#Mother Mother Get Out The Way

[thegardengrows-infrozenrain]

me: [going in to kiss my rats goodnight]

my headphones: https://m.youtube.com/watch?v=ByHok5HKVH0

[bixels]

Learning that fans hated Applejack and called her "boring" is crazyyy to me because I genuinely, unironically believe AJ's the most complex character in the main six.

Backstory-wise, she was born into a family of famers/blue collar workers who helped found the town she lives in. She grew up a habitual liar until she had the bad habit traumatized outta her. She lost both her parents and was orphaned at a young age, having to step up as her baby sister's mother figure. She's the only person in the main gang who's experienced this level of loss and grief (A Royal Problem reveals that AJ dreams about memories of being held by her parents as a baby). She moved to Manhattan to live with her wealthy family members, only to realize she'll never fit in or be accepted, even amongst her own family. The earlier seasons imply she and her family had money problems too (In The Ticket Master, AJ wants to go to the gala to earn money to buy new farm equipment and afford hip surgery for her grandma).

Personality-wise, she's a total people-pleaser/steamroller (with an occasional savior complex) who places her self worth on her independence and usefulness for other people, causing her to become a complete workaholic. In Applebuck Season, AJ stops taking care of herself because of her obsessive responsibilities for others and becomes completely dysfunctional. In Apple Family Reunion, AJ has a tearful breakdown because in she thinks she dishonored her family and tarnished her reputation as a potential leader –– an expectation and anxiety that's directly tied to her deceased parents, as shown in the episode's ending scene. In The Last Roundup, AJ abandons her family and friends out of shame because believes she failed them by not earning 1st place in a rodeo competition. She completely spirals emotionally when she isn't able to fulfill her duties toward others. Her need to be the best manifests in intense pride and competitiveness when others challenge her. And when her pride's broken, she cowers and physically hides herself.

Moreover, it's strongly implied that AJ has a deep-seated anger. The comics explore her ranting outbursts more. EQG also obviously has AJ yelling at and insulting Rarity in a jealous fit just to hurt her feelings (with a line that I could write a whole dissection on). And I'm certain I read in a post somewhere that in a Gameloft event, AJ's negative traits are listed as anger.

Subtextually, a lot of these flaws and anxieties can be (retroactively) linked to her parents' death, forcing her to grow up too quickly to become the adult/caregiver of the family (especially after her big brother becomes semiverbal). Notice how throughout the series, she's constantly acting as the "mom friend" of the group (despite everything, she manages to be the most emotionally mature of the bunch). Notice how AJ'll switch to a quieter, calmer tone when her friends are panicking and use soothing prompts and questions to talk them through their emotions/problems; something she'd definitely pick up while raising a child. Same with her stoicism and reluctance at crying or releasing emotions (something Pinkie explicitly points out). She also had a childhood relationship with Rara (which, if you were to give a queer reading, could easy be interpreted as her first 'aha' crush), who eventually left her life. (Interestingly enough, AJ also has an angry outburst with Rara for the same exact reasons as with EQG Rarity; jealous, upset that someone else is using and changing her). It's not hard to imagine an AJ with separation anxiety stemming from her mother and childhood friend/crush leaving. I'm also not above reading into AJ's relationship with her little sister (Y'all ever think about how AB never got to know her parents, even though she shares her father's colors and her mother's curly hair?).

AJ's stubbornness is a symptom of growing up too quickly as well. Who else to play with your baby sister when your brother goes nonverbal (not to discount Big Mac's role in raising AB)? Who else to wake up in the middle of the night to care for your crying baby sister when your grandma needs her rest? When you need to be 100% all the time for your family, you tend to become hard-stuck with a sense of moral superiority. You know what's best because you have to be your best because if you're aren't your best, then everything'll inevitably fall apart and it'll be your fault. And if you don't know what's best –– if you've been wrong the whole time –– that means you haven't been your best, which means you've failed the people who rely on you, which means you can't fulfill your role in the family/society, which makes you worthless . We've seen time and time again how this compulsive need to be right for the sake of others becomes self-destructive (Apple Family Reunion, Sound of Silence, all competitions against RD). We've seen in The Last Roundup how, when no longer at her best, AJ would rather remove herself from her community than confront them because she no longer feels of use to them.

