#Modern day Outlaws
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Another thing I'd like to clear up concerning Dutch. Clearing up the identity of his style of attire.
Understanding his appearance. Now people have described Dutch as having drip and yes indeed he does have drip. LOL
The but the thing about that is that they have Associated his attire with that of the upper Entourage of the society that we all know he's against. And that's the thing I need to correct people on. It's because they associate his look with being up there with the type of people of Leviticus Cornwall that's what I got out of what they said. Or somebody of higher stature. Like Angelo Bronte we see what his attire look like.
But that isn't the case at all Dutch dress like a bad boy with swag. When you look at Dutch think of the bad boys who are in the hood that know how to dress and put on an impressive look.
What is the one thing about bad boys that good girls like about them? Its the way they dress! They dress with swag. When you look at them they look like they smell like Cool Waters or old spice. Or some other fancy Cologne that bad boys like to rock.
Rather it be good boy or bad boy not every man knows how to put on a good look . Not every man is colorful and creative when it comes to his appearance. Look at all the money Angelo Bronte have and there was nothing appealing about him. Look at Leviticus Cornwall one of the richest man but couldn't put on a look. Dutch is an outlaw but has the look that could make a woman that probably usually isn't attracted to his type he could probably talk her out of her panties. That's what we call bad boy swag.
Dutch don't dress like the higher ups that he's against they wouldn't be caught dead in the attire he wears because they think it's beneath them. But yet he looks well put together than they do.
The other two pictures I have posted next to Dutch was to use as an example. And you know I'm definitely going to have to put Tupac up there as a comparison. Simply because Tupac was in fact a modern day outlaw.
Dutch dress like the bad boy he is he's a bad boy with Style no different than the modern day Outlaws we see walking around.
Which I always started was funny how people tried to associate his attire with the higher ups.
Men like Angelo Bronte and Leviticus Cornwall got all that money but when you look at their attire comparison to Dutch you can't compare their attire to his. But you can compare it to bill gates. You see where I'm going? That's my point some of the richest men in the world don't have no real fashion sense and don't have flavor. The only thing that get women calling is their money. But men like Tupac men like Snoop Dogg and men like Dutch who can put a look together we'll have a woman sniffing LOL. As much crap people give about Jay Z's face he can pull women because of how he carries himself. And he got money. And before he was making it big he was still getting women because it was the way he carried himself. No one is checking for a Leviticus Cornwall over a Dutch van der Linde.
Look at how Dutch was able to pull Molly o'shea. And she was from high society. My point proven LOL 😆 😌
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me thinking about the sons of anarchy but ... make it a western .
#* out of chara .#they're already modern day yeehaw's anyhow#i'd say they're too emo to be outlaws but then again...#they already are lmao
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do i have any mutuals in the rdr2 fandom that have some accounts for me to follow (preferably analysis/discussion posts and fic authors tbh) or will i have to just wade through the fandom blocking people i disagree with until im actually seeing anything that means something to me. every meaningful non drawing post ive seen from this fandom has solely been from the kieran fans or the micah fans and that is an INSANE thing for them to have in common actually
#no i dont care about what the outlaws would enjoy in the modern day. thats pussy shit#discuss their psychosexual relationshops to each other with me. now.#tell me exactly how almost every gang member has some form of paternal trauma of some kind#either missing one or having a failure of one#and tell me exactly that ropes back to dutch van der linde. talk to me. i want discussion here
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was thinking about this
To be in "public", you must be a consumer or a laborer.
About control of peoples' movement in space/place. Since the beginning.
"Vagrancy" of 1830s-onward Britain, people criminalized for being outside without being a laborer.
Breaking laws resulted in being sentenced to coerced debtor/convict labor. Coinciding with the 1830-ish climax of the Industrial Revolution and the land enclosure acts (factory labor, poverty, etc., increase), the Metropolitan Police Act of 1829 establishes full-time police institution(s) in London. The "Workhouse Act" aka "Poor Law Amendment Act of 1834" forced poor people to work for a minimum number of hours every day. The Irish Constabulary of 1837 sets up a national policing force and the County Police Act of 1839 allows justices of the peace across England to establish policing institutions in their counties (New York City gets a police department in 1844). The major expansion of the "Vagrancy Act" of 1838 made "joblessness" a crime and enhanced its punishment. (Coincidentally, the law's date of royal assent was 27 July 1838, just 5 days before the British government was scheduled to allow fuller emancipation of its technical legal abolition of slavery in the British Caribbean on 1 August 1838.)
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"Vagrancy" of 1860s-onward United States, people criminalized for being outside while Black.
Widespread emancipation after slavery abolition in 1865 rapidly followed by the outlawing of loitering which de facto outlawed existing as Black in public. Inability to afford fines results in being sentenced to forced labor by working on chain gangs or prisons farms, some built atop plantations.
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"Vagrancy" of 1870s-onward across empires, people criminalized for being outside while being "foreign" and also being poor generally.
Especially from 1880-ish to 1918-ish, this was an age of widespread mass movement of peoples due to the land dispossession, poverty, and famine induced by global colonial extraction and "market expansion" (Scramble for Africa, US "American West", nation-building, conquering "frontiers"), as agricultural "revolutions" of imperial monoculture cash crop extraction resulted in ecological degradation, and as major imperial infrastructure building projects required a lot of vulnerable "mobile" labor. This coincides with and is facilitated by new railroad networks and telegraphs, leading to imperial implementation or expansion of identity documents, strict work contracts, passports, immigration surveillance, and border checkpoints.
