#Music From And Inspired By The Original Motion Picture

[k-i-l-l-e-r-b-e-e-6-9]

Cradle Of Filth - Nymphetamine

[theintelligentfool]

hey! i'm still thinking a lot about the minecraft movie and how much potential there is to take the plot in just about any direction - i understand why it would be impractical at best to try and make a film adaptation of the fallen kingdom saga, but that would probably be my favorite...

all this to say: i would love to see other people's takes on potential plots! i think it's actually kind of a lovely way to capture different people's relationships to the game - so reblog this and add (on the post or in the tags) any ideas you feel strongly about? :0

[doyoulikethissong-poll]

Michael Sembello - Maniac 1983

"Maniac" is a song from the 1983 film Flashdance that was written by Dennis Matkosky and Michael Sembello. The original idea for the song came to Matkosky while watching a news report on a serial killer, which inspired gruesome lyrics that he and Sembello expanded upon after finding a 1980 horror film with the same name. When Flashdance director Adrian Lyne grew attached to the demo of the song used during filming, his music supervisor Phil Ramone requested lyrics more appropriate for their story of a dancer and worked with Sembello to produce a new version for the soundtrack. The new recording was used for a scene in which protagonist Alexandra Owens trains rigorously at home. After the film became a surprise success, a music video was made using scenes from the film and began airing on MTV in May 1983, coinciding with the release of the single. The song spent two weeks at number one on the Billboard Hot 100 and performed well in several countries. Because its video was shown extensively on MTV and Flashdance became the third highest-grossing film of 1983 in the US, Hollywood began to see music videos as a profitable way to market films.

"Maniac" earned Sembello Grammy nominations for Record of the Year and Best Pop Vocal Performance, Male, and a nomination with Matkosky for Song of the Year. As part of the Flashdance soundtrack, it gave them and all of the songwriters who contributed to the album the Grammy Award for Best Album of Original Score Written for a Motion Picture or a Television Special, and a nomination for Album of the Year. "Maniac" was nominated for the Academy Award and Golden Globe for Best Original Song, and the music video for "Maniac" was awarded Best Editing at Billboard magazine's Video Music Awards.

"Maniac" received a total of 90,3% yes votes!

[iluvmattsbeard]

what have you done to me? (c.s)

master list

chris sturniolo x reader

warnings: swearing

preview: you and Chris have been friends for a long time. everyone has teased how good of a couple you'd be. but Chris has always shot down the rumors. you never looked at him that way. but Chris on the other hand? he's been acting off.

a/n: I love mamma mia and obviously I love chris, so I have decided to write this inspired by one of the scenes from the movie. but with my twist of course. hope you enjoy!

you wake up with the light hitting your face from it peeking through the curtains. you rubbed your eyes as you grabbed your phone. to see a text from Nick.

nick

y/n wake up! you have to help us prepare for today!

you lay your head back smiling as you reply. today the triplets have planned a trip to the beach. inviting a bunch of people from school. it wasn't really your thing but Nick, Matt, and mostly Chris convinced you on going.

y/n

i'm sorry for waking up so late. I was up all night tossing and turning. i'll be there as soon as I finish getting ready!

you get out of bed as you walked over to your bathroom. you do your morning routine. brushing your teeth, washing your face, and you ended up shaving your legs. you don't remember the last time you've been to the beach. to be completely honest, you didn't even know how to swim.

you go to your closet as you scrummage through your drawers trying to find a swim suit. after a minute of searching, you find a flattering blue two piece where the top is strapless. you put it on as you stare at yourself in the mirror. it complimented your body very well. you smile a bit before putting on ripped shorts and a crocheted cover up top. you packed your tote bag with extra clothes. just in case you actually go in the water.

you pick up your phone wondering why Chris hasn't texted. he usually is the one texting and blowing up your phone. but he didn't today. "that's odd." you whisper to yourself.

Chris' POV

today I woke up with a thought in my head. which i've been having these past days. me and y/n have been friends for years. she practically looked at me and my brothers as her own siblings. but I couldn't push the thought out of my head. I could hear my heart pounding when I thought about it.

i put a pillow over my face as I laid there and sighed. Chris you're being delusional i said in my head. I took the pillow off my face and reached for my phone. I clicked on her contact, going to text her, but, I stop myself. I shake my head as I put my phone back down. I need to stop with the thoughts. she's my best friend. nothing more. despite what everybody says.

"Christopher! have you texted y/n? it's already 10 a.m!" nick yells out at me. "no I have not." I said stepping out my room. he looks at me while shaking his head, "why not? she has to help us out." he says grabbing his phone, "I have to do everything myself like always!" he continues on. Matt lets out a laugh as I roll my eyes walking to the bathroom.

End of Chris' POV

you grab your keys as you head out the door. you get into your car and buckle up pulling out your phone to connect your music. the triplets lived 10 minutes away so you texted the group chat saying you were on your way. you drive as you hum to the music playing.

Chris' POV

"she's on the way!" nick yells out practically jumping. "at least I'd finally get some help." he continues as Matt and I roll our eyes.

as time passes by, we hear the door bell ring. shit. it's her. Nick runs to the door and opens it with a big smile. "finally!" he screeches out. they both hug as I lock eyes with her. they pull away from each other and she walks up to me hugging me. "why haven't I heard from you?" she says curious. "I didn't have time to text. I was busy getting ready." I lie with a small smile. "Chris your hair is still a mess and you're in your pajamas. i'm pretty sure you're not ready." she says laughing.

i roll my eyes before replying, "whatever. you don't need to know everything." she smiles going to hug Matt. "so... what is the plan for right now?" she says grabbing a water from the fridge. "well we have to head to the store and buy a few things. I told everyone to bring whatever they want." Nick says. "then what are we doing standing around?" she says with a smile, "lets go!" she shouts happily. "wait! I'm not ready." I say. "then go Christopher!" Nick shouts at me. Matt and y/n laugh at Nick's words. I ran to my room and got ready.

End of Chris' POV

as you guys waited for Chris to finish up, you sat on their counter thinking. why did he lie? a very obvious lie. he's acting so strange. he couldn't even keep eye contact with you. you shrugged it off. it bothered you because he was your best friend and you wanted him to tell you everything. Chris finally finishes getting ready and you guys put your shoes on heading out the door.

you all take the mini van with Matt driving, Nick in the passenger seat, and you in the backseat with Chris. you all buckle up as you hear Nick speak, "here we go!" you giggle at his enthusiasm. as Matt starts driving, you glance at Chris trying to read his face. he was too busy on his phone. he looked normal even though his actions said other wise.

you guys finally arrived at the store. you guys get out of the car, walking inside. you see Nick gasp right away. "fruit platter!" he exclaims. showing you guys, holding it like a prize. you laugh as Chris joins. "nobody wants a fruit platter Nick. come on, head towards the chips aisle." Matt says, walking past Nick grabbing him by the shirt lightly. Nick pouts jokingly. you hold in a laugh. you all follow along. you guys grabbed a few bags of chips and grabbed some candy, along with some cans of soda. Pepsi, Dr pepper, and Sprite.