But I guess it is kinda weird that AJ has "masculine" traits and isn't interested in men at all. It's totally justified that an aggressively straight, misogynistic male fandom would characterize her as a "boring background character." /s

At the time of writing this, it's 4:46AM.

[laniidae-passerine]

don’t get how you can watch iwtv and be a sincere diehard lestat hater. like the world’s biggest lestat hater is louis and that man can’t even commit to it for more than five minutes before literally hallucinating lestat wearing a wedding ring and talking pretty to him. this show is about louis and every road leads back to lestat for that man

[doctorsiren]

I’ve been thinking about Miles as Serizawa quite a bit 😁

[trappednyourheart]

The wrong DNA test

( what if, Sheila wasn't really Jason's mother? The system is already corrupted, then what about the test?).

A huge brawl containing every rogue had started at the time of Halloween, causing the people from downtown to fled there home's as joker had clownized the whole neighborhood with his goon's.

Every bats had taken to groups to take out the three parts of Gotham's as the rogue's had started to make alliances, some had lasted quite long while had conflicts, and causing a big damage to Arkham asylum,

It didn't take long before they captured all of them, none of the bats questions as they observed Jason glowing green eyes starting to flick, they thought it was the pit again, growing wary of the cooperation, but Crime alley was involved and that mean business to Red hood's turf.

Catherine todd love her son as her own even if not biological, Jason knew that. But her thing with drugs couldn't make her stop.

Sometimes after that, they could hear Jason humming a tune,a nice melody from Damian's statement saying that Jason muttered to him “ lullaby” as Jason continued to read his book, maybe it could be from Catherine,

they knew how Jason's past with Catherine todd, his mom even if not related, Catherine loves her son like her own kid but her doing drugs and... overdosing couldn't be stop.

Maybe Jason just remembered his mother maybe reminiscing atleast something familiar...even if it was a bad time.

Jason had constantly have been hearing a woman's? Man's? Voice, singing him a lullaby...it soothing, like as if he known and loved this melody...and that's where the dreams kept coming, there was a person, giving him kisses, Talkin to him stories, singing him lullabies and soothing him, he could dream that he was actually a baby, a baby from a normal couple, well don't count the luxurious baby room.

Jason had took out a conspiracies why he was getting this dreams, ( he swears he's not becoming Tim) and voices, maybe like a misshapen memories from the pits of victims? No it's to peaceful for that, maybe magic? He already contacted Constantine but surely hang up after knowing who it was-

Just how is he getting this dreams? Unless it wasn't.... So he proved again his point, he started a DNA test, again but none had records...of Sheila being his biological mother...that was weird, last time he had a test was from the time as robin..and before his-

So he went to that hospital who had said where Sheila had given birth to him, and most of shock is that no one knows a mother giving birth named Sheila haywood but had a document of a baby, of one Jason jay nightingale, the most believing part was that it's the same day he was born in.

His mother, Daniel F. Nightingale was said to be trans as the doctor who help his mother safely delivered him, And saying that his mother loved him,

one Sheila Haywood had the constant trick to get him and taken him as his own, because his mother's family was a wealthy one they practically sold him to her.

Jason had thought that maybe his mother's family never wanted him to have a son with a man from Gotham's crime alley.

Meanwhile Danny had just been YEETED to the DC universe before the start of Batman's justice thing and had been adopted by a very wealthy fruit loops couple as there kid, so he stayed as the couples daughter even pretending, because he owed ghost writer a favor for the last time, and as DC universe exist so it's story, and one thing for sure the child he had to give birth in this universe has a very complicated fate,

he did the one night stand from his supposed friend Willis Todd? He had to befriend him as Dalia F. nightingale the supposed Wealthy daughter who fell in love with a peasant trope, and gotten pregnant making it a scandal, and reaching to his ‘parents’ circle and getting that drama.

