#Magical Frog

[okaiart]

a lil' frog to bless your timeline ✨

[missagonyy]

All of my frog art in one place.

[magical-frog-comic]

Hello!

I'm starting this blog to share my journey as I'm creating my first original comic, Magical Frog !

If you like:

Frogs

Magical girls

Sapphic romance

Kicking the butt of patriarchy

A cool knight woman and her moody squire

Fairytales and Japanese mythology

Then this is for you!

.

I expect this journey will be long and I will learn many things along the way. There will be trials and errors, but I'm hoping that in the end I can create something special that people will enjoy.

[store21poste]

(via T-shirt classique for Sale avec l'œuvre « Naruto et le crapaud du mont Myōboku : des amis de ramen » de l'artiste shoptshirt21)

[untitledpebs]

Hello! I'm fairly new here but I just wanted to show my little character, his name is Zoinks!

[markscherz]

Is frogs were wizards, what kind of magic would they have?

Look, I think the Basic™ answer is that frogs belong to the Transmutation school of magic because, hello, metamorphosis, but galaxy brain herpetologists know that more than a quarter of all frog species don't have tadpoles.

Toxicologists could tell you of the venomous species that can deliver a real Shocking Grasp that leaves you with Burning Hands—mainstays of Evocation magic.

Ecologists will tell you frogs are pivotal mesopredators and those with tadpoles occupy two trophic niches over their lifespans—classic Abjuration magic.

Some field biologists will tell you how hard it is to find some frogs, even when they are calling from immediately in front of you—archetypal Illusion shit.

Other field biologists might tell you that sometimes frogs start calling a few minutes before the rain actually comes. Obvious hallmark of Divination school.

Conservation biologists will tell you that some species that were declared Extinct or likely Extinct have been rediscovered recently, so I suspect at least some are from the Necromancy school

Behavioural ecologists might tell you that some frogs have familiar pet tarantulas (Big Spider want you to think it's the tarantulas keeping the frogs as pets, but don't be taken in by their biased lies). You want to tell me that they're not Conjuration wizards?

But Frog Fans (Frans) will tell you they belong to the Enchantment school, because hearteyesmotherfucker.gif. I mean, they somehow got you following me, right?

[grickle14]

Chance encounters.

[cubbihue]

A common misconception about Fairy Crowns is that it indicates the emotions a Fairy has. This is not true. A Fairy's Crown is purely an indication of their magical energy, as magic is directly connected to their health.

A crown losing its form is an indication that the flow of their magic is fluctuating, which humans often mistaken it as high emotions. Humans should be wary of Fairies with visible fluctuating magic, as it can mean that they are about to impulsively use magic in an erratic or dangerous manner.

Thankfully, crowns cannot do direct harm to others, and Fairies cannot do magic without a wand! Take their wand, and they won't do you harm!!

Bitties Series: [Start] > [Previous] > [Next]

Instability: [Start] > [Previous] > [Next]

[devdoption]

refrance

[pengold]

DaggerHeart 1-shot: Oppy

((Prints up on my InPrint if anyone wants a sticker))

[oldschoolfrp]

Grey Star the Wizard, Richard Corben cover art for the US edition of the first game book of The World of Lone Wolf series by Ian Page and Joe Dever, 1987

[magical-frog-comic]

#froggyfall - How it all started.

The beginning of the journey.

In October 2022, I decided to challenge myself and participate to the froggy fall challenge.

I've never drawn a frog in my life before in my life.

One of the entry was "wand" and I drew this. And I kinda became obsessed with it?

I thought "What if I drew her in human form?" and I did.

I got heavily inspired by Card Captor Sakura and Magical Boy in the first early stages. I think it shows haha.

I could feel I was onto something with this one. I started creating other OCs, the beginning of a story and some worldbuilding.

I became so hyped I decided to draw the first few pages. So I currently have 5 pages of the story + the cover.

I quickly realised that I needed to write the whole plot before going any further. That's what I'm still currently working on.

But drawing those 5 first pages gave me the confidence I could actually do this project. My art might not be perfect, but I have a story to tell and I'm hoping people will like it anyway.

[peeweekey]

Sebastian likes frogs. Emphasis on the word likes.

He appreciates them, they do good for the environment. They eat up all the nasty flies that buzz around the mountain lake, too. He doesn’t have to worry about mosquitos snaking on his blood while he smokes. It’s just a plus that he finds them cool and interesting.

