#Museo etrusco

[giulia-tralerighe]

“Come un ballo a due quando le luci in sala si spengono e non si riesce a distogliere lo sguardo” ~ 🤍 ©

[stilouniverse]

Monteriggioni e le sue Mura

di Salvina Pizzuoli “Perocchè come in su la cerchia tonda Monte Reggion di torri si corona, (DANTE Inferno XXXI). Siamo a Monteriggioni per una visita al castello e ai camminamenti sulle mura, itinerario previsto insieme alla visita al Museo Archeologico con sede a Badia a Isola. (per i dettagli) Siamo di fronte all’ingresso al castello, all’imponente Porta Romea. Due lastre marmoree si…

[michael-svetbird]

2 MINERVAs: 'Small Bronzes' - Two [votive] statuettes of fighting Minerva, both wear Aegis Etrusco-Umbrian, 'Maestro Fiesole' Workshop 450-400 BC. 'In the Umbro-Sabellian area the production of small bronze statues developed around the beginning of the 5th c. BC.' 'Divinities are often reproduced, among which the portrayal of Minerva on the attack, wearing a high-crested Attic helmet and a cuirass with a gorgoneion in the middle of the breast, an outstandingly valuable specimen from the 2nd-half of the 5th c. BC, attributed to a master working in northern Umbria.' [Txt ©ETRU]

Museo Nazionale Etrusco di Villa Giulia, Rome | ETRU [Floor 1, Sala 16 'Kircher Collection']

Web : https://www.museoetru.it/en

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ETRU | Michael Svetbird phs©msp | 28|09|24 6400X4500 600 [I.] The photographed objects are collection items of ETRU [Non-commercial fair use | No AI | Author rights apply | Sorry for the watermarks]

📸 Part of the "Small-Format Sculpture and Miniature Artifacts" MSP Online Photo-gallery:

👉 D-ART: https://www.deviantart.com/svetbird1234/gallery/69450077/small-format-sculpture-and-miniature-artifacts

👉 FB Album: https://www.facebook.com/media/set/?set=a.859777984390780&type=3

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[persa-tra-i-miei-pensieri]

[purasvagancias]

Etruscan Pottery X: The Wolf-man or the Shape of Fate. por Egisto Sani Por Flickr: At center, infernal daemon represented as a Wolf-man. According to some scholars, this figure represents the soul of a man bound to the world of the dead. The Etruscan demonizing conception transforms this figure in a man-wolf, a daemon-wolf. Therefore the "monster" could be identified as a restless soul: primarily the spirit of people who had not received a ritual burial, or who had died violently or prematurely. See the cinerary urn - Volterra, Museo Guarnacci - depicting an enchained monster with wolf head who tries to get out of a puteal. Pontic Plate Height 9.4 cm, diameter 20.0 cm. Attributed to the Tityos Painter Ca. 520 BC From Vulci Rome, Villa Giulia, Museo Nazionale Etrusco

[storiearcheostorie]

Studi / Roma, riapre al pubblico la biblioteca storica del Museo Nazionale Etrusco di Villa Giulia Oltre 20 mila volumi su storia, arte e archeologia etrusco-italica consultabili su prenotazione I dettagli su @storieearcheostorie @museoetruscovillagiulia #archeologia #etruschi #studi

[pier-carlo-universe]

Il Premio Strega 2025, il riconoscimento letterario più prestigioso della narrativa italiana, si avvicina alla sua fase decisiva.

[s-c-r-ee-ch]

APOLLO/APLU

The god, in an unusual, almost dance-like pose, is represented in the act of drawing the bow.

Etrusco-Roman bronze votive statue

Hellenistic period Roman Mid-Late Republican period, 2nd cent. BCE

Excavated from the sacred well in the sanctuary at San Casciano dei Bagni

On display at the Museo Archeologico Nazionale di Napoli, Naples, Italy

[wandering-cemeteries]

Etruscan terracotta cinerary urn. 2nd century BCE

Museo Etrusco, Orvieto, Italy

March 2024

[arcana-greenleaf]

Ok, ok, I hope you don't mind another. Your writing is just amazing and the way you write the characters is just PERFECTION!!

I've had this one idea floating around and I'm itching to share it!

A girl ends up in Volterra after deciding to go on a solo trip. She's mated to either Alec or Demetri or maybe even Felix(I'm open!) BUT the twist is this: she is Aro's great(however far down the line) niece. I'm thinking something about her triggers his memories of his human family(I know Marcus was with his sister but I'm thinking one sibling survived and stayed human).