But he never thought he would care for his child, his little jay, his ghost side would purr in delight when they held Jason, he was a very hard sucker especially from his pacifier or his breast, it's so weird being in a women body,

but the way his ‘parents’ sold his son to the women who was supposed to get his son killed and being revived by cheap parody ass of ectoplasm.

He went feral, he had an argument to his ‘parents’ but all fell deaf ears, he couldn't find his son in one of the hotels nearby where that BXtch was.

And that time was where his part of the script was fulfilled, ghost writer already took him, both sides of his, were angry.

He. will. get. his. baby. back.

[bumblingbabooshka]

Thinking about marriage/women's rights on Vulcan Some may think that T'Pring not being allowed to divorce Spock was because he was going through the pon farr but if she were allowed to divorce him at all she probably would have done that a long time ago, confirmed by T'Pol when she's speaking with Koss, who isn't suffering from the pon farr. She says that he can choose another mate (without invoking a fight it seems: note the difference between a 'mate' and a 'challenger') and after he makes it clear that nothing she says will change his mind about marrying her, she finally threatens to declare a kal-if-fee. It's clear that Vulcan women cannot divorce/refuse to marry a man they've been betrothed to under any circumstances if A) He himself doesn't consent to ending their marriage or B) She doesn't have someone else waiting in the wings to be given to in his stead. Though, if the challenger she selects fails to win the fight, she'll have to marry her betrothed anyway unless (again) he decides he doesn't want her after the challenge. That seems like an incredibly unfair system, heavily biased towards men. SNW is an alternate universe in many obvious respects but most egregiously in that T'Pring has a lot of non-canonical agency over her relationship with Spock. It's interesting to me that Vulcan society has women in many positions of power and treats women as equal to men from what I've seen despite these laws. We don't really see Vulcans exhibiting a misogynistic attitude towards women in general but in TOS (perhaps because of its general writing style but it's still interesting to note) both Sarek and Spock take on patriarchal attitudes specifically regarding wives. Amanda says that 'of course' Sarek commands her because "he is a Vulcan and I am his wife." It's worthwhile in my eyes to note that she specifies 'wife' instead of attributing this attitude to women as a whole. Again, with TOS' writing style it wouldn't be out of place for her to say "he is a man and I am a woman." Spock, while in a pon farr induced irritation, states that it's "undignified for a woman to play servant to a man that isn't hers" - again implying that there's something specific about being a Wife in Vulcan society which is different from being a woman in general and demands subservience to a husband. This could perhaps stem from the extreme sense of ownership that Vulcan law has permitted men to have over women. A woman legally cannot point blank refuse marriage. There is no option which guarantees she won't have to marry her betrothed other than death. When T'Pau speaks of T'Pring she refers to her as being 'property' and Stonn, before being interrupted, states he's made 'the ancient claim' - we don't know what this is because he gets cut off but it's obvious they're both using the language of Vulcan law. Men are permitted true freedom to choose. If a woman wants to choose someone else to be with there is no option available to her other than the kal-if-fee which might result in the death of the one she wants to be with. And, if her lover fails, her husband can still just decide he wants to marry her and she'll be forced to. T'Pring gives two scenarios: One where Spock 'frees' her and one where he doesn't - it's still ultimately his decision which is clear when he ends the conversation with "Stonn, she is yours." This again isn't just because of the pon farr as T'Pol also goes through this. Koss can choose another mate and when the option is talked about there's no implication that this would result in any sort of fight (both by the casualness of its mention and by the fact that there's no formal word for it unlike the kal-if-fee.) Also, the fact that Koss does eventually grant T'Pol a divorce and it's all fine means that T'Pol isn't lawfully required to have another man waiting if her HUSBAND doesn't want her. It's ONLY required if SHE doesn't want her husband. Tradition must take precedence over individual desire UNLESS!!! You're a man. Then it's fine. Like, your parents might not be happy but legally you're golden.

