#Monty is himself here

[ridicbird]

Evil Disrupted

[ratatatastic]

can we pls discuss how the cats are all so horny for them getting Big and Strong and Fit and Buff. If we lived in A/B/O world the locker room and gym would be flooded with pheromones at all times

you my dear anon have truly opened yap-dora's box with this one do not get me started on this please PLEASE you know how nasty this team would go at it in an abo-verse? the pheromones would just be in a constant feedback loop if these boys weren't forced to put on blockers and use suppressants because its really the way they talk about each other and the way their affection shows

and i think just the past few days we've had so many anecdotes of paul talking about how much fitter the cats are, or players commenting on their own physique or other players talking about how much they noticed how big other players have gotten is sooooo

so allow me splurge about all the stuff these horny cats have done that live on in my brain in an abo context because yap-dora's box has been opened. dear god save us all.

the sc celebrations on and off ice: all the neck nuzzling, sashas penchant for grabbing people by the neck/head (ekky, lundy) or just ragdolling guys (forsy) about because who can say no to pack alpha? hes pack alpha! let him do whatever he wants to you! guide his hand to where you want it most (your neck)! absolutely melt that hes letting you touch his neck in return he trusts you that much! feel safe and warm with his hand on you! go limp! let him move you about! pack alpha gets whatever he wants!!

ekkys also specifically brought up monty grabbing the back of his head and rubbing his forehead on his so hard it actually hurt after winning the cup and its always lovely to see some good ole pack bonding that is the forehead nuzzle because sometimes an omega does need hard touch to keep them present

and speaking of ekky... ekky being ekky and grabbing the nearest warm neck to stick his nose into because this poor omega has toiled since game 4 and riddled with anxiety aplenty and hes de-stressing by surrounding himself with pack lest he breaks down and cries again (despite the fact he absolutely did cry on the ice) needs to be reminded hes safe now its all over hes allowed to be spoiled again and filled with the scents of all the people that he loves to soothe him

also all the club e11even shenanigans are truly unmatched sasha being very mmmmghghg with lundy, sasha being mmmdgfdghd with everyone (because pack leader of course has to re-scent everyone in a crowded club his scent gets washed out by all the sweat and people and likes his pack to smell like him :( and whilst hes not super territorial sober he does get more possessive when hes inebriated, listens more to his base instincts screaming at him that he can barely sniff out his pack and thats a no-no he likes his pack to be his), ekky clinging onto sasha (because omega is feeling loveydovey and displaying submissive behaviours to appeal to their pack leader)

but also specifically benny holding maffhew by the neck is always fun to remember because he wasnt super super touchy with anyone that night but maffhew is always an exception of course and wouldnt want to scruff this fun flirty omega? especially one you have so much storied history we love play behaviours we love tussling to re-establish pack dynamics

re: to also expand upon possessive pack leader sasha, sasha making the finns wear a shirsey with barkov city at the front of it during his cup day because that was a thing that very much still haunts me because now they each just have shirts with sashas and theirs name on it. which im sure sasha is very pleased about and thisll probably be the most possessive we'll see him get in a sober context and by god did my jaw drop

also my favourite examples of all this big talk is when mikksy gets brought up and theyre like oh hes soooooo strong hes mean (froths at the mouth at how he can push them around) sorry yall this is my guy i will be annoying about him specifically very much we have a fun new overseer to put us in our place! unfortunately the omegas on this team are very much just in constant preheat at this point like where do i even begin WHERE

also do i have to mention anything about forsy ever? do i have to? presented without comment! the graphic!

(added bonus of all the shit paul said about forsy these past days lmao)

and i just think this team is horny for each at all times and theres so many more examples and pack goes crazy theyre all fucking each other THE LOCKER ROOM REEKS

[h0dge-p0dge]

Mr. Burns after Smithers Sr. died

[simmeons]

im normal about silly characters (lie)

[angelbarelywrites]

♡ mine | tommy hewitt x reader

♡ fandoms; texas chainsaw massacre remake/ the beginning

♡ characters; thomas hewitt

♡ reader; AFAB body description, second person POV

♡ cw; graphic sexual content, implied voyeurism, breeding kink, light daddy kink (just calling him daddy? wasn’t sure what to tag that )

♡notes; i feel the need to apologize for this one lmao. i didn’t intend for this to see the light of day but i felt we needed more smut around here and this was already sittin in my personal folder

i don’t know that I’ve ever posted detailed smut anywhere before? so lmk how i did, i still haven’t even asked to get my friend to beta read so I’m sure There’s Issues.

•┈••✦ ❤ ✦••┈•

“Oh fuck, baby,” You sighed softly, letting your head roll to the side as you ground on Thomas’ thigh - the mountain of a man pushing his leg up with a huff. Luda-Mae, Monty, and Hoyt had taken a rare trip to their cousins’ place upstate, and left Thomas and yourself in a…sticky situation.

It had already become a war of attrition with you living there, each of you testing the other’s boundaries as you tried desperately not to cross the line. Thomas was allegedly a good, Bible-following boy- and you a shy little virgin . But god, something about Thomas just made you crazy. You needed him- and you’d gotten so shameless that you’d let him do just about anything to you.

That’s what landed you there, trying to entice Thomas and only ending up a squeaky mess as you rode his thigh. He was steadfast for a man years pent up- seeming to find great pleasure in making you unravel without cracking himself. Of course, you had no idea of the hours he spent fucking into his own hand as he imagined you around him, stealing your panties from the laundry bin and palming himself to the sight of you splayed out sunbathing in the yard. Even now you seemed too hazy to notice his cock straining against his trousers, or his fingers dug into the couch to prevent himself from touching your body. The way he trembled as he felt you making a mess on him, the only thing between your slick cunt and his leg your already soaked lacy panties…

His laser focus was broken by something entirely unexpected. You whimpered and hid your face against his chest, mumbling “Daddy- please—“

He wasn’t sure if it was the phrase,the tone, or both that finally broke his resolve- but either way he pinned you against the floral sofa forcefully, snarling like an animal.

“T-tommy- what- I’m sorry—?” You squeaked, seeming utterly confused. Did you even know what you’d said to him?

He growled and quickly signed ‘Again’. You blinked, perplexed look quickly replaced with embarrassment. You whined and tried to hide your face but he snarled again and made you look at him. ‘Again. Now.’

“…daddy. Please. Please I need you. Please—“ You begged, panting weakly as you writhed uncomfortably and unsated.

He rutted against you quickly, moving and kissing your neck sloppily. “Mine,” He rasped quietly, a rare sound even for his partner “Mine. Mine. Mine.”

“Oh my god Tommy- please- I need you to give it to me- I wanna feel you inside-“

He made quick work of his belt, pushing your dress up carelessly and making just as quick a job out of ripping your undies clean apart.

You yelped but replaced the complaint with a blissed out, shuddering whine as he finally rubbed against your bare pussy. “Oh fuck…please- put it in-“

He grunted and pushed your legs back, leaning in to rest his forehead against yours as you felt his weight pressed against you. Even in this moment, he tried his damndest to be gentle, looking your face over for the slightest bit of fear or apprehension. “Tommy, please. Fuck me.” You whimpered out softly.

He pushed in carefully , having to stop only halfway in as you squeezed around him. He was huge, long and girthy and a painful stretch even with you relaxed. He gave a grunt and nuzzled you, hips twitching as he reached between you. Clumsily, roughly, he found your clit and slowly rubbed, purring in approval as you mewled out his name.

He was able to jerk his hips and finally bottomed out with a low groan, face buried in your neck. He held still, taking a ragged breath to try to regain control- but you didn’t want control. You needed him to lose it completely.

“Daddy, please. I want you to fuck a baby into me,” You murmured, letting a desperate whine leak into your voice. It was a bit of a long shot- but he was so possessive. Why wouldn’t he want to breed you?

Thomas’ eyes darkened at the thought and he gave a low noise you could barely classify as he pulled nearly all the way out and snapped his hips, setting a brutal pace.

“Oh god-“ You yelped, bracing yourself on his huge arms as he pounded into you, the entire couch creaking and slamming into the wall at the force. You lost any coherence you had as he again teased your clit, mind blank. You got exactly what you wanted, and it was too much in the best way possible.

You came first- you didn’t know if it was because of his stamina or because even in a frenzy he still needed you to feel just as good. You were almost crying as he continued, overwhelmed and overstimulated - and wrapping your legs around his waist to make sure he didn’t stop for a moment. “Baby please- inside- I want you to finish inside-“ You mewled out in your haze- but damn if you didn’t mean it.

That was all it took, unsurprisingly, for him to thrust one last time and fill you with a snarl. He peppered your face in soft kisses, giving a heaving sigh as he relaxed. You tried to move but he growled, keeping himself firmly inside of you. You blushed a bit as you saw his intense expression “You ah…you really liked when I asked you to knock me up, huh?”

He nodded, huffing at you.

“…you know we have all night to try again, yeah?”

He grunted and finally relented, pulling out and smirking at the sight of his seed dripping down your thighs.

“Tommy baby? I love you.” You sighed sleepily

He looked up quickly and seemed shocked. Man of few words that he ways- and never having dreamed he’d need to learn the sign, he took your hand and pressed it against his chest. Right above the heart. In your mind, there was no better way he could have said it; he loved you too.

[wordsinhaled]

thinking about payneland from the perspective of a pining charles having fallen first the night they met in the attic is wild because like

he meets this boy who is incredibly soft and kind to him, comforts him, protects him from being scared as he’s dying

and everything’s a bit hazy anyway and you know, why not, why not, why not. so charles is all, “i think i’d miss kissing. do you miss kissing? 👀”

genius really. except edwin is like, no

so charles is like ok, never mind, no worries, fine. just misjudged it a bit, didn’t i. not to worry. still, i really like spending time with you, let’s stay together forever, yeah?

he dedicates himself to being the best friend edwin could possibly ask for. edwin doesn’t seem interested in anyone in any way, really. maybe edwin’s just like, above all of those things. or doesn’t care for them. that happens! charles gets it! anyway edwin’s only the best person anyone could even imagine spending an afterlife with, so it doesn’t much matter

and for thirty years it really doesn’t matter, except in tiny moments when charles maybe lets a little too much adoration bleed into the looks he gives edwin, which is fine because edwin is giving him the same type of looks back and it doesn’t have to be anything, it’s just how they are. and if he sometimes has to shake himself to keep from staring at edwin’s bare forearms when they’re relaxing in the office, well. that’s not for edwin to worry about. it doesn’t matter what kind of love it is, charles feels them all for edwin and he knows edwin loves him too

but then they go to port fucking townsend

and suddenly it’s very clear edwin is capable of those types of feelings. of being flustered and lost in daydreams and shy around someone the way you are when you’re interested. edwin is doing all of those things - and it’s not directed at charles. it’s directed at monty. at the cat king

not that he should have presumed. after all edwin can and should go on and like anyone he wants. it’s his right and edwin certainly deserves his chance at happiness, after everything he’s been through. but there had been this tiny, tiny part of charles that had always thought “if edwin ever did have those types of feelings, they would be for me”

and all of a sudden it’s like. all of charles’ pining could actually come to fruition, except it won’t because edwin has somehow chosen monty and his astrology books. because some whiskery tosser has gotten his claws into edwin and much as charles postures he won’t dare actually pry them out because he doesn’t want to interfere in edwin’s fulfillment

charles is right here, has been right here for three decades - being content for the most part, except in fleeting moments when it got to him. and it would be fine if edwin simply chose someone else - natural even - but the part scrambling charles’ brain is that it feels like edwin hasn’t even considered him. never mind that charles has got an entire elaborate plan for how he’d court edwin if edwin ever gave a singular sign that he welcomed it. but instead edwin has chosen this time to wake up to his feelings and entirely overlook charles as a romantic prospect

charles is not going to be a miserable arse about it. he’s going to be supportive. he’s going to be nice to bloody monty because monty has apparently unearthed feelings in edwin. feelings edwin deserves to have. and if he’s honest, he has to give the lad some credit for managing to find a side of edwin charles has yearned quietly for for three decades in a matter of weeks - just by being forward with edwin in a way charles wouldn’t dream of trying

anyway imagine charles’ utter confusion and disbelief when edwin is all, “actually it is not monty i am in love with at all, but you, charles”

and charles is just like, “but i thought you and him were…? you said… i mean—you don’t even notice me that way!”

