#Misfits 16

[moaninmoonen]

XTRA Series Episode 4 | Fight Night | X Series 16

Misfits Boxing

[puppyeared]

Ouhhhh friendship I love friendship……..

[pardon-my-scifi]

Rubber Duckie Advent Calendar Day 16: Island of Misfit Toys Duckie.

[frogmascquerade]

.

[summergirl2408]

Isn't it fun to get spontaneous flashes of self realisation on a random tuesday afternoon ?

[infamous-if]

I get why G is as egotistical as they are now. No one’s swooning over their bandmates, and there’s no fan war about who’s the hottest when the others are all 40+. So, of course, all the attention goes to G, haha! In a few years, Misfit Alley’s going to get the nickname “G and the Grandparents.” - this is all said jokingly, not trying to hate on the characters or the gap btw!

hahahaha yeah, it's honestly a weird situation but the label believed that the demographic(s) that listen to rock-adjacent music (the music they were doing at the time) the most wouldn't take a young band seriously. G is already young so they sort of had to balance it out to appeal to a bigger audience. They felt having an older band would mean that Misfit Alley had a higher chance of being taken seriously. The obligation to do it was even stronger for Gina.

Nowadays Misfit Alley's fandom skews younger!

So yeah, you can see how getting famous at 16 and being surrounded by people twice your age all the time would prove to be damaging to a young not yet fully developed mind aha…

[solarmorrigan]

You've Got Me

For the @steddie-spooktober day 16 prompt: "Would you please stop trying to scare them?" Rated: T | Words: 1430 | CW: references to PTSD, nightmares | Tags: established relationship, protective Steve Harrington, Eddie Munson being an asshole, just for a little bit though he didn't know any better, Eddie Munson is a sweetheart Divider credit: @steddiecameraroll-graphics

The ringing of the phone in the hall jolts Eddie from what had otherwise been a peaceful sleep.

He lies there a moment, attempting to parse out what the hell he’s supposed to do to make the ringing stop, when someone pats him vaguely on the chest and rolls out of the other side of the bed, telling him, “I’ve got it.”

Steve, Eddie’s brain supplies. Steve’s always been faster to wake, moving from dead sleep to motion in a way Eddie only manages after nightmares.

The ringing stops, followed by the sound of Steve’s voice, faint but audible through the cracked bedroom door. Eddie blinks at the ceiling, trying to kick his brain into gear. What time is it? What day is it? Who the hell is calling in the middle of the night?

Eddie turns to squint at the clock in the dark. It’s just gone three in the morning. It’s… October 30th? Something like that. It’s almost Halloween, Eddie knows that for sure – which is when it hits him.

Almost Halloween. Almost an anniversary.

He’d bet money it’s either Dustin or Lucas on the phone. Slight chance it’s Max, if she’s been shaken up enough. Doubtful that it’s Mike – he wouldn’t stoop to admitting he needs to talk to Steve in the middle of the night; he usually waits until morning to call, if he’s going to at all.

Eddie’s heard the full story of Upside Down Event Number Two, everything that took place around Halloween of 1984, and he understands the phone calls now. He understands the tension that threads through their little group around this time of year, even as they all try to enjoy Halloween. Even though he’d had no way of knowing at the time, he regrets it a little that he hadn’t taken it more seriously – how shaken up the kids had been that first year he’d known Dustin, Mike, and Lucas.

Eddie’s always loved Halloween; loves the aesthetic, loves the candy, loves the premise of running around and causing chaos in the night, loves everything about it, really. Most of Hellfire Club had been in agreement with him: it’s a holiday for misfits. He hadn’t been able to understand, then, what had gotten into his snarky, spitfire little freshmen – for a few guys who’d seemed like they’d be really into the holiday, they mostly seemed edgy about the whole thing.

And so Eddie had tried to get them into the spirit.

He’d done so by running a special campaign all through October, something filled with darkness and monsters to set the mood. He also may have done so by occasionally sneaking up on them and spooking them; he doesn’t really have an excuse for that one, they’d just been such easy pickings. He hadn’t understood at the time why.

He may have done this one evening after Hellfire, when Steve had come by to pick the boys up.

And instead of waiting in his car and occasionally beeping the horn impatiently, like usual, Steve had parked, gotten out, and marched right up to the drama room doors where everyone had been waiting.

“Go wait in the car,” Steve had told the boys, his tone harder than Eddie had ever heard it when they were in school together. “I’m gonna take a minute to catch up with Munson.”

The fact that no one had argued with him should have clued Eddie into how serious the whole thing was, but he’d mostly been distracted by what the hell Steve Harrington could have wanted to talk to him about.

“So, what have I done to earn an audience with the king?” Eddie had asked once the boys had gone.

Steve hadn’t taken the bait, only crossed his arms over his chest and answered, “Would you please stop trying to scare them?”

Eddie had blinked at him, surprised. “What?”

“Look, I know what you’ve been doing.” Steve had said, expression as stony as his tone. “Henderson’s been telling me all about your horror adventure or whatever it is, and he’s mentioned your little jump scares, too, and I’m telling you: you need to knock it off.”

At the time, Eddie had only bristled; people didn’t tell him what to do – especially not people like Harrington.

“They’re big boys, Harrington, I think they can speak for themselves if they object to a few jokes.”

“They shouldn’t have to,” Steve had snapped. “Just– those kids have been through some shit, okay? So maybe take that into consideration before you go jumping out of closets or whatever the fuck you’ve been doing.”

Eddie had not been jumping out of closets, for the record, but Steve’s words had given him pause. “What kind of shit?”

Steve had shifted, almost uncomfortably, but stood his ground. “You remember the whole mess with Will Byers?”

Who didn’t? That whole thing had been a trip and a half; kid goes missing, is found dead in the quarry, gets buried, and then somehow turns up miraculously alive and (mostly) well? It stuck out as an event to just about everyone in town. Eddie had nodded at Steve.

“Well they’re his best friends,” Steve had jerked his head back towards the car. “And we’re coming up on that time of year, so I think you’d be a little jumpy, too.”

It had been all the information Steve had been allowed to share at the time—stories of demodogs and junkyards and tunnels and Hargrove wouldn’t come for another few months—but it had been enough to make Eddie feel a little guilty.

This had only served to make him pricklier, and Steve had taken his sudden, stubborn silence as his cue to make an exit.

“Just think about it, Munson,” he’d said, before turning and heading back to his car.

Eddie had thought about it, and to his credit, he’d stopped with the jump scares and had mildly scaled back some of the gory details in his Halloween campaign, and the kids had come back around to themselves.

Now– now Eddie gets it.

He manages to shuffle himself up and out of bed with a sigh, willing some coordination back into his limbs as he struggles into a pair of sweatpants and stumbles out into the hall. It’s still dark, illuminated only by the kitchen light, but he can see Steve leaning against the wall next to the phone, the handset cradled against his ear with his arms crossed tight over his chest.

He must be cold. The hallway is chilly, and Steve hadn’t even paused to find pants before answering the phone; he’s standing there in just his boxers, but he’s talking calmly to whoever’s on the other end of the line.

“No, you guys did a shit job patching me up,” he’s saying, though he sounds nothing but fond as he does so, “but I’m tough, so I pulled through, anyway.” There’s a moment of silence as he listens to the person on the other end of the line. “You want me to come over there and prove it?” Steve finally offers in response – he sounds flippant, but Eddie knows it’s sincere, and he’s pretty sure whoever is talking to him will know it, too.

After another few moments, Steve asks, “You sure?” Then, “Okay. You have our number if you change your mind… Yeah. See you then, bud.”

“Everything good?” Eddie asks, holding out a hand as Steve levers himself away from the wall.

“Fine,” Steve answers, taking Eddie’s hand and trailing him back to the bedroom. “Henderson. Just a nightmare.”

Must’ve been some nightmare if he’d felt the need to call and make sure Steve was still alive at three in the morning, but Eddie keeps that assessment to himself. He hums in sympathy instead, leading Steve back to bed.

They settle in, Eddie on his back and Steve cuddled up against his chest, leeching whatever warmth he has to offer as Eddie strokes a hand down his back.

“You gonna be able to get back to sleep?” Eddie asks quietly.

The kids aren’t the only ones who have trouble this time of year.

“’m fine,” Steve answers, already sounding like he’s partway to sleep. “Got you, don’t I?”