[erinwantstowrite]

i think im not a fan of what dc keeps doing with jason because they keep having him, the abused, become an abuser in some way shape or form. and the classism they don't want to talk about (i am being so for real there is a genuine problem of both writers and readers who do not understand jason's background and it pissed me off so bad because it always shapes their opinion of him in the wrong way and they don't care to even try to listen). and how if they were going to have him come back they should have had delved into his identity crisis and the inherent horror of coming back but not knowing how or why or what to do about it and not knowing what you were doing while dead and having to deal with time jumping forward on you and the fact that you will never get the time back and no one will he the same as they were before you died and how isolating and lonely that would be. and they also definitely weren't prepared for the fact that jason was grieving his life and his death and his hopes for his mother and his dad who didn't get there in time and the dc writers are fucking cowards. which brings me to my next point: why do we keep listening to them about shit because they are quite literally always fighting with each other and projecting their own personal biases into characters (i.e. making them worse than they are/2 dimensional/trying to make them iredeemable so their favorite character gets to shine) and also they are all freaks of nature with a consistent problem of being God Awful People who why would we trust them with these characters. jason todd they don't get you like i do

[gingermintpepper]

In my Zeus bag today so I'm just gonna put it out there that exactly none of the great Ancient Greek warrior-heroes stayed loyal and faithful and completely monogamous and yet none of them have their greatness questioned nor do we question why they had the cultural prominence that they did and still do.

Jason, the brilliant leader of the Argo, got cold feet when it came to Medea - already put off by some of her magic and then exiled from his birthland because of her political ploys, he took Creusa to bed and fully intended on marrying her despite not properly dissolving things with Medea.

Theseus was a fierce warrior and an incredibly talented king but he had a horrible temper and was almost fatally weak to women. This is the man who got imprisoned in the Underworld for trying to get a friend laid, the man who started the whole Attic War because he couldn't keep his legs closed.

And we cannot at all forget Heracles for whom a not inconsiderable amount of his joy in life was loving people then losing the people around him that he loved. Wives, children, serving boys, mentors, Heracles had a list of lovers - male and female - long enough to rival some gods and even after completing his labours and coming down to the end of his life, he did not have one wife but three.

And y'know what, just because he's a cultural darling, I'll put Achilles up here too because that man was a Theseus type where he was fantastic at the thing he was born to do (that is, fight whereas Theseus' was to rule) but that was not enough to eclipse his horrid temper and his weakness to young pretty things. This is the man that killed two of Apollo's sons because they wouldn't let him hit - Tenes because he refused to let Achilles have his sister and Troilus who refused Achilles so vehemently that he ran into Apollo's temple to avoid him and still couldn't escape.

All four of these men are still celebrated as great heroes and men. All four of these men are given the dignity of nuance, of having their flaws treated as just that, flaws which enrich their character and can be used to discuss the wider cultural point of what truly makes a hero heroic. All four of these men still have their legacies respected.

Why can that same mindset not be applied to Zeus? Zeus, who was a warrior-king raised in seclusion apart from his family. Zeus who must have learned to embrace the violence of thunder for every time he cried as a babe, the Corybantes would bang their shields to hide the sound. Zeus learned to be great because being good would not see the universe's affairs in its order.