All of this in just a few short years: In 1877, British administrators in India develop what would become the Henry Classification System of taking and keeping fingerprints for use in binding colonial Indians to legal contracts. That same year during the 1877 Great Railroad Strike, and in response to white anxiety about Black residents coming to the city during Great Migration, Chicago's policing institutions exponentially expand surveillance and pioneer "intelligence card" registers for tracking labor union organizing and Black movement, as Chicago's experiments become adopted by US military and expanded nationwide, later used by US forces monitoring dissent in colonial Philippines and Cuba. Japan based its 1880 Penal Code anti-vagrancy statutes on French models, and introduced "koseki" register to track poor/vagrant domestic citizens as Tokyo's Governor Matsuda segregates classes, and the nation introduces "modern police forces". In 1882, the United States passes the Chinese Exclusion Act. In 1884, the Ottoman government enacts major "Passport Nizamnamesi" legislation requiring passports. In 1885, the racist expulsion of the "Tacoma riot".
Punished for being Algerian in France. Punished for being Chinese in San Francisco. Punished for being Korean in Japan. Punished for crossing Ottoman borders without correct paperwork. Arrested for whatever, then sent to do convict labor. A poor person in the Punjab, starving during a catastrophic famine, might be coerced into a work contract by British authorities. They will have to travel, shipped off to build a railroad. But now they have to work. Now they are bound. They will be punished for being Punjabi and trying to walk away from Britain's tea plantations in Assam or Britain's rubber plantations in Malaya.
Mobility and confinement, the empire manipulates each.
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"Vagrancy" amidst all of this, people also criminalized for being outside while "unsightly" and merely even superficially appearing to be poor. San Francisco introduced the notorious "ugly law" in 1867, making it illegal for "any person, who is diseased, maimed, mutilated or deformed in any way, so as to be an unsightly or disgusting object, to expose himself or herself to public view". Today, if you walk into a building looking a little "weird" (poor, Black, ill, disabled, etc.), you are given seething spiteful glares and asked to leave. De facto criminalized for simply going for a stroll without downloading the coffee shop's exclusive menu app.
Too ill, too poor, too exhausted, too indebted to move, you are trapped. Physical barriers (borders), legal barriers (identity documents), financial barriers (debt). "Vagrancy" everywhere in the United States, a combination of all of the above. "Vagrancy" since at least early nineteenth century Europe. About the control of movement through and access to space/place. Concretizing and weaponizing caste, corralling people, anchoring them in place, extracting their wealth and labor.
You are permitted to exist only as a paying customer or an employee.
#get to work or else you will be put to work#sorry#intimacies of four continents#tidalectics#abolition
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Frederick Douglass, who was born into Southern slavery, described the South as “a little nation by itself, having its own language, its own rules, regulations, and customs.” Fewer than 2000 families — six-tenths of one percent of the Southern population — owned more than 50 enslaved people and ruled the oligarchy that we call the Confederacy with an iron fist. The 75 percent of white people in the South during that era who did not own any enslaved persons generally lived in deep poverty. Women had no rights, queer people were routinely tortured and murdered, education for both enslaved Africans and poor whites was generally outlawed, religious attendance was often mandated, and hunger and disease stalked all but those in the families of the two thousand morbidly rich planter dynasties. Modern-day Red states are doing their best to recreate that old Confederacy, right down to state Senator Kathy Chism’s new effort to return the Confederate battle flag to Mississippi's state flag. Ron DeSantis and Mike Pence have both emphasized their presidential pledges to restore the names of murderous Civil War traitors to American military bases, celebrating their armed defense of the “values” of the Old South. Today’s version of yesteryear’s plantation owners are called CEOs, hedge and vulture fund managers, and the morbidly rich. They use the power of political bribery given them by five corrupt Republicans on the Supreme Court — with Clarence Thomas’ tie-breaking Citizens United vote on behalf of his sugar daddy Harlan Crow — to lord over their Red states, regardless of the will of those states’ citizens.
Why are red state 'welfare queen' oligarchs allowed to mooch off of blue states?
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Was bounty hunting in the Old West as popular as the movies make it out to be? The actual history I've read suggests that that niche was mostly taken up either by private detectives from agencies like Pinkerton or by straight outlaws. Were movie-style bounty hunters mostly a myth?
Movie style bounty hunters were almost exclusively a myth. There were the odd exception here or there, but the concept of an old west bounty hunter didn't really exist until the 1950s.
The term, “bounty hunter,” is a little anachronistic as well. While there were people called bounty hunters in the 19th century, the term primarily referred to mercenaries. Specifically this was in the context of any signing or campaign completion bonuses that they would receive. That was the, “bounty.”
Using the modern term, most bounty hunters in the old west were actually local law enforcement officers, who relied on the cash payout bonuses from arrests. (And, in the case of these bounties, thinking of it as a pay bonus for law enforcement really is instructive.) In other cases, law enforcement officers would use a portion of those payouts to entice civilians to assist them in making potentially dangerous arrests.
Private detectives, including the Pinkertons, also sometimes tracked down outlaws, and as with law enforcement, the bonus pay was an enticement. Amusingly, Wells Fargo used to also operate bounty hunters specifically tracking outlaws who'd targeted their property. Though, other contemporary companies did the same. In this case, it's less of a “bounty hunter,” and more of a corporate enforcer, hunting down someone who'd crossed the company.
Another interesting thing to be aware of is that those wanted posters were not publicly distributed. There also wasn't a universal format, or source. Some were distributed by the Pinkertons (though, I'm not entirely clear on whether those were given to law enforcement or primarily kept for internal use, though at least some of their circulars did end up in the public record and have been preserved.) In a lot of cases, these were just a written description of the criminal, and a posted bonus (usually $100 or less.) I'm not completely sure how rare the posters were at the time, but very few have survived into the modern day. So, this was more of a resource for law enforcement, rather than something offered for public consumption. The image of a board of wanted posters presented for anyone wandering psychopath to peruse is a fantasy.
Freelancers, such as they were, seem to have been mostly working for private interests. These were often military veterans who would happily hunt down suspected criminals (such as cattle rustlers) and dispatch them. In general, that ends up looking a bit more like murder-for-hire, rather than what you'd think of as a modern bounty hunter, though it may inform some of the modern perspectives on the job. These are the ones you're probably seeing that get categorized as outlaws, and there is quite a bit of truth to that.
