#Most of it aren't applicable. But the parts that are applicable are applicable.

[selfcontainedunivcrse]

thinking abou t. my silly axolotl and its silly interpersonal relationships. Seventeen from heathers isn't not cvwoop

[prokopetz]

I'm not gonna claim that most Tumblr polls are anything like rigorously structured, but I've seen a lot of folks rather smugly asserting that having a "not applicable" option that ends up dominating all other responses is evidence that the person who created the poll is incompetent, and y'all: under the specific circumstances in which these polls are constructed and distributed, that outcome is evidence of good poll design, not bad poll design. Yes, even when the "not applicable" responses outnumber all other responses ten to one. There are several reasons for that:

At the time of this posting, Tumblr polls have no "see response" button. The only ways to see a poll's distribution of responses are to wait for the poll to conclude, or to respond yourself – and not only are people on social media typically curious and impatient, many of them also know that there's no way they'll remember to check back later once the poll has concluded, so in practice, their opportunity to see the results is now or never. Adding a little note to the poll insisting that people who aren't part of the targeted demographic should refrain from voting isn't necessarily going to restrain that impulse. Indeed, it may end up encouraging folks who otherwise wouldn't have picked a random result-revealing response to do so, because fuck you, don't tell me what to do.

Many respondents genuinely won't realise they're not part of the targeted demographic until after they've voted. It doesn't matter how much text you add to contextualise the poll, because they'll read the poll first, and if they read the accompanying text at all, it's only after they've responded. Heck, a lot of folks don't even bother to read the question before responding to a poll; they just start going down the options and reflexively click the first one that seems like it might apply to them, then go back and read what was actually being asked (and complain in the notes if it turns out that they misunderstood). Even a well-meaning person can only comply with instructions they've actually read; for those folks, clicking the "not applicable" option is what compliance looks like.

Even folks who do fit your poll's targeted demographic can fall prey to the imp of the perverse. Giving the most accurate response rather than the most entertaining one can be a real struggle for a lot of folks; in scientific analysis of polling data, this is known as the "mischievous responder bias". In an informal setting like Tumblr, it's reasonable to suppose that the mischievous responder effect might be exaggerated compared to polls conducted in more formal contexts, and a well-designed poll is going to take that into account. A humorous "not applicable" option provides an escape by affording folks the freedom to screw around with the knowledge that they're not polluting useful data by doing so; in practice, the "I am a toaster" option is a mischievous response filter.

What this adds up to is that a poll where 90% of the responses hit the "not applicable" button is more likely to have yielded useful data than a poll with a narrow target audience where some unknown percentage of the responses represent folks not reading the instructions, clicking random options to see the results, and/or taking the piss.

[ode2rin]

there sure is never a dull day in your life ever since you somehow bumped your head somewhere and decided to marry gojo satoru.

he was, without a doubt, the most dramatic man you'd ever known.

“why aren’t you obsessed with me?”

and here he goes again making your marriage life comically interesting from his never-ending theatrics that you can’t help but adore. 

he isn’t gojo satoru if he wasn’t dramatic, after all.  it was all part of the deal, one you gladly accepted, promising to be by his side in sickness and in health.

“good morning to you, too, baby,” you responded, a smile tugging at your lips. “what’s got you worked up this early?”

leaning against the bathroom door frame, his eyes fixed on you as you diligently performed your morning skincare routine. sunlight streamed through the window, casting a soft, warm glow, making your features radiant as you applied your cleanser. and for a moment of sight, he got too lost in your beauty and almost forgot his plan of interrogation. 

but still, he needs to get to the bottom of this. “listen, i’m not looking for an argument, just understanding.” 

“okay, then,” you said, still attending to your skincare routine. “let’s hear this seeking of understanding.”

gojo’s gaze remained fixed on you as he considered his words carefully, “why aren't you obsessed with me like how i'm obsessed with you?”

“i’m in love with you.” you replied instantly, without a second in waste. because that’s how it has always been, loving gojo satoru and declaring it to the world was as easy as breathing.

you threw a side glance to your lover only to be met with glassy sky blue eyes looking at you and a pout telling you it wasn’t the right answer to the question.

“but you’re not obsessed with me,” he mumbles. “while i think about you every single minute of the day – in my sleep, in my lunch – i think about you, and i don’t think you think about me at all.”

“and where could this be coming from?”

“i was gone for 13 hours, and you only called me once. once, baby. do you even care about me?”

you attempt to explain, “you were on a mission—”

“i could have an injury,” he interjects, “i could have bumped my head somewhere, had amnesia, and forgotten about you.”

you couldn’t help but laugh at the possibilities he laid out just because you only called him once. finishing your skincare with a swift application of lip balm, you make your way to your lover, who is now resting his left temple against the doorjamb while earnestly watching you with the same look in his eyes from when you walked down the aisle.

“i think that’s fairly impossible, though,” you muse. your hands naturally find their way to his neck. “my husband is the strongest.”

strongest in the eyes of sorcerers and curses, perhaps, he is. but here? with you pressed close to him like this? he was nothing of any sort the strongest.

“what your husband right now is not the strongest but an unloved husband who couldn’t get his partner to call him to check on him,” he teases, putting great stress on ‘your’ because he was, in fact, yours.

“aw, must have been hard for him, huh?” you coo, going along with his teasing, “what can i possibly do to make up for it?”

“you can start with a kiss here,” he gestures to his lips, and you gladly oblige with a soft peck.

“too easy. what’s the next step?”

“and i want you to be obsessed with me. call me multiple times a day. text me. email me if you want.”

“okay, done. do you want me to write you a letter as well, like we’re in the '80s?” you sarcastically replied.

“sure, i’d love that,” he says with a chuckle before pulling you close enough to rest your head in the crook of his neck, his jaw resting on your temple as he caresses your back.

you closed your eyes, finding comfort in his warmth, and relishing every soft little kiss planted on your temple, until you felt his head drop onto your shoulder.

“i think about you every second of the day,” he whispers right in your ear.

jokes of being obsessed with you aside, it was truly a confession.

you could be beside gojo, peacefully slumbering, and there would always be that wave of need threading in his chest to be closer to you.

and behind his theatrics, none of his words held any bite of hoax. because after all these years, it still wouldn't sink in to him that there was someone who could take him for a husband.

but you're here – waking up next to him, doing your skincare next to his own set of toiletries, roaming around the house wearing his shirt, gracing the quiet corners of his soul with your laughter.

you're here, and it's everything and more that truly matters.

as you reach to cradle his face in your palms, you feel a squeeze in your chest from how he closes his eyes as if melting in your touch.

“even after all this time? you might get sick of me, my love.” you ask, a smile so evident behind.

“never,” he declares against your lips, a boyish curl of his lips slowly showing. “you, on the other hand, might get sick of me soon. seeing that you couldn't even call me twice after those long hours i wasn't home.”

you playfully roll your eyes at his accusation, of course he wouldn't let it off that easy. “i promise to call you twice and text you as much as i can. how's that sound now?” you hum.

“promise?”

“i promise,” you assure, sealing it with a kiss on the tip of his nose,  “and what do you mean, get sick of you? that’s nonsense. i told you right? it’s you for me.”

you for me. oh, how he likes the thought. sheepishly, he whispers in question, “even after all this time?”

“until the end of time, toru.”

until the end of time. oh, heaven and earth, how he loves the thought.

note. i miss him... terribly, i'm afraid. btw, here's a payback for all the angst..

[mysticheathenn]

Why Are You Still Single?

Hi, Hexlings!

This pick-a-card reading is for my Patreon All Tiers. This pick-a-card reading is all about why you are not in a relationship and how to invite more love into your life.

This is a general reading, remember to take what resonates and leave what does not. This reading does not supplement your need to seek professional help. Tarot should be used as entertainment and not a for sure answer to your problems but as a guide, a sense of hope, and amusement.

Take your time when choosing your pile. Ask yourself the question and choose the picture that you can’t stop looking at. Listen to your intuition.

Extended Patreon Includes:

How can I invite more love in?