The wonderful thing about sympathy is that we never run out of it. There's no rule stopping us from being sympathetic to multiple plights at once, there's no law that necessitate things always exist on the good-evil binary. Yes, Zeus sentenced Prometheus to sufferation in Tartarus for what (to us) seems like a cruel reason. Prometheus only wanted to help humans! But when you think about Prometheus' actions from a king's perspective, the narrative is completely different: Prometheus stole divine knowledge and gifted it to humans after Zeus explicitly told him not to. And this was after Prometheus cheated all the gods out of a huge portion of wealth by having humans keep the best part of a sacrifice's meat while the gods must delight themselves with bones, fat and skin. Yes, Zeus gave Persephone away to Hades without consulting Demeter but what king consults a woman who is not his wife about the arrangement of his daughter's marriage to another king? Yes, Zeus breaks the marriage vows he set with Hera despite his love of her but what is the Master of Fate if not its staunchest slave?

The nuance is there. Even in his most bizarre actions, the nuance and logic and reason is there. The Ancient Greeks weren't a daft people, they worshipped Zeus as their primary god for a reason and they did not associate him with half the vices modern audiences take issue with. Zeus was a father, a visitor, a protector, a fair judge of character, a guide for the lost, the arbiter of revenge for those that had been wronged, a pillar of strength for those who needed it and a shield to protect those who made their home among the biting snakes. His children were reflections of him, extensions of his will who acted both as his mercy and as his retribution, his brothers and sisters deferred to him because he was wise as well as powerful. Zeus didn't become king by accident and it is a damn shame he does not get more respect.

[serpentface]

Scenes from The Baby Wars Part One: The First One

[Hibrides never wanted to be a mother (though the concept of childbearing has always occurred to her as 'inevitable and necessary'), underwent very severe post-partum depression, never really bonded with the infant, and was extremely uncomfortable with nursing her (they had a wet nurse who covered most of it).

Brakul ended up being the Designated Housewife throughout Erubi's infancy and was effectively the only member of the household providing parental care, was Extremely bitter with Hibrides for not really wanting anything to do with her daughter (among other things), and was raised in a context where fathers allowing their infants to comfort nurse on them is a standard practice (which is not widely conceptualized as a Thing men can do in the Wardi cultural sphere and comes off as bizarre to the rest of his household).

These combined factors lead to tense standoffs where he looms behind Hibrides trying to guilt her into Feeding The GodDamn Baby while looking, from her perspective, like he's trying his absolute hardest to breastfeed.]

[indistinctchatt3r]

Omega using the straw to make another Lula rather than to make something to escape

[starry-bi-sky]

finally giving fem danyal her own au and fulfilling my 'danny is an animal whisperer' agenda at the same time: mother of monsters danyal 2.0

i say "2.0" because TECHNICALLY 'mother of monsters danyal' is an au I made back in June for Dark fem!Danyal (who I promptly named Layal). However, I haven't posted much for her yet, and I like the "mother of monsters" premise too much to leave it only to Layal. Plus Danyal in that au was going to become the mother of monsters anyway, just with significantly less world domination and mass extinction.

'Animal whisperer' Danny has been something I've been thinking about since my latest DP 'wolfpack au' post and it's! So fun to think about, and who no better to assign the idea to than Danyal Al Ghul? Who comes from a family infamously known for their love of animals and nature?

Fem Danyal is just purely self-indulgent. *gestures wildly at her* i just lomvb,,, her,,,, I've only really mentioned her in context of the 'Things in Threes' au/my first Danyal al Ghul au with the facial scar, but she's!!! I love her. She deserves her own au <33

So kill three birds with one stone! Make a post about it.

Anyways, Danny has a large lair. Similar to cult leader danyal, her lair is a giant mountain region resembling nanda parbat with a big temple/palace-like area built into the mountain. It's large, it's overflowing with natural flora, with its own mini-floating islands hovering over some areas, and it's also completely empty.

Danny takes one look at her lair upon first meeting, -- noting that it looked relatively smaller from the outside -- and promptly, with the elegance of an Al Ghul, goes "What the hell??" Because yes, while she does enjoy her own solitude and privacy, this is a bit ridiculous.

For heaven's sake, there's even a massive lake in there! What's she going to do with all this space? Can she make it any smaller? Why is it so big in the first place? This looks borderline like one of the mega-islands!