A sort of neat bit of trivia, the modern bounty hunter, (also, more commonly known as a bail bondsman, or bail bond agent), is a very old profession. However their history in the United States originated in San Francisco in 1898. The Old West came to an end in 1912 (generally), so there was a period of 14 years where modern bounty hunters existed in America, before the wild west was officially over. So, in that sense, there is some actual overlap, but it's not what most people think of when talking about a “wild west bounty hunter.” (And, on the subject of, “officially over,” it's worth remembering that the last range war in Wyoming took place in 1909.)
The image of the bounty hunter as a sort of freelance cop, who wanders around arresting outlaws, is a product of highly sanitized 1950s westerns.
-Starke
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#writing reference#writing advice#writing tips#how to fight write#starke answers#wild west#bounty hunters
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i learned that Treadmills Were Originally Created as a Form of Torture
The treadmill was invented as a rehabilitation device by a British man named William Cubitt in 1818. It was originally designed as a way to make prisoners more productive by milling corn, and pumping water at the same time. However it became a popular “atonement” device for lower level criminals.
It was a lot like the sport of log-rolling, only instead of falling safely into the water, participants would end up falling onto the hard ground below, and run the risk of becoming gravely injured.
Cubitt created several different versions of the treadmill. The most popular one was originally located at Brixton Prison in London and consisted of a wide wheel that prisoners had to run on. It could hold 24 prisoners. Most included partitions to prevent the prisoners from socializing.
The treadmill proved to be so popular that half of all prisons had them by 1842. Those unlucky enough to receive this punishment often did so for up to ten hours per day. One of the most famous people to endure it was Oscar Wilde, during his imprisonment for gross indecency.
The popularity of the treadmill, however declined. The British started to emphasize education as a means to rehabilitate their prisoners. Many argued that the treadmill was a dangerous practice that led to an unusually high death rate of prisoners. By 1898, they were outlawed.
Designs for a new type of treadmill designed for exercise emerged in 1913 when American inventor CL Hagen was issued a patent for a “training-machine.”
Later on, an American engineer named William Staub would create the modern form of the treadmill, called the Pacemaster 600.
Today, treadmills are one of the most popular types of exercise equipment in the world, though I’m pretty sure they are still considered to be a type of torture for some.
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If Universes Beyond is "Additive" as you said a few days ago, then why not make an "additional" format rather than forcing a change to Standard?
The psychographics are about the different ways you can psychologically approach the game.
If you’re a Spike, you’re about proving what you are capable of (which often means winning, but not always). That means you focus on picking the best card for the job at hand. That’s going to be dictated by card power and not creative decisions. Whether you like a creative execution (be it in-multiverse or Universes Beyond) or not simply isn’t the deciding factor.
If you’re a Timmy/Tammy, you’re about experiencing something. That means you pick the cards that best create the experience you want. If creative choices are a big part of that experience, then you will prioritize choosing cards that match what you want for your deck.
If you’re a Johnny/Jenny, you’re about expressing something. Your card choices are about you saying something about who you are. If creative choices are important to that message, it will impact which cards you play with.
The issue about mixing in-multiverse and Universe Beyond cards is only forced for the Spikes, because they’re the one psychographic that has to make choices irregardless of the creative execution of the card.
For the Timmy/Tammy and Johnny/Jenny players, if Universe Beyond cards dilute your experience, make other card choices. Don’t play with them.
That’s what I say about the cards being “additive”. You can add them to your deck if they enhance your experience. If they lessen your experience, don’t add them.
The big question is what matters most to you. If you’re choosing a card because it will increase your win rate, then you’re making a Spike-y decision. And that’s fine, but it means you’re prioritizing mechanics over flavor.
My core message is you the player have total power over what you play. You pick the format you play, you pick who you play with, and you pick the cards in your deck.
This issue isn’t new to Universes Beyond. Some people don’t like the cuteness of Bloomburrow, or the modernity of Duskmourn, or the famous characters in cowboy hats approach to Outlaw of Thunder Junction. If you want to make Spike-y decisions, then you play the card regardless of your personal opinion of the creative choices of the card.
Maybe you’re playing a card with a cutesy name you don’t enjoy, or a piece of art that’s not your style, or flavor text that you find groan worthy. That’s a decision you make when you build your deck and you choose what to prioritize.
Everyone has a different line of what creatively is acceptable, and it’s human nature to want to believe that your line is “the line”.
I’ve been doing this for a long time. Every line we cross is somebody’s line. But Magic, at its core, is about pushing boundaries and trying new things. It’s one of the defining qualities of the game.
My message is you can choose your own line. Magic adaptability allows you to play with what makes the game the most fun for you. You can choose to not cross your own line, but it does require you to prioritize that line over Spike-y decisions.
Look, we’re going to keep adding things to the game that players demonstrate they enjoy, whether that be mechanical or creative. It’s the defining quality of the game’s growth over the last thirty-one years.
And by the way, the data strongly, and I mean strongly, shows players enjoy Universes Beyond. All the people that made The Lord of the Rings the most popular set of all time are just as much Magic players as those that never purchased it.
And why not make an additional format? Because the data says there isn’t a large enough audience to support it. If there was, we’d make it. We’re very influenced by the desires of the players.
Our goal, as it has always been, is to make the best game in the world. We iterate, you give feedback, and we adapt. Lather, rinse, repeat.
One of the big lessons I’ve gotten designing Magic is that it’s going to adapt based on the totality of the desires of the players. Enough players like something, and the game starts adapting to it.
That adaptation is not always what I personally would choose, but over the years, I’ve come to realize the fact that the adaptation is not the choice of any one person, but the totality of the playerbase is the thing that makes Magic a game unlike any other.
It’s a living breathing entity that’s constantly becoming what its players want it to be. And that’s pretty cool.