Extra Messages (If applicable)

MasterList

Patreon Link

Pile l:

Why are you still single? Tarot: The Magician, The Empress, The Star, 8 of Cups, 6 of Swords (reversed), 5 of Swords

You don't see the beauty in yourself pile l. You are always giving away your power to someone else who does not see the beauty in you and you use their lack of love not only for others and themselves but their lack of love for you as facts to tell you about yourself. Who you are? If you are beautiful, kind, or generous? Are you worthy of love? Some of you most likely have dealt with abusive relationships or narcissistic people. This could be mental, physical, or emotional abuse, and could also be family and not a romantic relationship who like to tell you that you aren't good enough. Either way, for some strange reason you don't know how to release the same stories you keep entertaining from others and yourself. It's as if you have given up on yourself and refuse to see anything good about you because of your past history. You are the star. You are the Empress, pile l. You are loving, giving, kind, abundant, and beautiful. You do not need permission from others to exist or to feel worthy of anything or loved. Why must you torture yourself with the same stories that have led you nowhere but with depression, anxiety, and self-doubt? Look in the mirror and do affirmations about the kind of person you truly believe you are or if you still can't see what kind of person you are say affirmations about the kind of person you wish you could be. You don't need to believe it at first, and it may feel silly but it will help you look in the mirror and see what those with kind and beautiful hearts see when they look at you. Patreon Link

Pile ll:

Why are you still single? Tarot: The Tower, 6 of Cups, 4 of Swords (reversed), The Emperor (reversed), 9 of Wands

This is for some of you but you may have grown up in a household where your dad or a father figure wasn't around. If he was around he wasn't the best example of what you should look for in a partner and it has led you to carry beliefs that may hold some truths but in reality, most of it is just a way to keep you safe from getting hurt romantically. For others of you, these beliefs have led you down a path where you have had nothing but hardship in your dating life. Some people may have called you picky, unrealistic, or even called you the crazy one for not allowing people to play in your face. But some of you cut people out of your life just for breathing wrong and that is somewhat part of the problem. You are so concerned about not getting hurt or having people play in your face that you don't give people a chance to show who they really are. You take any and everything you see whether from social media, friends past relationships, or what you feel is intuition when really it's paranoia as a red flag. People are human and are allowed to make mistakes and it's okay to make a mistake here or there. I can already hear some of you say "Well they can make a mistake over there because over here you come correct." Here's the thing pile ll if someone isn't consistent with their words matching their actions it's to the left to the left, but if someone forgets to call but has done nothing wrong beforehand (meaning they are consistent but this one time forgets) that isn't a red flag nor does it always mean things are going downhill from there. It's okay to give people grace and still hold your standards and not deal with heartbreak or your time being wasted. It's called communication and not seeing everything that is more anxiety and paranoia as a sign of intuition. Patreon Link

Pile lll:

Why are you still single? Tarot: 5 of Wands (reversed), 4 of Cups (reversed), 2 of Pentacles, 5 of Swords, 10 of Wands (reversed)

You're not really looking for anything pile lll. I am hearing the quote "You're not in competition with other suitors. You're in competition with my peace. Does your presence make me not want to be single anymore? What do you bring to the table?" I hear that pile lll and I stand with you in this decision. When and if you are looking for someone you are looking for someone who can bring balance to your life and not chaos, stress, and drama. You want someone who can bring things to the relationship that you either can not bring on your own or help provide peace and stabilize it as well. You don't want to bring just anyone to your table just for the sake of not being alone and loneliness. People need to offer some sort of significance to you for you to give anyone the time of day let alone look their way. For some of you, you're questioning if this is the right decision. You may have been single or even celibate for a while now and I am confirming to you to stay strong and hold out for that person who offers you what you deserve in a relationship. You will be fine and there is someone out there who will see your requirements as "That's all while others told you, you were asking for too much." You have gone through too much and did so much work on yourself to get to the level of peace that you are experiencing in your life to second guess yourself or lower your standards just to appease others or have someone in your life. Remember "You would rather adjust your life to the absence of someone than lower yours to appease disrespect." That is exactly what you will be allowing in your life if you lower your standards now. You will also be disrespecting yourself in the process too. Patreon Link

Pile lV:

Why are you still single? Tarot: The Moon, 4 of Pentacles, The Hermit, The Chariot, The Star (reversed)

Pile lV you may have been somewhat drawn to pile l but not completely drawn to it. This energy somewhat mirrors them but instead of you giving away your power to others and letting them tell you about your worth. Your pile is if pile l decided to do the work it takes to not have that energy anymore. Most of you are single by choice and others of you are single because God (universe, Allah, source, etc) has placed you in solitude so you can focus on yourself. There is something that you are being called to do pile lV. You are on your path of walking into your purpose. If not your purpose you are walking into a path that aligns more with where you need and should be in life whether it's something you have been desiring and it requires isolation from you or something spirit has said you need but you are confused as to what that is. Either way during this time you are doing the work that it takes to bring in this new love for you. Some of you may be doing shadow work with the Moon card here. You are working on the parts of yourself that you find either unattractive, unlovable, or even toxic for some of you. This doesn't have to be physical a lot of the work I am seeing for you have to deal with emotional and mental health and for a few of you this could be you working out and becoming a healthier version of yourself. You are wanting to come out on top unrecognizable with the star card in reverse. You want to operate as your highest self and to bring in healthy and loving relationships that match the frequency you are trying to attain. I'm hearing Hot GIrl Summer, That Girl, etc anything where you are doing something with yourself instead of falling into victim mentality or even allowing your thoughts to deceive you into thinking you are unworthy of a beautiful life or relationship. Patreon Link

Thank you for liking and reblogging my readings. I always appreciate you guys on here and on Patreon.

Stay safe and be blessed

[kinnbig]

✨ Simple Gif Colouring for Beginners ✨

I wrote up my basic gif colouring process for a friend recently, but a couple of people here mentioned they'd also find it helpful! so, as requested, this is a beginner-friendly walkthrough of the way I colour my gifs :) it's aimed at brand new gif makers with no prior experience with photoshop or photo editing.

when I first started gif making I found colouring and photoshop in general suuuper daunting, so I've tried to simplify everything here as much as possible. hopefully this will be relatively easy to follow and not too intimidating!

a couple of things to begin with:

I'm only talking about colouring here - this is not a full gif making tutorial. I've linked to some of my favourites of those here!

I personally like to make bright, 'clean' looking gifs with vibrant but natural colours, so that is the style of colouring this tutorial is geared towards. most of gif colouring is subjective and about personal taste - the only thing that I'd say is possible to get wrong is skin tones, which I talk about a lot in this guide.

as I mostly gif Thai dramas, most of the advice is geared towards colouring for East Asian/South East Asian skin tones - but the techniques should be fairly universally applicable (and here are some tutorials that talk about gif colouring for other skin tones).

I'm not an expert! I'm not claiming this is the best or the only way to colour gifs - it's just how I do it.

this post is very image-heavy. if the images aren't loading (or the gifs are running slowly or cutting/looping weirdly), then try viewing the post in its own tab (rather than on the your dash or someone's blog) and refreshing the page.

okay, full walkthrough beneath the cut!

contents:

1. intro a. natural gif colouring goals b. very very basic colour theory 2. super simple colouring (the essentials) a. curves b. selective colour (and skin tone correction) c. hue/saturation d. saving and reusing colouring e. another simple colouring example 3. other adjustment layers a. brightness/contrast b. levels c. vibrance d. colour balance e. channel mixer 4. troubleshooting a. curves b. saturation 5. fin!

1. intro

the colouring part of gif making can be super overwhelming, especially if (like me when I first started!) you're completely new to photoshop and/or have no experience with colour theory or photo/video editing.

if you're opening photoshop and making gifs for the first time, I highly recommend getting used to making a few basic, uncoloured gifs to begin with. just to practice, rather than post anywhere (though you can always come back and colour them later if you want) - but it'll make the rest of the process much easier if you're already beginning to get used to working in timeline mode of photoshop. give yourself a bit of time to practice and get a feel for things like how many frames you tend to like in a gif, where you like to crop them for the best loop, what kind of aspect ratio you like etc* - so that you're not trying to navigate all of that for the first time on top of everything else!

* frames: for me between 60-90 frames is ideal, but 40-120 frames is the absolute min-max I'd personally use in a normal gifset loops: for the smoothest loops, try to avoid cutting someone off mid-movement or mid-word if possible. aspect ratio: for full-size (540px) gifs, I tend to go for either 8:5 (slightly 'skinnier' gifs), 7:5, or 5:4 (particularly big, thick gifs lmao)

✨ natural gif colouring goals

part of what can be so daunting about starting gif making is not knowing where to start or what you want to achieve. this is definitely something that gets easier with practice - the more gifs you make, the more you'll get a feel for what kind of look you like and the more instinctively you'll know how to get there. it also helps to see if any gif makers you like have made "before and after colouring" posts - these can help with getting a sense of the kinds of changes made through gif colouring. here's one I made!

in general, I like to make my gifs bright and 'clean' looking, with vibrant but natural colours. these are the things I'm usually hoping to achieve with colouring:

brighten dark scenes

remove muddy, yellowish lighting or filters

saturate colours

correct any skin lightening filters or overexposure

make lighting and colours as consistent as possible between gifs within a single gifset, especially gifsets featuring gifs from multiple scenes/episodes/videos

this guide is focusing on natural colouring, but of course there are many cool ways to make stylised/unnaturally coloured gifs. imo you'll need to master these basics first, but if you want to learn how to do things like change the background colour of gifs or use gradients or other cool effects, then @usergif's resource directory has loads of super helpful tutorials!

