’re the non-believer.

And it’s a problem, how right this feels. Because this isn’t what friends do—definitely not Natty and you. But still, you can feel her tension, her need for this to be believable; and you don’t dare to fuck it all up.

So you kiss her back, because that’s what you do for Natty.

You always do what she needs.

You’re about to pull away; this should be enough to have every single person here convinced that you’re hers and she’s yours. But Natty’s already sliding her tongue back in your mouth, pleading, “Keep going,” the moment a gap opens between your lips; and you’re diving back into the kiss without a second thought.

And then you hear it.

A flash of a camera.

A cheer.

A whistle.

Julie, Haneul, Belle—Natty’s friends, staring at you like proud fairy godmothers witnessing their own magic at work.

You break the kiss. You look down at Natty.

She giggles.

You feel like a fucking idiot.

"There is no creep, is there?"

Natty shrugs, looks up at you, and she actually looks—what is this? Shy? Embarrassed?

"There could’ve been," she says, her eyes wide and innocent, a mask. You see through her like you should have when she first wrapped her arms around your neck.  Oh sure, like she’s ever been innocent for a second in her entire life.

She’s far too smug for that.

You roll your eyes. You feel like every other idiot that’s ever fallen for a bat of her lashes and a peek at her tits. Hope is a hell of a drug, especially when Natty’s the dealer. And yet, despite yourself, the corner of your mouth quirks up. "You're fucking insane."

“Maybe.” There’s a long pause. She’s staring at your mouth. She presses a finger to your sternum. “But I had to do something.”

It takes a second. What?

What does that mean?

You stare at Natty, lick your lips. Her taste still lingers.

“Ask yourself the same question I’ve been asking myself for months now,” she says, louder this time, her voice cutting through the noise of the club and hitting your ears with a sobering clarity.

You know what she’s going to say—what she’s going to ask before she’s even opened her mouth. You’ve been asking yourself the same thing too.

So, swallow hard, try to ignore the way Natty’s friends have gone quiet. Try to ignore Natty’s hand still resting against your chest, her eyes burning a hole right through you.

“Why haven’t we had sex yet?”

The blood’s rushing to your cheeks; the music's too loud, the lights too bright, and the room's suddenly spinning around you like a carousel.

Fucking embarrassing.

But Natty doesn’t crack a smile. She just looks up at you. Hopeful. Searching you, searching your eyes for an actual answer; and you already know what it is.

“Because, Natty, we’re friends.” You offer up a weak smile, hoping against hope that she’ll buy it.

But she shakes her head. “Oh, please. Like that’s ever stopped anyone before. Besides, if you want to put a label on it, call it whatever the fuck you want. I just know what I need. Do you?”

You sigh. She gets closer. And closer.

Until your nose is brushing hers. Until her breath is hot on your face, until your heart is racing so fast you can feel it in your ears. Until her hand is sliding down, down, down, until it’s resting over your pants and oh, oh no, you’re straining.

You gasp. She smirks.

“See? You want it too. And I know you do, because, sweetie, your cock’s practically begging me to pull it out and shove it between my tits right here in front of everyone.”

She just throws it out there, so casually, so bluntly, she might as well be talking about the weather. And maybe, maybe it’s the alcohol, or maybe it’s just Natty being Natty, but fuck you can’t do anything but stay frozen still.

You’re letting her hand linger. You’re letting her touch you like she’s got every right in the world. You’re letting her because there’s a part of you—the part that’s growing by the second—that wants to see just how far she’ll take this.

“So, what is the real reason, ba-by?”

Because you’re in love with her. You’re in love with her, and you can’t just have casual sex with someone you’re in love with because it will ruin you.

But you don’t say that. Instead, you just tell her: “Timing.”

That makes her laugh. Has her closing what little gap remained between your bodies, until her tits are flush against your chest, and you’re coming to the conclusion that, yes, you did help her pick out the perfect outfit for tonight.

Perfectly, hopelessly, fuckable.

“Well,” she says, and she’s pulling you back down again and shutting you up with yet another kiss. “We’ve got all the time in the world now, don’t we?”

—

You’ve been here before.

Many, many times before.

You installed the showerhead and fixed all the cabinets yourself. Even secured the lock that you’re now unlocking with the digits that you coded.

But somehow, it feels like a first.

