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kmmachilles · 8 months ago

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heres the list of my favourite shadowhunter couples from all the series (not including twp for obvious reasons) bc i cant sleep

TID: Gideon n Sophie. I KNOW KNOW EVERYONE LOOVES HERONGRAYSTAIRS I DO TOO THEYRE MY HEART ND SOUL but gideon n sophie man. cmon. theres sweet hurt sophie that thinks men like gideon r assholes bc of her former employers son and will, and gideon REINFORCES that by constantly talking in spanish while hes actually absolutely down BAD for sophie. she thinks shes not good enough for him, her being a mundane 'servant' and 'ugly' from her scarred face and him being the eldest son carrying the great shadowhunter lightwood name. and then hes just there ordering scones to his room just to see sophie, and ending up stashing them under the bed bc he doesn't even LIKE them. and pretty, smart sophie, although FURIOUS at first, goes 'so yea u dont like scones. what about SPONGE CAKES???????? THEYRE MY SPECIALTY' and then he falls so in love with her and proceeds to tell everyone hes marrying her before even proposing to her. i love them.

TLH: Alastair n Thomas. i love love love them not only their pair but them as separate characters too. esp bc the two didnt have the kind of shit the other ships had to deal with like james n cordelia were 'OH HE LOVES GRACE BUT I LOVE HIM / OH I LOVE GRACE BUT IM MARRIED TO CORDELIA / I SHOULD RUN AWAY W MATTHEW / fuck im in love with cordelia.' and lucie n jesse were like 'IM IN LOVE W A GHOST WHO'S THE SON OF A WOMAN WHO HATES MY FAMILY / shes only in love w me bc im a ghost and she likes writing stories so im one of her stories SHE DOESNT REALLY LOVE ME BUT I LOVE HER BUT IM A GHOST SO I CANT *REALLY* LOVE HER PROPERLY LIKE SHE DESERVES' and ari and anna were like 'OH I LOVE HER BUT I WANT KIDS SO I'LL MARRY CHARLES WHO, BTW, IS GAY :3 / OH I LOVE HER but im a stony heartbreaker women, lock your daughters and then yourselves im coming after you / oh my god i cant marry charles I LOVE YOU ANNA TAKE ME BAACK / ha! im stony heartbreaker.' and we all know the problem w matthew n cordelia, and alastair and charles AND grace and christopher (my heart stopped beating i swear to you). like i know Alastair and thomas definitely HAD to overcome some shit but Thomas KNEW he liked guys and alastair and alastair was pr sure about it too so when they got together, they GOT together ykwim??? no hanky panky. plus theres also the 'thomas-is-basically-michelangelos-david' so yea. no brainer. theyre my fav.

TMI: Alec and Magnus. okay so this is for both obvious reasons (fan favourite) and some other personal ones. Living where i do, i had no idea you could like the same gender as yourself or ltr anything about the LGBTQ+ community at all. These two were the first gay ship i had EVER read and they are what lead me to be as confident in my sexuality as i am right now. they introduced me to the concept of thinking beyond what i was told or shown by the people that surround me and look into the world the right way, without projecting judgement. i love them for that. theyre my comfort characters and the one of the biggest reasons i am who i am right now. also magnus is pr much why i adore glitter and i manage to put it on my face every other day ahaha

TDA: Diana n Gwynn. a very, very close second is Mark n Cristina n Keiran. but about Diana and Gwynn, they literally have my entire soul im not even kidding you. Gwyn is the first person Diana opens up to about her transition and its honestly so heartwarming that Gwyn, the leader of the Wild Hunt, known to be vicious and feared by faerie, is literally just there for her to lean on. He supports her and is so, so calm and soft with her it genuinely melts me. like, this man is basically the reaper of souls and he rides a magnificent steed into the night but hes so gentle with Diana. obviously my obsession w them is reinforced by the fact that the FIRST time Gwynn sees Diana he goes 'O' and is all like 'HELLO my fair lady beautiful one gorgeous strong lovely lady' and gives her an acorn like 'call me ;)' and diana my love just, THROWS the acorn to julian and emma and goes 'do w that whatever u will' and acts like she doesnt care and when they call on gwyn he comes to help nd immediately goes '...THAT WASNT FOR YOU but ig i'll help bc ur the magnificent lady's brats :/'

so yes thats it. now pls, whatever fucking ghost is haunting me with these thoughts, PLEASE LET ME SLEEP

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pers-books · 1 year ago

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The Observer Peter Capaldi

‘The government has been too terrible to make fun of’: Peter Capaldi on satire, politics and privilege

📷 ‘I’ve had to pretend to be more amenable’: Peter Capaldi wears blazer by oliverspencer.co.uk; shirt by toa.st. Photograph: Simon Emmett/The Observer

Tom Lamont Sun 14 Jan 2024 08.00 GMT

One winter morning, a Doctor Who comes calling. The Glaswegian actor Peter Capaldi lives about an hour’s walk from me and instead of us meeting in some midway café, the 65-year-old wanders over (leather booted, woolly jumpered, cloaked in a dark winter coat that sets off his pale-grey hair) to have coffee at my kitchen table. My son is off school with flu, medicating on Marvel movies and barely able to believe his luck as the actorly embodiment of an alien superhero wanders through our flat. While we’re waiting for the kettle to boil, I ask Capaldi whether he ran into any other Doctor Whos on his walk through the actorland that is suburban north London.

He grins an unguarded grin you don’t often see on screen. Capaldi became famous as the permanently angry spin doctor Malcolm Tucker in the BBC comedy The Thick of It, which ran from 2005 to 2012 and, after that, between 2013 and 2017, he played the sternest, least imp-ish Doctor Who in decades. In his new Apple TV show, a police procedural called Criminal Record, which Capaldi co-produced with his wife, Elaine Collins, he stars as an ageing detective: another scowler. Now, coffee in hand, he smiles affectionately. So, did he bump into any other Doctor Whos this morning? “David [Tennant, 10th Doctor] used to live in Crouch End, near me. Matt [Smith, 11th Doctor] lives around here. Jodie [Whittaker, 13th Doctor] is nearby, Christopher [Eccleston, 9th Doctor] too, I think.” But no, no encounters with his fellow alumni this morning, Capaldi says.