✨ very very basic colour theory

[disclaimer! I don't know shit about fuck. I do not study light or art. this is just an explanation that makes sense to me exclusively for the purposes of gif making.]

the primary colours for light/digital screens are red, blue, and green. having all three colours in equal measures neutralises them (represented by the white section in the middle of the diagram).

so to neutralise a colour within a gif, you need to add more of the colour(s) that are lacking.

in practice this usually means: the scene you want to gif is very yellow! yellow is made of red and green light, so to neutralise it you need to add more blue into your gif.

it can also mean the reverse: if you desaturate the yellow tones in a gif, it will look much more blue.

looking at the colour balance sliders on photoshop can make it easier to visualise:

so making a gif more red also means making it less cyan.

removing green from a gif means adding magenta.

taking yellow out of a gif will make it more blue.

tl;dr:

neutralise yellows by adding blue (and vice versa)

neutralise reds by adding cyan (and vice versa)

neutralise green by adding magenta (and vice versa)

2. super simple colouring (the essentials)

starting with a nice sharpened gif in photoshop in timeline mode. (these are the sharpening settings I use!)

some scenes are much harder to colour than others - it helps to start out practising with scenes that are bright/well-lit and that don't have harsh unnaturally coloured lights/filters on. scenes with a lot of brown/orange also tend to be harder.

I usually save a base copy of my gif before I start colouring just in case I end up hating it, or find out later that it doesn't quite fit right into a set and need to redo it etc.

so here is my base gif!

it's an okay gif, but it has a bit of a yellow tint to it that I want to reduce.

colouring is easiest to do in adjustment layers, which can be found under layer -> new adjustment layer - or for me they are here:

there are lots of different types of adjustment layers that do lots of different things - but for me the absolute essentials for colouring are curves, selective colour, and hue/saturation.

I also use brightness/contrast, levels, exposure, vibrance, colour balance, and channel mixer sometimes, depending on the gif - but I use curves, selective colour, and hue/saturation on every single gif.

✨ curves layer

the first thing I always do is a curves layer. when you first open one it will look like this:

first I usually click the ‘auto’ button, just to see what happens. sometimes it makes a big difference (it usually brightens the gif a lot) - but on this gif it didn’t do much.

if it had made the gif look nicer then I would have kept it and added a second curves layer on top to do the rest of these steps.

the next step is selecting the white and black points with the little eyedropper tools.

the bottom eyedropper lets you pick a white point for the gif. click somewhere super light on the gif to see what happens - for this gif, I clicked on the lampshade on the left. if it looks weird, I just undo it and try somewhere else - it usually takes a few goes to find something that looks good.

here's what that did to the gif:

then I pick the top eyedropper and use it to pick a black point by clicking somewhere really dark, again playing around until I find a black point that looks good.

here's what the gif looks like after picking the white and black points:

this can take some experimenting, but you can make super easy drastic changes to your gif just with this. in this case, the curves layer took out a lot of that yellowy tint.

and this is what the curves graph looks like now:

you can click and drag those lines to make further changes if you want - I usually leave them alone though. the colours of the lines indicate which colours have been changed in the gif - for example, you can see from that steep blue line on the graph that blue has been added to neutralise those yellows.

next I usually do another curves layer and just press the ‘auto’ button again to see what happens. usually it brightens the gif a bit more, which I like.

‼️if nothing is working: usually with a bit of fucking about a curves layer works well - but sometimes you can’t find a good white and black point anywhere, and instead your gif turns wacky colours and nothing looks good. this happens more often with very heavily colour tinted scenes :( the troubleshooting section at the end goes over some options, including starting with a levels layer instead.

✨ selective colour (and skin tone correction)

skin tones are made up of a mixture of yellow and red.

removing yellow (or adding blue or red) to a gif will make the skin-tones too red - and removing red (or adding cyan or yellow) to a gif will make the skin-tones too yellow.

adding blue to this gif with the curves layer took out the yellowy tint, which I wanted - but it also took the yellows out of Kim's skin tone, which I don’t want. so I need to put yellow back into the skin tones specifically - without putting it back into the rest of the gif.

selective colour layers let you select an individual colour and adjust the levels of other colours within that colour. you can change how yellow the green shades are, or how much cyan is in the blues, for example.

I need to add yellow back into the red tones to correct the skin tones on this gif. this is the case for most gifs in my experience - the vast majority of the time, unless a scene is very heavily tinted in another colour, a curves layer will add blue/remove yellow.

in the 'colors' dropdown, select the 'reds' section and drag the 'yellow' slider higher - this will add more yellow into just the red shades within the gif.

the amount of yellow you need to add back into the reds depends on how much yellow was taken out of the gif initially - I just play around with the slider until it looks right. if you're not sure, it helps to have some neutrally-coloured (not white-washed!) reference photos of the people in your gif to compare to.

here's the result. Kim's skin is a lot less pink toned and much more natural looking:

✨ hue/saturation

this adjustment layer lets you adjust the hue and saturation of the gif as a whole, and also of each colour individually.

I don't use the hue or lightness sliders unless I'm trying to do something more complicated with the colouring.

clicking the dropdown menu that says 'master' lets you edit the saturation of each colour individually. this is useful if your gif is still super tinted in one colour.

I thought the yellows on this gif were still slightly too bright, so I switched to the yellow channel and desaturated them slightly. (remember if you do this then you need to go back to selective colour and add more yellow into the red skin tones to balance out the desaturation!)

then I increased the 'master' saturation of all the colours to +5:

I usually find the right amount of saturation is somewhere between +5 and +12, but it depends on the gif.

‼️if the gif feels undersaturated, but the saturation slider isn't helping/is making the colours worse, try a vibrance layer instead.

done!

✨ saving and reusing colouring

you can copy and paste adjustment layers between gifs to make your colouring even across each of your gifs for one scene - so if you're making a set of multiple gifs of the same scene, or you think you might want to gif the same scene again in the future, you can save it as a psd so you can reuse the colouring again later.

each gif's colouring will then still need tweaking - different cameras/angles/shots of the same scene can still start out with slightly different colouring.

I recommend uploading the gifs as a draft post on tumblr so you can see what they all look like next to each other and catch any inconsistencies.

✨ another one! (speedrun!)

HI KEN!

the white point for the curves layer was in the window behind them.

the curves layer removes the muddy yellow tint, but again it makes their skin tones (especially Ken's) very red toned, which is adjusted by the selective colour layer.

3. other adjustment layers

imo many many gifs can be coloured really nicely with just those three adjustment layers, but some need different adjustments.

✨ brightness/contrast

pretty self explanatory!

I personally usually avoid using the 'brightness' slider because I rarely like the effect - I only tend to use the 'contrast' one. 

the 'auto' button is sometimes useful though, especially if you’re struggling with the curves layer.

✨ levels

levels alters the white and black points of the gif, like curves - but unlike curves it doesn't also alter other colours.

use the sliders beneath the graph to alter how dark/light the gif is. you can slide the black slider further to the right to make the blacks darker, and the white slider to the left to make the whites lighter.

levels is a good place to start if your curves layer isn't working.

(I'm going to hit the image limit for this post lol so here are some screenshots of a table I made to demonstrate this rather than actual gifs. sorry!)

on both sides, I dragged the sliders up to where the big jumps are on the graph - this is usually a good place to start!

✨ vibrance

vibrance... makes the colours more vibrant. it's more subtle than saturation.

it's really helpful for gifs that feel grey. sometimes adjusting saturation just makes the greys kind of weirdly tinted, but a vibrance layer can fix that.

vibrance is much more subtle!

✨ colour balance

colour balance affects the overall balance of colours within a gif.

it's good for scenes with heavy tints.

I tend to stick to the 'midtones' dropdown, but you can also alter the colour balance within the shadows and highlights if you want.