First time you’ve kissed her in the back of a car, pushed your hand up her skirt, felt the heat of her against your fingertips. First time you’ve pinned her against the wall of an elevator, made her feel just how desperate you were for her against her thigh, made her promise to be so good for you when you got to her door.

First time being pulled through the threshold, hands at your chest, tearing your shirt off you before you’ve even stepped foot in her apartment. Had her smiling against your mouth, because she’s won, again, and you can’t even bother to argue because you’ve lost to her so many times now that this shouldn’t be so surprising.

What is surprising though is how you’re naked first.

"Terrible, terrible taste." Natty's clicking her tongue as your shoes, your shirt, your pants are scattered along the floor behind you. “We’ll have to fix that.”

And then she’s moving on, hands clawing down your stomach to land at the waistband of your underwear, hooking her thumbs in and yanking down. You’re so obviously hard—you’ve barely made any effort to hide it from her—fuck, you pretty much flagged down the taxi with it.

"Holy fuck," is the first thing out of Natty's mouth when she takes a hold of you, feeling the naked weight of you in her palm. "You’re really not messing around, are you? I was expecting—"

"A sad, lonely little thing," you finish for her, because you've heard it before. "Yeah, you like to mention it a lot."

But Natty’s not laughing now.

She’s just staring. Almost reverently. She decides, her voice a little raspy, tinted with an apprehension that you never knew she was capable of mustering, "I like it. It's... massive."

You lean in, pressing your mouth against hers because if she’s going to say that, you’re going to kiss her, again and again, and there’s a strong possibility you're never going to stop.

She whimpers, gasps into your mouth, says your name for the first time—not some nickname, not a jab or an insult. Just your name, in your ears, like it’s something sacred.

You’re not a saint. You can’t ignore that.

Your cock jumps in her hand, and as if on instinct, she strokes you.

It's slow, purposeful. She's too good at this. Knows the right pressure, where to twist and wind her wrist. How to sweep her thumb over the tip, smear pre-cum over your skin, and this entire time she's staring down at your cock like she's discovered something new.

“This is going to ruin me, isn't it?” she whispers, and you nod, because your voice is lodged in your throat and she’s stealing the air from your lungs. “Going to fit so fucking nicely inside me. Fuck it’s going to stretch me.”

You groan, collapse your weight into Natty, press your lips against the column of her throat.

Both hands now, one underneath, toying with your balls, balancing them in her fingers, and the other doing its best to squeeze, to pump, to make you fall for her with every stroke.

“I can’t wait to ride this,” Natty kisses these words into your cheek, your jaw, leaves these marks all over your collarbone. “I wonder if I can fit it down my throat. God, can you imagine what it’ll look like between my tits?”

And that makes your cock throb.

Because face it, Natty has always had a way of getting into your head; is far too dangerous with her words, and she’s all too willing to abuse this power she has over you to get you do what she wants, which is now, apparently, fucking her senseless.

You let her, let her build and build this pressure, let it coil inside you, tighter and tighter. Until the need to feel her, all of her, is too much to handle.

Until you grab her, take her by the shoulders, push her—not hard, but firmly—against the nearest wall.

You’re not gentle about it, because Natty doesn’t want gentle. She wants rough, she wants passionate, she wants to be fucked and have her cunt worshipped by way of complete ruin.

She’s told you as much.

"That's more like it," Natty bites into your ear, grips your shoulders. She follows your eyes. "Let me guess, my tits?"

So, maybe she has caught you looking once or twice. Either way, you don’t care much for her top anymore, it’s served its purpose. You take a fistful of it and pull, ripping it right off her and tossing it to the floor with everything else that’s kept the two of you from tearing each other apart.

“Better?” Natty poses for you, puts her tits on display—and yeah, you were right all along. Fucking immaculate.

You take a hold of one, palm it; fill your hand with flesh, twinge those dark, plump nipples, because of course you’re going to. You’re going to pinch and squeeze and suck on them. You’re going to mark her like she’s already done to you. Mark them, with your teeth, with your tongue. Fuck, you’re going to make them yours.

But for now, you're just going to slap them, because you want to watch them jiggle up close.

You laugh. Natty does too.

"Much better."

And with that, you’re back on her. Kisses that are sloppy, wet, and filled with all the pent-up want that's been simmering for months. You don’t even know where to begin with Natty, but you start with her mouth. It’s a good place. It’s always a good place with Natty.