“i must assure you i do.”

and then he gets to have a kiss that he has waited for and hardly let himself want properly for thirty years

like……. PINING CHARLES, MY FRIENDS

[satoruhour]

i need jealous racer geto hes js so whudurieiw and the way u write about himm🤭🤭

LUVRGIRL

a/n: eeuuughh idk whether to like this or not but enjoy nonetheless !!! not so much of racing but the sentiment is there lol. previous part (lloromannic) here / @screampied @kizoken @t4kio @redskyvenus @mysugu @suguruplsr @slttygeto ✶

wc: 6.3k

warnings: racer!geto, soft dom!geto, fem!reader, sprinkle of fluff, pet names, praise, ldr, phone sex, masturbation (both f and m), fantasising, daisuke is being annoying again!!!!, sorta jealousy plot point, brief dry humping, oral (f! receiving) / cunnilingus, clit stimulation, fingering, unprotected p -> v sex, breeding / creampie kink, implied multiple rounds, n*sfw under the cut

the next six months were torture, indefinitely. it was an endless heap of assignments, of deadlines, of long-distance calls with your love that you both were so close to booking flights of your own. university was brutal, too. on top of tuition fees and getting the materials for your classes, it was heart-wrenching to even look at the prices of the flights from your country to japan, so you bit down your pride and subjected yourself to settling for the long-distance arrangement.

“hey, baby,” geto mumbles sleepily and your frown deepens upon forgetting that tuesdays was where he slept early. you still had to call, though, but you realise it too late when he answers with that groggy, raspy voice of his. there’s some ruffling behind the call, no doubt the sounds of his bedsheets as he gets himself comfortable while you huddle at the small nook of your room that’s next to the window.

from here you can see the sun setting, a totally different story in japan where you can hear geto yawn and down a glass of water next to his bed.

“shit . . sorry su, i forgot—”

he scrambles to reassure you, awake and sat up, “no! no— no, it’s okay . .” you wince when you hear him yawn yet again, but this time he sounds a little more in the realm of consciousness. you’re unaware of the smile forming on his face just from hearing your voice, fidgety fingers squeezing and releasing the duvet over him, “what are you up to, my love?”

you hum into the phone and you’ve never wanted to backpack across the seven seas to see someone so bad before. now on month nine, your excitement’s become even more prominent at wanting to end the semester as soon as possible, willing your lips not to mutter out the arrangement you’ve been planning with his group of friends.

“just needed a break from studying for finals. i’m dying,” you lament over the line and your heart flutters at his chuckle, something you miss against your ears and skin immensely, “just wish you were here . .”

“yeah?” and you have to squeeze your eyes shut and rub your thighs together at the soft, rough yeah he mumbles out. you can imagine it too: sitting against his headboard half-naked while the duvet pools around his waist area. he’s sitting there like plaster sculpted by Monti while his hair flows around him. you almost squeal and your boyfriend only catches just the start of it.

“what? what was that?” he asks and your hand is clasped so hard over your mouth like a captor’s got your hostage, but you only let out a breath.

“n-nothing,” you laugh, picking yourself up from the nook and getting yourself comfortable in bed. it’s been a long day of studying, anyway, and your next exam isn’t until five days later. you could afford some downtime, right?

“but,” you sigh, turning on your side and sneakily slipping a hand into your pants, “my day’s boring. it’s all studyin’. why don’t you tell me what you did today, instead?” you can hear your parents already preparing dinner outside, but you press on and try to drain out the intrusive noises of cutlery and porcelain and the incessant calls of your mom to your dad for some help on the stove. 

“alright,” he drags the word out and laughs again, getting comfortable in his bed just like you do, but your end goals are entirely different, “but it is pretty boring as well. it was maintenance day today.”

“oh!” you remember him briefly mentioning that the other day — since halloween was approaching, there was bound to be more patrolling policemen around the streets and underground, so races had to be put on hold for the meantime. there was still other more secluded areas to race, but geto didn’t want to risk his Mazda being taken away nor for a stain to appear on his clean academic record.

“changing the crankshaft? i know the old one was giving you loads of trouble,” you mumble, feeling your cunt pulse and throb from the breathing you can hear over the line, “among . . other things.”

“yeah, my baby’s so smart for remembering, huh?” he praises, continuing to go on about his day. while it was merely taking-care-of-his-car day, it was still way more eventful than yours. he had went on a solo day out to your beloved café to relish in the good times, he had hung out with gojo for a while and drank some beer atop the mountain they frequented, even went out for some arcade fun.

“unfortunately—” geto’s low voice spurs you on. you’ve been lazily rubbing at your pussy, just humming into the phone while you only descend more and more into pleasure, “it’s taken a hole out of my allowance, i guess. my dad’s more generous with the parts that he gives me but at the same time i feel like he knows what i’m doing underground.”

he laughs and you fake a giggle, but your breaths are starting to get heavier with each sentence he utters, mind filling with flashbacks of how many ways he’s bent you over to fuck you, drunk on the phantom-like winds upon your ear that sound like he’s whispering all those filthy things to you. “and . . just missin’ my girl.”

“how’ve you been, baby?” he asks with a low voice, like he knows what you’re doing and the term of possession only has you sucking in a breath, fingers slip inside you after possibly a decade of teasing and you find it hard to answer. “darling?”

“y-yeah, ’m still here,” you pant out, afraid of being caught, but your voice quivers enough just for geto to catch on to what you were up to. he didn’t fault you, though (he never blames his girl), but there is a small smirk that forms on his face. he purposely lowers his voice even more, if it was possible, mirroring and mimicking your breathy tone when talking to him.

but with one hand that goes down to his pelvis, he doesn’t have to mimic you at all, hand palming languidly at his bulge. in the dead of the night, there wasn’t much need to keep his voice down in order to hear the pretty moans falling from your mouth; he does anyway.

it’s too shitty of a reception especially with your nokia’s, so he hears the artificial, metallic-like voice coming from his phone, but your sounds are just too lovely, transcending the robotic-ness of a phone call. and it’s like you’re actually there, smiling mischievously at him while stroking his cock and teasing him the way he liked to be teased.

“s-sugu?” you mumble, mind heading into the extremes and confident now that he’s just weirded out and silent, but it’s anything but that.

“yes, baby?” he hums, smiling to himself when he hears rustling over the phone and he can imagine you lifting your hips to remove your panties, tossing it somewhere across the room. “wanna tell me what you’re doin’?” 

you suck in a breath — so he knows — but suguru always knows everything so you’re whining into the receiver, pleasantly surprised when he replies with a deep groan that only makes you clench around nothing.

“that’s right . .” he drawls and you hear a soft thud over the line, and now you’re the one quieting your movements just to hear your boyfriend, the faint shlick shlick sounds of his hand along his cock. geto gasps when he squeezes his tip just like how you do it, pre-cum starting to leak. “need you h-here, doll . .”

you mewl softly and start the hand on your clit again, abandoning the tight hold around your phone just so you can use the other to slip your fingers into your warm cunt. it doesn’t even compare to the thickness and length of geto’s dick, but you have to work with what you have. with head turned toward the speaker, your boyfriend has gone non-verbal, too, moaning like a slut into the receiver.

“suguru, i’m— please . .” you whine softly, hips bucking into your hands, “doesn’t feel as g— good.”

geto coos inwardly at your needy voice, mouth falling open at his rock hard cock. it’s so hard that it hurts, left to merely fuck his fleshlight whenever he could and use his hand on other days. he missed your sweet fucking pussy so, so much, just picturing your beautiful arched back that lifts off the sheets and your shaking thighs. he imagines your perfect pout on your face as you finger yourself, unsatisfied, obviously, begging him with tugs to his hands and his eyes flutter close.

“i know, baby, and ’m sorry,” he mumbles, taking the nokia from his ear to put it right up to his relentless pumping and you swallow, the slick, wet sounds more clear now. “but you hear what ya do t’me, don’t you?”

“mhm . .” you trail off, thinking of his fat cock impaling you instead, and you follow his actions to a T, bringing it right to your sopping cunt and geto has to scrunch his already shut eyes just to wish that his hand was your pussy. your hand is getting tired, he’s sure, but you finger yourself so prettily his hand easily speeds up, giving his shaft periodic squeezes.

“so wet, suguu . .” you drag out his name, already feeling your high approach soon, but you want the both of you to cum together. “i miss you stretchin’ me out . .” a hiss from suguru, “i miss your cum spilling out of me.”

that has geto choking out a whine, “f—fuck, sweetheart, don’t say that. i do miss g-giving you all of my cum—”

the filthiness of everything contributes to all your senses, parents omitted from memory, your finals at the back of your mind and only focusing on the envelope that resides on your bedside table containing a plane ticket. in one week you’d be able to see him again — a sweet treat given to you by gojo and nanami with their combined expenses.

you didn’t even know how you could thank them and while nanami waves you off for any payback, gojo did say you could treat him to anything in that café. it was difficult not to be excited, a louder whine drawn from your throat again and he laughs breathlessly, voice down low and distraught.

“any particular reason w-why my girl’s so needy lately—?”

geto basically chokes out his question while you shake your head until you remember that he can’t see you, answering with a broken “no”.

you resist the urge to spill on the exact reason — your mind spiralling from the anticipation of meeting him, the many, many lewd memories you’ve made over six months, his just-woken-up voice — because he’d never let you live it down.

“c-close, suguru—” your thighs are squeezed tight around your tired hand, sensitive from the immense overstimulation, “’m g’nna cum soon—!”

“me too, my love,” geto’s eyes are back open, trained on his cock and watching the sheer neediness shown in his weeping tip and bucking hips. he needs this, he needs you, and once you’re submitting your final paper, he’s sure to look at flights right to your doorstep.

“i’m c—” you’re whining out, body totally turned over and lying on your stomach as you chase your high, fuelled by the deep guttural groans of your boyfriend. your lips and mind are only filled with suguru, suguru, suguru, not even caring that your sheets are soaked and your fingers are cramping.