I'd love for her to be a bookwormish type of girl again, maybe she traveled there to see the historic sites or something and ends up being pulled into something supernatural!

I hope this makes sense! I appreciate all you've done so far! 😭😭😭

Hey hey!! I’m so sorry for the long wait I got super busy with exams, Valentine’s Day, and some family things. Hopefully, this chapter meets your expectations! As a history student, I really enjoyed writing the historical elements hehe. :) I focused mostly on Aro and his long-lost niece because I loved the concept and wanted to establish it properly, but I’m totally open to doing a part two where I explore the romance between the reader and their chosen character. That’s all from me for now and thank you so much for requesting, as always! <3<3

The cobbled streets of Volterra were everything she had dreamed of. Ancient, winding, whispering with the ghosts of the past. Ivy clung to weathered stone, the scent of fresh bread and aged parchment drifted from open-air cafés, and the warm Tuscan sun bathed the city in gold. She adjusted her glasses, brushing a stray curl from her face as she studied the guidebook in her hands. She had spent years dreaming about this solo trip, pouring over history books, sketching maps in the margins of her notebooks. It was an escape and an indulgence in everything she loved. History. Literature. The stories that old places told if one only listened closely enough. And Volterra, one of Italy’s most ancient cities, promised plenty of stories. The city was steeped in history, dating back to the Etruscans. She had always found herself drawn to ruins, to places where the past lingered in the air. This was her chance to walk in the footsteps of scholars and poets, of conquerors and commoners, of those long forgotten yet eternally present in the walls that surrounded her. She had spent the morning exploring the Museo Etrusco Guarnacci, marveling at the funerary urns and their intricately carved lids depicting figures frozen in time.

Now, she wandered aimlessly, allowing the city to guide her. What she never imagined was stepping into a story of her own. The feeling started subtly at first – a prickle on the back of her neck, the uncanny sensation of being watched. She dismissed it as the natural unease of being alone in a foreign place, but the weight of unseen eyes never left her. She glanced over her shoulder more than once, but the bustling streets carried only tourists and locals, none of whom paid her any special attention. Still, the feeling persisted. She chalked it up to paranoia. Or maybe jet lag. She had barely slept the night before, too giddy with excitement. That, combined with the heavy heat, was bound to play tricks on her mind. Her feet led her through the Piazza dei Priori, the heart of the city. She let her fingers trail along the cool stone of an archway, pausing before an iron-wrought gate leading into what she assumed was an administrative building. The emblem above it was an ornate crest that drew her in, the design strangely familiar in a way she couldn’t place. She turned away, intending to continue her exploration, when she collided with something, or rather someone, solid. A chill raced down her spine. The man before her was unnaturally still, his crimson eyes locked onto hers with an intensity that made her breath hitch. He was tall, statuesque, with dark hair and an aristocratic air that made him seem like he had stepped out of a Renaissance painting. “I- ” she began, but the man tilted his head, lips curving in a way that sent every nerve in her body on high alert. “Interesting,” he murmured, his voice a low purr. “You have quite the resemblance to someone.” As he spoke she could feel it – some tether snapping into place, something irrevocable settling in the marrow of her bones. His gaze darkened, nostrils flaring as if drinking in her very essence. She didn’t understand the weight of the moment, but he did. “You should come with me,” he said, voice gentle, but there was no mistaking it for anything but a command. She took a step back. “Excuse me?” Before she could blink, another figure materialized beside the first, this one even more regal, draped in flowing black robes. His skin was translucent, his long fingers steepled in thought as he studied her. “Aro,” the first man murmured, as though she were an offering presented before a king. The second man, Aro, gazed at her in silence. Then as if compelled he reached for her hand. She jerked back on instinct, but something in the way his expression flickered made her pause. “You…” Aro whispered, his voice barely audible. His crimson eyes burned with something she couldn’t name. “I know you.” A cold dread settled in her stomach. “That’s impossible.” Aro’s lips curled into a knowing smile, and in that moment, she knew her fate had already been sealed. She had come to Volterra to touch history. She hadn’t expected history to touch back.