Nick ended up paying for everything. “thank you for helping me carry these bags y/n. since these two couldn’t do it” Nick says in a sarcastic tone. “didn’t seem like you needed help.” Chris says as you giggle at the response. “yeah no problem Nick.” you say with a smile, putting the bags in the back seat, in between you and Chris. after the store, you guys finally start heading to the beach. it was already close to 1 p.m.

y/n's POV

the car ride wasn't mostly quiet. the only thing quiet was between me and Chris. usually, he's the one talking the most, being the loudest. but he was so glued to his screen not even looking at me. it's starting to worry me. I decided to tap him, but by the time he looks at me, the car stops and Matt says, "we're here!" I turned to look out the window, "oh wow. looks like we're late to our own party." I say looking at the group of people messing around. there was people dancing to music, people in the ocean, and a group of people just sitting around talking. i went to turn back to Chris but he already was in the middle of getting out the car. i sighed as i got out myself. Matt and Chris carried all the bags because they were told to by Nick since they didn’t help at the store. we all walk up to a free spot. i unfold the blanket from my tote bag and lay it out. Matt and Chris lay down the bags on top of it. “i’m going to go greet people!” Nick says with a big smile as he walks off with Matt. Chris looks at me, “you okay staying here?” he says. i nod with him nodding back walking away to a group. I stand there looking around as I see one of my friends come up to me. Grayson. he was tall and muscular. i'm not going to lie, I find him quite attractive but, it wasn't anything more. "hello y/n" he says flashing a smile at me. “hello grayson” i reply with a smile. we decided to talk while he passes me a drink. “what is this?” i ask swirling the cup looking into it. “beer” he responds. but before he answers i was in the middle of taking a sip. i swallowed making a bitter face. he takes the cup away from me, “okay not your thing i see.” he says letting out a chuckle.

we both laugh together as he asks me if i want to walk around. i nod and we stand side by side just chatting. “i never see you at these type of things.” he says. “well because it’s not my type of scene. i’m only here because of the triplets.” i respond with a smile. he smiles nodding, “oh yeah. you guys are pretty close.” “yup” i say.

Chris' POV

as I was talking to a group buddies from my lacrosse team, I couldn't help but catch something with my eyes. there she was. y/n talking to Grayson. usually it didn't bother me but with the thoughts i've been having? I couldn't help but feel something. I wasn't the jealous type or the possessive type. so this was new.

i continue to take glances at them talking. glances until in a second my eyes stayed on them longer as I see y/n take off her cover up and her shorts. I tense up poking my tongue to the inside of the side of my mouth. I couldn't even look at her because I was too busy looking at Grayson look at her up and down. it infuriated me. something inside of me almost walked over there but my thoughts were interrupted by one of my team mates, "you staring won't stop them from talking Chris." he says. I roll my eyes as I just continue to sip my drink as the rest of the team laughs.

Y/n's POV

"let's get in the ocean?" Grayson says while holding his hand out. I looked at his hand and then at the ocean. “uh i don’t know. i wasn’t really planning on it.” i say trying to make an excuse. I don't know how to swim. but I didn’t want to blurt that out there. I looked at Grayson and he responds, “come on. it’s better than standing around. plus you have a bathing suit on. clearly you were going to go in.” I grabbed his hand, “okay fine but only my feet.” i say with a smile. he smiles back as he drags me closer to the water.

Chris's POV

i put my drink down as I see y/n and Grayson walk towards the water. holding hands. was she trying to drive me insane? she probably doesn’t even know what she’s doing. i mean i have been trying to avoid her today. which was stupid of me because maybe if i just talked to her she would be holding my hand. not his. it was getting harder to keep my composure. why am i being like this?

End of Chris' POV

as you and Grayson make it to the water, you let out a small yelp when your feet submerges. it was freezing. Grayson lets out a small laugh when he sees your face. as you both stand there you spoke up, "it's really cold" you let out a nervous laugh. “there’s only one way to get rid of the cold.” he says. “which is what?” you respond curiously. “by getting all the way in with no thought!” he says. next thing you know, Grayson carries you by the waist and runs with you more towards the water. you let out a playful scream. which catches Chris' attention. you hit Grayson's arms softly asking him to let you down laughing. Chris had enough. Chris walks towards the both of you and shouts, "put her down!" you and Grayson whip your head around towards Chris standing there clearly bothered. "Chris?" you say as Grayson puts you down, "what's your problem?" you continue.

"does he know you can't swim?" he says. “well no he doesn’t.” you respond with a nervous laugh. “well i don’t want to be the one having to save you so…” holding his hand out, "come on." he says seriously. Grayson steps forward a bit, "dude she's just trying to have fun." he says but Chris ignores him waiting for you to grab his hand, "lets go y/n." Chris says. but before you say anything, Chris just grabs your arm pulling you away from the muscular boy walking the both of you away from everyone.

"Chris!" you yelp as you try to get out from his grip. "let go of me!" he listens and lets you go. he's avoiding eye contact. "what is your problem?!" you say in a frustrated tone. "you barely talk to me all morning and now you want to get in between me having fun?"

"fun?" he says with a scoff, "wouldn't have been fun if I were to run into the ocean saving you if his dumb ass continued to push you more in the deep end." you scoff, "that would've been my choice! i wouldn’t need your help." you say.

Chris' POV

she can't be serious. she's mad at me for just trying to be a good friend? even though my reason for dragging her away from the situation was just because it was making me angry staring at them. because it should’ve been me and her laughing and having fun.

"answer me Chris" she says, snapping me back into the moment. "look, the truth is I couldn't stand it. I couldn't take it anymore." I stepped closer to her, "I don't know what's happening.. but you did something to me. I don't fall easily and you know this. when you're not near, I get this sudden urge of yearn. when I saw you with him? I couldn't keep watching you waste your emotions on some stupid idiot who clearly doesn't know you. this is all new to me and i’m confused. confused why all of the sudden i feel like this. but it’s you! you are making me like this. so me seeing you with him? was enough for me.” I practically shout. my heart was beating fast. anticipating for her response. she looks away and lets out a small sigh but I decided to hold her cheek making her look into my eyes. “i’m sorry i didn’t tell you sooner. i was just trying to figure this all out.” i say.

"Chris..." she whispers putting her hand on my cheek as well. before she had the chance to say anything else, I pulled her in and kissed her softly but passionately. she wraps her arms around my neck kissing back. I pull away as I rub her cheek softly, “so what are you trying to say exactly Chris?” she says with a smile. all i could do was let out a nervous laugh and respond, “what i’m trying to say is… you’re my best friend and i love you. i love you more than just a best friend.” and next thing you know she jumps on me wrapping her legs and arms around me hugging me. she giggles, "i love you too Chris." she exclaims happily. I smile pulling her back in for another kiss. this is the happiest i've been. all the worries and fears left my body as soon as she laid all her love on me.

our kiss was interrupted by a familiar voice, "finally!" we pull away to see Nick shout. me and y/n looked at each other laughing as I kiss her again. feelings butterflies in my stomach. oh what have you done to me y/n?

a/n: if you get to the end where you can read this, thank you for taking the time to read! likes and reblogs are highly appreciated! leave a follow if you like my content! I will continue to upload more imagines and post random shit about the triplets. I can't wait to write more like this. make sure to check my master list. I will try to upload as much as I can!