✨ channel mixer

I avoided channel mixer for such a long time because it scared me. but it's great for scenes that are very heavily tinted in one colour.

basically, it works with the levels of red, green, and blue within a gif. you select an output colour and then play around with the levels of the colour you selected within each other colour.

kind of the reverse of selective colour?

so in the 'blue' channel, the levels of blue are at 100%, and the levels of red and green are at 0% - but you can impact how much blue is in the reds and greens and blues.

this tutorial explains it well - but imo the best way to get to grips with channel mixer is just to play around with it a bit (sorry)

(when I made this guide for my friend, I also made a slightly more complicated gif colouring walk-through that included using channel mixer. there isn't space to include it within this post, but if anyone is interested I could always upload it as an 'intermediate' gif colouring tutorial - lmk!)

4. troubleshooting

‼️curves

usually with a bit of fucking about a curves layer works well - but sometimes you can’t find a good white and black point anywhere, and instead your gif turns wacky colours and nothing looks good. this happens more often with very heavily colour tinted scenes :(

for example, with this base gif:

using many of the brightest points as a white point turn it wacky colours, like this:

yikes :(

some options for these cases:

try brightening the gif first with the 'auto' button on the curves layer or with a levels layer. having a brighter gif to start with can give you better options for picking a white point.

try finding an alternate, whiter/brighter white point. look for places the light reflects - on this gif, using the light on Porsche's cheekbone works well as the white point. it also helps to find places that would be white if the scene wasn't tinted - the lightest part of a white shirt is often a good place to start, for example.

skip the curves layer, and instead use a levels layer to alter your white/black points, and colour balance or channel mixer to balance the colours.

‼️over/undersaturation

if your gif (especially the skintones) is looking a little washed out or lifeless, it might be undersaturated. boost that saturation - or if that's not working, try a vibrance layer.

oversaturation is often easiest to spot in the mouths and ears of any people in a gif. if the mouths are looking unnaturally, vibrantly red, then you've gone too far with the saturation.

5. fin!

and done! I hope this was coherent helpful to somebody.

if there's anything that I've missed or that doesn't make sense pls feel free to shoot me an ask or a message and I'll do my best to help! I've also collated a bunch of additional reading/resources below.

happy gifmaking ���

✨ some links!

photoshop basics by @selenapastel

gifmaking for beginners by @hayaosmiyazaki

gifmaking guide for beginners by @saw-x

dreamy's gif tutorial by @scoupsy-remade (includes instructions on how to blur out burned-on subtitles or annoying video graphics)

beginner's guide to channel mixer by @aubrey-plaza

how to fix orange-washed characters by aubrey-plaza

colour correcting and fixing dark scenes by @kylos

does resampling matter? by usergif

how to put multiple gifs on one canvas by @fictionalheroine

watermarking using actions by @wonwooridul

resource directory by @usergif

[thydungeongal]

Those of you who have read older editions of D&D may have run into a little stat called "% Lair" in your monster books. Basically, it's a number you can roll against to check if a creature encountered as part of a random encounter is encountered in its lair.

Or so it's accepted.

This came to me when I first read Fantastic Medieval Campaigns by Traverse Fantasy: Fantastic Medieval Campaigns is a retroclone of 0D&D that seeks to present 0D&D's rules as accurately as possible, down to preserving ambiguity when the rules were ambiguous. For an example, this is what FMC says about % Lair:

% Lair is self-explanatory as far as application is concerned.

Ah thank you. So, yeah, 0D&D didn't actually bother to explain what % Lair means in its context. This is what FMC has to say about number appearing:

Number Appearing (No.) is the total number of that monster type which appear in an area. This is primarily used for outdoor encounters, and the referee may adjust this number according to the number of adventurers present.

Which appear in an area. This to me implies that the numbers given on the tables (which are usually in the hundreds) aren't supposed to reflect how many creatures the party runs into during an encounter. It should reflect how many of a given creature one could find in an area. How big an area? Who knows!

What does % Lair mean then? Well, it means how many of that number are usually found in their lair at a given time! It also makes sense that Bandits would have a low % Lair because they are most likely to be out banditrying, while orcs and goblins have relatively high % Lair, because they're more likely to be settled! It's fascinating!

These tables could be used not for the sake of creating random encounters, but for populating hexes! And if you happen to generate only 1 of a given creature (like a dragon) in a given hex, you can still use that number when the party stumbles into the dragon's lair. To check whether the dragon is currently there!

Anyway this is not necessarily what was intended by these numbers but idk I prefer my application.

[thetriggereffect]

True Blood - The Medical Advancement With No Medical Applications

Don't get me wrong, I enjoyed True Blood, but I was always annoyed about one thing in particular: The whole setup is that scientists came up with a way to make artificial blood, but the only time we see this miracle advancement is in a bottle marketed to vampires. This is incredibly myopic, as this would be one of the most significant medical advances in history.

First of all, the Red Cross spends $2 billion a year collecting blood-- a majority of its operating budget. That money would no longer be needed, and would be spent on other causes. The Red Cross itself would become a considerably less influential power, which would probably be good for everyone (including the Red Cross).

In a world where blood is available by the keg, the average human lifespan would probably spike by 20 years. There are plenty of ailments, illnesses, and conditions that can be treated quite effectively with blood transfusion, but aren't, because blood isn't really available on that type of scale.

Every ambulance would be carrying a couple of gallons of O positive. In large hospitals they'd be working out of 50 gallon barrels. (This sounds like an exaggeration, but you'd be amazed how many different fluids are used in medicine because you just can't have that kind of blood on hand-- and because they're NOT blood, they have limits that unlimited transfusions would not.)

You would literally have a new class of licensed medical professional-- a transfusionist, falling somewhere between a phlebotomist, a paramedic, and a nurse. And they would be in incredibly high demand, because oh, buddy, we now have a world with elective blood transfusions.

Getting an "oil change" would be part of the spa experience. There would be teams doing housecalls out of a van ambulance, and blood boutiques in every shopping mall. Wealthy people would get transfusions the morning after a night of extreme partying.

And, I know, that's not the story they wanted to tell, but there would have been impact on the vampires as well, because the availability of True Blood would make real blood more readily obtainable, because humans could donate large quantities with no ill effects. (Hell, get a license as a transfusionist, go around in a van, and trade housewives a couple pints of True Blood for their natural blood... they'll PAY YOU to do it, and you can sell the blood or (if you're a vampire) drink it yourself.)

[enkidusbi]

can i read your thesis i wanna know about how mesopotamians kept their loved ones close. i feel like there might be something about roots or foundations or grounding, connecting the family to the home & people to place both physically and metaphorically. gravesites are powerful powerful place connections and im really curious about what we know about a culture whose gravesites and homes were one and the same. i imagine they were pretty comfortable with death

so it's not online yet because i want to publish it first in a journal BUT i can tell you a bit about it. this is gonna be specifically about the old babylonian period (19-15th centuries BCE) because that's what my thesis is on, but with some changes it's pretty much applicable throughout mesopotamian history

so the basic thought behind burial under the houses is that the dead don't cease to part of the family. ancestor cult is an important aspect of mesopotamian culture and domestic religion. the netherworld is not a nice place, it's dark and dusty and all the spirits have for food is dust. but if you feed your ancestors (this is a ritual called the kispum which consists of food offering, libation and the calling of their names. it's a regular ritual that some sources say was done monthly, and others say it was during the yearly festival of the dead in the month of the god dumuzi/tammuz) then they'll have things to eat and drink in the afterlife! and if you are a spirit, the more descendants you have, the more your well-being is ensured! it's a symbiotic relationship. if your ancestors are satisified, they can help you out with things and act as sort of benevolent protective spirits over the household and the family, and also welcome you in the netherworld when you die. but spirits who were not properly buried or aren't given the proper offerings can wander, come back to haunt you and cause harm. if you would like to know more about this, i recommend dina katz's book, the image of the netherworld in the sumerian sources, an amazing read. the point is, the dead are part of the family, they have their metaphorical place in the family structure and a physical place in the home

people in the notes mentioned that moving probably was difficult. and it definitely was. some of the people buried in these houses were in underground tombs, built from burnt clay bricks, and some others were just in graves dug into the earthen floor, all around the houses. now these brick tombs are often found completely empty, no skeletons, nothing. which means that the family took them when they moved away. probably because they were in some way the most important ancestors, maybe the main lineage of the family? this part is not really clear because these bones are missing, they took them, we don't know anything about them. however, in ur, there are two examples of just the skull being buried and i think that means that family moved to this house from somewhere else and brought the skulls of their ancestors along and re-buried them. it's a very rare find though

from an anthropological perspective, the phyisical proximity of the graves in the same place where the living slept, ate, worked, raised children, etc, was a kind of constant reminder. of their shared ancestors, of their shared identitiy as a family and as a larger clan or kinship group. from a psychological point of view, it was a strategy of coping with grief

important to note also, that this was not practiced by every family. there are houses with no graves at all or just one or two graves, certainly not the whole household. this means that most likely there existed also cemeteries, burial grounds outside the cities. to my knowledge, no cemetary like this has been found yet. but it would be insanely interesting to see what they were like and how the people buried there were different from the people buried in the houses at the same time!

in the end, let me give you a quote from the myth of erra and išum (translated by karel van der toorn in the book mesopotamian magic). this is what a man says about his house:

"These are my living quarters, I have personally made them and will have my peace within them, and when fate has carried me off, I will sleep therein."

i said i can't write a poem about this. and i don't have to, because they already did and it's beautiful

[raven-at-the-writing-desk]

Quick world lore question; does the game ever specify what kind of potions/poisons exist in twst? Like, since it's technically a fantasy world, would things like health/stamina potions like you'd see in rpg's exist? Or would it be closer to reality, like home remedies and basic pharmaceutical stuff?