______________________________________________________________

In the hours that followed, she found herself swept away and led through a labyrinth of hidden corridors beneath Volterra. The walls dripped with age and the air was thick with something ancient, something beyond time. She should have been afraid, should have been struggling, screaming, demanding an explanation but instead, she walked in silence, her mind whirring. They finally arrived at a vast chamber where two more men were waiting. The silence in the chamber was suffocating. Aro stood before her, fingers still tingling from the momentary contact with her skin. His expression remained unreadable, though a storm brewed behind his red eyes. He turned slightly, exchanging a glance with Marcus and Caius, who observed the scene with varying degrees of interest. “My dear,” Aro’s voice was soft, almost reverent. “Do you have any idea who you are?” The question sent a shiver through her. “I’m just… me,” she answered hesitantly. “I came here for a vacation, to see the historical sites.” Aro let out a low chuckle, one that didn’t quite reach his eyes. “Ah, fate is truly a fascinating thing.” He stepped closer, tilting his head. “You are more than a tourist. You carry the blood of my family, the last thread to a past long buried.” She shook her head, heart hammering. “That’s not possible.” “Oh, but it is.” His voice was velvet and as he circled her his robes whispered against the marble floor. “Centuries ago, before I chose this life, before immortality, I had a family. A sister.” His eyes darkened. “She did not join me on this path. She remained human. And her bloodline, it seems, has endured the test of time.” The words hit her like a blow. Aro, this ancient, powerful being was claiming her as kin. “You are my descendant, my blood,” he murmured, eyes gleaming. “How extraordinary.” The weight of his words sank in, a dizzying sensation overtaking her. Her entire reality had shifted in an instant. She wasn’t just another tourist. She wasn’t just a visitor admiring Volterra’s beauty. She was tied to something far older, far darker than she had ever imagined. She swallowed hard, the lump in her throat making it difficult to breathe. This had to be a mistake. “I don’t-” She struggled to form the words, to make sense of the impossible. “I don’t understand. How can you be sure?” Aro’s lips curled into something resembling a smile, but there was something almost wistful in his expression. “My dear, I have seen many things in my years but there are certain truths one does not question.” He lifted a pale hand, as if tempted to touch her again but refrained. “When I took your hand, I saw pieces of the past, fragments of what once was. The resemblance alone is uncanny, but the blood… it does not lie.” Marcus, who had been watching in silence, shifted slightly in his throne. His expression was unreadable, yet his eyes bore into her with a depth that made her uneasy. “It has been a long time since Aro has spoken of his human ties,” his voice barely above a whisper. “This is… unexpected.” Caius, on the other hand, did not look as pleased. His lips curled in distaste, his crimson gaze sharp with suspicion. “Blood does not always make one family,” he murmured barely sparing her a glance. “What does it matter? She is human. Fragile.” Aro didn’t seem perturbed by his Caius' dismissiveness. Instead, he clasped his hands together, his eyes still locked onto her. “Oh, but this changes everything, dear Caius. She is the last of my mortal lineage. A thread connecting me to the past I had thought lost forever.” His voice filled with admiration, and it made her stomach twist. The sheer gravity of the situation was suffocating.

This morning, she had been an ordinary traveller exploring the streets of an ancient city, marvelling at its history. Now, she was standing in the heart of something far older, something secret and dangerous. “I- I don’t know what you want from me,” she admitted, voice unsteady. “I’m not… I’m not special.” Aro chuckled, shaking his head as if the very idea amused him. “Oh, but you are, dear one. You are proof that my past did not die with my humanity. You are a living remnant of a life I thought lost to the sands of time.” His gaze softened, something almost warm flickering in his ancient eyes. “And I would see you protected.” Protected. The word rang in her ears like a warning. Her fingers curled into fists at her sides. “Protected,” she echoed warily. “From what?” Aro exchanged a glance with Marcus before answering. “From the world, my dear. And from those who might seek to exploit what you are.” A chill ran down her spine. “And what exactly am I?” Aro stepped closer, his presence both commanding and unnerving. “You are my kin,” he said simply. “And that is not a thing I take lightly.” She searched his face for any sign of deception, for some hint of ulterior motive, but all she found was certainty. Whatever this was, whatever he saw in her, he truly believed it. And that terrified her. Alec and Felix, who had been standing in silent observation after entering the chamber, finally moved. Alec’s curious gaze lingered on her. Felix, on the other hand, exhaled sharply and smirked. “So, what now?” he asked, his deep voice breaking the tension. “Do we add ‘long-lost niece’ to the official Volterra records?” Caius scoffed. “This is a distraction.” Aro only smiled, clearly unfazed by his displeasure. “This is an opportunity,” he corrected smoothly. Then, turning his full attention back to her he gestured toward the grand chamber. “You must be exhausted, my dear. We have much to discuss, but you will need time to process all you have learned.” She hesitated. Was that an order or a suggestion? Her body screamed for rest, for a moment to breathe and process the sheer impossibility of what had happened. But the logical part of her mind, the part that still clung to reason, knew she wasn’t leaving. Not yet. Maybe not ever. With a deep breath, she nodded. “I… I think I need to sit down.” Aro’s smile widened, his crimson gaze gleaming with something unreadable. “Then allow me to extend my hospitality, dear one. You are, after all, family.” And as the doors to the chamber closed behind her, she knew with unsettling certainty that her life would never be the same again.

