#Margaret E Powell

[roesolo]

Biographies for Women's History Month

Biographies for Women's History Month @chroniclekids @pagestreetkids

I’ve got some great bios for Women’s History Month. Add these to your displays! Only the Best: The Exceptional Life and Fashion of Ann Lowe, by Kate Messner & Margaret E. Powell/Illustrated by Erin K. Robinson, (Oct. 2022,. Chronicle Books), $18.99, ISBN: 9781452161600 Ages 5-8 How do you tell the story of the first nationally known African-American fashion designer? You assemble an award-winning…

[bookquest2024]

100 Books to Read Before I Die: Quest Order

The Lord Of The Rings by J. R. R. Tolkien

In Search of Lost Time by Marcel Proust

The Great Gatsby by F. Scott Fitzgerald

A Wrinkle in Time by Madeleine L’Engle

Jane Eyre by Charlotte Brontë

Pride and Prejudice by Jane Austen

Frankenstein by Mary Shelley

The Good Soldier by Ford Madox Ford

Under The Net by Iris Murdoch

American Pastoral by Philip Roth

The Unbearable Lightness of Being by Milan Kundera

Animal Farm by George Orwell

Housekeeping by Marilynne Robinson

Anna Karenina by Leo Tolstoy

Atonement by Ian McEwan

Crime And Punishment by Fyodor Dostoyevsky

The Grapes Of Wrath by John Steinbeck

Midnight’s Children by Salman Rushdie

Lucky Jim by Kingsley Amis

Slaughterhouse-Five by Kurt Vonnegut

The Sun Also Rises by Ernest Hemingway

Invisible Man by Ralph Ellison

A Passage to India by EM Forster

Of Human Bondage by W. Somerset Maugham

The Prime of Miss Jean Brodie by Muriel Spark

The Amazing Adventures of Kavalier and Clay by Michael Chabon

If on a Winter’s Night a Traveller by Italo Calvino

The Hitchhiker’s Guide to the Galaxy by Douglas Adams

1984 by George Orwell

White Noise by Don DeLillo

The Count of Monte Cristo by Alexandre Dumas

The Sound and the Fury by William Faulkner

The Stranger by Albert Camus

Lolita by Vladimir Nabokov

Oscar And Lucinda by Peter Carey

The Wind-Up Bird Chronicle by Haruki Murakami

Gulliver’s Travels by Jonathan Swift

Brave New World by Aldous Huxley

As I Lay Dying by William Faulkner

To Kill A Mockingbird by Harper Lee

Lord of the Flies by William Golding

The Portrait of a Lady by Henry James

The Call of the Wild by Jack London

Pale Fire by Vladimir Nabokov

Beloved by Toni Morrison

Tinker Tailor Soldier Spy by John Le Carré

Austerlitz by W. G. Sebald

The Scarlet Letter by Nathaniel Hawthorne

Brideshead Revisited by Evelyn Waugh

Tropic of Cancer by Henry Miller

The Age of Innocence by Edith Wharton

Mrs. Dalloway by Virginia Woolf

The Heart Is a Lonely Hunter by Carson McCullers

The Phantom Tollbooth by Norton Juster

Ulysses by James Joyce

Scoop by Evelyn Waugh

Haroun and the Sea of Stories by Salman Rushdie

Things Fall Apart by Chinua Achebe

Middlemarch by George Eliot

Are You There, God? It’s me, Margaret by Judy Blume

Clarissa by Samuel Richardson

Moby-Dick by Herman Melville

The Handmaid’s Tale by Margaret Atwood

Herzog by Saul Bellow

The Brief Wondrous Life of Oscar Wao by Junot Diaz

Wuthering Heights by Emily Brontë

Don Quixote by Miguel De Cervantes

A Bend in the River by V. S. Naipaul

A Dance to The Music of Time by Anthony Powell

The Strange Case of Dr Jekyll and Mr Hyde by Robert Louis Stevenson

Go Tell It On The Mountain by James Baldwin

Wide Sargasso Sea by Jean Rhys

Catch-22 by Joseph Heller

The Rainbow by D. H. Lawrence

Song of Solomon by Toni Morrison

I, Claudius by Robert Graves

Nostromo by Joseph Conrad

The Tin Drum by Gunter Grass

Madame Bovary by Gustave Flaubert

The Catcher in the Rye by JD Salinger

Charlotte’s Web by E. B. White

Tom Jones by Henry Fielding

His Dark Materials by Philip Pullman

Alice’s Adventures In Wonderland by Lewis Carroll

Little Women by Louisa M Alcott

Great Expectations by Charles Dickens

Portnoy’s Complaint by Philip Roth

Watchmen by Alan Moore

One Hundred Years of Solitude by Gabriel García Márquez

Robinson Crusoe by Daniel Defoe

Tristram Shandy by Laurence Sterne

On the Road by Jack Kerouac

The Big Sleep by Raymond Chandler

The Wind in the Willows by Kenneth Grahame

To the Lighthouse by Virginia Woolf

The Corrections by Jonathan Franzen

The Trial by Franz Kafka

Their Eyes Were Watching God by Zora Neale Hurston

Money by Martin Amis

David Copperfield by Charles Dickens

[applecovehq]

mwfc??

Minha ask favorita! Aqui vão alguns dos rostinhos que eu mais amo e gostaria de ver por aqui, em itálico são meus favoritos:

F: Ayo Edebiri, Maude Apatow, Davika Hoorne, Anne Hathaway, Alisha Boe, Elle Fanning, Margaret Qualley, Hunter Schafer, Phoebe Dynevor, Bae Suzy, Olivia Cooke, Abigail Cowen, Yandeh Sallah, Laura Harrier, Ashley Moore, Melissa Barrera, Grace Van Dien, Elizabeth Lail, Rachel Sennott, Victoria Pedretti, Chase Sui Wonders, Mia Goth, Gemma Chan, Emily Bader, Medalion Rahimi, Anna Sawai, Ritu Arya, Havana Rose Liu, Ella Purnell, Megan Suri, Lupita Nyong'o, Phoebe Tonkin, Zion Moreno, Natasha Liu Bordizzo, Mimi Keene, Alexxis Lemire, Amita Suman, Camila Mendes, Courtney Eaton e Aslihan Malbora.

M: Ncuti Gatwa, Luka Sabbat, Boyd Holbrook, Kiowa Gordon, Gong Yoo, Tom Ellis, Daniel Sharman, Jacob Anderson, Oliver Jackson Cohen, Oscar Isaac, Theo James, Hugh Jackman, Xolo Maridueña, Woo Dohwan, Paul Mescal, Song Kang, Rahul Kohli, Manny Jacinto, Jensen Ackles, Santiago Cabrera, Idris Elba, Glen Powell, Ben Barnes, Avan Jogia, Louis Garrel, Peter Gadiot, Dev Patel, Booboo Stewart, Alperen Duymaz, Apo Nattawin, Archie Renaux, Cooper Koch, Nick Robinson, Charles Melton, Justin Baldoni, Aaron Taylor-Johnson, Cillian Murphy, Yahya Abdul-Mateen II, Rami Malek, Ebon Moss-Bachrach e Alfonso Herrera.

NB: Bella Ramsey, Emma D'Arcy, Indya Moore, Liv Hewson, Quintessa Swindel, Jessie Mei Li, Amandla Stenberg, Lily Gladstone, Brigette Lundy-Paine e Lizeth Selene.

[codyssfern]

full offense but ryan could’ve easily avoided that unnecessary time jump (which he only probably did just to add finn and get views) and had the finale be during music festival... the festival that was hypep up and that the ghosts were excited for since it would give them a chance to kill margaret + watch billy idol

[recycledmoviecostumes]

This red gown, designed by Sandy Powell for the 1998 film Shakespeare in Love where it was worn by an extra.  When it was reused in the first season of The Tudors in 2007 on Gabrielle Anwar as Princess Margaret, it underwent some minor changes - trim added around the sleeves, and extra fabric added at the bottom to give it addition length.  When the gown appeared a third time in the 2014 second season of Reign on an extra, the additional fabric at the bottom seems to have been removed. Most shockingly, however - the gown appears to be worn backwards!

Costume Credit: Julia, Katie S.

E-mail Submissions: submissions@recycledmoviecostumes.com

Follow: Website | Twitter | Facebook | Pinterest

[literarypilgrim]

Read Like a Gilmore

All 339 Books Referenced In “Gilmore Girls” 

Not my original list, but thought it’d be fun to go through and see which one’s I’ve actually read :P If it’s in bold, I’ve got it, and if it’s struck through, I’ve read it. I’ve put a ‘read more’ because it ended up being an insanely long post, and I’m now very sad at how many of these I haven’t read. (I’ve spaced them into groups of ten to make it easier to read)

1. 1984 by George Orwell  2. Adventures of Huckleberry Finn by Mark Twain 3. Alice in Wonderland by Lewis Carroll 4. The Amazing Adventures of Kavalier & Clay by Michael Chabon 5. An American Tragedy by Theodore Dreiser 6. Angela’s Ashes by Frank McCourt 7. Anna Karenina by Leo Tolstoy 8. The Diary of a Young Girl by Anne Frank 9. The Archidamian War by Donald Kagan 10. The Art of Fiction by Henry James 

11. The Art of War by Sun Tzu 12. As I Lay Dying by William Faulkner 13. Atonement by Ian McEwan 14. Autobiography of a Face by Lucy Grealy 15. The Awakening by Kate Chopin 16. Babe by Dick King-Smith 17. Backlash: The Undeclared War Against American Women by Susan Faludi 18. Balzac and the Little Chinese Seamstress by Dai Sijie 19. Bel Canto by Ann Patchett 20. The Bell Jar by Sylvia Plath 21. Beloved by Toni Morrison 22. Beowulf: A New Verse Translation by Seamus Heaney 23. The Bhagava Gita 24. The Bielski Brothers: The True Story of Three Men Who Defied the Nazis, Built a Village in the Forest, and Saved 1,200 Jews by Peter Duffy 25. Bitch in Praise of Difficult Women by Elizabeth Wurtzel 26. A Bolt from the Blue and Other Essays by Mary McCarthy 27. Brave New World by Aldous Huxley 28. Brick Lane by Monica Ali 29. Bridgadoon by Alan Jay Lerner 30. Candide by Voltaire 31. The Canterbury Tales by Chaucer 32. Carrie by Stephen King 33. Catch-22 by Joseph Heller 34. The Catcher in the Rye by J. D. Salinger 35. Charlotte’s Web by E. B. White 36. The Children’s Hour by Lillian Hellman 37. Christine by Stephen King 38. A Christmas Carol by Charles Dickens 39. A Clockwork Orange by Anthony Burgess 40. The Code of the Woosters by P.G. Wodehouse    41. The Collected Stories by Eudora Welty 42. A Comedy of Errors by William Shakespeare 43. Complete Novels by Dawn Powell 44. The Complete Poems by Anne Sexton 45. Complete Stories by Dorothy Parker 46. A Confederacy of Dunces by John Kennedy Toole 47. The Count of Monte Cristo by Alexandre Dumas 48. Cousin Bette by Honore de Balzac 49. Crime and Punishment by Fyodor Dostoevsky 50. The Crimson Petal and the White by Michel Faber    51. The Crucible by Arthur Miller 52. Cujo by Stephen King 53. The Curious Incident of the Dog in the Night-Time by Mark Haddon 54. Daughter of Fortune by Isabel Allende 55. David and Lisa by Dr Theodore Issac Rubin M.D 56. David Copperfield by Charles Dickens 57. The Da Vinci Code by Dan Brown 58. Dead Souls by Nikolai Gogol 59. Demons by Fyodor Dostoyevsky 60. Death of a Salesman by Arthur Miller 61. Deenie by Judy Blume 62. The Devil in the White City: Murder, Magic, and Madness at the Fair that Changed America by Erik Larson 63. The Dirt: Confessions of the World’s Most Notorious Rock Band by Tommy Lee, Vince Neil, Mick Mars and Nikki Sixx 64. The Divine Comedy by Dante 65. The Divine Secrets of the Ya-Ya Sisterhood by Rebecca Wells 66. Don Quixote by Cervantes 67. Driving Miss Daisy by Alfred Uhrv 68. Dr. Jekyll & Mr. Hyde by Robert Louis Stevenson 69. Edgar Allan Poe: Complete Tales & Poems by Edgar Allan Poe 70. Eleanor Roosevelt by Blanche Wiesen Cook 71. The Electric Kool-Aid Acid Test by Tom Wolfe 72. Ella Minnow Pea: A Novel in Letters by Mark Dunn  73. Eloise by Kay Thompson 74. Emily the Strange by Roger Reger 75. Emma by Jane Austen 76. Empire Falls by Richard Russo 77. Encyclopedia Brown: Boy Detective by Donald J. Sobol 78. Ethan Frome by Edith Wharton 79. Ethics by Spinoza 80. Europe through the Back Door, 2003 by Rick Steves