Which most people find weird. Sebastian thinks it’s weird that they find it weird. Frogs aren’t going out of their way to bother people.

Yes, he likes them. They’re his favorite animal, certainly.

But favorite is not enough for him to want to smooch a frog.

“Sam, I’m not gonna fucking kiss a frog.”

“C’mon! It’ll be like the movie!” Sam teases, insistently shoving Sebastian to the frog innocently sitting on a park bench. “Who knows, maybe it’ll be your very own froggy princess—”

“Didn’t the girl turn into a frog when she kissed it,” he shoots back, elbowing Sam backwards in the gut. The blond lets out an overdramatic hiss of pain, bent over and clutching his stomach. “Abby, back me up here.”

“I never watched that stuff,” Abigail shrugs, watching with amusement. She makes no move to help at all, comfortably resting against the wide wooden posts of a fence. “Watched a lotta cartoons though. Phineas and Ferb is my jam.”

“Not about the movie,” Sebastian grits exasperatedly. His brows knitting together in frustration “The frog.”

“Mhm, go on,” a cheshire-like grin on her face. “Kiss it, Seb. A big smooch right on its slimy mouth.”

Sam eggs him on, the pain of being elbowed magically disappearing. “Do it! Do it!”

Sebastian presses his lips tightly together. There’s no use resisting once Abby and Sam band together. They’re a force to be reckoned with like this—demanding and overbearing. Sebastian exasperatedly wipes a hand over his face, shooting the poor frog a sorry look.

Sam pushes him one more time, he gives him a stony glare in return. “Fuck—alright! Stop being so damn loud, you’ll scare it away.”

The frog in question croaks slightly, like it senses the trio talking about it. He gives it a wary glance.

As he slowly approaches, Sebastian can hear Abby and Sam’s satisfied sniggering behind him. They roped him into doing another stupidly outrageous thing for the umpteenth time.

He sighs, he really needs better friends.

Mustering up all his courage, he bends down, almost eye level with the frog, resting a hand on the wooden grain bench on where it’s perched upon.

He screws his eyes shut and goes for it.

Sebastian’s lips connect with the frog’s slimy, almost rough skin. So fast and featherlight that it can barely be considered a kiss. Cold against his lips. He pulls back immediately after, wiping any residue off his lips with the back of his hand.

The frog jumps, croaking with,what he assumes is, alarm.

“See?” Abby laughs, ruffling his hair good-naturedly. “No princess in sight. You didn’t turn into a frog either!”

“Man,” Sam snickers, patting him roughly on the back. Sebastian groans with every smack. “It would’ve been cool though, if you turned into a frog. We’d have a frog drummer in our band!”

Sebastian shoves his unruly friends off. “Yeah, whatever. Let’s get going. The frog is probably traumatized.”

“You can check that off your bucket list,” Abby teases, a smirk playing on her lips. “Kiss a frog before I die. We’ll tell the story for generations.”

Sam howls with laughter, Sebastian feels absolutely mortified.

Before the trio could make any move out of the park, a cloud of green smoke curtains the frog, so thick and so unusual. Sebastian unconsciously backs away from it.

“What—woah,” Sam says, more mezmerised than shocked at the green smoke pouring out of the frog Sebastian kissed. “What is that?”

“The fuck if we know, Sam!”

“Boys, boys, shut the fuck up. Look.”

Abigail points at the fog. It grows and grows, stopping and dissipating once the whole bench is covered with the green mist.

The frog is gone—disappeared into thin air. Instead, a not-so-frog shaped person sits. You blink up at Sebastian slowly.

Woah, woah.

He feels his heart accelerating—for all the wrong reasons. An unusual thumping sound that vibrates all throughout his body—his fingertips, his stomach, his toes. Where there should be fear and panic and definitely fear, Sebastian feels exhilaration.

You’re pretty.

It’s also pretty horrifying for him to think—and feel.

You blink slowly—a frog-like trait that cement his suspicions. You’re staring up at him as he stares back down at you, curious meets bewildered. “…”

His eyes are wide, scanning each and every part of your now not frog-like features. Sebastian feels cold sweat dripping down his forehead—a stark temperature difference to the heat in his cheeks. “Oh—oh shit.”

“Uhm… ribbit?”

-

Another thing he blames on Sam and Abby—his horrifying attraction you; the person, not the frog.

He checks that off his metaphorical bucket list, too.