📷 ‘You can’t be the cynical melancholic I naturally am’: Peter Capaldi wears coat by Mr P (mrporter.com); jumper by uniqlo.com; trousers by reiss.com; and shoes by johnlobb.com. Photograph: Simon Emmett/The Observer

“You do run into each other. You have a laugh, a gossip, you share. There aren’t a lot of people who have been in that role in the centre of that storm. Most people think the job is being on the Tardis and running around with Daleks. Which it is. That’s the fun part. But there’s a lot of other stuff you have to do, too. You’re kind of the face of the brand and the brand is very big. You can’t be the cynical melancholic I naturally am. You have to pretend to be a version of yourself that’s far more amenable.”

Is it a bit like being the Queen?

“Kind of,” he says. “You embody for a time this folk hero, this icon. I was able to comfort people in a way that would be beyond the powers of Peter. You could walk into a room and people gasped with delight. It doesn’t happen any more.”

Capaldi grew up in 1960s and 1970s Glasgow. His Italian-Scottish family lived in a tenement block. “We had nothing. We had zilch.” From a young age he exhibited signs of artistic talent, though he characterises himself, then and now, as a seven- or eight-out-of-10 at various crafts. “When I was young, I was good at drawing. My grandmother used to say that came from Italy. She felt that I was an absolute throwback to Leonardo da Vinci – her direct line to Michelangelo! It confused me because I wanted to do these other things, play music, act – which one was I supposed to do?”

📷 Great Scot: Peter Capaldi wears blazer by ralphlauren.co.uk. Photograph: Simon Emmett/The Observer

After graduating school at 18, this confused cross-artistic trajectory continued. “I tried to be an actor, but I didn’t get into drama school, so I went to art school. When I was at art school, I joined a band.” In his early 20s, Capaldi released a single as part of a group called Dreamboys; then he quit music and spent most of his 20s acting, getting small jobs in theatre and TV as well as a walk-on part opposite John Malkovich in 1988’s Dangerous Liaisons. In his 30s, he decided to concentrate on directing.

In 1993, a short film he directed, Franz Kafka’s It’s a Wonderful Life, won him an Oscar, industry recognition that launched Capaldi off on a heady but doomed sojourn in America. Well caffeinated and gripping the edge of my kitchen table to tell the story, he recalls what happened when he was courted as a hot prospect by the Weinstein brothers, Bob and Harvey, then the co-presidents of Miramax and at the height of their power and influence. Capaldi spent a year working on a screenplay for them, at the end of which Bob flew him out to Manhattan to discuss casting and production. As far as Capaldi was concerned it was a formality; bottles of champagne were cooling at home.“I thought I was off and away.”

📷 Feel the heat: in The Thick of it. Photograph: Everett Collection/Alamy

Miramax sent a limo to pick him up from the airport. “I fell into conversation with the driver, lovely man, Ralph. When I got out of the car I gave him a big tip. Because I was a big shot now, you see. Then Ralph said: ‘I’ve been told to wait for you here.’” Uh oh. “Inside, all the people in the office were avoiding my eye. Bob said, ‘I’ll come straight to it, we’re not gonna do the movie, my brother Harvey says he doesn’t know how to sell it.’ He said, ‘But we love you! You’re one of the family! You’ll always have a place here!’ Needless to say, I never heard from him again. Obviously, while I was in the air they’d had a discussion and changed their minds. I was so dumbfounded as I climbed back into the limo I just laughed. I had no money, because we’d bought a little house in Crouch End, and I had no career, because I’d turned my back on acting.”

In a gesture that Capaldi has never forgotten, Ralph the limo driver tried to give him back his big tip.

As we chat, the postman rings the bell, delivering packages. Council tree surgeons are working on the road outside. My son needs water, words of comfort, possibly he just wants another good long look at Capaldi. I’ve never interviewed anyone in my own home before and the limitations of the format are becoming apparent. But Capaldi seems to respond well to the setting and its lack of frills. His adult daughter and her family have been visiting, brand new baby in tow. When I apologise for all the noise and interruptions, Capaldi says it’s nothing compared to a newborn.

📷 Fun fact: in Paddington 2. Photograph: Supplied by LMK

He and Collins were young parents themselves when his directing career fell apart. Arriving back in London from the disastrous Manhattan trip, “The initial feeling was shock. Then a pragmatic survival instinct kicked in.” Capaldi rejoined the auditioning circuit. “I was a psychiatrist in Midsomer Murders. I was a beekeeper in Poirot – AN Other Actor. Someone else would have turned down these parts first.” Collins, until that point an actor, too, decided to pivot into development and production, a career move that has worked well for her.

Artists often do their best work while they’re at their lowest, perhaps because they feel they haven’t much to lose, little to be afraid of. Sloping into a Soho audition room in the mid-2000s to meet Armando Iannucci about a new political comedy, Capaldi remembers being in a foul mood. He’d just come from an unsuccessful audition for another BBC show, “being taped like I was Vivien Leigh reading for Scarlett O’Hara”. He remained grumpy when Iannucci admitted there wasn’t yet a script for The Thick of It, they were going to try improvising instead. “I knew Armando was supposed to be a comedy genius, but at that moment I was, like, ‘Yeah? Let’s see some of your comedy genius then. Fucking show me what you’ve got, you Oxbridge twat.’ My whole attitude that day was essentially Malcolm Tucker’s, and it informed the improvisation we did.”

📷 Folk Hero: in his new series Criminal Record. Photograph: Ben Meadows/Apple

When The Thick of It debuted, Capaldi entered the sitcom pantheon overnight. Revisiting episode one, what’s glaring is how fully formed, how exquisite a character Tucker is. Alan Partridge, Samantha Jones, Frasier Crane, David Brent … these creations had to be discovered over time by their actors and writers. With Tucker it’s all there from word one, the controlled fury, the foul-mouthed eloquence, that constant convenient deployment of hypocrisy. Capaldi played the part for seven years, winning a Bafta mid-run. It led to other memorable gigs, as a news producer in 2012’s The Hour and as Count Richelieu in a 2014 adaptation of the Musketeers story. He was Mister Micawber in Iannucci’s 2019 reimagining of David Copperfield, a fun role that was bookended by two equally fun Paddington movies, released in 2014 and 2017.