She finds out later that apparently, the amount of ectoplasm a ghost has can have an effect on the size of their lair. And since she has such a large core, her lair reflects that. Wibbly-wobbly timey-wimey stuff, it's bigger on the inside so it doesn't take up "too much space" on the outside. Don't worry about it too much.

Danyal isn't totally opposed to having such a large lair, she's just... a bit baffled by it. It feels like so much wasted space is all. All this flora and no fauna to enjoy it with. It's practically eerie.

She decorates her temple-palace area, transforming rooms to match her needs as she sees fit. In the center of the inner gardens is a massive tree that she likes to climb, with twisting, winding branches. Sam and Tucker have honorary rooms, even if they can't safely leave the specter speeder for long periods of time, even with proper safety equipment. So does Jazz. Ali (Dani) has one too, but he can actually use that one, and Danny brought him to her lair so he could decorate it himself.

She has a personal garden, but for the most part she lets the flora exist as it is. Too much space to cultivate it en masse anyways.

Skip to a few weeks later, on her next visit to Clockwork. She developed a habit of going to see him semi-regularly just because. She enjoys his wisdom, and he has a lot of stories to tell, and when he's not being the cryptic and esoteric timekeeper, he's a bit goofy.

(pushing my dadwork agenda here,,, i think Danny deserves to go 'hey, Lord Clockwork, do you want me to buy you something' while she's at walmart, only to receive a singular glowing sticky note that says 'cucumber gatorade'.)

(She insists on referring to him with his proper titles even for the most mundane of things because it's proper, but Clockwork sees a future where she eventually calls him "Cee" and by all things in existence is he determined to get there. Anyways,,,)

On her next visit to Clockwork, just as she is about to leave, Clockwork stops her and goes; "Ah, I have something for you. Hold out your hands."

Danny does as such, and Clockwork doesn't give out things often, so her curiosity has spiked to the highest levels. He turns away from her for a moment, using his staff to summon whatever it is he needs, and when he turns around.

He drops a fish into her hands. Granted, a fish in a small glass tank. But a fish nonetheless. A small one, roughly about the size of her finger, with a blue-black, eel-shaped body and four sets of glowing eyes. She can see thin, almost translucent, but spiny fins down its back and the start of bioluminescent markings. It's swimming around in circles in its small container.

"Lord Clockwork." Danyal says all too calmly.

"Yes, Danyal?"

"What is this?"

"That is an adolescent leviathan, Danyal." She’s transfixed onto the tank, but she doesn’t need to see Clockwork’s face to hear the smile he’s stifling.

The myriad of emotions that runs through her all at once threatens to overwhelm her, and she can’t tell if the feelings are negative or positive. So she carefully closes her eyes to breathe in through her nose.

“Clockwork.”

“Ah, I see you’ve dropped formalities.”

She ignores that.

“Why have you given me an adolescent leviathan?”

She's expecting the trickster to look amused when she opens her eyes. Instead, he just looks endeared. "I know you're fond of animals," he says, "and you always look amazed when you come across an animal of the realms. So I thought you might enjoy taking care of the young beast, it's mother is dead so it has no one to care for it."

Oh.

"But, if you don't like it," Clockwork's hands reach out for the tank, "I can simply take it back--"

Danyal shifts the tank out from his reach and hugs it possessively. "I never said that. How do I care for it?"

And so clockwork gives her a list, and when Danyal returns to her lair, she sets up a large tank in her room for the leviathan to swim in -- it's much too small for the lake right now, she thinks. She'll feel better if it's somewhere she can find it. She names him Suhā.

Suhā grows quickly, and by the end of the mortal month she transforms one of the rooms into a large pond for him to swim around in. He's a very loyal beast, recognizing her as it's mother of some kind. Danyal takes great care ensuring that her beastie gets quality care, and Suhā swims to the surface to see her when he senses her in the room.