“baby, baby, baaaby . . s—shit—” geto reaches his release first, mind filled with replenished memories of your tight pussy hugging his cock, spurts of white spilling all over himself with a loud groan and you’re left to listen out for the desperate sounds of your boyfriend miles away, lengthening his climax as he continues to pump himself. “cum all over your fingers, doll . .”

suguru coaxes in that sweet voice of his, mumbling deep into the phone only for you. “doing so, so good, aren’t ya?” the quietness on his end, the slow lazy stroking of his hand again, and you’re cumming all over your fingers, eyes blown wide from the orgasm that he talks you through while you ride it out on your mediocre fingers. your mouth is stained with endless profanities and moans mixed with geto’s name, muffled by the bedsheets you’re so harshly biting into to prevent any loud, unbecoming sounds.

“that good?” he asks with a laugh, yawning yet again and you feel guilty again—

“i’m sorry, s—”

“no. don’t, doll, don’t apologise,” suguru brushes his thumb over his thigh, partially wiping off the cum and partially hoping he can relax the furrow of your brow like he always does. “you’re frowning and your shoulders are up, probably, relax . .”

you sigh, another thing that geto values a lot and has taught to you; deep breaths and untensing all parts of your body.

“good girl, was that good?”

“the phone sex or the deep breaths?”

geto grins. god, he missed you so fucking much — “both.”

“both was very good, thank you very much,” you giggle, not paying much mind to the way you remove your fingers from your cunt, turning over to the bedside table to take some tissues, “although the sex was a little better.”

“aw, no wins for the intense, groundbreaking, spirit-calming deep breaths?”

you shake your head (you’ve got to stop doing that), “ehh . . it was alright.”

geto’s reluctant sleepiness grants you a few more minutes together, his words starting to slur more and more the longer you were on the line, but you can’t say you don’t enjoy it. with fatigue came the words laced with unhindered affection, murmuring softly about hoping to see you soon, to feel you, to kiss you, and you expressed the same sentiment back to him.

the other switches the output to speaker, wanting to take in the messily taken profile pic he set your contact with. a blurred, blinding smile with his face squished against yours; a little below the two of you, berry and cherry clutched within your palms, doing the same. “can my girl do her best for her finals?”

“i can’t promise the best, but i’ll try . . okay?”

geto hums, a soft smile on his face. he’s cleaned up by now, new sweatpants on and duvet pulled right to his neck while he stares at your face, the pixels of the nokia never diluting your beauty.

“attagirl. have a good dinner, lovergirl.”

that knocks some breath out of you, and you grin like a schoolgirl.

“have a goodnight’s sleep, loverboy.”

you bounce on your heels impatiently when the plane finally lands, waiting for the throngs of people on the flight to leave through the bridge, but it’s taking ages, speed walking once you’re out. you wanted to be the first at the luggage conveyor belt, you needed to be the first passenger of your flight to be out of the arrival doors.

without the rush of the people and the striking colours of your boyfriend’s friends’ hair colours, it wasn’t too difficult to run up to them for a big hug.

“(y/n)~!” gojo drags out your name, waving you over excitedly and bringing the both of you into a group hug. nanami is adamant on being the ever broody racer, but you catch the ghost of a smile when he wraps a careful arm around your shoulders.

“how was the flight, (y/n)?” the blonde’s firm but concerned voice cuts through the chaos of the white-haired man.

“don’t ask lame questions like thaaaat, nanami! you’ll just bore me—” and a resounding smack! is then heard, and gojo’s clutching the back of his head in pain, the other taking the opportunity to lead you away from gojo’s antics and offering to help with your luggages. without words, nanami already feels your nervousness, patting your back in solidarity.

“hey— hey! oi!”

gojo slams the door to his car. “okay, we’ve painstakingly tried to hold suguru back whenever he was about to book flights—” gojo mentions in the car on the ride there, taking way too quick turns for your liking with your luggage going to town in the trunk. its thumps against the roof and sides always seem to interrupt the conversation with the white-haired man, but he seemed too much in a hurry to care. “think it was almost eight separate times!”

“thank you— ah!” you almost lurch forward at the amber light, but gojo decided at the last minute that he was just going to run it — braking then speeding it up all over again.

“you know, for a racer, you’re a terrible civilian driver . .” you groan once you reach the mouth of the familiar car park that you frequented in your six months in japan, but now that gojo’s easily manoeuvres the car to a slow, the adrenaline of the fast drive changes into something of dread, of a dizzying feeling.

what if suguru didn’t want to see you anymore? what if he already booked himself a flight and was nowhere to be found? what if he’s cheat—

your hands are clammy, not even present to how gojo calls out from you from the driver’s seat. cautiously, he’s putting a hand on your shoulder (because god forbid gojo touched anything of suguru’s, both Mazda and girlfriend), and shaking you out of your daze.

you catch glimpses of his sentences: “all  . . talks about . . trust . . no girl has . .” but you stop his rambling with frantic slaps to his shoulder. you know you shouldn’t be jumping to conclusions but it’s hard not to when the scene is clear as day. suguru is never one to cheat — from the six months you’ve known him, from the many calls and check-ins the two of you do over the line.

defying time zones, fighting fatigue . . for this?

but you know better to list your lover as the instigator, especially from how this other girl was just hovering all over his Mazda, sticking her ass out and trailing her hand all over his finishing. that was one thing — but geto isn’t making any move to shove her off, only looking at her through hooded lids that could definitely drive anyone off. she wasn’t affected, though.

you’re not listening to gojo even when you step out of the car, already used to the curious eyes that rake over you and your figure — curiosity turns into recognition and then shock when they see how your boyfriend acts, but before you can actually make your way toward them, another man sidles up to you.

oh my god, it’s daisuke. you sigh loudly, knowing how gojo had dealt with him before and how much of an asshole he is, but all he does is look you up and down, not giving one fuck to how the subject of his embarrassment was sitting right in the driver’s seat.

“hey, babygirl.” you want to vomit from that one greeting alone, but you try not to pay him much mind. “what’s a pretty lady like you doin’ out here?”

“don’t your sorry ass have a girlfriend?” daisuke doesn’t even begin to digest the insult, and you think that he’s a masochist with how much he sets himself up for getting insulted, but then the girl’s eyes meet yours — she’s in his pictures, she’s in his wallet, you’ve seen her when this loser beside you blatantly brags about his girl. you’d feel sorry for her but it seems she’s as stupid as him.

they’re exactly that — realising you just walked yourself into one big jealousy scheme planned by the biggest jokers of the underground racing scene, your suspicions are confirmed when his eyes are also locked on his girlfriend with your boyfriend of all people, making sure she sees that he’s all up in your space. she’s doing the same, but when she actually tries to touch him is when geto finally does something, and the jealous burn in your heart quells a bit.

geto’s too smart to be mingling around with her, you hope, when you hear him mutter something to her and you smile to yourself when she cowers under his stare and words.

“you touch my fuckin’ car one more time and i’m sure to drive both you and your loser boyfriend, out of here forever. you can take your clown asses to another parking lot and race there and then i won’t have to see your faces any more,” his hold around his wrist isn’t harsh, but it is firm, and he prevents her from leaving until she gets his message, “plus i have a girl i’m obsessed with. take your lame jealous charade somewhere else and maybe go to couples’ therapy. you two clearly need it.”

and when she looks at you again — you think it’s how your identity settles in her mind — she yelps and finally runs away at the daggers you give, not even sparing a glance to daisuke who’s carefully scooching closer to you. but just as he tries to wrap his arm around your waist, your eyes catch suguru’s.

his eyes soften for just a moment; it was just like the café. his palms turn sweaty and he feels like he could collapse — but now you’re looking just a little different. he wasn’t sure if it was because of your hair or the tiredness from exams, but you’re still as stunning as the day he led you out of the parking lot.

geto cannot resist giving you a big grin, but it quickly fades when his gaze falls on daisuke beside you and a scowl appears. and while your body’s already distancing yourself from the man’s crusty ass lips, you feel a throb go right down to your core when the same annoyed glower forms across his features: eyebrows pulled taut, long strides, muscles bulging in the wifebeater he’s got on.

six months away from your man has clearly done things to you.

with one smooth swoop, geto has you pulled flush against him, not even looking as he uses his free hand to grab at daisuke’s neckline before he leans in to kiss you. it’s admittedly a little embarrassing, cause your body reacts so readily to him, tits pressed against his chest while your fingers tangle themselves in his long hair. he tastes like cigarettes and cherries like always and you moan softly into his mouth when his hands wander right down to your ass to give it a squeeze.

“satoru’s not very good at hiding secrets, unfortunately,” geto spills and you pout, surprise ruined by the loud mouth of his friend, but before he gives you his undivided attention, he tugs daisuke closer, roughly. “but that don’t mean i ain’t happy to see ya, baby.”

geto laughs at your flustered state, until his expression darkens again — “you have a lot of nerve touching my girl.”

“I—i didn’t! she was basically begging for me to touch her.”

“don’t you—”

“p-plus! my girl was all up over you too, so i thought i’d give her a little lovin’—”

geto almost smashes his jaw in. either way, he lands a clean punch to his face that has daisuke writhing on the floor, clutching his mouth in pain but that doesn’t deter daisuke one bit who sits up . . and then is immediately beaten down again with a boot to his chest. your boyfriend leans down and looks him straight in the eye.

“i’m cancelling my race just so i can make my girl scream my name loud enough for you, because you could never fuck her or anyone that good with your shit dick game,” geto scoffs, “and forget girls, you can’t even win enough races to rise up the ranks. you’ve embarrassed yourself enough, don’t you think?”

suguru doesn’t bother waiting for an answer, only ushering you toward his Mazda parked in the familiar corner, easily shooting a text to gojo to cancel the race as he mentioned just so he could . .

with windows down, you relish again in the tokyo night air, the hand that you miss so much on your thigh, the alluring voice he’s speaking to you in, the beauty of geto suguru. everything looked the same since you left, from the photos he’s put up on the dashboard, the berry keychain hanging from the rear view mirror, the outer orange coating of his car.

“i—”

“i’m sorry, my love,” suguru leaps forward to apologise, stopping the car abruptly. you’ve already reached your destination but, it seems he wants to say something first.

“why are you apologising?”

he frowns, bringing his hand to cradle your cheek. easily, you’re leaning into the touch, closing your eyes. “for ruining the surprise, for that stupid fight with daisuke, for letting my emotions take over.”

you mirror him, features also deepening in somberness. “you didn’t do anything — if anything, you were a victim of his girlfriend too. but . . seeing her be all over you, made me think the worst after not seeing you for six months.”

geto’s eyes soften yet again (he simply can’t help it around you), using both hands to hold you, now, and you float into his arms like a feather, like he’s in command. you let him guide you into the driver’s seat, faces so close and just hoping to touch after so many months apart.

“i . . i love you,” he swallows, brushing the hair from your face. you find that he’s shaking and breathing so heavily you’d think he was hyperventilating, but he gathers courage on a deep breath and continues, “i have since you left. right after, i went home to cry.”

“oh . .” your lip juts out, eyebrows downturned and eyes filling just a little, “oh, sugu . .”

“i just have always wanted to say it, i guess,” he chuckles, sniffling to hide his true emotions, “i just didn’t know whether i should say it over the phone where it would sound cheap; b-but, you don’t have to say it back, of course—”

you smile through tears, pressing a peck to his forehead in gratitude, “it wouldn’t sound like it to me, but i appreciate you waiting until i returned,” geto relishes in your lips upon his skin again, and he doesn’t think he could survive another day, another minute, another second without you, “i have, too, but i’m not sure when. it definitely includes the time you set alarms to wake me up for exams, though.”

he laughs freely at the memory now, of alarms interrupting his dinners and his parents asking “another call?”, but they let him do whatever, happy to hear their boy joking and laughing over the call with his mystery partner. you giggle, using your thumbs to wipe away the tears that did fall, letting the interior fluorescent light of the Mazda illuminate the features you love so much, all belonging to the man you pined over from many miles away.