Eddie smiles into the darkness, slowing the motion of his hand until he can cinch his arm around Steve’s waist and tug him closer. Maybe he hadn’t fully understood what they’d all been going through in the beginning, but he’s there now, and it seems like that must count for something.

“Whenever you need me, baby,” Eddie promises. “You’ve always got me.”

[thisisnotthenerd]

ok: the spreadsheet is updated [thisisnotthenerd's d20 stats]

so is the other spreadsheet [D20 Episode Randomizer]

both will continue updating throughout the season, with character data and episode data, so keep an eye out.

random stats for you to enjoy:

brennan is in the dome for his 20th season, 16th as GM

ally is tied with lou for most seasons in the dome as a player (11) and will overtake him in episode count by the end of the season, with 173 to lou's 170

rekha and izzy are tied with brennan for seasons as players (4), and tied for episodes (36). they've played two of their four individual seasons together (T7 & NSBU).

ify moves up to the 3-season group, with a total of 20 episodes.

alex is back for their second kids on bikes season, capping out at 16 episodes

jacob is in the dome for the first time! we're so glad to have him

R2 is officially ally's seat, given that they've spent 5 seasons and 77/173 episodes in it

in terms of the players, we're at a completely even gender split: 2 female, 2 male, 2 nonbinary.

with this season, we break 250 episodes of dimension 20

we're up to a total of 523 hours, 41 minutes, and 54 seconds. that's roughly 21.8 days, or three weeks of dimension 20, before the season starts. the average episode length is 2:10:23, and median is 2:09:08.

as for the season:

i love the concept--d20 does genre pastiche really well; they're taking an already campy concept and making it campier. they're digging into the comedy sandbox in a fun, chaotic, balls-to-the-wall way this go-around. and what a cast to do it with.

this combines multiple forms of 80's nostalgia in a way that the cast can play in easily; there are a lot of elements to play with on multiple character levels

we're back with a kids on bikes reskin, much like mentopolis. i think it's going to continue to be a staple because the system is simple enough for people to jump in quickly, it's easy to reskin with varying stats, and it has a lot of room for improvisers to play with. right now it's functionally d20's second system, with three seasons on the docket. everyone say thank you aabria for introducing kids on bikes to the dome.

the dual layer of characters is a fun flavor to add--it's just an extra filter that we get to see the cast work with, and not something we've particularly seen them do before. they aren't just playing the movie characters, they're playing them in the way that they think their original characters would perceive the archetypes.

in conjunction with that: kids on bikes lends itself well to playing with archetypes--we saw it in both mentopolis and misfits & magic. we're looking at a few here in NSBU: the action hero [car and gun variants], the femme fatale, the debonair spy, the mob boss, and the hacker.

in other words, i can't wait for june 26th!

[fayes-fics]

Aflame

Pariing: Benedict Brigerton x fem!reader, modern AU

Summary: Sequel to Waking Up. Benedict turns the tables...

Warnings: 18+ smut, minors DNI, oral sex (m to f), vaginal fingering, cunnilingus, dirty talk, female orgasm.

Word Count: 2.1k

Author's Note: This picks up IMMEDIATELY from the last line of Waking Up. Please read that fic before you read this one! Dedicated to the wonderful @queen-of-the-misfit-toys and betaed by the fabulous @colettebronte. After sitting in my WIPs for 16 months, this fic finally worked itself out in my brain. Enjoy! <3

The warm glow of late summer out on a hillside near Aubrey Hall is no match for the words Benedict whispers hotly into your ear.

“After all, you’ll need all that food after I’m done keeping you up all night.” 

You can’t help the noise that escapes your lips from that line, so turned on from pleasuring him that you’re actually vibrating with need, your thighs rubbing together subconsciously.

“Ben, I… fuck… I want you so much I’m shaking,” you stumble out quietly.

Suddenly, you are on your back, him surging over you. He pins your wrists to the picnic blanket and holds you there.

“Tell me everything,” his voice is desperate, “I want to hear it. Tell me how much you want me.”

“I….” You’ve lost the ability to speak under the intensity of his gaze. Your body is thrumming, but your mind is blank. “I don’t have the words. I can’t think straight. I just need you so much,” you admit, almost ashamed. “I’ve never been this turned on in my life.”

“Show me,” he urges, breathing heavily, releasing your arms but still hovering over you.

You scramble to open your jeans, your knuckles brushing his thighs as you fight your clothing. You push them down your hips, shuffling around under him.

“Fucking hell,” he exhales as he sits up slightly.

His gaze is trained between your legs; you can feel your light blue underwear soaked through. He rears up and tugs your jeans off your shins in one swift, rough motion. Then he collapses onto you, his face buried right into your cotton knickers.

“You smell amazing,” he breathes and suckles the material; the heat of his mouth through the thin layer makes you gasp loudly, sending shockwaves all over your body. “You taste it, too.”

“I need to come. Please, please help me…”

He doesn’t say anything to your mindless plea; he just pulls your underwear aside, questing his tongue through your folds. You shout a curse, and your whole upper body rises at the sudden rush of sensation. A large hand lands between your clothed breasts and pushes you back down, firm but not rough, a hold that grounds you. 

Then he lashes against your clit.

“Ben, oh my fucking god!” You exclaim, your hands scrabbling for purchase on the blanket.

“I have this overwhelming need to make you scream,” he rumbles, muffled into your flesh before turning his head and lightly biting the meat of your inner thigh. 

“Please…” you stutter, staring down at him, still slightly shocked this is happening.

He wears a secret, crooked smile as he pulls your underwear down your legs, disposing of them over his shoulder without paying heed to where they land. 

For some reason, the idea that your best friend would be this person never occurred to you. But as his hands band behind the back of your knees and force your legs wide apart, you are floored by how raw this is. In idle moments when you’d thought about it in the past, you’d always figured he would be one of those sweet, perhaps timid lovers, but he’s not. It’s much better than that—an edginess that has metallic want blooming in your mouth.

“Look at me,” he demands, and you do, gazing down your body to his handsome face framed by your thighs dappled in the shade of the mighty oak. 

You watch him sink between your legs again, and you hold his gaze as he swipes his tongue all the way from your pussy to your clit, lingering there, rolling around, sealing his mouth around the whole area. You curse again, your gaze locked onto his eyes. Fiery and challenging, with endless blown pupils. You are certain yours are the same, so achingly aroused.

The initial frantic pace slows to something more languid, more a match to the lazy midsummer late afternoon as he slowly maps your landscape, his movements slow and deliberate as he hums his approval.

“Tell me exactly what you want,” he pulls away an inch just to speak, and you feel his breath on your labia. “Grab my head, direct me. I want to learn exactly what you need.” 

When you hesitate, he reaches for your hand and places it on the back of his head, luscious, thick, short chestnut waves there, his scalp warm under your fingertips.

“Just keep doing what you are doing,” you reply, perhaps a touch evasive, slightly embarrassed to talk in detail, tugging lightly on the strands of his hair.

“Don't be shy,” he entices, his voice resonant as he licks a delicate circle around your labia. “If you tell me, I will do it.”

That beguiling offer makes your stomach flutter. 

“I… I like lots of suction,” you remark quietly, almost hesitant to state what you truly want.

“Where?” he goads, and you know he knows; it seems he just wants you to talk explicitly.

“I like lots of suction on my clit,” you elaborate, screwing your eyes shut self-consciously. 

You moan loudly as he does just that—seals his hot, wet mouth over your clit hood and pulls it into his mouth, making all your nerve endings fire.

“God, yes, like that,” you rush out, as he gets more insistent, your eyes flying open and staring up into the tree branches. “Oh fuck, flick with your tongue too, please, please…” 

He does precisely what you want, flicking your swelling nub with an enthusiasm no one has taken with you before. You moan his name, undulating under him, that hand snaking back up to your sternum, holding you down in a way that just makes you want to squirm more. He is able to read you like a book—the transmutation of close friendship and the knowledge it provides a thrilling, potent weapon.

“Fuckkkk…..” the word is a prolonged exhale.