81. Eva Luna by Isabel Allende 82. Everything Is Illuminated by Jonathan Safran Foer 83. Extravagance by Gary Krist 84. Fahrenheit 451 by Ray Bradbury 85. Fahrenheit 9/11 by Michael Moore 86. The Fall of the Athenian Empire by Donald Kagan 87. Fat Land: How Americans Became the Fattest People in the World by Greg Critser 88. Fear and Loathing in Las Vegas by Hunter S. Thompson 89. The Fellowship of the Ring by J. R. R. Tolkien 90. Fiddler on the Roof by Joseph Stein 91. The Five People You Meet in Heaven by Mitch Albom 92. Finnegan’s Wake by James Joyce 93. Fletch by Gregory McDonald 94. Flowers for Algernon by Daniel Keyes 95. The Fortress of Solitude by Jonathan Lethem 96. The Fountainhead by Ayn Rand 97. Frankenstein by Mary Shelley 98. Franny and Zooey by J. D. Salinger 99. Freaky Friday by Mary Rodgers 100. Galapagos by Kurt Vonnegut 101. Gender Trouble by Judith Butler 102. George W. Bushism: The Slate Book of the Accidental Wit and Wisdom of our 43rd President by Jacob Weisberg 103. Gidget by Fredrick Kohner 104. Girl, Interrupted by Susanna Kaysen 105. The Gnostic Gospels by Elaine Pagels 106. The Godfather: Book 1 by Mario Puzo 107. The God of Small Things by Arundhati Roy  108. Goldilocks and the Three Bears by Alvin Granowsky  109. Gone with the Wind by Margaret Mitchell  110. The Good Soldier by Ford Maddox Ford 

111. The Gospel According to Judy Bloom 112. The Graduate by Charles Webb 113. The Grapes of Wrath by John Steinbeck 114. The Great Gatsby by F. Scott Fitzgerald 115. Great Expectations by Charles Dickens 116. The Group by Mary McCarthy 117. Hamlet by William Shakespeare 118. Harry Potter and the Goblet of Fire by J. K. Rowling 119. Harry Potter and the Sorcerer’s Stone by J. K. Rowling 120. A Heartbreaking Work of Staggering Genius by Dave Eggers    121. Heart of Darkness by Joseph Conrad 122. Helter Skelter: The True Story of the Manson Murders by Vincent Bugliosi and Curt Gentry 123. Henry IV, part I by William Shakespeare 124. Henry IV, part II by William Shakespeare 125. Henry V by William Shakespeare 126. High Fidelity by Nick Hornby 127. The History of the Decline and Fall of the Roman Empire by Edward Gibbon 128. Holidays on Ice: Stories by David Sedaris 129. The Holy Barbarians by Lawrence Lipton 130. House of Sand and Fog by Andre Dubus III    131. The House of the Spirits by Isabel Allende 132. How to Breathe Underwater by Julie Orringer 133. How the Grinch Stole Christmas by Dr. Seuss  134. How the Light Gets In by M. J. Hyland  135. Howl by Allen Ginsberg  136. The Hunchback of Notre Dame by Victor Hugo  137. The Iliad by Homer 138. I’m With the Band by Pamela des Barres  139. In Cold Blood by Truman Capote  140. Inferno by Dante 

141. Inherit the Wind by Jerome Lawrence and Robert E. Lee 142. Iron Weed by William J. Kennedy 143. It Takes a Village by Hillary Rodham Clinton 144. Jane Eyre by Charlotte Bronte 145. The Joy Luck Club by Amy Tan 146. Julius Caesar by William Shakespeare 147. The Jumping Frog by Mark Twain 148. The Jungle by Upton Sinclair 149. Just a Couple of Days by Tony Vigorito 150. The Kitchen Boy: A Novel of the Last Tsar by Robert Alexander 151. Kitchen Confidential: Adventures in the Culinary Underbelly by Anthony Bourdain 152. The Kite Runner by Khaled Hosseini 153. Lady Chatterleys’ Lover by D. H. Lawrence 154. The Last Empire: Essays 1992-2000 by Gore Vidal 155. Leaves of Grass by Walt Whitman 156. The Legend of Bagger Vance by Steven Pressfield 157. Less Than Zero by Bret Easton Ellis 158. Letters to a Young Poet by Rainer Maria Rilke 159. Lies and the Lying Liars Who Tell Them by Al Franken  160. Life of Pi by Yann Martel 

161. Little Dorrit by Charles Dickens 162. The Little Locksmith by Katharine Butler Hathaway 163. The Little Match Girl by Hans Christian Andersen 164. Little Women by Louisa May Alcott 165. Living History by Hillary Rodham Clinton 166. Lord of the Flies by William Golding 167. The Lottery: And Other Stories by Shirley Jackson 168. The Lovely Bones by Alice Sebold 169. The Love Story by Erich Segal 170. Macbeth by William Shakespeare 171. Madame Bovary by Gustave Flaubert 172. The Manticore by Robertson Davies 173. Marathon Man by William Goldman 174. The Master and Margarita by Mikhail Bulgakov 175. Memoirs of a Dutiful Daughter by Simone de Beauvoir 176. Memoirs of General W. T. Sherman by William Tecumseh Sherman 177. Me Talk Pretty One Day by David Sedaris 178. The Meaning of Consuelo by Judith Ortiz Cofer 179. Mencken’s Chrestomathy by H. R. Mencken 180. The Merry Wives of Windsor by William Shakespeare 181. The Metamorphosis by Franz Kafka 182. Middlesex by Jeffrey Eugenides 183. The Miracle Worker by William Gibson 184. Moby Dick by Herman Melville 185. The Mojo Collection: The Ultimate Music Companion by Jim Irvin  186. Moliere: A Biography by Hobart Chatfield Taylor  187. A Monetary History of the United States by Milton Friedman  188. Monsieur Proust by Celeste Albaret  189. A Month Of Sundays: Searching For The Spirit And My Sister by Julie Mars 190. A Moveable Feast by Ernest Hemingway 

191. Mrs. Dalloway by Virginia Woolf 192. Mutiny on the Bounty by Charles Nordhoff and James Norman Hall 193. My Lai 4: A Report on the Massacre and It’s Aftermath by Seymour M. Hersh 194. My Life as Author and Editor by H. R. Mencken 195. My Life in Orange: Growing Up with the Guru by Tim Guest 196. Myra Waldo’s Travel and Motoring Guide to Europe, 1978 by Myra Waldo 197. My Sister’s Keeper by Jodi Picoult 198. The Naked and the Dead by Norman Mailer 199. The Name of the Rose by Umberto Eco 200. The Namesake by Jhumpa Lahiri 201. The Nanny Diaries by Emma McLaughlin 202. Nervous System: Or, Losing My Mind in Literature by Jan Lars Jensen 203. New Poems of Emily Dickinson by Emily Dickinson 204. The New Way Things Work by David Macaulay 205. Nickel and Dimed by Barbara Ehrenreich 206. Night by Elie Wiesel 207. Northanger Abbey by Jane Austen 208. The Norton Anthology of Theory and Criticism by William E. Cain, Laurie A. Finke, Barbara E. Johnson, John P. McGowan 209. Novels 1930-1942: Dance Night/Come Back to Sorrento, Turn, Magic Wheel/Angels on Toast/A Time to be Born by Dawn Powell 210. Notes of a Dirty Old Man by Charles Bukowski

211. Of Mice and Men by John Steinbeck (will NEVER read again) 212. Old School by Tobias Wolff 213. On the Road by Jack Kerouac 214. One Flew Over the Cuckoo’s Nest by Ken Kesey 215. One Hundred Years of Solitude by Gabriel Garcia Marquez 216. The Opposite of Fate: Memories of a Writing Life by Amy Tan 217. Oracle Night by Paul Auster 218. Oryx and Crake by Margaret Atwood 219. Othello by Shakespeare 220. Our Mutual Friend by Charles Dickens 221. The Outbreak of the Peloponnesian War by Donald Kagan 222. Out of Africa by Isac Dineson 223. The Outsiders by S. E. Hinton 224. A Passage to India by E.M. Forster 225. The Peace of Nicias and the Sicilian Expedition by Donald Kagan 226. The Perks of Being a Wallflower by Stephen Chbosky 227. Peyton Place by Grace Metalious 228. The Picture of Dorian Gray by Oscar Wilde 229. Pigs at the Trough by Arianna Huffington 230. Pinocchio by Carlo Collodi 231. Please Kill Me: The Uncensored Oral History of Punk Legs McNeil and Gillian McCain 232. The Polysyllabic Spree by Nick Hornby 233. The Portable Dorothy Parker by Dorothy Parker 234. The Portable Nietzche by Fredrich Nietzche 235. The Price of Loyalty: George W. Bush, the White House, and the Education of Paul O’Neill by Ron Suskind 236. Pride and Prejudice by Jane Austen 237. Property by Valerie Martin 238. Pushkin: A Biography by T. J. Binyon  239. Pygmalion by George Bernard Shaw  240. Quattrocento by James Mckean 

241. A Quiet Storm by Rachel Howzell Hall 242. Rapunzel by Grimm Brothers 243. The Raven by Edgar Allan Poe 244. The Razor’s Edge by W. Somerset Maugham 245. Reading Lolita in Tehran: A Memoir in Books by Azar Nafisi 246. Rebecca by Daphne du Maurier 247. Rebecca of Sunnybrook Farm by Kate Douglas Wiggin 248. The Red Tent by Anita Diamant 249. Rescuing Patty Hearst: Memories From a Decade Gone Mad by Virginia Holman 250. The Return of the King by J. R. R. Tolkien 251. R Is for Ricochet by Sue Grafton 252. Rita Hayworth by Stephen King 253. Robert’s Rules of Order by Henry Robert 254. Roman Holiday by Edith Wharton 255. Romeo and Juliet by William Shakespeare 256. A Room of One’s Own by Virginia Woolf 257. A Room with a View by E. M. Forster 258. Rosemary’s Baby by Ira Levin 259. The Rough Guide to Europe, 2003 Edition 260. Sacred Time by Ursula Hegi 261. Sanctuary by William Faulkner 262. Savage Beauty: The Life of Edna St. Vincent Millay by Nancy Milford 263. Say Goodbye to Daisy Miller by Henry James 264. The Scarecrow of Oz by Frank L. Baum 265. The Scarlet Letter by Nathaniel Hawthorne  266. Seabiscuit: An American Legend by Laura Hillenbrand  267. The Second Sex by Simone de Beauvoir  268. The Secret Life of Bees by Sue Monk Kidd  269. Secrets of the Flesh: A Life of Colette by Judith Thurman  270. Selected Hotels of Europe 

271. Selected Letters of Dawn Powell: 1913-1965 by Dawn Powell 272. Sense and Sensibility by Jane Austen 273. A Separate Peace by John Knowles 274. Several Biographies of Winston Churchill 275. Sexus by Henry Miller 276. The Shadow of the Wind by Carlos Ruiz Zafon 277. Shane by Jack Shaefer 278. The Shining by Stephen King 279. Siddhartha by Hermann Hesse 280. S Is for Silence by Sue Grafton 281. Slaughter-house Five by Kurt Vonnegut 282. Small Island by Andrea Levy 283. Snows of Kilimanjaro by Ernest Hemingway 284. Snow White and Rose Red by Grimm Brothers 285. Social Origins of Dictatorship and Democracy: Lord and Peasant in the Making of the Modern World by Barrington Moore 286. The Song of Names by Norman Lebrecht 287. Song of the Simple Truth: The Complete Poems of Julia de Burgos by Julia de Burgos 288. The Song Reader by Lisa Tucker 289. Songbook by Nick Hornby 290. The Sonnets by William Shakespeare 291. Sonnets from the Portuegese by Elizabeth Barrett Browning 292. Sophie’s Choice by William Styron  293. The Sound and the Fury by William Faulkner  294. Speak, Memory by Vladimir Nabokov 295. Stiff: The Curious Lives of Human Cadavers by Mary Roach  296. The Story of My Life by Helen Keller  297. A Streetcar Named Desiree by Tennessee Williams  298. Stuart Little by E. B. White  299. Sun Also Rises by Ernest Hemingway  300. Swann’s Way by Marcel Proust 

301. Swimming with Giants: My Encounters with Whales, Dolphins and Seals by Anne Collett 302. Sybil by Flora Rheta Schreiber 303. A Tale of Two Cities by Charles Dickens 304. Tender Is The Night by F. Scott Fitzgerald 305. Term of Endearment by Larry McMurtry 306. Time and Again by Jack Finney 307. The Time Traveler’s Wife by Audrey Niffenegger 308. To Have and Have Not by Ernest Hemingway 309. To Kill a Mockingbird by Harper Lee 310. The Tragedy of Richard III by William Shakespeare    311. A Tree Grows in Brooklyn by Betty Smith 312. The Trial by Franz Kafka 313. The True and Outstanding Adventures of the Hunt Sisters by Elisabeth Robinson 314. Truth & Beauty: A Friendship by Ann Patchett 315. Tuesdays with Morrie by Mitch Albom 316. Ulysses by James Joyce 317. The Unabridged Journals of Sylvia Plath 1950-1962 by Sylvia Plath 318. Uncle Tom’s Cabin by Harriet Beecher Stowe 319. Unless by Carol Shields  320. Valley of the Dolls by Jacqueline Susann 

321. The Vanishing Newspaper by Philip Meyers 322. Vanity Fair by William Makepeace Thackeray 323. Velvet Underground’s The Velvet Underground and Nico (Thirty Three and a Third series) by Joe Harvard 324. The Virgin Suicides by Jeffrey Eugenides 325. Waiting for Godot by Samuel Beckett 326. Walden by Henry David Thoreau 327. Walt Disney’s Bambi by Felix Salten 328. War and Peace by Leo Tolstoy 329. We Owe You Nothing – Punk Planet: The Collected Interviews edited by Daniel Sinker 330. What Colour is Your Parachute? 2005 by Richard Nelson Bolles 331. What Happened to Baby Jane by Henry Farrell 332. When the Emperor Was Divine by Julie Otsuka 333. Who Moved My Cheese? by Spencer Johnson 334. Who’s Afraid of Virginia Woolf by Edward Albee 335. Wicked: The Life and Times of the Wicked Witch of the West by Gregory Maguire 336. The Wizard of Oz by Frank L. Baum 337. Wuthering Heights by Emily Bronte 338. The Yearling by Marjorie Kinnan Rawlings 339. The Year of Magical Thinking by Joan Didion

[dcbicki]