Her hand doesn’t stop moving, can’t, won’t. The friction is heaven; you just let her touch you, fuck her hand while you indulge in her tits. Get to know the weight of them, the balance, the softness.

A sigh into your ear as your tongue finally finds her breasts, deep and messy, sliding over her nipple—she’s already so sensitive, just a flick and she’s gasping. You’re not even trying to be precise anymore, not that Natty needs it, not that she needs anything but for you to enjoy yourself against her.

It all makes the room seem smaller, the walls close, surrounding you with the scent—cinnamon and sweat and something else that’s just her.

“See this is why fucking me is such a great idea,” she slurs against your shoulder, hand tightening, stroking you harder, faster.

You mumble an affirmative into her breast. It’s a miracle you can still stand upright.

“Isn’t this so much better than like everything else? Anyone else?” She sighs, breathy, sweet sounds, as she takes you by the wrist, guides your hand southwards.

Fingertips graze her stomach, trace around her belly button and lower; until you’re digging into her skirt and feeling the heat rise off her skin. She’s soaked right through her panties, dripping with it. Another place for your tongue to land.

“We can just be fucking honest with each other,” Natty’s explaining, eyes tearing when your finger pads her clit, pressing down just right. “You already told me all the things you hate. All the things your bitch exes never let you do.” And she smiles, wicked. “Never had the tits to give you.”

Christ.

“And I can get you to fuck me exactly how I want with this big, fucking cock,” Natty finishes. "We’re a perfect fucking match."

It’s at that moment you find the zipper of her skirt, tugging it down, watching it fall to the feet. Leaving Natty to step out of the tiny scrap of fabric she calls her panties; abandoning the sticky mess of cotton.

You take a step back, unlatch your lips from her tits, because you need to see it. Need to finally see her, see your Natty, see the Natty you've never allowed yourself to look at.

So, take your time, drink her in—because the way she’s standing there, the way she’s touching herself now; biting her lip, sighing your name. All but saying, ‘Look all you want, but don’t you dare look away’.

Look at the arch of her neck, the red you’ve left there, that trail you’ve burned down to her tits. Bruised and swollen from your tongue, your kisses, and yet still not marked enough. Follow the curve of her hips; how they flare out from her waist, the plush squish of her ass cheeks against the wall behind her.

You want to kiss her, from the tips of her toes to the top of head; all of her, every part of her, because now she’s going to finally let you.

Because now you're going to fuck her until all she knows is you, going to make her scream your name, going to make her beg for you to fill her with your cock and cum and never ever leave her cunt empty again.

That’s the plan, anyway.

But Natty’s got plans of her own.

“Didn’t you say,” Natty begins, sighing, circling her cunt in a rhythm that you’re dying to recreate. She licks her lips. “That your last ex refused to suck that lovely, magnificent cock of yours?

"Yeah," you stammer, at a loss for breath at just the sight of it all. “And weren’t you trying to find someone to fuck your brains out?”

Natty’s eyes light up; and there's that easy, charming grin that knocks you right off your feet. "You’ve always been such a good listener."

—

Natty's plotting to ruin you.

It's the only possible explanation for the way she's looking at you right now—on her knees, at the foot of her bed, flanked by walls painted an ugly shade of pastel pink and Natty's tits, sandwiching your cock.

You’d imagined it, thought about it when you shouldn’t have been thinking about it. Whenever she brought you to watch her perform, whenever she sent you pictures of her outfit of the day. But your eyes always went there. Straight to Natty’s tits, every time.

You knew they were big.

You’ve felt them, on accident (though they don’t seem like accidents anymore).

But now, to have them enveloping your cock, drowning your shaft in their softness, and to have her, staring at your face with so much fucking excitement as she gives you everything you’ve ever wanted—it’s surreal.

You’re dying to paint them white.

“Looks like you’re already about to fall apart, baby,” she teases, and it’s even worse now that she’s calling you these sweet names, saying them like she’s always wanted to, like she’s finally letting herself. “Couldn’t wait, could you?”

“Fuck, Natty—” you breathe out, your hands finding her hair, tightening, because that’s all you can manage to do when Natty’s in control. Like she’s always been.

“Mmhmm,” she hums, keeping her eyes on you, making sure you’re watching, even as her tongue flicks out to taste you. A slow, taunting lick to make you buck your hips, desperate to feel the suction of her lips. “You must have been dreaming about this, huh?”

You don’t bother lying. She already knows the answer. “Every. Fucking. Night.”

