#My dick's too big

[animatedtext]

requested by tree-nuts-stuff 

[rendevok]

Act I ~ The Prince

A tapestry for Let No One Sleep by @azalawa-scroggs on ao3

[cry-ptidd]

Father Anderson

[plistommy]

Steve takes Eddie’s virginity by riding the older boy after a long session of smoking and drinking inside the metalheads cramped van.

He’d praise Eddie on how good he’s making him feel, how big his dick is and how he’s so pretty under him that it makes Eddie moan loudly, strong hands roaming and squeezing the fat of Steve’s ass as he begs to fuck Steve harder.

”I need to fuck you, Steve- please, sweetheart-”

Steve would kiss him, sloppy and wet as he whines into Eddie’s mouth when the dick inside him hits just right.

When he pulls back, breathless, he picks up the pace and finally lets Eddie buck up to meet his thrusts.

Eddie would just look up at Steve, brown eyes wide and realize he’s so in love with the gorgeous boy on top of him and he never wants to let go. Never.

[erinwantstowrite]

ok ok ok last doodle for today but it was so important to me to draw these

[naivesilver]

I couldn't find a compilation with all my favorite scenes to show my friends so obviously I had to take the matter into my own hands

[methoughtsphantom]

halfas are the found family trope foster child

they all adopt each other. it’s the reason Vlad wanted so badly to have Danny as his son and the reason Danny immediately went with sure you’re my cousin now with Dani. it’s a survival mechanism from being so very few of their species. Sooo, halfa!Jason except he sorta isn’t yet cause Jason’s core is extremely ruptured from the lack of ectoplasm involved in his forceful resurrection. So when Danny finds Jason in his catatonic state he can’t quite tell the dude’s been dead and remains some, just that the guy for some reason seems very friend-shaped. Danny doesn’t mind his friend is braindead, and is also a john doe, he gives familiar vibes and that’s apparently enough for Danny to constantly find himself in the hospital doing his engineering homework on the room with the guy, and talking for hours about the updates on the absolute clusterfuck of the city and how he was from a freaking ghost town and he can almost even draw comparisons. he blabbers about how he’s not homesick enough times to even corner himself to talk about a ghost lore many times and how he’s just finding himself a little more prone to violence and in constant pain since none of the people he has adopted as his family are here with him and he can’t consider a place a lair if there’s isn’t someone of his in it.

But Danny could never drag someone with him just because of some it, after all it was Danny’s choice to come to Gotham to collage and not stay where at least his parents (good parents Jack and Maddie) were in Amity.

Ironically, Danny essentially can’t feel that his core has been spoon feeding ectoplasm to Jason. As months go on, the little ball of energy builds in anticipation practically vibrating in the waiting pulse of something (Danny doesn’t know but more often than not has he found himself laughing in happy confusion. it weirds him out in a good way) It’s really that he’s feeling the slow healing process of his friend (brother brother brother) ‘s core.Imagine it’s just about to properly, correctly heal when canon strikes back and Jason gets snatched by League assassins. Danny is left feeling like his core got torned out. His core had spend months helping another’s only to feel the other’s imprint and to not be able to protect it in return is— forget it being an obsession; thats like having your newborn baby being ripped out of your arms. An all assuaging feeling of helplessness that is devastating. Danny just beginning to feel like home lair when out of nowhere the rug is swept under him. Danny suddenly struggling to not flunk all his classes and beat every single liminal that he can feel crossing paths with him to the ground. Danny suddenly having his chronic pain (that hadn’t been so bad lately) dialed up to the point that there are just bearable and bad days.

The worse thing is he doesn’t know why.

Jason had only been a guy.

…

It’s only a three weeks before Jazz tells him she accepted a job offer in Gotham.