[sparklingcid3r]

Do you have headcanons for the Curtis parents

HELL yeah i do‼️ a lot of these are inspired by my own childhood bc i got nostalgic😭

- I’m gonna call Mrs. Curtis Josephine because I saw it once and ran with it, also it’s not fair we don’t know her name :(

- But in my head, Josephine accidentally got pregnant in her senior year to Darrel Sr., who’d already dropped out of high school, and they decided to keep the baby, and Josephine ended up dropping out

- Josephine’s parents were furious over the situation, both her dropping out and getting pregnant to someone like Darrel. They kicked her out of the house

- Darrel worked like hell to provide for her and his own family put up money for them to try and help, but it wasn’t much. Despite that, they were happy

- Shotgun wedding! Not a big thing or anything, Josephine wore her patchy homecoming dress and Darrel’s mom sewed up one of her husband’s suits for him, and it was a quiet affair

- Darry lowkey tricked them into thinking parenting would be easy because he wasn’t a crier even when he was born. He was well-behaved and didn’t cause them that much stress. Like he still cried but not nearly as much as a normal baby would. It was a little nerve wracking as they wondered if something was wrong with him or if this whole parenting thing was easy asl

- Uh yeah so then Soda was born

- Josephine had bad post partem depression after Soda where she couldn’t spend a lot of time with Soda and kind of used Darry as a crutch, spending more time with him as a result was Darrel spent more time with Soda. I imagine this being the reason Soda took on more of his dad’s mannerisms while Darry took his mom’s

- Slowly Josephine started coming around, but it was still hard. She spent as much time as she could handle with Soda, but Darrel always told her not to pressure herself and that she just needed to give it time, but he was anxious about the situation too

- Darry was actually the one who coined Pony’s name. When Josephine was pregnant with him, she let Darry and Soda touch her stomach and feel for him, and Darry said he kicked like a pony and Darrel and Josephine looked at each other like 👁️👄👁️☝️

- Originally it was just going to be Pony, but Darrel started saying “How’s our Ponykid doing in there?” and so when he was born and they found out he was a he, Josephine switched it because she didn’t want him to be called a kid his whole life

- Josephine was the cook of the family, but some days Darrel would make pancakes for the family while Josephine would make faces out of syrup and fruit for the boys

- Same with the grill, Darrel would ask for everyone’s order: burger, cheeseburger, hotdog, and Josephine would help them making faces and (not very good) pictures with the ketchup

- Darrel always woke the boys up saying “Time to make the donuts!” and while Darry and Soda knew what that meant, it took Pony a little longer to stop getting disappointed when there weren’t any donuts waiting for them in the kitchen

- Josephine was the one who tucked the boys in, but Darrel usually came in a few minutes later to say goodnight to them as well, and if he hadn’t shaved that morning he’d rub his face against theirs without them expecting it and hurt like a mf, Soda swore he’d always be clean-shaven

- Even though they didn’t call him Superman, Darrel was the one they all associated Superman with. Before closing their doors at night, he’d always do the motion of ripping his shirt across the middle as if to reveal the logo on his chest, so Pony calling Darry Superman meant more to Darry than he ever wants to admit

- Josephine was always singing or humming, just making music. When she was cooking, cleaning, doing the laundry, music was always going in the Curtis home. I’m pretty sure in the movie there’s a piano in the house, and it absolutely belonged to Josephine. She tried to teach all three of her kids how to play, but Darry was the only one who really took to it

- Josephine could have died from joy hearing Pony and Soda singing Andy Williams and Hal David off key while Darry stumbled through a song on the piano

totally feel like i could go on about this family, they mean so much to me🙏

[disneytva]

"An Almost Christmas Story" New Disney Television Animation Animated Holiday Stop-Motion Short Directed By David Lowery And Produced By Academy Award-Winner Alfonso Cuarón, Coming To Disney+ This November.

Disney Branded Television announced a new Disney Television Animation animated stop-motion short film “An Almost Christmas Story” slated for a November release date on Disney+.

The musical short produced by Disney Branded Television, Disney Television Animation and Cuarón’s Esperanto Filmoj, in association with Titmouse and Maere Studios, and with animation services by 88 Pictures. "An Almost Christmas Story" is the first original short from Disney Television Animation since "Hamburger High" (2016). It joins Disney TVA's roster of stop-motion projects ("Mickey Mouse and the Magical Snowy Holiday", "Mickey Saves Christmas", "Mickey And Friends: Trick or Treats", Mickey's Christmas Tales" and "Rhona Who Lives By The River")

The celebrated creative team includes David Lowery (director, screenplay and producer), Cuarón (producer and story), Gabriela Rodríguez (producer), Jack Thorne (story and screenplay), Nicholas Ashe Bateman (creative designer) and Daniel Hart (composer).

 "An Almost Christmas Story" follows Moon, a curious young owl who unexpectedly finds himself stuck in a Christmas tree destined for Rockefeller Plaza. In his attempts to escape the bustling city, Moon befriends a lost young girl named Luna. Together, they embark on a heartwarming adventure, discovering the magic of the holiday season and forming an unlikely bond as they journey back home to their parents. “An Almost Christmas Story” is inspired by the true events of a tiny owl, Rocky - short for Rockefeller, found and rescued from the Rockefeller Center Christmas tree in 2020.

An Almost Christmas Story features the voice talents of Cary Christopher (FX "American Horror Story") as Moon, newcomer Estella Madrigal as “Luna,” Jim Gaffigan (Pixar Animation Studios "Luca") as “Papa Owl, Mamoudou Athie (Pixar Animation Studios "Elemental") as Pelly, Alex Ross Perry (Walt Disney Studios "Christopher Robin") as Dave The Dog, Gianna Joseph ("Star Trek Into Darkness") as Peaky, Phil Rosenthal ("Everybody Loves Raymond") as Punt, Natasha Lyonne (Cartoon Network Studios "Steven Universe" franchise) as Pat and John C. Reilly (Walt Disney Animation Studios "Wreck It Ralph" franchise) as The Folk Singer.

An Almost Christmas Story features a live orchestra score by Daniel Hart (Walt Disney Studios "Peter Pan & Wendy"), the short features 2 brand new original songs by John C. Reilly.

An original album featuring the songs and score of the short by Walt Disney Records will release on November 2024.

[themousefromfantasyland]

A Fairy Tale Rabbit Hole

Snow White and the Seven Dwarfs is the movie that it started it all for Disney Animation and it's the most influential fairy tale movie ever. Its tropes and its tone still inspires fairy tale media to this day, either as parodies, or homages.

But what less people know is that Walt Disney was inspired to make this movie because of a peculiar silent movie that he watched when he was a teenager.

That movie was Snow White from 1916. Its writer, Winthrop Ames, adapted it from his own Broadway play. An example of American fairy tale theater.

This kept me thinking.

The Wizard of Oz is one of the most iconic fantasy films of all time, and it was made in direct response to Snow White. What people don't know is that the scene where Glinda saves the gang from the deadly poppies with a snowstorm came straight from a fairy tale musical from 1902. It came from The Wizard of Oz, a fairy tale musical "extravaganza", with direct input from L. Frank Baum, only two years after the original novel.

Actually, stage musicals seem to take a slight part in the creation of Oz. The Marvellous Land of Oz, the sequel, seems to be inspired by this stage culture. General Jinjur and her army dresses like chorus girls, Ozma/Tip may be inspired by the crossdressing in children roles, and this was the book's dedication:

"To those excellent good fellows and comedians David C. Montgomery and Frank A. Stone whose clever personations of the Tin Woodman and the Scarecrow have delighted thousands of children throughout the land, this book is gratefully dedicated by THE AUTHOR"

These were actors of the 1902 stage show.

Two years later, on 1904 Peter and Wendy premiered. This play is also one of the most famous children stories ever. Walt Disney himself acted as Peter in a local production of it and Tinkerbell quickly became a mascot for the studio.

This all led me to think more about fairy tale theater specifically.

Since the ending of the 18th century and through the 19th century, a genre of stage show developed through Europe. It was mostly comedic and light-hearted, mainly inspired by fairy tales, and it was geared towards children and families. It involved lavish fantasy spectacles told through operas, ballets, and what we today would call "musical theater".

It had many different names and variations depending on the country.

On England, it evolved through the pantomimes and it became a Christmas tradition.

In Russian, it was mainly through ballet, called the ballet-féerie, often considered a lower-class, more commercialized entertainment than traditional ballet. Tchaikovsky's Sleeping Beauty and The Nutcracker are among some of them. Sleeping Beauty would later inspire Disney's telling of the story.

In France they were called Féerie, and it was a mix of music, dancing, pantomime, acrobatics, and stage effects. It influenced the development of burlesque, musical comedy and film.