Promoting these projects, Capaldi would be asked to give a view on political events of the day, as seen through the eyes of the character who made his career. What would Malcolm Tucker think of Brexit, or the pandemic response, or the premierships of Johnson or Truss? Capaldi long ago stopped answering these questions. “For one thing, I need about 10 writers, Tony Roach and Jesse Armstrong among them, to supply Malcolm’s bon mots. But more than that, I think these [recent Conservative] governments have been too terrible to make fun of. I think they’ve been incompetent and corrupt and I’m not going to make jokes to give them time off.”

📷 ‘You’re the face of the brand and the brand is very big’: playing Doctor Who. Photograph: Everett Collection Inc/Alamy

We talk about how weird it is that political satire should have fallen into abeyance in the 2020s – perhaps because, as Capaldi says, “things have been too bad to make fun of. Making fun normalises situations I don’t think should be normalised. The planet is burning. They’re pumping shit into the rivers. I’m not gonna be part of making jokes about that… All this highfalutin life I’ve had,” he says, of the awards parties, the film roles, the immortal runs as a sweary spin doctor and an inscrutable Doctor Who, “is because I went to art school. My parents couldn’t afford to send me. I went because the government of the day paid for me to go and I didn’t have to pay them back. There was a thrusting society then, a society that tried to improve itself. Yes, of course, it cost money. But so what? It allowed people from any kind of background to learn about Shakespeare, or Vermeer, or whatever they wanted to learn about. Why did we lose this, this belief in ourselves?”

For Capaldi, the world of acting feels narrower now, meaner in a way that seems to mirror British society at large. He thinks of his industry as one in which subtle discriminations hold sway and “gatekeepers and Aztecs still decree who shall be admitted… I think there’s a real problem. There isn’t the funding or support for young people from poorer backgrounds to get into the theatre. And indeed there aren’t the theatres.” He wonders about the teenage Anthony Hopkinses out there, talented, without the obvious means or encouragement to train in the arts. And the inverse, actors who Capaldi, in his frank and acid way, characterises as privileged duds.

📷 Shared vision: with his wife and co-producer Elaine. Photograph: Trinity Mirror/Mirrorpix/Alamy

“This business is full of people who are not the real thing,” he says, “people I perceived to be artists ’cos they had posh accents, but who didn’t have it, they just sounded like they did.” He goes on to tell a tantalising but intentionally vague story about a major star he worked with, someone who revealed themselves through the course of an acting collaboration to be a dud hiding in plain sight. He won’t provide details (“Too easy to figure out. When everyone’s dead I’ll tell you”), but he says the experience changed him professionally, leaving him more aware of his own limitations, but grateful to have a little vinegar and grit in the mix. “There’s a kind of smoothness, a kind of confidence that comes from a good [paid-for] school. That’s what you’re struck by: they seem to know how to move through the world recognising which battle to fight, where to press their attentions. But it can make the acting smooth, which to me is tedious. I like more neurosis. More fear. More trouble, you know?”

I think this part of his skillset expressed itself well during the three-season run on Doctor Who, when Capaldi was prepared to come across as remote, a little unreachable. “I don’t set out to make the audience like me,” he says. “Because my characters don’t know an audience is there.” For me, his high point as the Doctor was an episode called Heaven’s Gate, a chronology-stretching tale written by Steven Moffatt in which the Doctor is set a sisyphean task of endurance that lasts about 50 minutes or so in screen time and several millennia in narrative terms. Capaldi didn’t play it as a hero. He wasn’t charming or boyish. In this episode especially, he was grim and patient and knackered. It was a rare occasion when the character, apparently alive for hundreds of years, seemed old.

📷 Burning bright: with John Malkovich in Dangerous Liaisons. Photograph: Everett Collection/Alamy

In the new TV show, Criminal Record, he explores a more mortal kind of ageing, life’s third act, its inevitable professional humblings. Capaldi plays a London DCI in his 60s, coming to the end of a career, already moonlighting as a private security contractor, intimidated by the thrust and purpose of a younger colleague at the Met played by Cush Jumbo. As Jumbo’s character grows in confidence, Capaldi’s shrinks. It is a paradox of experience he can relate to. “I find the older I get, the closer I am to who I was,” he says.

I ask him to explain.

“Like I’m returning to… ‘roots’ is the wrong word. I feel more and more like my mother and father, more and more keenly aware of the values they had.” He provides an interesting example, how he has become all thumbs around the act of tipping in restaurants: “I can be in a complete sweat about that.” He can imagine his parents, both dead now, in a similar muddle. “From the background we come from, you can have a bit of anxiety about coming across as grand. So you have to allay that by making sure you are communicating with everybody, all the time.”

Capaldi shakes his head, chuckling softly. He has finished his coffee. He’s about to put on his big coat, say goodbye to my son, and walk back through Whoville to his home and his family. Before he leaves we return to the subject of actors from privileged backgrounds. He says he feels mean, like he took unfair advantage of them in their absence. “It’s not their fault,” he says. “It’s just that there’s less and less of my lot in the arts.” And this concerns him, he continues, because “people of all backgrounds are sophisticated, are interesting, are equally prone to tragedy and joy. Any art that articulates that is a comfort. Art is the ultimate expression of you are not alone, wherever you are, whatever situation you are in. Art is about reaching out. So I think it’s wrong to allow one strata of society to have the most access.”

He nods, feeling he’s expressed himself better. I agree.

Criminal Record is streaming now on Apple TV+, with new episodes every Wednesday

Fashion editor Helen Seamons; Grooming by Kenneth Soh at The Wall Group using Eighth Day; fashion assistant Sam Deaman; photography assistants Tom Frimley and Tilly Pearson; shot at Loft Studio.

