#Motorcycle Communication Device
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#Bluetooth Communication System#Motorcycle Headset#Bluetooth Motorcycle Intercom#Wireless Communication System#Motorcycle Audio System#Hands-Free Motorcycle Headset#Long-Range Bluetooth Headset#Rider-to-Passenger Communication#Helmet Bluetooth System#Intercom for Motorcycles#Motorcycle Bluetooth Accessory#Premium Motorcycle Headset#Motorcycle Communication Device#Bluetooth Headset for Riding
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Comprehensive Lexicon Guide for First-Time SW Fic Readers:
Flimsi/Flimsiplast = Paper
Flimsiwork/Datawork = Paperwork
Stylus = Pen
Datapad = Tablet
Comlink/Comm = Communication Device/Phone
Binders = Handcuffs
Chronometer = Clock
Spectacles = Eyeglasses
Chrono = Watch
Conservator = Refrigerator
Caf = Coffee
Nerfburger = Hamburger
Blue milk = Milk (literally blue)
Hubba chips = French Fries
Sweet roll = Doughnut
Flatcakes = Pancakes
Tabac = Tobacco
HoloNet = World Wide Web
Holovision/HoloTV = Television
Holodrama/Holovids = Movie/Videos
Holocamera/Holocam = Camera
Holomap = three-dimensional map
Holojournal = Newspaper
Holocube = Picture frame
Holotable = Projector
Holoscanner = X-ray machine
Holojournalist = Reporter
Flatholo/Holograph = Photograph
Sonic Damper = Active Noise Cancellation
Refresher/Fresher= Bathroom
Sonic Bath = Bath
Sanisteam/Sonic shower = Waterless Shower
Hydrospanner = Wrench
Hydro Flask = Water Bottle
Power Cell/Energy Cell = Batteries
Authorization Chip = Decryption key
Datatape = Disk
Datastick = Flash drive
(Personal) Com Code = Phone number
Datachip = SD Card
Synthflesh = Synthetic skin
Glowrod = Flashlight
Sparkstick = Match
Slugthrower = Gun
Slug = Bullet
Vibroblade = a blade that can vibrate at high frequencies, increasing its cutting power and penetrating ability (tactical knife)
Rangefinder = Rifle scope
Turbolaser = Cannon
Ion pike/Vibropike = Spear
Electro Staff = Stun baton
Blaster = Pistol/Rifle
Stun Blaster = similar to a Taser
Landspeeder/Airspeeder/Speeder = Car
Turbolift = Elevator
Slideramp = Escalator
Starfighter = Fighter jet
Rotorcraft = Helicopter
Hoverpack/Jetpack= Jet pack
Speeder Bike = Motorcycle
Skylane = Traffic lane
Railspeeder/Hovertrain = Train
Power Chair/Hoverchair= Wheelchair
Windscreen = Windshield
Podracing = Car racing
Dejarik = Chess
Sabacc = Poker and Blackjack combined
Galactic Rebels = Combat simulator
B'shingh = Dungeons and dragons
Jizz = Jazz music
Wailer = Singer (ie. Jizz Wailer)
Cantina = Bar or Pup
Para Sailing = Paragliding
Aurebesh = Alphabet
Credits = Money
Sleeping Pallet = Bedroll
Naming Day = Birthday
Youngling = Child
Galactic Basic Standard/ Basic = English
Medkit/Medpac = First aid kit
Hypo = Syringe
Medic/Healer = Doctor
Medcenter = Hospital
Bactapatch = Bandaid
Nanoweave = Fabric
Transparisteel = Glass
Plastifoam = Packing material
Durasteel = Steel
Plasteel = Plastic
Duracrete = Concrete
Slicer = Hacker (slicing = hacking)
Identikit = Passport
Minder = Therapist
Synthleather = Vinyl
Viewport = Window
Cooling Unit = Air-conditioning
Honeydarter = Bee
Slythmonger = Drugdealer
Spice = Drugs
Stimpill = Caffeine pill
Power Socket = Plug
Cutters = Scissors
Cycle = Day
Standard Cycle = 24h
Standard Week = 5 days
Standard Month = 35 standard days
Standard Year = approx. ten months
Tenday = literally ten days
Cigarras/Smokes = Cigarettes
Click = Kilometer or 'a moment'
Parsec = a unit of distance
Tweezers/Clanker/tin head/tinnie = Droid
Separatist = Seppie
Promise Ring = Wedding Ring
Body Glove = Jumpsuit
Slicksuit = Wet suit
Civvies = Civilian clothing
Carbonite = a metal alloy used to freeze a person in a state of hibernation
Hyperdrive = device that allows a starship to travel faster than lightspeed
Moisture vaporator = device that can extract water from the air, commonly used on tatooine
Glareshades = Sunglasses
Gasser = Gas Oven
Repulsorlift = technology that can create an anti-gravity field and is used for levitating heavy objects
Heating unit = Heater
Utility Droid = Roomba
Sunbonnet = a Clone trooper helmet
Bad Batcher = a defective Clone Trooper
Banthabrain = birdbrain/ a stupid person
Bantha fodder = waste of space/nonsense
Blast! = word of exclamation
Blasted! = s.o in anger or annoyance
Blaster-brained = dimwitted
Blaster fodder = cannon fodder
Blast off = Piss off
Brainless = Stupid
Bug/Bugger = used to refer to Geonosians
Forceforsaken = godforsaken
Full of Poodoo = full of shit
Poodoo = Shit
Kriff = Fuck
Jedi scum = derogatory term for jedi
Kark = derogatory expletive
Larty = LAAT/i gunship
Laserbrain = insult
Meat droid = derogatory term for Clone Troopers
Redrobes = Palpatines guard
Rookie/Shinie = newly recruited Trooper
Scum = insult to refer to bounty hunters/rebels
Sharpie = Sharp-witted
Sithspawn/Sithspit/Hellspawn! = expletive
Sleemo = Slimeball
Son of a bantha = insult
Wizard! = Cool
Spaced = dead
Hutt-spawn = Bastard
Karabast = exclamation of dismay
Stang = Crap
Buckethead/Bucketbrain = derogatory term for Stormtroopers
Bucket = Helmet
Nat-born = Natural Born
Roger Roger = affirmative/copy that
Droid poppers = EMP grenade
Sitrep = short for situation report
Backwater Planet = any planet that isn't part of the core system
Holocron = device that can project a three-dimensional image of a person/object and is used for communication or entertainment.
Kessel Run = a risky Operation. Commonly used as a metaphor in impossible situations.
Thermal Detonator= device that can create a powerful explosion like a grenade or bomb
Ray Shield/Energy Shield = creates a (protective) barrier
Rebreather = device that allows a person to breathe underwater or in toxic environments
Phrases:
Wild goose chase = wild bantha chase
That's bantha shit = that's bullshit
As slippery as a greased Dug = untrustworthy
Credit for your thoughts = penny for your thoughts
Cut the poodoo = cut the crap
to get your gills in a twist = get upset about something
Holy mother of meteors = holy mother of god
Oh my skies/ Oh my stars = exclamation of surprise
Stars' end! = exclamation of disbelief
What in the blue blazes = exclamation
When Geonosis freezes over/When it snows on tatooine = extremely unlikely
Who pissed in your power supply = who pissed you off
Blast it = damn it
By the maker = exclamation of surprise
Great karking Dragon = expression of disbelief
Lothcat got your tongue = equivalent of 'cat got your tongue?'
Sod it = expression of frustration
#shitpost incoming#I'm converting my friend into a star wars fan so I thought why not make a dictionary for every new fic reader lmao#star wars#writing star wars#star wars languages#star wars lore#im definitely missing some but these are words I've seen most commonly used in fanfic#userlumi#writing star wars fic#aurebesh#galactic basic Standard#as long as one person finds this post helpful it was worth it#youre all welcome to add to it#im stopping now coz otherwise I'mma clog the dash
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Herb Guide: Deaf Warriors and Hearing Disabilities
UPDATE 1: Added more harshness to the lipreading section based on initial feedback; minor rewording of some lines!
A reference for Warrior Cats fans creating characters with hearing loss, blending human advice with cat biology, written for an in-universe perspective on living with and managing such disabilities.
AKA Bonefall casts Spell of Stop Being Weird About Snowkit on all amoebas in 500 mile radius
[ID: A headshot of three cats, a brown tabby with a shredded ear (Strikestone), a solid white cat with blue eyes (Stonewing), and a gray cat with a mane (Dovewing).]
In the five Clans, hearing loss is both one of the most common sensory disabilities, and one of the most intense to adapt to. Through any mix of simple infections, birth abnormalities, or even just getting older, any given Clan can expect at least 1 in 4 of its cats to have some form of hearing loss.
Hearing loss is any impaired ability to hear, defined as not being able to hear noises under 20 decibels. Deafness is "profound" hearing loss, which means their hearing STARTS at a noise that is 81 decibels (ex: motorcycle, middle-distant clap of thunder) or louder. Most deaf people can still hear slightly, but sound is "muffled" and they can only hear VERY loud noises.
Hearing loss = Any impaired ability to hear. Normal hearing is 20 DB or lower.
Hard of Hearing (HOH) = Mild to severe hearing loss; starts between 21 DB and 95 DB.
Deaf = Profound hearing loss at 95 DB or higher; a clap of thunder is a quiet whisper.
MOST hearing loss will affect one ear more strongly than the other, and the cat will be HOH. The vast majority of cats with a hearing disability will still be able to understand their Clanmates, if they're just spoken to louder and more clearly. Cats who are born deaf (congenital deafness), however, tend to have profound hearing loss which affects their ability to understand speech.
Cats rely on their hearing and sense of smell much more strongly than they do on their eyesight. With hearing that's 4x more sensitive than a human's and can differentiate between 1/10th of a pitch, a Clan's healer would recognize hearing loss as a disability long before humans would even notice a problem.
Since hearing loss starts with the high-pitch noises that prey makes, like squeaks and chirps, hearing loss is a major reason for a senior warrior to begin to consider retirement. However, with proper support and accommodation, ANY warrior could adapt to this disability; Especially cats born deaf and younger HOH warriors with lots of time to re-learn.
This guide covers;
Common Causes
Traits and Challenges of Hearing Loss
Communication: Signs, lipreading, and more
Unique Challenges Clan-by-Clan
Sources are linked in a separate post, here, and linked again at the very bottom!
(note: this guide doesn't cover devices of any kind, but one of many reasons why cochlear implants are controversial is because an implant will destroy that remaining hearing. They aren't hearing aids; hearing aids amplify sound. Aids and implants are two different things)
Common Causes
There are DOZENS of ways to destroy the incredibly sensitive ears of a cat. ANY infection or injury can lead to permanent damage. That can include,
Injury gone sour, from battle, hunting, accidents, etc
Concussion, or a hard enough blow to the ear
Ear Mites, especially if the cat can't stop scratching it
Swimming in cold or dirty river water
Fungal or bacterial infections
Allergies, which can lead to sinus infections. Even an infection in the mouth or throat can spread to the ear!
There doesn't even need to be an infection. Around the ages of 7 - 11, a senior warrior may begin to gradually lose their hearing. Sometimes, through genetic factors or degenerative disease within the ear, an even younger warrior will lose it for "no reason."
It just happens, and it's incredibly common. They will usually begin to notice it when they stop being able to hear and hunt small rodents, because hearing loss will start with high-pitched noises.
Healers can do very little about this, besides attempting to clean any wax out of the ear canal with flax oil and a dab (such as moss, wool, or cloth). There are SO many ways for it to happen and so little in the way of treatments, that it's practically inevitable.
The majority of hearing loss is from infection or disease, but the most predictable way to see deafness in the Clans is in kits born white with blue eyes. In fact, ALL pure white cats are more prone to being born deaf!
Pure white without blue eyes: 17% to 22%
White with a single blue eye: 40% (and usually on the side of the blue eye)
White with two blue eyes: 65% to 85%
In an afflicted kit, the inner ear will rapidly degenerate. They typically lose most of their hearing by their 4th day, and will only be able to faintly hear extremely loud noises.
Of course, there's also various other birth defects that can result in deaf and HOH kits, even if they aren't white with blue eyes. The ear canal and hearing organs can just not form correctly! Any kit could be born with hearing loss, and they can have any type!
If the loss came from injury or severe infection, chronic pain in the inner ear is also common. Nothing can be done about this besides painkillers such as poppy seeds. This condition is rare in born-deaf cats.
Most cats with hearing loss will also permanently hear a repetitive, single-note sound. For most it's a faint, tinny "ring," but others can hear hissing, crackling, or humming in high or low pitch.
At first, this constant noise can be distracting or even debilitating, preventing them from focusing or sleeping, until... you just get used to it.
There is no way to turn the noise off. It can get worse or better, but it's forever. Sleeping and not being stressed out will help, but over time, they typically learn to tune it out. Being reminded of it is usually annoying, just like when someone reminds you about manual breathing.
(We call this condition tinnitus. It is up to you what you would like your cats to call it, the same way they refer to pneumonia as greencough. Tinnitus is a LOT broader than this little snippet, but this is not a guide about tinnitus, this is about hearing loss)
So to summarize that,
There's a billiondy-million ways to damage one's hearing.
Losing your hearing from age or disease usually results in being hard of hearing (HOH) as opposed to deaf, and is likely to affect one ear more than the other.
It starts with high-pitched noises like rodent squeaks.
Cats born white with blue eyes have a massive chance of being born deaf; their inner ear degenerates.
But, any kit could be born with any type of hearing loss, not just deafness.
Most cats with hearing loss will hear a distracting, repetitive noise. They just learn to tune it out.
Traits and Challenges of Hearing Loss
Hearing impaired cats are LOUD.
Even warriors who have mild hearing loss will often end up speaking much louder so they can hear themselves, or not notice the sounds they're making as they shift around in their nests, scuffle sand at the dirtplace, or trample through crunchy leaf litter.
If one of their ears is better than the other, they'll usually try to stand with their "good side" facing any speakers or other sources of noise. They might appear to be constantly standing at an angle, with their head turned towards the sound. It might be so second nature that they don't realize they're doing it.
Plus, a cat with hearing loss in only one ear will lose their hearing's "distance perception," the ability to pinpoint a sound's location. EXACTLY like how losing the sight in one eye causes the loss of "depth perception," they will have difficulty telling how far away a noise actually is.
Warriors who lose their hearing later in life typically have years of experience in knowing how prey behaves and what sorts of actions make noise; but cats born deaf have to be taught this.
Instead, born-deaf cats tend to associate "sound" with "vibration." Echoes, rumbles, and the sensation of their own humming or laughter can feel very pleasurable. Their whiskers are so sensitive that they can even feel drafts of air from someone speaking in front of them! Because of that, cats with impaired hearing do better with low, rumbling "sounds" rather than high-pitched ones; even when they can't hear either. They can feel lower pitched noises.
(NOTE: Decibels are the measurement of volume, and Hertz are the measurement of pitch. These are different things, NOT interchangeable. HIGH pitch and LOW volume are lost first.)
This is why hunting is so difficult when cats begin to lose their hearing. Their sense of smell and sight can be perfectly intact, but a lot of how a cat hunts is in listening for delicate little sounds and balancing them in both ears to figure out prey's exact location. So, when a cat is learning to hunt without their hearing, they have to rely on their other senses and keep their whiskers low, dusting the ground with their chops and front paws, in hopes of their quarry making a vibration they can feel.