I'm only an EN player and I havent read all the pomfiore student's vignette's so if they answer this there then im sorry for the bother ; ;

Potions aren't talked about in the only Pomefiore students' vignettes! (In fact, if we're talking just strictly Labwear vignettes... Vil and Rook's don't really focus on potions at all; only Epel's sort of does.) There isn't actually a ton of lore about potions, and in the times when they do become relevant, the writing tends to focus more on the ingredients and/or the preparation process rather than what kind of potion would be produced. For example, the entire Labwear series of vignettes frequently brings up rare or dangerous plants that require the application of magic in order to safely harvest, such as the mandrake and the lantern blossom.

I wasn't able to check all vignettes (since that would be like... what, probably a few hundred at this point? If not that, then at least over 100.), but there's definitely mentions of potions with various effects. From all lab vignettes alone and combing through the main story, here's what I could glean:

transformation/transmutation potions (prologue, book 2, Beans Day, book 6, etc; this is probably the most often mentioned type of potion)

voice-changing potions (Leona Labwear vignette)

color-changing potions (Epel Labwear voice line)

plant growth potions (Epel Labwear voice line)

sleeping potions (Silver Labwear vignette)

awakening potions (Silver Labwear vignette)

magic enhancing potions (book 2)

a potion that changes one part of your body to that of an animal's (book 3)

itch-relief potion (Lost in the Book with Stitch)

potion that heals burns instantly (Jamil Labwear vignette)

On the subject of poisons, no specific kinds are mentioned as far as I'm aware. There's a Poison Refining class (Cater Labwear vignettes), but we don't really get specifics. When poisons are talked about, it's usually in reference to the Fairest Queen or the Pomefiore dorm leader being skilled in making potent poisons, or it's Kalim talking about the many attempts on his life and unnamed poison antidotes. There may be more mentioned in other places, but at this time I don't have the capacity to check every single event and vignette. If you know of any more that aren’t listed here, please let me know and I can update the list!!

It should also be noted that "potions" can also be used for other purposes. This includes creating special effects for movies (mentioned in Vil's Labwear vignettes) and enhancing the effects of skincare (book 6, Azul Ceremonial Robes, etc.).

You'll notice that the effects of these potions can also be achieved via regular spellcasting. (In fact, we see Adeuce practicing color changing magic in Floyd's Labwear vignettes + Vil using color changing magic to help himself hide from paparazzi, etc., Jack's/Malleus's/Azul's UMs also allow them to do things without the help of potions.) Because of this, I believe that potions are meant to be an alternative way of spellcasting without actually needing to use magic. This makes already prepared potions usable by mages who don't want to expend energy/build blot as well as by NON-MAGES.

Within the world of TWST, there is an occupation known as the “medical mage”, who appear to combine magic and medicine into their practice. Furthermore, what is called “Potionology” in EN is written as 魔法薬学 (literally, "magic pharmaceuticals") in JP, implying that there is, in fact, an intersection between magic and medicine. This is similar to how "technomancy" is described to be the cross between magic and technology.

In terms of a "healing potion", there are instances which show that a magic potion may heal or at least speed up the body's natural healing process. For example, in 7-68 of the main story, Baur gives Lilia something to drink to help him with the dire blow he just took. It doesn't appear to restore him to full health though, as Lilia states he still needs rest afterward. In EN, they use the term "potion" but in JP they use "薬" (kusuri), which is "medicine". Baur qualifies the character with "魔法" (maho), which is "magic", so the term he's using is "magic medicine". This is probably the closest thing to a "healing" potion that we know of in the TWST lore.

So technically, yes, TWST has "healing potions". I wouldn’t say there is one blanket cure-all potion though; based on what we know of potionology and how it’s very similar to irl chemistry classes, we can assume that there are generalized “healing potions” but that there must also be far more specialized and targeted ones, similar to medicine irl or non-enchanted or non-magic infused medicine. This is supported by Riddle mentioning a potion that instantaneously heals burns, implying that there is no “cure-all”.

I would imagine that, like transformation potions, “healing potions” would have to be highly regulated since they’re basically a drug 💀 (There would probably be OTC types too, given proper governmental approval!)

[justdiptych]

The original Fallout had one group of raiders. That was the name the game map gave to them - 'Raiders' - but they were in fact known as the Khans. They were a relatively minor faction, being tied to quests in the first town the player is likely to visit, but we learn a lot about them in their brief appearance.

Many of the Khans are given names and dialogue, and will tell the player about their history - including how they came from the same place as the people of Shady Sands, Vault 15, and feel entitled to share in the town's wealth. Some see their raiding life as a way to claim control of the post-war world - ruling through strength and fear, believing that old ideas of morality died with the rest of the world. Others treat it as just another job - they support their group by trading, maintaining equipment, preparing food, and other everyday tasks.

In short, the Khans are a fully-realised community, as much a part of the story as any other. We learn that their brutal leader, Garl Death-Hand, took command after killing his abusive father. The player can kill him, or negotiate with him, or impress him with acts of cruelty, or even challenge his nihilistic views by convincing him that they're his father, back from the dead. Killing Garl and destroying his compound is treated as the best choice for the region as a whole, and is confirmed to have happened in the next game in the series, but it's certainly not the only option.

Fallout 2 has two groups of raiders. One - again marked 'Raiders' on the map - turn out not to be raiders at all, in that they're not attacking towns to steal their wealth. Instead, they're a mercenary company, hired by a disreputable businessman from one town (New Reno) on behalf of another town (Shady Sands again, now the capital of the New California Republic) to harass a third town (Vault City) to convince them that they need outside help in maintaining their defences. It's part of the game's major subplot about the three societies competing for control of northern California and western Nevada.

The other group are the New Khans, founded by Garl's son Darion after the original Khans' defeat. These Khans aren't nearly so fearsome as their predecessors - they mostly operate in secret, hiding behind a group of squatters who have moved into the ruins of Vault 15 and pretending to help them restore it for use. Darion is wracked with resentment over what happened to his father's crew and guilt for having survived, and his gang ultimately present little real threat to the outside world.

What I'm getting at here is that, in the world of Fallout as it existed in those early games, 'raiders' were not a major factor. There was one group who conducted raids as part of their regular economic activity, but only against particular communities - Shady Sands saw them as raiders, but to the Hub, they were just traders. Raiders only existed in a particular context - they had particular interests, beliefs and opportunities that would not always be possible or applicable.

Most of the games' conflict came not from the existence of raiders but from bilateral political and economic competition between groups with overlapping but not identical interests, which was reflected in their respective ideologies. We see this in Killian and Gizmo fighting to control the future of Junktown, and in the Master's attempt to reshape the world with the Unity while the different groups of New California try to retain their independence.

We particularly see it in Fallout 2, with its three-way battle for economic domination between the constitutional democracy of the New California Republic, the mafia-ruled narco-state of New Reno, and the elitist technocratic slave state of Vault City. Which of these groups continue to rule and expand, and which crumble, is what ultimately shapes the region's future - with control of Redding and its gold supply as the linchpin.