#Peter Capaldi #Interview

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docgold13 · 1 year ago

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Several great Italian and Italian/Americans worth celebrating who a million times more awesome than Christopher Columbus.

Leonardo da Vinci

Michelangelo di Lodovico Buonarroti Simoni

Artemisia Gentileschi

Marco Polo

Robert Di Nero

Sergio Leone

Ghali Amdouni

Madonna Ciccone

Sophia Loren

and of course the indomitable Stanly Tucci

#great Italians #great Italian/Americans

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i-watch-too-many-movies · 1 year ago

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50 Favorite First Viewings of 2023

All the Beauty and the Bloodshed (2022) (dir. Laura Potras)

Sweet Smell of Success (1957) (dir. Alexander Mackendrick)

Trouble in Paradise (1932) (dir. Ernst Lubistch)

Sex, Lies, and Videotape (1989) (dir. Steven Soderbergh)

Life is Sweet (1990) (dir. Mike Leigh)

Demonlover (2002) (dir. Olivier Assayas)

Le bonheur (1965) (dir. Agnès Varda)

The Age of Innocence (1993) (dir. Martin Scorsese)

Somewhere (2010) (dir. Sofia Coppola)

The Red Shoes (1948) (dir. Michael Powell & Emeric Pressburger)

Menace II Society (1993) (dir. Albert & Allen Hughes)

Sunset Boulevard (1950) (dir. Billy Wilder)

Arsenic and Old Lace (1944) (dir. Frank Capra)

Aftersun (2022) (dir. Charlotte Wells)

Decision to Leave (2022) (dir. Park Chan-wook)

Design for Living (1933) (dir. Ernst Lubistch)

Kamikaze Hearts (1986) (dir. Juliet Bashore)

12 Angry Men (1957) (dir. Sidney Lumet)

Tetsuo: The Iron Man (1989) (dir. Shinya Tsukamoto)

The Hitch-Hiker (1953) (dir. Ida Lupino)

Transit (2018) (dir. Christian Petzold)

Basic Instinct (1992) (dir. Paul Verhoeven)

The Hustler (1961) (dir. Robert Rossen)

Miami Vice (2006) (dir. Michael Mann)

M (1931) (dir. Fritz Lang)

Freaks (1932) (dir. Tod Browning)

Showgirls (1995) (dir. Paul Verhoeven)

Mädchen in Uniform (1931) (dir. Leontine Sagan)

Marie Antoinette (2006) (dir. Sofia Coppola)

The Castle of Cagliostro (1979) (dir. Hayao Miyazaki)

Thirst (2009) (dir. Park Chan-wook)

The Player (1992) (dir. Robert Altman)

Wolf's Hole (1987) (dir. Verà Chytilová)

Yes, Madam! (1985) (dir. Corey Yuen)

The Assassination of Jesse James by the Coward Robert Ford (2007) (dir. Andrew Dominik)

Children of Hiroshima (1952) (dir. Kaneto Shindo)

I Walked with a Zombie (1943) (dir. Jacques Tourner)

Toni Erdmann (2016) (dir. Maren Ade)

Cries and Whispers (1972) (dir. Ingmar Bergman)

Within Our Gates (1920) (dir. Oscar Micheaux)

8 1/2 (dir. Federico Fellini)

Encounters of the Spooky Kind (1980) (dir. Sammo Hung)

Josie and the Pussycats (2001) (dir. Deborah Kaplan & Harry Elfont)

Easy Rider (1969) (dir. Dennis Hopper)

The Prestige (2006) (dir. Christopher Nolan)

Shallow Grave (1994) (dir. Danny Boyle)

New York, New York (1977) (dir. Martin Scorsese)

The Exorcist III (1990) (dir. William Peter Blatty)

Blow-Up (1966) (dir. Michelangelo Antonioni)

Mean Streets (1973) (dir. Martin Scorsese)

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myfaveisfuckable · 1 year ago

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Who is more likely to do the deed with their doppelganger?

Dennis:

1. So Dennis has canononically fantasized about giving his clone a blow job...I don't think I need to add anything else

2. He has already blown himself in season 8 episode 8!!! He finds himself to be the most attractive man ever (I don't disagree), the Golden God, "sculpted to the proportions of Michelangelo's David" & all, he's always wearing heavy amts of mascara & uses skin tape to make it less wrinkly. He has canonically tasted his own creampie before. If there ever was a man to consummate with himself, it would be Dennis.

3. He wants to fuck his clone soooo bad. He wants to fuck but he hates women. He has too much internalized homophobia to fuck men. He won't stop talking about how godsamn hot he is. He films his sex tapes from an angle where you can't see the other person properly, only him.

Also in the episode Charlie Rules The World, he literally has a hallucination where he's talking to a British version of him and the he sucks British Dennis' dick. That is an actual thing that happens with no exaggeration.

Peacemaker:

peacemaker is canonically bisexual, slutty, EXTREMELY vain, and would 1000% sleep with his clone. in fact due to the DC universe being the way it is, i'm sure it's happened in some universe at some point. peacemaker probably has even thought about it and/or gotten into an argument with his besties about it.

