#Loula Yorke

[trevlad-sounds]

Intro: 00:00

Curved Light-VII (Garnet) 00:21

THE GAYE DEVICE-The Things I Never Told You 08:39

Pete Bassman-Fast Flowing Fluid 14:16

Chapter 1 18:10

Polypores-Live at Levitation, Whitby (06.11.23) 21:05

Sven Phalanx-Shadows (feat. Shaita) 26:04

Receptor Modulator-Obscured 29:33

The Central Office of Information-Weather Baloon 36:20

Tegu-IX 39:16

E. Lundquist-Last Dance 43:28

Chapter 2 44:20

Loula Yorke-Anecdoche 48:16

Dan Ubick-World On Wheels 52:19

Dark Fidelity Hi Fi-Melt Structures 53:50

Futuregrapher-Bunny Down 58:43

Den Osynliga Manteln-TRIPPELSOL 1:00:43

SYMBOL-External Reminder Prompt 1:08:00

Chapter 3 1:15:30

Forever Pavot-Les amants 1:19:15

Vic Mars-Earthworks And Trackways 1:21:51

Sam Rosenthal-before the buildings fell 1:26:09

Scanner-Visitea 1:28:41

Green-House-Desire Path 1:29:56

David Cordero, Carlos Ferreira-Doubts 1:33:49

Outro 1:38:03

Can-Mushroom 1:40:17

[burlveneer-music]

Loula Yorke - Volta

“It’s all about the idea of cyclical time”, says Loula Yorke, calling us on a journey of sonic adventure through her latest album, 'Volta'. In 41 minutes we are spun across a galaxy, revolving and rotating, swelling and contracting, waxing and waning. The loop is the symbol of infinity, a connection between human pattern-making and cosmic cycles unknown; just as a tilt in Earth’s axis gives us the seasons, the smallest shift in a sequence can expand one sound into a musical universe. While 'Volta' stands on the solid foundations of Yorke’s previous work – the errant experimental frequencies of ysmysmysm, the scratchy techno punk of 'LDOLS', the tangled gravitational mass of 'Florescence' – this latest album marks a complete departure for her in both process and palette. Here Yorke steps into a zone of self-imposed order, setting aside the chaos of live improvisation, which previously found her building and trearing apart synth patches afresh for every track. Within the luminous sonic tessellations of 'Volta', synth lines are programmed rather than randomly generated, refined through days spent in front her modular sequencer, listening and adjusting … until a wormhole opens and we tumble in. Once composed, Yorke’s sequences were played and recorded live on her modular synthesiser, with no post-facto assembly or reconfiguration in the edit suite. The resulting seven pieces capture a discrete achievement in the Cottage Studio – but the circuit is only really complete when it meets the listener’s mind. 'Volta' is music for mental travel and infinite introspection: meditations on the endless-everything of the looping sequence. Suns and spheres in unstoppable motion. Hypocycloid eternal curves. Let the circles eat each other. 

[thedaysofdisorder]

Loula Yorke – It's been decided that if you lay down no-one will die From the album 'Volta', just released

[streetart-nightly]

AJA + PHANTOM CHIPS + LOULA YORKE + A’BEAR

Poison Idea + The Domestics + Rad Pitt + To The Nines

Sly & the Family Drone + Justice Yeldham + Buddy Lee Dickens + MU2

posters at Colchester Arts Centre, 2019

[bordercommunity]

Fellow travellers Castles In Space are holding their annual celebration of synthesis Levitation 2024 on Saturday 5th October at Bedford Esquires, and everyone is invited.

Featuring our own James Holden, plus a veritable who's who of the burgeoning UK synth scene: living legends System 7, Nik Colk Void, Warrington-Runcorn New Town Development Plan, Polypores, Field Lines Cartographer, Jo Johnson, Graham Dunning & DJ Food, Twilight Sequence, Loula Yorke ++++!

And you can be there too if you grab yourself an early bird ticket HERE.

[13melekradyo]

10 Şubat 2024 tarihli program kaydı.

Güncel elektronik müzik kayıtlarından bir seçki // A selection of recent electronic recordings. Download.