Natty’s smile spreads across her face, and she rewards you with a kiss, pressing her lips down onto the head of your cock; before sliding them lower, eyes fluttering shut with the first taste of you. “Well, what took you so long? All you needed to do was show me your cock and I’d have been happy to do it whenever you want me to. Happy for you to use my tits as your cum rag. You know that, right?”

She moves; and the sight of it alone—Natty’s tits wrapped around your cock, bobbing up and down, hypnotising you with the flicker of her nipples—up and down, up and down. It’s merciless, unrelenting, and she keeps talking, keeps kissing these sweet little words into your cock that makes your hips jerk, trying to fuck her tits faster, harder.

"Look at how perfect you look," Natty keeps going, "how your cock fits so snug."

The sounds she’s tearing from your throat as her tits take you, and she’s barely even started.

“But we can do better, can’t we?”

Her pace picks up, and with it, the tightness of your grip on her hair. She’s pushing the ample mounds together, squeezing, putting her whole body into it, into this new art she’s pioneering. Driving you insane with just her breasts, making you swell between them, throbbing as she works you over.

“So big," she’s panting from just the effort, the bounce, bounce, bounce of it all, "I can feel you getting so much bigger."

Everything’s going too fast, her tits are too soft, her lips on you too hot, and she’s drooling, her spit dripping down onto your cock. You want to tell her to stop, that you can’t take it, but Natty just keeps going.

"Fuck,” Natty mewls, pinching her own nipples, for you, for her. Pinching and rolling them, making them nice and stiff and swollen. “Let me just try and—”

She cranes her head, bends; takes your cock deeper into the warm, wet heat of her mouth. Her tongue darts out licks your cock, gets that sweet spot on the underside, makes you shake underneath her.

Natty holds you there, even as you groan, even as your hips rise; just licks, spits, sucks. Her mouth moving up and down on you, making a mess down your shaft, down her tits. Taking you deeper, deeper, until you’re fucking her face.

She moans around you as your hips buck and you push deep, desperate for it. Her eyes water, her cheeks hollow, and she’s got you. You’re in her mouth and she’s loving it. Loving the power she has over you, loving giving you what she wants, loving how you’re pulling her by the hair, desperate to feed her more of your cock into her throat.

Like your entire relationship has been building up to this moment—to Natty’s tits wrapped around you, her mouth all over you, her eyes on yours, watching as you fuck her face.

"Fuck, Natty," you grunt, your voice barely recognisable. "What the fuck—"

But Natty's just smiling, you’re fucking that smug little smile on her lips, and she’s taunting you. "Come on baby, keep going, keep going."

It’s utterly obscene—the smack of her lips around your cock, her slobbering all over you, her gagging, her moaning around you, looking up at you and asking, “Is that all you’ve got?”

You're so close, so fucking close, and she knows it. Moving her tits faster, faster, and you're about to blow your load all over Natty's pretty face, her chest.

But she keeps talking.

Even as you stuff her cheeks, even as you muffle her, “None of those other skinny bitches could do this, could they, could handle this big, fat cock?”

Even as you force her down, pull her by the hair, “You’ve been so obsessed with my body, so obsessed with my tits, haven’t you?”

Even as her tits slide off you and your cock smacks her across her cheek, “I always saw the way you looked at them, fuck I was showing them off for you, you just took too fucking long to notice.”

She won't stop fucking talking.

You finally snap. "God, are you ever going to stop?"

But Natty just laughs, bats her lashes. Slides her tongue from your base to your tip. "Maybe you should find something to gag me with."

Your hand wraps around her throat, squeezing just enough to make her eyes go wide, to make her mouth pop open. She rolls out her tongue for you, and you know what she expects you to do, what she expects you to fill her mouth with.

But you don’t—instead, you fill it with your kiss.

It's deep, it’s bruising, it’s saying ‘fuck you’ in the sweetest way possible, without uttering a single syllable. Natty laughs against your mouth, a ‘fuck you’ right back with her teeth, biting down on your lower lip. Not breaking skin—not yet—but the promise is there.

Her hand leaves your cock to wrap around your neck, pulling you closer to her, her mouth eager for yours, and you don’t even think twice before you hoist her up, her legs wrapping around your waist. Giggling again—another sound that’s going to be your undoing—before you’re both stumbling back onto her bed.