Here’s to Peter Dinklage, Nikolaj Coster-Waldau, Lena Headey, Emilia Clarke, Kit Harington, Sophie Turner, Maisie Williams, Isaac Hempstead Wright, John Bradley, Liam Cunningham, Alfie Allen, Gwendoline Christie, Jacob Anderson, Nathalie Emmanuel, Ian Glen, Conleth Hill, Hannah Murray, Joe Dempsie, Carice van Houten, Rory McCann, Kristofer Hivju, Jerome Flynn, Pilou Asbæk, Richard Dormer, Gemma Whelan, Daniel Portman, Ben Crompton, Bella Ramsey, Hafþór Júlíus Björnsson, and Vladimir Furdik, Sean Bean, Michelle Fairley, Mark Addy, Richard Madden, Art Parkinson, Charles Dance, Natalie Dormer, Finn Jones, Diana Rigg, Aidan Gillen, Rose Leslie, Jason Momoa, Michiel Huisman, Jack Gleeson, Harry Lloyd, Peter Vaughan, Kristian Nairn, Natalia Tena, Joseph Mawle, Aisling Franciosi, Dean-Charles Chapman, Stephen Dillane, Kerry Ingram, Thomas Brodie-Sangster, Ellie Kendrick, Paul Kaye, Kate Dickie, Tobias Menzies, Clive Russell, Ian McShane, Donald Sumpter, Tom Wlachicha, Oona Chaplin, Ron Donachie, Esmé Bianco, David Bradley, Iwan Rheon, Michael McElhatton, Miltos Yerolemou, Julian Glover, Ian McElhinney, Tara Fitzgerald, Lino Facioli, Gethin Anthony, Wilko Johnson, Eugene Simon, Ben Hawkey, Jim Broadbent, Jonathan Pryce, Hannah Waddingham, Amrita Acharia, Noah Taylor, Anton Lesser, Rupert Vansittart, Josef Altin, Mark Stanley, Owen Teale, Pedro Pascal, Indira Varma, Richard Rycroft, Staz Nair, Ciarán Hinds, James Cosmo, Patrick Malahide, Will Tudor, Mackenzie Crook, Marc Rissman, Megan Parkinson, James Faulkner, Tom Hopper, Jessica Henwick, Keisha Castle-Hughes, Rosabell Laurenti Sellers, Nell Tiger Free, Max von Sydow, Brenock O’Connor, Philip McGinley, Harry Grasby, Elyes Gabel, Richard Brake, Tom Brooke, Tim Plester, Joel Fry, Sibel Kekilli, Ian Beattie, Susan Brown, Mark Gatiss, Faye Marsay, Marc Rissman, Hannah John-Kamen, Ed Skrein, Margaret John, Ross Mullan, Ian Whyte, Ralph Ineson, Charlotte Hope, Elizabeth Webster, Nonso Anozie, Ian Hanmore, Steven Cole, Roger Ashton-Griffiths, Eros Vlahos, DeObia Oparei, Ian Gelder, Essie Davis, Bart the Bear II, Lucian Msamati, Birgitte Hjort Sørensen, Brian Fortune, Michael Condron, Robert Aramayo, Alexander Siddig, Adewale Akinnuoye-Agbaje, Enzo Cilenti, Toby Sebastian, Luke Roberts, Richard E. Grant, Eline Powell, Kevin Eldon, Dean Jagger, Tim McInnerny, Sean Blowers, David Rintoul, Kae Alexander, and more. Here’s to the actors who gave their all.

Here’s to David Nutter, Michael Slovis, Mark Mylod, Alex Graves, Alan Taylor, Jeremy Podeswa, Alik Sakharov, Neil Marshall, Matt Shakman, Brian Kirk, Michelle MacLaren, Daniel Minahan, Timothy Van Patten, David Petrarca, Jack Bender, Daniel Sackheim, and Miguel Sapochnik. Here’s to Dave Hill, Ethan J. Antonucci, Jane Espenson, Gursimran Sandhu, Vanessa Taylor, and Bryan Cogman. Here’s to Ramin Djawadi. Here’s to the visionaries and the storytellers.

Here’s to HBO. Here’s to David Benioff and D.B. Weiss. Here’s to the producers and the casting department. Here’s to the second unit directors and the whole production crew. Here’s to the stunt guys, body doubles, and the choreographers. Here’s to the location scouts and the transportation department. Here’s to the sound editors, and the visual effects team. Here’s to the camera crew. Here’s to the cinematographers and editors. Here’s to the production and art departments. Here’s to the set designers, costume designers, and the makeup department. Here’s to those who made a whole world come to life.

Here’s to the Starks, the Lannisters, the Targaryens, the Baratheons, the Greyjoys, the Tullys, the Arryns, the Martells, the Mormonts, the Tyrells. Here’s to all the other houses. Here’s to the bastards: the Snows and the Sands and the Waters. Here’s to the direwolves: Grey Wind, Lady, Nymeria, Summer, Shaggydog, and Ghost. Here’s to the dragons: Drogon, Rhaegal, and Viserion. Here’s to the Seven, the Drowned Gods, the Old Gods and the New. Here’s to the Red Priestesses. Here’s to the Brotherhood Without Banners. Here’s to the Faceless Men. Here’s to the Maesters. Here’s to the Knight’s Watch. Here’s to the Free Folk. Here’s to those who became wights. Here’s to the wargs and the Children of the Forest. Here’s to the giants. Here’s to the Bravosi, the Dothraki, and Unsullied. Here’s to the Knights of the Vale. Here’s to all the soldiers. Here’s to the fighters. Here’s to those we loved, and those we lost along the way.

Here’s to George R.R. Martin. Here’s to A Song of Ice and Fire. Here’s to Game of Thrones. Here’s to the fandom and the friends we made along the way. Here’s to you.

[theinsiderrp]

WELCOME BACK - ST JUDES DORMITORY 2021. 

MOVING IN DAY! 

here are your dorm lists for the new year (2021). please know that in the student dorms, each student has their OWN bedroom and bathroom but share a kitchen and lounge with their specific flat. 

FLAT A, floor 1 

room A1 - elodie gwan  room A2 - oliver cole  room A3 - trystan smith  room A4 - zelda mayfair  room A5 - margaret sinclair  room A6 -  gabe jimenez  room A7 - kobi hare  room A8 - isaak gomez  room A9 - olivia barham 

FLAT B, FLOOR 1 

room B1 - sangwoo heo room B2 - athena carter  room B3 - louis powell  room B4 - dallas jackson  room B5 - posie harwood  room B6 - alexandria cortes  room B7 - natasha banks  room B8 - heidi napier 

FLAT C, FLOOR 1 

room C1 - gisele collins room C2 - joe valenti  room C3 - theo carmichael  room C4 - taylor harwood  room C5 - ahreum choi  room C6 - annabell powell  room C7 - sawyer sloan  room C8 - alyssa amari  room C9 - madison sinclair 

FLAT D, FLOOR 1

room D1 - drew bradford  room D2 - mason carmichael  room D3 - mackenzie quinn  room D4 - max eddison-amir  room D5 - daveed addams  room D6 - sebastian quinn  room D7 - tanner hawthorne  room D8 - wesley higgins  room D9 - disney hamilton 

FLAT E, FLOOR 2 

room E1 - lorelai sloan  room E2 - bella carmichael  room E3 - cassie mendoza  room E4 - imogen hamilton  room E5 - maria castillo  room E6 - isla jong  room E7 - isobel rosini  room E8 - ava quinn 

FLAT F, FLOOR 2 

room F1 - brody carmichael  room F2 - maelyn dawn  room F3 - leo carmichael  room F4 - peresphone reyes room F5 - roxanne woods  room F6 - jiho yoon  room F7 - cameron james  room F8 - mallory shaw  room F9 - anthony henshaw 

FLAT G, FLOOR 2 

room G1 - duyi iamphang-lin room G2 - charlotte barham  room G3 - adrian cortes  room G4 - danica wilson  room G5 - clyde aarons  room G6 - riley james  room G7 - elora amari  room G8 - ruby rosini room G9 - kristofer nilson 

FLAT H, FLOOR 2 

room H1 - rory fox  room H2 - lucas romano  room H3 - jiwon moon  room H4 - levi winslow  room H5 - janey powell  room H6 - blake cruz  room H7 - matt eccleston  room H8 - felicity calloway room H9 - disney hamilton 

FLAT I, FLOOR 3 

room I1 - park hamilton  room I2 - luke pitman  room I3 - hanuel kang  room I4 - harper foxx  room I5 - river sinclair  room I6 - holland smith  room I7 - miles carmichael  room I8 - florence hamilton  room I9 - marcus carmichael  room H10 - eloise calloway 

FLAT J, FLOOR 3 

room J1 - kyle kingsley  room J2 - chang-woo jong  room J3 - ezra hughes  room J4 - anastasia carmichael  room J5 - natalie castillo  room J6 - isla jong  room J7 - felix kim  room J8 - luke thompson  room J9 - darius richards  room J10 - brielle quinn 

FLAT K, FLOOR 3 

room K1 - christelle cruz  room K2 - autumn west  room K3 - poppy murry  room K4 - kendall barham  room K5 - seon-jun park  room K6 - nate harwood  room K7 - everleigh james  room K8 - zara calloway room K9 - margo jackson  room K10 - hensley west 

FLAT L, FLOOR 4 

room L1 - charlie steeples  room L2 - julian kingsley  room L3 - jack coleman  room L4 - nero haven  room L5 - rosalie harrington  room L6 - danny coleman  room L7 - phoenix lin  room L8 - damon napier  room L9 - hensley west  room L10 - soraya sparks 

[96thdayofrage]

20 Years of Post-9/11 Amnesia

Memories of the last 20 years are rarely focused on increased state violence and repression in the post-9/11 world. The damage has largely been forgotten.

The constant demand that we “Never forget!,” the events of September 11, 2001 is rather laughable. Forgetting is difficult after enduring 20 years of war propaganda. News stories about that day are plentiful albeit useless, that is to say they add nothing to our understanding of why the U.S. was attacked and depend upon sentiment, jingoism, and tried and true claims of exceptionalism to maintain fear, hatred, and support for war.

The aftermath of September 11 gets surprisingly short shrift but it is just as important as the who, what, when, where, why, and how of that date. It was just three days later that the Senate and House of Representatives voted to begin what are now called the forever wars. On September 14, 2001 California’s congresswoman Barbara Lee cast the lone vote against the Authorization for Use of Military Force. It gave George W. Bush broad authority to “use all necessary and appropriate force against those nations, organizations, or persons he determines planned, authorized, committed, or aided the terrorist attacks that occurred on September 11, 2001…”

The 9/11 event isn’t forgotten, but the near universal approval of the attack on Afghanistan is rarely mentioned now. The corrosive impact of that war on international and domestic law is also swept under the rug. In the past 20 years presidents have claimed the right to kill anyone they claim is a threat, deny the right to civilian trials, and gather and keep electronic information on everyone in the United States. These assaults on human rights have been largely forgotten, as the shock of the day turned otherwise intelligent people into supporters of aggression.

Thanks to the state’s collusion with corporate media, there was even an unwillingness to find out how the attacks were carried out and ascertain who in Bush’s administration should have known what was going to happen. During that summer of 2001, Attorney General John Ashcroft refused to fly on commercial airlines. He obviously knew there was a threat.

Black Agenda Report’s Glen Ford was one of many eyewitnesses to strange activity on the day in question. He recounted meeting two men in Jersey City, New Jersey watching the towers burn. They claimed to be Polish but spoke Hebrew, had fake press passes, brand new cameras, and a joyful attitude about the unfolding tragedy. There were other reports about Israelis ostensibly working for a moving company who also watched the towers fall and celebrated as they did. These documented incidents inconvenience the official narrative and were given insufficient attention by the government and their friends in media.

The shamefully inadequate 9/11 commission didn’t take place until months later. George W. Bush and his national security team garnered fawning media attention but hardly any scrutiny about what they knew and how the attacks were carried out. No one was fired, no one resigned, and hard questions were eschewed in favor of deference to the people who failed their country so badly.

Even when there was reporting on links between Osama bin Laden, the U.S. government, and the Saudi royal family, the stories cast suspicion everywhere except where it should have been directed. They rarely delved into bin Laden’s beginnings as an ally of the U.S. in the Afghanistan regime change effort, and his ties to the Saudi allies that would have embarrassed the Bush family and the entire foreign policy apparatus. It is true that bin Laden relatives and Saudi royals were whisked out of the country when airspace was shut down for everyone else. But tales of evil Arabs predominated instead of real reporting which would have asked hard questions about every president from Jimmy Carter onward who funded jihadists like bin Laden as proxies for U.S. foreign policy designs.

By all means let us remember. Remember the drone strikes, the kill lists, the Abu Ghraib torture, and the Guantanamo Bay prison where men still languish after 20 years. Remember that the rush to war in 2001 was followed by the invasion of Iraq in 2003. Remember that Secretary of State Colin Powell lied at the United Nations about non-existent weapons of mass destruction. Remember that even our popular culture has been impacted, and that film makers are given access to classified documents if they agree to produce pro-torture propaganda. The New York Times wouldn’t even print the word torture if the U.S. was the perpetrator. “Harsh interrogation techniques” and other such euphemisms were substitutes for the truth.

Twenty years later the U.S. is a changed country and not for the better. Congress still gives presidents broad authority to bomb, change foreign governments at will, and sanction any country that becomes a target. Regime change is acceptable as long as U.S. troops aren’t directly involved in the dirty work. The media follow suit and citizens who object to wars of terror and a growing surveillance state are marginalized. Even politicians who call themselves progressive go along to get along and eagerly vote to support a defense budget that is now more than $750 billion.