“i love you too, suguru — stumbling into that random car park was the best thing i’ve ever done.”

“well, it might’ve not turned out as well if some other group had gotten to you first,” his thumb plays with your bottom lip and brings you to him, “’m just glad i got to ya in time . .”

“yeah? what if you didn’t at all?”

“then i would’ve made sure i’d find you in any way that i can, even if i had to beat up a thousand daisukes.”

that makes you giggle at little, a sliver of eye contact shared with your lover before he engulfs you in a rough kiss and your moan reaches the heavens, body so sensitive from being away from his touch that you jolt when he wraps an arm around your waist. 

“relax, baby,” geto chuckles, speaking against your lips, “take it slow.”

“but i don’t wanna . .” you whine softly, clinging to him in surprise when he pulls a lever next to his seat and the backrest falls all the way down.

“ah!” you grin, “new mod?”

suguru barks out in laughter, “ya caught me. i got it modified yesterday.”

“so you could do dirty things like this?”

he rolls his eyes with a blinding smile, just so, so happy he’s got you back in his arms again, “exactly that.”

the other willingly shows you just what the modification can take, both hands spread out on your ass and pulling you onto his crotch. your core already feels the half-hard bulge under him, using your hips to grind down even more along him. everything feels like too much, after so long away from him that you already feel your high approaching from simply grinding your clit against him and he teases.

“you g’nna cum, already?” he grins slyly, suddenly moving his hips to meet yours that has a broken mewl leaving your throat.

“b—been too long away from you . .” you admit a little sheepishly, using his shirt as an anchor while you continue to grind your cunt into his front, only your panties and his trousers separating the contact of skin. but with how your body jerks in pleasure, you’d think there was nothing between the both of you. “i need you, quick.”

geto says nothing but help you with small pants, the backlighting from the headlines accentuating your figure so nicely that he grunts out your name in between swears, soon stuttering your syllables once he feels you still on his lap with arched back and throbbing cunt. he can feel you, feel you squeezing around him even when he wasn’t in you.

“guess your fingers were pretty crap, h-huh?” massaging your sides, you hum in disapproval at his cheeky smirk, hoping to change that when he lets you do whatever: you pull him up by his shirt and open the door to his car, pushing at him to get out. you don’t day anything and he already knows what you want when you spread your legs, biting his lip at the wet patch on the pretty set you decided to don.

and even with witnessing this sight over and over, you’re never used to the way geto worships you, reveres you, when he kneels down on straight gravel. he doesn’t care if his pants are littered with small specks of dust and dirt, whether he knees start to hurt, but he only has his eyes set on your alluring cunt, finger delicate when he pulls your panties to the side but just brutal when his mouth meets your clit.

“su— s-shit—!” is all you can manage, hearing the other breathe through his nose once his mouth latches on your pussy. it’s something that he hasn’t tasted since long ago, and he’d be damned to let you go again, so he takes the opportunity to savour your arousal, switching between flicking and sucking on your clit like a starved man.

“she tastes so fuckin’ good hmmff—” his eyes meet yours and he feels you squeeze around nothing, making a show of letting you watch how his tongue circles your bud, down to your hole and up again, slurping up your juices sloppily. “i hope this pussy’s missed me as much as i missed her, yeah?”

“y-yeah . .” you moan out softly, legs moving apart more to get more of him, pelvis humping against his face so much that he has to hold it down with a hand. your pre is dripping all over his leather seats and onto the floor, but he makes sure not to spill any more from the way he scoops it up and prods at your entrance. 

“let your pussy do the talkin’, baby,” he mumbles drunkenly, pushing in a finger past your walls and the stretch is already so much better than your own. your jaw hangs open in ecstasy, body already bucking and craving for more when he pushes his thicker finger all the way in and it’s no problem for geto to slip the other in, “she’s sucking me in so well, can she do this to my cock too? hm?”

wordlessly, you’re nodding, catching a whisper of good girl before he’s back on your sopping pussy, sucking up and swallowing all of your arousal that it’s downright filthy, the noises echoing throughout the space. geto doesn’t waste any time pumping his digits, moving them in tandem with his tongue.

“s—suguru . .” you whine, struggling to keep your eyes open from the sheer pleasure, and you’re met with the vision that you can never get enough of — your racer boyfriend’s tongue out, hooded lids and soaked chin — and he grants you a little more of euphoria, groaning loudly into your pussy. with each minute, he’s only getting harder, unbelievably so, so your fantasy cut short when he removes his fingers and mouth with a pop! and laughs at your needy whine.

“you’ve been away too long, come,” geto stands to give you a kiss first, letting you taste yourself, “i need to be in you, darlin’.” 

and so when he first slips in, it feels like heaven on earth, his leaking tip nudging past your folds and right into your warm cunt that he whines so loudly, long hair falling all about his face and body. you’re not different, nails digging in his skin at the stretch that you’ve missed, cock so much longer and thicker than your fingers.

“t-this is better than any fleshlight, fuuckk . .” he mutters to himself, one hand holding your ankle up and the other holding your bent knee. he’s hoping the modification he made to his car wouldn’t give up on him, because he knows he won’t be able to hold back once you’ve adjusted. but when you start moving earlier than he expects, he doesn’t give you the chance, slamming right up to the hilt until you’re shivering and clenching around him.

“g—god, r-right there, sugu—” you preen, nothing but incoherent and repeated sentences mumbled by you over and over, “feels s’full . .”

“y-yeah? tha’ it?” you don’t need the shitty light of the abandoned parking lot to make you look beautiful, you’re doing it all on your own when your body arches towards him and your legs shiver in his hold, catching glimpses of just how wet you were — juices smeared along your inner thighs, a clear sheen of it along his length, all thanks to the lighting. “so sloppy, huh . . listen to ’er.”

geto emphasises his thrust, in, out, and in, out, just for you to hear your dripping pussy dragging along his shaft, one of the things of yours that makes him go insane. 

“all because of you,” you babble mindlessly, fingers expressing your need for him and he listens like he always does, body hovering over yours just to kiss you and because of that he’s thrusting all the more deeper into you as you break the kiss with a loud moan. geto laughs against your lips, hips making quick work to make sure he stays in his new angle, and he’s rewarded with your lewd pleas for him.

he’s ramming into you so perfectly, mushroom tip just barely brushing against your cervix each time that it has your mouth permanently open in pure pleasure.

“well . . you’re the only doll to get me hard and needy like this . .” he chuckles again, kissing down your neck to make sure you get blue and black into your skin, “and i fuckin’ love her for it.”

with a shaky hand you pull on his ruined ponytail, “s-say it again.”

“i love you,” suguru almost whispers, afraid of breaking the silence.

“again . .”

“i love you, sweetheart,” that makes you bend into his hold, undoubtedly.

“again, suguru—”

his hips are relentless, still moving even through his pussydrunk confessions, “i love you— i-i love you, i love you. so, goddamn, much— s-shiiit . .”

“m-me too, su . . i love you— i—” your arms trap him, circling around his neck and making sure he stays close to you and he pushes on your knees more, fat cock fucking into you in a more open mating press, knowing you’re close by how your toes curl and your stomach contracts, by how your pussy flutters around his mouth and soft needy sighs turn into wanton moans. he’s got you mapped out, memorised, all from his devotion to you.

“i know, baby, you’re close, y—yeah?”

he feels you nod, thighs starting to burn from the position but while your pussy keeps sucking him in, he’s sure to continue to slam into you, making sure all four walls of the parking lot hear the obscene sounds of his balls slapping against your ass.

“c’mon, cum with me, princess,” he murmurs, lightheaded with the tightness and warmth of your pussy. it’s a wonder he hasn’t cummed already, sneaking one hand in between your bodies to rub at your clit. your moans are rendered inaudible, only managing pathetic squeaks before you’re tipped over the edge and you’re whimpering so loudly into his car, cum dripping down and out your cunt and right to your ass.

your pussy flutters with geto’s continued thrusts, prompting him to reach his release right after with a deep groan, hips stuttering in your sensitive pussy until he’s spilling his load, white and hot. it’s just so, so goddamn much, stuffing your hole full of his cum that it has no choice to spill and dribble out when he removes his cock, the sight just so mesmerising to him.

“p—please,” your energy is far from used up, turning your body over just so you can present your ass to him. face squished into the driver’s seat, you use both hands to spread your cum-filled pussy, just asking for more and geto only smiles with a certain lilt in his voice. “need more, suguru . .”

“that’s my lovergirl.”

[wuishu]

Hamzah the fantastic yapping about his girlfriend: compilation

Not a lot of people know about Hamzah’s relationship, but once he has a chance to talk about you, he will not shy away from talking about you. Fans could not help but make videos of them as tiktok clips or compilation videos on youtube.

There is no denying that he is head over heels for you, but some moments top others. The most popular one was a YouTube compilation named “Hamzah Being in Love: compilation”

The first clip was in an OOC podcast, where they talk about the most efficient thing: buying food outside or cooking food at home.

“No, 'cause my girlfriend always cooks food for us,” Hamzah says, as he's holding his mic, and Martin nods “I guess cooking food is good.”

“Of course, when you have a great cook at home.”

Martin smiles as he can see Hamzah being passionate about this topic, “I’ll give you and Mandy some of Y/n amazing cooking. If there's any left, though.”

“Cause sometimes I just finish them all,” he replied, “One of the best foods I've eaten was made by Y/n, God, now I'm missing her cooking.”

“I miss you, babe,” he said, looking at the camera as Martin laughed, folding like a plastic chair. Hamzah smiling.

The second clip was of Fortnite gameplay in the slushy noobz youtube channel. They were playing the game, and when Hamzah could hear the door slowly swing open, his gaze was on the door. He sees his girlfriend slowly trying to find something.

He could hear Martin trying to get a backup while he gets tag teamed, “Hi, what are you trying to find?” Hamzah said, as his Fortnite character was on all fours, leaving Martin defending himself

“Dude?!”

“I got it.” Your voice wasn't loud, but it was loud enough to pick up from the mic, “Okay, I love you,” Hamzah said, Martin clutched the three v one fight, and he sighed loudly, snapping Hamzah out of his long stare

“Dude, what happened?” he said. Martin's face turned sour as he scratched his head, indicating he was irritated. “You are what happened.”

The next one was one of Hamzah’s old livestreams, where he was just talking to his chat, trying to pass the time. He got a donation asking what he would do this weekend

“Ahh, well, I'm gonna hang out with my girlfriend since she will be coming back to her hometown. Might as well show her around until she has to leave.” people are curious, asking if they can see her.

He wasn't hesitant and called you on the phone, “baby, people want to see you; can you come here?” and without a minute, you can see his girlfriend popping, waving to chat as a greeting

You can see the messages scrolling quickly as they compliment you. You smiled, “There she is, my beautiful other half.”

The next clip shown was Martin and Hamzah playing FNAF, It was getting dark, and they didn't know how many hours they wasted while they played the game.