There is a triumphant chuckle, and he surges higher, pushing your legs up so your knees bend deeply, placing your feet on his shoulders, really diving into your body. You can feel your clit engorged now, your pussy dripping onto the ticklish graze of nascent afternoon stubble on his chin. He feasts on you, tugging your labia gently with his teeth, then going back up to your clit and sucking so hard it has you keening, an urge to clamp your thighs close, but he holds you too open, a ripple of denied movement heightening your desire. But, just as you feel yourself beginning to truly spiral, he backs off, kissing around your inner thighs in a soft tease that makes you whine.

“Good things come to those who wait,” he purrs.

Shuffling lower, he begins to lap gently at your leaking pussy, the bridge of his nose pressing into your pulsing clit. The change of pace makes your skin feel like it's shimmering like the hazy horizon. Unable to keep your eyes open anymore, your head falls flat on the picnic blanket, your lids fluttering closed. You whine his name, fingers twirling into the strands under your hand, and again, he laughs richly, the feel of it vibrating up your walls where he licks shallowly into you unhurriedly.

“I need you to fuck me….” falls from your lips unbidden, your voice breathy, wanton.

“I will; I promise you,” he answers huskily, the hand wrapped around your hip stretching out to pet the patch of hair at the apex of your thighs, a motion that is soothing over your pubic bone. “But first, I need you to come for me….”

His tongue licks under the hood of your clit, and suddenly, a bolt of fire zips up your spine, making you gasp loudly. And then you cry out as he stabs it again, the tip like a muscled spear. The grip on your hip releases, but you yell a curse as he plunges two fingertips into your pussy, an almost indecent wet noise as he does so, a stream trickling down between your cheeks as he starts to push deeper, his tongue now a rolling wave on your nub, syncopated with his finger strokes.

“God, I love how soaked you are…” he groans, pulling up a fraction to glance at your face, contorted with pleasure in a way you are sure looks ridiculous. “Fuck, you are so beautiful like this….” he adds as if intuiting your momentary insecurity and disputing it.

All the while, he is rocking those fingers far into you, the swell of his knuckles pressing into your walls in a way that has your pussy contract around him reflexively. He growls at the constriction, holding still for a moment and burying his nose into your folds.

“I could do this forever….” he asserts, his voice like velvet; the words felt as much as heard.

“I need that…” you sigh shudderingly, nails flexing on his head. 

The drowsy intoxication of the summer’s day and the earlier Pimms seems to be loosening both of your tongues and lends an ethereal quality. You look down at him, scarcely believing the lushness of the experience and are taken aback by the unbridled passion in his stare, entranced by the glaze on his face from your arousal. 

Something wordless passes between you, a mutual understanding that things will never be the same in your friendship, but both excited for it. That you can invoke this in each other, that he can make you as untamed as you made him. An infinite loop of possible pleasures laid out before you, that you both cannot wait to explore.

“Ben, I….” you begin, mouth feeling cotton dry from your ragged breaths.

He hushes you, nodding, acknowledging what you need without you having to trip over more words. His fingers buried inside you, stroking slowly, almost a comforting gesture, a leisurely pace that has you simmering. A featherlight brush of his luscious lower lip over your clit, not enough sensation to do anything but keep you plateaued in a state of almost mindless need, yearning for release while revelling in the sustained tease.

A light breeze rustles through the thick tree above and raises tiny goosebumps over your thighs, making your nipples pucker inside your bra; hair-trigger reactions to any stimuli in this elevated state. A sudden realisation your top half is still fully clothed, much as he was earlier. Somehow, it feels more illicit, an aspect to explore later, seeing each other fully naked.

“Kiss me, please…” the appeal sounding needy to your own ears.

But there is a shift in the atmosphere as he rears up and captures your lips with his, your scent and taste strong on his face and in his mouth. Something about it flipping the switch again towards primal, your fingernails raking down the back of his t-shirt, the sturdy rope of muscle underneath a solid mass to dig into as his tongue lathes yours, little delicious noises in the back of his throat.

His fingers are pumping into you now as he greedily swallows your moans, his thumb flicking mercilessly on your sensitive clit. He breaks the kiss to stare into your eyes, so close up, so intense, but impossible to look away from.

“You are so close…” he gusts, wringing obscene noises from you, his breath hot and botanic from the cocktail.

You can only nod and grasp onto his torso tighter, begging him not to stop, mouth slack, panting with each other. He is not gentle with you, taking you somewhere at once both utterly carnal and wholly transcendent—circling that wondrous abyss now.

He senses you are teetering on the edge. With a guttural groan, he dives back down between your legs, you screaming to the fading blue sky as he tugs your thrumming clit between his lips and flicks his tongue over it, again strong hands holding you down, the cotton blanket abrading your shoulder blades as you writhe, your body a live wire. Your pussy convulses forcefully, clenching around his fingers, attempting to push them out, gushing onto his face as he moans approvingly. Aflame as the illusory cord holding your whole body taunt snaps, a pulse of euphoria crashing over and blotting out everything.

The first thing you hear again is beautiful birdsong, and then you feel the warmth of his lips, soft words being hummed into your lower belly as you come back around, your top rucked up over your ribs.

“Magnificient,” he attests as he crawls over you. But you are utterly unable to speak, hoping your eyes convey your gratitude and utter bliss, the late afternoon sun almost blinding as it slips towards the hillside opposite.

Wordlessly, you pull him down into a kiss, this time slow, sensual, licking yourself from his lips. Sucking on his cupid’s bow until he rolls his hips on instinct, the rough seam of his jeans catching on your swollen bare clit and making you gasp. There is a nascent, solid mass there that has your need roaring back to life, silently impressed at his refractory period, a little glow behind your ribs that you have inspired that in him.

“I want to ride you staring into the sunset…” you confess, breathless again.

His responding noise is like poetry.

Benedict taglist pt 1: @makaylan @longingintheuniverse @iboopedyournose @colettebronte @aintnuthinbutahounddog @severewobblerlightdragon @writergirl-2001 @heeyyyou @enichole445 @enchantedbytomandhenry @ambitionspassionscoffee @chaoticcalzoneranchsports @nikaprincessofkattegat @baebee35 @crowleysqueenofhell @fiction-is-life @lilacbeesworld @broooookiecrisp @queen-of-the-misfit-toys @eleanor-bradstreet @divaanya @musicismyoxygen84 @miindfucked @sorryallonsy @cayt0123 @hottytoddyhistory @fictionalmenloversblog @zinzysstuff @malpalgalz @kinokomoonshine @causeimissu @delehosies @m-rae23 @last-sheep @panhoeofmanyfandoms @kmc1989 @desert-fern @corpseoftrees-queen @magical-spit @bunnyweasley23 @how-many-stars-in-the-sky @sya-skies

[2-years-of-kp]

Happy two years of KinnPorsche The Series and welcome to this year's anniversary event!

In celebration of the show and us as a fandom, this event will host prompts and a rewatch, so we can enjoy the show once more, and to encourage creativity and new creations for its second anniversary. Starting from April 9th, the event will run across 28 days; dedicating two days to each episode and one prompt pair as listed below.

Any and all creations are welcome! You don't have to follow the prompts, they are just here to give you some inspiration if you'd like.

Make sure to use the tag #kpanniversary2024 on any anniversary-related posts so we can reblog them to this blog and feel free to add your writing to the Kinnporsche Two Year Anniversary collection on AO3 as well!

Got any questions? Feel free to send an ask!

REWATCH SCHEDULE

Apr 9-10: Episode 1

Apr 11-12: Episode 2

Apr 13-14: Episode 3

Apr 15-16: Episode 4

Apr 17-18: Episode 5

Apr 19-20: Episode 6

Apr 21-22: Episode 7

Apr 23-24: Episode 8

Apr 25-26: Episode 9

Apr 27-28: Episode 10

Apr 29-30: Episode 11

May 1-2: Episode 12

May 3-4: Episode 13

May 5-6: Episode 14

PROMPTS

List 1: Your Favourites

Ep 1 - Apr 9-10: Favourite Main Character

Ep 2 - Apr 11-12: Favourite Supporting Character

Ep 3 - Apr 13-14: Favourite Episode

Ep 4 - Apr 15-16: Favourite Location/Set

Ep 5 - Apr 17-18: Underrated Character

Ep 6 - Apr 19-20: Favourite Romantic Relationship

Ep 7 - Apr 21-22: Favourite Platonic/Familial Relationship

Ep 8 - Apr 23-24: Favourite Scene

Ep 9 - Apr 25-26: Favourite Outfit

Ep 10 - Apr 27-28: Underrated Ship

Ep 11 - Apr 29-30: Favourite Family

Ep 12 - May 1-2: Favourite Parallel

Ep 13 - May 3-4: Underrated Quote

Ep 14 - May 5-6: Your Choice!