From Wikipedia:

With his 1899 film version of Cinderella, Georges Méliès brought the féerie into the newly developing world of motion pictures. The féerie quickly became one of film's most popular and lavishly mounted genres in the early years of the twentieth century, with such pioneers as Edwin S. Porter, Cecil Hepworth, Ferdinand Zecca, and Albert Capellani contributing fairy-tale adaptations in the féerie style or filming versions of popular stage féeries like Le Pied de mouton, Les Sept Châteaux du diable, and La Biche au bois. The leader in the genre, however, remained Méliès,[37] who designed many of his major films as féeries and whose work as a whole is intensely suffused with the genre's influence.[38]

Once you realize a huge chunk of fairy tale media has roots in family friendly stage shows from 19th century, a lot of it started making sense.

The focus on romance, the focus on damsels in distress, prevalence of lighter tones, the everlasting connection to music and dance.

They may be the main reason why some fairy tales are more famous than others. Some became source material for a continuous stream of operas, operettas, musical extravaganzas, ballets, plays, and others simply not.

And besides the Victorian Era storybooks that bowdlerized fairy tales for children, I think this whole genre of the theater was responsible to firmly establish fairy tales as a child friendly media, decades before Disney ever released Snow White to cash in that nostalgia.

If you have something to add or if I just got something wrong, feel free to correct me.

@ariel-seagull-wings @princesssarisa @adarkrainbow @the-blue-fairie @theancientvaleofsoulmaking @natache @tamisdava2 @thealmightyemprex

[clairedaring]

Netflix Thai Original Line-up Information

(updated as of January 2024)

2024

1. Ready, Set, Love (Series)

Release: February 15, 2024

Summary: In a parallel universe, female newborns vastly outnumber their male counterparts due to an inexplicable pandemic. As men become rarer, they are hailed as “national treasures,” and women must win their affections in a government-sponsored competition called “Ready, Set, Love.” An ordinary young woman named Day is unexpectedly accepted into the competition where she meets Son, the most popular guy, and sparks fly. Together they uncover a conspiracy operating beneath the surface, which threatens their love and the world they have come to know.

Director: Yanyong Kuruangkura

Writer: Rangsima Akarawiwat, Phuwanit Pholdee

Producer: Anuthida Silanarong

Production Partner: Get More Film Plus

Cast: Blue Pongtiwat, Belle Kemisara, Lily Nichapalak, Man Trisanu

2. The Believers (Series)

Release: March 27, 2024

Summary: Three young and ambitious entrepreneurs must find a way to repay a mountain of debt from their failed startup, when they stumble upon an unthinkable “business” opportunity — exploiting people’s beliefs in religion for money.

Director: Wattanapong Wongwan

Writer: Aummaraporn Phandintong, Watcharapol Paksri Asamaporn Samakphan, Perapat Rukngam, Jiraporn Sae-lee

Producer: Chanajai Tonsaithong, Somprasong Srikrajang

Production Partner: Joy Luck Club Film House, Deluxe Production

Cast: James Teeradon, Peach Pachara Chirathivat, Ally Achiraya

3. Doctor Climax (Series)

Release: May 2024

Summary: In the late ‘70s when sex talk is still taboo, the life of a straitlaced skin doctor and specialist in venereal diseases is turned upside down when he starts moonlighting as a sex columnist under the pseudonym “Doctor Climax.

Creator: Ekachai Uekrongtham

Director: Kongdej Jaturanrasmee, Pairach Khumwan

Writer: Kongdej Jaturanrasmee, Tinnapat Banyatpiyaphoj

Executive Producer: Ekachai Uekrongtham

Production Partner: GMM Studios International

Cast: Ter Chantavit, Goy Arachaporn, Praew Chermawee, Ton Tonhon Tantivejakul, Tob Chaiwat

4. Terror Tuesday: Extreme (Series)

Release: TBA

Summary: A collection of haunting hit stories inspired by the “Angkhan Khlumpong (Terror Tuesday)” radio program with terrorizing twists and turns that are dialed up to the extreme.

Director: Prin Keeratiratanalak, Abhichoke Chandrasen, Prueksa Amaruji, Chayan Laoyodtrakool, Surapong Ploensang, Chookiat Sakveerakul, Eakasit Thairaat, Alisa Pien

Writer: Prin Keeratiratanalak, Abhichoke Chandrasen, Prueksa Amaruji, Kasidej Sundararjun, Pun Homchuen, Onusa Donsawai, Chookiat Sakveerakul, Thanamas Dhalerngsuk, Eakasit Thairaat, Kanokphan Ornrattanasakul

Producer: Chartchai Worapiankul, Genwaii Thongdeenok, Duangkamol Wongpratoom, Chayamporn Taeratanachai, Chuyot Mueagyot

Production Partner: ATIME, BrandThink Cinema

Cast: Nat Kitcharit, Piglet Charada, Gee Sutthirak, Smile Parada, Earn Pattaravadee, Cherprang Areekul, Music Praewa Suthamphong, Rujira Chuaykua, Not Vorarit, Praew Narupornkamol, Poon Mitpakdee, Care Panisara, Tonhorm Sakuntala, Pat Chayanit, Point Cholawit, Bee Namthip, Sydney Supitcha, Kachapa Tonjaroen, Nina

Yarinda

5. Master of the House (Series)

Release: TBA

Summary: When a diamond tycoon dies mysteriously, a cutthroat battle over his estate erupts between his ruthless heirs and the housemaid whom their father recently married.

Director: Sivaroj Kongsakul

Writer: Nut Nualpang, Weerasu Worrapot, Vatanyu Ingkavivat, Sita Likitvanichkul, Athimes Arunrojangkul

Executive Producer: Kulp Kaljareuk

Production Partner: Kantana Motion Pictures

Cast: Yada Narilya, Bie Teerapong, Chai Chartayodom, Gap Thanavate, Nus Nusba, Claudia Chakrabandhu

6. Don’t Come Home (Series)

Release: TBA (Series)

Summary: A mother and her young daughter flee to their family’s abandoned mansion but soon find themselves haunted by paranormal incidents that lead to the little girl’s mysterious disappearance.

Director Woottidanai Intarakaset

Writer Woottidanai Intarakaset, Aummaraporn Phandinthong

Producer Thananuj Ebrahim

Production Partner: Hub Ho Hin Bangkok

Cast: Noon Woranuch, Pear Pitchapa, Cindy Sirinya, Ploypaphas Fonkaewsiwaporn

7. Tomorrow and I (Series)

Release: TBA

Summary: This anthology series explores the intersection of futuristic technologies and Thai culture, and the unimaginable tensions and moral dilemmas that arise out of their inevitable conflict

Director: Paween Purijitpanya

Writer: Paween Purijitpanya, Pat Pataranutaporn, Jirawat Watthanakiatpanya, Abhichoke Chandrasen, Tossaphon Riantong, Panuwat Inthawat, Eakasit Thairaat

Producer: Surawut Tungkarak

Production Partner: Jungka

Cast: Violette Wautier, Aelm Bhumibhat Thavornsiri, Ray Macdonald, Phuak Pongsatorn, Boy Pakorn, Ink Waruntorn, Poyd Treechada, Tangkwa Chananticha, Wanichaya Pornpanarittichai

8. Bangkok Breaking: Heaven and Hell (Film)

Release: TBA

Summary: When a dedicated rescue worker inadvertently gets caught up in the kidnapping plot of a mogul's tween daughter, he must save her from the clutches of rival gangs hunting them down with unpredictable dangers around every corner.