Memories are limited to September 11, 2001 and not to what happened afterward. The attacks were a pretext for doing what the imperialists always wanted. Glen Ford put his strange experience in perspective. “In effect, Washington was claiming revenge as the motive for crimes that it had long been planning to commit. Precise causality for the specific events of 9/11 becomes near-irrelevant, submerged in the much larger aggression that was conceived long before the towers fell.”

It is little wonder that there is so much confusion about the world we live in now. War, austerity, and inequality were just what the ruling class ordered. They needed a war against humanity and they have been waging it for the last 20 years. If there are going to be shared memories about post-9/11 life, that harsh truth must be among them.

Margaret Kimberley’s Freedom Rider column appears weekly in BAR, and is widely reprinted elsewhere. She is the author of Prejudential: Black America and the Presidents . Her work can also be found at patreon.com/margaretkimberley   and on Twitter @freedomrideblog. Ms. Kimberley can be reached via e-Mail at Margaret.Kimberley(at)BlackAgendaReport.com.

[blogdojuanesteves]

CLÁSSICOS> VICTORIAN PHOTOGRAPHS OF FAMOUS MEN & FAIR WOMEN > JULIA MARGARET CAMERON

Publicado pela primeira vez em 1926, Victorian Photographs of Famous Men & Fair Women da inglesa Julia Margaret Cameron (1815-1875) tinha somente 250 cópias numeradas para venda na América. Trazia um ensaio da  escritora inglesa Virginia Woolf (1882-1941), sobrinha-neta da fotógrafa e um texto crítico do pintor e crítico de arte britânico Roger Fry (1866-1934).

A edição mais popular - e aqui usada-  foi publicada em 1973 com 23 imagens adicionais em duotone, impresso em papel Couché pela gráfica W.S. Cowell Ltd. em Ipswich, Inglaterra e um material biográfico maior por David R. Godine Publisher, de Boston, nos Estados Unidos, para The Hogarth Press , com um prefácio do oxfordiano Tristam Powell, diretor de cinema e televisão.

 Filha de James Peter Pattle (1775-1845), um oficial da Companhia Britânica das Índias Orientais, que entre outras coisas tinha o monopólio da venda do chá nas colonias inglesas, e de Adeline Marie de l'Etang (1793-1845), cujo pai foi pajem da famosa vienense Marie Antoinette (1755-1793), rainha consorte da França que perdeu a cabeça na guilhotina por ordem do Tribunal Revolucionário francês, Julia Cameron nasceu em Calcutá, Índia, e entrou para história da fotografia conhecida por uma série de retratos de personalidades famosas de sua época, muitas delas parte do seu próprio círculo social.

A primeira fotografia de Julia Cameron foi feita em 1864, alguns anos depois do inglês  Sir John Herschel (1792-1871), matemático, químico, astrônomo e habitué de sua casa - cujo retrato de 1867 ilustra a contracapa do livro - ter levado a fama por cunhar o termo Photography e criado o processo Collodion  em 1851, que permitia então uma captura mais rápida das imagens. Entretanto, o francês radicado no Brasil Hercule Florence (1804-1877) teria inventado antes um processo ao qual nomeou como Photographie em 1833, conforme o historiador paulista Boris Kossoy comprova em seu livro 1833: a Descoberta Isolada da Fotografia no Brasil (Edusp, 2007) .

Cameron já tinha 48 anos quando começou a fotografar e o meio comprovou ser uma espécie de "escape" para seus talentos tanto artísticos quanto sociais, escreve Tristam Powell. Desde então, até sua morte no Ceilão, ela recrutou a família, os amigos e empregados para posar para ela, "fossem famosos ou simplesmente alguém de passagem que ela olhava pela janela." É certo pensar que muito de sua produção, que rompia com os dogmas de seu tempo, tenha contribuido  para uma fotografia ainda incipiente transformar-se em uma forma de arte.

 Em 1874 ela escreveu Annals of my Glass House, fragmentos autobiográficos, onde revela suas primeiras dificuldades em fotografar. Ela havia ganho a câmera da filha e do genro, com a "recomendação" de divertir-se nos seus dias mais solitários em  sua residência conhecida como Dimbola, um lodge que hoje funciona como um museu em Freshwater, uma pequena comunidade na parte oeste da Ilha de Wight, 10 minutos a pé da bela Freshwater Bay.

Nas décadas de 1860 e 1870, a Dimbola ( o nome vem das plantações de chá da família em Dimbula, Sri Lanka) era um lugar único, não somente pela bela paisagem próxima do canal inglês mas pelas pessoas importantes que lá moravam ou frequentavam como o pintor e escultor George Frederic Watts (1817-1904); o escritor (e fotógrafo) Charles Lutwidge Dodgson (1832-1898) conhecido como Lewis Carrol entre outros luminares da época Vitoriana como o poeta Alfred Tennyson (1809-1892), cujo retrato também está no livro.

 "Eu ansiava por prender tudo o que estava à minha frente e, a longo prazo, o desejo foi satisfeito. A dificuldade melhora o valor da busca! Quando comecei não tinha conhecimento da arte. Não sabia onde colocar minha caixa escura, como focalizar e minha primeira fotografia apaguei para minha consternação, esfregando minha mão sobre o lado úmido do vidro." escreve Cameron, referindo-se ao processo Collodion, também conhecido como Wet plate. Uma chapa de vidro era usada, em vez do papel direto como eram alguns processos anteriores, para a superficie da emulsão. As placas eram preparadas no local da cena a ser fotografada, por isso entravam úmidas na câmera, o que exigia perícia e cuidado do fotógrafo.

Trabalhar com placas de Collodion não era, nem é,  uma tarefa simples. As câmeras de Julia Cameron eram grandes e pesadas, as objetivas de pouca profundidade, e ainda hoje exigem muita perícia do fotógrafo para operá-las bem como para trabalhar com produtos químicos perigosos, ou seja, nada normal para uma mulher daquele tempo. Ela mesma emulsionava e gostava de imprimir em papel de Cloreto de Prata, sua preferência ao Albumen também usado, um processo mais popular na época. Chamava de uma "brincadeira de criança" comparada a ter que emulsionar as suas placas de negativos. Artistas e amigos achavam impressionante essa capacidade porque tinham ela como "uma mulher impetuosa e meio atrapalhada."

 A era Vitoriana, chamada assim por conta da rainha Alexandrina Victoria (1819-1901) e seu reinado de 1837 a 1901, foi um período também conhecido como a Pax Britannica, após as guerras napoleônicas. Uma expansão imperialista sustentada pelos ganhos dos empreendimentos colonialistas do  Império Britânico e pelo pico da Revolução Industrial. Pouco mais de meio século, onde a fotografia prosperou como técnica reprodutiva, bem como nos salões de arte. Um tempo marcado pelo confronto entre conceitos góticos e clássicos na arquitetura; pela literatura de Charles Dickens (1812-1870), Lewis Carrol e Robert Louis Stevenson (1850-1894);  a poesia de Tennyson e  W.B.Yeats (1865-1939) entre outros, que precederam os conceitos simbolistas importados da França na última década do século XIX.

A luz do dia era a preferida de Julia Cameron e a trabalhava com muito mais dramaticidade do que seus contemporâneos. Não gostava de retocar as cópias, nem mesmos os pontinhos que surgiam. Uma das características marcantes em seus retratos são o foco limitado, por conta das objetivas de longa distância focal, dificil de manejar porque ficava muito próxima de seu modelo, o que a levava a trabalhar com o diafragma muito aberto para ter pouca profundidade de campo.

 A ideia era perder a definição de modo a criar um efeito etéreo para suas imagens. Na época a maioria usava o estúdio para melhor controle da luz, mas a fotógrafa achava apertado e entediante como escreveu o historiador e colecionador de fotografia alemão Helmut Gernsheim (1913-1995) em seu livro Julia Margaret Cameron, Her Life and Photographic Work ( Fountain Press, 1942).

 A iconoclasta escritora Virginia Woolf, escreve  que o pai de sua tia-avó Julia Cameron, era conhecido como "O grande mentiroso da Índia". Era um cavalheiro segundo ela, mas de reputação duvidosa e que “bebeu até morrer.” Mas, a fotógrafa herdou dele uma "vitalidade indomável." Ao contrário deste, ela tinha o dom de um discurso ardente e um comportamento pitoresco encontrado nas páginas de sua calma autobiografia vitoriana.

Wolff credita a mãe da fotógrafa "presumivelmente" o amor pela beleza e sua aversão pelas convenções frias e formais da sociedade inglesa. Apesar de não ser bonita como suas outras duas irmãs - "quando ela era criança parecia uma aparição aterrorizante, pequena e meio curvada" - sua descrição era sempre como "talentosa", mas era o epítome dos melhores predicados da família.  (esta edição traz uma série de notas reajustando datas e informações colocadas pela escritora na primeira versão de 1926)

 Para o crítico Roger Fry, independentemente dos conceitos artísticos duvidosos que a fotografia impôs em seus primórdios, as imagens de Julia Cameron legaram à posteridade o mais fascinante registro da época vitoriana. Um período que segundo ele, entre os anos 1860 e 1870, a Inglaterra gozava, como "enfeitiçada", de um forte individualismo. "As pessoas eram excessivamente cuidadosas para se conformar a um certo código moral, mas dentro dos limites em não temer suas próprias personalidades." Era então uma cirscunstância que favorecia a difusão da fotografia e o trabalho de Cameron.

 A pintura dificilmente realizava o que uma imagem fotográfica era capaz. Para o crítico Roger Fry, as fotografias vindas das mãos de Julia Cameron ofereciam o que somente os grandes mestres eram capazes de nos dar. Ele atenta para a sua inspiração em pintores como Dante Rafael Rosseti (1828-1882), John Everet Millais ( 1829-1896), William Holman Hunt (1827-1910) os chamados Pré-Rafaelitas, uma espécie de sociedade que almejava reformar a arte britânica, recuperando os modelos dos florentinos do chamado Quattrocento, contra o artificialismo da arte acadêmica e uma retomada dos pintores anteriores ao italiano Rafael Sanzio (1483-1520), o grande culpado pela insinceridade da arte diante da natureza. Tratava-se então de voltar aos tempos que os artistas " eram sinceros e fiéis a obra de Deus."

A fotógrafa além do seu repertório bíblico, buscava inspiração nos temas arturianos, lendários e heróicos e figuras da mitologia. Seus retratos beiravam o drama e eram amplamente românticos, subvertendo a ordem até então da alta definição das imagens e boa resolução por maiores granulações e desfoques evidenciados ora captando o movimento em velocidades mais lentas do obturador ou exposições dos negativos mais longas, o que deixavam os rostos mais claros, buscando uma certa alteração da materialidade.

 Julia Cameron em sua curta trajetória foi uma das diletantes mais criativas e avançadas em seu tempo. Até mesmo costumava registrar cada fotografia no escritório de direitos autorais e mantinha todos os detalhes com ela. Seu senso de negócios ajudou a salvar muitos de seus trabalhos que até hoje estão em diferentes coleções de grandes museus como o Metropolitan Museum of Art (MET) de Nova York.

 Não obstante seu valor histórico mais amplo, pelo registro de personalidades importantes que foram retratadas por ela como o naturalista Charles Darwin (1809-1882) e o escritor Thomas Carlyle ( 1795-1881), constantemente usava suas sobrinhas e filhas como modelos para suas digressões e experimentações que transitavam pelo interesse tanto cultural como espiritual.

"Desde o primeiro momento, manusei minhas lentes com um ardor terno, e isso se tornou para mim como uma coisa viva" escreveu ela. Igualmente interessante são algumas legendas que acompanham as imagens com opiniões de seus fotografados como o poeta Tennyson que titulou seu retrato como "O monge sujo" ou o filósofo Thomas Carlyle que escreve sobre si mesmo: "terrivelmente feio e desolado, mas tem algo de minha semelhança". Já o grande John Herschel disse a ela que seu retrato era o mais bem feito, batendo qualquer coisa que ele já havia visto na arte fotográfica.

 Victorian Photographs of Famous Men & Fair Women é dividido em retratos em close e aqueles alegóricos e mais ilustrativos. Embora, ambas ideias se mantenham com os belos artifícios estéticos da autora, que muitos críticos de sua época e de hoje comparam erroneamente a negligências técnicas. Imagens de seus amigos e frequentadores do seu cottage como os já citados Darwin e Tennyson ou como a importante atriz shakespeariana inglesa Ellen Terry (1847-1928) ainda em sua adolescência . Em 1875 ela deixou Freshwater e mudou-se para o Ceilão onde continuou fotografando, apesar das dificuldades práticas impostas pelo lugar, morrendo 4 anos depois.

Foram apenas 11 anos fotografando, onde ela misturou sua vida com sua prática fotográfica. Mãe de 6 filhos e mais 3 adotados, a maternidade foi um dos seus temas constantes, assim como a representação da beleza feminina juntamente com a das crianças, infelizmente algumas delas sendo ressignificadas por uma moral retrógrada e medíocre nestes nossos dias contemporâneos.  Além de seu fervor religioso era imersa em uma subjetividade distante de sua época, que até hoje influencia fotógrafos como o italiano Paolo Roversi pelo lado estético ou a americana Cindy Sherman pelo lado conceitual da fotografia como encenação.

 Fotografias © Julia Margaret Cameron   Texto © Juan Esteves

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[damedarcy]

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[queerwelsh]

LGBT+ History Month & Wales - Cymru & Mis Hanes LHDT+

This is a guest post I made for LGBT+ History Month 2018, on the National Library of Wales’s blog. (Welsh version below.)