(and the guilt only makes him feel worse when he can feel himself feel better because of it)

…

now

whimsical time skip ✨

Danny is now on his feet again and friends with a Wayne of your choice (or maybe they were friends a little before Jay dissapeared and it was badTM cause Waynes? liminal 🥲) Danny definitely didn’t enjoy snapping off to his friend like that. anyways it’s been a year since that and he and his friend are having a grand time playing civvies, uhh let’s say dick because I want them to meet while ice skating, Also Dick because he definitely turns a blind eye when Danny goes airborne for a second there yep. He’s just having too much fun.

anyways as alwaysTM Danny doesn’t clock celebrities and like why would he, Dick is just the random guy who’s was fast to turn Danny’s slow day in the ice ring into a competition one day and brighten when Danny matched up his puns. So he totally doesn’t get why the guy’s so gloomy one day, anyways as you can figure, it’s Jason’s deathday and Dick is a deprecating bean, Danny tries to cheer him up by having him remember his brother instead and Dick attempts to, but even skipping through some photos in his phone make his eyes burn.

It is because of that that he doesn’t notice Danny absolutely freeze up at the photo of his friend Jay (Jay because he’s a John Doe, but that’s just too impersonal and so the first letter is J *wink wink*)

Danny absolutely doesn’t know what to do with this information, barely catches himself from asking Dick how did his brother die. Most importantly when because Danny just saw Jay—Jason less than a year ago, and this somehow doesn’t feel too recent.

Annd that how we find Danny digging into the Wayne second son tragedy. Staring at the date of death while the knowledge that they met almost six months after burns his forefront of his mind. Danny spends a day going over all the questions running through his mind over how the fuck he couldn’t sense Jay was a ghost—err was… in past tense?? what the fuck?? Danny would really like a refund on his ghost sense.

Anyways Danny goes check out the grave (now that he knows there is one) and boom although intangible he somehow triggers those shitty ass sensors/alarms that somehow didn’t go off when jason was literally digging himself out.

Obviously the bats get in the case immediately. And boy are they absolutely enraged that someone would steal Jason’s body.

[lilees]

let us never forget that Yin Nezha is canonically packing

[necrotic-nephilim]

jealousy really is the driving force of DamiTim as a ship. love that for them. love how Tim has the Robin mantle ripped away from him and he has to suffer the jealousy of watching Dick and Damian bond. how possessive over Dick Tim can be, to have him stolen by Dick.

even more so though, is the jealousy from Damian. how on earth do you cope when you finally get to be Robin, a role you've convinced is your birthright, and no one really likes you? every prefers the Robin who came before you? Dick regularly reminds you that he can always go and call Tim back when you act out? like the complex Damian has over Tim is unreal. Tim, who was born with a silver spoon in his mouth and had everything handed to him his whole life. he never had to struggle or fight for his place like Damian did. Damian has spent his whole life fighting and proving himself, and yet he can't ever seem to truly claw the mantle of Robin away from Tim. even when Tim lets it go, becomes Red Robin, they seem to share it. Tim can slip back into the role of Robin whenever someone like Dick or Bruce need him to, because *he's* the Robin who they need. he's the Robin who was able to find Bruce. he's the Robin that Ra's wants an heir out of. he's the Robin who even Jason respects. in Damian's eyes, everything Damian has fought tooth and nail for, was handed to Tim.

so of course he's going to react to Tim with violence and aggression, especially after finding out Tim has contingency plans for him. no matter how much Damian proves himself, he's never going to be enough, especially not to Tim. and so his deep refusal to see Tim as family, to acknowledge Tim's legacy is all driven by such an angry jealousy. Tim understands aspects of Bruce's legacy that Damian doesn't, like the need to sweet talk and play nice with the elites of Gotham, even if they're corrupt. they exemplify different aspects of Robin, and the aspects that Tim exemplifies are the aspects that Damian knows he'll never fully understand and therefore holds such a deep contempt for. he wants to fight criminals, not play nice with politicians. Tim understands the side of Gotham that's utterly foreign to Damian. if anything, he represents that side of Gotham, to Damian. a pretty little rich boy who's nothing but a know-it-all and not a real son of Bruce. he can't be a Wayne. he can't be Damian's family.