IMPORTANT: Don't forget that cats have carpal whiskers! They are short whiskers on the front paws of a cat, used primarily for "grappling" with other cats and struggling prey. They are less sensitive than facial whiskers, but still very useful for a hearing impaired warrior.
"Dusting," keeping the face low, is still more effective than relying entirely on "Sweeping" movements with the paws.
The younger the cat is, the more time they will have to practice and master this. Cats born deaf, who have never relied on hearing before, are usually better hunters than older warriors learning completely new techniques.
But. Clan cats aren't the only danger in the forest.
A warrior who is deaf or hard-of-hearing will not hear danger approaching, and is easy to sneak up on. Even if they keep themselves completely quiet, an intelligent fox or an enemy warrior can launch an unexpected attack on their unsuspecting target. The wilderness is dangerous, and it's not feasible to keep one's whiskers pressed to the ground at all times, even if vibrations did carry far enough to detect such danger before it's too late.
So, it would be recommended for warriors with hearing loss to not wander too far without a hearing Clanmate capable of alerting them to sounds.
They also will have a VERY difficult time acting as part of a "battalion," in large-scale battles.
In fights with dozens of entangled warriors, while they're focused on fighting the cat in front of them, they will have a hard time hearing commands. Even if well-trained in visual cues like tail signs, deaf and HOH warriors might fail to respond to yowled orders like, "RETREAT" or "SECURE THE ENTRANCE."
Even if the warrior isn't fully deaf, battles are loud and chaotic! It's very likely that such orders would get lost in the clamor of hissing and screeching cats, if the cat has any difficulties with hearing at all.
In summary,
Cats with hearing disabilities are loud.
Hearing loss in one ear will cause the loss of distance perception, and they will often stand at an angle with their good ear facing the noise.
If they were born deaf, they have to learn what makes noise.
Highly tactile, they tend to rely on whisker-sense to "replace" their hearing.
Keeping their facial whiskers low to feel for vibration, "dusting," is a very useful technique.
"Sweeping" with the carpal whiskers is also useful, but less so than "dusting."
They are in increased danger from things sneaking up on them, and shouldn't go anywhere unsafe without a buddy.
Following battle commands in large-scale battles will be difficult or nearly impossible, making them bad "team players."
Communication: Signing, lipreading, and more
(psst! @twiigbranch has a free-to-use version of pawspeak if you credit them!)
Since the majority of these cats lost their ability to hear later in life, most warriors with hearing loss will speak "normally." By "normally," that means they will talk the same way they did their whole lives, just louder so they can hear themselves better.
Over many years, they may begin to stop enunciating their words, 'slurring' their sentences, and their pitch may be a little off. Even then, it's rare that a Clanmate would be able to "tell" they have hearing loss just from their cadence.
But, meanwhile, cats who are born deaf will have a very complicated journey with speech.
It's PIVOTAL for the kit's development that the family and the Clan takes an interest in trying to communicate with them. Deaf children often become isolated from communities that don't seem to care about them, the same way any other alienated child would. This can result in trauma, lack of self-confidence, and behavioral issues.
Even if your project doesn't have Pawspeak (or doesn't have it yet!), kittens WILL find ways to communicate with their family and Clan. Sign language can evolve organically from home signs, unique gestures that will rise for a deaf child to speak with their family. BUT, the sooner they're introduced to a true sign language, the better they will be able to communicate.
Sign languages can also die naturally, simply fading away if the next few generations don't keep them alive. It's possible for the Clans to have gone through a few, over the years!
(Note: Sign languages are full languages, not just "physical versions" of a spoken one. American Sign Language and British Sign Language are from totally different families, even further from each other than English and Russian!)
It is also possible for cats born fully deaf, who have never heard words, to learn how to speak verbally... but, this takes a LOT more time and effort than using a sign language.
Teaching a deaf warrior how to say words is not quick, or easy, and is a very physical process. It involves a lot of dedicated practice time back-and-forth, with the apprentice placing their paw on their mentor's throat to feel their voice, and being coached on how to mimic the exact inflections of every word. It can be very repetitive, and very boring.
Even with lots of training, speakers born deaf have a noticeable "accent." They pronounce consonants better than they do vowels (aeiou), and often lack tone and inflection. Each warrior is an individual, and using a speaking voice is a skill some will be better at using than others.
Lipreading is very difficult. Most warriors born deaf will never learn how to do this, or even want to, as it takes an immense amount of time, effort, and tutoring. It will be more common for cats with more moderate hearing loss, especially if they lost their hearing later in life.
These are REQUIRED for a proper lip reading;
Clear view of the face. If the speaker is too far away, moving around, covers their mouth, stands in a dark place, or has their back turned, their lips can't be read. There are many ways that the view of the face could be obstructed.
Slow, clear speaking. If they're talking too quickly and mumbling their words, it will be extremely difficult to catch all of what they said. A better lip reader will be able to read faster.
Mental awareness. A cat who is tired to exhaustion, unable to focus, or not expecting to be spoken to will not be able to process what's being said. Lipreading is an action that takes brainpower.
MOST IMPORTANTLY: A single speaker, not overlapping with others. Lip reading is nearly useless during clanwide arguments. If there's tons of cats talking over each other, shouting out and interrupting, responding to unseen lips in the crowd, or even if an important speaker is just at a bad angle for the deaf warrior's line of sight to catch, they will not be able to catch everything.
Lipreading is also an action that takes focus. If the cat is tired, unable to concentrate, or isn't expecting to have to read lips, they won't be able to process what words the mouth was forming. It works best one-on-one, in clear lighting, looking straight ahead at the speaker... and even then, the BEST lipreader might only catch 40% to 50% of the words said.
So, it's truly reading. Interpretation. It isn't straightforward like language is. From, "I see a herd of deer, all of them are bucks" they might only catch, "...a... deer... of them... bucks." They will have to guess the meaning based on context!
(Look into a mirror. Quickly chant "Red right wrong" three times. Do you see how similar your lips look to form those words when you're not trying to clearly enunciate them? That's what lipreaders deal with.)
So, while there are other options, a sign language is absolutely the best choice if possible in your setting. Especially for cats who were deaf from birth, sign language is the ideal solution.
VERY IMPORTANT TIPS FOR WRITING A HEARING DISABILITY:
Please avoid them speaking with broken grammar, in third person, or with overly simplistic vocabulary, as if they are a toddler or a caveman. If a deaf cat is taught to speak, they will also learn grammar. BAD: "Examplefur go hunt. Me catch mouse good." OK: "I'm going hunting. I'm good at catching mice."
They will not suddenly "forget" how to speak if they lose their hearing, unless they have another condition such as brain injury.
Lip reading is inferior to signing.
They cannot perfectly catch every single word spoken in all conversations via lipreading, especially when the speaker isn't making an effort to include them, or it's during a disorganized group argument.
In ideal conditions, 30% to 40% of the words spoken will be picked up, and the reader will "fill in" the missing vocab with guesswork.
Teaching a deaf cat to speak verbally is a dedicated process, not something they easily "pick up."
Cats born deaf will almost never pick up lipreading, it is more common in milder forms of hearing loss.
Showing hearing clanmates making an effort to include hearing-impaired warriors, like doing translations or just making sure they understood everything, is massively appreciated.
A good culture around hearing loss is the best thing in the entire world for these cats. Support, respect, and acceptance are sincerely the most important factor in how well a hearing impaired warrior adapts with their disability.
So with that in mind, let's also explore the unique challenges in the terrains and culture of each Clan.
Unique Challenges Clan-by-Clan
Because of the nature of this disability, certain Clans are going to be more difficult for a hearing impaired warrior to function independently in, both in terms of environmental hazards and of culture.
Deaf and HOH warriors will not hear the sounds they're making if they step on noisy terrain or accidentally rustle nearby plants. Some enemies also rely more on stealth to attack their targets than others, and some territories will provide more places for prey and predators to hide. Water-related hazards will naturally cause there to be MORE disabled cats in some Clans more than others, which could mean that there will be less stigma and better community.
Environment means a lot to a cat with hearing loss!
RiverClan
Because this Clan is notorious for swimming in the river, they would have a massively higher rate of hearing loss (and scent loss) than other Clans; ESPECIALLY in late autumn and winter. This also means their healers would be MUCH more experienced with treating ear problems in general; but that's a subject for another guide!
(to answer a stray question before I eventually make that guide: RiverClan can make primitive earplugs out of beeswax to protect their hearing, but may need to trade with ThunderClan to acquire that.)
The important thing to note is that compared to other Clans, RiverClan has the highest rate of having HOH warriors. This means that there would be better support systems for hearing loss than in other Clans, and a cultural "bank" of techniques and knowledge to be shared.
They still have the same proportion of kittens born deaf compared to other Clans, but apprentices without hearing in RiverClan would have a bigger pool (heh!) of mentors who have experience with accommodating their disability.
Plus, you don't need to hear fish to catch them. While they'd still have issues hunting water voles and other wetland-loving rodents, fishers aren't at a significant disadvantage when it comes to providing food to the Clan.
Advantages--
High concentration of cats with similar disabilities provides community, and influences the broader culture to be more accommodating
Healers would have lots of experience with the injuries and illnesses that lead to hearing loss, leading to better treatment
Hearing is not necessary for catching fish, and thus has almost no bearing on how skilled a hunter would be.
Mentors would have better techniques for teaching deaf apprentices
Disadvantages--
Will not hear drowning cats. If you drop into that water you're on your own, bucko
Winter will be even harder than usual, when the river freezes over and fishing becomes more difficult.
Overall, RiverClan is THE best Clan for a deaf cat to be part of.
WindClan
With wide open spaces and lots of hills that offer a good vantage point, sight and vigilance is much more important for survival in a moorland than hearing. There's even an advantage to Pawspeak here; you can communicate from across the open moor without screaming out your location to all the prey!
On top of that, moorland has low-laying vegetation. It isn't a grassland, or filled with splashing water, or covered in crunchy leaf litter. There's not a lot of things TO accidentally make noise on, unless the warrior is trying to hide in a gorse or common heather bush, and WindClan is notorious for relying on speed over stealth anyway.
The one drawback to being a deaf moor-runner is that they will not hear baying hounds. Dogs are extremely common in moorland, either as sheep herders or as companions to human hunters shooting grouses. That said, the fact that hounds are the ONLY big predator they'll need to worry about immediately makes WindClan's moor safer than any woodland territory.
Badgers, boars, and foxes hate open spaces like moorland. It's just dogs that are a big concern, and hawks for smaller cats. There are very few "sneaky" predators in this area; most rely on speed.
So being a moor-runner is one of the best jobs that a warrior with hearing loss could have in the Clans... but the minute that they start to have problems listening to any orders, a tunneler should stop working underground immediately.
Deaf apprentices should be excused from their mandatory tunnel training, except to learn how to do evacuation drills.
There is no light underground. Even if they're capable of creating rushlights or are willing to sacrifice glowworms, that light will be dim at best, and could snuff out at any moment. Communication will become impossible with a deaf cat, and even moderate hearing loss will endanger any warrior who gets separated from their team.
If something as drastic as a cave-in or a flooding happens, they will be in extreme danger. They can't be properly warned unless they're pushed by a fellow digger, and they will not be able to notice anything that isn't rumbling. If they DO end up getting trapped under rubble, they will not hear a rescue party calling their name.
It's not just themselves they have to worry about, either. Not being able to warn or coordinate with their excavation team will put ALL of them in danger.
Advantages--
Moorland requires sharper eyes than ears to begin with.
Lack of ambush predators makes this territory particularly safe without hearing.
Quiet terrain makes sneaking less neccesary in the first place
Pawspeak is especially useful across wide distances
Disadvantages--
Hounds are still a massive danger; they could get very close before they're noticed, if they're upwind.
Will not receive a warning cry in case of any hawks or approaching predators.
Tunneling would be profoundly dangerous with a hearing disability; should be heavily discouraged.
Overall rating is that this is the second best Clan for a cat with hearing loss. RiverClan's sense of community still gives them the top seat imo, but if the attitudes of their Clanmates are good, WindClan's moor is an easy territory to adapt to.
ShadowClan
This one is going to depend on what version of ShadowClan the Erins feel like writing that day, or which one you've chosen for your own project. Do they live in a dry pine forest? Or a wetland?
If you're using the idea that ShadowClan lives in a dry pine forest, especially if your project exists in Britain where spruces, firs, and larches are non-native and thus the territory is a timber plantation, refer to the new growth section in ThunderClan below.
I do not abide by that idea, because Aengus the Prize Winning Hog did not emerge from a cranberry bog for me to disrespect him in this way <3 love ur local wetland <3
(quick note: a swamp is a wooded wetland, a marsh is an open wetland, a bog is acidic, and a fen is neutral/alkaline. Wetland is the general term here.)
Wetlands are rich with soggy ground, muck, and microbe-ridden stillwater. Though ShadowClan cats don't swim for fun, they would end up with more ear infections than most Clans through accidentally falling into the swamp. It's likely that they have the second-highest rate of hearing loss in the 5 Clans, but still significantly below RiverClan.
The lush, thick ferns and reeds provide lots of cover to the notoriously stealthy Clan, but to a warrior who can't hear, this terrain is loud and frustrating. The squish of mud under your paws and the rustle of undergrowth is very hard to adapt to if you can't hear it. ShadowClan's prey of birds, frogs, and water-rodents will respond to any accidental noises by fleeing, quickly, making hunting difficult.
Plus, ShadowClan doesn't rely on one, large, deep, stony body of water like RiverClan does, which seems to be sedimentary rock and open marsh all around. Predators are lurking everywhere in wooded swamps, and could sneak up on a warrior who can't hear them. Foxes, badgers, and boars are a danger in this territory.
All that said; ShadowClan still doesn't seem to rely on just rodents. They eat a lot of amphibians and reptiles, which are not hunted by sound. Most of the techniques they use to catch them can just be taught verbatim to a deaf apprentice, or continue to be used the same way by a warrior who has lost their hearing.
Advantages--
Concentration of warriors with hearing loss from falling into dirty water may provide community and support.
Has a good selection of prey that doesn't rely on listening to be hunted effectively.
Disadvantages--
Swamps, wooded wetlands, are dangerous and attract predators.
Lush foliage and soupy ground make moving quietly difficult for a deaf warrior; but not as difficult as leaf litter.
So, this Clan would be firmly middle-of-the-line in terms of its accessibility to a cat with hearing loss. It would depend a lot on how you plan to approach ShadowClan in your own project; such as if you plan to build out more campbound activities, see them as being social or antisocial with their Clanmates, and what kind of territory you choose for them to have.
SkyClan
As of the time of writing this guide in 2023, when the only decent description of SkyClan's new territory is from a single chapter of Squirrelflight's Hope, it's very difficult to figure out what sorts of terrain challenges a warrior with hearing loss would face at the lake.
Hopefully I can come back and update this later!
But it's most likely is that they have a diverse, varied territory, involving the climbing of steep hills and gorges. Even at the "gorge" territory, a lot of hunting would need to take place outside of the rocky parts of the ravine, in the sparse woodlands and countrysides nearby.
For hunting on sparse woodland, see the advice for ThunderClan. Most hunting in British countrysides is going to look very similar to WindClan's open fields, so refer up there for that.