While the Enclave are the story's primary antagonists, they're chiefly characterised by their refusal to engage with this new socio-economic order - they believe that all outside authorities are illegitimate, and all outsiders non-human, and their only plan is to release a bioweapon into the atmosphere and kill literally everyone on Earth but themselves. The Enclave's defeat is necessary for New California's survival, but, otherwise, they change very little about how people live their lives. They're like Darion's New Khans on a larger scale - relics of a fallen order, robbed of their purpose, hiding in an old bunker and driven by nothing but resentment of having been left behind.

I might, in future, talk about the contrasting depiction of raiders in Fallouts 3, 4 and 76, and about New Vegas's use of raider and bandit groups like the Khans, the Legion, the Fiends and the White Legs. For now, I think I've made my point - that raiders are not a fact of life but a product of a particular place and time, and much less relevant to the universe of Fallout than other forms of competition and violence.

[joannechocolat]

Burn the library, or walk inside. Either way, it's your choice.

Unless you've been living under a rock, you can't have missed the escalating riots all around the country - riots which the media keep referring to as "protests", in spite of the fact that no-one involved seems to agree on just what they are protesting against.

Dragging strangers out of cars, burning down public buildings, throwing stones at ambulancemen, setting fire to hotels in a deliberate attempt to burn the people inside alive - and maybe scoring a new phone or pair of trainers on the way home - has nothing to do with "protest."

It certainly has nothing to do with the brutal murder of three little girls, although that was used as a springboard by online agitators, claiming that the murderer was an immigrant (he wasn't, and even if he were, attacking other immigrants because of what he did makes about as much sense as torching a Wetherspoons in Manchester in protest against Myra Hindley.) Nor does it have anything to do with Asian grooming gangs in Rotherham, although that's the most recent excuse I've heard: those grooming gangs were dreadful, but these criminals do not represent the Asian community any more than do the white leaders of grooming gangs (which by far outnumber them).

So, what the fuck is this about?

Well, it's the illegal immigrants, they say. Coming into our country, taking our jobs, raping our girls, yadda, yadda, yadda. Except that it isn't. Brexit has made it increasingly difficult for foreigners to work here, which is why so many European doctors and nurses have already left the country, putting still yet more pressure onto our dying NHS. And refugees - let's call them that, given they're neither immigrants, nor here illegally - aren't allowed to work while their application is being processed. As for "immigrant crime", a phrase that these people have borrowed from Trump - it represents a tiny proportion of crime in the UK, which by the way has risen sharply as the riots have escalated, because the police just don't have the manpower to fight on two fronts at the same time.

And add to this the fact that the principal agitators - people like Yaxley-Lennon and Farage - don't even live in this country, I think it's pretty clear that whatever motivation these burners of libraries, looters of shops, and goose-stepping Nazi cosplayers claim, it has nothing to do with "British values" or "taking back the country", and everything to do with doing whatever the fuck they want and blaming it on someone else.

Why do I care? Because I was born in one of these communities. I still have family in Rotherham, in Barnsley. I live less than fifteen miles away from the heart of these riots. I've done events in the libraries and universities that have been attacked. And by the way, isn't it weird how thugs always target libraries and places of learning on their way to robbing their local Lush, or Greggs, or Shoezone?

It's almost as if the agitators know that education is the key. That reading brings us together; teaches us to question what we read on the internet; crosses cultural boundaries; reminds us we're all human. And in disaffected communities like Rotherham, with a high degree of poverty, access to these ideas is very dangerous in the eyes of a far-right movement that wants to take power.

Already, 14 years of austerity, cuts and corruption has brought the country to its knees. By cutting education and the arts, Tories have reduced the access of these underprivileged communities to critical thinking and new ideas. Brexit has done further damage, as well as cutting us off from our allies. After the event, it is now clear how much Russian misinformation played its part in that process, just as it's playing a part right now in spreading its racist rhetoric via supporters like Farage and the fake accounts that amplify him. Now they're no longer in power, the far-right is doing its best to do as much further damage as possible to our society, urging people to "take control" by destroying anything else that can help them out of poverty.

Why? Because poor people are easier for the far-right to control. Poverty and crime are linked; just as illiteracy and crime are linked. And both of those things are linked to hate; to racism and mistrust of anyone who seems different.

But here's the thing. There's always a choice. Not everyone who grows up poor becomes a criminal. Not everyone who missed out on a good education becomes a racist. I grew up in a poor neighbourhood. There were some racists there, and some thugs, but most people were decent and honest. Most people were happy to co-exist with people of different cultures. I was one of those people; my family was different. Sometimes people even told us to go back home where we belonged. Most didn't. But of course, were were white. We looked like them. There's an obvious reason why brown and Black people in particular are being dehumanized and blamed for what's wrong with the country now.

And it's ironic, how people react when someone calls them racist? "But we're just ordinary people, with ordinary concerns."

"I'm not racist, I'm just (insert your bullshit reason here)."

And yet, here we are. Racism is ordinary. And if you do racist things, if you blame all brown people for what one brown person did, if you judge people by the way they look, if you make assumptions about whole groups of people, then you're a racist. And if you spout Nazi slogans, do Nazi salutes, walk with Nazis, repeat Nazi propaganda, then you're a fucking Nazi, mate. Live with it, or change. Your choice.

Because the choices we make today affect what comes tomorrow. And although poverty isn't a choice, being a decent person is. Your choices can help your children break the cycle of despair. Or they can keep your kids stuck in the same rut. To put it another way, you can take your kids to the library and let them learn to think for themselves. Or you can burn the libraries down and take them to watch you and your mates trying to set fire to some terrified refugees in a hotel instead.

Either way, your kids get to live with the choices you make today.

Right now, you're deciding their future.

Your choice.

[emptysekai]

guide to ad-free youtube for mobile via. youtube revanced

since youtube vance is no longer maintained and youtube is cracking down on adblockers here is how to download youtube revanced which has the best options for customising youtube features; including removing youtube shorts popups, sponsorship segments in videos, hiding unused buttons, bringing back dislikes, and more! [official revanced github]

this guide is for android only. sorry apple users idk how to help you. your device doesn't have to be rooted. even if it is, you should still be able to follow this guide. if you have youtube vanced installed, revanced shouldn't clash, so you don't have to uninstall it if you don't want to.

installation guide:

1. download all 3:

i. microg (this will let you log into your youtube account) [apk mirror] (scroll past description, download the latest one)

ii. revanced manager apk [github] (select the latest release, scroll to the bottom in assets, install the .apk file)

iii. latest youtube apk [apk mirror]

2. open revanced manager

3. select in this order: "patcher" -> "select an application" -> "storage" (note: if your phone asks you to let the app have storage access, say yes)

[id. two screenshots of the revanced manager app. there are red markings drawn overtop, indicating areas to select mentioned in step 3. the three spots are circled by a red square, an arrow pointing towards it, and a circle with a marked number to indicate the order at the end of each arrow. id end.]

4. select the youtube apk you downloaded

5. select patches. you can tap "recommended" or "default" or turn on/off patches you want

6. once you have selected, select: "done" -> "patch"

7. wait as it intialises youtube revanced. when it's done select "install" (note: if your phone gives you a warning that the app is blocked, select: "more details" -> "install anyway")

8. if this worked, you should have youtube revanced installed, and you can log in like normal. if this didn't work, read the next part.

(under the read more are troubleshooting solutions + other alternative apps)

issue a) if the botom right now says "open"

1. select: 3 dots on the top right -> "export apk"

2. save it

3. open whatever file browsing app you use (most phones should have a default one that comes pre-installed called something like "files" or "my files". if you don't have one, you can go to the play store and search "files" and pick one. if you aren't sure, i use "files by google")

4. find the exported file and install it (it will be called something like "youtube-revanced-versionnumber.apk")

5. if this worked, you should have youtube revanced installed, and you can log in like normal. if this didn't work, you can read the next part.

issue b) can't build or install youtube revanced with no option to export

1. something may have gone wrong with the file installation at some point, so try a clean start. to do this, uninstall:

i. revanced manager

ii. youtube revanced

iii. microg

iv. (optional) disable/uninstall the default youtube app

2. follow guide from step 1 again, hopefully it works. if it's still not working, you can try other alternatives. i've listed some in the next part of this post

alternatives:

libretube, newpipe, songtube, vuetube, astron, puretuber

i haven't used any of these personally, but i haven't seen any problems with them. let me know if there are and i'll remove it from the list.

you can also use youtube through your web browser with adblock add-ons. i'm not sure whether youtube has affected their mobile site though. with the firefox app you can use ublock origins (for ads) + youtube high definition (for general quality fixes)

[alexanderwales]

Hey, I'd look more into IQ it's not all that (and by that, I mean fake and racist).