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Ethics, Conflicts and Secrecy of Magic in Your Novel
Ethics
Modern day magician would consider it unethical to use magic to harm others, but in history, curses and destructive magic was big business.
Some magicians would consider it unethical to interfere with a person's free will, while others might not
Some will never work under the influence of a substance (drug, alcohol), while for others it may be common
How a magician practice magic can vary depending on their principle profession (if they have a day job). A social worker and a drug dealer will have every different ideas about what magic should and should not do.
Make your magician morally gray. What are the consequences?
Challenge your magicians ethical standards. Would they still stick to the same rules even if their family/friend/livelihood is in danger?
Villainous Ethics
"never torture someone on Thursdays"
"perform harmful spells only when the moon is full"
"don't interfere with someones free will...unless the client pays in gold."
"never hurt an animal."
"never hurt someone over the age of seventy" (come before their birthday, please!)
"never attack another magician" (go for his wife instead)
"never harm a virgin"
etc., etc. just have fun with loopholes and loose interpretations of the rules you give your magicians.
The Wiccan Rede
The most widely followed principle is: "An it harm none, do what ye will", which is the Wiccan Rede. There are contentions about what this might actually entail.
This principle is an old one, one that was passed down orally before it was recorded. This means that "an" can be many things - it may be "because" or "since" or "if" or just gibberish.
You can have your magician character interprete this age-old rule in their own way, doing things that border between right and wrong.
Secrecy
In periods like the Middle Ages, magic was strictly banned and anyone who practices it (or is accused of doing so) prosecuted. The execution method varied: hanged, burned at the stake, etc.
Religious magic is problematic if it is not the predominant religion of the region or state.
Your character may be from a group of people who have been conquered or historically persecuted for a long time.
Languages in which the magic is conducted can be banned/outlawed.
If your magicians only work in secret:
Think of ways they use to hide their identities
Raise the stakes - what happens if they are discovered?
What if the magician thinks they're acting in secret but everyone actually knows?
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#writer#writers#creative writing#writing#writing community#writers of tumblr#creative writers#writing inspiration#writeblr#writing tips#writers corner#writers community#poets and writers#writing advice#writing resources#writers on tumblr#writers and poets#helping writers#writing help#writing tips and tricks#how to write#writing life#let's write#resources for writers#references for writers#writers life#writerscommunity#writers block#writer stuff#writing a book
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⋆˚࿔ wild west prompts 𝜗𝜚˚⋆
¹⁾ “those wanted posters are plastered on the doors of every general store and livery for ten miles in any direction - did you really think you wouldn’t be recognised?”
²⁾ “how charming of all these outlaws to wait until i was sworn in as sheriff before they rolled through town.”
³⁾ “i know this town is more modern than most we’ve come across, but i think there’ll still be questions raised if we head on into the boarding house together and ask for a single room.”
⁴⁾ “i can’t say i’ve ever seen a pairing so odd as a gravedigger and a midwife before.”
⁵⁾ “psst… psst! the guys took a ride out to the creek and spotted one of the sheriff’s goons scouting out the trail we took up here yesterday. we need to get moving, now!”
⁶⁾ “shit, if i knew they’d started making bounty hunters this pretty i would’ve stopped trying so damn hard to stay clear of you.”
⁷⁾ “that rancher came by asking after my hand again today. you don’t get your act together soon, and i’m gonna start letting him believe it’s a possibility.”
⁸⁾ "there's easier ways to get my attention than to get bucked, y'know."
⁹⁾ "does your madame require you to pay this much attention to all your patrons, or have you taken a shine to me already?"
¹⁰⁾ "for a city kid, you're starting to look awful comfortable up on that saddle."
¹¹⁾ "i can't help but find it curious that in a wagon train so big, you keep finding your way back to my side day after day."
¹²⁾ "i would've never brought us out west if i knew this is what laid ahead."
¹³⁾ "and tell me, do all your fellow preachers spend as much time in the cathouse as they do in their church?"
¹⁴⁾ "when you said you wanted to spend time with me i figured it'd be in the saloon, not driving a herd of batshit mustangs up the goddamn mountain on our own!"
¹⁵⁾ "the most fearsome gunslinger in the west is afraid of cats?!"
#still in lucky red and upright women wanted withdrawals unfortunately :(#i will literally never tire of writing western prompts though so pls pls do not hold back on requesting any!!!!#prompts#wild west prompts#western prompts#wild west!au#western!au#wild west rp mem#western rp meme#prompt list#writing prompts#writing exercise#dialogue prompts#rp meme#otp prompts#alternate universe prompts
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East Blue Crew modern au!
Ive been working on this on and off for a while now.
There’s a lot here so [rings dinner bell] come get y’all’s meal
ASL Modern Au Post
Grand Line Crew Modern Au
Friends We Made Along The way post
Friends We Made Along The Way Part 2 post
Additional Headcanons:
Nami needs her own episode on extreme couponers. Sis has an entire binder dedicated to it.
Zoro cannot for the life of him beat Luffy in an arm wrestling match. No matter how much he lifts or trains, he always loses.
Zoro is actually pretty good at grilling. Sanji was pleasantly surprised when the burger that was presented to him wasnt a pile of ash/ so raw its still walking around. One day the two will have a grill off.
Usopp and Luffy love playing yugioh with eachother. Neither of them actually know the rules of the game, they just make it up as they go.
Nami used to collect american girl dolls and she keeps them in a closet in her apartment. One day when usopp luffy and chopper were snooping around, they found the accursed closet and were scared shitless.
Usopp has an ant farm and luffy thinks its the coolest shit.
In this modern au, sanji takes the place of that one guy on tiktok who makes duets with cooking videos, and films until they put the entire block of cream cheese in the crock pot.