#poll #tournament

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pollicinor · 2 years ago

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Psyco (1960) Alfred Hitchcock Il mago di Oz (1939) Victor Fleming Il padrino (1972) Francis Ford Coppola Quarto potere (1941) Orson Welles Pulp Fiction (1994) Quentin Tarantino I sette samurai (1954) Akira Kurosawa 2001: Odissea nello spazio (1968) Stanley Kubrick La vita è meravigliosa (1946) Frank Capra Eva contro Eva (1951) Joseph L. Mankiewicz Salvate il soldato Ryan (1998) Steven Spielberg Cantando sotto la pioggia (1952) Stanley Donen e Gene Kelly Quei bravi ragazzi (1990) Martin Scorsese La regola del gioco (1939) Jean Renoir Fa' la cosa giusta (1989) Spike Lee Aurora (1927) Friedrich Wilhelm Murnau Casablanca (1942) Michael Curtiz Nashville (1975) Robert Altman Persona (1966) Ingmar Bergman Il padrino - Parte II (1974) Francis Ford Coppola Velluto Blu (1986) David Lynch Via col vento (1939) Victor Fleming Chinatown (1974) Roman Polanski L'appartamento (1960) Billy Wilder Tokyo Story (1953) Yasujirō Ozu Susanna! (1938) Howard Hawks I 400 colpi (1959) François Truffaut Gangster Story (1967) Arthur Penn Luci della città (1931) Charlie Chaplin La fiamma del peccato (1944) Billy Wilder L'impero colpisce ancora (1980) Irvin Kershner Quinto potere (1976) Sidney Lumet La donna che visse due volte (1958) Alfred Hitchcock 8 1/2 (1963) Federico Fellini Ombre rosse (1939) John Ford Il silenzio degli innocenti (1991) Jonathan Demme Fronte del porto (1954) Elia Kazan Io e Annie (1977) Woody Allen Lawrence d'Arabia (1962) David Lean A qualcuno piace caldo (1959) Billy Wilder Fargo (1996) Joel e Ethan Coen Il mucchio selvaggio (1969) Sam Peckinpah Moonlight (2016) Barry Jenkins Shoah (1985) Claude Lanzmann L’avventura (1960) Michelangelo Antonioni Titanic (1997) James Cameron Notorious - L'amante perduta (1946) Alfred Hitchcock Mean Streets (1973) Martin Scorsese Lezioni di Piano (1993) Jane Campion Non aprite quella porta (1974) Tobe Hooper Fino all'ultimo respiro (1960) Jean-Luc Godard Apocalypse Now (1979) Francis Ford Coppola Come vinsi la guerra (1926) Buster Keaton In the Mood for Love (2000) Wong Kar-wai Interceptor - Il guerriero della strada (1981) George Miller Il lamento sul sentiero (1955) Satyajit Ray Rosemary's Baby (1968) Roman Polanski I segreti di Brokeback Mountain (2005) Ang Lee E.T. - L'extraterrestre (1982) Steven Spielberg Senza tetto né legge (1985) Agnès Varda Moulin Rouge! (2001) Buz Luhrmann La passione di Giovanna D'Arco (1928) Carl Theodor Dreyer La vita è un sogno (1993) Richard Linklater Bambi (1942) David Hand Carrie - Lo sguardo di Satana (1976) Brian De Palma Un condannato a morte è fuggito (1956) Robert Bresson Parigi brucia (1990) Jennie Livingston Ladri di biciclette (1948) Vittorio De Sica King Kong (1933) Merian C. Cooper e Ernest B. Schoedsack Beau Travail (1999) Claire Denis 12 anni schiavo (2013) Steve McQueen Il matrimonio del mio migliore amico (1997) P. J. Hogan Le onde del destino (1996) Lars von Trier Intolerance (1916) D.W. Griffith Il mio vicino Totoro (1988) Hayao Miyazaki Boogie Nights (1997) Paul Thomas Anderson The Tree of Life (2011) Terrence Malick Agente 007 - Missione Goldfinger (1964) Guy Hamilton Jeanne Dielman (1975) Chantal Akerman Sognando Broadway (1966) Christopher Guest Pixote - La legge del più debole (1981) Héctor Babenco Il cavaliere oscuro (2008) Christopher Nolan Parasite (2019) Bong Joon-ho Kramer contro Kramer (1979) Robert Benton Il labirinto del fauno (2006) Guillermo del Toro Assassini nati - Natural Born Killers (1994) Oliver Stone Close Up (1990) Abbas Kiarostami Tutti insieme appassionatamente (1965) Robert Wise Malcolm X (1992) Spike Lee Bella di giorno (1967) Luis Buñuel The Shining (1980) Stanley Kubrick Scene da un matrimonio (1974) Ingmar Bergman Pink Flamingos (1972) John Waters Frank Costello faccia d'angelo (1967) Jean-Pierre Melville Le amiche della sposa (2011) Paul Feig Toy Story (1995) John Lasseter Tutti per uno (1964) Richard Lester Alien (1979) Ridley Scott Donne sull'orlo di una crisi di nervi (1988) Pedro Almodóvar La parola ai giurati (1957) Sidney Lumet Il laureato (1967) Mike Nichols

Dall’articolo "I 100 migliori film della Storia del Cinema secondo Variety: 1° Psyco, 5° Pulp Fiction, 33° 8 1/2, 45° Titanic" di Antonio Bracco

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denimbex1986 · 1 year ago

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'With a face carved by the hands of Michelangelo himself, Cillian Murphy’s film presence seldom goes unneeded. The Irish actor isn’t Hollywood’s most recognizable leading man. He’s spent most of his career traversing from underrated role to underrated role, giving him an incredibly diverse filmography.

Now, as his titular role in Christopher Nolan’s “Oppenheimer” garners critical acclaim, I wanted to take a look at some of his previous projects.

Red Eye (2005)

Starting off strong with this airplane-set thriller, “Red Eye” follows two strangers, Lisa Reisert, played by Rachel McAdams, and Jackson Rippner, played by Murphy, on a flight to Miami. Jackson’s charm entices Lisa at first, but things take an unexpected turn for the worst when his true intentions are revealed.

Murphy deserved an Academy Award solely for his sassy line delivery in one particular scene — if you know, you know. The fact that he served face doing it makes it so much better.

Watching the Detectives (2007)

This rom-com follows a film nerd and video rental store owner whose life is turned upside down when a manic pixie dream girl type, played by the incomparable Lucy Liu, shows him life can be just as exciting and unpredictable as the films he obsesses over.

Violet, Liu’s character, thrusts Neil, Murphy’s character, from crazy scenario to crazy scenario. For example, after the duo vandalize another local video store under Violet’s suggestion, she pranks Neil by getting two “detectives” to scare him into thinking he’s been caught.

Throughout the film, Violet tells Neil stories in which fact and fiction are hard to discern. One in particular includes a big, bald musician she once dated who stalks her. She ends up pulling another ruse on the now paranoid Neil, faking an abduction by this bald ex that leads to a violent resolution.

