#Multiple part story

[multi-fandom-freaks]

We're in the sky || Remus lupin x reader Pt. 1

Summary- you meet the new DADA teacher..

Warnings- none

It was breezy spring day, you're the astronomy teacher in Hogwarts. you've been working there for 6 years now, it was the most wonderful place to work, you were also head of the ravenclaw house and had been for two years now.

------

You're sitting at the great hall in between Hagrid and Minerva. Dumbledore steps up to the pedestal. He drones on for a bit with his nonsense, talking about the dementors, extra safety precautions and the new defense against the dark arts teacher, you eat your food, casually talking to Minerva about the dementors.

"they won't effect anything will they?" You ask while taking a sip of your drink.

"no no, Dumbledore would have the ministries head if they did" she says.

"they're scary creatures" you say, trying to keep the conversation going.

"real nasty things" you hear a voice you had never heard before behind you, you turn your head to see the new teacher standing behind you. "Sorry for interrupting" he passes by and walks over to Dumbledore.

"odd" you mumble.

------

The next day while all the kids were out in hogsmade you went on a little walk on the bridge, you were looking down at your book so you didn't notice when there was a man in front of you who was looking off in the distance, you walk right into him, the smell of old books filling your nose.

"I'm so sorry!!" You start, then you look up and it's the new teacher, professor Lupin.

"oh, no it's alright" he reaches his hand out and you take it, letting him help you up. "May help to watch your surroundings when you walk though, darling" he smiles.

"sorry, I was distracted" you apologize again, looking up at him.

"no need to apologize" he reassures, his voice soothing your nerves. You close your book and put it in your messenger bag. "A beautiful view huh?" He muses, looking out at the view of the water.

"yeah, it's very peaceful" you reply softly.

"what's your name darling? I don't think we've properly met." He smiles a little

"Y/n, I teach astronomy" you smile

"that subject always had fascinated me you know" he says, still looking at the view.

"The solar system is quite beautiful" you agree

You both stand there in silence for a little while, just basking in the breeze, the sun and each other's presence.

A/N: sorry this part is short, pt. 2 will be longer, I promise, I'll work on it when I can<3

[poorly-drawn-mdzs]

News spreads fast.

[First] Prev <–-> Next

[hyacinthsdiamonds]

I'm sorry but the irony of Nico calling Max unprofessional is sending me so bad like sir there's an entire garage full of people, who were literally in the trenches trying to survive the Brocedes fallout while just doing their jobs, who might have a few things to say about your (& Lewis') level of professionalism at that time 😭✋️

[synchodai]

When I say Tyland Lannister is my favorite character...

I am being 100% dead serious. Here is why I prefer this seemingly average nobleman over the many many many fan favorites in Fire and Blood.

Tyland Lannister is a second son in a story about second sons. Whether his feelings on this are as strong as Aemond's or Daemon's, we never know for sure in the books, but it's obvious that he's subservient to a mirror image of himself who only has more authority because of a few seconds separation between twins. It's a great display of both the arbitrariness and rigidity of succession.

His initial role in the Dance is as the master of coin for the greens. He's depicted as a typical Lannister: charming, comely, and cunning. He did what any savvy accountant would do and divided the crown's treasury amongst different allied regions for safe-keeping, ensuring that if King's Landing were sacked, their enemies wouldn't loot their coffers dry and they'd still have plenty of gold for their war efforts.

And of course, King's Landing gets sacked. Tyland is put in the black cells and ordered to be tortured by Rhaenyra to extract the gold's whereabouts. Winter is coming, people are starving and rioting, her army is dwindling, so she desperately needs that gold. Tyland is gelded, maimed, disfigured, and blinded but the torturers get nothing out of him.

Mind you, this man has been a rich, pampered bureaucrat all his life and he endured all that without breaking. When Aegon II releases Tyland from those cells, he has no fingernails, his eyes have been gouged out and/or sewn shut, this man who was once known for his good looks doesn't look human anymore — but he still manages to maintain his wits so much so that he plays an important role after the Dance.

Even with Rhaenyra dead, there are still armies raising their banners for her eldest surviving son, Aegon Trois. Tyland tells Adult Aegon to kill Child Aegon because obviously, the latter threatens the former's claim and Tyland's understandably angry over what his mom did. Aegon Dos is like, nah, I'll keep the boy hostage instead — that'll keep the armies at bay more than outright killing him.

So Tyland volunteers to go to Myr to hire sellswords for Aegon 2 since their armies are pretty much kaput after six years of this civil war. Tyland is blind at this point I remind you — there is a huge chance this man will never get to go home again. But he does it anyway, because even after years of fighting, he keeps his unwavering loyalty to the monarch he declared for.