-> Note: Film sequel to 2021 Netflix Thai original series Bangkok Breaking

Director: Kongkiat Komesiri

Writer: Kongkiat Komesiri

Producer: Kongkiat Komesiri, Piyaluck Mahatanasab

Production Partner: Kongkiat Production

Cast: Weir Sukollawat, Duu Sanya, Mind Atitaya

2023

1. The Lost Lotteries (Film)

Release: November 16, 2022

Synopsis: A heist-comedy film about 5 losers united by a crazy mission to retrieve their 30-million-baht winning lottery tickets from a mafia gang headquartered in a firecracker factory.

Director and Writer: Prueksa Amaruji 

Producer: Ekachai Uekrongtham 

Starring: Wongravee Nateetorn, Phantira Pipityakorn, Napapa Tantrakul, Somjit Jongjohor, Thanaporn Wagprayoon, Padung SongSang 

Production Partner: GMM Studios International

2. Hunger (Film)

Release: April 8, 2023

Synopsis: Aoy, a woman in her twenties, runs her family’s local stir-fried noodles restaurant in the old quarter of Bangkok. One day, she receives an invitation to leave the family business and join team ‘Hunger’, Thailand’s number one luxury Chef’s table team led by the famously ingenious, and infamously nasty, Chef Paul.

Director: Sitisiri Mongkolsiri

Producer: Kongdej Jaturanrasmee, Soros Sukhum  

Writer: Kongdej Jaturanrasmee 

Starring: Aokbab Chutimon, Peter Nopachai Jayanama, Gunn Svasti 

Production Partner: Song Sound Production

3. The Murderer (Film)

Streaming date: July 27, 2023

Synopsis: When an English man is accused of murdering his Thai in-laws, his wife is the only witness that stands between guilt and freedom.

Director: Wisit Sasanatieng

Producer: Transformation Films

Writer: Abishek J. Bajaj

Starring: Mum Jokmok, Oom Eisaya Hosuwan, James Laver

Production Partner: Transformation Films

4. Once Upon A Star (Film)

Streaming date: October 11, 2023

Synopsis: Join the crew of a traveling pharma-cinema troupe as they go on the road to spread the joy of live-dubbed movies, all while overcoming difficulties, deceits, and reaching for their dreams.

Director and Producer: Nonzee Nimibutr

Writer: Ek Iemchuen

Starring: Weir Sukollawat, Noona Nuengthida, Kao Jirayu, Samart Payakaroon, Nat Sadaktorn 

Production Partner: 18 Tanwa

5. Delete (Series)

Streaming date: June 28, 2023

Synopsis: The story of a complicated relationship with secrets to hide, and a grim question to ponder: who do you want to delete from your life? 

Director and Producer: Parkpoom Wongpoom

Writer: Parkpoom Wongpoom, Jirassaya Wongsutin, Tossaphon Riantong

Starring: Nat Kitcharit, Ice Natara, Fah Sarika, Aokbab Chutimon, Jaonaay Jinjett 

Production Partner: GDH

6. Analog Squad (Series)

Release: December 7, 2023

Synopsis: At the turn of the millenium, a group of misfits is hired to play the part of estranged family members in order to fill in the cracks of one broken family.

Director: Nithiwat Tharatorn

Producer: Nalina Chayasombat

Writer: Nithiwat Tharatorn, Aummaraporn Phandintong, Chanathip Amonpiyaphong, Sopana Chaowwiwatkul

Starring: Peter Nopachai, Jaylerr Krissanapoom, Namfon Kullanut, Primmy Wipawee

Production Partner: Jungka Bangkok

[suzuran777]

Lamento stageplay news + visuals

Just one more day left until the live performancs of the Lamento stageplay start! The stageplay was of course already announced last year, but as they finally started tweeting the countdown pictures, I wanted to write a blog post about the visuals and information they've released so far, comparing some of the stageplay visuals to the official game illustrations!

Similar to the DRAMAtical Murder (DMMd) and sweet pool stageplays, the Lamento stageplay will also have different routes for each main character, Asato, Bardo and Rai. I'm going to assume that the first half of the stageplay will be some kind of common route, while the second half focuses on the route of each different character. Something that is new is that this time the stageplay will have "musical elements" as well, so I'm not sure if I should call it a stageplay or a musical (I'm just using "stageplay" this time as the official account also seems to call it that). Even though in the game Konoe's song is just a melody, the actors did tweet about singing, so I am curious what they will do!

Ohyama Yoh, who composed 19 of the 37 songs of the Lamento original soundtrack also tweeted that there will be 11 new songs (+ addictional background music). I think it's super cool that they're working together with the original composer again to create new songs for the stageplay! I remember the DMMd stageplay also had a new song by GOATBED, which they even performed live a few times at the end of the show. The previous stageplays were about two hours long, but this time they mentioned it will be at least 3 hours, which makes sense because Lamento is a lot longer than sweet pool and DMMd.

I'm really impressed by the costumes and wigs so far, the ears and tails also look so fluffy... I really wonder what they will look like in motion and what the battle scenes will look like. Most of the visuals of the individual characters they've released so far seem to be based on the in-game sprites, but what I found interesting is that Rai's, Asato's and Bardo's pictures seem to have the same pose as the Kotobukiya figurines! You can see the comparison below, the pictures of the figurines are from the Kotobukiya official website.

Another new visual which was released quite recently seems to resemble another official illustration, which I've seen in the artbooks before and which was also the cover of magazine B's Log, specifically the December 2006 issue. Some of the details are a bit different, for example Konoe is not holding Leaks' mask in his hand anymore, and this time they added Shui to the illustration as well, but some other things such as Bardo's pose make it quite obvious this picture was their inspiration. The way Shui and Leaks stand next to each other kind of reminds me of the Rhapsody to the Past drama CD as well? One thing I noticed is that they're not really trying to hide Leaks' face this time, which was actually quite a big reveal in the game.

Next are some of the other illustrations they recently showed us during a short livestream which was available on Twitter for a limited time. Luckily they also posted the pictures on the official account! These won't be sold as merchandise, but they're given away as a bonus for those who attend all three versions of the show. I guess one thing I never noticed before is how little promotional/extra art Bardo got back then, so in this case they had to use one of his in-game CGs. For the other characters they mostly seem to use some of the extra/promotional art. Anyway, you can see a comparison below! I think it's fun to see how they re-created the pictures with the actors.

The last picture they recently showed during the Twitter livestream uses the cover illustration of the official world guidebook! Unfortunately no Bardo in this one either. This is one of the items they are selling as merchandise, it seems to be some kind of booklet (they call it a "pamphlet" but it's 32 pages long). I really wish they would sell the merchandise online, but for now it's only accessible for those who have a ticket and who buy it inside the venue. Maybe if they have any extra stock they might sell it online?

Update: The stageplay will also be livestreamed on DMM TV! The ticket to watch all three routes is 10000 yen (about 66 USD, which is cheaper than the in-person tickets at least!) which also gives you some special bonus videos to watch. First is Bardo's route on February 24th, followed by Asato's and Rai's routes on February 25th. Be aware that it is region locked and not all VPNs work, so unfortunately I can't help much with that! For any further updates you can check the official Twitter account!

Cast list: Konoe: Maejima Yoh Rai: Kato Sho Asato: Hiraga Yusei Bardo: Seto Yusuke Razel: Kimisawa Yuki Kaltz: Okamoto Yuki Verg: Iwata Tomoki Froud: Muramatsu Koki Kagari: Asaba Maya Tokino: Fukuzawa Taiga Firi: Kita Tsutomu Kil: Yoshun Sakamoto Ul: Arai Yuya Shui: Osaki Natsuki Leaks: Matsui Yuho

[katarinapaui]

The Beauty of Deviating Norms in Strange Magic

Katrina Pauline M. Samillano

Have you ever stumbled upon a movie you didn’t think you’d enjoy, only to find yourself strangely enchanted? That was me with Strange Magic.