Because of how close they are to humans, both in the Gorge and at the Lake, it's HIGHLY recommended that warriors with hearing loss avoid twolegplaces. ESPECIALLY towns. Between cars, crowds, and grabbing hands, these places are already dangerous (and sensory hell) for warriors with great hearing, but outright lethal for a hearing impaired cat who won't hear these things coming.
So while the majority of the Clan is jack-of-all-trades and regularly mixes up the particular terrain they hunt in, this is going to be harder for hearing impaired warriors. They have to invent brand new, unique techniques for ALL of these different environments, some of them more difficult than others. Because of that, it will naturally be easiest for a deaf warrior to "specialize" in a particular type of terrain.
This could result in some pretty intense feelings of alienation, as their hearing Clanmates regularly mix what sorts of places they tackle. Without even intending to, they could end up making the warrior feel very left out!
In terms of the culture though, SkyClan seems notoriously accommodating. Between the part-time-kittypet daylight warriors and the way they invented an entirely new mediator role for a cat who didn't enjoy hunting and fighting, it would likely be one of the BEST Clans in terms of supporting a hearing impaired warrior, even in spite of having a "standard" rate of hearing loss since their territory is not particularly wet.
So, it's very likely that they would WANT to fix the fact they've accidentally made their Clanmate excluded, and seek solutions that work for everyone. If any Clan besides RiverClan had a Pawspeak interpreter translating Leafstar's words, it would probably be these guys lmao
Advantages--
Varied terrain means there will be at least a few places that aren't too hard for them to adapt to
Sparse woods, open fields, and even gorges, the three most common terrain types, are at worst decent for a deaf cat to hunt in.
VERY accommodating culture, the absolute best outside of the Clans with a high hearing loss percentage.
Disadvantages--
Generalist training, where every warrior handles vastly different terrain types, will exponentially increase how much training a hearing-impaired warrior must learn.
Being unable to join with their Clanmates in hunting across the entire territory could feel isolating
Rating: Close to top tier, but variable. It's going to depend somewhat on the personality of the warrior. While SkyClan will likely make a big effort to include them, the reality of needing to learn several sets of parallel skills and the way they might feel like an "outsider" for specializing could cause extra distress. Especially for a warrior losing their hearing later in life.
ThunderClan
Because of their collaborative culture and hunting style, described as snobbish and bossy by other Clans, it's very likely that ThunderClan would struggle the most with a specific type of ableism. Since they value group cohesion, it follows they may force Assimilation onto a disabled warrior rather than Accommodation.
As mentioned earlier, Pawspeak is the best thing for the comfort of a deaf warrior... but it might not occur to this Clan to encourage the majority of the Clan to adapt to a minority of warriors.
But it gets worse. Forests are AWFUL terrain to hunt in if you can't hear. Imagine walking in a field with a bunch of invisible landmines, and if you step on one, it broadcasts your EXACT location.
It's difficult to tell if your mouse is running away because you crunched a leaf and made a sound... or because a bird in a tree SAW you and is now raising up an alarm cry. If you can't actually hear what the noise was that scared your lunch away, you might blame yourself for being clumsy as a fox barrels towards you!
When it comes to forests, there are significant differences between an old growth forest and a new growth forest. BOTH of them are going to be extremely difficult for a disabled warrior to adapt to, but old growth is harder.
OLD GROWTH
In both, ground litter is a challenge, but especially so in an old growth British forest. Natural forests there are primarily mixed oak, which drop twigs, leaves, and acorns all over the ground.
These areas are bountiful, productive, and brimming with life. Both in terms of prey and predators. The varied canopy of natural, mixed-age trees allows sunlight to filter through and create an "understorey," providing lots of food and cover to lots of different animals. Unfortunately, foliage is not a deaf warrior's friend.
As previously mentioned, a mix of areas for animals to hide in and a surrounding of rattling plant life is the worst possible combination for a cat who can't hear. Worse, hunting rodents depends massively on hearing them through the leaf litter, thanks to those high-pitched chirps and squeaks which are the first thing to vanish when a cat loses their hearing.
This would be so bad that it's likely ThunderClan "works" its youngest members much harder than its seniors, assigning apprentices and young warriors to significantly more hunting patrols. Since hearing loss is so common that it's practically inevitable, and the security of a Clan allows these wild cats to live to such old ages, it would be "common sense" to ThunderClan to structure things this way.
Old growth patches are practically food pantries for Clan cats, but hearing impaired warriors will have a HELLISH time trying to hunt in them.
NEW GROWTH
When a forest is new and all of the trees in a stand are about the same age, they create a uniform canopy. Like a continuous tent. This means they're so effective at blocking out sunlight that there's virtually no understorey.
No understorey means no food. Or very little food. But it also means no cover. And, usually, significantly less leaf litter. This is because in Britain, most of these types of forests are non-native conifers. Sitka spruce and douglas fir are the two biggest offenders-- and that's significant because nothing here has evolved to EAT the products of those trees.
In ThunderClan, Tallpines is an example of this, but this type of terrain could pop up anywhere that's seen massive destruction.
No understorey to feed prey, no products of the trees which native animals can eat, a silent floor covered in pine needles which offer no hiding places, almost chilling uniformity of the strange trees in evenly-spaced rows...
All of this to say that there's an irony here, that the hearing impaired warrior will be best at hunting in the most barren parts of the forest.
There's much less things to trip up on, or rustle. Prey can be plainly seen out in the open. Gray squirrels are the most significant prey that can utilize these areas, and they DO make a hearty meal for a Clan cat. Additionally, these areas are particularly silent because they're so barren, which might make them seem "creepy" to hearing warriors, but that wouldn't bother a deaf warrior one bit!
Advantages--
Cultural sentiment of "all for one; one for all" may lead to more dedication from the Clan as a whole in connecting to the hearing impaired cat
Which could be a blessing or a curse, depending on the individual warrior's feelings.
Ability to work efficiently in the most barren parts of the forest
Disadvantages--
Cultural emphasis on collaboration in group hunting likely leads to deaf cats being encouraged to adapt to the patrol rather than their own strengths.
May result in more emphasis on teaching lip reading and 'speech therapy,' rather than the adoption or implementation of Pawspeak.
Very difficult to stay quiet in a forest if you can't hear the crunch of leaf litter and twigs.
Lots of cover means random bullshit can spring out from any corner; abundance of ambush predators.
Cover also means there's a lot of places for prey to hide, and hearing can't be used to pinpoint the location.
Lots of rodent prey, which relies on hearing high-pitched noise to catch.
Rating: F MINUS, SEE ME AFTER CLASS. By FAR the worst Clan for a warrior with hearing loss to be part of, for both practical reasons, AND cultural reasons. Awful awful awful, absolutely abysmal, failing grade. Dark Souls for deaf cats
Though remember! This part of the guide is a suggestion. You do not need to include ableism in your own projects if you do not want to, and I hope with the information that you now have, you know how to better avoid it!
"Sources?"
Right this way~
#Deafness#Hearing Loss#Herb Guide#Clan Culture#warrior cats#deaf warriors#This is not BB but I feel like I should tag it just for the cover art#Since Stonewing and Dovewing don't have hearing loss in canon#BUT I SAY THEY DO#Better Bones AU...ish. kinda#Bonefall's Herb Guides
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Captain Marvel is such a great movie, an amnesiac alien crash-lands on Earth, proceeds to immediately annoy everyone in her vicinity, steals a motorcycle, re-finds her found family (and adds a few new members), finds out she's actually human and her mentor has been lying to her, gets in a fight, gets in another fight, gets in another fight, ships her ex-mentor back to his planet, and jerry-rigs multiple communication devices, including a pager. Also the soundtrack is full of great songs. Top tier.
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1. BLACK MAMBA
IN WHICH: in a world where humans can synk with their æ, there is suddenly a huge synk out, and the real world can no longer communicate with the flat world for the longest time. what happens when you finally receive a synk message from æ-yn?
chapter one !
"l'existence précède l'essence" is a central motto of existentialism meaning that existence precedes essence. this means that man exists first, emerges in the world and then defines himself. this phrase inverts the traditional philosophical view that the essence of a thing is more fundamental than its existence.
æ is formed, based on all the data that you have uploaded and interacted everywhere, whether it’s pictures, music, websites, or videos. it is formed into something very much like yourself.
but just because it’s made of your data, doesn’t mean it’s you. though it comes incredibly close in your case. you have always thought about yourself as transparent. you are online how you are offline, hotheaded, to your own ideas.
though you had to admit that, you are never going to keep being that same y/n you are now, with time, people change. and what worried you, is that your æ wouldn’t.
“ningning?- ah!-” you tumbled to the ground, as she threw herself to you, a bit too excited, you had to say. she grabbed you by the shoulders, forcing you to sit correctly.
“are you crazy? bike race?!” she exclaimed.
your eyes widened when she pointed to the tv behind her, where the news of a girl racing police through the city on her motorcycle made the headlines, after escaping an illegal race.
“what, me? you think she looks like me?” you scoffed, pushing yourself off of the ground, helping your friend up.
ninging wore something that could describe her personality, artistic and expressive. the latter was something she did show off a lot.
“i do think so,” ningning crossed her arms, tapping her foot on the marble floor.
your arms dropped, as you dragged yourself next to the big screen, almost feeling proud about it. “see? her technique is all wrong, she looks too… rushed?”
“yes because you were escaping from the police, anyone would feel rushed,” she rose her brows at you, making it almost impossible to say something back.
“in my opinion,” you heard a voice behind you. completely forgetting your devices had familiarity with ningning electronics, from all the bluetooth connections in the past.
æ-yn floated on the screen, imitating your movements, as she got replaced on the video, and was now riding your bike. “she looks really cool, nothing like y/n,” she slid on your helmet.
“and you look really dumb now, just because you’re æ-yn, it doesn’t mean you can be as good as me with these things,” you replied back, pettily, making her gasp. ningning let out a laugh at your banter, finding funny how her relationship with æ-ninging was much different to yours.
“you two are a handful,” she sighed, and then remembered what she was doing. “oh! y/n, i need you to get some things for me to this one person who bought my art,” she ran off in some direction, her little boot-heels clicking on the floor.
you looked at your æ with a confused face, and she only shrugged. it was almost like you were the official errand girl, all because you had a quick ride.
“here, woah!” she came back with a handful of canvases, all of different sizes, almost tripping on air, but being able to catch herself.
“what if i say no,” you groaned, looking at your æ for some backup, but she only shrugged, and disappeared, leaving you with this problem.
“you can’t,” ningning poked her head from the side, her entire upper body being covered by paintings, “you already promised.” she sang.
“i did?” you scrunched your nose, “but what about the thing?”
“what thing?” ningning looked puzzled, blinking.
“the painting expo hacking thing,” you reminded her, as her face brightened up, “oh that thing! yeah i’m still doing it,” she smiled proudly, swaying from side to side.
“oh ningning,” you whined, finally understanding the misunderstanding, “i thought you invited me over to see that, not to help you deliver packages.” you dragged your words with laze.
“oh y/n,” she whined back, mocking you, “that’s too bad, you’re going to have to find out how it went on the news, just like i did with your bike race.” she winked, knowing she won the banter.
“but-” you were going to say, until she handed you all the canvases, making you stumble on your own footing, securing the paintings in your arms.
“now, æ-ningning will send the address to æ-yn for her to guide you, they’re all going to the same place,” ningning grabbed her phone, sending a synk message.
“okay…” you grumbled, “i’ll see you later, hopefully npt with another similar situation,” you started to head out of the studio, a bit disappointed for not getting to see ningning’s plan on the big screen.
she ran over, opening the door for you, and saying goodbye in a cheery tone, before letting you out.
going down the same stairs, you reached the lonely lobby, and stood outside in the street, thinking about how you were going to transport everything.
taking out a long rope from a compartment on your bike, you used it to tie all the canvases like a present tie, and then took two ends of the rope, tying it on your back. you made sure none would fall out or that the knots were lose before sitting down.
placing your helmet on, the sound of the system connecting ran through, a following voice. “are you sure that’s safe?”
“i’m alright,” you replied, placing your hands on your thighs, waiting for the map to connect.
“yeah i don’t care, i’m talking about the canvases,” æ-yn remarked, making you irk at her comment, “you know? sometimes you have to learn to keep your mouth shut, or your pixels, whatever,” you huffed, the helmet screen projecting a map.
“whatever you say,” she yawned, leaning on the edge of the screen, observing the road. “this is the fastest route, but be careful, it’s already very dark-”
“i can see that-”
“so, turn on your lights,” she smiled smugly, as you had forgotten to. “please.”
you did so, not without rolling your eyes, and went on your way to the place ningning had instructed you to.
it was a strangely secluded place out of the city, but it wasn’t far, you’ve heard about it. and now, visiting it at night, made you feel everything but safe.
the well-lit streets and nice buildings slowly turned into numerous alleys, and berated brick walls, a small rain had started, making the road a bit slippery too. you had to cover the canvases with your jacket to make sure they didn’t get ruined.
lamppost lights flickered over you, adding an eerie feel to the small voice in your head that told you to get out of here as soon as possible.
you were a few minutes away from your destination, no more than ten, when something strange happened, making you stop your bike.
the helmet got disconnected, the screen turning entirely black. you pressed the break on your motorcycle, coming to a complete stop in the middle of the lonely street.
“that’s strange,” you mumbled, taking off your helmet to inspect it, wanting for it to just be a small error, nothing grand.
your æ’s voice made the road seem less scary until now, that it shut off. for some reason it wouldn’t turn back on, so you had to restart the system.
the lights on your helmet soon slid through its accents, letting you know it was on. placing it over your head, you watched as the screen came to life, making you meet a white logo of the headwear company.
but then, it glitched, and then it glitched again, until the screen turned black, making you lose al hope in getting it back on.
“you’ve got to be kidding,” you sighed, looking down.
and in the middle of the screen, something else appeared. a logo similar to the æ, a snake slithering through the first letter.
that was the last you heard of your æ.
the news of a massive synk out soon were in everybody’s screens. people were all over the place, panicking, being scared. they didn’t know where their æ had gone, and nobody knew how it happened.
that night, the city had been blasting messages to the æ, and calling for anybody who had information about the synk out.
it felt incredibly alone. having someone by your side, that understood you, and had your back, and then not anymore, without a reason.
“-it has been five months since the phenomenon, called synk out. forcibly disconnected synk with æ’s across the city simultaneously-”
“move out of the way,” you interrupted the video playing on a girl’s phone in the audience. she jumped, turning quickly to face you, looking up at your face.
“i’m so sorry,” she apologized, recognizing your face.
five months. it was all it took you to become one of the best and fastest motorcycle racers. you had gone against countless of people, for now, no one had been able to beat you. and that’s how you wanted it to remain. you trusted your own instincts in these races, not looking for help from anyone.
“yeah, okay, so are you moving out of the way or?” you raised a brow at her, as she had been staring at you for a some seconds.
you pushed her out, and walked towards the road, seeing the bike parked at the starting line. getting on it, you were about to place your helmet on your head until a voice spoke.
“you know, you were just like that,” heeseung said, getting on his own bike, racing for the fun of it. he had already gone against you too many times to count, and even if it was hard always coming up in second place, the money of maintaining that place was worth it.