List 2: Your Interpretation

Ep 1 - Apr 9-10: Fate

Ep 2 - Apr 11-12: Misfit

Ep 3 - Apr 13-14: Heroes

Ep 4 - Apr 15-16: Tension

Ep 5 - Apr 17-18: Regret

Ep 6 - Apr 19-20: Comfort

Ep 7 - Apr 21-22: Heist

Ep 8 - Apr 23-24: Haunting

Ep 9 - Apr 25-26: Trust

Ep 10 - Apr 27-28: Manipulate

Ep 11 - Apr 29-30: Villains

Ep 12 - May 1-2: Identity

Ep 13 - May 3-4: Secrets

Ep 14 - May 5-6: Legacy

RULES AND GUIDELINES

Any kind of creations (fics, drabbles, fanart, edits, gifs, videos, etc.) are welcome!

Use the tag #kpanniversary2024 so your creation can be reblogged to this blog.

Be respectful of other people; this event is no space for negativity.

Mature and NSFW content is welcome, but must be tagged properly - both on Tumblr and on AO3.

Feel free to skip days, only participate for one day, etc. however you like!

You can participate in the prompts, the rewatch or both - it is up to you!

Late submissions are allowed.

One prompt or a combination of both prompts can be used, and all prompts are open to personal interpretation.

Multiple creations per prompt/prompt pair are welcome!

You do not have to follow the prompts, any creations during the course of the event are welcome.

Since this event is meant to celebrate the show itself, no actor content or behind the scenes content will be reblogged.

DISCLAIMER

This event has drawn inspiration from the previous year's anniversary event, as well as Kinnporsche Week in 2022.

Happy creating!

[moaninmoonen]

Josh Brueckner’s CONTROVERSIAL KO On FaZe Temperr.. What REALLY Happened?! | Misfits 16 BREAKDOWN

The W.A.D.E. Concept

[ut-museum-guide]

Comfort Fics to Soothe the Soul

_In no particular order

4 fics contain dark themes

5 fics contain smut (3 of 5 eventual)

12 fics are reader fics

5 fics are Sans x Sans

.

1. Skeleton Games

By poetax (279k words)

Characters: Muffet, Red, Edge, Reader

Tags: Feuding neighbors, vampire reader

Note: None

.

2. Doom and Gloom All Up in Your Room

by TrashCollector (95k)

Reader (room owner), Dust, Horror

Domestic harem

.

3. A Sea of Hope

By Aylish91 (26k)

Reader (runaway skeleton), Axe (Horror)

Piratetale, Y/N x Axe

Note: abuse recovery

.

4. Poor Little Meow Meow

By Mystique, TallDumbass (58k)

Reader (vet), Killer

Fluff and Angst, domestic, ship

Note: eventual occasional smut

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5. A Lovely House of Bones

By Green_Heart88 (37k)

@/greenheartart

Reader (host), Sans, Paps, Blue, Stretch, Edge, Red

Domestic living + recovery

.

6. Six Skeletons, One Store Clerk

By mccloudydayz (249k)

Reader, Sans, Paps, Red, Edge, Stretch, Blue +

Harem, Domestic, multiverse shennanigans

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7. Aggre(g/v)ation

By Llama_Goddess (180k)

Reader, Sans, Red, Skull, later Mobfell Sans

Domestic, lots o’ shippin’

Note: Mobfell’s house onwards is intense

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8. On the Top of the Bone Pile

By Lyrjok (422k)

Reader (in band), Red, Edge, Blue, Stretch, Gaster Sans

Harem,

Note: eventual smut

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9. Dirty Laundry

By popatochisp (162k)

Swapfell Sans, Swapfell Papyrus, Reader

Domestic, romance

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10. Stowaway Bitty

By Historically Dragon (301k)

Bittybones (Brassberry), Reader (broke and making do)

Slice of life

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11. A Trio of Misfits

By Sabinarius (56k)

Bittybones (Baby Blue, Lil Bro), Reader

Slice of life, money troubles

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12. Smoke in the Mirror

By Catsitta (76k)

Mobfell Ensemble, Red, Sans

Sans x Sans

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13. The Killing Kind (Comic)

By @/thegrinningkitten

Geno-Error x Reaper, Sans x Sans

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14. Papyrus Dates a Bird

By WhatteauYouDoing (70k)

Reader (bird), Papyrus, Sans

Slice of life, magi

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15. That Danger that Lurks Underwater

By AKA_Indulgence (67k)

Sans (meroctopus), Red (mermaid), Edge (mermaid), Reader (human)

Toxic romance, Sans x Reader

Note: dark themes

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16. Saving Three Ex-cell-ent Skeletons

By RecklesslyCaffeinated (90k)

Reader, Sans, Red, Horror

Nurse x prison inmates, harem

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17. Who Done It?

By Catsitta (15k) complete

Mafia Sans, Mafia Red, Mafia Edge, Reader (barista)

Mafia!Kustard, mystery, Sans x Sans

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18. Cave Bear

By Llama_Goddess (35k)

Reader, Horrorfell Sans, Horrorfell Papyrus

Fall into underground, daily grind

Note: dark themes

Related one shot

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19. Just Buisness

Catsitta (37k)

Sans, Red

Single parent struggle, sugar daddy red

Sans x Sans (debatable)

Note: dark themes

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20. Burn Me Down

By Gypsum Lilac (22k)

Edge, Reader

Fast food domestic, mental health

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21. Storm

By Nilchance

Horror, Sticks (Farmtale Sans)

Hurt/comfort, Sans x Sans

Note: smut

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22. The Soldier and the Carnal Skeletons

By Writers_War_Zone (113k)

Sans, Horror, Blue, Reader (ex soldier)

Animal instincts, harem, kink

Note: smut

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23. Little Red

By Spectroscope (53k)

@/spectascopes

Human!SwapPaps, Human!SwapSans, OC bittybones

Bittybones, trauma recovery

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24. Firsts and Seconds

by Skerb (103k)

Sticks (Farmtale Sans), Bitey/Buddy (Horrortale Sans)

Injury recovery, strangers to lovers, Sans x Sans

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25. Starry Eyed

By nilchance (90k)

Sans, Red, Edge, Stretch, Gaster (AI)

Prison recovery, soulmates, pirates, outer space, Sans x Sans, Stretch x Edge, Red x Edge

Note: dark themes, occasional smut

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26. AVA

By Inyahs (356k)

Anomaly OC, bittybones oc, UTMV ensemble

~ Wise crack hermit goes on adventure with grumpy insomniac bitty~

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From @undertale-museum

[sophaeros]

arctic monkeys for q magazine, june 2011 (x) (x)

ARCTIC MONKEYS: Inside Alex Turner's Head

Words Sylvia Patterson Portrait John Wright

The day Arctic Monkeys moved into their six bedroom, Spanish-style villa in the Hollywood Hills, where the first-floor balcony looked over the patio swimming pool, they knew exactly what to do.

"From the balcony, you could get on t'roof and jump in't pool," chirps the Monkeys' most gregarious member, drummer Matt Helders, in his homely Yorkshire way. "We looked at it and said, That's definitely gonna happen. So by the end, we did a couple of 'em. Somersaults in t'pool, from the roof. At night time."

In January 2011, as Sheffield and the rest of Britain endured its bitterest winter in a century, Arctic Monkeys capered among the palm trees, eschewing hotels for a millionaire's Hollywood homestead as they recorded and mixed their fourth studio album, Suck It and See.

The four Monkeys, alongside producer James Ford and engineer James Brown, lived what they called the "American man thing": watched Super Bowl on giant TVs, played ping-pong, hired two Mustangs, cooked cartoon Tom And Jerry-sized steaks on barbecues on Sundays, had girlfriends over to visit, all cooking and drinking around the colossal outdoor kitchen area featuring a fridge and two dishwashers. Living atop the Hills, they could see the Pacific Ocean beyond by day, the infinite glittering lights of downtown LA by night.