Now before we delve into it deeper, would you believe me if I say that this is the leading man of the movie?

Surprised? Looks like a typical villain of an animated film, but yes. This is the leading man in the actual film.

Before we talk about it, let’s discuss the facts first because, by the end of this blog, I might convince you to watch this movie. Strange Magic is an animated musical film by George Lucas inspired by Shakespeare’s A Midsummer Night’s Dream, released in 2015. The movie takes place in a fantastical world divided into two realms—the light and the dark. It's a story where fairies, goblins, elves, and magical creatures interact in unexpected ways, all set to a soundtrack of iconic pop and rock hits.

I guess I won’t say a lot about the plot anymore because we want a spoiler-free experience in this blog.

Now, let me tell you a backstory when I watched this film for the first time. I was like… ”This movie is absolutely ridiculous! Who casts an ugly leading man and makes him end up with a beautiful young butterfly?”  Another thing, why did the girl choose a rock metalhead over a sweet romantic matinee idol type of guy? Well, I get that the latter has a cheating issue but my 11-year-old self (take note: 11 years old) would rather choose him than an ugly and scary-looking insect with a weird musical taste. (Disclaimer: I was young, okay. Please don’t judge me 😭🙏 it’s all different now, I swear.)

This movie actually received various criticisms in the past. This movie was released after the award-nominated and award-winning animated film, Epic. For some significant number of people, they believe that this movie is a cheaper copy of Epic. Well, plot-wise, the two were entirely different. But I can say that the animated elements are somewhat similar, though, not totally. Some also think that the oddness of the film is refreshing and the deviation of a typical image of a male lead is a bold move to do.

Well, if you’re gonna ask me about my opinion about the movie, personally, I’d say that it’s cute. It was actually the first animated movie I saw as a child that introduced me to the deviation of typical leading actors.

Usually, in the early 2000s, such as the generation I grew up in, leading ladies are depicted as someone soft, very feminine, like a Barbie doll. While leading men look like a handsome knight in shining armor, like a matinee idol.

This movie, however, defied that by representing a not-so-typical depiction of a man and woman. Although I believe that this movie is not for everyone, I still think that this movie is for me. Watching it as an adult makes me giggle because I can’t believe how (for the lack of a term to use) narrow-minded I was as a child.

I also love how the female lead had a strong demeanor in facing her cheater ex. I think she slayed the part where she knew her worth and walked out of the relationship and never looked back when she needed to. 

The thing that interests me most about this movie is the iconic pop and rock hits, reimagined. Walang tapon ang mga music! The artists are so good. All are so worth listening to. In fact, as I write this blog entry, I’m listening to the songs featured in the movie. You can check it out on Spotify, if you want. [Strange Magic (Original Motion Picture Soundtrack)]

I’ve said it, but I’ll say it again. I believe that this movie might not be for everyone. But for those who enjoy movies like these—the one that deviates from the norm, you should give Strange Magic a chance. And when you do, let me know—did it enchant you as much as it did me?

[jadeandroses]

Ao3 wrapped, @astralithium edition!

Covers:

Beyond the Final Frontier, chapters 16, 18, 19, & 24-27

your fate is mine

(practiced) ease

the only way to bring me down

pulse failure

two swords

rainbow

on second glance

nowhere to be

1. Final word count: 78,242. Most of it went to the most difficult chapters of Beyond I have ever written. Seriously. I complained so much over 19 and 24, but they turned out okay.

2. 8 works this year! Though admittedly, it weren’t for that spite induced writing coma last week, it would’ve been 4

3. Honestly? I’m most proud of nowhere to be. That had been kicking my butt since March, and then all of a sudden it just clicked, and I’m so happy it did

4. My most hit is Beyond. Not really a competition, though, considering it has 24 chapters compared to the usual 1-3.

5. bring me down got way more feedback than expected! I thought for sure it would fade into the background considering how nuts the tf fandom was in the wake of One’s release (and given the prevalence of the M*gop shippers)—but it did unexpectedly well, and I’m proud of it

6. practiced ease is my favorite title, because I feel like it tells the story before you even read it. Second is pulse failure, because it actually uses the knowledge I got working at the car wash

7. There wasn’t one specific artist I used for chapter titles, but bring me down, rainbow, and nowhere to be all got their titles from songs:

8. I only wrote for Mareach and Oplita this year—though since two swords was written three years ago, and because Beyond also features Mareach, I think I technically gotta give “most written” to Mareach.

9. Favorite ship I wrote for? I can’t pick—not only did both ships practically raise me, but I feel like they’re the same ship with two different endings. I can’t pick!

10. on second glance took the least amount of time. First line to posting took about three hours. (Unfortunately it was 2 am)

11. (Excluding Beyond because it’s still ongoing,) nowhere to be took the longest. I attempted to write it in March, but scrapped it until December. Second longest goes to bring me down at three months, third to your fate is mine with two and a half

12. At least two in the list for next year—but I’m sure inspiration for more will come to me sooner rather than later.

13. *gestures vaguely to Beyond* Long enough for ya?

14. Shortest is rainbow, by four words. Second shortest is, hilariously, on second glance

15. Beyond, my baby, will be coming with me into 2025—don’t get me wrong, I might complain, but I love that this fic is basically my brand as a writer.

16. “fluff without plot”—I’m getting very close to adding it to Beyond

17. TF One Elita was the easiest to write. I was shocked by how well I could step into her shoes

18. Hardest? Easily one little Miles Tails Prower. My god WHY is his voice so difficult to capture well

19. Shoot. I wanna write Luiaisy. I just have a hard time coming up with original ideas, ya know? Their fandom’s already so good at it

20. I thought bring me down would age poorly, so I keep rereading it expecting the quality to go down. I’m surprised by how it hasn’t yet.

21. Ao3 counts all of Beyond toward this year, even the parts I uploaded last year, so my total kudos for this year is 540. Ik that’s not accurate but I like the number

22. Again, you cant really compete with Beyond because it’s so big—just passed 100 comments—but I am amazed by how well bring me down has done in that regard—53!

23. No, but I’d like to collaborate with people next year! (I’m just shy)

24. …shoot, does bring me down count as a gift for Odette? Since it was technically her idea?

25. Nope!

26. Gen fic is my most common. Mostly I write what I wanted to read as a kid, I think

27. Beyond and bring me down have their own playlists. Usually, if I’m writing anything else, it’s because there’s a song stuck in my head, so I’ll listen to that

28. Honestly, I appreciate them all—but pulse failure was so niche, and I actually got to write it while inside my car wash, so that one’s got a special place in my heart.

29. Favorite passages are a tie between this bit from Beyond—

—and this one from bring me down

30. Honestly? What’s surprised me most is just how many friends I’d make doing this. Thank you guys for being here, and I hope you’ll all stick around.

Love y’all

-jadeandroses/astralithium

[k-i-l-l-e-r-b-e-e-6-9]

The Cure - Us or Them

[criticallyobs]

Songs from our Last Twilight Playlists...

We all really loved the music from this show right? Talking to Mirela and Kess I thought it might be fun for us to pick a non-soundtrack song that gave us mega Last Twilight feels and got us through the Show.

I fall deep into music when I become obsessed with something and everything just reminds me of that one thing.

I'm going to cheat like normal I have so many songs on my current playlist that remind me of Last Twilight and Mork specifically.