“what are you talking about?” you placed your helmet on your lap, looking at him with confusion on your face.
he rolled his eyes, pointing to your right. your eyes turned to look at the sight. the same girl which you had pushed out of the way, filming you, as she had a poster with your name on it.
your eyes slightly widened, and you sent a senseless nod, turning back to him, “what are you talking about?”
heeseung laughed at your words, as you had repeated the same question, but now with an entirely different tone and meaning. “i remember the day we met, a scaredy young girl, still in high school, who beamed away from home to come see her older brother race,” he started, making you feel a bit of nostalgia at the memory.
it was almost like it had been yesterday. when you snuck off to go cheer on your brother’s last race. he was leaving the city for university. you had always looked up to him, as he spent little time with you, making him that ‘cool mysterious older brother’.
you were so tiny in that small crowd of tall high schoolers and college students, looking for a familiar face. when you then bumped into a racer. he looked you in the eye, confused as to why a middle school girl was here, and in your point of view, he was going to beat you up, but you still admired how cool and awesome the rider looked, even attempting to take some pictures with him.
a boy and his friends ‘saved’ you, who now you know as heeseung, sunghoon and jake. the two last never raced, they only came to support heeseung, and occasionally you.
“i wasn’t obnoxious and annoying,” you retorted, sliding your helmet on, not wanting to hear more of it.
“were you not?” heeseung laughed, reaching over to punch you lightly, making you throw him a look he could feel, even if you had the visor covering your eyes.
your attention was back on the dim light street before you, as a familiar girl excitedly stood in the middle of it. ten motorcycles were standing in front of her menacingly, as they revved their engines.
she raced her hand in the air, and you leaned forward in anticipation, your chest almost touching the front of the bike. her hand fell, and quickly, all motorcycles zoomed past her at an incredibly fast pace, like ghosts.
you were behind two bikers, easily making your way past the others who were now behind you.
this was a familiar circuit, it was the last one you had used æ-yn’s help on, the last race she had completed with you. it almost felt like a duty to come first place on this race now. as if you owed it to her.
you were fast on the first two rounds, as you had come a few days ago to become more familiar with the streets and shortcuts. now, you were driving alongside heeseung, as he had the time to salute you mockingly, always having the time of his life on races.
it was a feeling hard to describe, you just had to experience it on your own, the rush on your muscles, your ragged breath, the heat of the engine near your legs, the vibrations of the motor under your fingertips, it was all human controlled.
this was all you.
at the last lap, you were head in head with another biker, as they tried to speed up past you, successfully doing so. you leaned forward once again, panting, as your bike cut through the air, taking up more velocity.
their bike clashed against your on the side, the adrenaline making it impossible to feel any pain, you couldn’t look anywhere but ahead of you now.
it was the closest call ever, but like always, you came in first.
you were in a bliss, it felt good winning, knowing nobody could be better at this than you. the crowd swarmed around you, some congratulating you and some others challenging you, thinking they would be the ones to beat you.
in the midst of it all, you looked to the side, seeing a familiar figure leaning on a wall, and when they noticed you, they immediately went to hide behind it.
you furrowed your brows, dismissing some people without paying attention to them, as you tried to cross the street with some difficultly, there was just so many people.
you managed to pry some of them off and get away, wanting to know what this was about. as you got to the alley, two hands grabbed your jacket, pulling you closer with great force.
your back collided with the wall, making you wince, and look up at the person. “ why are you here?! what is your problem karina?!” you said in anger.
karina wore her hair down, a big jacket over her, as she stepped back with an incredulous look, “what is my problem?! what is yours?! we haven’t heard from you in months, and now we find out you’re this hardcore illegal racer?”
“i don’t like the word hardcore,” you cringed, looking to the side, “and i don’t see why it has anything to do with you, the four of you know i’ve been doing this since forever,” you spoke back.
she shook her head, clearly distraught, “yeah, well, i didn’t think throwing your life away, ignoring your friends and family was that serious to you,” she pushed her finger with blame into your chest, “and i’ve told you, not to wear shorts while racing.”
you frowned and looked down at your legs, seeing a big portion of your skin bleeding, and scratched, bruised. probably from when you crashed with the other biker side to side.
“oh my god,” you swallowed, breathing heavily, feeling as if your legs were giving out. all the adrenaline and rush made you not feel the pain, but now it coursed through you incredibly hot, making your skin feel almost burning to the touch.
“karina i’m-”
“don’t say it,” she warned.
“i’m going to die,” you wailed. ever since you were a kid, you hated getting hurt, small scars from playing outside, cuts from cooking or bumping into someone. it made you feel sick.
you’ve never broken a bone, got stung by a bee nor stepped into glass. all the time you’ve been careful not to put yourself into small harms way, except for the fact that you quite literally sit in a bike and race and do crazy life-challenging stunts.
“okay, calm down,” karina sighed, going over to your side, and looping her arm around your shoulders, “my apartment is close, let’s get you fixed up,” she smiled.
inside, she was trying not to flinch at how much your wound must hurt, from the small look she took, karina could tell it was deep, and you were likely in extreme pain right now. so she wanted to act nice to make you feel a bit light headed, and not think about pain so much.
“no, wait-” you stopped on your tracks, “i’m not going to walk all the way over there,” you scoffed, feeling as if daggers were puncturing your leg repeatedly.
“i brought my car dumbass,” she laughed, helping you to walk.
“okay.” you breathed, “okay, okay. wait!” you stopped again, now making her groan in annoyance, “what now?”
“my motorcycle! call heeseung! tell him to take it with him,” you nodded, almost vulnerable, looking up at her with teary-red eyes.
“alright,” karina reassured you, holding you closer, “i’ll let him know once we get you to my car,” she continued saying warmly.
karina did in fact call him, and even turned on the speaker, letting heeseung call you very not-nice names because you got hurt on impulse.
the ride to her apartment was quick, not more than a couple of short minutes, but it was just enough for you to fall asleep, your body not wanting to be awake to feel the pain of the wound any longer, as your muscles had also grown tired from the race.
karina made the effort to carry you upstairs, trying not to get blood on her white jeans, and even almost waking you up and having you walk all the way up there by yourself, but she didn’t.
she much preferred having your blood on her white jeans.
months ago she would have woke you up, telling you how stupid and reckless you had acted, but now, she knew just how important these raced were for you, even if it was done in a non-normative way. she respected it, and was glad that something kept you going.
once she got to her apartment, she got the help of three others to clean you up, getting the dirty clothes off and fixing up your wound the best they could, reminding themselves to take you to the hospital as soon as they could tomorrow if you got bad.
your consciousness slowly started to get back later at night. your body was incredibly sore and tired, but too much preoccupations woke up your mind.
looking around, you noticed you were in karina’s living room, on her couch. trying to stand up, your leg instantly started burning, and you looked down to see it wrapped in a bandage, a bit of blood leaking through the white.
you had a big shirt on, with some rockets and spaceships printed on it, and a pair of cookie monster shorts on. aside from that, the tv was on, and you noticed four pair of shoes by the doorway.
“fuck no…” you whispered, knowing exactly who was in the apartment with you right now.
you had a feeling it was past midnight and they were asleep, as no noises coursed the apartment apart from your heavy breathing, so it was okay to assume you were safe to go get water.
slowly walking in your heels, you made your way to the kitchen, trying to feel around for the cups cabinet, and as if luck had completely vanished from your side, you dropped a handful of things that came tumbling down to the ground, making a loud continuous noise of metal clashing against each other.
“of course,” you grumbled, soon hearing a light turn on from a bedroom, as someone came out from it.
you dropped to the floor, hiding behind the kitchen isle, as winter came closer to the kitchen, looking around confusedly, not being able to spot what had made the noise.
cursing to yourself for the inconvenient hiding spot, your leg started to hurt even more. it was too much pain to tolerate. so you had to stand up abruptly, scaring the girl standing right on the other side of the kitchen isle.
“ahhhhh!” winter swung at you with her hand, but you stopped her, grabbing her wrist, “stop! it’s me!”
winter blinked, and stepped back, looking at the living room, where your previous resting spot was left alone, “oh, you’re up,” she spoke calmly, her heart beating quickly from the scare.
“yeah i’m up,” you turned around, now having enough illumination to be able to get a cup of water, and pick up everything you dropped.
“you’re not really quiet,” winter giggled, dragging out a chair from underneath the counter, jumping on it, “but again, you’ve always been rowdy.” she pouted.
“uh huh,” you replied back, not really interested, not wanting to face her, nor the rest any time soon.
you turned on the tap, watching as the water infuriatingly slowly filled the cup. your finger tapped against the side of it, as if to hurry it up.
“oh hey,” winter spoke, her voice tired, as you heard another pair of footsteps come into the kitchen.
“winter? y/n? why are you two up?” ningning yawned, and then remembered, “wait, y/n, what about your-”
“yes, it hurts,” you turned off the tap, and turned to them. both looked a bit different. ningning’s hair lighter, and winter had cute it shorter, also making it darker, like chocolate.
“then why are you up?” ningning shook her head, a few pieces of hair falling down to her face. you raised your water, that being your answer.
that was always your answer. absolutely nothing.
for months they have been trying to get closer to you. the day ningning sent you out to deliver the canvases, was the last they saw of that y/n. in essence you were still her, but you had changed, as people do with time.
with no æ around, you were just you. no y/n and æ-yn, anymore at least. and with all your winnings, you felt as if it was for the better, the synk out. it wasn’t that you had thought of getting rid of your æ. that though never even once crossed your mind, but it was nice not relying on her, but relying on the actual you.

MASTERLIST.
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#aespa#aespa fic#aespa x you#aespa x fem reader#aespa x reader#aespa giselle#aespa ningning#aespa karina#aespa winter#karina x y/n#karina x you#karina x reader#karina#winter x you#winter x reader#winter#ningning x reader#ningning#ning ning x you#ning ning x reader#ning yizhuo#giselle x reader#giselle#giselle x you#kpop x you#kpop x fem reader#kpop x reader
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a primer for all my mutuals watching me go through a Persona 2 hyperfixation
basically, so y'all understand what these memes/headcanons/fanarts/liveblogs of me weeping are, i present a terrible explanation of the Persona 2 duology for all those of you who are confused. Spoilers ahead.
-There are two games that constitute Persona 2: The first is Innocent Sin, and that timeline gets yeeted at the end in favour of the second game, Eternal Punishment
-The protagonist of IS is Tatsuya Suou. He's a (canonically!) bisexual mess. He's great with swords and great with dudes, but otherwise horrible at communication. He's autistic motorcycle man. He's the only one whose memory is not nuked by the timeline reset, and it destroys him internally
-In both games: rumours are becoming reality. Ways such rumours get utilised: A tyrannical school principal reverses his male pattern baldness; one guy can recite pi to the hundredth thousandth place; Hitler is alive and wearing sunglasses;
-Tatsuya has childhood friends in IS. They have amnesia because trauma, but then remember because more trauma. These friends include: Maya Amano (see below); a white girl who punches dudes; THE GREAT MICHEL, ROCKSTAR AND UNDERPANTS GANG LEADER; and one (1) traumatised gay murderer who's also the resident astrology bitch
-(The party also includes Yukino, a sane lesbian)
-There is a gay romance option between Tatsuya and Astrology Bitch, and you are a coward if you don't select it
-Astrology Bitch is a clown for half of IS. Specifically, a Tumblr sexyman murder clown.
-The protagonist of EP is Maya Amano. She wears a jacket with lovehearts sewn over each breast, and at the end of IS, she gets stabbed with the lance that pierced Jesus, and dies
-Maya dying sets off an apocalypse, destroying the world. To reverse the apocalypse, childhood friends petition the local god to yeet this timeline in favour of one where they never met (that being the world of EP). If any of them remember that they know each other, then the new timeline is at risk of being destroyed (that being the plot of EP)
-Tatsuya, autistic motorcycle man, loves his friends too much. As a result, he remembers the old timeline, and now, it's up to New People to prevent the EP timeline hurtling into an apocalypse
-New People feature: Maya Amano (not dead), Ulala 'I sell lingerie and punch dudes' Serizawa, two (2) Copyright Free Gendo Ikaris, and a character from the original Persona (yes, the one where there's a Japanese character who got made black in the botched localisation. Sorry, Masao/Mark)
-Copyright Free Gendo Ikari #1 is Katsuya Suou. He's Autistic Motorcycle Man's older brother, has a stick up his arse (to quote one fic), and acts nothing like Gendo – just looks like him on a budget. He has a cat allergy. He's a homicide detective. He wanted to be a pastry chef. (My heart is in tiny pieces—)
-Copyright Free Gendo Ikari #2 is Baofu. He looks nothing like Gendo, but is as smug and as scheming.
-Both Copyright Free Gendos wear sunglasses at night. They hate each other btw
-EP also features Anna Yoshizawa, a sane lesbian, and Noriko, an insane lesbian
-Tatsuya's memories get yeeted at the end of EP, and it's the only case of amnesia in media where it actually feels like a well-earned relief, rather than a cheap plot device
#re tatsuya being 'autistic motorcycle man': he literally has an in-game skill of imitating the noises of motorbikes and construction sites#thank you to reacon who came up with 'copyright free gendo'#i kid you not these games are both better-written and so much gayer than the persona games to follow#now go play persona 2#persona 2#shitpost#tatsuya suou#maya amano#jun kurosu#jun kashihara#lisa silverman#eikichi mishina#innocent sin#eternal punishment#anna yoshizawa#yukino mayuzumi#katsuya suou#baofu#ulala serizawa#p2is#p2ep
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Log of the Multiverse: Hearts
So recently i was able to make my own universe-hopping device by studying the code of Ink's portals. but i didn't want to make some complicated gun that makes portals (a gun that makes portals? i'm no aperture science)
so instead i modified a motorcycle (that i did not steal) that's able to tear holes small enough to heal by itself and to hop between universes once i reach a certain speed. Cons of this. i need to reach a certain speed to tear said hole. Pros, ive been able to get out of a universe in as small of a space as twenty feet. plus it's really handy for getting away from things.
While getting the hang of it, i found this Mettaton at the dump of the universe's Waterfall. The guy was SCRAP METAL when i found him. I thought he was dead, honestly. I nearly jumped out of my metaphorical skin when i heard him speak.
He told me he was in the wrong world and needed help getting out of this "horrifically hostile world". Now usually i'd check in with Ink before yoinking someone from a universe buuuut this guy was very persuasive. and also was in the process of dying
I call him "Hearts" because his breastplate's the shape of a heart. im very creative, i know (at least i didn't name him PINK because his skin's PINK. Unlike SOMEBODY who names people that way) (im not even blue. i wear more of a blue-green)
For now, he crashes at Dream's our communal home in the Doodlesphere. because he didn't like the idea of living at the hub due to the amount of people there.
I've done as good as a job as i could to repair him. thankfully i've gotten a lot of pointers from Alphys to improve my engineering skills.
So I guess, this guy's an outcode like me. I haven't seen many non-sans outcodes. Only two i can think of at the top of my head are XChara and In. Scratch that I can only think of one. Unless you can count Everyone in the hub, but their case is different in my opinion because most of them stay in that universe.
He seems to be from some kind of fell-esque universe with his two pairs of arms and eyes. Ink says im smitten for him, don't believe his lies.
It's Mettaton, everyone thinks he's hot.