Every day, en route to Sound City Studios, they'd travel in a seven-seater four-by-four through the mountains, via bohemian 60s enclave Laurel Canyon, blaring out the tunes: The Stones Roses, The Cramps, the Misfits' Hollywood Babylon. For the sometime teenage art-punk renegades whose guitarist, Jamie Cook, was once ejected from London's Met Bar for refusing to pay €22 for two beers, the comedy rock'n'roll life still feels, however, absolutely nothing like reality.

NICK O'MALLEY: "It were really as if we were on holiday. When we came back it's the most post-holiday blues I've ever had!"

JAMIE COOK: "It's hard to comment on that. It were just really good fun."

MATT HELDERS: "We always said, As soon as things like that feel normal, we're in trouble. But it's just funny. You might think it would get more and more serious as you get older but it's getting funnier. We've done four albums now and I'm still only 24, I'm still immature to an extent. So who cares?"

Alex? Al? Are you there?

ALEX TURNER: "Yeah, it were good times. But we were in the studio most of the time. So there's no real wild Hollywood stories. Hmn. Yeah."

Wednesday, 16 March 2011, Strongroom Bar, Shoreditch, East London, 11am. Alex Turner, 25, slips entirely alone into an empty art-crowd brasserie looking like an indie girl's indie dream boy: mop-top bouffant hair which coils, in curlicues, directly into his cheekbones, army-green waist-length jacket, baggy-arsed skinny jeans, black cord zip-up cardigan, simple gold chain, supermoon sized chocolate-brown eyes.

Almost six years after I Bet You Look Good On The Dancefloor became the indie-punk anthem of a generation (from the first of Arctic Monkeys' three Number 1 albums), and nothing prepares you for the curious phenomenon of Alex Turner "in conversation". Unlike so many of the Monkeys frenetic early songs, he operates in slow motion, seemingly underwater, carrying a protective shell on his back, perhaps indie rock's very own diamond-backed terrapin. The most celebrated young wordsmith in rock'n roll today talks fulsomely, in fact, only in shapeless, curling sentences punctuated with "maybe... hmn.. yeah", an anecdotal wilderness sketching pictures as vague as a cloud. He is, though, simultaneously adorable: amenable, gentle, graceful, and as Northern as a 70s grandpa who literally greets you with "ey oop?".

"People think I'm a miserable bastard," he notes, cheerfully, "but it's just the way me face falls." Still profoundly private, if not as hermetically sealed as a vacuum-packed length of Frankfurter, his fante-shy reticence extends not only to his personal life (his four-year relationship with It-girl/TV presenter Alexa Chung, whom he never mentions) but to insider details generally. Take the Monkeys’ Hollywood high jinks documented above: not one word of it was described by Turner. Before Q was informed by his other Monkey bandmates, Turner’s anecdotal aversion unfolded like this:

Describe the lovely villa you were in. AT: "Well... we certainly had a... good view."

Of what? AT: "Well, we were up quite high."

The downtown LA lights going on forever? AT: "I dunno. It was definitely that thing of getting a bit of sort of sunshine. Is it vitamin D? If you can get vitamin D on your record, you've got a bit of a head start. So we'd get up and drive to the studio."

What were you driving? AT: "Nothing... spectacular. But yeah, we'd drive up the studio, spend all day there and sort of, y know, get back. To be honest... we had limited time. So we spent as much time as possible kind of getting into it, like, in the studio.

So your favourite adventures were what? AT: "Well, they were really… minimal. We were working out there!"

Any nightclubs or anything, perhaps? AT: "You really want the goss 'ere, don't you?"

Yes, please. AT: "I could make some up. Nah!"

And this was on the second time of asking. It's perhaps obvious: Alex Turner, one of the most prolific songwriters of his generation (four Monkeys albums and two EPs in five years, The Last Shadow Puppets side-project, a bewitching acoustic soundtrack for his actor/video director friend Richard Ayoade's feature-length debut Submarine), is dedicated only to the cause – of being the best he can possibly be. He simply remembers the songs much more than the somersaults.

Throughout 2009, Arctic Monkeys toured third album Humbug – the record mostly made in the Californian desert with Queens Of The Stone Age man-monolith Josh Homme – across the planet. While hardly some cranium-blistering opus, its heavier sonic meanderings considerably slowed the Arctic Monkeys' live sets and on 23 August 2009, Q watched them headline the Lowlands Festival, Holland and witnessed a hitherto unthinkable sight – swathes of perplexed Monkeys fans trudging away from the stage. With the sludge rock mood matching their cascading dude-rock hair it seemed obvious: they'd smoked way too much outrageously strong weed in the desert.

"Heheheh, yeah," responds Turner, unperturbed. "That's your theory. You probably weren't alone."

Back in the Strongroom Bar, Turner's arm is now nonchalantly draped along the back of a beaten-up brown leather sofa. He ponders his band's somewhat contrary reputation…

"I think starting the headline set at Reading with a cover of a Nick Cave tune perhaps was a bit contrary. D'youknowhat Imean?! But to be honest, that summer, at those festivals, we had a great time. And I know some fans enjoyed those sets 10 times more. And you can't just do, y’know, another Mardy Bum or whatever. Because how could you, really?"

With Humbug, notes Turner, "I went into corners I hadn't before, because I needed to see what were there," but by spring 2010 he wanted their fourth album to be "more song-based" and less lyrically "removed". He was "organised this time", studied "the good songwriters" (from Nick Cave, The Byrds and Leonard Cohen to country colossi Johnny Cash and Patsy Cline), discovered "the other three strings" on his guitar, and wrote 12 songs through the spring and summer of 2010, mostly in the fourth-floor New York flat he shared with Chung before the couple moved back to London late last summer (the New York MTV show It's On With Alexa Chung was cancelled after two seasons). The result: major-key melodies, harmonised singing and classic song structures.

At the same time he revisited the opposite extreme: bands such as Black Sabbath and The Stooges ("we wanted a few wig-outs as well"); he was also still heavily influenced by the oil-thick grinder rock of Josh Homme, who is clearly now a permanent Monkeys hero. After four months' rehearsals in London, on 8 January the Monkeys relocated to LA for five swift weeks of production and Homme came to visit, singing backing vocals on All My Own Stunts. Tequila was involved.

"Tequila is probably me favourite," manages Turner, by way of an anecdote. "But it takes a certain climate... It's not the same... in the rain. Yeah. [Looks to be contemplating a lyric] Tequila in the rain."

Vocally, he developed the caramel richness first unveiled on The Last Shadow Puppets' Scott Walker-esque The Age Of The Understatement, finding a crooner's vibrato. "Everything before was so tight,” he notes, clutching his neck. "Probably just through nerves. That's just not there any more." Suck It and See contains at least four of the most glittering, sing-along, world-class pop songs (and obvious singles) of Arctic Monkeys' career: the towering, clanging She's Thunderstorms, the summertime stunner The Hellcat Spangled Shalalala, the heavenly harmonised title track and the Echo & The Bunnymen-esque jangly pop of closer That's Where You're Wrong.

Elsewhere, in typically contrary "fashion", there's preposterous head-banger bedlam (Brick By Brick, the rollicking faux-heavy rock download they released in March "just for fun", featuring vocals by Helders; Don't Sit Down 'Cause I've Moved Your Chair, and Library Pictures). News arrives that the first single proper will be Don't Sit Down 'Cause I've Moved Your Chair. Q is perplexed. Brilliantly titled, certainly, but arriving after Brick By Brick, the new album will appear to the planet as some comedy pastiche metal album for 12-year-old boys.

You've got all these colossal, summery, indie-pop classics and you've gone for... The Chair? AT: [Laughing uproariously] "The Chair! I'm now calling it The Chair, that's cool. Well for once it weren't even our suggestion. It was Laurence's (Bell, Domino label boss). And I were, Fucking too right! He's awesome. It'd be good to get a bit of fucking rock'n'roll out there, won't it? It's riffs. It's loud. It's funny."

If you don't release The Hellcat Spangled Shalalala as a single I'm going round Domino to kick Laurence's "awesome" butt. AT: "I think it'll be the next one!"

The record's title, meanwhile, could've been more enigmatically original than the un-loved phrase Suck It and See. The band, struggling with ideas due to the opposing sonic moods, invented an inspiration-conjuring ruse: to think of new names for effects pedals in the style of Tom Wolfe, Turner being long enamoured with the American author's legendarily psychedelic books The Electric Kool-Aid Acid Test and The Kandy-Kolored Tangerine-Flake Streamline Baby, "cos that just sounds awesome".