Sanji is also this guy
Even though nami has scary dog privilege when walking with zoro, its not just beneficial to her. In fact nami has outlawed zoro from going on walks in general alone, as he would get lost and need nami to walk to him to direct him home. Nami has scary dog privilege and zoro has sense of direction privilege when they walk together
Sanji and Nami rewatch Pretty Little Liars/ Gossip Girl/ Glee/ and other CW drama shows together.
Nami and Usopp always be shit talking someone/something. They are hateful bitches.
How luffy meets each of them:
Zoro- they met each other because the 24 hr gym Zoro works in is right down the street from Luffy’s apartment and one day Luffy was walking by at around 3 am and noticed Zoro in there. Luffy asks him if he wants to join him fucking around at 3 am on the streets of this city area they live in and Zoro accepts after a little convincing from Luffy. When they get outside Zoro’s like
“where’s the rest?”
“Of what?”
“Of your friends”
“Its just you rn”
“… :| i mean, i had assumed you werent alone”
“Nope!”
“HA OkAy”
Nami- they took the same economics course together. They were paired up in a project and hit it off after that and often had study sessions together. Their defining friendship maker though, was they teamed up to steal the answer key to the test they were both definitely going to fail because the class was bullshit.
Usopp- they had taken a graphic design course together. Luffy had no idea what he was doing the entire time and Usopp was very happy that he could impart his wisdom uponst this newcomer to the arts. Although luffy did already have some… incredible(?) art skills of his own already. It was instant chemistry for them honestly, their synergy just clicked and before they knew it, they were besties.
Sanji- works in the restaurant thats underneath the ASL brothers’ apartment complex. Their fist encounter with the restaurant was not of them going in to eat there, though. The trio were throwing around the ol’ pig skin in the street in front of their complex when luffy failed to catch the ball, and accidentally ricocheted it into the front window of the Baratie, through the eating area, over the counter, and into Mr. Zeff’s face. Zeff stormed out of the eatery and asked which of them destroyed his glass and hit him in the head
And luffy looks over and notices his brothers selling him out and is like “HEY!!! D:” So luffy was stationed as the place’s chore boy and met sanji while working there. 2 years later the debt was repayed, sanji and luffy are friends, and the Baratie is ASL’s fav eating place due to the great food, delightfully violent vibes, and great company.
thats all for now, hope you enjoyed!
#my art#one piece#one piece fan art#monkey d. luffy#headcanons#east blue crew#roronoa zoro#sanji#vinsmoke sanji#usopp#nami#one piece modern au#straw hat crew
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oh!! can you recommend HH Arthur fanfics? without being modern.
Ooo, now this one is both easy and hard! There’s so, so many good things going on right now! So much material coming out daily. I’m such a pack-rat and will devour everything I get my hands on.
But here are just a few that I am obsessed with right now:
Of Love and Loss - @coltermorning
The Tie that Binds My Soul to Thee - @moeitsu (all about this one right now)
Your Ivy Grows - @roseghoul26
The Call of the West - @cassietrn (this one is interesting bc she has the same oc in various fic threads)
Dried White Roses - @pine4pple-b0i (this is a great early gang look)
25 Days of Christmas @zanazirafanfic (this one kills me, each chapter is a look at various gang members, all with winter scenarios)
I’m also a sucker for post-gang life bc I can’t handle the idea of Arthur’s demise.
Redemption Was Just the Beginning - @lacrymatoryao3 (this is simply amazing. A lot of characteristic Arthur inner turmoil that is beautifully done)
Second Chance for and Outlaw - @summerontatooine (I LOVE this one as a post gang look. There is even a second leg that goes with it but focuses on Charles - Ballad of Lonesome Heart)
These ones are older threads but still my all-time faves:
The Blue Side of the Mountain @sweet-by-and-by (post gang life and SO amazing)
Arthur!dad Series and Arthur!protector series - @queenxxxsupreme (this writer is one of the reasons I started writing my own fic. So much content on their list too)
And then there are some that just always put out amazing work: @rivetingrosie4 @shootybangbang @sixgunluvr
Hope this helps. Like I said, there is some great stuff out there and I know there are those that I follow and get tagged on that I am forgetting. But these are my ones that are the objects of my affections.
#arthur morgan#rdr2#red dead redemption 2#arthur morgan rdr2#arthur morgan x reader#arthur morgan x female reader
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modern au but the gang waking up in modern day in the order they died with memories of their lives as outlaws:
bessie motherfucking matthews being the one that rounds them up. she's a professor at a university teaching women's history and owns a little cottage on the outskirts of town, and uses newspaper articles to try and plot out who/where someone will 'wake up'
sean was the first VDL she successfully found. davey and mac somehow found each other and got themselves incarcerated for armed robbery before she got them.
sean adapts almost instantly and loves the chaos of modern day cities: car horns, fluorescent lights, night clubs, television (fuck you lenny reading is for nerds!!). he steals a bike he calls ennis II and gets a job delivering pizzas
she finds hosea and lenny next. it's a very emotional reunion. she starts calling lenny her son. hosea spends at least a week refusing to let his wife out of his sight because he has to be dreaming, kisses and adores her at every opportunity. their dates are her teaching him to drive a car
lenny takes less than a day to figure out computers and takes over the locate the VDLs project. he has what is effectively a murder wall of colored yarn and push pins trying to figure out when and where the next person will appear. manages to cyber-stalk down jenny, who being as breathtakingly clever as she is figured out the present all by herself and works in a diner. she comes over for dinner twice a week
retracing the gang's steps they find kieran, who is doing fabulously not well. he's been homeless for a month, got hit by a car and is very, very distraught by not only the memories of his torture after being taken by o'driscolls but the fact he betrayed the gang by talking. bessie matthews, mother to all, introduces him to noise cancelling headphones, gardening, and horse girl movies.
lenny: hey i've been doing some research and i think most of us have this thing called ptsd????
when hosea and bessie want to have a nice, quiet romantic dinner by themselves they put sensory videos on the tv and all the boys just sit there silently
#rdr2 modern au#bessie matthews#hosea matthews#sean macguire#lenny summers#kieran duffy#rdr2 timewarp au
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jump the gun. a modern outlaws au. (Clegan. 15.9k)
happy birthday Bucky Egan
“The hell is your last name?”