01 – Eva808 – Gleymmèrei 02 – Build – The One 03 – CAIV – Göbekli Tepe 04 – QphoriQ – Bangladesh 8080 05 – Nigelthreetimes – Phantom Shores 06 – Shed – Shot Rhythm 07 – Regal86 – Eyes Cream 08 – Hexalyne – Exidiffract 09 – Fer Franco – Asumir Furma 10 – Evian Christ – On Embers 11 – Loula Yorke – The Grounds Are Changing As They Promise To Do

[dstrachan]

'VIEWS FROM THE EDGE' - w/c 29th January 2024

Super Happy Funtime ‘Yarn Bomb’

Haiku Salut ‘Quiche’

Køpflos ‘Axis Of Evil’

Monty Python ‘Oliver Cromwell’

William Irvine ‘Poison Gas’

Omayma Balah ‘Hajj’

Odyssey ‘Native New Yorker’

Scorpions ‘Wind Of Change’

The Wolf Tones ‘Rifles Of The I.R.A.’

Chicago ‘Does Anybody Really Know What Time It Is’ 

Glider ‘Heartstrings’

Hook ‘Breakout’

Erene Mastrangeli ‘What Is Love?’

George Harrison ‘What Is Life?’

Lunar Plexus ‘Rabbit Hole’

Jefferson Airplane ‘White Rabbit’

Chas & Dave ‘Rabbit’

M People ‘Moving On Up’

Loula Yorke ‘The Grounds Are Changing as They Promise to Do’

Curtis Mayfield ‘Move On Up’

The Tibbs ‘Ain’t It Funny’

Atomic ‘Nowhere To Run’

Alice Cooper ‘Gutter Cat vs. The Jets’

Grace Jones ‘Demolition Man’

Iggy & The Stooges ‘Search & Destroy’

Arab Strap ‘One Day After School’

[postpunkindustrial]

Loula Yorke

[zaphmann]

In Memory of John Peel Show 210730 Podcast & Playlist

In Memory of John Peel Show 210730 Podcast & Playlist

Anika “El profesionalismo es importante” https://radiopublic.com/in-memory-of-john-peel-show-6nVPd6/ >> the best new music, independent of the industry system – back this show on patreon Paypal to zaph@zaphmann.com heard in over 90 countries via independent stations (RSS)Pod-Subscribe for free here or embed/listen at podomatic – itunes here’s the latest…

[artist-monet]

Landscape: The Parc Monceau, Claude Monet, 1876, European Paintings

Bequest of Loula D. Lasker, New York City, 1961 Size: 23 1/2 x 32 1/2 in. (59.7 x 82.6 cm) Medium: Oil on canvas

https://www.metmuseum.org/art/collection/search/437107

[black-paraphernalia]

THIS IS A PIVOTING POINT IN HISTORY

OF ONCE WAS 45 CITY SQUARE BLOCK OF BLACK EXCELLANCE

IT SHOW WHAT A BLACK COMMUNITY CAN DO GIVEN THE CHANCE

AND WHAT A WHITE COMMUNITY CAN DO GIVEN A CHANCE

WE MUST LEARN FROM HISTORY AND ACT ON THE KNOWLEGE TO IMPROVE OR CONTINUE TO LIVE WITH THE DAMAGES IN THE WORST WAY.

PART 3 OF 3

The significant thing about Greenwood is it was not just a Black thing. It was quintessential America,” says James O. Goodwin, owner of weekly newspaper The Oklahoma Eagle, which traces its roots to Greenwood’s Tulsa Star, where his grandfather worked. 

Goodwin was born in Tulsa in 1939, the son of a Black Wall Street resident. “It was like any other developing neighborhood, whether that’s Irish, or Greek, or Jewish,” he explains. “These people embraced faith, they believed in education and hard work. They believed in capitalism and freedom.

“Greenwood shows that when we are left to our own devices and don’t have a knee to our neck, we can achieve extraordinary things,” says John W. Rogers Jr., the chairman of Ariel Investments and great-grandson of J.B. Stradford, ‘Tulsa proves that African American can build great businesses and be extraordinary successful.”

“On the other hand,” Rogers adds, “It shows you that unfortunately so many times in our history, when Black folks get a few steps ahead, we get pulled back down... It’s why the wealth gap in this country is so dramatically worse than it was 25 or 40 years ago.”  

What was loss and honorable mentions of wealth builders

A.J. Smitherman, whose family moved to Indian Territory in the 1890s, founded the Tulsa Star, a Black newspaper based in Greenwood. As the publisher, Smitherman was outspoken about discrimination and regularly informed African Americans about their legal rights and called for Black men, many in Tulsa who served in World War I, to take up arms, in response to white mob violence.

Education also drew Black families to Greenwood. In 1913, Booker T. Washington High School opened, hiring Ellis Walker Woods as its principal, a beloved educator who would serve in that role for 35 years. Woods, who was college-educated, walked from Memphis to Oklahoma after seeing a flyer advertising for Black teachers in Oklahoma.