"There's the Big Muff pedal," he elaborates, "That’s the classic. I've got the Valve Slapper. And there's the Tube Screamer. So we came up with the Thunder Suckle Fuzz Canyon. And… wait till I assemble it in me mind… em… it'll come to me… The Blonde-O-Sonic Shimmer Trap. So we were going for summat like that."

A wasted opportunity?

"Nah. Because some of those things ended up in the lyrics anyway. Suck It and See was just easier."

Alex Turner, rock'n'roll's premier descriptive art-poet, still writes his lyrics long-hand in spiral-bound notebooks. "Writing lyrics is a craft that I've practised a bit now," he avers. "In me notebook it looks like sums. Theories. There's words and arrows going everywhere. There's always a few possibilities and I write the word 'OR' in a square."

For our most celebrated colloquial sketch-writer of the everyday observation (all betting pencils, boy slags and ice-cream van aggravations) the more successful he becomes, the less he orbits the ordinary. "I'm not struggling with that, to be honest," he decides. "In fact I'm enjoying writing lyrics much more than I did. Stories. Describing a picture. Um. There's quite a bit of weather and time in this one. Which is probably not reassuring. 'Oh God, he's writing about the weather.' Maybe leave that out!"

There are also some direct, funny, romantic observations: "That's not a skirt, girl, that's a sawn-off shotgun/And I only hope you've got it aimed at me..." (from the title track).

Some of your romantic quips, now, must be about Alexa. AT: "Right. Yeah. Definitely. Well... there's always been that side to our songs, when we weren't writing about... the fucking taxi rank. It's kind of inevitably... people you're with." [At the mention of Chung's name, Turner is visibly aggrieved, head sliding into his neck, terrapin-esque indeed.]

It must have been very grounding being in a proper relationship through all this madness. Because if you weren't, girls would be jumping all over your head. AT: "Em. Hmn. Well, of course that helps you to... I don't really know.. what the other way would be."

Does Alexa wonder if the lyrics are about her? AT: "Oh there's none of that. Yeah, no, there's no looking over the shoulder."

She must be curious, at least. "Maybe."

Did you ever watch Popworld? AT: [Nervous laughter] "Em! Now and again."

Did you ever see the episode where she helps Paul McCartney write a song about shoes? AT: "Ah, yeah I think so, maybe I did see that."

Well, if I was you, I'd have been thinking, "She's the one for me." AT: "Well. Yeah... maybe that would've... sealed the deal! Hmn. But maybe that wasn't when i got the ray of light. When was? Nah [buries head in hands]. I might have to go for a cigarette..."

Q can't torture him any more and joins him for a snout. Turner smokes Camels from a crumpled, sad, soft-pack and resembles a teenager again. As early song You Probably Couldn't See For The Lights But You Were Staring Straight At Me says, "Never tenser/Could all go a bit Frank Spencer…”

In January 2006, when Arctic Monkeys' Number 1 album Whatever People Say I Am, That's What I'm Not became the fastest-selling debut in UK history, inadvertently redefining the concept of autonomy and further imploding the decimated music industry (& wasn't their idea to be "the MySpace band", it was their fans': the Monkeys merely kick-started viral marketing by giving away demos at gigs), the 19- and 20-year-old Monkeys were terrible at fame. They weren't so much insurrectionary teenage upstarts as teenage innocents culturally traumatised by the peak-era fame democracy.

To their generation (born in the mid-'80s) fame was now synonymous with some-twat-off-the-telly a world of foaming tabloid hysteria where renown and celebrity meant, in fact, you were talentless. Hence their interview diffidence and receiving awards via videos dressed up as the Wizard OfOz and the Village People. Which only, ironically, made them even more celebrated and famous. (“That were a product of us just trying to hold onto the reins," thinks Turner today. "Being uncooperative.")

Q meets The Other Three one morning at 11am, in the well-appointed, empty bar of the Bethnal Green, Bast London hotel they're staying in (all three live in Sheffield, with their girlfriends, in their own homes). First to arrive is the industrious, sensible and cheerful Helders, crunching into a hangover-curing green apple. He has recovered from last year's boxing accident at the gym, which left his broken arm requiring a fitted plate. Now impressively purple-scarred, the break felt "interesting" and the doctor couldn't resist the one-armed drummer jest: "D'you like Def Leppard?"

Currently enjoying an enduring bromance with Diddy, he still doesn't feel famous, "it just doesn't feel that real, there's no paparazzi waiting for me to trip up." He and Turner, during the four-month rehearsals last year, became an accomplished roast dinner cooking duo for the band. "I reckon we could have us our own cookbook," he beams. "Pictures of us stirring, with a whisk."

O'Malley, an agreeable, twinkly-eyed 25-year-old with a strikingly deep voice and a winningly huge smile, is still coyly embarrassed by the interview process. A replacement for the departed original bass player Andy Nicholson in May 2006, he went from Asda shelf-filler to Glastonbury headliner in 13 months and still finds the Monkeys "a massive adventure". His life in Sheffield is profoundly normal – he's delighted that his new home since last October has an open-hearth fireplace: "Me parents had electric bars." He has also discovered cooking. “I’m just a pretty shit-hot housewife, most of the time," he smiles. "I cook stews, fish combinations, curries, chillies. I made a beef pho noodle soup the other day, Vietnamese, I surprised meself, had some mates round for that."

Recently, at his dad's 50th birthday bash, the party band, made up of family and friends, insisted he join them onstage "for ...The Dancefloor. So I were up there [mimes playing bass, all sheepish] and it were the wrong pitch, they didn't know the words or 'owt, going, Makin eyes... er..." He has no extra-curricular musical ambitions. "I'm happy just playing bass," he smiles. "I've never had the skill of doing songs meself. It'd be shit!"

Cook, 25, is still spectacularly embarrassed by the interview process. He perches upright, with a fixed nervous smile, newly shorn of the beard and ponytail he sported in LA: "Rockin' a pone, yeah, because I could get away with it." With his classic preppy haircut and dapper green military coat (from London's swish department store, Liberty), he looks like a handsome '40s film star. (Turner deems Cook "the band heartbreaker" and had a word with him post-LA: "I said to him, Come on, mate, you've got to get that beard shaved off. Get the girls back into us. Shift some posters.")

His life in Sheffield is also profoundly normal. He still plays Sunday League football with his local pub team, The Pack Horse FC (position, left back), remains in his long-term relationship with page-three-model-turned-make-up-artist Katie Downes and "potters about" at home, refusing to describe said home, "cos I'll get burgled".

A tiler by trade, he always vowed, should the Monkeys sign a deal, that he'd throw his trowel in a Sheffield river on his last day of work. "I never did fling me trowel," he confirms. "Probably still in me shed." He's never considered what his band represents to his generation. "I'd go insane thinking about it, I'm pretty good at not thinking about it… Oh God. I'm terrible at this!"

Back in the Strongroom Bar, Alex Turner is cloudily describing his everyday life. "I just keep meself to meself," he confounds. He mostly stays indoors and his perfect night in with Alexa is "watching loads of Sopranos. And doing roast dinners".

No longer spindle-limbed, he attends a gym and has handsomely well-defined arms – "You have to look after yourself."

Suddenly, Crying Lightning from Humbug rumbles over the bar stereo. "Wow. How about that? I was quite happy the other morning cos Brick By Brick were on the round-up goals on Soccer AM. It's still exciting when that happens. It was like Brick By Brick is real."

He spends his days writing music, "listening to records", and recommends Blues Run The Game by doomed '60s minstrel Jackson C Frank ("who's that lass?... Laura Marling, she did a cover recently), a simple, acoustic, deep and regretful stunner about missing someone on the road.

Lyrically, he cites as an example of greatness the Nick Cave B-side Little Empty Boat [from ‘97 single Into My Arms ], a comically sinister paean to a sexual power struggle: "Your knowledge is impressive and your argument is good/But I am the resurrection babe and you're standing on my foot."

"I need a hobby," he suddenly decides. "I'd like to learn another language." Since his mum is a German teacher (his dad teaches music), surely he can speak some German? "I know how to ask somebody if they've had fun at Christmas." Go on, then. "Nah!"