He feels his lips curve into something blushing tender, “Cleven.”
The mattress groans, dipping begrudgingly on at the weight of another body.
John crawls his way up Gale’s body, the latter watching him with amusement until John is hovering above him, swaying slightly and still smiling, “Hi Gale Cleven, I’m John Egan and I love you.”
-- Modern day outlaws part two electric boogaloo
#swiftywrites#chapel au#gale cleven#john egan#buck x bucky#clegan#mota#masters of the air#finished fic
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Hi!
I have been following this blog for a while now and I love using it to find new podcasts. I was wondering, if you have time, what you think is the scariest podcast you've listened to or what your favorite horror podcasts might be? Thank you, and I hope you have a great day :)
I'm so glad to have helped you find new shows!
I don't really get scared by horror podcasts (not sure why. It isn't some "I'm tough" thing, I get startled by the toaster, and it's not like I never feel unsettled or concerned or icked out at podcasts, just not scared) so I'm not sure I can give you a good answer on that one, but I'll gladly give you ten of my personal favourites instead:
Alice Isn't Dead: The podcast that got me into podcasts. A truck driver travels the USA looking for her wife, who until recently, she had thought was dead. Along the way she has all manner of strange encounters, and sees a side to the world that few truely comprehend.
Archive 81: A young archivist takes a job at a remote outpost organising and digitising a collection of tapes. On the tapes is a series of interviews and investigations made by a social worker in the 90s as she becomes familiar with a bizzare apartment building. The archivist, naturally, has an increasingly bad time. Each season is part of the same story, but they're all a bit different.
Ghost Wax: Recorded interviews conducted by the last surviving necromancer, and various people who died under seemingly otherworldly circumstances.
Hello From The Hallowoods: Supernatural and cosmic horror. A powerful and dramatic entity visits your nightmares to relay stories of the people (to varying degrees of both human and alive) who inhabit the beautiful and deadly Hallowoods. What start off as individual stories quickly connect to a larger narrative.
Hi Nay: A supernatural horror following a young woman named Mari, who's babaylan (shaman) family background draws her into helping people with various horrific supernatural problems around Toronto. Formatted as phone calls to her mother telling her what's happened.
I Am In Eskew: Often-horrific stories from a man living in something that very much wishes to be a city, and a private investigator who was, in her words, hired to kill a ghost. Many people seem to agree this one is scary.
Janus Descending: A xenoarcheologist and a xenopaleontologist are sent to investigate and sample the ruins of a long-dead alien city, and discover more than they anticipated. The format for this one is really clever: you hear her audio logs first to last, and his last to first, and the story is all the more heartbreaking for it. I'd recommend listening to the supercut.
The Lost Cat Podcast: A man befriends strange entities, loses bits of himself and drinks an awful lot of wine while looking for his cat. Soft and cosmic horror.
The Moon Crown: The shortest on this list, but also one of the most fascinating. A disgraced scribe living in a city of humans, beasts, and other bizzare entities, begins to recount recent happenings, and actions she has a hard time explaining, on broadcast. But the people she's hoping to reach might not be the ones listening.
The Silt Verses: In a modern world where gods are plentiful, both illicit and commercialised, two disciples of an outlawed river god go on a pilgrimage.
Although, maybe some other listeners can help me out and share what scared them?
#Please do note that these are not necessarily the *best* horror podcasts. They're my favourites.#audio drama#alice isn't dead#archive 81#ghost wax#hello from the hallowoods#hi nay#i am in eskew#janus descending#the lost cat podcast#the moon crown#the silt verses#Or like. Some of my favourites.#hopefully this all makes sense I am sleepytired
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the collective works with the main pairing of Bucky Barnes will be in this masterlist.
𝐁𝐔𝐂𝐊𝐘 𝐁𝐀𝐑𝐍𝐄𝐒 𝐌𝐀𝐒𝐓𝐄𝐑𝐋𝐈𝐒𝐓
— 𝐀 = angst — 𝐖 = whump — 𝐈 = sick fic — 𝐃 = dark — 𝐃² = dead dove — 𝐏 = poly — 𝐊 = kid fic — 𝐅 = fluff — 𝐒 = smut
𝐂𝐎𝐋𝐋𝐄𝐂𝐓𝐈𝐎𝐍 𝐌𝐀𝐒𝐓𝐄𝐑𝐋𝐈𝐒𝐓
⠈⠂⠄⠄ Biker ⠈⠂⠄⠄ Bodyguard ⠈⠂⠄⠄ DILF (Modern) ⠈⠂⠄⠄ Farmer ⠈⠂⠄⠄ Incubus ⠈⠂⠄⠄ Lumberjack ⠈⠂⠄⠄ Mafia ⠈⠂⠄⠄ Mafia and Artist ⠈⠂⠄⠄ Mechanic ⠈⠂⠄⠄ Monster ⠈⠂⠄⠄ Omegaverse ⠈⠂⠄⠄ Outlaw ⠈⠂⠄⠄ Paramedic ⠈⠂⠄⠄ Personal Trainer ⠈⠂⠄⠄ Pirate ⠈⠂⠄⠄ Pornstar ⠈⠂⠄⠄ Scare Actor ⠈⠂⠄⠄ Street Racer ⠈⠂⠄⠄ Stripper ⠈⠂⠄⠄ Tattoo ⠈⠂⠄⠄ Viking
⠄⠂⠁⠁⠂⠄⠄ 𝑴𝑼𝑳𝑻𝑰𝑷𝑳𝑬
➺ 𝐓𝐡𝐞 𝐆𝐢𝐟𝐭 𝐭𝐡𝐚𝐭 𝐊𝐞𝐞𝐩𝐬 𝐨𝐧 𝐆𝐢𝐯𝐢𝐧𝐠 ⠄⠂⠁⠁⠂⠄⠄ Multiple Pairings — 𝐅 + 𝐒 Today was the day — your birthday, but how would the many Bucky’s treat you? With a lil’ bit of nice? Or a lil’ bit of spice?