It spirals from there. Somehow, Pandora catches wind that Clockwork gave her a leviathan, and so the next time Danyal visits the Greater Athens, she gives her a baby chimera. It's eyes are still sealed shut, Danyal can't bring herself to say no. She names the little beastie Firas.

Frostbite hears about it too, and not to be outdone, gives her an animal she's never even heard of. Infinite-realms born, apparently. A fox-like creature with two small horns like an impala, four eyes, and tall legs. The name isn't something she's quite sure how to write down, and she's positive that her friends won't be able to comprehend it. She names her Eira.

Getting the three of them used to each other was... interesting. Suhā tried to eat Firas when Danyal first introduced the two, and they've hated each other ever since. Firas and Eira are seemingly getting along. Her island already feels full enough with the three of them on it.

Of course, that's not the end of it. With her luck, she begins stumbling across other monsters. Realms-borne or otherwise. An injured hydra in the Grecian islands that, through lots of trial and error, Danyal is able to rehabilitate and heal. It routinely comes to visit her afterwards.

A griffin with a broken wing that she moves permanently to the island that likes to keep to itself, but tends to come down when she's near. It gets along best with Firas.

A panther-like monster from the Shades Woods that had six legs and three tails, with ends that reminded her of a venus flytrap. It stuck around the heavy foliage and she can only make out where it was when she saw its golden eyes reflect.

She befriends a young indrik with its leg injured, and much like the hydra it follows her back to her island, and stays there in the mountains. It comes out when she's alone, much like her other beasts.

She receives two more leviathan -- one from clockwork, and one she finds herself while exploring the deeper and darker recesses of the Ghost Zone. It was huddled against the carcass of its mother, and she managed to befriend and get close enough to it to bring it back to her island. Suhā is fully grown by then, with a head bigger than Danyal herself and he still likes to stick her head out of the water for nuzzles when she's near.

He's not very happy with his new siblings, but he's not trying to eat them when she's not looking. So she calls it a win in her book.

And it's not just large beasts either; smaller animals begin popping up when she's not looking. Bird-like creatures and small mammals, and she swears she saw a doe (or something resembling a doe) grazing in the forest while she was walking by.

She takes back with her a lone snake egg once, and it grows so big it wraps around her island and sleeps with its massive head on the mountain beside the temple, like some smaller breed of Jörmungandr.

And on and on it goes. Some of the beasts she comes across never step foot onto her island, some of them follow her back, while others she has to carry back. Not all of the ones that follow her stay, and Danny rehabilitates the injured and releases them when they're fully healed.

It's hectic, and busy, and frankly she loves it. Some of her rehabilitated beasts return to visit her, or to have their children somewhere on the island, or whatever it is they need to do.

She becomes a bit infamous for it. She goes to visit Dorathea once, and as she's walking through the streets she can hear some of the denizens whispering while she walks past.

"Is that her?"

"Her highness' friend? Yes--"

"--that's the one--"

"--Mother of monsters--"

Danny's not sure how to feel about that.

Although, she can't say she's opposed.

Danyal Al Ghul, Mother of monsters, raiser of beasts. It has a nice ring to it.

[daisybell-on-a-carousel]

"Jason was the happy robin" this, "jason was the angry robin" that. Let's all be fully honest here Jason was the lonely robin

[vee-lociraptor]

rat john doe malevolent in the fourth dimension what will he do

inspiration is obvious but for the uninitiated. @james-spooky 's malevatouille which won't get out of my head. also this post by lotte that made me realize i needed to crochet him because i cant draw.

anyway. read malevatouille it's really good. james is plaguing us all with it /pos

[atopvisenyashill]

I was twelve when my father died And he was holding me I couldn't seem to die

[not-so-superheroine]

Jesus is my older brother, not my dad.

other christians don't seem to feel the same?

am i missing something where he insists on such a thing except perhaps with actual little children?