The mattress dips under the weight of your bodies falling back into it. Natty straddles you, presses her cunt down onto your thighs. So wet you can feel it on your thigh, leaving your skin sticky and stained with her. Your hands move to her hips, dragging her closer, so you can feel the friction grinding against your cock, making you ache.

She breaks your kiss, gasping for air. Her eyes are dark, pupils blown wide—seeing her pant like this, it’s not even fair. She’s just so fucking beautiful, like a painting you’re afraid to touch because you might smudge it.

You tell her as much.

She blinks. Blushes.

Grins.

“You,” Natty breathes, her hand trailing down your chest, finding your heartbeat, resting there for a beat, two, “are so fucking in love with me.”

You don’t argue because she’s right.

Her hand slides up your arms, nails dig in and she’s got your wrists, pinning them over your head. You let her. Let her grind herself against your cock, feel the warm, wet heat of her cunt against the tip.

She takes her sweet time, melting herself into you, pressing her tits into your chest, and you can feel her heart racing against yours.

She whispers, “God, I’ve waited so fucking long for this.”

You can’t even form a coherent thought, so you just grunt.

“I’ve dreamt about this so much,” she continues, breathless words sending shivers down your spine. “Your cock, fuck, it’s just as perfect as I imagined. And now, it’s all mine.”

And then she does it—she sinks down onto you, slow and sweet, her pussy taking you in inch by glorious inch. You groan into her shoulder, your eyes shut as Natty’s tight heat surrounds you. It’s like nothing you’ve ever felt before; sure there’s been others but something about Natty’s cunt is so intense it’s almost painful.

“So tight,” you grit out, the words torn from your chest like they’re made of glass. She just laughs, low, sultry, and starts to move.

It’s a dance, a rhythm that’s been building between the two of you for what feels like an eternity. She’s rocking her hips back and forth in this torturous grind. Fucking you like it’s the last thing she’ll ever do, like she needs to make the most of it. Like you’re going to vanish into thin air the second she lets you go.

“I knew you’d feel this good,” Natty sighs into your neck, already surrendering to your cock. “Fuck, I knew it—why did you keep this from me?”

You can’t answer, not really.

You’re too lost in the feel of her, too consumed by the way she’s moving on top of you. Every inch of her body is pressed against yours, and she’s so warm, so alive, that you can’t think of anything but how Natty’s finally letting you in. How she’s letting you make her whole.

But it’s too much. Natty’s cunt, tight and wet, fucking you so slow it’s a fucking crime. Pinning you down, a butterfly on a board spread out, displayed, unable to do anything but take her sweet, sweet punishment. And she’s whispering it in your ear, grinding down, rolling her hips, “Fuck you. Fuck you for keeping this from me,” with every stroke.

She’s doing it on purpose, you’re sure of it. Driving you crazy, making you beg, making you want it more than you’ve ever wanted anything in your life. Your hips jerk up to meet her, trying to speed things up, to get that friction you need, but Natty just pushes down on your shoulders, keeping you in place.

So you tell her, "This is fucking torture."

Natty just smirks, her hips never stilling. "Is it?" she asks, as if this all isn’t intentional. Like she doesn’t have some grand plan to ensure you never forget the things her cunt can do to you. "Do something about it then."

So, you do.

It takes more effort than you’ll ever admit, but you break her grip on your wrists, grab her hips, and flip her over, sending her sprawling onto the bed, face down.

The squeal from her. It’s music.

How her eyes go wide when you treat her like a ragdoll, how her tits juggle and bounce, smacking the mattress. And when you push down into her, slamming your hips into her ass, how she arches back into you, her back bowing like a fucking violin.

“Yes!” She cries, fucking cheers into the mattress, like she’s been waiting for this—for you to have had enough of her shit and take her without asking. “Yes, yes, yes—”

You hover over her, throb inside her. "Is this what you fucking wanted?"

Natty sighs into the bedsheets, urging her hips against you, begging without words, begging for you to do more.

“You want it rough, baby?”

“Yeah,” Natty says, pushing back against you again, nodding immediately. “If you can.”

Still with the provocations, unable to resist pressing at your buttons.

You grab her hair, yank it back so she’s staring at you, force her to look at you. And you fuck her hard. Fuck her like you’ve wanted to since the first time she walked into your life and decided to make it all about her.

You fill her with deep, long strokes, fill the room with the smacks of your hips colliding against her, of your cock thrusting into her cunt again and again.