Where Turner's creative gifts stem from remains a contemporary rock'n'roll mystery; he became a fledgling songwriter at 16, after the gift of a guitar at Christmas from his parents. An only child, did his folks, perhaps, foresee artistic greatness? "I doubt it!" he balks. "Cos I didn't. I wasn't... a show kid." Like the others, he doesn't analyse the past, or the future.

"You can't constantly be thinking about what's happened," he reasons, "it's just about getting on with it." The elaborate pinky ring he now constantly wears, however, a silver, gold and ruby metal-goth corker featuring the words DEATH RAMPS is a permanent reminder of he and his best friends’ past. The Death Ramps is not only a Monkeys pseudonym and B-side to Teddy Picker, but a place they used to ride their bikes in Sheffield as kids.

"Up in the woods near where we lived," he nods. "Just little hills. But when you're eight years old they're death ramps." The ring was custom made by a friend of his, who runs top-end rock'n'roll jewellery emporium The Great Frog near London's Carnaby Street. Ask Turner why he thinks the chase between his writing and speaking eloquence is quite so mesmerisingly vast and he attempts a theory.

"Well, writing isn't the same as speaking," he muses. "Not for me. I seem to struggle more and more with... conversation. Talking onstage... I can't do it any more. Hmn. I'll have to work on that."

The ever-helpful Helders has a better theory.

"Since he's been writing songs," he ponders, “It seems like he’s always thinking about that. So even when he’s talking to you now, he’s thinking about the next thing that rhymes with a word. Even when he’s driving. We joke he’s a bad driver, his focus is never 100 per cent on what he’s doing. Which is good for us cos it means he’s got another 12 songs up his sleeve. I think music must be the easiest way for him to be concise and get everything out. Otherwise his head would explode.”

The Shoreditch.com photo studios, 18 March. Alex Turner, today, is more ethereally distracted than ever, transfixed by the studio iPod, playing Led Zeppelin, The Rolling Stones, a version of I’d Rather Go Blind. Occasionally, he’ll completely lose his conversational thread, “Um. I’ve dropped a stitch.”

The first to arrive for Q’s photoshoot, he greets his incoming bandmates with enormous hugs (and also hugs them goodbye). Today, Q feels it’s pointless poking its pickaxe of serious enquiry further into Turner’s vacuum-packed soul and wonders if he’ll play, instead, a daft game. It’s called Popworld Questions, as first posed by someone he knows rather well.

“Oh, OK. Let’s do it,” he blinks, now perched in an empty dressing room. He then vigorously shakes his head, “Um…I’ve gotta snap back into it.”

Here, then, are some genuine “Alexa Chung on Popworld” questions (2006-2007), as originally posed to Matt Willis, Amy Winehouse, Robbie Williams, Pussycat Dolls, Kaiser Chiefs and Diddy.

Why do indie bands wear such tight jeans? AT: “Um. I supposed they do. They haven’t always. When we first were playing I was definitely in flares. You need to be quite tall to get the full effect, though. So, that's why this indie band wears such tight jeans, cos we've not got the legs for flares."

What makes you tick in the sexy department? AT: "Wow. Pass. What do I find most attractive in a woman? Something in the head? That's definitely a requirement. Well... Hmn. I'm struggling."

Tell us about all the lovely groupies. AT: "No!"

If dogs had human hands instead of paws, would you consider trying to teach them to play the piano? AT: "Absolutely. I'd teach Hey Jude."

How many plums d'you think you can comfortably fit in one hand? AT: "They're not very big. [Holds small, pale, girly hand up for inspection] It's a shame. Probably three. Diddy only managed two? Maybe not then. I can carry a lot of glasses at once, though. If they're small ones I can do four."

Are you cool? AT: "Not as much as I'd like to be. There's this clip where Clint Eastwood is on a talkshow and he gets asked, Everybody thinks of you as defining cool, what d'you think about that? And he gets his cigs out, takes one out, flicks it into his mouth, lights it and says, I have no idea what you're talking about."

Here, Turner locates his Camels soft-pack and attempts to do a Clint Eastwood. He flicks one upwards towards his mouth. And misses. Flicks another. And misses. "Third time lucky?" He misses. "I'll get it the next time." And succeeds. "Hey. Fourth time. Don't put that in! So there you go. I'm four steps away from where I wanna be."

Thank you very much for joining me here on Popworld, here's my clammy hand again. There it is, let it slip, hmmn. You can let go now. AT: "OK! Were you a Popworld fan, then? It was funny. Cool. What were we talking about, before?"

Blimey, Alex. What must you be like when you're completely stoned out of your head? AT: "Stoned? What d'you mean, cos I seem like that anyway? Yeah. A lot of people... tell me I'm a bit... dreamy. But I like the idea of that. Of being somewhere else."

Two days earlier, Turner had contemplated what he wanted from all this, in the end. Many seconds later he gave his deceptively ambitious answer.

"I just wanna write better songs," he decided. "And better lyrics. I just definitely wanna be good at it. Hmn. Yeah.”

—

RUFUS BLACK: AKA Matt Helders, on his ongoing bromance with Diddy

Matt Helders has known preposterous rap titan Diddy since they met in Miami in 2008. “He goes, Arctic Monkeys! Then he said summat about a B-side and I was like, He's not lying! I just thought, This is funny, I'm gonna go with this for a while." Last October Diddy texted Helders, suggesting he play drums with his Diddy Dirty Money band on Friday Night With Jonathan Ross, to give his own drummer a day off. “I were bowling with me girifriend at the time. In Sheffield, on a Sunday." On the day of recording, says Helder, "We had a musical director. That were one of the maddest times of my life. Next day Diddy said, Why don't you just stay? Come along with me. So I went everywhere with him." Diddy had "a convoy of cars" and made sure Helders was always in his. "He'd stop his car and go, Where's Matt? You're coming with me! So I'd get in his car. Just me, him, his security, driver." Diddy, by now, had given him a pseudonym - Rufus Black. "He kept saying, I don't wanna fuck up your image. And I'm, I don't think it's gonna do me any harm!" He stayed in Diddy's spectacularly expensive hotel. Some weeks later, Helders almost returned to the Dirty Money drumstool for a gig in Glasgow. "But we were rehearsing in London. I were like, I might come, how are you getting there? And he were like, Jet. Jump on t’jet with me. But I had to stay in Bethnal Green instead.”

Love’s young dream: Diddy (left) with Helders

[luvrinne]

୭ SOME BOOKS THAT RORY GILMORE READ ׂ  𓈒

— 1984 by Orwell George

nineteen eighty-four by George Orwell is a dystopian novel that portrays a totalitarian society where personal freedom is non-existent. It warns against the dangers of totalitarian power, surveillance, propaganda, and thought control, in a powerful critique of modern society.

— atonement by Ian McEwan

atonement by Ian McEwan is a gripping novel that delves into the complexities of guilt, redemption, and the power of storytelling. Set in England during World War II, it follows the lives of three characters whose fates become intertwined after a tragic misunderstanding.

— the bell jar by Sylvia Plath

the bell jar details the life of Esther Greenwood, a college student who dreams of becoming a poet. She is selected for a month-long summer internship as a guest editor of Ladies' Day magazine, but her time in New York City is unfulfilling as she struggles with issues of identity and societal norms.

— christine by Stephen King

christine tells the story of a car apparently possessed by malevolent supernatural forces. A love triangle involving 17-year-old misfit Arnie Cunningham, his new girlfriend and a haunted 1958 Plymouth Fury. Dubbed Christine by her previous owner, Arnie's first car is jealous, possessive and deadly.

— the virgin suicides by Jeffrey Eugenides

the story, which is set in Grosse Pointe, Michigan during the 1970s, centers on the lives of five doomed sisters, the Lisbon girls. The novel is written in first person plural from the perspective of an anonymous group of teenage boys who struggle to find an explanation for the Lisbons' deaths.

— to kill a mockingbird by Harper Lee

to kill a mockingbird is a coming-of-age story about a girl named Scout. Scout and her brother Jem try to understand and relate to their father, Atticus, who is a lawyer charged with defending a Black man falsely accused of raping a white woman.

— sybil by Flora Rheta Schereiber

sybil is a gripping true story about a woman with multiple personality disorder. Written by Flora Rheta Schreiber, the book delves into the life of Sybil Dorsett and her 16 distinct personalities, as well as the therapy sessions with her psychiatrist, Dr. Cornelia B. Wilbur.