[ahamkara-apologist]

okay disclaimer: ik that categorizing female characters as the 'mom friend/figure' is a legit disease in fandom caused by general misogynistic views of female characters, and it's something that personally greatly irritates me bc its not only awful to do, it also tends to ruin the characters its put upon. ESPECIALLY in D2, which is outstanding in its cast of strong female characters

however. in the case of Eramis, I do believe that the fact that she was a mother and is a genuinely caring, nurturing person at heart is something that is a deeply important core part of her character, as well as thematically important to the future of the Eliskni moving forward. It's important because in her case, I believe that her motherly inclinations are why, pre-Witness-whispering-through-the-Darkness, Eramis was such a successful kell- because unlike some other kells who sought a future for the Eliksni via domination, her main focus for them was to create a haven for her people that could be defended from Lightbearers. Riis-Reborn wasn't something to sniff at- it was the closest thing to an actual Eliksni city in a very long while. What got her was her trauma of the Whirlwind and her desire to destroy the Traveler to level the playing field for everyone involved- trauma that the Witness preyed upon in order to get to us. Like a parasite, seeking its secondary host. Eramis certainly is not the only Eliksni who lost her family during the Whirlwind, but I think that her specific brand of anger is closest to that of a mother lion whose cubs are in danger, and is lashing out in a furious fight-or-flight reflex at anything that she perceives as a threat. It's just that in this case, her 'cubs' were the Eliksni as a whole, and the threat she perceived before the Witness started torturing her was the Traveler.

I also think that her relationship with parenthood also makes for a very interesting character contrast to Misraaks (aka the other successful kell viewed as a source of hope for the Eliksni), and helps to set them up as antiparallels to each other. Eramis was a gentle, nurturing mother with a reverence for the Traveler who turned into the bitter, cunning warrior we see now when she lost access to her wife and children; Misraaks was a fearsome, ruthless pirate before he became a father, which gentled him and turned him towards being more pious. Eramis represents the old ways, and offers hope to the Eliksni who cannot bear to cohabitate with humanity; Misraaks represents a change in the tide, and kells the open-minded Eliksni who are willing to lay down their arms to live among the humans of Sol. Misraaks is of Light (change, forgiveness, moving forward), while Eramis is of Darkness (memory, control, looking back). They're opposites in every way except for the fact that both of them were/are amazing parents, and I'd argue that their ability to nurture and overlook others is what led to their success as kells.

Most importantly, however, is their relationship to Eido, who represents the future of the Eliksni. Misraaks was her father, and he did his best to raise her to be kind and openminded, but he also shielded her from the horrors of the past a little too well. She's outgrown that, and now that she's strong enough to handle said horrors, Eramis has been acting as a mentor to fully introduce her to the tragedy of what she lost and why elder Eliksni are so angry about it- and I don't think that she would have been receptive to Eido attempting to talk to her if it weren't for the fact that under all of her prickly armour, she's still that nurturing person at heart. It's her desire to care for others and to see a better future for her people that has kept her going despite her having no hope for herself, and it's that loving heart that has saved herself and her people from utter destruction at both our hands and Fikrul's- because if she didn't look at eido and go 'oh this child is the future of our people and i must protect her with my life', then both her and the rest of House Salvation would have been marked for death. And now here she is, continuing to care for Eido even as her father declines by telling her stories about Riis and helping her track down an apothecary to try to cure him, despite her not believing in his ways. I don't think it's entirely because she used to be a mother, but...I do think that it's playing a huge role in it.

(I also think it's personally fascinating to see how someone who used to be known for being a doting, sweet mom to her hatchlings and a caring mate to her wife can turn into someone who's a terrifying warrior on the battlefield and a cunning, politically saavy ruler, but even then, that doesn't surprise me all that much- if you've got a dearth of experience wrangling hatchlings, then being kell of a house is basically just wrangling a bunch of grown-up hatchlings. Same principles, just upped a level or two in complexity.)