Wales & LGBT+ History Month Wales & LGBT+ History Month For fifteen years, February has been regarded as the month to celebrate the histories of lesbian, gay, bisexual, transgender and queer people, and anybody else who may fit into the LGBT+ umbrella. LGBT+ History Month 2018 has seen the most events in Wales yet – such as Pride Cymru’s event at the Senedd. From studying the LGBT History of Wales, I’ve found that the National Library is a hive of secondary and primary resources into Welsh LGBT Histories. Anyone who has used their archives will know it is a great resource to uncover personal histories – such as Welsh women’s histories. Similarly, Welsh LGBT+ people’s histories are still being uncovered. This month, or any other month, read the history of a Welsh LGBT+ person, celebrate them, and maybe help uncover the history of Welsh LGBT+ people. Here are fourteen key figures in Welsh LGBT+ history who can be researched at the National Library of Wales – to be celebrated this month, and hopefully to always be celebrated in Welsh history. 1. The Ladies of Llangollen are the most well-known Welsh LGBT+ figures. They were Sarah Ponsonby [1755-1831] and Eleanor Butler [1739-1829], two Irish women who escaped their family to live their lives together at Plas Newydd in Llangollen. Much has been written about them, which can be read at the National Library. Archives related to the Ladies at the Library include portraits, letters, facsimiles of their account books, electronic resources and other papers. NLW MS 21682C – Letters from Ladies of Llangollen NLW MS 23699E, ff. 135-137. – Letters of the Ladies of Llangollen NLW MS 23980F, ff. 24-25. – Ladies of Llangollen letters NLW MS 22768D. – Ladies of Llangollen letters Cardiff MS 2.908. – Ladies of Llangollen Bodrhyddan Estate Papers, Deeds and Documents 57 – Letter: Sarah Ponsonby to Miss Williams Wynn. Endorsed ‘Last Letter from Miss Ponsonby’ NLW Facs 18. – ‘Ladies of Llangollen’ account book NLW Facs 19. – ‘Ladies of Llangollen’ account book NLW MS 19697B. – A personal and household account book of the ‘Ladies of Llangollen’ in the hand of Sarah Ponsonby Other writings on the Ladies includes accounts on them from the period, Ceridwen Lloyd-Morgan’s Papers of the ‘Ladies of Llangollen’ and Susan Valladares’ article on Anne Lister’s meeting with the Ladies. 2. Katherine Philips [1631-1664] was an Anglo-Welsh poet who Norena Shopland has uncovered as ‘The Welsh Sappho.’ Philips is one of the earliest examples of poetry around her ‘romantic friendships.’ NLW MS 775B. – Katherine Philips poetry NLW MS 776B. – Katherine Philips poetry NLW Facs 739. – Katherine Philips poem NLW Films 943-6 – Katherine Philips Microfilms NLW MS 21702E. – Barddoniaeth amrywiol 3. Frances Power Cobbe [1822-1904] and Mary Charlotte Lloyd [1819-1896], like the Ladies of Llangollen lived in Wales together. Cobbe was a well-known suffragette, campaigner and writer – Mary Lloyd was a Welsh sculptor who lived as her partner. Sources on Lloyd are mainly from Cobbe’s writings. Minor Deposit 1309-15. – Manuscripts of Frances Power Cobbe of Hengwrt, Dolgellau, religious philosopher, &c NLW ex 1865-7 – Frances Power Cobbe Bequest 4. Sarah Jane Rees (Cranogwen) [1839-1916] was a writer, editor, sailor, lecturer, and editor of Y Frythones, and was in a lifelong lesbian relationship, as written by Jane Aaron in Queer Wales. Sarah Jane Rees (‘Cranogwen’) Cerddi i Maggie Eurona gan Cranogwen. NLW MS 23895A. – Anerchiad gan Cranogwen Sarah Jane Rees (‘Cranogwen’) poetry 5. Amy Dillwyn [1845-1935] was an industrialist and feminist who also published novels with lesbian and cross-dressing themes. The novels published by Honno, her biography David Painting and other writings about her by Kirsti Bohata can be read at the Library. Amy Dillwyn papers 6. Gwen John [1876-1939] is probably the most well-known female Welsh artist – less well-known is her relationships with women, such as Véra Oumançoff. Gwen John manuscripts 7. Margaret Haig Mackworth, 2nd Viscountess of Rhondda, [1883-1958] also had relationships with men and women and is well-known as a suffragette. Books by and about her (i.e. Angela John) can be found in the Library. 8. George E. J. Powell of Nanteos [1842-82], has been written about by Harry Heuser in Queer Wales and New Welsh Reader. NLW Facs 417. – Letters to George E. J. Powell, Nanteos Minor Deposits 1394-97. – Letters to George E. J. Powell from A.C. Swinburne 9. Nina Hamnett [1890-1956] was the ‘Queen of Bohemia,’ a bisexual artist from Wales who was linked to the Bloomsbury Group. Search Nina Hamnett in the catalogue. 10. Ivor Novello [1893-1951] was a popular 20th century entertainer from Cardiff. NLW MS 23204D. – Ivor Novello papers NLW MS 23696E. – Ivor Novello letters 11. Rhys Davies [1901-1978] Rhys Davies Papers 12. Kate Roberts [1891-1985], known as the Queen of our Literature, was married to Morris T. Williams [1900-1946], while he had an affair with Edward Prosser Rhys [1901-1945]. E. Prosser Rhys is best known for his winning poem ‘Atgof’ in the 1924 Eisteddfod, exploring his bisexual relationships. Alan Llwyd, in his autobiography of Roberts, theorised that she may have also been bisexual. Papurau Kate Roberts 13. Margiad Evans [1909-1958] was a novelist who again was married, but it is more well known that she had a relationship with Ruth Farr, while her novelists explore themes of sexuality. Her novels, manuscripts and autobiography are at the Library, as well as writings on her, such as by Ceridwen Lloyd-Morgan, and her archived papers and letters: NLW Facs 870 – Margiad Evans Diary NLW ex 2790 (i & ii) – Margiad Evans family papers Margiad Evans Papers Margiad Evans Manuscripts NLW MS 23893E. – Margiad Evans Letters NLW MS 23994F. – Poems by Margiad Evans 14. Jan Morris. [1926-] is a Welsh writer and historian, and trans woman. She wrote Conundrum on her experiences with gender transition, as well as books on Wales, and is an important and influential Welsh LGBT figure. Jan Morris Papers

There are many more LGBT+ people from Wales increasingly being written about in queer history and Welsh history. John Davies was a leading Welsh historian who was LGBT and Jeffrey Weeks is a leading sexuality historian from the Rhondda. Other sources used by Welsh LGBT historians, such as Shopland, are newspaper articles, such as those available through the Welsh Newspapers Online. Mair Jones, MA History of Wales, Aberystwyth University. Further Reading Osborne, Huw. Queer Wales. Shopland, Norena. Forbidden Lives. Tate, Tim. Pride. Weeks, Jeffrey. Icons & Allies.

Cymru & Mis Hanes LHDT+

Dyma gofnod gwadd gan Mair Jones.

Cymru & Mis Hanes LHDT+ Am bymtheg mlynedd, ystyriwyd mis Chwefror fel mis i ddathlu hanes pobl lesbiaidd, hoyw, deurywiol, trawsrywiol a queer, ac unrhyw un arall gall ffitio i’r ambarél LHDT+. Mae Mis Hanes LHDT+ 2018 wedi gweld y mwyaf o ddigwyddiadau yng Nghymru eto – fel digwyddiad Pride Cymru yn y Senedd

O astudio Hanes LHDT+ Cymru, rwyf wedi darganfod bod y Llyfrgell Genedlaethol yn llawn adnoddau cynradd ac eilradd Hanes LHDT+ Cymru. Bydd unrhyw un sydd wedi defnyddio eu archifau yn gwybod ei fod yn adnodd gwych i ddatgelu hanesion personol – fel hanesion menywod yng Nghymru. Mae hanesion pobl LHDT+ Cymru hefyd yn dal i gael eu datgelu. Mis yma, neu yn unrhyw fis arall, darllenwch darllen hanes person LHDT + Cymraeg, dathlwch, ac efallai helpwch i ddatgelu hanes pobl LHDT+ Cymru.

Dyma bedwar ar ddeg o ffigurau allweddol mewn hanes LHDT+ Cymru y gellir eu hymchwilio yn Llyfrgell Genedlaethol Cymru – i’w ddathlu’r mis hwn, a gobeithio o fewn hanes Cymru.

1. ‘Ladies of Llangollen.’ Rhain yw’r ffigyrau LHDT+ mwyaf adnabyddus o Gymru. Yr oeddent yn Sarah Ponsonby [1755-1831] ac Eleanor Butler [1739-1829], dwy fenyw Gwyddelig a wnaeth ddianc o’u teuluoedd i fyw eu bywydau gyda’i gilydd ym Mhlas Newydd yn Llangollen. Ysgrifennwyd llawer amdanynt y gellir eu darllen yn y Llyfrgell Genedlaethol. Mae archifau sy’n gysylltiedig iddynt yn cynnwys portreadau, llythyrau, ffacsimilïau o’u llyfrau cyfrif, adnoddau electronig a phapurau eraill. NLW MS 21682C – Letters from Ladies of Llangollen NLW MS 23699E, ff. 135-137. – Letters of the Ladies of Llangollen NLW MS 23980F, ff. 24-25. – Ladies of Llangollen letters NLW MS 22768D. – Ladies of Llangollen letters Cardiff MS 2.908. – Ladies of Llangollen Bodrhyddan Estate Papers, Deeds and Documents 57 – Letter: Sarah Ponsonby [one of ‘The Ladies of Llangollen’] to Miss Williams Wynn. Endorsed ‘Last Letter from Miss Ponsonby’ NLW Facs 18. – ‘Ladies of Llangollen’ account book NLW Facs 19. – ‘Ladies of Llangollen’ account book NLW MS 19697B. – A personal and household account book of the ‘Ladies of Llangollen’ in the hand of Sarah Ponsonby Mae ysgrifau eraill arnynt yn cynnwys cyfrifon ohonynt o’r amser, Papers of the ‘Ladies of Llangollen’ gan Ceridwen Lloyd-Morgan ac erthygl Susan Valladares arnynt yn gyfarfod Anne Lister.

2. Roedd Katherine Philips [1631-1664] yn fardd Anglo-Gymreig y mae Norena Shopland wedi darganfod fel y ‘Welsh Sappho.’ Mae Philips yn un o’r enghreifftiau cynharaf o farddoniaeth o gwmpas ‘gyfeillgarwch rhamantus’. NLW MS 775B. – Katherine Philips poetry NLW MS 776B. – Katherine Philips poetry NLW Facs 739. – Katherine Philips poem NLW Films 943-6 – Katherine Philips Microfilms NLW MS 21702E. – Barddoniaeth amrywiol

3. Roedd Frances Power Cobbe [1822-1904] a Mary Charlotte Lloyd [1819-1896], fel Ponsonby a Butler, yn byw yng Nghymru gyda’i gilydd. Roedd Cobbe yn swffraget adnabyddus, ac awdur – roedd Mary Lloyd yn gerflunydd o Gymru a oedd yn byw gyda’i fel ei phartner. Mae’r ffynonellau ar Lloyd yn bennaf o ysgrifau Cobbe. Minor Deposit 1309-15. – Manuscripts of Frances Power Cobbe of Hengwrt, Dolgellau, religious philosopher, &c NLW ex 1865-7 – Frances Power Cobbe Bequest

4. Roedd Sarah Jane Rees (Cranogwen) [1839-1916] yn awdur, golygydd, morwr, darlithydd, a golygydd Y Frythones, ac roedd mewn perthynas lesbiaidd gydol oes, fel y ysgrifennwyd gan Jane Aaron yn Queer Wales. Sarah Jane Rees (‘Cranogwen’) Cerddi i Maggie Eurona gan Cranogwen NLW MS 23895A. – Anerchiad gan Cranogwen Sarah Jane Rees (‘Cranogwen’) poetry

5. Roedd Amy Dillwyn [1845-1935] yn ddiwydiannydd a ffeminist a gyhoeddodd nofelau â themâu lesbiaidd a chroes-wisgo. Gellir darllen y nofelau a gyhoeddwyd gan Honno, ei chofiad gan David Painting ac ysgrifenniadau eraill amdani gan Kirsti Bohata yn y Llyfrgell. Amy Dillwyn papers

6. Mae’n debyg mai Gwen John [1876-1939] yw’r artist benywaidd mwyaf adnabyddus yng Nghymru – llai adnabyddus yw ei pherthynas â merched, fel Véra Oumançoff. Gwen John manuscripts

7. Cafodd Margaret Haig Mackworth, 2il Is-iarll Rhondda, [1883-1958] hefyd berthnasoedd â dynion a merched ac mae’n adnabyddus fel swffraget. Gellir dod o hyd i lyfrau amdani (h.y. gan Angela John) a ganddi yn y Llyfrgell.

8. Mae George Powell o Nanteos [1842-82] a’i rhywioldeb wedi cael ei ysgrifennu amdano gan Harry Heuser yn Queer Wales ac mae nifer o’i ysgrifau i’w darllen yn y Llyfrgell. NLW Facs 417. – Letters to George E. J. Powell, Nanteos Minor Deposits 1394-97. – Letters to George E. J. Powell from A.C. Swinburne

9. Nina Hamnett [1890-1956] oedd y ‘Queen of Bohemia,’ artist deurhywiol o Gymru oedd yn gysylltiedig a’r Grwp Bloomsbury.