— pride and prejudice by Jane Austen

pride and prejudice follows the turbulent relationship between Elizabeth Bennet, the daughter of a country gentleman, and Fitzwilliam Darcy, a rich aristocratic landowner. They must overcome the titular sins of pride and prejudice in order to fall in love and marry.

@ luvrinne

[in1-nutshell]

I know your on a break from requests but I don’t want to forget this one, so I’m just gonna leave it here till your back to taking requests ☺️

The butts and cons reacting to An adult buddy who is an archeologist and actively studies and learns the cybertronian language and history. A buddy who is in charge of a team that travels around the world too study history. And she has studied the cybertronian language so much that she can read and write it, she can sort of speak it aswell.

I can’t stop thinking about this, especially because I love the idea of a certain archivist (Optimus) and archeologist/historian buddy having little knowledge sharing conversations…..possibly romance 😏

But you do you boo

Tried going for a pre romantic vibe for this one. Optimus deserves a friend to just be himself around. Introvert to introvert levels of friendship. Lets see how Buddy navigates their friendship with Prime.

Hope you enjoy!

Human Buddy the archivist and who studies Cybertronian culture with Optimus Prime

SFW, slight romantic, platonic, Human reader

Buddy was an archivist that worked alongside Agent Fowler. They met while they worked as a former spy for the government that retired that life to pursue their passion.

They met the bots with him.

“Autobots. I’d like you to meet a friend of mine that will be working with you. This is former agent Buddy.”--Fowler

“Why bring us a former agent, Agent fowler?”--Ratchet

“Because ratchet, they are in charge of learning about your culture and in charge of helping you all learn about Earth’s culture.”--Fowler

“…Are they okay?”—Bulkhead

Buddy staring intently at Optimus’s frame.

“What do you—Buddy, Buddy no—”--Fowler

Buddy locking eyes with Optimus.

Optimus locking optics on Buddy.

Both-- Introvert radar on: Potential Friend spotted.

“Well good luck with that. See you all in 5.”--Fowler

“Wait what do you mean? Agent? Agent!”--Ratchet

It was Budy’s job to get to know the giant aliens more. They would be lying if they said they didn’t enjoy learning about the bots culture. They had gotten to know the members of the misfit team through the years. Sure, it did lead to some misadventures along the way, especially when the kids came along…

“Beeep? (Buddy, can I ask you a question?)”—Bumblebee

“Sure Bee! What’s your question?”—Buddy

“Beeep bep bop? (What does ‘babygirl’ mean? I heard Miko saying that to Jack.)--Bumblebee

“… Where’s Miko?”—Buddy

Despite this, they especially hit it off with Optimus.

Buddy seemed to have awaken Orion Pax from time to time with their thirst for knowledge.

Prime and Buddy by the screens looking at Iacon records.

“By the Primes…”--Ratchet

“What is it?”--Arcee

“I think I know why Agent Fowler said, ‘good luck’.”--Ratchet

“Why? They seem to be fine? What harm is that?”—Arcee

“Do you think it’s in section 3ab part 4 sub article 15?”—Buddy

“No, maybe in section 3.4 ab part 5 sub article 16?”—Optimus

“Oh, true maybe its—“--Buddy

“There’s two of them now.”--Ratchet

The Prime is more than happy to share his planet’s culture alongside the rest of the team. But those moments are usually reserved for the two of them.

It was their thing.

Soon enough the kids and June came into the picture.

Buddy wasn’t going to lie and say it was easy to explain their job to them. But the sight on their faces when they would go in depth about a certain topic was priceless. It was always nice to have someone interested in this line of work.

“You know you can ask Bulkhead about this stuff, right?”--Buddy

“That’s right you can ask me about stuff.”--Bulkhead

“Yeah but some of the stuff you weren’t there and Buddy is pretty much a walking wiki page on Cybertronian history.”--Miko

“I’m not sure whether to take that as a compliment or not? But thank?”--Buddy

“If you want history why don’t you ask Ratchet or Prime?”--Bulkhead

“I want a quick story not a university lecture.”--Miko

Now, did all this knowledge make them a bit bias about the war.

Yes, yes it did.

But Buddy wasn’t blind in the way stories go.

They secretly want the Cons input on the war and their beliefs. They have lost count of the number of times they have stood up for the bots against other humans.

The worst one came from June after she tried to take the kids away from the base and blaming the bots for letting them get hurt on their watch.

“June stop that right now!”--Buddy

“Why! They let the kids get hurt on their watch!”--June

“I understand your concern but let them off the hook a little okay!? They don’t have optics in the back of their helms you know!”--Buddy

“They still—”--June

“We are at war June! Whether you want to open your eyes to it or not! People are going to get hurt. No one can promise a safe return… no one can. So, for the love of Primus, June, shut it.”--Buddy

Optimus never saw the fury in Buddy’s eyes than in that moment. Nonetheless he is a bit grateful for them standing up while he tries to take that blame. The team does let Buddy know they appreciate them.

Buddy did get kidnapped one day by Megatron himself.

By the time the planned hostage negotiations were going to happen, Megatron had gotten a hit of nostalgia. It came in the form of his tiny hostage.

“So, you’re Megatron?”--Buddy

“Yes, I am. Now—”--Megatron

“Oh finally! You have no idea how long I’ve actually wanted to meet you.”--Buddy

“…What—”--Megatron

“I have so many questions to ask you and your cause.”--Buddy

“You want to know about the Decepticon cause?--Megatron

“Yes! I mean, I know pretty much what the autoboots have had to say, I want to know the war from your causes point of view. For example, how did it start? From what I heard, you wanted to bring a new change for your fellow Cybretronian were things were going to be better for everyone. And, not to embarrass you or anything, but I quoted some of your earlier works—”--Buddy

Megatron now looking at a smaller Orion Pax talking about his works.

“… Pax.”--Megatron

“I—what?”--Buddy

“You’re designation now is Pax.”--Megatron

“Oh I guess—”--Buddy

“Come with me Pax, I have plenty of Decepticon data pads that you can look over.”--Megatron

“Okay!”--Buddy

Megatron couldn’t bring himself to destroy the fleshy. They were an organic replica of how Orion Pax was before the war. Dare he say it, but he missed the smaller bot he once knew and grew to call brother. He can’t do it.

“Lord Megatron, may I be so bold—”--Starscream

“You may not.”--Megatron

“—as to ask you why the organic is doing with that data pad?”--Starscream

“They wanted to learn more about our cause, isn’t that right Pax?”--Megatron

“I finished with this one, may I have another one?”--Buddy

“Of course, Soundwave.”--Megatron

Soundwave passes another data pad to ‘Pax’.

“Thank you!”--Buddy

“…Did you name the organic Pax?”—Starscream

“Is that a problem Starscream?”—Megatron

“Of course not—“—Starscream

“Then silence. Come now Pax.”--Megatron

“All right then. Bye Soundwave! By Starscream!”—Buddy

“…What in the Pits…”—Starsceam

Megatron didn’t want to seem like a weakling to his army, so he decided to do the hostage video but as soon as he got what he came for, to split with Pax.

Optimus was furious to hear about Megatron’s negotiations and that he had Buddy. Everyone was angry and ready to get Buddy back. Prime is considering the possibility of cutting off more than Megatron’s arm this time around.

Everyone goes to the location where Megatron said the negotiations would be held.

Its to everyone surprise to see Buddy come out of the ground bridge with a little bit of scratches here and there.

“Buddy!”--Everyone

“Hey! How’s everyone?”--Buddy

“How did you escape?”--Ratchet

“Oh, I didn’t.”--Buddy

“You did not?”--Optimus

“No, actually I managed to strike a deal with ol’ Megs. I get to go back to you on the condition that I return to the Nemesis every month or so. And before you say anything, no details from either side.”--Buddy

“Well, we’re just happy your back.”--Bulkhead

Later…

“Hey Optimus.”--Buddy

“Yes?”--Optimus

“I didn’t know that Megatron had a soft spot for nerdy archivists.”--Buddy

“… Apparently he does.”--Optimus

“What are you guys talking about?”--Miko

“Lecture work.”--Buddy

[zal-cryptid]

Misfits in Toyland

Play Date, pages 16-20