Hamzah showed his phone to show what time it was, and his wallpaper was you standing up, flash on while you were holding his hand, “It’s 9:45, I'm getting sick of this game”

Martin nodded but continued to control and run. “If they keep doing this to us, then… developers. Get ready for my fist.”

He sighed as he shifted in his seat to get comfortable. He kissed his phone screen as Martin looked at his antics and asked, “What was that?”

“Missing her right now-” and suddenly got jump scared by Monty; they jumped out of their seats. They nervously laugh.

The video transitioned to another OOC podcast clip, but instead of just Martin and Hamzah, you and Mandy were in it. You were sitting next to Hamzah, and Mandy was sitting next to Martin, so they were still in the frame. Since they didn't expect you to join them, you shared the microphone with Hamzah.

The four were talking about who always wakes up early in the morning and how late one wakes up. “Sometimes I wake her up since she works at dentistry so she gotta be extra early, and I cook her food because she always says she doesn't like the food near their clinic.”

He handed the microphone to you and said, “Yeah, 'cause the food there just doesn't hit right like you're cooking.”

“You like my cooking?” he curiously said, as you nodded and got the microphone, “Of course, I especially like the notes you put on my lunchbox. Always a cliché quote like ‘love you to the moon and back’ or ‘I think you're tooth cute’ and it's so cute.”

He grinned and looked at you. “Glad you like them.”

“Isn't it funny how both of our girlfriends are health professionals, while we are… just influencers?” Martin said as he was racking his brain up.

The last clip was another bake-off, and you finally cave into their pleas to be there, and for the first time, the place they use is in Hamzah's kitchen.

The measuring cup and ingredients were on the island table, big bowls were laid as they were mixing their batter, and you pre-heated the oven.

“You don't have to over-mix it, Martin. Now you won't have stiff peaks!” you said as you looked at Martin’s bowl. He was making meringue for his spin-off lemon meringue pie but instead of lemon, it was a simple blueberry pie with meringue.

“I’m sorry! I did not know!” He said as he raised both his hands like he was at gunpoint. Hamzah noticed your face was sweating, and your hair was sticking to it. He grabbed a piece of tissue paper and wiped your face while you were talking to Martin.

“Yeah, I need that cinnamon.” You knead your dough for the cinnamon rolls you were going to make. Hamzah decided to pull you away from the table so that he could tie your hair.

“Hold still,” you said, lowering a bit so he could tie your hair properly. “Thank you, babe”

You kissed his cheek, leaving your preferred glossy lip tint print on his face. He smiled like he had won the lottery. “You're welcome!”

“Now I feel like I'm the third wheel right now, jeez,” Martin pipped, as you smiled and continued to knead the dough. “You do this all the time, Hamzah?”

“Yeah, when we do it in the back-” the clip cut off, and they continued to do what they were doing. Let's just say that Hamzah did not wipe his face for the entire video.

(I'M BACK! I love Hamzah sm, and I'd totally do a part two of this if ya'll guys want!!)

[crowtwink]

I am So Normal about this line. His later line about how he never asked to be human is good too but this right here...

Just... the way that Monty and Esther's relationship subtly reinforces the themes about abuse that the rest of the show explores.

The rest of the characters are dealing with healing from the various traumas of past abuse and trying not to continue the cycles they were hurt by but Monty? Monty is trapped in his abuse right now.

And the way that it's shown...

I saw someone point out that his cage is WAY too small for a bird of his size and that's 100% correct and 100% demonstrates that Esther is a shitty person but the thing about the cage that interests me the most isn't it's unsuitability.

It's the fact that the cage is never locked. Most of the time, the door isn't even closed. There's nothing physically stopping Monty from just skipping town. He doesn't seem to particularly like Esther - even at the start - and he's not subtle about it. We never see any indication that she has any magic keeping him bound to her. (It's not unreasonable to assume that she does, sure, but she's never once shown to use it and that's a narrative choice. The one time she threatens him for overstepping, it's physical.)

Even after he's shown hesitation in following through on her plan, even after they have their big fight, even after she remakes him against his will for the second time, we still see him return to that cage. And the cage remains unlocked, because Esther remains confident in her hold over him.

Because that's the thing about staying with your abuser. It's often not about being physically unable to leave the situation. Esther doesn't keep Monty trapped by locking him up. If she did, all he would have to do would be leave the cage to be free. The hold she has on him is much deeper and much harder to escape.

But not impossible.

It's a little betrayal, in the grand scheme of things, but he does finally act against her directly.

Thematically, it makes perfect sense to me that it's Charles who finally pushes him to rebel. Charles, who promised way back in episode one to befriend him. Charles, who knows exactly what it's like to be trapped by an abusive parent. Charles, who so desperately wants people in circumstances similar to his own be in the right so he can prove to himself that he isn't destined to turn out like his dad.

It's no surprise that Charles' immediate reaction to Monty's little act of rebellion is delight.

I really hope we'll see more of Monty in a season two. But even if we don't, I know he's going to be okay.

He's finally escaped.

[bluebugjay]

A lot of people aren't vibing with Charles and Crystal's romance and honestly i think it's because it's not necessarily supposed to be a full-fledged, endgame romance.

I think it's written to be a fling.

Charles is a flirt; one of the first things he thinks about when Edwin tells him ghosts can't feel is that he would miss kissing, he says himself it's nice to be seen by someone his own age, he calls Crystal fit, etc. Assumably between cases he has a very small social circle of literally just Edwin so it makes sense that this girl who he gets on with and finds attractive immediately becomes a bit of a crush for him.

Then Crystal picks up on his flirting almost immediately, again they get on, etc. She says if he wasn't dead and she wasn't dealing with the aftermath of her toxic relationship with David he would be a good addition to her body count, i.e. just a fling. She doesn't say they'd date or she could fall for him just that they'd probably hook up.

Their first kiss happens when they're both dealing with some heavy stuff, Charles is angry, continuing to push down his trauma with his father and his past, Crystal is annoyed about not being any closer to getting her memories back whilst trying to deal with the trauma her last relationship caused her. They find comfort in each other in that moment. Crystal says she wants something real and the care they have for each other is real, there's no manipulation, no secrets. It's honest and it's innocent.

The song that plays in that scene is called Young Blood (White Sea Remix) by The Naked and Famous and has lyrics such as 'we're only young and naive still' and 'can't help myself but count the flaws, claw my way out of these walls, one temporary escape' and 'we lie beneath the stars at night, our hands gripping each other tight, you keep my secrets hope to die' - It does align with the idea that they're what each other wants in the moment, a distraction, to be able to pretend everything is normal and ok (keep each others secrets)

Crystal in the next episode, the next morning after their kiss, literally calls Charles a 'cute distraction' and says they should be friends. This time both of their issues and trauma are the reason for them not continuing the relationship. Blatantly, Crystal isn't ready for another relationship so soon after David, she wakes up with a nightmare about him and Charles. They bring up Charles fighting the Night Nurse and Charles says that he thought they were on the same page about it and 'at least that's how it seemed last night' which again leans into the fact they were both looking for comfort. Charles and Crystal kissing had nothing explicitly to do with her supporting his actions fighting the Night Nurse and yet that's how he took it because that's what he was searching for comfort from and acceptance on. Which is most likely why he seems to take the rejection harder than Crystal, seemingly agreeing to be friends more out of respect for her choice than the want to call it quits himself.

Charles tells Edwin later on about the kiss (right after Edwin is complaining about having to cancel plans with Monty) and says though he didn't physically feel it, he did feel it 'up here' and points to his head. The mind is generally not the place you feel love, I feel that's a given. (reminds me of the starfish on the beach that Niko says are in love, Edwin points out starfish have no brain and Niko says love doesn't require logic, meaning: love is not stored in the mind.) Charles and Edwin's conversation veers off to being about there own relationship, with Charles saying he wouldn't want to be dead with anyone else - not even the girl you just kissed? No? Ok.

The way that episode goes (The case of the two dead dragons) Crystal and Charles end up arguing about the very reasons they decided to not continue their relationship. Crystal likens Hunter and Brad to David, and Charles defends them saying not everyone is her demon ex-boyfriend which seems like he's projecting and really defending himself. Then Crystal calls him out on his 'rage problem' and what happened with the Night Nurse. So though they comforted each other the night before, their real feelings for each others issues are surfacing and they're not so on the same page. Of course they get over this and apologise soon enough. Though in the end, it's Edwin Charles opens up to and actually talks to about how he's feeling rather than pushing it aside and looking for a distraction. And after that, Charles gives Crystal genuine comfort not just a distraction by listening to her talk about her nightmares/visions about David. (immediately followed by the scene of Edwin and Monty on the swings in which Edwin suggests they don't see each other anymore, then back tracks, they kiss followed by rejection which definitely has... parallels)

After that, Crystal and Charles are still an obvious source of comfort for one another, they talk to each other about their stresses, they stick close together a lot of the time but there's nothing inherently romantic to their actions aside from the fact we know they have kissed which gives their actions a depth that, for example Edwin and Niko's don't, despite them also being affectionate and spending time together alone.

Then in the last episode as Crystal is attempting to leave for London, her and Charles share another kiss. When she tries to say bye to Charles, he says it feels like a 'good-bye good-bye' rather than a 'see you back in London good-bye' and Crystal doesn't correct him, essentially confirming it was supposed to be a forever goodbye. She instead kisses him. It's a good-bye kiss. A (supposed to be) final kiss. A 'we had a good run' type of kiss. Crystal kisses him because she thinks she'll never see him again. It's similar to the first in which the kiss itself is the beginning and end, and it doesn't mean much past that. It's a kiss as a secret again, like their first kiss. A kiss to fill the space left by things they don't want to talk about. She doesn't want to admit she's planning on leaving for good so she kisses him instead, it's a comfort and it's a distraction. (and its consistent)

When Crystal decides to stay in the end, Charles says it'll be great, then specifies that 'solving cases together' will be great, not anything else that could of implied. Which could either be them just being awkward, or a flip in their dynamic that now Crystal is the one more involved in their relationship and Charles is the one setting boundaries.

Overall I think they have a really interesting dynamic. They are exactly what each other needs in moments and then the opposite in the next, they care about each other so much yet are possibly the people that unearth each others insecurities and traumas the most. They're both looking for a new, different kind of relationship and find it within the other but inherently once the novelty fades they fall more into being friends than anything more. I think like most of the relationships in this show, they're supposed to be complicated, they're supposed to be more of a journey than a destination. They learn and grow from their interactions together and I think that's something really beautiful.

[glammiketrash]

Monty didn’t attack Bonnie. Freddy did.

This post is not a joke: Ruin gives us enough clues to know that Bonnie was attacked by Freddy the day he disappeared, and Monty saw the attack.

Word count: 2457 words.

Yup, I wrote an entire essay with pictures to take the blame from a fictional gator that became my comfort character. If someone from Steel Wool is reading this: Yes, I’m ok, thanks for asking. If you want to send a cute Monty picture to my inbox, it is open and I’ll be all over the place if you do it.

Now, let me take you with me on this wild ride, because this theory fits the narrative of both Security Breach and Ruin so well that I have to clap at Steel Wool if it is actually correct and not me playing with the puzzle pieces incorrectly. So, here we go!

Bonnie, judging by the golden eyes and his travel pattern, was protecting someone like Freddy did with Gregory. Important damage was directed to the stomach hatch, where a kid could hide.

He has claw marks there, but Monty didn’t got his until the first was decommissioned and was then modified to play his bass.