10. Ivor Novello [1893-1951] NLW MS 23204D. – Ivor Novello papers NLW MS 23696E. – Ivor Novello letters

11. Rhys Davies [1901-1978] Rhys Davies Papers

12. Roedd Kate Roberts [1891-1985], a elwir yn Frenhines ein Llên, yn briod â Morris T. Williams [1900-1946], tra bu ganddo berthynas ag Edward Prosser Rhys [1901-1945]. Mae E. Prosser Rhys yn adnabyddus am ei gerdd fuddugol ‘Atgof’ yn Eisteddfod 1924, amdano ei berthnasoedd ddeurywiol. Teimlai Alan Llwyd, yn ei hunangofiant Roberts, ei bod hi hefyd wedi bod yn ddeurywiol. Papurau Kate Roberts

13. Roedd Margiad Evans [1909-1958] yn nofelydd a oedd eto’n briod, ond mae’n fwy adnabyddus bod ganddi berthynas â Ruth Farr, tra bod ei nofelau yn archwilio themâu rhywioldeb. Mae ei nofelau, ei lawysgrifau a’i hunangofiant yn y Llyfrgell, yn ogystal ag ysgrifennu arni, fel gan Ceridwen Lloyd-Morgan, a’i phapurau a’i llythyrau archif. NLW Facs 870 – Margiad Evans Diary NLW ex 2790 (i & ii) – Margiad Evans family papers Margiad Evans Papers Margiad Evans Manuscripts NLW MS 23893E. – Margiad Evans Letters NLW MS 23994F. – Poems by Margiad Evans

14. Mae Jan Morris [1926-] yn awdur a hanesydd Cymreig. Ysgrifennodd lyfr ar ei phrofiadau yn bod yn trawsryweddol yn ogystal â hanesion Cymru, ac mae’n ffigwr pwysig a dylanwadol LHDT+ Cymru. Jan Morris Papers

Mae yna llawer mwy o bobl LHDT + o Gymru yn cael eu hysgrifennu’n gynyddol mewn hanes queer a hanes Cymru. Roedd John Davies yn hanesydd blaenllaw yng Nghymru a oedd yn LHDT ac mae Jeffrey Weeks yn hanesydd rhywioldeb blaenllaw o’r Rhondda. Mae ffynonellau eraill a ddefnyddiwyd gan haneswyr LHDT Cymru, megis Shopland, yn erthyglau papur newydd, fel y rhai sydd ar gael trwy Bapurau Newydd Cymru Arlein

Mair Jones, MA Hanes Cymru, Prifysgol Aberystwyth.

Darllen pellach: Osborne, Huw. Queer Wales. Shopland, Norena. Forbidden Lives. Tate, Tim. Pride. Weeks, Jeffrey.

[18thcenturysoul]

the ultimate rory gilmore book guide

1. 1984 by George Orwell

2. Adventures of Huckleberry Finn by Mark Twain

3. Alice in Wonderland by Lewis Carroll

4. The Amazing Adventures of Kavalier & Clay by Michael Chabon

5. An American Tragedy by Theodore Dreiser

6. Angela's Ashes by Frank McCourt

7. Anna Karenina by Leo Tolstoy

8. The Diary of a Young Girl by Anne Frank

9. The Archidamian War by Donald Kagan

10. The Art of Fiction by Henry James

11. The Art of War by Sun Tzu

12. As I Lay Dying by William Faulkner

13. Atonement by Ian McEwan

14. Autobiography of a Face by Lucy Grealy

15. The Awakening by Kate Chopin

16. Babe by Dick King-Smith

17. Backlash: The Undeclared War Against American Women by Susan Faludi

18. Balzac and the Little Chinese Seamstress by Dai Sijie

19. Bel Canto by Ann Patchett

20. The Bell Jar by Sylvia Plath

21. Beloved by Toni Morrison

22. Beowulf: A New Verse Translation by Seamus Heaney

23. The Bhagava Gita

24. The Bielski Brothers: The True Story of Three Men Who Defied the Nazis, Built a Village in the Forest, and Saved 1,200 Jews by Peter Duffy

25. Bitch in Praise of Difficult Women by Elizabeth Wurtzel

26. A Bolt from the Blue and Other Essays by Mary McCarthy

27. Brave New World by Aldous Huxley

28. Brick Lane by Monica Ali

29. Bridgadoon by Alan Jay Lerner

30. Candide by Voltaire

31. The Canterbury Tales by Chaucer

32. Carrie by Stephen King

33. Catch-22 by Joseph Heller

34. The Catcher in the Rye by J. D. Salinger

35. Charlotte's Web by E. B. White

36. The Children's Hour by Lillian Hellman

37. Christine by Stephen King

38. A Christmas Carol by Charles Dickens

39. A Clockwork Orange by Anthony Burgess

40. The Code of the Woosters by P.G. Wodehouse

41. The Collected Stories by Eudora Welty

42. A Comedy of Errors by William Shakespeare

43. Complete Novels by Dawn Powell

44. The Complete Poems by Anne Sexton

45. Complete Stories by Dorothy Parker

46. A Confederacy of Dunces by John Kennedy Toole

47. The Count of Monte Cristo by Alexandre Dumas

48. Cousin Bette by Honore de Balzac

49. Crime and Punishment by Fyodor Dostoevsky

50. The Crimson Petal and the White by Michel Faber

51. The Crucible by Arthur Miller

52. Cujo by Stephen King

53. The Curious Incident of the Dog in the Night-Time by Mark Haddon

54. Daughter of Fortune by Isabel Allende

55. David and Lisa by Dr Theodore Issac Rubin M.D

56. David Copperfield by Charles Dickens

57. The Da Vinci -Code by Dan Brown

58. Dead Souls by Nikolai Gogol

59. Demons by Fyodor Dostoyevsky

60. Death of a Salesman by Arthur Miller

61. Deenie by Judy Blume

62. The Devil in the White City: Murder, Magic, and Madness at the Fair that Changed America by Erik Larson

63. The Dirt: Confessions of the World's Most Notorious Rock Band by Tommy Lee, Vince Neil, Mick Mars and Nikki Sixx

64. The Divine Comedy by Dante

65. The Divine Secrets of the Ya-Ya Sisterhood by Rebecca Wells

66. Don Quixote by Cervantes

67. Driving Miss Daisy by Alfred Uhrv

68. Dr. Jekyll & Mr. Hyde by Robert Louis Stevenson

69. Edgar Allan Poe: Complete Tales & Poems by Edgar Allan Poe

70. Eleanor Roosevelt by Blanche Wiesen Cook

71. The Electric Kool-Aid Acid Test by Tom Wolfe

72. Ella Minnow Pea: A Novel in Letters by Mark Dunn

73. Eloise by Kay Thompson

74. Emily the Strange by Roger Reger

75. Emma by Jane Austen

76. Empire Falls by Richard Russo

77. Encyclopedia Brown: Boy Detective by Donald J. Sobol

78. Ethan Frome by Edith Wharton

79. Ethics by Spinoza

80. Europe through the Back Door, 2003 by Rick Steves

81. Eva Luna by Isabel Allende

82. Everything Is Illuminated by Jonathan Safran Foer

83. Extravagance by Gary Krist

84. Fahrenheit 451 by Ray Bradbury

85. Fahrenheit 9/11 by Michael Moore

86. The Fall of the Athenian Empire by Donald Kagan

87. Fat Land: How Americans Became the Fattest People in the World by Greg Critser

88. Fear and Loathing in Las Vegas by Hunter S. Thompson

89. The Fellowship of the Ring by J. R. R. Tolkien

90. Fiddler on the Roof by Joseph Stein

91. The Five People You Meet in Heaven by Mitch Albom

92. Finnegan's Wake by James Joyce

93. Fletch by Gregory McDonald

94. Flowers for Algernon by Daniel Keyes

95. The Fortress of Solitude by Jonathan Lethem

96. The Fountainhead by Ayn Rand

97. Frankenstein by Mary Shelley

98. Franny and Zooey by J. D. Salinger

99. Freaky Friday by Mary Rodgers

100. Galapagos by Kurt Vonnegut

101. Gender Trouble by Judith Butler

102. George W. Bushism: The Slate Book of the Accidental Wit and Wisdom of our 43rd President by Jacob Weisberg

103. Gidget by Fredrick Kohner

104. Girl, Interrupted by Susanna Kaysen

105. The Gnostic Gospels by Elaine Pagels

106. The Godfather: Book 1 by Mario Puzo

107. The God of Small Things by Arundhati Roy

108. Goldilocks and the Three Bears by Alvin Granowsky

109. Gone with the Wind by Margaret Mitchell

110. The Good Soldier by Ford Maddox Ford

111. The Gospel According to Judy Bloom

112. The Graduate by Charles Webb

113. The Grapes of Wrath by John Steinbeck

114. The Great Gatsby by F. Scott Fitzgerald

115. Great Expectations by Charles Dickens

116. The Group by Mary McCarthy

117. Hamlet by William Shakespeare

118. Harry Potter and the Goblet of Fire by J. K. Rowling

119. Harry Potter and the Sorcerer's Stone by J. K. Rowling

120. A Heartbreaking Work of Staggering Genius by Dave Eggers

121. Heart of Darkness by Joseph Conrad

122. Helter Skelter: The True Story of the Manson Murders by Vincent Bugliosi and Curt Gentry

123. Henry IV, part I by William Shakespeare

124. Henry IV, part II by William Shakespeare

125. Henry V by William Shakespeare

126. High Fidelity by Nick Hornby

127. The History of the Decline and Fall of the Roman Empire by Edward Gibbon

128. Holidays on Ice: Stories by David Sedaris

129. The Holy Barbarians by Lawrence Lipton

130. House of Sand and Fog by Andre Dubus III

131. The House of the Spirits by Isabel Allende

132. How to Breathe Underwater by Julie Orringer

133. How the Grinch Stole Christmas by Dr. Seuss

134. How the Light Gets In by M. J. Hyland

135. Howl by Allen Ginsberg

136. The Hunchback of Notre Dame by Victor Hugo

137. The Iliad by Homer

138. I'm With the Band by Pamela des Barres

139. In Cold Blood by Truman Capote

140. Inferno by Dante

141. Inherit the Wind by Jerome Lawrence and Robert E. Lee

142. Iron Weed by William J. Kennedy

143. It Takes a Village by Hillary Rodham Clinton

144. Jane Eyre by Charlotte Bronte

145. The Joy Luck Club by Amy Tan

146. Julius Caesar by William Shakespeare

147. The Jumping Frog by Mark Twain

148. The Jungle by Upton Sinclair

149. Just a Couple of Days by Tony Vigorito

150. The Kitchen Boy: A Novel of the Last Tsar by Robert Alexander

151. Kitchen Confidential: Adventures in the Culinary Underbelly by Anthony Bourdain

152. The Kite Runner by Khaled Hosseini

153. Lady Chatterleys' Lover by D. H. Lawrence

154. The Last Empire: Essays 1992-2000 by Gore Vidal

155. Leaves of Grass by Walt Whitman

156. The Legend of Bagger Vance by Steven Pressfield

157. Less Than Zero by Bret Easton Ellis

158. Letters to a Young Poet by Rainer Maria Rilke

159. Lies and the Lying Liars Who Tell Them by Al Franken

160. Life of Pi by Yann Martel

161. Little Dorrit by Charles Dickens

162. The Little Locksmith by Katharine Butler Hathaway

163. The Little Match Girl by Hans Christian Andersen

164. Little Women by Louisa May Alcott

165. Living History by Hillary Rodham Clinton

166. Lord of the Flies by William Golding

167. The Lottery: And Other Stories by Shirley Jackson

168. The Lovely Bones by Alice Sebold

169. The Love Story by Erich Segal

170. Macbeth by William Shakespeare

171. Madame Bovary by Gustave Flaubert

172. The Manticore by Robertson Davies

173. Marathon Man by William Goldman

174. The Master and Margarita by Mikhail Bulgakov

175. Memoirs of a Dutiful Daughter by Simone de Beauvoir

176. Memoirs of General W. T. Sherman by William Tecumseh Sherman

177. Me Talk Pretty One Day by David Sedaris

178. The Meaning of Consuelo by Judith Ortiz Cofer

179. Mencken's Chrestomathy by H. R. Mencken

180. The Merry Wives of Windsor by William Shakespeare

181. The Metamorphosis by Franz Kafka

182. Middlesex by Jeffrey Eugenides

183. The Miracle Worker by William Gibson

184. Moby Dick by Herman Melville

185. The Mojo Collection: The Ultimate Music Companion by Jim Irvin

186. Moliere: A Biography by Hobart Chatfield Taylor

187. A Monetary History of the United States by Milton Friedman

188. Monsieur Proust by Celeste Albaret

189. A Month Of Sundays: Searching For The Spirit And My Sister by Julie Mars

190. A Moveable Feast by Ernest Hemingway

191. Mrs. Dalloway by Virginia Woolf

192. Mutiny on the Bounty by Charles Nordhoff and James Norman Hall

193. My Lai 4: A Report on the Massacre and It's Aftermath by Seymour M. Hersh

194. My Life as Author and Editor by H. R. Mencken

195. My Life in Orange: Growing Up with the Guru by Tim Guest

196. Myra Waldo's Travel and Motoring Guide to Europe, 1978 by Myra Waldo

197. My Sister's Keeper by Jodi Picoult

198. The Naked and the Dead by Norman Mailer

199. The Name of the Rose by Umberto Eco

200. The Namesake by Jhumpa Lahiri

201. The Nanny Diaries by Emma McLaughlin

202. Nervous System: Or, Losing My Mind in Literature by Jan Lars Jensen

203. New Poems of Emily Dickinson by Emily Dickinson

204. The New Way Things Work by David Macaulay

205. Nickel and Dimed by Barbara Ehrenreich

206. Night by Elie Wiesel

207. Northanger Abbey by Jane Austen

208. The Norton Anthology of Theory and Criticism by William E. Cain, Laurie A. Finke, Barbara E. Johnson, John P. McGowan