Anyway, he has a VERY high LV. So i'm always prepared to dodge juuust in case he decides to attack me, but I doubt he will because i'm basically his repair-man now. He's also very interested in joining me on my trips to other universes. I just make sure he doesn't mess with anything.
Oh this reminds me, he's saved me on numerous occasions. Like one time when I was collecting some echo flowers from Waterfall in an Underfell universe he stopped a boulder from hitting me it was pretty hot. He's pretty strong. It's almost like he's my bodyguard or something
So yeah, Hearts. He's pretty cute. i mean nice. he's nice. even though he's actually very rude and snarky and has probably Definitely killed a lot of people to get to level 12 (that's probably not all from self-defense)
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Excerpt from this story from the New York Times:
Tiny snouts and long tails. Checkerboards of black and brown scales. Eggs the size of oranges cracking alongside hatchlings mewling and chirping like a choir of baby birds.
The birth of 60 Siamese crocodiles in the wild last month was all very Jurassic Park.
The hatchlings were the largest population born this century, representing two decades of conservation efforts. While the babies slipped and waddled through their trio of nests, their marble-like eyes blinked upon a bright new world for a species once nearly as extinct as the dinosaurs.
“There’s a biodiversity crisis around the world, but in the tropics of Southeast Asia it’s particularly acute,” said Pablo Sinovas, the country director for the Cambodia program of Fauna and Flora, the conservation group monitoring the comeback. “The fact that we’ve been able to help these crocodiles recover and see this landmark breeding event, it’s very significant.”
Siamese crocodiles were first listed as virtually extinct in the wild in 1992. While captive populations lived in zoos and crocodile farms, decades of poaching of the animals for their soft, coppery hides that were used in the fashion industry, along with habitat degradation, had razed the wild population.
In 2000, a very small population was recorded in the remote Cardamom Mountains of Cambodia. The Indigenous population of Chorng people had protected the crocodiles, which they considered sacred, for generations. The species is smaller and less aggressive than its saltwater crocodile relative, and there is no recorded evidence of attacks by the animals on humans, including people who wash clothes and children who swim in the rivers the crocodiles call home.
For the last two decades, Fauna and Flora has worked with government agencies and local people to formalize species protection through a program that provides a modest stipend, along with work clothes, GPS devices and transportation like kayaks and motorcycles.
“The community members already protecting the sites is key to why this program works,” Mr. Sinovas said. “Instead of a group coming from the outside, we’re supporting what’s already there.” At last count, a very rough estimate of 250 adult crocodiles persisted in Cambodia, according to Fauna and Flora, and between 500 and 1,000 existed in the wild, according to the International Union for Conservation of Nature.
Siamese crocodiles “are a charismatic, large predator, so they naturally fascinate humans, and they have cultural importance,” Mr. Sinovas said, noting that their conservation could have ripple effects.
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Poststructuralism and Postmodernism
PART I: Freedom! '90" George Michael
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The music video for "Freedom! '90" by George Michael is a visually iconic and cinematic piece directed by David Fincher. Released in 1990, the video is known for its stylish and memorable scenes. The video does not feature George Michael himself; instead, it showcases five of the era's top supermodels: Naomi Campbell, Linda Evangelista, Christy Turlington, Cindy Crawford, and Tatjana Patitz. The supermodels lip-sync the lyrics of the song and perform various scenes. The video is a departure from Michael's earlier image and marks a significant moment in his career. It symbolizes his decision to step away from the spotlight and let his music speak for itself. The models, who were at the peak of their fame, are shown mouthing the lyrics, highlighting a transition from the image-driven phase of George Michael's career to a focus on his music and artistic expression. The video has a chic and glamorous aesthetic, combining visually stunning scenes of the models in rooms of an abandoned house, posing through streaks of sunlight and hues of blueshimmering on their faces, glimpses of water, and modern means for musical transmission.
Thinking in terms of Deleuze’s theory on repetition, multiple mediums of audio transmission can be seen throughout the music video. At 0:0:14, one of the models uses a laser to turn on a futuristic vinyl stereo setup, then the shot pans to a vhs tape player. The shot switches between these two music playing set ups and turns to a cd cover of george michael’s album “Listen Without Prejudice”. This emphasis on the continued auditory media as a means of communication suggests the duplication of the same ideas transcending generations of innovation, as well as creating and distributing music throughout multiple mediums to send a message. This evolution of technology containing an evolving idea of transmitting auditory media to the masses represents Deleuze’s idea that replication is a means to transform the meaning of an idea. The more these technological devices evolve, the more efficient and optimized listening to music can be, the more capabilities are possible and the more people can be reached via music.
Through the perspective of Baudrillard, it can be interpreted that Michael is creating a new hyperreality for himself in the video. By using specific signs throughout the development of the shots, Michael distorts and solidifies new meanings of objects within the space. For instance, at 0:2:18, a motorcycle jacket is seen burning on its hanger. Delving into the meaning in real life, the BSA jacket shown in the video was an iconic piece that Michael wore during the Faith tour, where he experienced huge commercial success as a pop star. By burning the jacket, Michael metaphorically sheds his old identity and embraces a new sense of freedom and authenticity. The act of burning the jacket serves as a symbolic rebirth and a declaration of independence from the expectations of the music industry. Using Baudrillard’s terms, the burning of the jacket, as a form of simulacra, denotes the destruction of the reality Michael was currently in, and the creation of simulation through Michael’s autonomy of creative direction. Through another analysis of the signs in the video, the different forms of electronic mass media, Baudrillard’s theory suggests these signs maintain the illusion of reality.
At 0:0:45, Naomi Campbell is seen listening to the song through headphones, on top of the other mediums of media transmission previously mentioned. In addition, the main feature of the video is all of the models lip synching the song instead of Michael himself. Baudrillard’s theory applies to how mass media, especially in the form of electronics, maintains the illusion of reality. These auditory devices in essence “control” the models in this hyperreality, using them as the means to convey the message of the song. The video begins with them turning on the devices, and ends with them conveying the same lyrics that were being played by the electronics.
Finally, examining the video utilizing the theories of Jameson’s postmodernism, the video can be interpreted through symbols used of the shallow nature of commercialization and consumer culture. Jameson's criticism of postmodernism includes the notion of "empty signifiers," where cultural products lack depth and critical engagement. In the video, the glamorous and stylish representation of supermodels, although visually striking, may be seen as lacking in substantive content. The emphasis on aesthetics and surface-level appeal aligns with Jameson's critique of the shallowness in postmodern cultural production. Though this may be true just looking at the visual elements in the video, the lyrical message behind the song tells another story. Famousky, Michael sings the line “sometimes the clothes do not make the man”. Meaning that one may be satisfied with a material means of happiness, but they are a shallow representation of the individual beyond their capitalistic idealization. The use of models in the video highlights the need to use commercially accepted visions of beauty and glamor to convey messages to the masses, because this is used by the ruling class. The main theme of the song is Michael’s desire to distance himself from the highly commercial pop star image of himself, singing “But today the way I play the game is not the same, No way, Think I’m gonna get myself happy”. He rejects the emptiness of his previous images, and wants to pursue genuine happiness through feeling genuine in his artistry. Models are often used as surface level vessels to promote brands and corporations, it can be interpreted that Michael uses them to convey the messages of “Freedom” to encourage people to break free from the shackles of consumer culture and pursue happiness outside of material gain.
Through Deleuze's theory on repetition, the use of multiple mediums for audio transmission symbolizes the evolution of technology and the transformative power of replicating ideas across generations. In Baudrillard's lens, the video becomes a narrative of Michael creating a new reality for himself by distorting and solidifying meanings of objects, especially through the symbolic act of burning his iconic jacket. Baudrillard's hyperreality concept is evident in the models being controlled by electronic mass media, maintaining the illusion of reality. Furthermore, Jameson's postmodernism critique unveils a juxtaposition between the visually glamorous representation of supermodels and the song's deeper message, revealing the emptiness of commercialization and consumer culture. The video challenges the superficiality of postmodern cultural production by using models as vessels to convey a message urging people to break free from the constraints of a consumerist society that controls them.
Discussion Questions:
What scenes in the video stood out to you in terms of commercialism/consumerism, how does Michael portray this?
Do you think George Michael is truly breaking free from a commercialized pop star when he continues to release music within the culture industry?
PART II: "1979" The Smashing Pumpkins
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The music video for "1979" by the Smashing Pumpkins, a popular 90s Rock song depicts the lives of suburban youth in the 1970s. It features a series of seemingly random and disconnected snapshots that capture the experiences of teenage life, including house parties, driving around town, and various interactions. The video conveys a sense of nostalgia and the carefree spirit of youth, emphasizing the themes of rebellion, friendship, and the search for identity. The visual style is characterized by a documentary-like approach, with a mix of intimate moments and energetic scenes, reflecting the diversity and complexity of youth culture, along with an idealization of being young. The scenes are depicted in snapshots like memories that fill the viewer with a sense of yearning for a time gone by. Overall, the video complements the song's themes and provides a visual narrative that resonates with the song's exploration of the teenage experience in 1979.
Fredric Jameson in his article “Postmodernism and Consumerist Society,” delves into the transformations in social, economic, and cultural realms instigated by postmodernism. It challenges the conventional idea of a 'post-industrial' phase and underscores the heightened dominance of capitalism. Jameson critiques the perspectives of thinkers like Daniel Bell, contending that capitalism has solidified its influence. The reading explores how shifts in capitalism's mode of production align with novel forms of cultural expression. It characterizes postmodernism in literature, music, film, and environments by its emphasis on surface, pastiche, and paranoia. Jameson examines pastiche in postmodernism, defining it as a neutral form of aestheticism devoid of parody's satirical impulse. This reflects a move towards stylistic diversity and heterogeneity. Additionally, he addresses the "death of the subject" in postmodernism, challenging the notion of unique personal identities and individualism as central tenets of classical modernism. Through this perspective, the music video for “1979”, complemented with the lyricism, engages with nostalgia coupled with an idealization of consumer culture associated with youth culture. For instance, the video features several scenes of teens driving in a vintage car (first seen at 0:0:23). The car is associated with teenage freedom and a sense of identity, leading to endless possibilities and activities that the teens take advantage of. It's also the very function of the fleeting nature of youth itself The suburban setting also provides an easy showcase for consumerist culture. According to Jameson, while talking about the movie Body Heat, he explains “One begins to realise after a while that the small town setting has a crucial strategic function: it allows the film to do without most of the signals and references which we might associate with the contemporary world, with consumer society - the appliances and artifacts, the high rises, the object world of late capitalism (170)” (1). All of the images shown throughout the video, the cars, the long streets to cruise, the band, and the parties are placed among a suburban setting, as the singer sits in the back of a car reflecting and longing for the image of a “simpler time”. This simplicity however, encourages the material exchange of money for experience, dimming the sense of uniqueness that is commodified by the feeling of youth. Thus, youth culture and consumer culture go hand in hand. Youths think that their experience is shaped by a series of unique memories, but really the subconscious influence of materialism is showcased right in front of their eyes. Overall, the video and lyrics depict a constructed, simulated representation of youth culture and nostalgia, reflecting the influence of media and cultural simulations on our perceptions of reality.
Gilles Deleuze's "Introduction: Difference and Repetition" provides a foundation for his philosophical exploration of difference and repetition. Deleuze challenges traditional philosophical concepts by emphasizing the primacy of difference over identity and repetition over representation. He critiques the way Western thought has historically focused on identity and homogeneity, arguing for the significance of diversity, multiplicity, and differentiation. Deleuze introduces the idea of "difference in itself" and explores how difference operates as a creative force, generating new possibilities and forms. He also investigates the concept of repetition, not as a mere duplication of the same but as a transformative and generative process to shape new meaning out of reproduction. The introduction sets the stage for Deleuze's intricate analysis of these themes throughout the rest of the work, challenging conventional philosophical paradigms and paving the way for his unique philosophical perspective. Deleuze's concept of repetition as a transformative process rather than a mere duplication resonates with the themes in "1979." The song and its video capture the repetition of certain experiences in youth culture, such as parties and social interactions. Deleuze's idea of repetition as a creative force that generates novelty. It’s important to note that the video and song was written in the year 1997, yet the video takes place, like the title suggests, in the year 1979. Thus, the video is a repetition of the representation of youth culture in the 1970s. Although not identical, this representation allows for interpretation of what this time period looked like, and develops new meaning from the spectatorship of the viewer. Deleuze emphasizes that repetition of signs, especially relating to the concept of the “self” are not what signs are, but rather their transformative properties of what they can become. Deleuze challenges fixed identities, and the music video portrays a fluid sense of identity within the youth culture it represents. The diverse scenes and interactions showcase a multiplicity of experiences and personalities, resonating with Deleuze's call for an understanding of identity that goes beyond rigid categories. Due to the diverse experiences in the music video, throwing chairs into the pool (0:2:35) and bowling with bottles in the grocery store (0:3:53), these ideas are representative of the heterogeneous culture centered around youth, though unified under one concept of being carefree. All in all, Gilles Deleuze's philosophical theory serves as a philosophical groundwork that challenges conventional notions of identity, emphasizing the transformative nature of difference and repetition. This resonates with the themes in the Smashing Pumpkins' "1979'' music video, where the repetition of youth experiences becomes a creative force generating new meanings. Despite the video being set in 1979, its repetition serves as a representation of the era, allowing for diverse interpretations and emphasizing Deleuze's idea that signs transform and generate novelty. The video's portrayal of fluid and heterogeneous identities aligns with Deleuze's call for understanding beyond rigid categories, showcasing a multiplicity of experiences within a unified concept of carefree youth culture. Through scenes of unconventional activities, the video captures the transformative properties of repetition, illustrating Deleuze's philosophy in the context of youth identity and cultural representation.
Jean Baudrillard's "Simulacra and Simulations" delves into the concept of hyperreality, where simulations and copies come to dominate and replace the original reality they represent. Baudrillard argues that in contemporary society, signs and symbols no longer point to an underlying reality but instead create a self-referential system. He introduces the idea of simulacra, which are copies without an original, and suggests that simulations have become more real and influential than the reality they mimic. Baudrillard explores the impact of media, technology, and consumer culture on shaping our perceptions, challenging traditional notions of reality and representation. The essay delves into the dissolution of boundaries between reality and simulation, questioning the authenticity of experiences and identities in a world increasingly saturated with signs and images. Putting this lens over the analysis of “1979”, a hyperreality is created by the setting of the music video. This simulation capitalizes off of the simplistic nature of youth and creates a feeling of nostalgia and longing for a carefree version of life. Even the lyrics suggest this love of a time gone by coupled with the dread of growing up. “That we don't even care as restless as we are. We feel the pull in the land of a thousand guilts. And poured cement (0:2:08)”. Baudrillard notes this certain draw towards simulations stating that “When the real is no longer what it used to be, nostalgia assumes its full meaning (153)” (2). The music video was made in the 1990s, but about the 1970s, emphasizing that the meaning of the song and music video is a means to cope with the loss of the carefree days of youth. Baudrillard would argue that the video is not a direct reflection of reality but a simulation created by media representations, contributing to the construction of a hyperreal youth culture. Baudrillard's concept of simulacra suggests that in a hyperreal world, identities become fluid and constructed, influenced by media and cultural simulations. The portrayal of youth in the video reflects a simulation of identity influenced by cultural representations rather than an authentic expression of individual experiences. The video itself follows snapshots of youths and experiences reminiscent of memories, from signs like parties to joyrides. However, the simulation created through the music video itself lacks depth, and is a generalization and idealization of youth culture rather than unique experiences. Baudrillard explained the nature of the hyperreal and simulacra, noting “It retains all the features, the whole discourse of traditional production, but it is nothing more than its scaled-down refraction (159)” (3).