My Recommendations:

This song just gave me so many Mork feels, the themes of unwavering love and selflessness in the face of darkness just embody his feelings for Day. Half Life with the lyrics "I'll give you my half life so you'll see tomorrow" and "You know I said it, I'd never let you fade away" reminds me of the lengths we see Mork go for Day, even if it meant sacrificing his own feelings to ensure that the person he loved was okay. - Z

"But when all is said and done, you're only thing I see, my love So tell me what you're lookin' for You're written in the stories, a livin' masterpiece So when all is said and done, why you standin' next to me, my love? So tell me what you're lookin' for"

I feel like I shades of both Day and Mork in these lyrics, they are both so broken, and don't believe anyone would choose them. - Z

"I knew this day would come I know I should be ready for it but I'm not Instead I just feel stupid Part of me is losing Something that I never had It wasn't mine

I'm done, I'm done I won't reach out Swear I'll keep out I'll move on, move on And let you be happy Without me At least I won't be wondering How it goes

I knew it had to end Count down started from the moment that we met But I chose to ignore it I thought I was better for it I didn't know I'd feel right now What I felt then"

Episode 11 vibes so strong with this song. Breaking my Mork heart with the idea that maybe he was waiting for it all to end because he felt so undeserving of Day's love and the opportunity to walk by his side. - Z

This song flips between Day and Mork for me but the lyrics:

"Won't you put a knife right thru my heart Leave without a word into the dark Cause I don't deserve to know your love And the thought of losing us tears me apart"

Crush my heart just like the end of Episode 11 - This bit is so Mork, he just needs Day here and instead he's rejected. - Z

"A moment is worthless no meaning, purpose Every breath is just wasted If you are not the center of my world I'm just drifting, barely existing Cause every minute without you is worthless Without you is worthless

And you know the state of my condition Yet you hold me anyway and I won't a step unless it's your direction Where was I, before I finally realized"

This song just resonates in me how Mork made Day his every reason and purpose and how he shaped his identity and outlook on life through Day's 'eyes' and built it on what he thought Day needed from him and how his sense of fulfillment was built on being by Day's side. - Z

Mirela's Picks:

This song reminds me of Mork's heartbreak and loneliness. It's about him missing his sister, yearning for Day struggling to move on, and wanting to get back to a time where he can be with the people he loves, a place that feels like home. - M

This one is one of my favorite songs ever. I added it to the LT playlist a long time ago, watching them being brave and overcoming their conditions together. Their journey was just as inspiring as this song is to me. It's a song about starting over, never giving up, and carrying on with hope. It's about living your life to the fullest, having perseverance, and not letting the fire inside of you die out. It also reminds me of the poster from episode one "Too fast to live, too young to die". - M

Kess' Choice:

“If I knew I’d only get one more sunset with you … I’d hold you closer, kiss you slow while the world’s on fire” — This song embodies how much Mork loves Day; how he wants to give him all the time he can; cherish every moment with him. - K

I know Kess and I both really loved Jay Garche's 'Last Twilight (William Jakrapatr | Last Twilight (ภาพสุดท้าย) Ost. | English Cover)' it's AMAZING!!!!

Thank you all so much for joining us on our Last Twilight journey!

[world-cinema-research]

Short Essay: The Graduate (1967)

by Rachel Powers

Mike Nichols’ The Graduate, starring Dustin Hoffman and Anne Bancroft, is the coming-of-age story of Benjamin, an aimless college graduate contemplating the direction of his life. During this tumultuous period, Benjamin is seduced by an older woman, Mrs. Robinson, only to end up falling in love with her daughter Elaine.

The film, adapted from Charles Webb’s novel of the same name, was released in December 1967, The Graduate has made a worldwide gross amount of $105,015,318 on an estimated $3 million budget. It was a huge success, resulting in Mike Nichols’ 1968 Oscar win for Best Director. Dustin Hoffman, Anne Bancroft, and Katharine Ross were also nominated for Oscars for their roles. The Graduate also won a Grammy for Best Original Score Written for a Motion Picture.

Mike Nichols winning Best Director at the 1968 Oscars

“'The Graduate,' the funniest American comedy of the year, is inspired by the free spirit which the young British directors have brought into their movies. It is funny, not because of sight gags and punch lines and other tired rubbish, but because it has a point of view. That is to say, it is against something. Comedy is naturally subversive… In the direct style of new British directors, the audience is the target of the joke, and the funny events do not happen in the movie -- they are the movie… When something funny happens, the actors don't react; the movie itself reacts by what it shows next.” – Roger Ebert (1967)

Even the original poster of the movie expresses the humor that Roger Ebert wrote about in his review. The quote "This is Benjamin. He's a little worried about his future," paired with an image of the character behind a woman's leg pulling on a stocking, portrays the comedy that is to be found in this film.

 A great example of Roger Ebert's observation of the movie reacting to comedy rather than the actors reacting to it is the scene where Benjamin grabs Mrs. Robinson's breast. Mrs. Robinson is unfazed and fusses with her sweater. Benjamin turns around, walks across the room, and bangs his head against the wall. In fact, this was all unscripted. Dustin Hoffman spontaneously improvised grabbing Anne Bancroft's breast and found her lack of reaction so funny that he almost broke character. To stay in character, he had to turn around, walk away, and bang his head against the wall to hide his laughter from Mike Nichols. This improvised scene made it into the final cut.

Any review of The Graduate would be remiss to leave out Simon and Garfunkel’s musical contribution. The famous song “Mrs. Robinson” was written specifically for The Graduate, and the film’s score hosts many of their other songs such as The Sound of Silence, Scarborough Fair, and April Come She Will.

Paul Simon describes the incarnation of Simon and Garfunkel’s “Mrs. Robinson”

"Simon and Garfunkel’s eerie and sublime The Sound of Silence perfectly captures both Ben’s alienation and bewilderment about what he should do with his life, and then his postcoital disenchantment and self-loathing. And Here’s to You Mrs Robinson, with its gentle reassurance that Jesus loves her, provides a note of final gentleness and forgiveness for this character that is really nowhere in the script." - Peter Bradshaw, The Guardian (2017)

In the above clip, the Simon and Garfunkel song “The Sound of Silence” is used to join scenes of Benjamin's emptiness. Dustin Hoffman's vacant facial expressions pair well with Simon and Garfunkel's music to express the isolation the character is feeling. This adds to the films style, look, and feel as well with this demonstration of the passage of time.

The beginning of the song “Mrs. Robinson” starts at night when Benjamin is searching for Elaine. The intro of the song (instrumental, with the only lyrics being "de de de de") is dragged out while overlaying a few scenes as Benjamin continues his search. As dawn breaks, Benjamin drives onto the Bay Bridge towards Berkeley and the song breaks into its full version. I find Peter Bradshaw's observation of this song's impact very enlightening. Although not in the script, the use of this song and its lyrics does offer the feel of forgiveness towards Mrs. Robinson.

The style of the film is also quite consistent in it's camera work. At times, certain camera shots and angles are used to add or remove distance from characters. In the beginning of the film, the shot is framed tight onto Benjamin’s face at the party. Although all he wants to do is escape, the guest of the party proceed to invade his personal space as demonstrated through these crowded, tight shots.

Camera zooms were also used to create distance, as such in the scene where Mrs. Robinson says goodbye to Benjamin after he confessed the affair to Elaine.

A conventional film, The Graduate was made to make money and appeal to both older and younger generations. At the time, Mike Nichols was a relatively new director who had just seen success with his first film, Who’s Afraid of Virgina Woolf. Dustin Hoffman was virtually unknown as an actor, and this was his first feature film. The use of Simon and Garfunkel’s music for the score compounded the audience draw. Prior to The Graduate’s release, they performed at the Monterey Pop Festival in 1967, which is widely regarded as the beginning of “The Summer of Love.” Influential in their reach, it is no doubt that their participation in The Graduate drew larger numbers to the box office.

In 1967, the younger generations were becoming more rebellious, resistant, and unconforming, which was a fitting audience for those same themes found in The Graduate. This was also demonstrated in protest events such as the March on the Pentagon in 1967.