She claws at the sheets, trying to find purchase, trying to push back against you. But you’re too strong, too desperate.

You pound into her, impale her with your cock, watch her face twist in pleasure, in pain. You’re fucking her like you’re trying to break her, like she asked. Trying to solve her—how hard can she take it, how deep, how fast.

But Natty won’t give you an answer, she just takes it all—every inch, ever pump into her sopping wet cunt. Just grins and takes every bit of your need, your frustration. A bottomless pit of pleasure, begging for more with every whine, every little noise she makes that’s not quite a scream but is so close that it rattles your brain.

And when you finally let go of her hair, Natty’s licking her lips, and without even a care for what it does to you, she coaxes, “You can do better.”

You don’t know how she can talk right now, how she can even think with your cock so deep inside her, but something about the way she says it makes you want to test the limits of her ability to stay coherent.

But first, there’s the problem of her ass.

“Let’s see about that,” you murmur, dragging your hand down her spine, feeling the dip of her waist, the swell of her hips, and coming to a stop at her perfectly rounded ass. It’s a masterpiece, a work of art, and you’ve always had a bit of an artist’s soul.

You do what comes naturally.

A spank against Natty’s ass. Hard, hard enough to make her yelp.

Again—another slap, another yelp, louder, better.

You keep fucking her, keep spanking her, keep watching red bloom across her cheeks and Natty squirm underneath you. The whines get louder, her cunt gets wetter, but it’s still not enough to dull that smug look on her face.

“Fuck yes,” Natty gasps, raises her ass, presenting it to you like a trophy for you to claim. “I always knew you had it in you.”

You grab her hips harder, your knuckles white, your hand a blur as it connects with her ass. It’s so explicit, the sound of it in the quiet of Natty’s apartment—each spank echoing through the room like a gunshot.

But Natty just takes it, her body jolting with each hit, her cunt tensing and tightening around you.

“God, don’t fucking stop,” Natty sputters, tears of pained pleasure leaking from the corners of her eyes. “You’re using me so good.”

You lean down, kissing hard against her neck, branding her shoulder. You want her to feel you, to remember you. To not be able to ever feel remotely good again without first thinking of you.

"It's your fucking fault, Natty," you growl into her ear. "You drive me mad."

And she laughs, the sound vibrating through her body and going straight to your cock. "Good," she answers, "Good. Be mad. Be angry."

But you’re beyond that now, beyond the point of no return. All that you know is Natty’s cunt, Natty’s ass, Natty’s moans, and Natty’s grin that you’re aching to wipe off her face.

"Fucking hate me if you want," she’s saying, and she can’t seem to stop, "just don’t stop fucking—ah!”

You nearly stop when you realise you’ve finally done it. Finally left Natty out of breath, lost for words. A fucking miracle, really—the kind that makes you feel like a fucking god.

It doesn’t stop her cunt clenching around you, tight as a vice, because even now, Natty’s got some kind of death grip pussy, and she’s using it to fucking kill you.

You whisper in her ear, “You like that?”

Her only response is a breathy, needy little whine, so you spank her again.

And again.

Her cunt tightens. She’s close, so close. You can feel it.

“You like it when I use you, Natty?”

She nods, her eyes screwed shut, her mouth crying into the mattress, a mess of hair and sweat and utter bliss.

“Say it,” you demand, slapping her ass once more, watching as the pain ripples through her. “Say it.”

And Natty does, because she’s a good little whore, because she’s yours now. “Yes, yes, I like it when you use me, when you fuck me like this, when it’s only about you, your cock, your needs, your pleasure—”

God, it feels good to hear her say it, but you still want more than just words. You want her to fucking scream it.

You make the bed shake, knock the headboard against her wall, it’s a competition of what’s going to break first—the frame or her.

“This cunt. Your cunt. I’m going to use it. Fuck it whenever I want.”

But Natty catches you off guard, because that’s what Natty does best. She opens her eyes, looks right into yours, and suddenly she has her voice again: “Whenever I want. You’re going to fucking move in with me.”

You freeze. Your hand mid-spank. Your cock mid-thrust. It throws you entirely off, because, what the fuck?

"You're going to be my boyfriend now," Natty says, wrenching back control, fucking her ass back into you. Stating not asking, leaving no room for argument. "Move in with me, your place sucks anyway."