and all of that angry jealousy leading to unhealthy obsession turned a weird, angry crush from Damian is just my bread and butter. that is how DamiTim should be. to me. Damian obsessed over hating Tim Drake so much he accidentally ends up sort of in love with him and that only makes Damian angrier. because he can't prove everyone right by *also* liking Tim. he can't let Ra's win like that, because frankly why wouldn't Ra's be delighted by Damian and Tim getting together. and it builds and builds with angry passive aggression towards Tim that culminates in angry hate-fucking-that's-not-just-driven-by-hate. love and hate are always viewed as opposites in shipping and i think they're the same intense passion just in different directions. and for the best ships, they're very intertwined. what is DamiTim is not the peak of that. "i put so much of myself into hating you i had no choice but to fall in love with you somewhere along the way" core. love that bleeds into hate and hate that bleeds into love. "you make me so angry i regularly passively try to kill you but not with any real effort because who would i obsess over if you were actually gone" core. murder attempts as a form of courting. contingency plans to take each other out as a love language. they're unwell.

[allastoredeer]

One small gripe I have with some radioapple/radiostatic shippers who like bottom Alastor, which I don't see very often, is that they deliberately give him a really small dick while giving Vox or whoever else a MASSIVE one like they're using the logic that bottoms always have to be below average tiny just cause they don't use their dick for topping. (it's probably more of a problem for bottom Lucifer fans though)

It's why I appreciate it when people still give bottom Alastor the same size dick as his partner or a "bigger/slightly smaller than his partner" sized dick because he's NOT small by any means (that one official neon Alastor art is proof that he isn't)

Oh, I completely agree. I've always found that a little weird. Especially when its, like, comically small. I haven't seen it a lot of it in radioapple (probs cuz I've gotten most top!al and botton!luci out of my feed) but I have seen it in radiostatic. Not a lot, like you said, but it pops up from time to time.

Small dicks are fine, we don't shame small dicks here, but when its given to only bottoms (一_一) suspicious.

It makes me smile when bottoms have bigger dicks then their top. Just cuz they're hung like a horse doesn't mean they want to use it, and I respect that.

ALSO where is this neon Alastor art you speak of? Have I missed an official art drop? Send a link! Send a link!

[animatedtext]

[plistommy]

Steve begging for Robin to act like she’s buying a dildo for herself even though it’s for Steve - because he’s too nervous to by it - and it would be one the biggest fucking dildo’s Robin has ever set her eyes on.

”Why the hell do you need it to be this big?”

”It’s not that big.”

”Yes, it is, Steve! It’s… like the size of your wrist!”

”… I like big dicks okay!”

After she gags at him and makes Steve pout next to her with a ’you asked, Robin!’, she buys it and makes Steve pay for all of their dinners and give most of their shared tips from work to her for the next seven months.

[erinwantstowrite]

bear with me here because i'm gonna ramble about something i've been thinking about for a while... and i'm not complaining, i'm just noticing

sometimes i think we've leaned so far into the vigilante side of the batfam that we miss out on what really makes their characters: detective work. we need more mysteries in their lives that don't lead up to some big bad "we already know who's doing it" or an "end of the world" or "yet again: this fucking guy." we need more stuff where spy movie music plays in the background and dumb adventures that don't lead up to some huge grand event with a big name villain. the shock factor stops being shocking or interesting in any capacity if we're like "Gah! the Joker! ... Again!" or whatever

does that even make sense? like "yeah sure they're blowing up a building again and there's hostages. oh look they're gonna poison the water supply." these aren't bad and that's not what i'm getting at because obviously this is a classic for comics. you need to have characters/antagonists that show up more than once and who can make a story better by being in it. and i did say to bear with me- that's because im tired. so like i hope im getting this across the right way? it's just that sometimes i don't wanna see a huge explosion, i want these motherfuckers solving a regular murder or a disappearance or regular corruption in a local office without it being tied to a grand reveal like "actually this person knows you as a long lost relative" or "they were at that circus can you guess which night they went?" that kind of thing? if you get me? like... more of the small time stuff makes the big stuff important, it makes it stand out more. at some point, the format gets repetitive even if you're switching up the villains. you can make these situations/mysteries still fun to solve for the characters and fun to read for the audience if you do it right