[hildegardavon]

Ariadne

Lucanian Red Figure bell krater representing Ariadne, Theseus and the Minotaur, Classical period, ca.440/20 BCE.

ETRU Museo Nazionale etrusco di Villa Giulia

[art-mirrors-art]

Reclining woman with a small mirror in a hinged case, Etruscan funerary urn from the Museo Etrusco Guarnacci in Volterra, Italy (c. 200 BCE)

[stilouniverse]

A Badia a Isola c’è un Museo Archeologico da non perdere

di Salvina Pizzuoli Siamo a Badia a Isola per un tour organizzato egregiamente dall’Ufficio Monteriggioni Turismo che comprende la visita al Museo Archeologico, contrassegnato dalla sigla MaM, recentemente inaugurato, i camminamenti sulle mura del castello, la visita al piccolo Museo delle armature, Monteriggioni in Arme, annesso all’Ufficio del Turismo con sede a Monteriggioni (per dettagli a…

[michael-svetbird]

ETRUSCAN ANTEFIXES | Villa Giulia Museum: Modern reconstruction of Etruscan temple roofs in life size with reproduced antefixes.

👉 Pics 1 and 4 - Temple of Apollo [ETRU reconstruction] originally built around 510 BC in Etruscan city of Veii [Portonaccio archaeological site], north of Rome. https://en.wikipedia.org/wiki/Portonaccio

👉 Pic 2 - Temple of Alatri, "a model with the real dimensions of an Etruscan-Italic temple.. constructed between 1889 and 1890, on the basis of ruins found in Alatri in the immediately preceding years. The building repeats the decorative designs of the architectural terracottas of the original temple that dates between the 3rd and 2nd centuries BC. This reconstruction is one of the oldest experiments of open-air musealization of an archaeological complex." [txt ©ETRU] https://en.wikipedia.org/wiki/Alatri

👉 Pic 3 - Reconstruction of a temple roof with original antefixes. From Falerii Novi [probably from the Sanctuary of Mercury], 6 BC https://en.wikipedia.org/wiki/Falerii

Featured in 'Etruscan Antefixes: Aesthetically Distinguished, Mysteriously Charged' article ANTIQVVS Magazine | Autumn 2024 Issue https://www.antiqvvs-magazine.com

Museo Nazionale Etrusco di Villa Giulia, Rome | ETRU

Web : https://www.museoetru.it/en

FB : @ VillaGiuliaRm

IG : @ museoetruscovillagiulia

X : @ VillaGiuliaRm

YT : @ museoetruTV

ETRU | Michael Svetbird @michael-svetbird phs ©MSP ©Antiqvvs Magazine | 28|09|24 The photographed objects are collection items of ETRU [Non-commercial fair use | No AI | Author rights apply | Sorry for the watermarks]

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[renabooksandart]

Visiting different etruscan museums in Tuscany, I found the perfect inspiration for my book painting in a burial urn relief (seen in Volterra (Italy), Museo Etrusco Guarnacci, ~between the third and first century BC).

The Odyssey has many great stories, but my personal favourite is his encounter with sirens. Odysseus, a man whose most intriguing character trait is his wit and his curiosity, figures out a way to hear the song the sirens sing. I just love his thirst for knowledge, which is why I decided to paint the scene on the edge of the book.

On the lower book edge you can read the start of the first sentence of the Odyssey in ancient greek: Ἄνδρα μοι ἔννεπε, Μοῦσα, πολύτροπον, ὃς μάλα πολλὰ

[withmyeyes]

Museo Etrusco Villa Giulia

Rome 03/29/25

Photo by Lisa Vitale