"You're out of your fucking mind," you start to protest, but she cuts you off with another squeeze of her cunt around you, and now she’s the one fucking you, her hips rolling back and forth in this maddening, sinful way that has you biting down on your tongue to keep from shouting.

"Move in and just fuck me every day," she says, all light and airy, like it’s already been decided, like moments ago you didn’t have her dead to rights. "Morning to night. It would be so fucking nice."

This is real, you know that for sure. It’s not just something she’s saying to get off, not another way to get under your skin. You know it in her voice, she’s deadly serious and suddenly your mind’s racing.

"Come on," Natty purrs, punctuating each word with a slap of her ass against your waist, "You know you want it, why fucking wait?"

She’s not wrong. It makes too much fucking sense to deny. And yet, part of you still can't believe it. That Natty, the girl who's had countless men at her feet, could have any man at her feet, actually wants you. That Natty is underneath you now, eyes glossed over with need, mouth swollen from your kisses, ass cheeks flushed crimson from your palm.

"I'll take such good care of you, baby," she says, unaware that she’s already completely won, unaware that her cunt already has you bending to her will. "Every day, every night.”

You can't help but nod. You're too consumed in her to do anything else. You just let go of everything. The fears, the doubt, the fucking logic.

And Natty says it, the three words that seal your fate—"I'll love you," she cries out, "I'll fucking love you forever if you just keep giving me this fucking cock."

It's like the world stops, like everything you've ever wanted is right there in front of you, wrapped up in Natty's tight fucking body.

You're so close, so fucking close, that you can almost taste it—the sweet release of your orgasm; giving in to Natty’s unbelievably sensational cunt sleeving your cock, pulsing with each thrust, desperate to milk you dry.

There’s nothing left to do but give Natty wants. Fuck her, hammer into her so hard that you’re going to fuck a Natty-shaped hole into the mattress, fucking shatter her bedframe, and then keep drilling her straight through the floor.

And she’s crying out your name, forgetting about everything that isn’t you, isn’t your cock, isn’t the dream of your cum filling her to the brim and spilling out of her cunt every single day for the rest of your fucking lives.

“Are you close, baby? Are you going to cum for me? Please, give it to me, I need it so bad, I need it now, because I'm about to, about to, about to—"

And then it happens.

Fucking destroys her.

It hits. A crescendo that peaks as you bottom out inside her, shaking her to the core. Her cunt spasms about you, her body rises off the bed as if you’re performing a fucking exorcism, and she screams your name so loud it’s only a matter of time before the neighbours come banging on her door.

"Oh my fucking god you—"

Natty gushes around your cock, juices running down your shaft, your balls, and she’s squirting. Oh god, she’s squirting all over the fucking place.

Natty’s body goes rigid, her back arching so much it’s like she’s trying to fold in half, crying, sputtering these words that don't even make sense—until you realise she's speaking an entirely different fucking language.

Not that it matters, because you can tell what she's saying, read it in her body, in the way she's spurting and making a big fucking mess beneath your bodies. Whatever she’s saying sounds utterly depraved, filthy and so, so good to your ears.

It keeps going and going, until she has enough sense to speak your language again, needing to make sure you hear it when she says—"fucking fill me, baby," she whimpers. "Give me everything, all your fucking cum."

And it’s your turn to be hit—like a fucking freight train.

You're cumming, hard and fast and out of fucking nowhere. Your balls tighten, your cock throbs, and you’re flooding Natty’s cunt.

It’s biological, in every cell of your body—like your entire being is coming undone, and the only thing holding you together is Natty, Natty, Natty.

Her body shaking beneath you, her cunt contracting around your cock as wave after wave of cum fills her up.

She’s so fucking tight, so fucking perfect, that you can feel every pulse of your orgasm, every drop of your cum spurting into her. You're not sure how long it lasts, how much you give her, but it’s enough to make your muscles shake, enough to knock the architecture right out of your limbs.

"So fucking good, so fucking good," Natty coos. "Fucking finally, finally filling me up so good."

Her moans a lullaby, sending shockwaves of pleasure through your body with every syllable. You lean down, burying your face in the crook of her neck, your every inhale and exhale ragged as you try to catch your breath. Still twitching inside her, still releasing the last of your cum, and Natty’s just lying there, her body limp, her eyes closed, basking in it all.

"So perfect," she keeps repeating, right up until the very end, “So, so, perfect.”