Aegon II dies while Tyland is in Myr, and Tyland goes back to Westeros just in time to see Cregan Stark use his powers as the new Hand to marry Aegon III and Princess Jaehaera to unite the green and black sides. Cregan dusts off his hands, says my work here is done, warns the boy king not to trust anyone, then leaves for the North for everyone else to sort this mess out.

Now comes the part where Tyland shines as a character. He becomes the Hand of Aegon III and when you see his policies detailed in the book, it's clear that his goal is focused on repairs and renumerations. After what happened to him, he has every right to be spiteful and bitter against the blacks, but instead he "claimed a curious failure of memory, insisting that he could not recall who had been black and who had been green." He abolished the heavy taxes imposed on the smallfolk, sent out gold to lords whose holdings had been devastated during war, and set out to rebuild the Realm's granaries and fleet. Cleaning up is a tedious, unglamorous job — and because of his monstrous appearance and former allegiances, Tyland was looked upon with distrust.

And yet, while other regents grasped for power and tried taking advantage of the 13-year-old King Aegon III, Tyland seemed to be different. If he wanted power he could have married his twin brother's widow and convinced the boy-king to route more resources towards Casterly Rock and the Westerlands. But he didn't.

Instead, he genuinely seemed to be a father figure to Aegon III.

Tyland Lannister, blind and crippled, had always treated the king with deference, speaking to him gently, seeking to guide rather than command.

And for that, many lords saw him as a weak Hand. But Aegon, who cared for very little and never laughed and was always sullen, seemed to care for Tyland.

When the plague ravaged King's Landing, Tyland dutifully prioritized it over quashing the Ironborn raids at Lannisport. He was the last person to become afflicted with the Winter Fever, and the king sat by his Hand's side during his final hours. When the council starts discussing who should be the new Hand, Aegon (the boy who rarely ever speaks) says:

I would have Lord Rowan as my Hand. Ser Tyland thought well enough of him to offer him my sister’s hand in marriage, so I know he can be trusted.

This boy trusted Tyland, the man who only years ago wanted him dead.

So it's easy to imagine that this man saw Aegon III as the boy he was responsible for, as the son he could never have because of what the war had done to him. Tyland Lannister was a broken man who despite losing everything, his king and his brother and himself, kept a broken Realm and broken boy together when everyone else swarmed like vultures just trying to pick at carcasses.

What motivated this man's loyalty for a boy whose mother mutilated him? Did he regret pushing for the death of an innocent child and this was his penance? Did this man who gave everything for his cause think that this boy was something that could still give all that sacrifice and tragedy meaning? Was the mercy and kindness he afforded an apology for the horrifying trauma that scarred this boy — did he feel responsible for his mother's downfall and the failure to save his uncle? Did his disfigurement and blindness allow him to let go of the man he once was and become someone capable of seeing the folly of pride and power?

Here is his obituary in Fire and Blood:

Ser Tyland Lannister had never been beloved. After the death of Queen Rhaenyra, he had urged Aegon II to put her son Aegon to death as well, and certain blacks hated him for that. Yet after the death of Aegon II, he had remained to serve Aegon III, and certain greens hated him for that. Coming second from his mother’s womb, a few heartbeats after his twin brother, Jason, had denied him the glory of lordship and the gold of Casterly Rock, leaving him to make his own place in the world. Ser Tyland never married nor fathered children, so there were few to mourn him when he was carried off. The veil he wore to conceal his disfigured face gave rise to the tale that the visage underneath was monstrous and evil. Some called him craven for keeping Westeros out of the Daughters’ War and doing so little to curb the Greyjoys in the west. By moving three-quarters of the Crown’s gold from King’s Landing whilst Aegon II’s master of coin, Tyland Lannister had sown the seeds of Queen Rhaenyra’s downfall, a stroke of cunning that would in the end cost him his eyes, ears, and health, and cost the queen her throne and her very life. Yet it must be said that he served Rhaenyra’s son well and faithfully as Hand.

Tyland wasn't extraordinarily badass, noble, or even skilled. He was an excellent politician but no way the best. But I think that's what makes him compelling to me — that he's this down-to-earth depiction of a POW, a war veteran by all accounts, trying to pick up the pieces and slowly glue what remains of the Realm and himself back into something vaguely human.

We tell so many stories about the glory, the tragedy, and the losses of war. But I think it's important and beautiful to tell stories of those bravely and optimistically choosing to keep living in the aftermath as well.

[stars-obsession-pit]

Danny Phantom was not used to fighting magic users. Ghosts, yes. But humans with powers? No.

So when a cult managed to successfully summon and bind him, he lacked the knowledge of how to stop them.

And they tore him apart.

His core was broken into pieces, each one then implanted into one of the most loyal cult members (or potentially sold off to another person to use…) to grant them a portion of Phantom’s many powers.