The scratches in his hatch are green, but also the cracks over it. It looks like it is his base color instead of paint left by the attacker. The next video is from FazFriends, where they look at every single detail in the Ruin animatronic models. Their analysis are totally worth your attention if you like SB!

Monty has black nails, even before he was modified to play Bonnie’s bass. They also are kinda blunt, and the marks the attacker left seem more clean and sharp in the ends.

Now, there aren’t lots of animatronics that have claws. We have Roxy (and I’m guessing Foxy, if he ever existed as an animatronic different to her), The mimic/Burntrap, who doesn’t really seem an option because he’s slow and in life support in SB and sealed in Ruin, and… there’s Freddy. But, and here’s the twist, not normal Freddy, who couldn’t get through gates like Monty until he got his claws.

I’m talking about this thing.

Not only do we have environmental clues that confirm this attack, but also a key clue that wouldn’t make any sense otherwise.

Let’s start with the Prototype itself!

Check those claws. They are sturdy enough to survive all the damage this model has received, and extremely sharp at the end. Now compare Bonnie and its hand together…

It’s a perfect fit. The metal is a bit bent in the left, but if you could lower it, the finger length, the palm, even the distance and shape between the thumb and index are the same than the hole in Bonnie’s chest.

If that detail is true, all pieces of the narrative fit together. Here’s what happened, which I will explain further adding sources:

Monty saw Freddy’s prototype attacking Bonnie (who was in safe mode) in Gator Golf’s catwalks. The hurricane hole-in-one was activated, causing them both to fall. He could see the prototype losing its head and taking damage to its leg, but Bonnie was nowhere: he was either able to go back to Bonnie Bowl by himself using the distraction or the fall knocked him out and was dragged there, where he was heavily damaged.

This next part is not so clear, so I’ll give you my version of what I think happened that night: Bonnie alerted police that a kid was in danger. They show up, but Vanessa sent them away, claiming she was the only person there and it was a prank call (False Alarm message in SB). Vanny uses Bonnie’s trust on Freddy against him: she sends the prototype to go after the kid and him. He makes it to Monty’s, where the hurricane causes damage to the prototype, and is then finally attacked and disassembled behind his attraction to silence him and bury any clue or what happened (his parts are all over the place, one of his arms has weel marks, and Ruin follows the PQ ending where Freddy is disassembled. In SB, endos come out from the lines to attack us, and in Ruin we see the zone where his vanity is infested with STAFF robots, both in its normal version and in VR, where a giant STAFF robot is seen being dragged to a door while it leaves scratch marks on the floor).

Fazbear Entertainment pretended they actually looked for Bonnie and found nothing at all. As a final punishment for his disobedience he was actively being erased from existence: most of his art was removed, and some ask for a re-theme of his attraction (Re-theme SB message). They make Monty the main bassist, giving him his green room too.

These changes are being quickly pushed after his decommission: Bonnie still has power when we find him, Monty falls from the catwalks “a month ago” and snaps in half, a place where he goes every time he skips a performance (Monty Mischief SB message), people constantly ask for Bonnie and there isn’t an approved answer to give, the bowling alley still wasn’t given a re-theme after taking out most of Bonnie’s images.

Despite FazEnt efforts, Bonnie is remembered, specially by a depressed Monty.

His body was modified, he was given his bass, his glasses, his room, his role. The higher ups clapped thinking about the possibility of him being even more popular than Bonnie, his disappearance becoming yet another opportunity to make money.

And it was Freddy’s prototype’s fault. His normal life, the person he admired the most, his own body, were taken from him because of him.

From that day, and after getting new claws, his attitude becomes obsessive, endlessly searching for what was left of Bonnie after the rest gave up: destroying fences to explore the undergrounds, constantly missing shows and always being found in the catwalks, even after being snapped in half by the hole-in-one bucket, trying to guess where his body was. His last known location was his attraction, so he should still be there somewhere, isn’t it?

Let me repeat this: he prefers looking for Bonnie in the catwalks even at risk of his own integrity than performing.

There are more details that show us he does care for him: there are four official images left of Glamrock Bonnie in the PizzaPlex, three of them in Monty’s ride, the last one at the entrance of his own attraction, where some animations can still be seen. These cutouts are in perfect shape, while Freddy’s is light off.

There is also a headless Freddy statue that once you go to FazerBlast screams “prototype”.

It looks like it’s been decapitated by a hurricane, some “cables” coming out of its head like the prototype, which has cables coming out of its neck.

This damage couldn’t have been caused by the earthquake: the head should had fallen to the ground instead of being pinned on the hurricane. Plus, it doesn’t match the theme of the ride, based on cutouts, and while the rest of the elements are placed in scenarios and their composition is clearly studied, this statue breaks the symmetry of the hurricane’s eye element, that is supposed to give you the illusion that you are entering its eye and being pushed out to the main attraction.

What’s more, in a story exclusively about Monty’s past and how he became a solo bassist in the PizzaPlex thanks to Bonnie, attracting the same amount of people than the Glamrocks themselves, a Freddy statue at the end doesn’t make any sense sense at all… Unless it was put there with a very particular purpose.

I like to think it’s part of an environmental story telling from Steel Wool, specially when you read the rest of clues together.

There’s more to say about this statue than the lack of a head: look at its leg damage, and how it matches the prototype’s heavily damaged one, and how the hand that is visible reflects the light making it look like it has long claws despite Freddy having short ones like the rest of the band.

It also has two blue long lines through his chest that resemble the ones in Bonnie’s.

If you still have doubt about how it is part of a scene representing the night of the attack, then you should know there is an easter egg here: if you follow the part of the tornado that goes up, you can see a Bonnie cutout at the very top of it. He’s far away from the rest of the scene and he looks like if he was being knocked by the tornado. If you zoom to look at his face, you can see he has a worried expression.

Monty didn’t destroy any of the images of Bonnie or his previous iterations, not the cutouts, not this poster, not the bass that belonged to him, even after causing damage to his room.

There is a detail in Gator Golf that is easy to miss: An intact poster of the original Bonnie near a log he uses as a hideout in Ruin (we see him quickly going out of it when we approach it).

He looks similar to the illustration at the entrance of Bonnie Bowl, but this image is not very charming. He looks half dead, yeah...? If you then go to Bonnie’s, some big screens are still on and advertising pizza. When you wear the mask, they change to a glitched version of the Bonnie animation, where his eyes go blank in a similar way to this poster.

This spot couldn’t have been used by Vanny: it is decorated exactly like the rest of Gator Golf in the base game, which ends with us saving Vanessa and exiting the PizzaPlex together.

The poster also has a drawing of Freddy stuck on it. In this chapter you can also find the Bonnie’s piñata collectible, the first time we can see his Glamrock design and the first clue of him having suffered an attack (it has a big gash in his chest).

He could have easily taken it down if he wanted, specially when it is so close to his hideout and he’s in such a volatile state, but he keeps it right beside it.

But the real Freddy (or, at least, things that resemble him) seems to cause some kind of reaction even in the base game, yes?

The most common example in Security Breach is the arcade version of Monty’s Gator Golf. There are two possible readings for it, depending on if you think it represents Monty’s mind or if you think it has been hacked to change his behavior.

Hole 1 depicts Freddy separated from the group, a big distance between them. Hole 9 shows him in a dumpster, and Chica, Roxy and Monty playing together. He’s never part of the group, so either Monty hates him or he was hacked so he would hate him, right?

But the main show were he looks happily at him while playing, the fact that he never attacks him even after being hacked, the presence of images of him on other holes all perfectly light and ok like this balloon, and the eye color difference between Hole 1 and 9, make me think Steel Wool is trying to tell us a way different story.

The Freddy in the dumpster is the only one with golden eyes. Hole 9 represents what is happening the night we play as Gregory, the AR part of the AR-cade, and of the main reasons the Monty taking down theory was so popular.

That night, Roxy, Chica and him are working on finding the kid to the point that their cases crack and get dirty, while Freddy not only glitched at the start of the show hours before, but is now also walking around the PizzaPlex doing NOTHING instead of helping (apparently).

It’s the animatronic equivalent of a group project were one of the members does nothing, so you have to do their part and then they show up and are praised. It makes sense he would be angry at the situation and think he’s trash, but even so, there are no real confrontations between them.

But what about Hole 1, then? The answer is the fireflies. There are some fireflies at the left part, but the right, where Freddy is looking, has other set of lights. If you calculate the distance from Chica to him, the center is almost where the hole is, the part of the arcade that is supposed to drag your attention. Having an empty space there feels uncomfortable and a very questionable decision from whomever designed the scene, but if this one is a reflection from reality or Monty’s current mind state, why aren’t Freddy’s eyes gold?

Well, I don’t think he is separated from his band.

I think someone is missing from the picture instead.

Bonnie was erased from the Arcade.

As it was said, these changes were quick and non-planned: they deleted his model from the arcade, but had no time to move and reprogram the positions of the rest of the characters so the space between them was filled. As a consequence, when you play this level, your attention is taken from the hole to the distance between them.

It is void, awkward, it makes you uncomfortable. You know something is missing, but you can’t quite tell what it is yet. It makes you wish there was one more character there even before you knew there actually was.

Once you learn what happened, how his story ties to the place this scenario represents, the void he left in Freddy and Monty specifically, Hole 1 gains a new meaning, and it hits you. When you go back to the PizzaPlex as Cassie and play the arcade, there’s no joy left there. No fireflies, no Glamrocks, just ruins. Two pairs of red eyes and a pile of Nightmare STAFF bots. That’s all that’s left.

But if you still need one more clue to convince you that the prototype was the one that attacked Bonnie, then let me tell you there is a final one that wouldn’t make sense otherwise:

The AR collectibles dialogue.

Cassie always makes a commentary about the things she finds: Monty’s AR plushie being very glitchy, how she wants to add Roxy’s one to her collection, how the her father wouldn’t tell her why they replaced Bonnie and how he was his dad’s favorite…

But she also asks him what happened to him, and gets an answer when she gets the last collectible.

The AR Golden Bonnie is hidden in Bonnie Bowl, next to a Wet Floor Sign bot.

She hasn’t been to Fazer Blast yet.

But the description answers the question that she asked him: a prototype.

Bonnie was decommissioned by Freddy’s prototype.

And the only ones that know are a kid lead to her death that can hear his agony through the Wet Floor Bots and unreal collectibles, and an animatronic blamed for his death and told he’ll never be him, obsessed with his loss and with finding whatever is left of the person that he admired the most and helped him become the star he once was.

[deconstructthesoup]

I've been thinking a little bit about how the Cat King expresses his affection, and specifically, how the fandom interprets it.

There's some people who see how he interacts with Edwin and think "oh my god, he's such a simp, Edwin really has this sexy catboy wrapped around his little finger," and there's some people who see how he interacts with Edwin and think "yowza, learn to take a hint, he's not interested in you and your fuckboy fur coat," which, y'know, are both valid. I love the Cat King, but he's clearly not a fan of boundaries---outside of his own, of course.

Which... is the point, isn't it? Because here's the thing---we all like to analyze the Cat King as if he's human, but... he's not.

He's a cat. And that's how cats are.