I am very familiar with the discourse around IQ, thanks.

I assume that this ask is in relation to me saying that my son was given an IQ test as part of assessment for ADHD/autism. IQ testing is a part of assessment, and in my opinion has a place there as one tool among many. Even the most ardent detractors against IQ admit that it measures something, and as we're white and middle class, we're in the ideal category for that "something" to be meaningful rather than culturally specific. And all the issues with IQ tests are much more likely to have false negatives than false positives: there are lots of things not related to general intelligence that might cause you to score low (e.g. attentional issues, culturally specific stuff, unfamiliarity with test-taking) and relatively few things that are going to get you a high score that doesn't reflect something that correlates with cognitive ability (and most of those are deliberate training on specific cognitive tasks).

I am fully on board with IQ tests being biased against those who aren't white, middle/upper class, English-speaking American males. They try to correct for that but admit that making a test which is truly culturally agnostic is impossible. You can't divorce people from the stereotypes they've been raised under, if nothing else.

But it doesn't need to be culturally agnostic or unbiased in order to be useful for certain applications, especially in conjunction with other tests. One of those applications is as a tool for individual assessment, particularly in the context of offering professional guidance on educational intervention, treatment, and placement. A good child psychologist should be able to tell when a test's validity should be questioned, and other tests and qualitative measures give context to whatever an IQ test says.

[pilferingapples]

I was just reading the "Enjolras and his lieutenants" chapter and I noticed that Enjolras used the informal you for both Courfeyrac and Jehan, but not for Feuilly. Would you happen to know the historical/language reasons as to why that is? I thought it may be because both are students and where I'm from, students use the informal you, even if they don't know each other. But Bossuet addressed Marius with the formal you when they first met, so I'm not sure if that really is the reason for that. Does it mean that canonically, they aren't as close as Enjolras is with the others or could there be another reason for it? Also, do you know why he still only adresses them by their last names, even though he's using the informal you?

Nonny you are asking me about one of the Great Questions of the Novel: what the heck is going on with Feuilly and the t/v distinctions?

I am not going to dive into the weeds of standard t/v use,but --along with all the usual applications, in canon era and especially the kind of social circles that Hugo knew best and is setting up for the Amis, " tu" seems to have been common for young men to use together (a) with friends from childhood (b) among certain groups of Romantics , Because Romantic Friendship (c) particularly relevant here , among certain republican groups, because of the implied equality of everyone using it. Cosette will reference this use later:

And obviously all of this only makes Enjolras vous-ing Feuilly weirder!

And complicating the theorizing, Enjolras does use Tu for Feuilly later on, during his big barricade speech:

 Écoute-moi, toi Feuilly, vaillant ouvrier, homme du peuple, hommes des peuples. Je te vénère.

I have no solid answer, only theories! Theory 1: Feuilly is, somehow, fairly new to the group in Lieutenants. Counterargument: then why is he already one of the Lieutenants? And in what seems to be a particularly Secret secret meeting with ONLY the Lieutenants in attendance?

Theory 2: Maybe Feuilly's much older than we generally estimate , enough to make the Tu seem less automatic? The later use of tu at the barricades seems to argue against that, but maybe that's a special " we're all fighting and about to die" level of intimacy, since Tu does seem to be in general use there? Counterargument: hugo refers to them all being Young so very, very often, and ok that seems to include Up To Maybe 35, but still. Feuilly's part of their age cohort by all other signs.

Theory 3, Not Very Satisfying but Realistic: Hugo's bein' weird. Hugo personally used Vous for almost everyone, unless they were either direct family or , to be blunt, someone he was having an affair with. He definitely used Vous in friendships most anyone else would have considered a definite Tu situation. Maybe Hugo had an idea about it that he didn't flesh out; maybe he just wrote that and didn't catch it in edits; maybe his handwriting there was just really especially awful and whoever did the Clean Copy that day * didn't transcribe it right and no one later down the line saw it as a typo. Mundane, unrelated to the narrative reasons.

Counterargument: none ,really, except it's kinda boring.:P

Theory X (silly fandom only theory) : Enjolras and Feuilly are trying to act like they are on more formal terms , for shenanigans reasons. Maybe they're working on their Cover for a Secret Mission. Maybe they're trying to hide the fact they've started dating.

As for the Last Name thing, it's just how some people , especially men, are? I don't know that it really needs more explanation, but by all means tell me if you've got a theory! Personally I've always liked " Everyone is named Jean (so they default to last names) XD

usually, but not always, Juliette Drouet

[persmo]

The Simply Plural 1.11 Beta

Hello, in this post I'm gonna talk about the new beta from simply plural that was released on August 14, 2024

Subtopics:

What are the new futures?

How each feature works

Friends glitch/bug

Custom fields glitch/bug

Buckets glitch/bug

Other noticeable bugs

Extra things

Final thoughts

Now that we know what it's going to be in this post let's dive into it!

What are the new features?

This beta provides some new features, most of them suggestions that were previously asked a lot of times that finally got implemented

Privacy buckets which works as a new privacy system for the app

Ability to change the default setting of privacy

Group moving finally implemented

Easier access to read groups descriptions

Ability to cancel editing

Resizing images with markdown

How each feature works

Privacy buckets:

The privacy buckets is a new function that was suggested for a long time, with this new privacy system you can create groups that you can customize to have a more specific privacy experience

The customization things that you can add are having an emoji that identifies the bucket, being able to put a name, description and a color on the bucket, specify which ones of your friends can see the alters/groups/fields under that bucket

Bucket example

This buckets applies to groups, profiles and fields as you see here

Your friends won't be able to see the emoji while looking at your profile, this means they don't know in what bucket they are

You can add multiple buckets to the same friend, this is to make a better and more specific privacy customization

All the groups, members and fields that aren't given a bucket would be automatically set to private

For getting access to the buckets settings you have to enter your app settings, go to account, go to privacy buckets and there you go

For more information about how buckets works please check this oficial guide

Change the default privacy setting:

The default privacy settings let you choose what would be the new default setting around privacy buckets when making new things

This setting is applicable to all the things you can change the privacy of, this means:

Profiles/members

Custom fronts

Groups

Custom fields

So depending on what bucket(s) you choose all the new things you create would have that bucket from now on

Important to note that putting a default bucket won't change any of your already existing information, this would only apply for new created things after the bucket was assigned, you still have to manually change the buckets from old things

For getting access to the buckets settings you have to enter your app settings, go to account, go to privacy buckets and click the gear icon next to the question mark one, there you go

Group moving:

As the name implies the group moving feature allows you to move one folder to another one, you don't have to re-do the whole group from scratch anymore

The whole page for editing groups has changed so you'll might get a bit confused. The whole moving folders part can be found now when you edit a group

Visual example of what I mean

So you might ask how does the move group work, this is a little example and tutorial on how this function works

We have this test group called "A", as you see A is in the main root, it's not a subfolder of any kind, we're gonna move it to be a subfolder

When you click in the already shown "Move group" option it would pop out a new menu (This loading can be a little delayed, at least from my experience, so be patient)

The group who's darker is the one you'll move, you just need to click on the folder you want to put the group on and it would show you this pop out to make sure you're ok with moving it into the folder you chose

And there you go, you moved the group

Groups descriptions:

The groups descriptions were updated to a more easy and friendly way to see them, not only for you but for your friends too

Now all the groups that have a description will have a question mark symbol attached to them, clicking it would show you the description

Visual example of the described:

There's no more mystery outside this, this works with your friends groups and your own in both sides

Cancel editing:

Have you ever had the problem that while editing a profile or a custom front you don't want to save the changes so you have to close the app and re open to make sure that doesn't get safe? Well that's why the new beta fixed that issue

Now when you're editing things like profiles, you can decide if you want to cancel or save your changes, it's pretty simple to see it, there's and x and a 💾 icon, the x it's for not saving the changes and the 💾 for saving them

Visual example

This visual not only applies to profiles but also anything that can be changed and/or edited, I just put this for the sake of keeping it simple and not full of pictures of the same thing in different perspectives

Resizing images with markdown:

Using links for images is something that is used since a lot of time, it's normal to see people trying to resize their images directly from the markdown feature but failed, but now you can actually do this

In this image I'm using the same link, just that one is using the resizing markdown and the other isn't, this is to show that the resizing isn't super perfect and it's more based around fitting the picture in the indicated size, it would not stretch out or modify its property, it would just re adjust the size of it