I hope this movie inspires film bros to go outside and experience the world beyond the screen — though, hopefully not to the same extent as Neil did.

Breakfast on Pluto (2005)

In this drama, our blue-eyed beauty plays a transgender woman named Patrick “Kitten” Braden. After her mother abandoned her on the steps of a priest’s home, she leaves her small town in Ireland for London in search of her mother and a freer place to fully live her trans identity.

Her journey through London finds her falling in love with the lead singer of a glam rock band and singing and dancing as a member of the children’s entertainment group, The Wombles. She becomes a magician’s assistant and is ultimately forced into prostitution where she narrowly escapes a violent attack by iconically spraying her assailant in the eyes with Chanel No. 5.

Murphy’s performance is striking and campy throughout as he buoys the hardships of the trans experience with Kitten’s whimsy and aversion to taking anything seriously.

The costuming is also absolutely scrumptious. From a certain leather ensemble to the myriad of furs, this is certainly Murphy’s most glamorous role to date.

In Time (2011)

This dystopian quasi-thriller takes place in a society where time is currency. Citizens are genetically-engineered to not age past 25, and when they do reach that age, they are given one more year to live. Time is exchanged from person to person and is stored in capsules; citizens can gain time by working, bartering, stealing or fighting for it.

Though the concept is interesting, the execution leaves much to be desired. Even though the cast is full of familiar faces: Amanda Seyfried, Olivia Wilde, Johnny Galecki and Justin Timberlake — yes, it’s from that weird era where they tried to make Timberlake a movie star, it seems like everyone here forgot how to act.

With the exception of Murphy, of course. Here, he plays a so-called “Timekeeper,” a select group of individuals tasked with keeping the peace and investigating “time crimes.” Murphy portrays his character, Raymond Leon, with a cold suaveness and a certain sassiness that’s innate to Murphy. The leather jacket and dark, slicked back hair is just a cherry on top.'

#Watching The Detectives #Red Eye #In Time #Amanda Seyfried #Olivia Wilde #Johnny Galecki #Justin Timberlake #Raymond Leon #Rachel McAdams #Jackson Rippner #Breakfast on Pluto #Lucy Liu #Neil #Patrick “Kitten” Braden #The Wombles

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midcinmancave · 1 month ago

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“Try, Try Again"

A visual novel, part 3 of 4

How far would you go for love? Tonight, we'll find out.

Story Prompts: "I won't let you down" "It consumes me" "Let's try this" "Is this normal?" "That was good work" "Don't listen to me, listen to them”

Fictober24 Submission #03 Fandom: Midnight Cinderella Featuring: Leo Crawford, Michelangelo Christophe, Louis Howard, Giles Christophe, Sid Arnault, The Princess Warnings: Grief, Death Rating/Genre: General Audience, Drama, Mystery, Horror Writer/Illustrator: Princess Destiny (@destinyumechan) in collaboration with the KoW Writer Project

#Fictober24 #Midnight Cinderella #fanfiction #1 #9 #10 #15 #25 #30 #Leo Crawford #Michelangelo Christophe #Louis Howard #Giles Christophe #Sid Arnault #MidCin #Kingdom of Wysteria #KOW Writer Project #イケメン王宮

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klunk2003 · 1 year ago

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Line: “There you have it! The true story of the legendary Turtle Titan! Who, disguised as Michelangelo, mild mannered Ninja Turtle, fought a never ending battle for Truth, Justice, and the Terrapin Way! Ah!”

Speaker: Michelangelo to Cody Jones.

Context: Mikey tells Cody an embellished Turtle Titan story where he single handedly defeated their arch enemy, the Shredder. Raph ends up smacking him at the end.

Media origin: Mikey’s phrase is a parody on what is well known as Superman’s motto, “Truth, Justice, and the American Way.” The phrasing originated from a Superman radio series released in the 1940s during WWII. After the war, the “American Way” was dropped, then brought back in the 1950s Adventures of Superman TV series and dropped again. It was used again and finally popularized by Superman: The Movie (1978) starring Christopher Reeve.

Season & episode: S6E08 “Clash of the Turtle Titans”

Episode’s original airdate: October 28, 2006

#mikey #repeat ref #catalog #tmnt 2003 #s6

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thehitchhikerguide · 1 year ago

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Season 2, Episode 3: Face to Face

Okay this one was a bit better than the last episode. When I saw there was an episode about a transgender character in the 1980's I was a bit worried. But I think for the most part, it didn't do too bad a job with it.

This one starts off a bit artistic with juxtaposing shots. First we see a doctor getting ready for surgery.

That's Robert Vaughn, who was a very well known actor and was in a lot of movies from the 1960's & 1970's. Being the age I am, I mostly know him from Superman III and as a spokesperson for some ambulance-chasing lawyers from Boston. But his IMDB page shows a very full career.

He seems to be giving a monologue about how he is a sculptor like Michelangelo (only with skin).

There was another notable star in this one.

I had never heard of this person but it's a special appearance! I guess she's an actress who is famous mostly for B-movies. If that's the case, this show seems right up her alley. The hospital scenes are cut with scenes of a mystery woman getting ready for the day.

Oooh, nice nails.

Back at the hospital, another doctor (or nurse?) gets horny for Dr. Love.

Wow, not obvious at all.

Turns out the mystery woman is Carmen Sandiego. Where in the world?

We don't even get the Hitchhiker until 3:25 into the show, which is a pretty long opening. This is the first one where he just wanders on screen without interacting with any of the characters. The show has gone full Twilight Zone.

The doctor is Dr. Christopher Hamilton, who is a plastic surgeon with ambition and a sharp scalpel. He sees a face and he wants to change it. But unless he looks deeper, there are some things he's not going to see, like a dangerous smile even on the most perfect face.

Huh? Is this some sort of riddle?

When this woman walks into the hospital, it appears she is disfigured as people recoil and a young kid points and laughs.

But when we finally see the mystery woman, she looks like...