“Flower Power,” the famous photograph by Bernie Boston, taken at the March on the Pentagon in 1967. This image was nominated for a Pulitzer Prize.

The Graduate has inspired other movies, especially with its older-woman-younger-man relationship dynamic. Films such as Harold & Maude and American Pie notably use this same dynamic. The term “Mrs. Robinson” is still used to this day in popular culture to refer to age-gap relationships or attractive older woman (sometimes also referred to as “cougars.”) Although released in 1967, this film is just as entertaining and relevant today as it was then.

[mieeiraa]

Performance Art with New Media Technology [ASSIGNMENT 1]

For this assignment, I was tasked to do a case study on international and local artists who incorporated the use of new media technology with their performances. From these artists and their chosen work/performance, we can observe how the technology used improves the performance and how they can be improved in the future.

International artist chosen: PLAVE

PLAVE is a five-member virtual idol group operating under a virtual entertainment company, VLAST.

They are known for using game engines and motion capture technology to track each member's gestures and facial expressions, similar to the concept of virtual YouTubers or Vtubers in short.

On March 12, 2023, PLAVE made their official debut. Focusing on music production in the Korean pop or K-pop music industry, they periodically release music albums and singles just like any other idol group.

Performance chosen: Hello, Asterum!

The concert took place over two days, 13th - 14th April 2024 with the first day being a fully physical performance and the second day being an online performance that was simultaneously aired live online for international viewers.

Domestic fans in South Korea were able to purchase tickets to enter the concert venue during the performance day. Meanwhile international fans were given the option to purchase online tickets for the online streaming scheduled for the second day via Weverse, an entertainment platform originated from South Korea.

They performed live on both days as seen by the clear discrepancies when comparing the two performances side by side, with the pre-recorded videos or VCR being filler segments played in between singing performances.

Technology used:

Motion capture

3D Assets

LED Screens

Stage special effects (pyrotechnics, smoke and haze machines, confetti and streamers, bubbles, drones)

Sound system

Local artist chosen: Abdul Shakir

Known by his stage name "Grasshopper," Abdul Shakir is a multidisciplinary multimedia artist and one of the co-founders of Filamen, a company that specializes in interactive installations, light installations, and projection mapping.

He has experience working in production and post-production agencies and has completed a range of design and art-related projects, including interactive installations, motion graphics, graphic design, and projection mapping.

His projects have transcended Malaysia and are now being shown in China, Hong Kong, Spain, and the United States of America. He has shown his art in a number of prestigious exhibitions, including the George Town Festival, Rainforest in the City, Urbanscapes Art Festival, and LAMPU Festival.

Work chosen: Rimbun

“Rimbun” was showcased during the Singapore Night Festival exhibition back in 2023. This work is basically a form of organic projection where he experiments with the mapping process on living things, including trees and leaves.

For this exhibition, it is focused on projection mapping of cultural Malay designs personally created by Abdul Shakir himself on plant leaves of different plants during the night time.

Featuring seven distinct motifs inspired by plants like Starfruit, Nutmeg, Common Fig, Jujube, Sugarcane, Citron, Cocoa, and Guava, these motifs reflect his personal interpretation of these plants and their significance during Singapore's role as an entrepôt between east and west.

Technology used:

Projector

PC computer

Rendered plant motifs via TouchDesigner

How does New Media Technology Improve the Concept and Stage Performance?

From the implementation of new media technology in performances which are the usage of motion capture technology and projection mapping, they offer the possibility to enhance their storytelling and visual graphics as a whole for a more enjoyable experience.

Visual elements prepared using computer graphics, not limited to pictures and videos but including various multimedia elements such as motion capture and projection mapping allow performers to creatively express themselves and their artworks while being able to captivate the audience.

For example, in “Hello, Asterum!” PLAVE and VLAST were able to utilize the visuals in 3D space effectively, resulting in their performance to look like a projection of a hologram while they were in fact only using a flat screen.

Another instance is the ability to manipulate the space to fit each member’s solo performance, creating environments that fit the genre of the songs being performed.

Being able to manipulate 3D space with their virtual models allows PLAVE to showcase an alluring and captivating stage performance in real time, suitable with their concept of being virtual idols.

As for the idea of organic projection mapping as seen in “Rimbun”, I would say that it promotes the idea of seeing mundane things in our lives in a new light.

As Abdul Shakir mentioned that the patterns and motifs being projected were inspired by plants, it shows a connection shared between the man-made motifs and the plants being associated with, subtly showing the beauty and inspiration from nature.

In my opinion, it is a unique way to show how one element may be related to the other and a great medium for an entrancing storytelling since the audience will need to approach the installation in order to fully immerse themselves with the artwork.

How can it be innovative in the future?

Simply put, stage performance visuals are no longer limited to 2D space as they can be manipulated to be shown as 3D regardless of the projecting medium.

Organic projection can introduce a new method to showcase one’s creativity in storytelling, ensuring that the message conveyed can be understood.

Synchronized light projections via light sticks held by the audience in a large crowd may increase the immersion and elevate the experience during a stage performance.

Conclusion

As technology advances further with time, we can expect to see more implementation of new media technology in future performances.

Taking the opportunity to include and utilize them in stage performances especially may help to increase immersion for the audience and deliver a comprehensive and meaningful performance.

Hopefully, with new media technology, artists and performers are able to experiment with their creative freedom and in the end, bring forward inspiring and innovative works of art for us to understand and appreciate.

[ofb1t]

🔴 Another dark, weird, gothic-steampunk entity inside a room of the shifting mansion of URI's universe.

I've always thought of art (or anti-art, like the ready-mades of Marcel Duchamp), a piece of music, or a video or a film, like little potentiating machines, bodies of sensations, bundles of energy that make us transform ourselves. And I've always thought of that in a challenging, critical and underground position beyond useless classifications such as "styles", and certainly beyond the vulgar prejudice of classifying this or that as "Art".

This is a personal thought that inspires me and keeps me going forward. ALWAYS. There's no point in an artistic endeavor if it does not leave some kind of mark on the artist and on others, no matter how ephemeral or small it may be. It has to leave some kind of mark, trace, or transformative motion inside our "souls" (so to speak). But, of course, everybody has different perceptions and ways to feel and live, hence there are an infinite number of ways to connect or disconnect from a wide variety of things (from a song, for example, or from any artwork, etc.). There's so much to talk about these kinds of topics. But I can't develop in this tight space more than I've already done.

👁️⃤X This picture is a digital artwork from my series 'Uri's In-Between Worlds,' which is inspired by my original surrealist, gothic, and dark fantasy story, 'URI.

(0 ✘) If you want a poster, DM me! This particular artwork is not currently in my shop, but it will be if someone wants to: @ofb1t

Remember, my friends! The Uri Soundtrack is now playing on Youtube, Spotify, and Bandcamp, as well as many other music services, including IG and FB). LINKS IN BIO @ofb1t TYVM for watching, listening and supporting me

ᴏʀɪɢɪɴᴀʟ ᴀʀᴛᴡᴏʀᴋ ᴀɴᴅ ᴍᴜsɪᴄ ʙʏ ᴏғʙ𝟷ᴛ

🕸 ✸ ☿ 🜍 🜔 ⋆｡𖦹🕷°𓍊𓋼˚✧࿐ #artwork #digitalart #digitalartist #electronicmusic #dreamcore #experimentalmusic #weirdcore #alt #spookyart #liminalspace #darksurreal #fantasyart #surrealism #darkwave #art #videogameart #scifiart #darkart #digitalillustration #artoftheday #gothicart #neoclassicaldarkwave #darkfantasy #conceptart #visualart #horrorart #steampunk #gothic #aiart #ofb1t