the concept of a detective dressed as a bat and having a sidekick in traffic light colors is inherently goofy as hell??? but that is what is so charming about it??? i think we have lost the balance between them being silly while also being intelligent with important conversations that criticize the world as we see it and teach lessons and can go over dark topics. nowadays it's always end of the world problems or just straight up the most gruesome true crime you can think of?? or they can ONLY do the dark stuff and the criticism without offering a balance of the good in the world. or we keep coming back to the FUCKING JOKER-

like yes they are vigilantes and with that comes a different level of their work, but their brand should be a mix between a black and white detective film that can get very nitty gritty and a classic spy movie, that kind of thing. at the end of the day, it's what makes them so different from the superheroes. that's what appeals to me.

seeing them in the big superhero groups is fun, don't get me wrong. it's always funny to see them standing next to people who are so powerful they never really fit in with anyone but each other, who chose to step up and use their powers for good. the Bats' specialty is Gotham and yet here they are stopping a god or whatever. and they do stop the god or whatever, all the while being an important leader and strategist to their teammates. they're important to have in these cases. but if there's a world ending event every time i pick something up, it's not as fun

the fact that they are so very human and not fantastical is why i like reading them. it's what makes the joke of people, even Gotham citizens, theorizing about them being cryptids, funny. they're fucking weird but that's because they're detectives. people who love to solve mysteries usually have a fatal flaw of curiosity. they forget the bounds between social interactions sometimes because they're used to working through problems or being intertwined with partners that understand them. but they're very much human. so human that it hurts them in many ways. and idk i've just been thinking about it lately and idk what point i'm trying to get across actually

it's just that in my eyes that's how it really is for Batman- a black and white movie narrated by a very serious man who took up a job to help people, one that has a deeper commentary on the world and viewed outwardly as pessimistic but actually has a deep hope for his city and who tries to help even the people who have wronged others. He's a stationary man in the belief that him being a constant can serve to soothe others and help them move forward. He stays in the middle of the path so he can tell everyone what is up ahead. he blends into the Gotham rainy night to serve justice but in a way that saves both the victim and the perpetrator. (the way he tucks a Robin into his cape is the same he does for Gotham with his mere presence.) and his background is actually so important to his story and yet people still somehow gloss over the lesson from it? he lost his parents because of a man who was on the opposite end of the spectrum to where he was in life. and yet he chose to help the people like the man that killed his parents. he could have done anything else with his power and money, but he instead is choosing to bring as many people up with him as he can. He's Mr. Serious that no one else can get a read on. and yet he walks into a room and he's already piecing together your life and what you're going through because he thinks it matters. he comforts people who have lost something or someone or themselves. I picture Batman and I don't picture a man trying to save the world, I picture a detective walking around a crime scene and trying to save at least one person every time he puts on the cape. and he put on the cape and became a vigilante because then he could go out of the bounds of what laws have been set up- and specifically, Gotham has other people in power who are corrupt, keeping the system that way. that's why Batman being a billionare and throwing himself into helping people at the risk of his own life is so important. he knows that if you are alive, you have something or someone to lose, no matter who you are. the dude is a bleeding heart but he doesn't know how to express it, in fear that if he gets too close, if he moves down the path with them, he'll be lost again