209. Novels 1930-1942: Dance Night/Come Back to Sorrento, Turn, Magic Wheel/Angels on Toast/A Time to be Born by Dawn Powell

210. Notes of a Dirty Old Man by Charles Bukowski

211. Of Mice and Men by John Steinbeck

212. Old School by Tobias Wolff

213. On the Road by Jack Kerouac

214. One Flew Over the Cuckoo's Nest by Ken Kesey

215. One Hundred Years of Solitude by Gabriel Garcia Marquez

216. The Opposite of Fate: Memories of a Writing Life by Amy Tan

217. Oracle Night by Paul Auster

218. Oryx and Crake by Margaret Atwood

219. Othello by Shakespeare

220. Our Mutual Friend by Charles Dickens

221. The Outbreak of the Peloponnesian War by Donald Kagan

222. Out of Africa by Isac Dineson

223. The Outsiders by S. E. Hinton

224. A Passage to India by E.M. Forster

225. The Peace of Nicias and the Sicilian Expedition by Donald Kagan

226. The Perks of Being a Wallflower by Stephen Chbosky

227. Peyton Place by Grace Metalious

228. The Picture of Dorian Gray by Oscar Wilde

229. Pigs at the Trough by Arianna Huffington

230. Pinocchio by Carlo Collodi

231. Please Kill Me: The Uncensored Oral History of Punk Legs McNeil and Gillian McCain

232. The Polysyllabic Spree by Nick Hornby

233. The Portable Dorothy Parker by Dorothy Parker

234. The Portable Nietzche by Fredrich Nietzche

235. The Price of Loyalty: George W. Bush, the White House, and the Education of Paul O'Neill by Ron Suskind

236. Pride and Prejudice by Jane Austen

237. Property by Valerie Martin

238. Pushkin: A Biography by T. J. Binyon

239. Pygmalion by George Bernard Shaw

240. Quattrocento by James Mckean

241. A Quiet Storm by Rachel Howzell Hall

242. Rapunzel by Grimm Brothers

243. The Raven by Edgar Allan Poe

244. The Razor's Edge by W. Somerset Maugham

245. Reading Lolita in Tehran: A Memoir in Books by Azar Nafisi

246. Rebecca by Daphne du Maurier

247. Rebecca of Sunnybrook Farm by Kate Douglas Wiggin

248. The Red Tent by Anita Diamant

249. Rescuing Patty Hearst: Memories From a Decade Gone Mad by Virginia Holman

250. The Return of the King by J. R. R. Tolkien

251. R Is for Ricochet by Sue Grafton

252. Rita Hayworth by Stephen King

253. Robert's Rules of Order by Henry Robert

254. Roman Holiday by Edith Wharton

255. Romeo and Juliet by William Shakespeare

256. A Room of One's Own by Virginia Woolf

257. A Room with a View by E. M. Forster

258. Rosemary's Baby by Ira Levin

259. The Rough Guide to Europe, 2003 Edition

260. Sacred Time by Ursula Hegi

261. Sanctuary by William Faulkner

262. Savage Beauty: The Life of Edna St. Vincent Millay by Nancy Milford

263. Say Goodbye to Daisy Miller by Henry James

264. The Scarecrow of Oz by Frank L. Baum

265. The Scarlet Letter by Nathaniel Hawthorne

266. Seabiscuit: An American Legend by Laura Hillenbrand

267. The Second Sex by Simone de Beauvoir

268. The Secret Life of Bees by Sue Monk Kidd

269. Secrets of the Flesh: A Life of Colette by Judith Thurman

270. Selected Hotels of Europe

271. Selected Letters of Dawn Powell: 1913-1965 by Dawn Powell

272. Sense and Sensibility by Jane Austen

273. A Separate Peace by John Knowles

274. Several Biographies of Winston Churchill

275. Sexus by Henry Miller

276. The Shadow of the Wind by Carlos Ruiz Zafon

277. Shane by Jack Shaefer

278. The Shining by Stephen King

279. Siddhartha by Hermann Hesse

280. S Is for Silence by Sue Grafton

281. Slaughter-house Five by Kurt Vonnegut

282. Small Island by Andrea Levy

283. Snows of Kilimanjaro by Ernest Hemingway

284. Snow White and Rose Red by Grimm Brothers

285. Social Origins of Dictatorship and Democracy: Lord and Peasant in the Making of the Modern World by Barrington Moore

286. The Song of Names by Norman Lebrecht

287. Song of the Simple Truth: The Complete Poems of Julia de Burgos by Julia de Burgos

288. The Song Reader by Lisa Tucker

289. Songbook by Nick Hornby

290. The Sonnets by William Shakespeare

291. Sonnets from the Portuegese by Elizabeth Barrett Browning

292. Sophie's Choice by William Styron

293. The Sound and the Fury by William Faulkner

294. Speak, Memory by Vladimir Nabokov

295. Stiff: The Curious Lives of Human Cadavers by Mary Roach

296. The Story of My Life by Helen Keller

297. A Streetcar Named Desiree by Tennessee Williams

298. Stuart Little by E. B. White

299. Sun Also Rises by Ernest Hemingway

300. Swann's Way by Marcel Proust

301. Swimming with Giants: My Encounters with Whales, Dolphins and Seals by Anne Collett

302. Sybil by Flora Rheta Schreiber

303. A Tale of Two Cities by Charles Dickens

304. Tender Is The Night by F. Scott Fitzgerald

305. Term of Endearment by Larry McMurtry

306. Time and Again by Jack Finney

307. The Time Traveler's Wife by Audrey Niffenegger

308. To Have and Have Not by Ernest Hemingway

309. To Kill a Mockingbird by Harper Lee

310. The Tragedy of Richard III by William Shakespeare

311. A Tree Grows in Brooklyn by Betty Smith

312. The Trial by Franz Kafka

313. The True and Outstanding Adventures of the Hunt Sisters by Elisabeth Robinson

314. Truth & Beauty: A Friendship by Ann Patchett

315. Tuesdays with Morrie by Mitch Albom

316. Ulysses by James Joyce

317. The Unabridged Journals of Sylvia Plath 1950-1962 by Sylvia Plath

318. Uncle Tom's Cabin by Harriet Beecher Stowe

319. Unless by Carol Shields

320. Valley of the Dolls by Jacqueline Susann

321. The Vanishing Newspaper by Philip Meyers

322. Vanity Fair by William Makepeace Thackeray

323. Velvet Underground's The Velvet Underground and Nico (Thirty Three and a Third series) by Joe Harvard

324. The Virgin Suicides by Jeffrey Eugenides

325. Waiting for Godot by Samuel Beckett

326. Walden by Henry David Thoreau

327. Walt Disney's Bambi by Felix Salten

328. War and Peace by Leo Tolstoy

329. We Owe You Nothing – Punk Planet: The Collected Interviews edited by Daniel Sinker

330. What Colour is Your Parachute? 2005 by Richard Nelson Bolles

331. What Happened to Baby Jane by Henry Farrell

332. When the Emperor Was Divine by Julie Otsuka

333. Who Moved My Cheese? by Spencer Johnson

334. Who's Afraid of Virginia Woolf by Edward Albee

335. Wicked: The Life and Times of the Wicked Witch of the West by Gregory Maguire

336. The Wizard of Oz by Frank L. Baum

337. Wuthering Heights by Emily Bronte

338. The Yearling by Marjorie Kinnan Rawlings

339. The Year of Magical Thinking by Joan Didion

[edwardgoreyelephanthouse]

The Edward Gorey Personal Library at San Diego State University library comprises 26,000 books collected by Edward St. John Gorey (1924-2000). Over 9,000 catalogued volumes, or 35% of the collection are searchable at the link at the top of this page. If you find a book you would like to examine from this collection, please contact Special Collections and University Archives at askscua@mail.sdsu.edu, or at 619-594-6791 or visit their service desk on the 4th floor of the Library Addition. Books may only be viewed in the Special Collections area. 

The SDSU Library acquired the Edward Gorey Personal Library (EGPL) in 2009.  Edward Gorey collaborated with Professor Emeritus Peter Neumeyer who founded the Children's Literature Program at San Diego State University. In the 1960s and 1970s Neumeyer co-authored books with Gorey, including Why We Have Day and Night (1970),Donald and the... (1969) and Donald Has a Difficulty (1970).  In Neumeyer's groundbreaking 2011 book, Floating Worlds. The Letters of Edward Gorey & Peter F. Neumeyer, Neumeyer shares and annotates letters exchanged by the two men during the years they worked together, and his book includes never before published original envelope art by Gorey.

SDSU Notable Alumnus Andreas Brown envisioned that the SDSU Library's Edward Gorey Collection could be unique and distinctive collection on the West Coast. Once the owner of New York City's Gotham Book Mart, Brown was Gorey's friend in books. To hear more about this connection to SDSU, listen to A talk given by Andreas Brown.

Major Subjects Collected African art, art, art history, ballet, biography, British novels, children’s literature, detective fiction, fiction, general literature, games, garden, gothic literature, history, hymns, illustration, India Japan, mystery, poetry, France and culture, France and history, French literature and novels,

Predominant Authors and Artists Collected Jacob Abbott; J.R. Ackerly; Harold Acton; Louisa May Alcott; Hans Christian Andersen; Victor Appleton; Gillian Avery; Helen Bannerman; Djuna Barnes; Nina Bawden; Arnold Bennett;  E.F. Benson; James Blish; Guy Boothby; Lucy M. Boston; Charlotte Bronte; Wilhelm Busch, Randalf Caldecott; Italo Calvino; Lewis Carroll; Willa Cather;  Agatha Christie; Wilkie Collins; Maurice Stewart Collis; Water Crane; Franklin W. Dixon;  Theodore Dreiser; Maria Edgeworth; Juliana Horatia Ewing;  Eleanor Farjeon; J.S. Fletcher; Ronald Fraser; David Garnett; Stella Gibbons; Michael Francis Gilbert;  George Gissing; Rumer Godden; Kenneth Grahame;  Grahame Greene; Donald Hamilton; Patrick Hamilton;  L.P. Hartley; Herge; Inez Haynes Irwin; Erich Kastner; Carolyn Keene; Andrew Lang; Edward Lear; William LeQueux; Gason LeRoux; E.V. Lucas; Walter de la Mare; Louis Marlow; Richard Marsh; William Mayne; Herman Melville (sets); Leonard Merrick; Mrs. Molesworth; M. Pardoe; Eden Phillpotts; Beatrix Potter Anthony Powell; John Rhodes; Edward and Vita Sackville-West; Walter Scott; Mary Sinclair; Robert Lewis Stevenson; Margaret Sutton; Sylvia Townsend Warner; Anthony Trollope; Henry Williamson; E. H. Young.

[dweemeister]

My alternative 91st Academy Awards

As always during 31 Days of Oscar, I partake in an annual fantasy. What would the Oscars look like if I stuffed the ballots - choosing every single nomination and choosing every single winner? It always would look a lot different. Fans of Black Panther and Bohemian Rhapsody and Vice? Come at me.

91st Academy Awards – February 24, 2019 Dolby Theatre – Hollywood, Los Angeles, California Host: None Broadcaster: ABC

Best Picture: ROMA

BlacKkKlansman, Sean McKittrick, Jason Blum, Raymond Mansfield, Jordan Peele, and Spike Lee (Focus)

Burning (KOR), Lee Joon-dong and Lee Chang-dong (Pinehouse Film/Now Film/NHK/CGV Arthouse/Well Go USA Entertainment)

Eighth Grade, Scott Rudin, Eli Bush, Lila Yacoub, and Christopher Storer (A24)

The Favourite, Ceci Dempsey, Ed Guiney, Lee Magiday, and Yorgos Lanthimos (Fox Searchlight)

Mission: Impossible – Fallout, J.J. Abrams, Tom Cruise, Christopher McQuarrie, and Jake Myers (Paramount)

Roma (MEX), Alfonso Cuarón, Gabriela Rodriguez, and Nicolas Celis (Netflix)

Shoplifters (JPN), Matsuzaki Kaoru, Yose Akihiko, and Taguchi Hijiri (AOI Promotion/Fuji TV/GAGA/Magnolia Pictures)

Spider-Man: Into the Spider-Verse, Avi Arad, Ami Pascal, Phil Lord, Christopher Miller, and Christina Steinberg (Columbia)

A Star Is Born, Bill Gerber, Jon Peters, Bradley Cooper, Todd Phillips, and Lynette Howell Taylor (Metro-Goldwyn-Mayer/Warner Bros.)

Won’t You Be My Neighbor?, Morgan Neville, Caryn Capotosto, and Nicholas Ma (Focus)

Wholesale changes in this category compared to real life. The best three films of 2018, to me, were Burning, Roma, and Shoplifters -- none of these were in the English language. Films I tossed for Best Picture were Black Panther, Bohemian Rhapsody, Green Book, and Vice. I don’t think any of those four films have any business being in this category. In their place are the likes of Eighth Grade, Spider-Man: Into the Spider-Verse, Won’t You Be My Neighbor?, and one of the most technically marvelous action films in decades in Mission: Impossible -- Fallout. Yes, an M:I film (superb editing, setpieces, and audacious style that finally wakes the franchise up).

But I’m going for an unexciting pick according to some with Roma. To use an oxymoron, it is an intimate epic -- one crafted beautifully, daring to comment on relations between ethnicities and the sexes at a certain time in Mexico. 

Best Director

Lee Chang-dong, Burning

Alfonso Cuarón, Roma

Hirokazu Koreeda, Shoplifters

Christopher McQuarrie, Mission: Impossible – Fallout

Paul Schrader, First Reformed

If you’re scratching your head, yes... Paul Schrader was nominated for Director in my ceremony, but First Reformed is nowhere to be found in Picture. I tend to do this for one Best Director nominee every year.