A bit masculine, but nothing hideous. Nina Russell, a makeup artist, is meeting with this doctor because she has had gender re-assignment surgery, but wants plastic surgery on her face to make her look more like a woman. He takes the job but not without telling her that the best makeup looks like the woman is wearing no makeup at all. Funny thing to say to a makeup artist.

So this is where it pleasantly surprised me. The doctor treats Nina with respect, addressing her as a woman. However the episode is not perfect and I will get into where it kind goes into not-so-great territory. This is the 80s though.

Woah this guy's assistant is a bargain basement Eugene Levy.

Back at Dr. Hamilton's apartment, things are really heating up. Ick, what does she see in this guy?

The ladies' love Dr. Hamilton. I'm guessing this is the B-movie actress? And what is that behind that tree? Was that other doctor stalking him?

Dr. Gold is introduced to this famous actress that happens to be one of Dr. Hamilton's patients. He is totally star struck.

Those eyebrows deserve a Golden Globe.

We are back at the apartment and woah what's going on here? Drugs and cognac, definitely the perfect combo for a plastic surgeon. Dr. Hamilton is partying with the B-movie actress even though he has surgery in the morning.

Can't forget the strawberries!

Here he uses his scalpel to cut off her bra straps. Hey those Frederick's of Hollywood bras are not cheap! Well actually, they kind of are. Nevermind, cut away.

Back at the hospital, Dr. Eyebrows has a conversation with Nina about the surgery. She is totally confident that Dr. Hamilton will do a great job. This doctor doesn't seem too sure.

We get actually a pretty touching speech from Nina here, going into details about her life and how she felt like she was in the wrong body from age 6. So far nothing really to cringe at.

Dr. Hamilton gets a rude awakening from a phone call wondering why he's not in surgery. Uh oh, what time is it?

Oh God, no one else sees this? This can't be good.

His eyebrows say it all here, that was not a good cut.

Dr. Eyebrows is here for the big unveiling and informs Nina that her doctor is getting on a plane to Paris right now. He starts to remove the bandages and...

That's not a good reaction. She asks for a mirror and is shocked at what she sees, however we don't see it!

Dr. Hamilton is at the airport, flying to Paris, when he spots another attractive woman he wants to bang.

A sexy flight attendant. Seriously what is the appeal of this guy? She entices him with her foot...

Why was this a thing in the 80's? Did everyone have a foot fetish back then.

When that doesn't work she decides to steal his boarding pass so he can't get on his plane.

When she shows him she has it, he asks where they should go. She of course suggests her place.

Wait a minute, her place is a plane? Those pre-911 days when the airport was just one giant un-supervised playground.

He tells her she is beautiful and then she says the best makeup is like no makeup at all. Now where did I hear that before....

Yes! I knew someone was going to rip off their face!

I'm impressed she had enough time to put a new face on when she was just recovering in the hospital a few minutes ago. If I learned anything from Mrs. Doubtfire, it's that a montage like that usually takes several hours.

Now we see her actual face. Ummm...is this the dangerous smile on the most perfect face? Because I don't think that's accurate.

Oof that's pretty rough. It looks like Edward Scissorhands is her doctor. This is where it takes a not-so-great turn as it shows the transgender character as a scalpel wielding maniac. She attacks the doctor's face.

Hmm actually he doesn't look too bad here. Maybe he is a good plastic surgeon.

Oh great now he's Two-Face. He is still reciting that damn monologue from the beginning. Or actually it looks like he is writing it down for some reason.

The ending cuts to the Hitchhiker telling us that Dr. Hamilton took an oath to heal and care but when all you care about is feeling good, there are things you are going to miss...like vengeance working out its own kind of justice.

Yup he definitely deserved it.

#hbo #thehitchiker #80stv #pagefletcher #thehitchhiker #robert vaughn #sybil danning #face to face

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52booksproject · 2 years ago

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Book 46: The Borgias and Their Enemies

The all mighty RNG brought 945 History:Europe:Italy. So I chose Christopher Hibbert's The Borgias and Their Enemies: 1431–1519. It essentially covers Rodrigo Borja's ascent to power to Lucretia Borgia's death with some context before and after.

The first chapter describes how Rome was a shithole even for the middle ages before popes returned to it (they had abandoned it for France for a while) and then there were three goddamned popes even, and finally things settled down and popes returned to Rome and they wanted a strong leader over a pious one necessarily, so they elected Rodrigo Borja, made a cardinal at a precipitously young age by his uncle Pope Calixtus III (Not uncommon, about every Pope of that age - even the more "honest" ones- promoted relatives and friends left and right). And let's be frank, Rodriogo- AKA Pope Alexander VI, was not one of the more "honest" ones.

He was the first Pope to admit to his children being his and not "nephews" as the phrase "nepotism" comes from. And I think that reflects his biggest downfall. His son, Cesare was a bastard in every sense of the word. He killed his brother and brother-in-law and a lot of other people and his dad still supported him and used simony increasingly heavily to fund his wars.

The Borgias (Italian for the Spanish Borja) are quite well known for poison so it was very disappointing to find out historically it seems only to be mentioned in Alexander VI's death, rumored as a poisoning attempt gone wrong, but quite possibly just some pedantic disease. Lucrezia Borgia in particular, aside from having an asshole dad and brother seems to be made out as all right if not a little into secular humor for the time. So, big whoop.

SHOULD YOU READ THIS BOOK: Sure, if you want a rundown of Italian history in the 1400s-to early 1500s I'd give it a go. There's a who's who of that period of Italian history including Michelangelo, Leonardo Da Vinci, Titian, the guy who broke Michelangelo's nose (Pietro Torrigiano), Nicholo Machiavelli, etc. The only thing I'd suggest is getting a map of Italy of the time to figure out what the sam hill is so important about Naples, etc.

ART PROJECT:

In a family known for its licentiousness the Feast of the Chestnuts stands out as a particularly bawdy episode in which they gave an orgy in which courtesans groped naked on their hands and knees in cadlelight searching for roasted chestnuts. Sorry for the poor scale in this, as I had an artistic vision in mind and stuck to it.

