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On a splendid walk!
I finished making this guy, v inspired by @slocotion, old clown dolls, and Vanessa Stockard. I'm not sure what to call him, Timothy, maybe!
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everyone give it up for the funniest woman alive
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I just realized something about Glass Onion and the way it’s structured, and like everything else in the movie it was told to us in the start:
(GLASS ONION SPOILERS AHEAD)
… it’s a fugue. The movie is a Fugue.
During the puzzle box sequence when the music box puzzle opens, Yo Yo Ma tells Peg that the music they’re hearing is Bach’s “Little Fugue in G Minor” he explains:
“A fugue is a beautiful musical puzzle based on just one tune. And when you layer this tune on top of itself, it starts to change and turn into a beautiful new structure.”
Right in front of our eyes, Rian Johnson just told us how the movie was going to go. It starts out with a simple tune, your classic murder mystery setup much like the Clue movie and half of the mysteries Agatha Christie was famous for writing. We meet the eccentric characters, a murder happens, everyone runs around for a while, and the detective seems ready to tell us whodunit…
And then the movie starts over again. The tune is the same, but layered on top of itself with new context and a different point of view. Every new scene from Helen or Benoit’s perspective changes our perspective on the previous half of the movie, scene by scene. This new layer of the film adds to it and forms a beautiful new structure itself.
Addendum: the opening shots of each act also parallel each other. The first half begins with the start of Bach’s Little Fugue as we are introduced to Claire at her home when her puzzle box is delivered, and then we hear the fugue again but further on in the piece when Helen delivers her box to Benoit Blanc in the second half.
UPDATE: Having seen Rian Johnson’s audio commentary of the film, he confirmed that it was intentional! VINDICATION!!!
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I did not expect to like Dndrag queens as much as I do, I just expected it to be a nice little distraction before the next big season.
But it's so fascinating to see 4 new players approaching the game in different ways, and I want to categorize them
Alaska : she's understated but she's clearly engaging with the plot (the way she immediatly figured out the corrupted wraith clasp was great). She has a simple character and a simple backstory and she is a bit cautious with the roleplay but she is having fun (she reminds me of me during my first campaign)
Monet : She has a more complex and edgier backstory. She's in it for the power fantasy (who doesn't want to be a super powerful half-elven half-merfolk assassin with mommy issues?) but she still cares about the narrative and she takes things a bit more seriously
Jujubee : She's the embodiment of chaos, a future Axford. Brennan gave her the power to shape a world with her mind and imagination and she is having the time of her life. Also she cried during one of Alaska's scene showing that she cares about the other Pcs as much as she cares about Twyla (also a very Axford trait)
Bob : She's the most theatre kid of them all. She lives for the drama. She immediatly went for a very complicated and dark character (in the AP they revealed a part of Gertrude's backstory and it was genuinely fucked up and terrifying) She may struggle a bit with the rules but once she'll get the hang of it she'll be an amazing player
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It’s such a small little thing but the queens reactions when Brennan laughed at the Michelle Visage joke made me so happy. He didn’t draw attention to himself or pat himself on the back. It’s like you could see the queens relax a little and feel like they could fully be themselves in a space they all weren’t really used to being in. They know they don’t have to appeal to Brennan, but it’s also fun to know they’re at a table where their work is known and respected and it’s such a small thing but it means so much
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