The video, set against the backdrop of suburban youth in the 1970s, becomes a centerpiece that showcases both an idealized past and a constructed representation of youth culture. Jameson's critique of postmodernism's emphasis on surface, pastiche, and the "death of the subject" resonates with the video's depiction of fragmented memories that present a shallow and idealized version of youth.
Deleuze's philosophy of difference and repetition aligns with the diverse and tokenized aspects of youth experiences depicted in the video. The repetition of the aura of the year 1979 becomes a creative force, generating new meanings and contributing to a fluid and heterogeneous sense of identity, specifically around youth culture.
Baudrillard's concept of hyperreality and simulacra further deepens the analysis. The video, portraying an idealized version of the 1970s, becomes a hyperreal simulation that blurs the boundaries between reality and representation. The nostalgia felt by the viewer is not for a historical reality but for a carefully constructed and simulated past.
Discussion Questions:
Can people who weren’t living in the 1970s still feel nostalgic about this time? Why or why not?
Are our experiences, especially in youth, a result of consumer culture, or is youth culture detached from consumerism?
Works Cited:
Jameson, Fredric, ““Postmodernism and Consumer Society”(New York, NY, Pearson Education Limited: 1992).
Baudrillard, Jean, “Simulacra and Simulations” (New York, NY, Pearson Education Limited: 1992).
Deleuze, Giles, "Introduction: Repetition and Difference" (New York, NY, Columbia University Press: 1994)
@theuncannyprofessoro
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Raionhato history:
Raionhato lost her parents when she was just a child, leading her to an unforgiving fate at the Bonta military facility. There, she underwent rigorous training that turned her into a formidable assassin. Despite the hostile environment and mistreatment she suffered at the hands of her superiors, Raionhato found a ray of hope in the company of other children with similar abilities. Together, they shared their sorrows and dreams of freedom, forming an unbreakable bond.
Raionhato was no ordinary girl; She was a hybrid between a zurcarak and an Eliatrope dragon, giving her unique abilities and extraordinary power. This unusual mix was both a blessing and a curse, as it made her stand out from the rest and attracted the attention of those who wanted to exploit her.
The decision to escape from her was made in a moment of desperation and hope. One night, under the light of the moon, Raionhato and her friends managed to escape surveillance and escape from the facility. Their destiny took them to the quiet and picturesque town of Emelka. There, they found not only shelter, but also a new home among the members of the Tofu brotherhood.
Over time, the relationship between Raionhato and the brotherhood grew stronger. The members of the brotherhood welcomed her as one of their own, teaching her that life could be more than pain and struggle. Together, they faced numerous challenges, from external threats to internal conflicts, always with courage and determination.
Habilities:
1. **Hand-to-hand combat**: Expert in various martial arts and hand-to-hand fighting techniques.
2. **Weapon Handling**: Mastery of a wide range of weapons, from knives and swords to firearms.
3. **Infiltration and stealth**: Ability to move without being detected, perfect for espionage or infiltration missions.
4. **Strategy and tactics**: Ability to plan and execute complex operations, both in combat and in escape situations.
5. **Physical and mental resistance**: Trained to withstand extreme conditions and remain calm under pressure.
6. **Survival**: Advanced knowledge of survival techniques in different environments, from jungles to urban areas.
7. **First Aid**: Ability to provide basic medical care on the battlefield.
8. **Engineering and explosives**: Knowledge in the creation and deactivation of explosives, as well as in the manipulation of machinery and devices.
9. **Intelligence and analysis**: Ability to collect and analyze information vital to the mission.
10. **Leadership**: Ability to lead and motivate her team, especially in high-risk situations.
11. **Emotional Connection**: Strong empathy and ability to form bonds with others, leveraging shared experiences to strengthen her team.
12. **Adaptability**: Ability to quickly adapt to new situations and environments, improvising effective solutions.
13. **Polyglot**: Knowledge of multiple languages, which allows you to communicate and operate in various countries and cultural contexts.
14.**Intuition and perception**: Acute ability to detect hidden dangers, read body language and anticipate the actions of others.
15. **Disguise and performance**: Ability to change appearance and adopt various identities for covert missions.
16**Climbing and parkour**: Ability to move quickly through urban and natural environments using climbing and parkour techniques.
17. **Energy or Magic Manipulation**: In a more fantasy context, you could have the ability to manipulate some type of energy (such as fire, ice, electricity) or use magic for various applications in combat and survival.
18.**Animal Skill**: Special connection with certain animals, allowing you to train them, communicate with them, or use them in missions.
19. **Pilotage**: Ability to pilot various vehicles, from motorcycles and cars to helicopters and airplanes.
20. **Creation of antidotes and poisons**: Advanced knowledge in chemistry to create and neutralize poisons.
21. **Diplomacy and negotiation**: Ability to mediate conflicts and negotiate agreements, useful in situations where violence is not the best option.
Problems:
. **Inexperience in personal relationships**: Due to his upbringing in a militarized environment and his focus on training and survival, Raionhato may lack experience in intimate or romantic personal relationships. This could make her clumsy or uncomfortable in complex emotional situations.
**Sense of guilt for her past as a weapon**: Although Raionhato escaped from the military facility, she may carry a sense of guilt for acts she may have committed under orders or pressure during her training. This emotional burden could affect her self-esteem and her ability to forgive herself.
**Difficulty adjusting to civilian life**: After escaping and finding refuge in Emelka with the Tofu brotherhood, Raionhato may face significant challenges adjusting to the peaceful and routine life of a quiet town. The lack of military structure and discipline could be disconcerting to her.
**Fear of rejection or abandonment**: Despite having found a new home with the Tofu brotherhood, Raionhato might have a persistent fear of rejection or abandonment from her due to his past loss and separation from her. This could lead her to be overprotective of her loved ones or remain emotionally distant.
. **Ethical and Moral Conflicts**: As a product of a military environment that often compromised ethics and morality for the sake of duty and obedience, Raionhato could face complicated ethical dilemmas in her everyday life. The need to make decisions that put her personal values at stake could be a constant source of internal conflict.
1 **Impulsivity in dangerous situations**: Due to her past of military training and escape, Raionhato could be prone to acting impulsively or risky when faced with situations of immediate danger. This could put her at risk or negatively affect her fellow Tofu brotherhood.
**Aversion to interpersonal conflict**: Although skilled in physical and strategic combat, Raionhato may have difficulty dealing with conflicts or emotional problems that arise within the Tofu brotherhood. This could lead her to avoid confrontations necessary to resolve internal problems.
**Distrust of authorities**: Due to her experience in the Bonta military installations and the mistreatment she suffered from her superiors, Raionhato may have a deep distrust of authority figures or hierarchical structures. This could create tensions within the Tofu brotherhood if she faces situations where authority is questioned.
**Emotional Overload**: Although she has found support in the Tofu brotherhood, Raionhato might face difficulties processing intense emotions or past traumas. This could manifest itself in times of extreme stress or when she is faced with painful memories from her past.
** Fear of losing her loved ones **: After having lost her parents and having found a new family in the Tofu brotherhood, Raionhato could have a deep fear of losing those she loves again. This fear could influence her decisions and actions, leading her to take extreme measures to protect her peers.
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Maybe it's just me, but I've finished season 1 of Jessica Jones and I'm really frustrated with the writing of Luke Cage. His only personality trait seems to be "has a dead wife". There's a whole other conversation to be had about the idea of fridging a woman for a male character's growth. But the worst part is that isn't for his growth, it's the entire foundation. Like after him being on the show all season here's what I feel I know about Luke:
He drives a motorcycle.
He works at/owns a bar (his wife didn't put in his name for some reason, and it maybe was their dream).
He has tons of casual sex. But he doesn't like complications or connections, including what seems to be any sort of family or friends.
He has superpowers, doesn't know how he got them, and doesn't intend to use them as a hero.
His wife dies tragically, he's mourning her, but until a lead popped up, he's not actively pursuing her killer.
That's it. 7 episodes and that's all the info I've gleaned about his character. He seems to be an okay guy, and I've seen dashes of a sense of humor. But there's nothing fleshing him out. Nothing I can say, "That's a Luke line" or "Yes that is/no that isn't how Luke would handle a situation". He exists in many ways as a plot device. And that makes me think poorly of Jessica. How can she picture a future with him when I have no grasp of his personality? The fact he's attractive and well-matched with powers and trauma can't be all of it. Let's compare him to Malcolm. Malcolm has been getting clean offscreen. He talks about his parents, how they brought him up, and his thoughts about going back into social work. He meets with the support group. He feels guilty about Ruben and helps his sister Robyn put up missing posters. He's got a whole plot and life outside of Jessica. Luke, he literally had to fill in what he did between him finding out what happened to Reva and him meeting up with Jessica in episode 12. Because he truly seems to have nothing going on outside of Jessica. Like, okay say his whole life was his wife. (Who I still have questions how she was able to get her hands on that flash drive? - How was she able to even find out about it and get it? Part of her job? Didn't she also work at the bar if it was their "dream"?) Anyway, when she dies, what the heck is he doing all day? A job and casual sex only takes up so much time. He's not avenging her or using his superpowers. So what else is he doing? He has to have something else going on. Friends. A hobby he picked up. Literally anything. In all fairness, it's not like Simpson for Trish is well-fleshed out either. But at least I have an idea how he might think or feel about a situation. I mean, credit to the show for flipping the script to write the women as heroes and to their characterization , while leaving the men as thinly written to mostly be used for furthering the plot and sex. Can't say I've seen that often. But if it's sacrificing the writing of some characters in the face of others, then that seems sloppy. Or that they're saving all his characterization for his own show, which seems a mistake. You should be teasing what is great about this character so people want more of a glimpse. Unless they were worried about contradicting or revealing something too early, in which case that's just bad communication between shows. If this weren't an 8 year old show, I'd be praying the writers learned improved upon his writing in future projects. I'm already optimistic from The Defenders trailer that Luke seems better written already. But frankly, at this point, there's nowhere to go but up.
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The undying series (Rex x villain reader)
2019-04-18
hello guys! I came with another mess that I fixed... kinda, hehe. hope you like it, if you did please tell me!
Generator rex was such a great series... the memories.
<Rex get's attacked from nowhere, a new team of villains has arrived... or is it?>
another X villain here,
this is part one of this short series,
Warnings:
1-bad language, 2-suicidal behavior, 3-bad story, 4-bad editing.
hope you enjoy it!
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“what do you think Van shit is planning now,” Rex said while putting his stress on the ball in his hand, “sheesh is 5 in the morning dude chill. Stop worrying and sleep you've been up all night! and we have important training today” bobo covered his ears in annoyance.
“White knight speech today was strange... like he knew something is going to happen, plus it's been so long since he signed us for training, since when do we get training we’re pros at this point!” Rex finally threw the ball away, offended by his thought.
“*sigh in annoyance* for now get some energy, tomorrow we’ll ask him” Bobo finally said after falling asleep.
“I will be teaching you a new fighting technique, it'll help you in the future. the new e.v.o are stronger than before” agent six warned with a hint of worry, suspicious, since when does agent six show any kind of emotions especially worry? that is what circled Rex’s head at the moment.
Bobo and Rex shared a glance at each other, confused.
something is going on.
“last time White Knight said we didn't need this type of training,” Rex said with suspicion, “well now you need it so shut the hell up and listen”
after the training
“go to the main room Dr. Holiday wants you two” Agent Six said causally while cleaning his katana like nothing just happened, meanwhile, they were out of breath, they forgot how fast he was.
in Dr. Holiday’s office,
Dr. Holiday puts a new device on their arms, almost like a bracelet of some kind...
“what's happening Dr, first special training then this weird bracelet?” Rex is starting to feel alarmingly worried.
“All we know is this is a new order from White just watch out ok, you CAN’T and I repeat, you can’t leave without those bracelets, understood?”
“let's not make a big deal out of this you know how much paranoid white is, let's go eat some tacos, your treat, of course,” Bobo smirked at Rex, feeling like a winner.
Dr. Holiday didn’t utter a word, busy with her research.
in the city
“here you are, guys, what took you so long,” a familiar voice said, Noah. “training...there's something strange happening but we don't know” feeling exhausted even though the day just began.
-suddenly the bracelet begins to ring-
a feeling of danger fills the air, what’s happening?
-a motorcycle sound-
“bikers? What the hell is going on” Bobo said, taking his guns out, ready to shoo-hits Rex... he fell on the ground hard
“ugh what was that for!” he gets up as fast as his fall, “look!” Bobo warned a -a lot of motorcycles coming in Noah's way
The world around them turns into neon colors, Bobo grabs Noah and gets him out of the bikers way. “wtf is going on”
Rex activates his powers... nothing happens, a strange masked villain hits him again but this time with a gun.
Rex has been shot! once again on the floor, pain filling his body. tracing the wound... searching for the bullet...what...it’s a needle. his body absorbing every bit of the strange fluid.
drops to the ground
Bobo already called help, but Rex wasn't having it, adrenaline pumping through his body. the bracelet begins to ring, there was an option
"block"
pressing it without thought, instantly feeling bumps of power through his body again, got on his motorcycle, not giving one single fuck about traffic. all that mattered was catching up to them.
The villain kept on taking turns, but Rex was still on their back.
Bobo starts communicating through the earpiece “Rex! we need backup! they’re too many! they keep on multiplying!” “Hold on guys! I'm close to catching them” Rex felt a rush he hasn’t felt for a long time, driving at a speed he’s not allowed to is always exciting.
Finally! a dead-end, The villain stops, guess they didn’t know the street as they thought, a smirk spreads through Rex’s face. they got off their drive and start running, without a notice the motorcycle drifted toward them, making a big explosion.
immediately shielding himself “Don't think you won-” driving through the explosion.
-The villain is already in the building- using his mutation to fly at them, unluckily for him a smoke bomb hits his head.
“I.. should be more careful” feeling pain but adrenaline has never been stronger. arriving at the rooftops to see the villain running away, “if a chase is what you want then your wish will come true”
running to the edge of the building, his smirk doesn’t last as the villain took a jump. “shot” using his wings again, catching up to them.
“Stop!” Rex says before he goes to pin them, The villain takes a risk and jumps, there’s a big gap, shocked Rex too.
The villain falls to the other building, hurting their leg.
Taking the chance, “You can't escape now!” finally tackles them, The villain gets a small device, and points it at Rex, once again feeling weaker than before.
blocking his powers but that doesn’t stop him! he’s angry at this point. kicking the device away, finally using his new fighting technique.
as excepted the villain fights back, he tries to trap you but you keep on getting away.
finally had enough of this bullshit, grabbed his shirt, all that was written on his face is anger and shock, instantly throwing him away.
for once his luck started to work, and Bobo came! an Upside Rex smiles seeing them arrive “Finally!”
looking at the three of them, I’m surrounded “You are outnumbered, surrender” Agent Six points his katana at the villain with full confidence.
Your Pov:
standing on the edge, reaching slowly for your backup gun.