➺ 𝐦𝐲 𝐨𝐰𝐧 𝐬𝐭𝐚𝐫 𝐨𝐧 𝐇𝐨𝐥𝐥𝐲𝐰𝐨𝐨𝐝 𝐁𝐨𝐮𝐥𝐞𝐯𝐚𝐫𝐝 ⠄⠂⠁⠁⠂⠄⠄ Rockstar!Bucky Barnes x F!Reader — 𝐀 + 𝐅 + 𝐒 — CO-WRITTEN WITH @buckyismybicycle All it took was one night, one song — hell, one note — and you were gone for him, hook, line, and sinker. Turbulent times lay ahead, but in the afterglow of ecstasy, forced to feel emotions in such intensity for someone you’d never expect, you couldn’t help but follow him anyway — he was irresistible, after all.
➺ 𝐓𝐡𝐞 𝐓𝐡𝐫𝐢𝐥𝐥 𝐨𝐟 𝐭𝐡𝐞 𝐇𝐮𝐧𝐭 ⠄⠂⠁⠁⠂⠄⠄ Scare Actor!Bucky Barnes — 𝐅
The ancient game of cat and mouse, a fight for survival between a predator and their prey, wasn’t a new phenomenon — it had been practised for centuries and it was an art that very, very few perfected. For years you had chased the craving to find someone that had mastered the art of the hunt, and for Halloween, you had gone all out and visited a haven unlike any other.
It was there that you found your match.
Cloaked in nothing but black and shrouded in a sense of lethality, you would have to run from this shadow in an adrenaline fuel haze unlike any other. A chase for the ages, the very one you desired.
And if he caught you, your world would end as you knew it.
➺ 𝐖𝐚𝐯𝐞𝐬 ⠄⠂⠁⠁⠂⠄⠄ Modern!Bucky Barnes x F!Reader — 𝐀 + 𝐅 Currents had pulled you under for so many years, the crash of them against your mind leaving you constantly breathless and Bucky would always pull you back up from the cruel thrashing. But now, there was a chance they’d stop.
➺ 𝐒𝐚𝐟𝐞 𝐇𝐚𝐯𝐞𝐧 ⠄⠂⠁⠁⠂⠄⠄ Modern!Bucky Barnes x F!Reader — 𝐀 + 𝐅 The yearly tradition of a blanket fort on the 4th of July gets an upgrade.
➺ 𝐍𝐨 𝐖𝐚𝐲 𝐎𝐮𝐭 ⠄⠂⠁⠁⠂⠄⠄ Bucky Barnes x Agent!F!Reader — 𝐀 + 𝐖 Fate was cruel. Life, even more so. The pain was excruciating, well past and beyond endurance. It was just a shame there was little comfort you could give from the other side of Death’s veil.
➺ 𝐁𝐞𝐬𝐭 𝐊𝐞𝐩𝐭 𝐒𝐞𝐜𝐫𝐞𝐭 ⠄⠂⠁⠁⠂⠄⠄ Modern!Bucky Barnes x F!Reader — 𝐀 + 𝐅 There were very few things that brought you as much joy as seeing Bucky smile, but this — this moment would forever be etched as one of your fondest memories, let alone his.
➺ 𝐋𝐨𝐯𝐞 𝐡𝐚𝐬 𝐅𝐨𝐮𝐫 𝐏𝐚𝐰𝐬 𝐚𝐧𝐝 𝐚 𝐇𝐞𝐚𝐫𝐭𝐛𝐞𝐚𝐭 ⠄⠂⠁⠁⠂⠄⠄ Modern!Bucky Barnes x F!Reader — 𝐅 “Don’t make a big deal,” Bucky said — “I have all I need right here,” he insisted.
A shame, really, that he had thought that you had listened, and you wouldn’t make a big deal of it; he was so wrong, and he would be better off for being so, for when a paw touched your heart, it would never leave.
➺ 𝐏𝐞𝐫𝐬𝐞𝐯𝐞𝐫𝐚𝐧𝐜𝐞 𝐨𝐟 𝐋𝐨𝐯𝐞 ⠄⠂⠁⠁⠂⠄⠄ Grim Reaper!Bucky Barnes x F!Reader — 𝐀 + 𝐅 Grief was no stranger to you — it ebbed and flowed with time; its currents ill-suited to travel for those who were heavily ladened with loss. That was where you came in, offering the comfort of your empathy and gift to those who remained stuck, and to those that passed on. It was how you met him, and it was how you became the light in his otherwise shadowed life.
➺ 𝐑𝐞𝐦𝐞𝐝𝐲 ⠄⠂⠁⠁⠂⠄⠄ TFAWS!Bucky Barnes x F!Reader — 𝐒 When Bucky came home from a bad day, it was your pleasure to change that, and you took pride in making him shatter to pieces if you reaped the rewards.
➺ 𝐀 𝐁𝐫𝐮𝐬𝐡 𝐨𝐟 𝐂𝐨𝐧𝐟𝐢𝐝𝐞𝐧𝐜𝐞 ⠄⠂⠁⠁⠂⠄⠄ Bucky Barnes x Makeup Artist!F!Reader — 𝐀 + 𝐅 It was a routine job — if you discounted the suspicious lack of information and the endless NDAs you had to sign, and you were looking forward to having a high end client. Though, what walked through the door would test every last skill you had.