#the borgias #chestnuts #banquet of the chestnuts #52books #52booksproject #dewey decimal system #rng #christopher hibbert #rodrigo borgia #cesare x lucrezia #pope alexander vi

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indiesole · 1 year ago

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THE 236 GREATEST PERSONALITIES IN THE ENTIRE KNOWN HISTORY/COLLECTIVE CONSCIOUSNESS OF THIS WORLD! (@INDIES)

i.e. THE 236 GREATEST PERSONALITIES IN WORLD HISTORY! (@INDIES)

Rajesh Khanna

Lionel Messi

Leonardo Da Vinci

Muhammad Ali

Joan of Arc

William Shakespeare

Vincent Van Gogh

Online Indie

J. K. Rowling

David Lean

Nadia Comaneci

Diego Maradona

Wolfgang Amadeus Mozart

Meena Kumari

Julius Caesar

Harrison Ford

Ludwig Van Beethoven

William W. Cargill

Fritz Hoffmann-La Roche

Samuel Curtis Johnson

Sam Walton

John D. Rockefeller

Andrew Carnegie

Roy Thomson

Tim Berners-Lee

Marie Curie

James J. Hill

Cornelius Vanderbilt

Roman Polanski

Samuel Slater

J. P. Morgan

Cary Grant

Dmitri Mendeleev

John Harvard

Alain Delon

Ramakrishna Paramhansa (Official God)

The Lumiere Brothers, Auguste & Louis

Carl Friedrich Benz

Michelangelo

Maharishi Mahesh Yogi

Ramana Maharishi

Mark Twain

Swami Sri Yukteswar Giri

Bruce Lee

Bhagwan Krishna (Official God)

Charlemagne

Rene Descartes

John F. Kennedy

Bhagwan Ganesha (Official God)

Walt Disney

Albert Einstein

Nikola Tesla

Alfred Hitchcock

Pythagoras

William Randolph Hearst

Cosimo de’ Medici

Johann Sebastian Bach

Alec Guinness

Nostradamus

Christopher Plummer

Archimedes

Jackie Chan

Guru Dutt

Amma Karunamayi/ Mata Parvati (Official God)

Peter Sellers

Gerard Depardieu

Joseph Safra

Robert Morris

Sean Connery

Petr Kellner

Aristotle Onassis

Usain Bolt

Jack Welch

Alfredo di Stefano

Elizabeth Taylor

Michael Jordan

Paul Muni

Steven Spielberg

Louis Pasteur

Ingrid Bergman

Norma Shearer

Dr. B. R. Ambedkar

Ayn Rand

Jesus Christ (Official God)

Luciano Pavarotti

Alain Resnais

Frank Sinatra

Allah (Official God)

Richard Nixon

Charlie Chaplin

Thomas Alva Edison

Alexander Graham Bell

Wright Brothers

Arjun (of Bhagwan Krishna’s Gita)

Jim Simons

George Lucas

Swami Sri Lahiri Mahasaya

Carl Lewis

Brett Favre

Helen Keller

Bernard Mannes Baruch

Buddha (Official God)

Hugh Grant

K. L. Saigal

Roger Federer

Rash Behari Bose

Tiger Woods

William Blake

Jesse Owens

Claude Miller

Bernardo Bertolucci

Subhash Chandra Bose

Satyajit Ray

Hippocrates

Chiang Kai-Shek

John Logie Baird

Geeta Dutt

Raphael (painter)

Bhagwan Shiva (Official God)

Radha (Ancient Krishna devotee)

George Orwell

Jorge Paulo Lemann

Catherine Deneuve

Pierre-Auguste Renoir

Bill Gates

Bhagwan Ram (Official God)

Michael Phelps

Michael Faraday

Audrey Hepburn

Dalai Lama

Grace Kelly

Mikhail Gorbachev

Vladimir Putin

Galileo Galilei

Gary Cooper

Roger Moore

John Huston

Blaise Pascal

Humphrey Bogart

Rudyard Kipling

Samuel Morse

Wayne Gretzky

Yogi Berra

Barry Levinson

Patrice Chereau (director)

Jerry Lewis

Louis Daguerre

James Watt

Henri Rousseau

Nikita Krushchev

Jack Dorsey

Dev Anand

Elia Kazan

Alexander Fleming

David Selznick

Frank Marshall

Viswanathan Anand

Major Dhyan Chand

Swami Vivekananda

Felix Rohatyn

Sam Spiegel

Anand Bakshi

Victor Hugo

Bhagwan Sri Sathya Sai Baba (Official God)

Steve Jobs

Srinivasa Ramanujam

Lord Hanuman

Stanley Kubrick

Giotto

Voltaire

Diego Velazquez

Ernest Hemingway

Francis Ford Coppola

Michael Douglas

Kirk Douglas

Mario Lemieux

Kishore Kumar

James Stewart

Douglas Fairbanks

Confucius

Babe Ruth

Raj Kapoor

Titian aka Tiziano Vecelli

El Greco

Francisco de Goya

Jim Carrey

Mohammad Rafi

Steffi Graf

Pele

Gustave Courbet

Rani Laxmibai of Jhansi

Milos Forman

Steve Wozniak

Georgia O’ Keeffe

Mala Sinha

Aryabhatta

Magic Johnson

Patanjali

Leo Tolstoy

Tansen

Henry Fonda

Albrecht Durer

Benazir Bhutto

Cal Ripken Jr

Samuel Goldwyn

Mumtaz (actress)

Panini

Nicolaus Copernicus

Pablo Picasso

George Clooney

Olivia de Havilland

Prem Chand

Imran Khan

Pete Sampras

Ratan Tata

Meerabai (16th c. Krishna devotee)

Queen Elizabeth II

Pope John Paul II

James Cameron

Jack Ma

Warren Buffett

Romy Schneider

C. V. Raman

Aung San Suu Kyi

Benjamin Netanyahu

Frank Capra

Michael Schumacher

Steve Forbes

Paramhansa Yogananda

Tom Hanks

Kamal Amrohi

Hans Holbein

Shammi Kapoor

Gerardus Mercator

Edith Piaf

Bhagwan Shirdi Sai Baba (Official God)

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