However, the cult didn’t entirely know what they were doing either. You see, it turns out that shattering Danny’s core in that manner didn’t truly end him. His soul still persisted, still refused to die even as it was trapped amongst the disparate shards. Though each individual piece lacked the strength of mind or power to affect their hosts, they would gradually forge themselves together anew should they ever be gathered back together.

And after Red Hood killed several of the cult’s members, that process began. Their shards, now freed, transferred to the vigilante, instinctively latching onto his proto-core. Though still not yet whole enough to form a truly conscious fragment of Danny, they are enough to start to nudge Hood in the right direction (bolstered in effectiveness by Jason’s connection to death)

Jason can feel it deep within his soul. There’s something more to this cult’s powers than just normal magic, and he has a growing need to find out what that is. To stop them. To burn them all down and dig their secrets from the ashes.

[raviollies]

personal redemption with not liking any of the art ive made for this story with a composition thats actually working out okay

[bellaxgiornata]

I don't go to therapy, apparently I just write new stories about Matt Murdock.

[inconveniently-discorporated]

I am certain no one has seen Aziraphale before Crowley.

The archangels look at him, but their vaguely-disgusted sneers and veneer smiles were already affixed as firmly as their hands are clasped together. They look at him, but they don't see him.

I'm certain that when Crowley looks at him curiously, it doesn't make him feel bothered, it makes him feel SEEN.

[ursiday]

I'm loving your oc stuff too!!! Do you think we could get some (non spoilery) info about them?

Sure :] Cameron (right) is a barista living in her hometown with her younger sister she and is not thrilled about any of these things. Ari (left) writes articles about paranormal/hokey true crime stuff for a buzzfeed-knockoff type of website after quitting her phd. Theyre both mid-20s and also both gay but Cameron is very closeted

Ari's phd program was in vertebrate evolution, specifically feline phylogenetics, which segues into my worldbuilding that I've also wanted to talk about lol. All the characters in this world are based on cats from subfamily Felinae – basically all small wildcats combined into one sapient species instead of humans. The characters I've designed so far are inspired by specific cats (Cameron is based on a serval and Ari on a pampas cat) but I'm not trying to stick too closely to that since they're all meant to be the same species from a worldbuilding perspective. No domestic cats (furry or animal) but regular big cats are still a thing, basically akin to great apes vs humans. Anthropomorphic cougars and cheetahs are a thing but are extinct, like extinct hominids. Basically my effort to shove cats into a human evolution parallel lol

[lovearsonist]

i need the documentary to start with ryan ross quietly going to a nice lofty chair, adjusting his mic, getting his last touch ups done, and saying “it was the summer of 2004…”

[refinedstorage]

heavy traffic

Nobody Wants to Die 2024

[griem]

ijbol idk man releasing screenshots of very polarizing things said in a private discord server between friends in a public "callout" post is #the most #tumblrific thing ive ever seen LOL.

#opinion 😱 in tags

[disfrutalaisla]

The eggs absence has opened up some space to focus on other aspects of the story. It’s good for the narrative and world building to expand and tell the story through other avenues.

The admins aren’t REPLACING the eggs. They’re getting creative and giving the egg admins a break that is probably much needed after months of daily work. This is GOOD for the qsmp.

[sarucane]

Ed Teach's Stories

From practically the moment we meet him, Ed's identity is unstable. We know who is he (Blackbeard) from context, from the story told by the the room around him, by Izzy and the flag his crew. But the thing is, Ed doesn't fit the story of the Mad Devil Blackbeard. Two of his first few words are "good" and "love" for crying out loud. He's called "Blackbeard," but his beard is grey.

This instability exists because Ed himself isn't sure what story he's telling--or wants to tell. "I shouldn't be bored, I'm fucking Blackbeard!" All through his early episodes Ed is in increasingly desperate tension with his own identity. He's trying to tell stories within stories, wanting all the stories to be true at the same time, yet aware of the reality that the world is constantly trying to wipe one or another of the stories away. And not really trusting that he can tell the whole story of who he is.

In the first season of OFMD, Stede wears a different outfit every episode. Yet Stede remains the same: despite his internal tensions (almost despite himself) there's a stability to his identity. But all through both seasons of OFMD, Ed putting on a new outfit means he's trying to tell a completely different story about himself.

And underneath this cacophony, there's Ed. And Ed is himself a chorus of stories, a living contradiction. A patricidal murderer who was protecting his mother; a paragon of masculinity who longs for softness and fluidity; a man renowned for violence and madness who has in fact carefully cultivated that reputation and is extremely careful with his violence; a killer who doesn't kill, yet who does kill all the time just at a bit of a remove; a half a dozen names and personas and yet always Ed; unloveable, yet deeply loved.