Boss’s number one rule! don't let them get yo- w-WHERE THE FUCK IS MY GUN! -it's on the other side of the building- damn this boy, taking a step back. looking at the ground, there were a lot of their forces.
I'm out of breath, weapons, and the ground is full of their forces.
huh, but I believe I’ve done my mission.
“surrender now” Agent Six once again warned.
I have one solution left... it will hurt but I have to, taking the extra needle that I had, a stab to the neck, and within seconds you were down.
They excepted everything but that.
the poison ran through you, “Get them to the base! fast!”
in Dc. holiday office
“Dc! Quick we need help immediately,” she didn't question anything and started right away.
“They stabbed themselves with the same needle I’ve been injected with or at least the same poison” he was still in shock, she took off the mask of the villain and it was... just a regular person.
a new villain?
Dc. Holiday does everything she can to do to save this life, “that's the strongest cure we have if that can’t help them I don't know what, I'm going to check them for e.v.o, help me!”
“holy shit she doesn't have any nanites” Nanite-free, Six, Bobo, and Noah arrive
“that was one hell of a fight! it's been a while since, what a stretch!” Bobo said while stretching.
“what just happened” White Knight finally arrives,
“You tell us, we know you knew something was up, so explain yourself!” Rex exploded, “They had the strange followers we had never seen before, they vanished out of thin air!” Bobo explained in confusion.
“if I knew something was up, you’d think I wouldn’t have stopped it sooner? Get this villain up!” furiously leaving the room.
After a while...
Your pov
opening my eyes, the first thing I feel is a strong hit of adrenaline mixed with fear, compantion
questions pop into my head “Why am I here? fuck!” “I should be dead!” looking around me, I’m tied to a chair... shit
from past experiences, I can tell what’s going to happen very soon... all I wish for is the package to arrive at the wanted destination, or else... someone is going to die.
getting involved in this mess only made my life harder, put my family in danger, and blackmailed through my family’s life. what else can I do but serve the hopeless hope of them still being alive?
all of this is for them...
an earsplitting sound blasts through the speakers, it already began.
“listen carefully, I will ask you ONCE. where is the needle? wrong answers will be faced with a punishment” the White knight said with rage yet calm demeanor almost chilling to the bones of how expressive his voice does.
You remained silent
one of the most important trainings of this ‘company’ or whatever, is the art of silence... Game is on
“1... 2.... 3″ waves of electricity pump through your body, shocking you into oblivion... yet, not bad, I can handle worse.
Silence
“Don’t celebrate too fast, this isn’t the worst mode we have. I can keep playing this game as LONG as you want” White Knight had a hint of play in him like he was enjoying this torture.
Silence
Without warning shock after shock, the pain kept on increasing every time.
Everyone was watching
“Sir, any more and we might have a body to explain,” Dr. Holiday said
“TALK, I WON’T STOP” White knight officially lost it, why was this so important to him? usually, he doesn't care much and makes us do it.
The pain was unbearable, I think my time is due, I win.
Rex rushes to White Knight and stops him in his tracks, “What the hell are you doing! We still need the information!” he was pissed.
fainting from the pain, let’s hope this time I won’t wake up.
Rex pov
“dr holiday, check if they’re alive! And you! You almost killed them, maybe even did! we don’t know! WE ARE HEROES, not villains! above that, we need them for information! if they’re gone! we lost our only hope and clue” Rex was furious.
“HOPE? What hope! even if they die, we’ll find them sooner or later” The White knight defended himself, Rex wasn’t having it “Yes, hope. how can we know where is their team without them in the first place! are you out of your mind?!”
dc. holiday and agent six got you into the medical center, you were in a critical state, proceeding to hock you into lots of machines from an oxygen mask to IV fluids, etc.
after 10 minutes you started waking up
oh no, I’m still alive, usually, anyone would die from this. meanwhile, Rex was keeping watch on you, “they’re awake”
You have been not tied up this time, dc. Holiday came “I need to check on some things, we’ll try again..”
I’ve done my mission successfully, although what’s left for me is to go home or die I guess... the hope of getting home was less than I could even imagine, guards are everywhere and my weapons are gone.
The boy left after he talked about bringing some people, taking the chance and using the doctor's tools against her, and injecting her with her own medicine.
interesting, she has fight in her. “Y..ou. will not win..” proceeding to fall on the floor.
taking some sharp objects from her lab with me just in case, stealth mode is on, scanning the area near me, searching for any exit.
The problem is if I get caught, my boss’s orders were clear... escape or die
This place seems like a maze, hope is getting lesser by the second, continuing to search for an exit, unfortunately, guards caught on to you, I’m not leaving without a fight!
They had guns and I had a couple of empty needles, they were laughing and mocking me, bad choice. making a perfect headshot with just the needles, mostly eye shoots... you get the gist.
They’re not going to die but they’ll leave me for now, now all the building knows you escaped. running, searching for a place to hide.
“STOP OR I’LL SHOOT” Turning around to see a blonde guy standing next to a monkey...
I knew this gun would be handy, shooting him with a speed he didn’t notice, unfortunately, the trick didn’t work on the monkey, he easily dodged it.
he was far more experienced, he’s a fucking monkey alright! deciding on finding the shelter now! thankfully the restroom was next to me.
closing the door shut on me, there was a vent but it was too small! “listen up... I’m not a jerk alright, I can’t go in the women’s bathroom” the monkey said?????.
wtf, I need to find an escape! And for sure the monkey wasn’t the last of them... the boy is.
no choice, there are no more options, if any info gets out, then my family is out.
dropping everything I have, cutting my sleeve fabric, and stuffing my mouth with it. I have to... taking on of the needles and without any more thoughts, cutting the left nerve... if that doesn’t kill me I don’t what...
all that is left is to wait for Sweet Sweet Death, getting into one of the stalls that’s harder to get into.
by the time you couldn't see anything...
You lost a lot of blood
but
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this is it for part 1, hope you liked it.
if you did please show me love <3
please reblog <3
#Rex#Generator Rex#agent six#Bobohaha#dr.holiday#old cartoon#underrated#noah#xvillainreader#xvillain#rex x reader#rex x villain reader#cartoon network#white knight#great cartoon that got forgotten
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herculean (drrr x f!reader) - chapter 5
chapter 5 - Birds of a Feather
synopsis: you meet a mysterious, helmet-clad woman, and shortly after, a very eccentric pair of twins. a lot of time is spent with the wonderful women of Ikebukuro :)
word count: 3, 521
warnings: very minor nsfw mentions(mairu being mairu)
"quiet whisper in the dead of night tells me everything will be alright if i keep my head to the sky everything is gonna be alright,, everything is gonna be alright - infinity's song
"Namie, if you had to choose between the sayings 'opposites attract' and 'birds of a feather flock together,' which one would you say is most accurate?"
Izaya had been eerily silent ever since Namie came in that morning, making no sound other than the insistent typing of computer keys. She'd think that the silence would be welcome, but going so long without an earful of her employer's antics was starting to irk her. She wouldn't admit to the relief that she felt when he finally opened his mouth for the first time that day.
"Opposites attract, I guess. If you ended up falling in love with someone the exact same as you, you'd butt heads and get bored of one another." She briefly thought of Seiji and their similarities, or lack thereof. They wouldn't get bored of each other, would they...? She could never get bored of him.
"You'd think that, but statistically, you're wrong. Studies have shown that people with similar traits tend to last longer in relationships. Traits, personalities, genes...I thought you would get that more than anyone else, Namie." She missed when he was silent.
"What's with all of this relationship talk all of a sudden? What, you found a girlfriend or something?" She doesn't miss how the smirk on his face disappears and realizes that she had hit a nerve.
"I love humans, Namie. Nothing else."
It's a starkly out-of-place declaration, hinting that something else is most definitely on his mind. Namie, used to his cryptic antics, shakes her head and returns to her work. Izaya, however, has not mentally dropped the topic. He loved humans--even if they didn't seem to love him back. It was fine, intimacy and romance was in no way a priority of his. As he got caught up in his field of work, it wasn't even something that he thought about, not until now. His eyebrow twitched in aggravation as a familiar image appeared in his head. He hated the feeling of envy, he decided. His life was fine, better than that of anyone else's, even, definitely that of...
He huffed through his nose, picking up one of his cellphones.
If he wasn't able to find love...
then how was that monster finding it??
Scrolling through his recent calls, he stops at one of the familiar contacts. With little hesitation, he presses the green 'call' button beside it. The phone rings for a moment before he hears a click.
"Hello, this is Izaya Orihara. I have some info that you would find most useful."
...
It's so rude of you to stare, you know, but it's a stare full of awe, so hopefully you didn't offend. She was a friend of Shizuo's, so you wanted to make a good first impression. You had been on an outing with your new friend. It was embarrassing how soon you had texted the man after your walk together, but he had thankfully agreed to showing you around, telling you about his favorite places and others that you should avoid. One of your favorite places that he showed you was a pastry shop. You found his apparent sweet tooth to be very cute. It was near the end of your time together that a woman(?) pulled up next to you both on a motorcycle.
The sight of her badass yellow helmet, paired with her form-fitting bodysuit gave you excited jitters, honestly. Of course, Shizuo would be friends with such a cool person. Shizuo introduces you both, and you learn that the woman's name is Celty. You also realize that she must be mute, as she doesn't communicate verbally, but by typing out messages onto a small device.
"Nice to see you up and well. How have you been feeling?" Confused by the message, you quirk an eyebrow at Shizuo.
"Celty lives with Shinra, that doctor you were talking to a few days ago. She saw you there, but she left before you woke up." he explains. Wait, so she had seen you all passed out on her couch?? How embarrassing!! You pout, trying to calm the burning in your cheeks.
"I-I'm feeling great, thank you for asking--and thank you for letting me crash like that on your couch! Still, I hope you don't think I'm like... a wimp or anything...I usually don't go down that easy!"
Her shoulders bob up and down as if she's laughing and you find it very charming. She types something else on her device and shows it to you.
"Believe me, Shinra told me all about you. I don't doubt that for a second. Anyone would go down quick against Shizuo."
All about you?? Don't doubt it...? What exactly had Shinra told her? Shizuo continues conversing with Celty while you spectate, but you're too caught up in your own thoughts to fully listen. At the mention of a familiar name, your ears perk. You notice the tension in Shizuo's jaw.
"Any idea what that flea was doing here, anyways? You'd think he'd know better not to show his face around here." Ah, so Celty knew him too.
"I don't bother trying to figure out what he's up to. Shinra was on the phone with him recently, I could ask him if you're really curious." Shinra as well, huh? Shizuo shook his head, willing himself to relax.
"Nah, I don't really care, so long as I never see him again."
You had come to learn quite a bit about Shizuo, but one thing you never dared to mention was this Izaya character, not since you both confessed your feelings about the traffic sign incident. It was clear how much even thinking of the man made him seethe with rage. Still, a part of you was growing achingly curious about him and what he had done to garner such hatred from Shizuo, and disdain from everyone else. It would be rude to ask Shizuo about it, though. You would have to wait until you could ask someone else.
Shizuo offers to walk you home, but you refuse his offer, explaining that you had plans with a friend soon. You feel a twinge of panic as you notice him raise an eyebrow and quickly go on to explain that you were helping her with a project. He seems satisfied with this answer, giving a simple goodbye before leaving you alone. It was true that you were helping a friend, but what you were embarrassed to admit was that you were helping Erika with the sewing for a cosplay she was making.
Usually you wouldn't be shameful about doing simple seamstress work, but after Erika explained exactly what a cosplay was, you felt like it wasn't something you would really parade through the streets about. Texting Erika that you were on your way, you put the address she had sent you into your GPS.
"Woah, I never guessed that the mean and scary Shizuo would get a girlfriend! I guess there's love out there for everyone, right Kururi...?"
"Very romantic..."
The sound of new voices surprises you, and when you try to find the source of the voices, you find it a lot closer to you than you expect. Two young girls, no older than 14 or 15 stood at most 2 feet before you. They appear to be twins, bearing matching eyes and hair colors and dressed to adorably compliment each other. Your eyes light up at their cute little hoodies and skirts, each hood shaped with different animal ears. The girl in the yellow hoodie shrieks, holding her arms in an 'X' in front of her face in an attempt to shield herself.
"We've been spotted!! We were so stealthy, how could we have been caught!?"
"Blew our cover."
You find yourself smiling at them in amusement. They were so cute! However, you were concerned as to why they were out by themselves like this, and why they were following a stranger down the street. "I'm sorry, can I help you both...?"
"Help us meet Yuuhei!" Your eyes widened as both of the girls seem to swarm you, tugging at the maxi skirt you wore. "Yuuhei...?"
"C'mon, you're sleeping with his brother so you have to have met him!" You're shocked by the bespectacled girl's accusation. An intense burn immediately overtakes your face.
"I-I'm not...sleeping with anyone's brother." You remember the earlier mention of Shizuo's name in horror, "I'm not in a relationship with anyone."
"Liar." Any hope you had that the girl in the green hoodie was any more polite than her counterpart was out the window. You sigh, pinching the bridge of your nose in frustration.
"I'm telling the truth. I've only known Shizuo for a couple of days. I'm sure he's a great guy, but I'm not that kind of girl."
"So you're saying that you would sleep with him!" Aaaand the burning is back.
"Wha-!! You are awfully vulgar for a middle schooler!!" The girl in the yellow hoodie bursts out into childish laughter and the smile she shoots you seems oddly familiar. She grabs her sister's hand and sprints past you, the latter barely struggling to keep up. After reaching a considerable distance, they turn back to you, waving goodbye.
"Let us know when you get lucky, we'll happily wait if it means getting to meet Yuuhei!!" With that, they intertwine hands again and run off. Flustered, you frantically check your surroundings in hopes that no one heard the young girl's crude outbursts. Goodness, kids were getting more and more mature these days, weren't they? Shaking off the odd interaction, you continued on your trip, now worried about being late to Erika's.
...
So Erika's expectations for how she wanted the costume to look were a little particular, but you were able to work it all out. Working together, the two of you made quick progress. You were very impressed by this secret skill of Erika's, and you made sure that you told her so.
"Thanks! You get pretty good at it after a while." A glimmer in the corner of your eye catches your attention, and you realize it's a necklace that Erika is clasping around the neck of the mannequin. You're sure that you practically have hearts in your eyes as you inspect it closely. "Holy COW, that is absolutely gorgeous!! Where on earth did you find that??"
Erika smiles and shrugs nonchalantly. "Can't really buy it anywhere where it's not just cheaply made plastic, it's unique to the character. I made it." At this point, you've completely lost your chill, grasping her hands in excitement and raving on and on about the mastery and professional level of her work. Erika doesn't seem to mind, but the flush on her face causes you to snap out of your stupor, releasing her hands and apologizing.
You two spend the rest of the evening putting finishing touches on the costume. As the conversation falls into a pleasant silence, your mind begins to drift to other matters. You wondered if, in such a private setting, it would be okay to ask Erika about this Izaya guy. The van gang's distaste for him was clear, but maybe she would be willing to explain some things to you--as a friend. "Hey, Erika?" She hums in acknowledgment, not looking up from her work. "Can you tell me about this Izaya Orihara?"
"What do you wanna know?" You're relieved that she remains unfazed, still focusing on detailing.