and then he's met with someone who should be a complete opposite, but isn't at all, because they're two sides of the same coin. his partner in crime, his son, a boy that is nothing like the black and white world that he sees. and that's the point in his life where he first sees that potentially getting lost is worth the risk. Robin is color and passion that needs guidance to move forward, but can not do so unless the stationary man learns to move with him. the kid is loud and reckless and you'd think he's from a different genre from the detective but they aren't so different, really. not when you look close enough. Dick grew up moving from place to place and seeing the world, knowing so many different people from different cultures. He's been learning to fly and jump and embrace the free fall his entire life. He's clever and he's sharp, and he thrives in the action and adventure. it's that perspective that compliments the stationary man. one is steady and the other pushes. he's the same genre but a different generation. and Batman introducing him to the way of life he chose for himself was another way he could save someone. because let's be real for a second? Dick would have gone down a very dark path had he not had Bruce, who understood, who saw not just himself in the kid but also saw who the kid has been his entire life until now. he saw Dick's parents, he saw the family he had in the circus, he saw the joy he had in what his family was doing. he saw the grief and the fire and the color that Dick's world was made of. because to Bruce, it always matters. Dick had to come to terms with Bruce's perspective to help anyone who they come across, to always give more chances, and it kept Dick from losing his color

what gets me is that the man who lives in the black and white world can actually see many different shades of gray (because black and white always needs the medium), whereas the boy in a world of color and light can get so focused on the bright that he can become single minded. and yet the boy sees a world of color and delves deeper into the lives of the peolle they come across and can be much more open minded, and the man in the black and white world sometimes forgets the shades of grey are right there. they are just like each other. they can exist without the other, but do they want to? because the black and white can be built up into the colored image, like the inking and shadows drawn on a comic book page before the colors are added in. they meet in the middle to complete each other. Bruce has been passing the story over to the next generation for a long, long time, even before his story was complete. and just like with the first Robin, it was so for every Robin afterwards. they each color in the lines differently, but that's what makes Robin so special, so unique. they are an art style that branches into their own life, but can not forget where they started: tucked into Batman's cape and the inky black of his world

and so detective work really frames their hunanity to me. the mysteries they get their hands on, the glimpses into the lives of Gotham citizens that they swore to protect, it's fascinating. it's what makes their story stand out compared to the people who can lift trucks or cast spells or run around the world in seconds. so yeah ig that's what i'm trying to say? that i want to read more of that? in both canon and fanon. cause even the small time villains we see can be like. AWFUL people and it takes out the fun of their gimmicks. and if it were any other day this would be a more coherent post but alas, it is not any other day

[paperlignes]

- Ah, this is your wish? - This is my wish.

Bonus Guillermo:

[ijustthinkhesneat]

I guess I should put out a bat fam basic headcanon statement…..

Batfam Headcanon Baseline:

Alfred (69…nice)

-5’8

-British

-Is in possession of the coveted last brain cell

-Can and will kill for very little

-Despite having infinite shopping money for groceries he loves a bargain, coupon king

Bruce (35)

-6’4 (big boi)

-Italian (Southern Region) and Russian

-A brand of autistic that could be described with the word “grumch”

-In love with Clark

-Is a himbo AND a wet cat

Dick (21)

-5’10 (says he’s 6’0)

-Romani, Portuguese and French

-ADHD and joint hypermobility

-Pansexual menace

-Fashion ✨Icon✨

-Should quit being a cop and become a beauty guru

Cass (18)

-5’5

-Chinese

-L E S B I A N

-Selectively mute

-Does fake ASL around pretentious rich people, actually just Naruto ninjutsu signs

-Loves to grill a cheese

Jason (18)

-6’7 (Biiig Boi)

-Puerto Rican and Scottish

-A chef a connoisseur

-Hates Cops

-Bisexual/Greysexual (he’s not sex repulsed just not like that about it)

Tim (15)

-5’4 (pocket sized)

-Vietnamese and German

-Trans King 👑

-In a polycule with Kon and Bernard (maybe Bart too depends on the time of day)

-He was a sk8er boi

Duke (12)

-5’0 (A growing boy)

-Jamaican and Dominican

-The token straight

-Sleeper mario kart assassin

-Airdrops memes at galas to his siblings to see who will break first

Damian (7)

- 4’5 (he so tiny)

-Italian, Russian, Chinese and Arab

-Will ask if you have games on your phone

-Not allowed on the internet unless he is watching cat videos

-Also Autistic

[dorkfruit]

red sea but.... as yuris ?