[cryptocism]

Here’s my thing about the twist at the end of IWTV season 2 (spoilers obvi)

The magic system that IWTV has is for flavour. It’s spice, it’s zest, it’s a lil bit of seasoning that gives the storytelling a fun supernatural kick. 

We are not given exact metrics or data for how exactly the Vampire Powers function, just examples of some that can manifest (pyrokinesis/telekinesis/telepathy/flight/mind control/etc) and that Vampire Powers get stronger as they get older. eg. Armand can walk in the sun – but is he immune or just resistant? How old does a vampire have to be before they can take a midday stroll minus immolation? Is there a time limit? An intensity where they could still be injured? Does the effect lessen if they have some shade like an umbrella or a large hat–

IRRELEVANT!!! The Vampire Powers are for SPICE and these kinds of nerdy-ass questions about scope and scale in this magic system does nothing for the characters or the story. You do not need to know the exact range or power of Louis’ Fire Gift in order to cheer and clap when he burns down the theatre. Lestat’s Cloud Gift doesn’t need a follow-up explanation on how high/fast he can fly in order to be devastating when he uses it to do a domestic violence. This isn’t Fullmetal Alchemist, this isn’t Mistborn. This magic system is SPICE, and getting into specifics about the powers and how they work distracts from the wonderful twisty soap opera of the gay vampires doing war crimes to each other.

So my thing about the twist is not that Armand was willing to let Louis die, and it’s not the reveal that Lestat was actually the one who saved Louis.

My thing about the twist is that it relies on a magic system that wasn’t built to support that kind of major end-of-season plot point. And the consequences that the resulting ambiguity has on Claudia, the greatest tragic hero of all time.

So the Mind Gift. 

Armand has that shit on lock. He’s shown using it extremely competently even before the San Francisco memory-alteration reveal. He’s the only member of the coven who clocks Louis’ recognition at Lestat’s name, he notices the “presence” in Louis’ mind when Louis hallucinates Dreamstat, he knows when Louis is lying to him about Claudia’s involvement in Lestat’s murder, when he tells Louis and Claudia to close their minds before his conversation with Madeline he says “I’ll know it if you haven’t.”. He’s able to knock out the entire coven in one scene, although it’s unclear whether that’s the Mind Gift or a combination of telekinesis and the time stopping(?) thing. Plus of course mind-wiping memory-alteration courtesy of the San Francisco saw trap.

Armand is the oldest vampire in the show so far, we know vampires get more powerful with age, and his previously shown competency with the Mind Gift means that when he says he compelled an audience full of people into banishing Louis, it’s a believable addition to his powerset. 

And, consequently, when he says “it took all my strength” we can guess that he’s lying his ass off. Daniel points out Armand saved Louis and not Claudia because he was trying to reveal the reasoning that everybody except Louis already knows. To quote Assad Zaman: Armand doesn’t give a fuck about Claudia.

Lestat on the other hand.

His one and only use of the Mind Gift (besides the generalized telepathy all the vampires share) is when he mindfucks 30ish soldiers out of his townhouse in the 1900s. His ears bleed about it – and we can pretty confidently interpret orifice-bleeding as a kind of catch-all for mind-powers being difficult. And then we don’t mention it again for a season and a half because the magic system is for spice and Louis is more concerned with other shit.

Until Daniel brings it up in his Big Reveal, and this piece of evidence allows for the truth to come out and Armand to be exposed as an opportunistic liar. Scene is played out brilliantly, Louis puts a crater in his wall via his ex-husband, good stuff.

HOWEVER

This twist has the consequence of shifting the focus of the story. The central question has changed slightly. Instead of the reveal being who killed Claudia, the narrative focus is now on who saved Louis.

And despite my love of Daniel’s reveal scene, despite my love of the Louis/Lestat reunion scene, “who saved Louis” ends up a weaker thematic question.

Claudia is the whole fucking point. Claudia and the way her fathers failed her. Claudia and the tragedy of her narrative doom. Claudia and the ways she never escaped that child’s body in that burning house, no matter how much she tried.

My thing about the twist is that it takes our previous understandings of Armand and Lestat’s respective power and agency in that scene from this:

Armand: Could’ve Prevented It (Chose Not To) Lestat: Genuinely Could Not Have Prevented It

To this:

Armand: Could’ve Prevented It (Chose Not To) Lestat: Could’ve Prevented It (Chose Not To)

And then doesn’t interrogate or explain further. There is no one that says to Lestat, “You saved him, but why didn’t you save her?” 