"Well, it's just like--a lot of people seem to dislike him. I mean, I'm pretty sure Shizuo was like, trying to deeply injure him. It makes me wonder what exactly he did." For the first time, Erika takes a break. Her stare travels up to the ceiling as she rubs her own chin in thought. Did she really have to think about it?
"Besides the fact that he's basically not a nice person...the guy has this huge god complex. He works as an informant, so he has a bunch of dirt on everyone and that gives him some sort of power over people, I guess." Wow.
"Is that why Shizuo dislikes him so much? Because he has dirt on him?" What kind of dirty secret could someone that the entire city knows about have?
"Hmm, nah. Dotachin says they've been at each other's throats since high school. Sounds like they've had bad blood since the moment they met. But if you ask me," her eyes light up, "I think it's all a big display for their intense, long-lived love for one another!"
"Um, ya don't say..." you answer nervously, hesitant to snap her out of what ever high she was experiencing in front of you. Suddenly, you hear a knock at the door. Glancing at Erika inquisitively, you ask her if she's expecting anyone. Not answering, she stands up and bounds excitedly to the door. Whoever she lets in is silent upon entry. "I figured that we should test this baby out on a model!" she calls from the other room. She returns with a special guest in close pursuit.
"Anri!' you exclaim happily, approaching the girl. You give her a warm hug, which she awkwardly receives. While you're a little put off by her passiveness, you brush it off as her not being used to such contact. Erika smiles at the heartfelt(at least on your part) reunion. "I remembered that you guys knew each other, so I thought that a ladies night was in order!" You had to admit that your visit so far had been a total sausage festival. It would be nice to hang out with some cool girls!
The three of you start the night by having Anri model the costume. However, once you two show it to her for the first time, you can tell she's apprehensive. She tries to be polite, insisting that there was nothing wrong with it, but you notice how her eyes keep shifting to the bust of the ensemble. Working on the mannequin, you hadn't noticed how deep the V-line of the costume was, but on someone like Anri, it would certainly fit a little differently.
"Are you uncomfortable with the bust, Anri?" Her cheeks turn a light shade of pink.
"O-Oh, w-well, I um...It's just that mannequin's body type is a little different from mine...I don't know if it will fit right..."
"Oh, don't worry about that, Anri! We put together this cosplay with your exact body type in mind! It may look smaller on the mannequin, but it's a very stretchy material." The way that Anri's flush deepened revealed how much that didn't help. Poor girl, you wondered how much harassment she must have dealt with to want to cover up so much. You ask Erika to show you a picture of the character that the cosplay was supposed to be of. As you look at the character on her phone, the two things you notice are the accuracy of the design--including the deep neckline--and the character's oddly purple skin. Closely examining the picture, you start to have an idea.
"Erika, do you mind showing me where you keep your fabrics?" Erika is obviously confused, but nods, pulling out a drawer from her dresser to reveal an array of different patterns and materials. Spotting exactly what you were looking for, you grab the roll of fabric and smile at your model. "The ensemble isn't quite done yet. Sit tight, Anri."
You're thankful to Erika for allowing you to make such a change to the outfit. She agreed that one of the key parts of cosplaying was wearing something that you were comfortable and confident in. It wasn't too different from typical fashion, you supposed. Anri sits on the bed patiently, content to watch the two of you continue to work on the mannequin. As you make more progress, she seems to realize what it is that you're doing to change it and smiles. It's a minor change, so it doesn't take entirely too long.
"Come out whenever you're ready!!" Erika says, handing Anri the costume on a hanger as the young girl enters the bathroom. "Let us know if you need help," you add. After the door closes, you and Erika exchanged proud glances. It was like you both were the cool women on those reality tv shows where they gave the homely young girl a makeover. Although, Anri was completely fine before, and she might actually be better off going in public as the before picture than the after.
"I think I'm ready..." Anri says before opening the door. You and Erika lose your minds at the sight of her.
"SO CUTE!!" you both yell, most definitely scaring the devil out of the poor girl. Unfortunately, it would be a bit of a while before you both calmed down. You gently ushered her over to a full body mirror so she could see herself.
"Look at how gorgeous you look, Anri!" you beam, picking up Erika's handmade necklace and clasping it around her neck, "Erika made this herself, can you believe it? Isn't it pretty?" You secretly gauge Anri's face for a reaction. After all, it was important that she herself felt good in it. She gives herself a once-over and to your utmost delight, smiles at herself. The deep neckline that she had previously worried about had been filled with a translucent swatch of purple fabric, meant to imitate the character's skin. There was a bit of transparency to it, but it was still thick enough to cover. Paired with the purple jewels of Erika's necklace, it made for a beautiful match.
Erika, having procured a camera out of nowhere, snapped numerous pictures of the girl. Surprisingly, Anri didn't seem too phased by it, smiling bashfully and letting her take as many photos as she wanted. It was satisfying, seeing her blossom like this in a silly costume. She deserved that kind of confidence, definitely. At Erika's offer to let her keep the outfit, however, she politely declined. Not much of a Halloween person, you guessed.
...
It had gotten so late into the night, Erika suggested that the two of you just sleep over. After cutting on a copy of My Neighbor Totoro (complete with english subtitles for your own sleep-deprived convenience), you and Anri slipped on some of Erika's old clothes and collapsed onto an air mattress beside her bed. You wonder how often Erika's been pranked at slumber parties, because she's out like a light before the title credits are over. You and Anri are still wide awake, however, quietly watching the adorable movie. "I'm just glad she didn't put on one of those weird shows she goes on about. What does she call them? Yow-ee??" you jest. Anri actually giggles and you're very proud of yourself.
"...Looks like we got that sleepover you were talking about," she says. So she remembered that. When you look at her, you see that she's smiling and you happily return the gesture. "Well, it won't be the last! I imagine being friends with boys is a little different, huh?"
"Oh, definitely. Mikado and Masaomi are fun, but...they can still be kind of..." "Stupid? Immature? Prideful? Stupid?" "You said stupid twice." "So you agree that they're stupid."
You both laugh, but a sleepy groan from Erika quickly shuts the two of you up. "...I've never been to one of these before," Anri whispers thoughtfully. The sad smile on her face makes you feel sorry for the girl. "I never really had many friends growing up. Mikado and Masaomi are the first real friends I've had in a while." You wonder what she meant by "real friends." Perhaps there had been others that have gotten close to her and used her. You shake your head in disappointment at the thought.
"Wanna hear a secret?" The pure curiosity on her face is adorable, "I've never been to one either." Her eyes widen to the size of saucers. Without her glasses, you're able to notice the red tint in her brown eyes, even in the darkness.
"R-Really? But you're so... I'd think you'd be really popular."
"Hm?? What makes you say that?" you laugh.
Anri looks away, too guilty to answer. She couldn't admit it, the way that looking at you reminded her of all the girls who had bullied her growing up. Those rude girls who had all that money to buy the nicest clothes, and always had so many friends for no reason. It was terrible how she made that assumption about you, who reached out to her the moment that the two of you had met.
"Well, it's true. I've never been to a sleepover, or had friends, for that matter. If I did, I don't remember." Anri looks at you expectantly, silently willing you to continue. It was endearing, how a girl so polite could be so obvious about her interest in someone's personal life. You could trust her, it felt like, not to judge you for unveiling such a major part of your past. So you told her....
...how a year ago, you were in a terrible accident; one that completely compromised your memory.
#durarara#durarara x reader#drrr x reader#durarara imagines#erika karisawa#erika karisawa x reader#anri sonohara#mairu orihara#kururi orihara#celty sturluson#shizuo heiwajima x reader#shizuo heiwajima#writing tag
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ok so this is an informal post to get my thoughts down about my ocs cuz I don’t like repeating the same info over and over so. This is just ramblin’!
So uhm. This is Otto Site Autaminde! He used to live in the city and be social with everyone, until trust left him down the wrong path and left half his face scratched off. Absolutely changed and traumatized by this incident, he fled to the middle of nowhere country. Otto isolated himself in his house, and it would’ve been that way forever, if it weren’t for one tower’s watchful eye!
WOW THIS ART IS OLD but anyways. this character either doesn’t have a name or i don’t remember what i called them. Buuut they saw Otto’s incredibly nervous state, how he only went outside to get food from the local farmers, and they were like “i need to help this guy!”
So, as seen in that first picture, the tower gives Otto a device in which the two can communicate easily, and Otto can be guided throughout the land with the tower’s help.
As Otto keeps traversing, he meets some new faces and realizes that most people can be trusted!
Things take a slight shift, though, when Otto finds himself at the outskirts of the city…
The navigation device falls off his belt loop, and in a blunk of an eye, a motorcycle runs right over it. This sends Otto into a panic! And who notices this panic? None other than the motorbike rider himself!
Guy-O gets 2 images because he’s my favorite ❤️
He’s the leader of the pack of a group of greasers that live in the more deserted parts of town. They’re based on the Bremen Town musicians but the donkey, cat, and dog don’t have designs yet 🤷
Continuing on, Guy-O becomes Otto’s new guide after the incident. The two sort things out and eventually become friends as they travel farther into the city!
Eventually, the two land themselves at a restaurant in the heart of the city. Otto used to be a regular back when he knew a particular someone. Someone he never wished to meet again, until that very moment.
Donny LaRots. Otto’s ex-boyfriend. The reason for his unfortunate circumstance. And apparently the new owner of the restaurant in the time Otto was gone.
What will happen next? I genuinely don’t know! Take some other silly guys that live in this universe!
Thalia: She lives in an RV in the desert. Simultaneously chill and insane.
Tango and Victor: The ‘real life’ equivalent of a TV’s Picture in Picture function! They can teleport you and the surrounding area to another place.
Aaaaaaaaand that’s it for now! Thank you so much to the ones who read!
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All technological developments can usefully be studied with a focus on women's social interactions, even those developments which would initially seem to have little to do with women's lives. For example: girls' and women's uses of bicycles. I have been fascinated by nineteenth century feminists' accounts of the bicycle as a mechanical device which changed women's movement through their communities. (Elizabeth Cady Stanton declared in 1895 that 'many a woman is riding to the suffrage on a bicycle' [Kramarae and Treichler 1986, 69].) Early feminists told stories of the ways women were discouraged (bottles and insults thrown their way) from riding bicycles. In some families bicycles and motor bikes are still considered more suited to boys' than girls' lives-and boys are often allowed more freedom as to when and where they ride. (One of the contributors for this collection tells me that her brothers were allowed to learn to ride at an earlier age than she was, and that even now her father discourages her, a postgraduate student, from riding her bicycle to work.) But in general in Western countries the bicycle is no longer considered only a male mode of transport. The situation is much different in other parts of the world. In Delhi I asked friends why I saw many men and no women pedalling bicycles or steering motorcycles-only some women getting rides on the cycles. I was told that even if a woman could afford a bike or motorcycle, she couldn't use it for fear of ridicule; those are men's modes of transportation. Besides, the woman's sari would make bike riding very difficult. (In the US, women's interest in bicycle riding was early linked to arguments for 'rational dress,' that is, women's clothing styles which did not require yards and yards of skirt material.) Millions of women in India daily walk many miles hauling water for their families; procuring water is a woman's duty just as riding a bicycle is a man's activity (Rami 1985). Women seldom use bicycles for such activities as getting water, visiting relatives, or taking their homemade lace to collection points for selling. Men with bicycles market the products of women lace makers (Mies 1982). Thus gender-differentiated technology deepens women's economic and social dependence. In this and other cases, we can see that the genderizing of transport affects women's talk, including when and where it occurs, the topics, and the perceived value of the talk by women and men. — Cheris Kramarae, Technology and Women’s Voices: Keeping in Touch (1988) REFERENCES: Kramarae, Cheris and Paula Treichler, with the assistance of Ann Russo. 1986. A Feminist Dictionary. New York and London: Pandora Press. Mies. Maria. 1982. The Lace Makers of Narsapur: Indian Housewives Produce for the World Market. London: Zed Press. Rami, Prabha. 1985. 'Just one more queue: women and water shortage in Tamil Nadu.' In Madhu Kishwar and Ruth Vanita, eds. In Search of Answers: Indian Women's Voices from Manushi. London: Zed Books, 104-14.
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Just Ride: 2024 Kawasaki Eliminator 500 details released
Recently unveiled in the outline of 2024 Kawasaki models, full details of the new Kawasaki Eliminator 500 and Eliminator 500 SE are now being released. Set to have a strong presence in the 500cc mid-weight class, the Eliminator family name makes a return for Kawasaki with the unveiling of a machine with a unique design language of its own. Ready to make its mark in the urban style stakes, the EU A2 licence class compliant Eliminator 500 mates a liquid-cooled parallel twin-cylinder motor to Kawasaki’s famous trellis frame technology creating a great power to weight ratio plus a sleek silhouette harnessing a long and low form with horizontal lines defining the tank, seat and tail unit. Delivering an ergonomic package that joins rider to machine in a natural “all day riding comfort” position, the Eliminator can boast a low seat height of just 735mm allowing an easy reach to the ground while offering a total of three seat height options including the standard item plus two others (higher @765mm and lower @715mm) as part of Kawasaki’s genuine accessory Ergo-Fit range.
All LED lighting further increases day and night presence while an all-digital LCD meter keeps the rider informed of all essential information. Suspended from the tubular trellis chassis, the Eliminator’s parallel twin engine offers strong low-end torque, greatly benefiting low-speed control and manoeuvrability while contributing to low-stress everyday riding. And that riding experience can be enhanced with the features available on Kawasaki’s unique Rideology Smartphone app that allows riders to mate their machine to their handheld device for a new level of rider and motorcycle communication. Up front an 18inch wheel paves the way while an imposing 16 inch rear delivers a clear message about urban style and the personality of the Eliminator and its rider. And under the skin in the “go department”, the Eliminator’s engine harnesses all of Kawasaki’s expertise in a long history of parallel twins. Features such as downdraft intakes provide a short, direct path for intake air to enter the cylinders, a large 5.8 L airbox with left and right intake funnels of different heights contributing to the engine’s smooth response plus large ø32 mm throttle valves helping to flow a greater volume of air, contributing to strong performance.
The chassis design inspiration comes courtesy of the Ninja 400. Complementing the sleek styling, the steering geometry was carefully selected to achieve light, natural handling. With a 1,520 mm wheelbase, the impressive-looking chassis offers low weight while achieving its impressive design. Additionally, a diecast swingarm mounting plate bolts to the back of the engine assembly allowing the swingarm to be mounted directly to the engine, contributing to stability and light weight. In terms of those all-important looks, a long and low design with elegant proportions is created by the vertically thin fuel tank and the horizontal lines evident from the head pipe to the original tail. The design of this impressive, mid-class sized body suggests a balance of active performance and composure while the round headlight and twin-shock rear suspension add to the authentic motorcycle style. For the SE model a unique colour and graphic package is mated to a stylish headlamp cowl, rubber fork boots, a handlebar mount USB-C port and a special SE seat with a distinctive stitching pattern.
Add a range of Genuine Accessories and the 2024 Eliminator 500 and Eliminator 500 SE deliver everything an emerging breed of young, fashion conscious urban rider’s demand. Style and substance have rarely been this easy to define. So, get on the Eliminator 500 and Just Ride. The Eliminator 500 and Eliminator 500 SE will be available from January, with prices confirmed nearer the time. Read the full article
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