Let's look back at his first interaction with Edwin. Our sassy Edwardian boy has used magic on one of his cats, and he's pissed, because cats are protective over what they consider "theirs---" and seeing as he's the Cat King, all of the cats in Port Townsend are his. He's bitchy and rude, cutting Edwin off when he tries to explain himself, and doesn't exactly seem like he's a merciful guy.

Then comes the moment where he whisks Edwin away, and he gets a closer look. The Cat King realizes that he's handsome, he's clearly queer, and that there is something fascinating about him. So he gets closer, he gets intimate, and it's working. Even in the throes of internalized homophobia, Edwin's getting into it, and... the Cat King self-sabotages, slapping a binding spell onto him.

A cat hisses at you when you attempt to reach out your hand and reason with it. It changes its mind, and it comes up to you, purring. And just when you're about to scratch it behind its ears, it freaks out, scratching you on the hand.

Sure, right after that, the Cat King lays out the terms---the binding spell (which, honestly, is actually a pretty fitting punishment given that Edwin used a binding spell on that cat) can be taken off, "and I'm sure we can work something out." That's a line that's probably worked before, and that's a line that probably could've worked, but the damage is done. So the Cat King gets irritated, sneering at Edwin's "old-fashioned sensibilities," and gives him your classic trickster seems-easy-but-is-a-lot-harder-than-it-looks deal. And we don't see him again for a couple episodes... at least, not until Edwin gets that little cat-scratch at the lighthouse.

When a cat scratches your hand, you give it a wide berth. Even if it immediately changes its mind and meows for attention, you don't trust it anymore. So it gets pissy, getting more and more annoyed the more you ignore it, until it gives up and bites you when you won't give it pets.

Now, the Cat King has realized that Edwin's getting close. He's counted almost all the cats, and it won't be long before he completes the task and books it out of town. So, the Cat King starts flirting even more, even going so far as to mimic Monty and Charles if that's what it'll take. When that fails, and when getting Edwin to open up fails, the Cat King lets out a nervous little laugh and tells Edwin that he's way off, when in fact he couldn't be closer.

Once a cat realizes that it likes you, it becomes incredibly needy. It trots along after you, it begs for attention and love, it sits on your laptop and jumps up on the kitchen counter and will attempt to insert itself into any and all activities you might be doing. And while that may be the cat's way of expressing love, there's no denying that it is ignoring all of your personal boundaries and generally getting in the way of you doing anything---other than, of course, paying attention to it.

And then comes the moment in the forest. The Cat King shows up with a fancy chandelier to blow Monty's cover---why now? Because Monty isn't just a romantic threat, he's trying to do something that'll take away Edwin for good. Once the cover's blown, and once Monty storms off, the Cat King uses this as an opportunity---I just saved his life, maybe he'll notice me now---and Edwin snaps, dropping one of the best lines in the whole series.

This is the first time, mind you, that Edwin has really pushed back. He's been resistant before, sure, but he's never said or done anything that indicates that he really wanted this dance to end. And I don't even think the Cat King realized that he was crossing a line, had been crossing a line since he slapped that bracelet on. But when Edwin says that he's not the Cat King's toy to yank around, that he's nothing more than an inconvenience, that's a big old wake-up call for our boy---and of course, he takes it horribly, snarling after Edwin that he'll be stuck in this town if he walks away, that he'll stop playing nice, just fucking NOTICE me already why don't you?

There always comes a time when you're fed up with how invasive your cat's being. Maybe you've just had a bad day, maybe it's genuinely messing up something important that you're doing, but you break out the spray bottle. And how does it respond? With a hiss, with a scamper away, and with a baleful glare over its shoulder. It knows it's done something wrong, but it doesn't fully understand, and it's mad at you.

Afterwards, Edwin gets dragged into hell, and that breaks the charm on the bracelet. And the Cat King's left to think.

There's some conflicting emotions there, of course. He's moodily playing with the bracelet when Esther shows up, showing that he probably does care, but there's still something to be said about how he immediately calls Edwin a "tease" and hates himself for being willing to wait for him if and when he ever returns from Hell (which is very noble of you, Thomas, totally way more of a meaningful gesture than actually going down there to get him back---which, as a self-described eternal being, would probably be easier for you to do than Charles. Just sayin'). But as much as I love to clown on that, the Cat King does die in that scene, and it's only after that that he spills to Esther.

This, I think, is where the Cat King stops acting like a cat, and starts acting human. Because he doesn't go and see Edwin when he gets back---he's realized that he kind of was in the wrong, and he's giving him space. And I'm sure it can't have been fun knowing that Edwin and Charles only got kidnapped by Esther because of information that he let slip.

But when the boys and Crystal (and maybe Jenny) are about to leave, the Cat King visits Edwin to pay his respects to Niko. He gives Edwin a lily, which several people have pointed out is fatal to cats. He's still flirty, sure, but he's more understated now. No more tricks, no more spells. Just him. And that's the version of him that gets that little cheek kiss goodbye.

Because even cats can learn that there's a better way to love.

[pathetichimbos]

Thomas cries a lot.

He's always been sensitive, every since he was a kid. The names other kids and hell, even adults called him cut deep every time he heard them.

Idiot.

Monster.

Freak.

Tears pluck at his brown eyes harshly as the majority of the schoolyard torments him, the teachers turning blind eyes to the mistreatment, too busy making their own comments about his mother and family to intervene.

"S-Stop--!" He hiccups, hands desperately covering his face as he shakes against the metal fence, "G-Give it back!"

"Come get it, Freak!" The little boy taunts him, holding the mask Thomas' mother made for him high in the air, the group of children around him erupting in laughter.

"HEY! What the hell's goin' on over here!?" Hoyt hollers as he yanks the bully up by his wrist, the kids mocking laughter interrupted as they scatter, "What the hell's wrong with you, boy!? Did your Daddy raise you to take shit that ain't yours!?"

Hoyt plucks the mask from the kid's hand as he shakes his head, wide eyed and scared at being caught red handed.

"That's what I thought, so why don't you scatter before I give him a call and tell him what the hell you've been doin'."

"Yes, sir!" The kid darts as soon as Hoyt lets him go.

"Little shit." Hoyt mutters, kneeling down to help Thomas put his mask back on, "Now, I done told you, Tommy, you can't cry everytime one of those little bastards says some shit to you. Man up, you're too damn old for all that whinin'..."

Thomas nods, wiping the tears from his red eyes as Hoyt takes him back to the truck.

Man up...

Man up...

That's what Hoyt and Monty always told him, their words not much kinder and cutting even deeper as they picked at him everytime he cried.

Over the years the tears eventually turned to anger, and isolation. Hiding himself away from everyone and everything around him, protecting himself from from harsh world around him.

...And then there was you.

Sweet, excitable, gentle you.

"...Tommy...!" Your voice is tired and sweet, clearly having just woken up when Thomas came in the room.

He watches as you stretch, waking up a bit more as you look up at him, a small smile on your face.

He's tired. It's written on his face, eyes droopy and shoulders slumping, standing over the bed, looking down at you.

"C'mere." You reach for him, hands grasping as you gesture for him to climb in bed.

He does as he's told, climbing under the covers and into your arms, melting into your warmth as he lays on top of you.

"Mmm..." You hum, relaxing as your arms wrap around him, your hands running up and down his back, sending shivers up his spine, "...My Thomas..."

He sighs at your words, melting even further against you as your hands gain rhythm and begin rubbing his aching muscles, working up and down his shoulders and back as he buries his face in your neck.

You lean your head against his, the smell of the shampoo you bought for him filling your nose as you continue rubbing his back, "...I love you..."

The arms around your waist tighten as he presses further into you, completely engulfing you in his presence.

How?

How is it possible for you to love him so incredibly, and so deeply that he doesn't even need to hear those words to know their truth? How could you possibly break down every piece of him, every broken part and hideous truth and still make him feel like the only thing that matters in the world?

You can feel him start to shake. He's been working so hard, for so long. He's exhausted, and worn down. His body is scarred and calloused. His mind is weary and weak.

And every insult, every hit, every bad thing that he's ever gone through was worth it, if it means he can feel this loved for the rest of his life.

You feel his tears before you see them, the quiver in his shoulders, the hiccups in your ear as he tries to hold it back.

"Oh, Tommy..." You mutter, kissing his hair as you rub his back, "It's okay, sweetheart, you can cry, I've got you..."

And for the first time in a long time, he does.

He cries into your shoulder, a shaking and sobbing mess as you patiently hold him through it, running your hands through his hair and rubbing his back as you coax him.

"There we go..." You coo as he pulls back, holding his face in your hands while you kiss his tear stained cheeks, his mask long forgotten before he climbed into bed, "Do you feel better, love?"

He nods, letting out a deep sigh as he relaxes against you again, feeling more relief than he has in years.

"Good..."

...Thomas cries a lot. After years of believing he was never good enough to be loved, of believing his place was being locked away in the basement, forever shielding himself from the world that hated him, he was proven wrong by a single person who loves him more than every good thing put together.

And that thought alone brings tears to his eyes.

[sant-riley]

Yeah but like what if one day Gaz walked into a room and saw Y/N FNAF lore dumping to Ghost

[Infodumping the boys]

(Mostly Platonic tf141 x gen neutral! reader, hints at Ghost bc it’s me and I’m biased.)

Summary: Teddy aka You, decide to gather the gang and tell them about five nights at Freddy’s before the movie comes out.

Word count: 800 ish

Warnings: Possibly of for the boys (idrc tho lmao), Teddy is this readers callsign, reader is implied to be at least early 20’s, I can’t think of anything else tbh but lmk if this does need something tagged!

It wasn't uncommon for you to infodump your teammates, they're all older than you and have significantly less screen time than you (it ties into being older). Most of the information you give them is something they take as fact, this is no different.

Gaz of all people knows your interests best, you two being the closest in age means you both realistically grew up with the internet and its most popular series.

The last thing he expected walking into one of the many meeting rooms on base, was you at the front of the room, your laptop hooked up to the projector and Price and Soap sitting down, dutifully listening with varying degrees of attention.

Price is to your left, staring down at mission documents that no doubt need to be turned in by tomorrow. A glass of some liquor next to his stack, a cigar box that's propped open right by it as well.

To anyone else, it would seem like Price isn't listening and he's just here to keep you from bothering him to come but Gaz can see the Captain's eye flick up every so often, his eyes softening when his gaze falls on yours, listening for a few beats, a miniscule upturn of his lips until he's looking back down again, grabbing a pen to make a correction.

Soap on the other hand is sitting next to Cap, a hand resting under his chin, the other flipping around a pen in his hands. He's nodding and asking questions as you flick through. Below him is a notebook that seems to have scribbled in it, if Gaz walked in further he could see little drawings of Monty Gator and Soap himself, a Venn diagram with a large red writing saying "Mohawk!!"

Ghost being there probably should be a shock but it isn't. The man is known to follow you around like a shadow, he humors you arguably the most out of the four men, letting you drag him to and from places with minimal complaint. He bets Ghost is gonna be the one to take you to the five nights at Freddys movie premiere.

Simon's dressed down to just his hoodie and his balaclava mask, attentively watching you as you speak passionately about each character and their role in the series. his dark eyes flicking around to stare at the drawings you inserted so everyone could see what the animatronics and others looked like.

You would've thought this was a mission debrief with how focused he was on your words.

Gaz lets out a fake cough, announcing himself to the room and he watches as your eyes immediately latch onto him, he ignores how his heart skips a beat when he sees the crinkles of your eyes, seeing you shoot a glowing smile his way.