And look I can understand I’m meant to extrapolate that Lestat used all his strength to save Louis and therefore didn’t have enough juice to do the same for Claudia (his ears bleed about it and everything)

But they sprinkled so much doubt on Armand’s “it took all my strength” excuse and then immediately showed Lestat as much more powerful with the Mind Gift than previously assumed, and so I’m left with too many unanswered questions.

This is where the narrative puts too much weight on a magic system that wasn’t built to support it. The audience is aware, vaguely, that the older a vampire is the more powerful they are, but we aren’t actually given tangible comparisons between Armand and Lestats respective abilities circa 1949. Lestat is shown or said to have all of Armand’s same abilities by this point, but besides Armand being older, he’s never shown outmatching Lestat in power, and so we never get a real sense of Lestat's limitations.

I should mention that, on its own, this wouldn’t be a flaw. Like I said the magic is here for spice and zest and we don’t need Armand and Lestat to have a wizard battle in order to understand that Armand is probably nebulously more powerful.

But when you hinge a plot point on Lestat’s magical abilities and their limits, I would like to know for certain whether Lestat genuinely couldn’t have prevented Claudia’s death or, like Armand, simply chose not to.

If it’s the latter, it counterintuitively makes Lestat a much less sympathetic character, when (as far as I can tell) the purpose of the twist is to make Lestat more of a heroic figure, since post-reveal there are no further interrogations of Lestat's choices.

And I’ve read wonderful meta on Lestat choosing to let Claudia die and then regretting it forever: if he loved her more she would’ve suffered less, if he loved her less she might not have suffered at all, etc.

But none of this is given any focus in the show because besides Lestat’s single heartbreaking line about Claudia looking to him in her last moments. There is no illumination on whether Lestat’s inaction was due to personal choice or lack of ability. There’s no solid evidence in the show to swing it one way or the other, the magic system is too soft to support a solid conclusion about it.

And. Claudia was sentenced before Louis. So even if Lestat only had the ability to save one of them, he still made the conscious choice to save his strength for Louis.

Which is also not necessarily a flaw. Lestat making the choice to save Louis over Claudia would be an extremely compelling road to go down. My issue is that the show has changed the central question from who killed Claudia to who saved Louis and is now pretending that that road doesn’t exist.

There is no indication that Louis feels any kind of way about Lestat ostensibly choosing him over their daughter. There’s no indication that Lestat had any hesitation about his choice, despite his sadness at her death. I can interpret Sam Reid’s acting choices in the final scene as Lestat not realizing how much Claudia meant to him until she looked at him “like a child looking to her father” but by then it was too late – but that would still be speculative.

Giving Lestat the agency to save Louis and Claudia during the trial both puts too much pressure on a magic system that can’t support it, and puts wind-drag on Louis and Lestats reunion: what should be the emotional climax of the show.

And look to be clear: show good. I’m obsessed with show. 

But the structural integrity of the final twist makes me feel like an OSHA inspector in an otherwise competently made building that doesn't have railings on the stairs.

They don't establish enough information wrt the magic system so that Lestat’s sudden ability and subsequent assumed limitations can reasonably track. They don't interrogate the consequences of giving Lestat the choice to save his daughter and then him proceeding to Not Do That.

I don’t think it’s out of character for Armand to choose his coven over Louis considering his habit of clinging to the familiar even if it sucks. I don’t think it’s out of character for Lestat to choose Louis over Claudia considering both Lestat and Louis’ habit of doing exactly that.

But you cannot ask the question “Who killed Claudia? (or, through inaction, allowed Claudia to die)” the entire season and then answer it with “Actually, Lestat saved Louis!”

It shifts the focus, it muddies the theme, it relies too heavily on a magic system that is supposed to be vibes-based and most importantly it treats Claudia like an afterthought when Claudia is literally the entire fucking point.

Claudia isn’t even the main character in her own story, the most tragic of tragic heroes, only someone’s first choice in the moments before her death, and neither she nor the woman she loves can do anything to change their endings. Louis and Lestat’s realization of all the ways they failed her is meant to be the emotional catharsis of the show, but it rings hollow, because the consequence of the final twist serves to render her narratively and metanarratively another round in Louis and Lestat’s stormy romance and un-asking its own central question.

[amphibianaday]

day 1680 and my own entry for the amphibian pride parade :D