At the beginning of the show, Ed isn't actually good at telling his own story. He's good at listening to other people's stories, and conforming himself to them often without conscious effort. But when he tries to really tell his own story--asking Stede to run off to China, singing his break-up song song, going to become a fisherman--he fails. We don't understand in the first season why his judgement clouds, why he becomes weak when he tries to tell his story. But in the second season after spending half an episode in Ed's mind, a painful truth is undeniable: Ed, like Stede, doesn't think he's worthy of telling his own story.

So instead of telling his own story, Ed let other people tell his story. In the first season, Ed built off what Izzy told him he had to be. But he couldn't lose himself in Blackbeard, no matter how hard he tried. So in the second season, when Ed couldn't face living with his contradictions anymore, he wrote an ending worthy of Blackbeard.

All this, because Ed thinks he can only be "himself" by telling one, single story about himself. By denying his contradictions, rather than embracing them. Splitting himself in two to tell himself a story, rather than telling the story himself.

What Ed doesn't believe or trust is this: For Ed to really be himself, he has to be impossible. Two contradictory things, at the same time.

The second season of OFMD is about learning to embrace all these contradictions. In each episode of OFMD, character look at the same object or situation (a wanted poster, a unicorn, a velvety suit, a relationship, a past trauma) and they tell two completely different stories about it. Sometimes one of those stories turns out to be wrong, but more often than not both are true, and something else--something beautiful-- is born from the place where those contradictions meet. And the characters, Ed most of all, learn to accept and balance this dissonance.

Thematically speaking, I'd argue that's why the second season of OFMD is more fantastical than the first: fantasies are contradictions, real and not-real at the same time. And isn't that what transformation is, in the end? What you are and what you are not, meeting and becoming "you"?

Transformation isn't all good. At first, Ed's fantastic stories hide his pain or invoke despair

But later, the fantasies make their way into reality. The impossible begins to shape reality--and opens a way for hope.

In the last episode of S2, Ed emerges from the waves as the kraken--but there's 3 musical tracks playing, three themes: the kraken, Ed, and Blackbeard. Then he reads a love letter, and has a deeply romantic moment with his boyfriend. He puts on a new outfit to escape the British, yet his personality doesn't change at all. When Izzy first apologizes to him, Ed says "I'm the one who should be apologizing," but then Izzy changes his entire understanding of their relationship. Becomes the first family figure to offer Ed permission to be himself.

Contradictions galore, and yet Ed is still Ed. Both who he was formed into by other people (his father, Izzy, Pop Pop) and yet who he is.

In the final scenes, Ed begins to finally accept the tensions of his life. He tells Zheng that yes, he wants to kill Richie--but he doesn't go on a revenge quest. And while before his forays into being someone else meant changing his name, his clothes and mannerisms, his whole story, he doesn't act like that at all in the last scene of the ep.

And Ed's been able to do all this, to come this far, because of Stede. Stede, who Ed was drawn to because he was a "fancy man who leads a brigade of imbeciles," yet had won a fight with Izzy. Stede, who looked at Ed at his lowest moment, after Ed had admitted that the entire basis of their friendship had been in bad faith, and said, "I'm your friend." Stede who, even knowing Ed wouldn't want to hear from him, poured his heart into letters about how their bond was unbreakable.

Stede is everything he is, all at the same time. And when Ed was drowning in his own contradictions, (a rope tied around him that he could not undo and yet had put on himself) trapped somewhere "inevitable, yet impossible," Stede appeared as a fantastic, beautiful creature and brought him home.

Stede lets Ed be everything he is, and sees it all as true and worthy of love. Even when Ed fucks up, it's all right.

And sometimes, telling two different stories about something doesn't lead to a fragmented self, doesn't drive people apart.

Sometimes, it means understanding. Means acceptance, safety, connection.

From discordance (contradiction), harmony. A gentleman can be a pirate. A man can be a bird, or a unicorn. Izzy can have been one of the good ones and a fucking nightmare. And Ed can tell all his stories, they can all be true--and he can still be Ed.

[mikalilys]

I love having headcanons that just exist in my head because I can literally have two things that completely contradict each other and be like yk what? Multiple universes!!! Why have just one when you can have both?

[mollysunder]

I was talking to my friend who is very adamant about not watching arcane, but does enjoy listening to me rant about it. They told me Jinx was right not to show up at Sevika's rally. They pointed out it's kind of illogical for Piltover's Most Wanted to go to a large rally in the middle of the day in a public square and not expect to be arrested, and the crowd should have been too.

I couldn't really argue woth that because... yh upon retrospect, that plan was obviously going to fail. Why hold it in the middle of the day? Why out in public next to a popular statue where enforcers would inevitably be doing patrols, because Zaun's under occupation?

Practically every person in that crowd was on the wrong side of the law and nobody expected things to go wrong? The only one at that rally who knew they'd be arrested was Singed, who's also one of the two people who technically brought a weapon?