As you might seen the only change you do it's adding the #300x300 after the link, putting the # along with the size that you want will resize your picture, this can work with any kind of numbers you put (#numxnum), but in some cases might look wonky or the picture might not appear/be cut so be sure to know the size and things you want with that to not mess up

Friends glitch/bug

It has been reported that the friends part might be very glitchy and have some errors, bugs and problems when entering in the moment you're using the beta

Some of the bugs reported are:

Not being able to see the preview of fronters in the main friends page

Not being able to see the custom fields of some friends

Some profiles not being able to bee seen although the friend has the bucket to see it

Menu doesn't work, it shows a gray box

More buckets assigned to a friend than the ones you actually have

Errors while seeing each others profiles when one's on beta and the other isn't

The friend menu it's a bit wonky and buggy with this beta, so don't be shock if you have some issues while seeing it, it's not broken, the beta is still a beta after all, it's to see the errors to fix them for the official release

Custom fields glitch/bug

The custom fields is one of the part who shows more errors while using it, some common reported bugs are

Friends and/or you can't see your fields information

The changes aren't saved

While offline they might disappear

Errors with the image links (They don't act like images rather than normal links)

Not being able to move them

When tagging (@) alters from another systems appears instead of yours

The custom fields are very delicate in this area, specially because the migration between 1.10 and 1.11, because of this I'm gonna copy paste words of the developers about it

API was further updated to fix the issues of large systems having trouble sharing content with friends and not being able to see custom fields of friends across release and beta versions. Note: The fix for cross-version only works for release if you never opened beta before. If you left or will leave beta you will still have issues seeing custom fields of beta friends. Second note: I just noticed that beta seeing release custom fields is still not fully working. So we'll report back when that is fixed.

Additionally, custom fields from 1.11 are not compatible with 1.10.3 either, if you downgrade back to 1.10.3 you will not be able to save changes to custom fields (neither custom fields settings or member custom fields data).

It's not mandatory but I'll recommend not touching your custom fields if you have the beta because it can have some issues about losing information, but this is a recommendation, this lost bug doesn't happen to everyone so do it at your own risk

Buckets glitch/bug

Because of the new future it was expected that it would have bugs and errors while testing it

The feature isn't 100% polish and it's being fixed, but this isn't stopping you from using it because it is workable

Some common bugs are:

Selecting a friend while creating a bucket doesn't work, you have to make the bucket and then edit it again to add the friend

Scrolling being difficult to almost impossible while editing buckets to assign friends

Don't adding the selected people (can also add people who's not selected)

Bucket count showing incorrectly as a visual error (previously mentioned in friends bugs)

Multiple visual errores in different areas

Also adding a note said by the developers to keep in mind

Important note: If you open the app in beta version you will no longer be able to go back to the old privacy system, even if you downgrade your app back to 1.10.3. We suggest you stay on 1.11 once you used the app in 1.11. Critical bugs found within the Beta will be resolved swiftly.

Other noticeable bugs

As is expected this bet has a lot of bugs going on, I'm not going to name all the bugs because this would be more long than it has to be, but I will list some common bugs that don't fall into any of the other two previous categories I mentioned

While offline all things appear as private even with different bucket

Editing colors isn't saving (profiles, groups, custom fronts, buckets)

While making a description you can't use the enter button

The lines to easy select text isn't showing up

Somo areas flicker when selecting/touching them

Getting front notifications of people you didn't select to have them

Bugs with pop outs about deleting members/groups

All of this errors and some more are being fixed for the proper release

Extra things

While it might be kinda obvious if you see the pictures I presented, the layout of the app it's kinda different, it didn't have an incredible mega change but various things about how it works were changed to fit better the new functions that were added

This betta has more bugs than previous betas but this isn't because it was bad designed, it functions pretty well and the bugs are being fixed, after all a beta it's for test out, report bugs, glitches and errors to make sure the final and official release it's the best product we can have, so maybe wait for the official release if you don't want that many bugs

Also as it was mentioned, if you already get the beta don't quit it, it can broke your simply plural and won't reverse the changes made in beta, you'll have to stick with the beta till the update it's public if you don't want to have more bugs and broke your app

For the people who might not know this, the beta testing isn't available on the web version, only the app

Little explanation on how to get the beta if you want:

Android: Go the the Play Store, search for Simply Plural and scroll down to join the beta Apple: https://testflight.apple.com/join/DzPX698w

If you need more help with the download of the beta on android you can send me questions and I'll answer them

Final thoughts

Though it's not the best of the betas in terms of not being glitchy it's incredible how great this beta update was, and taking in mind that this errors will be fixed looks to have a very good and promising final result

I might say it's better not to get the beta if you really lay to much in SP and can't handle that many bugs and errors, but if you're willing to give it a try it can be a goofy and great experience at the same time

This update is more based on fulfilling already wished suggestions so it's pretty exciting to see it

For being a beta I give it a solid 7.5/10, maybe too buggy but a great preview of what it comes for the new update

If you have more questions about the beta, non beta or anything related to simply plural please send asks about it, I love to talk about SP so feel free to ask about it ^^

The bugs/glitches reports, the link fo the buckets and the basic information about the beta were taken from the official simply plural server, I really recommend checking it out if you want to ask questions about it, see inspiration, see third party tools or report bugs, also there you can see server status, announcements and updates. It's important to clarify that it's not a social server so have that in mind

Simply Plural Discord Server Link

If you read all this I have to really thank you very much for giving me that much of a time to talk about this, simply plural is one of my special interests and hyperfixation and I'm so glad I get to talk about it, I didn't expect that much people being interested on seeing me talk about this new update, sorry if it took me some time but I was kinda in a bad moment of my life, but writing this really cheered me up and I hope people can find this useful

Please reblog and like if you find it useful in some way and to make sure more people get to know this information about the new update cause it has a lot of important things! /nf

[delawaredetroit]

According to you, Bakugou doesn't have a lot of relevant weight in the plot even though he was the one who ended up with AFO and learned to be a hero? Aren't these important concepts in bnha, what does it mean to be a real hero? Besides he had even better fights than Midoriya and he did achieve his goal, horikoshi indeed treated him like a main character.

Okay, I'll break this down one at a time.

Bakugou landing the final blow on prepubescent All for One is not a theme, it's a plot point.

Yes, learning to be a hero is a running theme throughout BNHA and it applies to any number of characters outside of Bakugou including Izuku, Ochako, Iida, Shouto, etc. However, Bakugou is one of the least effective applications of that theme.

There are other characters who more effectively implemented the aspects of the becoming a true hero character arc like (1) a hero initially in the business for monetary gain (Ochako and Mount Lady), (2) the hero hopeful who didn't prioritize saving others (Iida), and (3) the hostile hero student who didn't respect others (Shouto).

Why were their arcs more effective? Because BNHA was also about going beyond expectations (plus ultra). It took Bakugou until the end of Act Three to meet society's existing definition of a hero. Saving and cooperation mattered even during All Might's time. And it's unclear even at the end of it all whether Bakugou just incorporated saving as an element of winning rather than valuing it for its own sake.

Compare that with say Ochako or Iida. Ochako always understood the value of saving in the abstract (see the entrance exam), but it was secondary to her personal financial goals. Saving became her priority as a hero after the Overhaul Arc. From the Joint Training Arc on, she went beyond the standard concept of a hero by including heroes and villains in who she believed should be saved.

Early on, Iida outright ignored those in danger in the entrance exam (Izuku and Ochako) and during the Hero Killer Arc (Native) in the pursuit of his own goals. He determined that while he still believed Stain was a terrible villain, he was right about Iida not being fit as he was to be a true hero. He worked hard to become a more selfless person. By the Provisional Licensing Exam, he was sprinting past the expectations of a pro hero by making sure all of his classmates passed the first round before passing himself.

These last few comments seem to be a dig at Izuku for some reason. I have no idea what you mean by better fights. Better by what metric? Since Bakugou is more of a natural genius character, his fights tend to be more fluid in a purely visual sense compared to Izuku's fights. But fights in shounen manga are vehicles for communication, confrontations of opposing forces or ideas. Bakugou is so self-absorbed as a character that his fights are rarely interesting in this way because he refuses to listen to others for the most part.

Neither Izuku nor Bakugou achieved all of their goals. Izuku did not physically save Shigaraki. Bakugou's stated goal since the beginning of BNHA was to become number one hero, and he was still not number one hero in the final chapter.

Bakugou is certainly written with some standard shounen protagonist tropes with the ugliest aspects of them cranked up to eleven. He's far too sequestered from most of the main plotline to be "the main character" of BNHA though.