➺ 𝐋𝐚𝐜𝐡𝐫𝐲𝐦𝐨𝐬𝐞 ⠄⠂⠁⠁⠂⠄⠄ Dragon Rider!Bucky Barnes x Dragon Rider!F!Reader — 𝐀 + 𝐖 It was inherently a dangerous way to live the life of a Nomad Dragon Rider — an outcast. And those very dangers would be what would tear you apart, and what would separate you from the one you trusted, the one you loved.
➺ 𝐒𝐩𝐢𝐜𝐞 ‘𝐧 𝐒𝐨𝐦𝐞𝐭𝐡𝐢𝐧𝐠 𝐍𝐢𝐜𝐞 ⠄⠂⠁⠁⠂⠄⠄ Husband!Baker!Bucky Barnes x Wife!Baker!F!Reader — 𝐅 Bucky had prepared a surprise for you, much to your amusement, and it wasn’t even the end of the night — a battle of wits was to be fought.
➺ 𝐀𝐧 𝐎𝐥’ 𝐅𝐚𝐬𝐡𝐢𝐨𝐧𝐞𝐝 𝐍𝐨𝐭𝐢𝐨𝐧, 𝐎𝐟 𝐖𝐚𝐫𝐭𝐢𝐦𝐞 𝐚𝐧𝐝 𝐖𝐡𝐢𝐬𝐤𝐞𝐲 ⠄⠂⠁⠁⠂⠄⠄ Bucky Barnes x F!Reader — 𝐅 Bucky had been away for a long, long time, and your heart ached with missing him. Although, the time apart had allowed you to plan a surprise that would rock his world once he walked back through the door of your home, and into another era.
➺ 𝐀 𝐑𝐚𝐫𝐞 𝐁𝐫𝐞𝐞𝐝 ⠄⠂⠁⠁⠂⠄⠄ Witcher!Bucky Barnes x Sorceress!F!Reader — 𝐀 + 𝐖 + 𝐃 + 𝐅 It had been an ordinary day — nothing amiss, nor a cause for concern, not even the sudden appearance of soldiers in the local tavern. You should have known better, however, for fate had never left you in peace.
➺ 𝐀 𝐓𝐚𝐥𝐞 𝐨𝐟 𝐓𝐰𝐨, 𝐨𝐟 𝐄𝐧𝐭𝐰𝐢𝐧𝐞𝐝 𝐒𝐭𝐫𝐢𝐧𝐠𝐬 ⠄⠂⠁⠁⠂⠄⠄ Modern!Bucky Barnes x F!Reader — 𝐀 + 𝐅 They said fate worked in mysterious ways; the strings of destiny plucked and pulled and snapped at the leisure of those they controlled, but not you. The delicacy in which you handled the woven web was forever unseen and unprecedented, and your patience was to be rewarded in a way you least expected.
𝐓𝐡𝐞 𝐐𝐮𝐞𝐞𝐧 𝐚𝐧𝐝 𝐓𝐡𝐞 𝐊𝐢𝐧𝐠 ⠄⠂⠁⠁⠂⠄⠄ Drifter!Bucky Barnes x Drifter!F!Reader ➺ 𝐈'𝐦 𝐆𝐮𝐧𝐧𝐢𝐧’ 𝐅𝐨𝐫 𝐘𝐨𝐮 — 𝐅 Dancing had many forms — you were proud to say you may have been the best of the best in an unconventional discipline. Finally, fate gave you a chance to prove it, once and for all. ➺ 𝐏𝐮𝐫𝐫 𝐅𝐨𝐫 𝐌𝐞 — 𝐅 + 𝐒 A deal had been struck, and since you had claimed victory that day, you were more than eager to collect the reward of such a win. — 𝐏𝐋𝐀𝐘𝐋𝐈𝐒𝐓 — 𝐏𝐋𝐀𝐘𝐋𝐈𝐒𝐓 𝐕𝟐
𝐖𝐫𝐢𝐭𝐭𝐞𝐧 𝐢𝐧 𝐭𝐡𝐞 𝐒𝐭𝐚𝐫𝐬 ⠄⠂⠁⠁⠂⠄⠄ Modern!Bucky Barnes x Writer!F!Reader ➺ 𝐎𝐥𝐝 𝐅𝐚𝐬𝐡𝐢𝐨𝐧𝐞𝐝 — 𝐅 An ordinary, relaxing day of arriving at Bucky’s coffee shop and spending it working on a project was what you planned to do, however, a certain brunette had other ideas. ➺ 𝐁𝐫𝐞𝐚𝐭𝐡𝐭𝐚𝐤𝐢𝐧𝐠 — 𝐅 Bucky had always been willing to help you with your dreams, and it just so happened that you need to experience something first hand in order to write it effectively — it was just a shock at how far Bucky was willing to take it.
➺ 𝐇𝐚𝐩𝐩𝐲 𝐁𝐞𝐚𝐧𝐬 ⠄⠂⠁⠁⠂⠄⠄ Barista!Bucky Barnes x F!Reader — 𝐅 Bucky’s cafe was a home away from home, a place where you could be happy, spend time with your two closest friends, and your favourite fluffball. You just hoped that your admission wouldn’t change a thing — at least, you had to hope it would, in the best way.
➺ 𝐒𝐮𝐠𝐚𝐫𝐲 𝐒𝐰𝐞𝐞𝐭 ⠄⠂⠁⠁⠂⠄⠄ Baker!Bucky Barnes x F!Reader — 𝐅 There were very few plans you had come up in your life with that rivalled the sheer brilliance of what you decided to do — ‘twas the belated day for it, anyway.
➺ 𝐒𝐮𝐧𝐫𝐢𝐬𝐞 — 𝐅
➺ 𝐇𝐚𝐧𝐝𝐬 𝐎𝐟𝐟 — 𝐒 You came home to a sight; one that you revelled in the consequences of.
⇀ 𝐃𝐁𝐅 𝐁𝐮𝐜𝐤𝐲
⇀ 𝐂𝐨𝐥𝐥𝐞𝐠𝐞 𝐁𝐮𝐜𝐤𝐲
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