You always look at him like that but he never tires of it.

"Gaz! Finally, you're here!"

Rushing over to him, you grab at his hand, quickly intertwining fingers, and start dragging him to the seat next to Ghost. He sits down with a huff, amusement swimming around his eyes. You move to go back to the front of the room, gleefully rocking on the balls of your feet as you look at them.

"What's all this about?" He questions, after getting nods in acknowledgment from the other 3 men in the room.

"Teddy here is tellin' us about five nights at…Frankies?"

"It's Freddy's, Johnny." You roll your eyes playfully.

"No shot you're making Ghost and Cap listen to this."

"I'm not making them do anything, they're here of their own free will, thank you very much." Sticking out your tongue, moving to click to the next slide.

"Is that true Cap?"

"It's background noise," John murmurs with a shrug, taking a swig out of his glass. He leans back in his seat, seemingly taking a momentary break as he looks around at the table.

"Got nothin' better else to do," Simon answers easily, looking at Gaz from the corner of his eye.

"You ain't gonna ask me, Garrick?"

"Nah, you of all people would enjoy it."

"What's tha-"

"Boys! Shut it! We're getting to the good part!" You clap your hands together and Soap immediately cuts himself off, looking back at you.

With all the boys' eyes on you, you clear your throat and push a button, there, from when Gaz remembers, is Michael Afton in all his purple nasty body glory.

"Fucks wrong with him? Why does he look like that?" Simon remarks, an eyebrow shooting up.

"I'm so glad you asked, you know actually the more I think about it, You and Michael actually have a lot in common.”

"How so?"

"Asshole dad, the oldest brother, daddy issues, I can keep going if you want."

Ghost just grunts in acknowledgment, raising a hand to his head and rubbing at his temples.

Price chokes on his liquor, coughing as it goes down the wrong pipe.

Soap audibly drops an "oh."

And Gaz just stares, truth be told, yeah. Yeah, he can see the resemblance.

[amourrs]

so there’s this absolutely filthy thought that’s stuck in my head of miguel with standing missionary… oh to be fucked in the air like a doll… what can i say i love my men big n strong.

thanks for your request lovey!! — one where you and your boyfriend have a quickie in a public bathroom (established relationship, smut 18+, 0.8k)

Your back is pressed to the wall, hands scraping for purchase against it and coming up empty as your legs squeeze firmly around your boyfriend’s thighs. This is kind of disgusting, you think fleetingly, your head turning towards the closed toilet half a foot to your right. You quickly decide not to care about hygiene, though, not with six feet and nine inches of muscle and sex appeal hard and willing in front of you.

“Cariño,” Miguel pants into your mouth, hands coming up to circle your waist. You’re forced to turn back to him as your eyes begin to flutter closed. “Nuh uh- eyes open, honey. Gotta keep your attention on me or I’m gonna get jealous of a toilet and we can’t give Morales that kind of ammunition against me, not when he caught me stroking that cat last week.”

Your eyes snap open at once. “That cat has a name, Miguel, and it’s Monty—” A gasp cuts you off and it takes you a second to realise that it came from your own throat. Miguel’s hips snap into yours a second time as a smug smile saunters across his lips, twisting them into a condescending expression.

“Yeah, yeah. Don’t give a fuck what the cat was called, sweetheart. How could I when I have you right here? Fuck, you’re dripping for me, angel, gonna feel so good when you cum around my cock,” he groans, hands sliding down to cup your thighs as he massages them in his grip. Heat rises to your face and you promptly bury yourself in his neck, peppering kisses to the junction where it meets his jawline as he chuckles at you. “Don’t get all shy on me now, corazón. Actin’ like this wasn’t your idea in the first place,” Miguel teases, his voice cracking slightly as his cock drags against your velvety walls and you let out a broken moan.

“Shut up,” you whine, head still firmly planted against your boyfriend’s hot skin. “Didn’t— fuck— ask, did I?”

Something about the pettiness of your statement is far harder to take seriously when Miguel has your legs shaking around him and so he decides to let it slide, opting to laugh at you rather than torturing you further. “Okay, okay, mi— shit, squeezin’ me so tight. You close, honey? Gonna cum for me? God, please cum for me, you look so pretty when you do—” It’s not long before the huge man’s babbling has your head tilting back to hit the wall of the stall as your cunt clenches around him, your orgasm washing over you as Miguel’s thumb comes up to brush against your clit. You jolt slightly at the stimulation, whining at the slight pain that’s beginning to creep in as Miguel’s thrusts speed up. He’s pounding into you with no reprieve now, arm up above you as he clutches at the top of the stall’s wall to steady himself. “I know, mi vida, I know. I’m sorry, I’m so close, I swear— fuck— taking me so well, cariño, I’m gonna— shit”, he swears, pulling out at the last moment so that he can paint your thigh with his release. It’s so hot when his head slides back to moan as he cums and you have to resist the urge to bite him, instead deciding to whine as you turn on shaky legs to sit on top of the closed lid of the toilet. Miguel turns to you a second later, pulling toilet roll out of the dispenser to his left as he leans over and begins to clean himself off of the soft skin of your thigh, leaving a sweet kiss behind on the spot as he does so.

“So,” he starts as soon as you’re both fully dressed again, your breath finally beginning to return to your lungs. He’s bending down to retie your shoelace for you as he squares his shoulders and looks up into your eyes, an expression of pure, unadulterated (and rather sappy) love evident on his face. “I have a really important question to ask you, and it’s been on my mind for so long—”

You roll your eyes at him, incredulous. “Miguel O’Hara, I swear to God. If you dare propose to me in a public bathroom—”

Your boyfriend’s eyes widen in mock surprise and he rises to his feet. “Propose? To you? In a bathroom?! Mi vida, what are you on about? Clearly I was about to ask if you wanted falafel or sushi for dinner,” he rebukes, barely holding in a peal of laughter as it shakes his broadened shoulders.

“Oh, fuck off, O’Hara. Obviously I want sushi.”

Miguel grins at your irritated expression before leaning down to smear an affectionate kiss across your forehead. “Sushi it is then, cariño.”

[greyskyflowers]

I really want something where Crystal and Charles see all of Edwins memories. Maybe Crystal is trying some new stuff with her powers and accidently drags Charles with her into Edwin's memories.

Some of it flashes by quick. His childhood, the years with Charles before they met Crystal, the cat king, Monty, a majority of Port Townsend.

Some of it drags by. His death, hell, meeting Charles, hell again, Esther, Niko.

She knows Charles kind of has an idea of what to expect but knowing and seeing are two different things.

Crystal can't even watch most of it. Crouching down and covering her eyes, crying and occasionally making a sound like she was going to be sick.

They can't make any changes, of course, and they can't talk to anyone. These things have already happened and they're just watching them but Charles breaks her heart.

He bounces between furious and devastated.

He walks around the boys holding Edwin down to sacrifice him like he's looking for an opening, around and around restlessly. He knows, even better than she does, that he can't do anything.

Hell is even worse. Charles is clearly upset but he's not surprised, a grim determination that has him trailing after Edwin like a shadow. He keeps up with Edwin, running with him through the hallways and making himself watch each time it all starts over. He runs back to find the new Edwin and sticks close again, right beside him or behind him. He doesn't get in the way or try to stop it, he can't do anything so he's trying to provide a comfort that Edwin can't feel.

He sits with Edwin when he finds a place to hide, just watching him. Sometimes he talks. She can't hear what he's saying but she can guess.

Sometimes the demon doesn't kill Edwin right away and he isn't hiding so much as trying to find a place to curl up and die. Charles follows, sometimes circling him like he had when they saw the boys who sacrificed him.

She doesn't understand why he's making himself watch it all. How can he watch it when Crystal can barely tolerate just the sounds?

She's never seen him so focused. She thinks he might have forgotten she's even here.

Ghosts bleed here, they can feel and, the last thing Edwin felt as a living being was hands holding him down and the last thing he truely felt while dead would have been the last time the demon ripped him apart before he escaped hell. No wonder he's less bothered by iron than Charles. Iron is nothing compared to this.

She wants to tell Charles to come over to her. Tell him to stop watching, god why is he watching?

She knows why though, because he needs to know. Usually the mind can conjure up things much worse than reality but she thinks that neither of them could have imagined something like this. She knows Charles saw some of it when he went to get Edwin the second time but it wasn't a lot. He and Edwin were both tight-lipped when it came to hell, other than Edwin mentioning it vaguely here and there, usually in arguments.

He passes her again as he follows Edwin, again and again, and she goes to yell at him but she stops. His jaw is clenched the way he does it when he's truely furious, and his mouth is a thin line.

Charles can be scary when he's angry, especially when he's angry because someone has hurt Edwin. He would never hurt her but there's a cautiousness to how she speaks to him when he gets like this. Forget the cricket bat, he looks like he'd throw himself at the demon with just his nails and teeth if he could.

The memories go on and he's just as restless during Edwin's second trip to hell, only relaxing when he appeared in the memory.

Watching Esther is hard, Charles doesn't move during this one, just stands by the table Edwin is stuck on and stares.

This one is different and she thinks it because Charles was here for this one. She knows he's in the kitchen, kept in place with an iron collar and stuck listening to Edwin scream.

Crystal loses track of them as she sees Niko in the corner and sudden she needs to see it. She can feel Charles look over at them as Niko dies on the floor but he stays where he is until Edwin is up and next to Niko too.

More memories slip by until they're suddenly thrown back into the real world.

It's jarring, like something smacked them on the back of their heads. It takes them a minute for the world to stop spinning and their thoughts to reform. It's been seconds, maybe a minute, since they'd been thrown into the memories. Crystal feels like she's aged 10 years.

She does think she understands Charles a lot more now. She knows she's going to be reluctant to let Edwin off somewhere by himself, not that Charles would let him.

Edwin looks nervous, looking at them then the floor and back up to them again. He straightens the ends of his sleeves the way he does when he needs something to do with his hands and then he starts to press against each other. He must have a good idea of what happened and what they probably saw.

She remembers one of the deaths where he had ended up close to where she's been curled up. The way he laid on his side and just stared at the wall, quiet and accepting, the way tears rolled down his face and he just kept bleeding. Until he didn't anymore and Charles took off without a word to go find the new him again.

Niko is beside him and looks at both Charles and her with big eyes. She wonders what they look like, if they look any different to her and Edwin.

Charles makes a vague stangled noise beside her, makes a move towards Edwin, and she takes a deep breath.

Right. Okay, she and Niko need to leave. Like, right now. She has a feeling that the boys need to have a very long talk. And just cling to each other for awhile.

She grabs Niko, who looks at Edwin to see if he wants her to stay but he shakes his head just enough for her to let Crystal get them both out the door and away.

As they're leaving, she wonders what she'd do if someone had shown her Niko's death over and over. She looks at the other girl, who still looks worried but gives Crystal a little smile.

Maybe they need to have a talk too.

🌙🌙🌙🌙🌙

Two side notes:

*Currently living for the idea of Charles and Crystal going feral over Edwin and Niko being hurt. And vice versa.

*You know when dogs/wolves circle something over and over, like they're trying to herd it or just watching from all sides? Idk for some for some reason I just picture that from Charles in certain situations. Especially when he can't do anything. Just circling it over and over like eventually he'll see something, find a way to do something.