You collapse on top of her, just lie there shivering together, your face next to hers. She’s got this look on her face, a victorious glow, and you just have to accept it. Yeah, she’s won again, in devastatingly convincing fashion.

For a second, you’re both just that—spent, exhausted, entirely drained. Like you’ve just run a marathon. Or been in a fight. Or both.

Then Natty’s got the nerve to stir, to kiss your cheek with the tenderness of a whisper. Lips softer than you thought possible, given how hard she’s just been fucking you. And that’s it, the moment your body decides it’s had enough of playing dead, enough of lying there like a sack of potatoes.

You roll over, bringing Natty with you, her body curling into yours like she’s been made to fit there. Her head rests on your chest, her legs entwined with yours, and for a moment, you just hold her close.

It feels fucking right.

"Tomorrow," Natty sighs contentedly, her cheek finding home atop your heartbeat.

You blink. "Tomorrow?"

"Yeah, you're moving in tomorrow." Natty’s deciding for you already, setting the dynamic for the rest of your future. Doing all this with her eyes still shut as she snuggles closer to you. "I'll hire the movers."

You sigh, the weight of the world and Natty's body both feeling surprisingly light. You think about the next few days, the weeks, the years even, with Natty. The idea is so ludicrous, so absurd, that it feels like a fever dream.

But as you hold her, feel her warmth, her unabashed, blatant satisfaction, something inside you shifts. A reframing of the concept of Natty that you hold in your head. The thought of her naked body in your bed, her laughter in your living room, her mess in your kitchen—it doesn’t feel like an intrusion, it feels like home.

"Are you sure?" you ask. A little shaky, a little hopeful.

Natty opens one eye to look at you, a laugh playing on her lips. "Oh, you know I'm going to be the worst fucking roommate ever."

"Yeah, I can see that. But as long as you keep being the best fucking everything else..." Your words trail off into a whisper, your hand tracing idle patterns on her back.

And then she says it again.

"You’re so fucking in love with me."

Natty kisses you hard, deep, her tongue sliding against yours. And you know, you fucking know, that she's right. You are desperately, entirely, so fucking in love with her, and you wouldn't have it any other way.

You laugh, the sound a little desperate, a little wild, and roll her again, pin her down again. A strange feeling rushes through your mind. Like you’re going to be repeating this exact same motion for the next hundred years. And somehow, that doesn’t sound like the worst thought in the world.

Natty squeals, cheers, moans when you settle between her legs.

"Fuck you, Natty."

"Oh, baby," Natty giggles, reaching down between your legs, squeezing you. Once. Twice. Until you're filling her hand once more. "That's what I'm here for."

[kurooangel]

ᯓ lunch !

ft. suna rintaro, miya atsumu, bokuto kotaro.

content: smut, timeskip haikyuu, oral sex, fem reader. english isn't my first language.

wc: +0.3k ,, mastelist

suna rintaro likes to eat you, but he loves to watch you whimper under his foxy gaze. you know he is just teasing you, making your pussy crave for more while his tongue rubs against your dripping core. you can feel his smirk against you with every moan and gasp that leaves your mouth, how he lets go a low chuckle, just showing you that he's enjoying this a bit too much. he doesn't grab your thights, he just caresses them while he lazily kisses and licks your pussy for hours until you beg him to stop because you're too overstimulated.

miya atsumu eats you anytime he can. all he wants is to please you, and he loves watching how you moan and your walls squeezes around nothing as he rubs his tongue against you. of course, your pussy it's what he loves the most, and eat it is his favourite thing in this world. he just gets so pussydrunk. his mind go blank and his gaze fuzzy as he eagerly eats and tastes you because he just loves how you taste and how good your soft thights feel against his hard grip, also how they squeeze his head. sometimes, he even rubs his hips against the mattress because of how needy his hard dick is, but he doesn't care, he is addicted to how good you taste and he just want to make you feel good.

bokuto kotaro your pussy is on his daily diet. at least, that what he says. since he watched it on a tik tok, he buys pineapple so you eat it and your pussy tastes as sweet as possible. he thinks that it gives him luck and strength for his matches, because when he eats you, he always wins. he chuckles when you grab his hair and he moves his tongue even faster against you. he just loves hearing you and, of course, he needs his 'beautiful girlfriend's vitamins'. the MSBY black jackals future depends on how many times he eats your pussy.

don't forget to like + reblog and let me know what you think ! love yall ♡♡ tysm for the 90 followers!