Best Actor

Christian Bale, Vice

Ryan Gosling, First Man

Ethan Hawke, First Reformed

Rami Malek, Bohemian Rhapsody

Yoo Ah-in, Burning

The real-life Best Actor category this year is the most dire slate in a while. So here is your palate cleanser. 

Best Actress

Yalitza Aparicio, Roma

Glenn Close, The Wife

Olivia Colman, The Favourite

Elsie Fisher, Eighth Grade

Lady Gaga, A Star Is Born

It is not so much acting, as inhabiting. And, as a non-professional actress, Yalitza Aparicio has it. And I believe that, in my alternate Oscar universe (yes, I’ve drawn up and thought about it for many ceremonies past... I’ll reveal those some day), Aparicio would be the first indigenous woman to be awarded an acting Oscar.

Best Supporting Actor

Mahershala Ali, Green Book

Richard E. Grant, Can You Ever Forgive Me?

Josh Hamilton, Eighth Grade

Tim Blake Nelson, The Ballad of Buster Scruggs

Steven Yeun, Burning

Ali is good, don’t get me wrong. But, compared to the movie Moonlight and his performance in it, it looks like he is about to get a second Oscar for a far worse movie and a lesser role. Ali is fourth or fifth in this lineup for me. Grant is fantastic in Can You Ever Forgive Me?

Best Supporting Actress

Regina King, If Beale Street Could Talk

Emma Stone, The Favourite

Marina de Tavira, Roma

Rachel Weisz, The Favourite

Michelle Yeoh, Crazy Rich Asians

This comes down to the fact I couldn’t separate Stone and Weisz’s performances in their saucy movie. Nor could I find the argument to give de Tavira or Yeoh the Oscar. This is a bit of a default choice, I hate to say.

Best Adapted Screenplay

Joel Coen and Ethan Coen, The Ballad of Buster Scruggs

Charlie Wachtel, David Rabinowitz, Kevin Willmott, and Spike Lee, BlacKkKlansman

Nicole Holofcener and Jeff Whitty, Can You Ever Forgive Me?

Barry Jenkins, If Beale Street Could Talk

Debra Granik and Anne Rosellini, Leave No Trace

Spike Lee would have at least one or two Oscars in my alternative universe by this point! The difference between the screenplays for BlacKkKlansman and Can You Ever Forgive Me? is far slighter than you think.

Best Original Screenplay

Bo Burnham, Eighth Grade

Deborah Davis and Tony McNamara, The Favourite

Paul Schrader, First Reformed

Alfonso Cuarón, Roma

Hirokazu Koreeda, Shoplifters

Not even a contest if you asked me. This category is something else if I consider The Favourite and Roma bringing up the rear. But Koreeda’s drama about a found family that does what they can to survive is the culmination of what he has done in his career thus far. This is his Oscar.

Best Animated Feature

Incredibles 2 (Pixar/Walt Disney)

Night is Short, Walk On Girl, Japan (GKIDS/Toho Company)

Ruben Brandt, Collector, Hungary (Mozinet/Sony Pictures Classics)

Spider-Man: Into the Spider-Verse (Columbia)

Tito and the Birds, Brazil (Bits Produ�es/Shout! Factory)

Longtime followers know that I have unorthodox opinions about animated features. The only Animated Feature Oscar I’ve handed to Pixar/Walt Disney Animation Studios since beginning this tradition in 2013 was for Inside Out. I thought Ralph Breaks the Internet was a painful addition to the Disney animated canon, so it is not here. Nor is Wes Anderson’s culturally insensitive Isle of Dogs or Mamoru Hosoda’s sloppy Mirai. At the end of the day? No boat-rocking this time, except in some of the other nominees.

Best Documentary Feature

Free Solo (National Geographic)

Hale County This Morning, This Evening (The Cinema Guild)

Minding the Gap (ITVS/Kartemquin Films/Hulu/Magnolia Pictures)

Three Identical Strangers (CNN/Channel 4/Neon)

Won’t You Be My Neighbor? (Focus)

Shoulda been nominated! Shoulda won! But in the spirit of Mister Rogers’ Neighborhood, these are all great documentaries. Minding the Gap is a close #2.

Best Foreign Language Film

Burning, South Korea

Capernaum, Lebanon

Cold War, Poland

Roma, Mexico

Shoplifters, Japan

Best Cinematography

Alfonso Cuarón, Roma

Caleb Deschanel, Never Look Away (GER)

Rob Hardy, Mission: Impossible – Fallout

Matthew Libatique, A Star Is Born

Łukasz Żal, Cold War

Best Film Editing

Barry Alexander Brown, BlacKkKlansman

Jay Cassidy, A Star Is Born

Tom Cross, First Man

Eddie Hamilton, Mission: Impossible – Fallout

Yorgos Mavropsaridis, The Favourite

Best Original Musical*

Julia Michels, A Star Is Born

Marc Shaiman and Scott Wittman, Mary Poppins Returns

Sia, Greg Kurstin, Scott Walker, and Margaret Yen, Vox Lux

*Best Original Musical – known previously as several other names – exists in the Academy’s rulebooks, but requires activation from the Academy’s music branch. To qualify, a film must have no fewer than five original songs. This category was last activated when Prince won for Purple Rain (1984).

Best Original Score

Michael Giacchino, Incredibles 2

Justin Hurwitz, First Man

John Powell, Solo

Alan Silvestri, Ready Player One

Brian Tyler, Crazy Rich Asians

The Star Wars universe is in good musical hands when John Williams leaves after Episode IX!

Best Original Song

“All the Stars”, music by Kendrick Lamar, Sounwave, and Anthony Tiffith, lyrics by Lamar, SZA, and Tiffith, Black Panther

“Nowhere to Go but Up”, music by Marc Shaiman, lyrics by Shaiman and Scott Wittman, Mary Poppins Returns

“The Place Where Lost Things Go”, music by Marc Shaiman, lyrics by Shaiman and Scott Wittman, Mary Poppins Returns

“Shallow”, music and lyrics by Lady Gaga, Mark Ronson, Anthony Rossomando, and Andrew Wyatt, A Star Is Born

“When a Cowboy Trades His Spurs for Wings”, music and lyrics by David Rawlings and Gillian Welch, The Ballad of Buster Scruggs

Best Costume Design

Alexander Byrne, Mary Queen of Scots

Ruth E. Carter, Black Panther

Sandy Powell, The Favourite

Sandy Powell, Mary Poppins Returns

Mary E. Vogt, Crazy Rich Asians

Best Makeup and Hairstyling

Cindy Harlow and Camille Friend, Black Panther

Göran Lundström and Pamela Goldammer, Border (SWE)

Jenny Shircore, Marc Pilcher, and Jessica Brooks, Mary Queen of Scots

Amanda Knight and Lisa Tomblin, Solo

Greg Cannom, Kate Biscoe, and Patricia Dehaney, Vice

Best Production Design

Hannah Beachler, Black Panther

Nelson Coates, Crazy Rich Asians

Fiona Crombie, The Favourite

Nathan Crowley, First Man

John Myhre, Mary Poppins Returns

Best Sound Editing

Benjamin A. Burt and Steve Boeddeker, Black Panther

Ai-Ling Lee and Mildred Iatrou Morgan, First Man

James Mather, Victoria Freund, and Nina Norek, Mission: Impossible – Fallout

Ethan Van der Ryn and Erik Aadahl, A Quiet Place

Richard Hymns, Gary Rydstrom, Cameron Barker, and Doug Winningham, Ready Player One

Best Sound Mixing

John Casali, Paul Massey, Tim Cavagin, and Niv Adiri, Bohemian Rhapsody

Jon Taylor, Frank A. Montaño, Ai-Ling Lee and Mary H. Ellis, First Man

Chris Munro, Paul Munro, Lloyd Dudley, and Mark Timms, Mission: Impossible – Fallout

Michael Barosky, Brandon Proctor, and Michael Barry, A Quiet Place

Tom Ozanich, Dean Zupancic, Jason Ruder and Steve Morrow, A Star Is Born

Best Visual Effects

Daniel DeLeeuw, Jen Underdahl, Kelly Port, Matt Aitken, Dan Sudick, Avengers: Infinity War

Christopher Lawrence, Michael Eames, Theo Jones, and Chris Corbould, Christopher Robin

Paul Lambert, Ian Hunter, Tristan Myles, and J. D. Schwalm, First Man

Roger Guyett, Grady Cofer, Matthew E. Butler, and David Shirk, Ready Player One

Rob Bredow, Patrick Tubach, Neal Scanlan, and Dominic Tuohy, Solo

Best Documentary Short

Black Sheep (Lightbox Entertainment/The Guardian)

End Game (Netflix)

Lifeboat (Spin Film/RYOT Films)

A Night at the Garden (Field of Vision)

Period. End of Sentence. (Guneet Monga)

My omnibus review of this year’s nominees is coming soon (check this space later).

Best Live Action Short

Detainment (Twelve Media)

Fauve, Canada (H264 Distribution)

Marguerite, Canada (H264 Distribution)

Mother, Spain (Apache Films/Caballo Films/Malvalanda)

Skin (New Native Pictures/Salaud Morisset)

My omnibus review of this year’s nominees is coming soon (check this space later).

Best Animated Short

Animal Behaviour (National Film Board of Canada)

Bao (Pixar/Walt Disney)

Late Afternoon (Cartoon Saloon)

One Small Step (Taiko Studios)

Weekends (Past Lives Productions)

My omnibus review of this year’s nominees can be read here.

Academy Honorary Awards: Cicely Tyson, Lalo Schifrin, and Marvin Levy

Irving G. Thalberg Memorial Award: Kathleen Kennedy and Frank Marshall

MULTIPLE NOMINEES (24) Eight: The Favourite; Roma Seven: First Man; A Star Is Born Six: Mission: Impossible – Fallout Five: Black Panther; Burning; Mary Poppins Returns Four: Crazy Rich Asians; Eighth Grade; Shoplifters Three: The Ballad of Buster Scruggs; BlacKkKlansman; First Reformed; Ready Player One, Solo Two: Bohemian Rhapsody; If Beale Street Could Talk; Incredibles 2; Mary Queen of Scots; A Quiet Place; Spider-Man: Into the Spider-Verse; Vice; Won’t You Be My Neighbor?

WINNERS 4 wins: Roma 2 wins: First Man; Mary Poppins Returns 1 win: BlacKkKlansman; Black Panther; Border; Can You Ever Forgive Me?; Cold War; Crazy Rich Asians; First Reformed; If Beale Street Could Talk; Marguerite; Mission: Impossible – Fallout; Shoplifters; Solo; Spider-Man: Into the Spider-Verse; A Star Is Born; Weekends; Won’t You Be My Neighbor?

19 winners from 25 categories. 39 feature-length films and 15 short films were represented.

[sixtyfivehundredinvisiblebirds]

What I read in 2018

The Black Notebooks- Toi Derricotte The Winterlings- Cristina Sánchez-Andrade (tr. Samuel Rutter) As If- Anna Meister The Lonely City- Olivia Laing Graveyard Clay- Máirtín Ó Cadhain How to Write an Autobiographical Novel- Alexander Chee A Falling Knife Has No Handle- Emily O’Neill A Hunger- Lucie Brock-Broido Close to the Knives: A Memoir of Disintegration- David Wojnarowicz Prey- Jeanann Verlee Witch Wife- Kiki Petrosino Ordinary Beast- Nicole Sealey The Descent of Alette- Alice Notley Another Brooklyn- Jacqueline Woodson Of Love and Shadows- Isabel Allende The Narrow Door- Paul Lisicky Hijra- Hala Alyan Headwaters- Ellen Bryant Voigt American Sonnets- Gerald Stern Why Poetry- Matthew Zapruder Debridement- C. Bain There Are More Beautiful Things Than Beyonce- Morgan Parker Gephyromania- TC Tolbert The Babies- Sabrina Orah Mark R E D- Chase Berggrun The Tennis Court Oath- John Ashbery The Prime of Miss Jean Brodie- Muriel Spark Sepharad- Antionio Muñoz Molina (tr. Margaret Sayers Peden) Baricoon- Zora Neale Hurston Gentrification of the Mind: Witness to a Lost Imagination- Sarah Schulman Rocket Fantastic- Gabrielle Calvocolressi Priestdaddy- Patricia Lockwood Her Body and Other Parties- Carmen Maria Machado Calling a Wolf a Wolf- Kaveh Akbar Goodbye, Columbus- Philip Roth One! Hundred! Demons!- Lynda Barry How Her Spirit Got Out- Krysten Hill Blackacre- Monica Youn Lessons on Expulsion- Erika L. Sánchez Nature Poem- Tommy Pico Chronic- D.A. Powell Dream of a Common Language- Adrienne Rich The Book of Questions- Neruda (translated: William O’Daly) 300 Arguments- Sarah Manguso The Rest of Love- Carl Phillips Dear Sal- Jeremy Radin Howards End- E.M. Forester Wolf in White Van- John Darnielle Music for a Wedding- Lauren Clark H is for Hawk- Helen Macdonald Whereas- Layli Long Soldier Midwinter Day- Bernadette Mayer Tender- Sofia Samatar Into Perfect Spheres Such Holes Are Pierced- Catherine Barnett Electric Arches- Eve Ewing The Selected Larry Levis The Devil in the White City- Erik Larson The Art of Daring- Carl Phillips Harry Potter and the Cursed Child- JK Rowling The Game of Boxes- Catherine Barnett Selected Poems- Tomaž Šalamun Thunderbird- Dorothea Lasky Working (comic)- Harvey Pekar/Studs Terkel My Brilliant Friend- Elena Ferrante