John and Loula Williams became some of the wealthiest Black people in Tulsa. They owned the Dreamland Theatre on Greenwood Avenue, along with a rooming house, a confectionary, commercial rental property and a garage. Loula Williams was very much a partner in all the couple’s businesses.

Mabel Little, from Boley, Oklahoma, arrived in Tulsa in 1913 with $1.25 in her pocket. Little, who lived to be 104 and survived the massacre, opened a successful hair salon and worked in the beauty business for decades.

 Simon Berry built a private transportation network of Model T. Fords and buses, which transported residents through Greenwood and all the way to downtown Tulsa. Berry soon began chartering planes for Tulsa’s increasingly wealthy oilmen.  (Except from history.com)

Black Paraphernalia Disclaimer - images from Google images

Along with this massive prosperity, the community invested in houses of worship and schools. By 1920, Greenwood had a handful of churches, most notable by the impressive Mt. Zion Baptist Church built in 1909. 

The district had its own elite high school, named after Booker T. Washington, which boasted a curriculum that would prepare students to eventually study at colleges like Columbia in New York, Oberlin in Ohio, and historically Black colleges such as Hampton, Tuskegee, and Spelman.

So important was education in upwardly mobile Greenwood that teachers were among the highest paid workers. Many had their own Steinway pianos in their apartments, while the school’s principal, E.W. Woods, lived in a six-room townhouse.

Others built pool halls, auto repair shops, beauty parlors, grocers, barber shops, and funeral homes. There was a Y.M.C.A and a roller skating rink, a hospital, and a U.S. post office substation. With all this activity, Greenwood’s economy was gushing like one of Getty’s wells. It was calculated that every dollar spent in Greenwood circulated the Black economy nearly thirty times as business thrived. (excerpts from forbes.com)

[burlveneer-music]

Loula Yorke - Youl - modular synth EP

A slice of my daily modular synthesis practice during early December 2022. Playing with slow(er) sounds, frozen sounds. Feeling my way towards the liminal period between winter solstice and the new year. "Pellets of sound bounce, squelch and ricochet, as if describing 3D shapes ... As open and expansive as the skies of coastal Suffolk that feature on the album's sleeve. This is practice made perfect." The Wire All tracks performed, recorded and produced by Loula Yorke Artwork: Sizewell B nuclear power station photographed from Minsmere in late afternoon – Loula Yorke, Suffolk, December 2022

[met-european-paintings]

Landscape: The Parc Monceau by Claude Monet, European Paintings

Bequest of Loula D. Lasker, New York City, 1961 Metropolitan Museum of Art, New York, NY Medium: Oil on canvas

http://www.metmuseum.org/art/collection/search/437107

[catsynth-express]

Pinglato and "Gemini" (Twin Oscillator Jam)

From theoramawards (named for the great Daphne Oram) on Instagram.

It’s #GeminiSeason and 2020 Oram Awardee Loula Yorke has just released on her @bandcamp page ‘Gemini’ a piece of sparkling ephemera to celebrate her birthday.

The track will disappear after 24 hours starting from today.

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If you’d like to show her some support, listen/buy this twin oscillator jam track!

Credits: Everything by @iamloula. Mastered by @dvstch 🐈 Pinglato

Sadly we missed this ephemeral track, but please do check out Loula Yorke’s bandcamp page for some more intriguing music. Here is a sampling from her album Crowd Control.

Crowd Control Vol 2 by LOULA YORKE

Pinglato and “Gemini” (Twin Oscillator Jam) was originally published on CatSynth

[ruaridhtvo]

I have a new radio show, going out every two second Friday on The Neon Hospice. As opposed to my NNW show, which is still going, this one is for idiosyncratic bangers First show is archived below: https://www.mixcloud.com/TheNeonHospice/drawing-the-cards-2/ Bass Clef - Maze 4 Trashpanda QC - Colorful666 Yumah - Gone Signal - Naplafa Einoma - Minioma Calum Gunn - Invariant Group Niob - Nexus (Dark Arx Version) Phako - Bolnes 1 Neil Landstrumm - Ross Kemp As Pixel New Order - Video 586 Carl Craig - Science Fiction (In Touch With My Psyche) Datathief - Advanced Social Engineering Autechre - TM1_open Andrea Parker - The Swamp Anthony Shake Shakir - Electron Rider Tortoise - In Sarah, Mencken, Christ and Beethoven There Were Women And Men (Derrick Carter's Winter Outtake) Loula Yorke - Rush Hour m1.5 Stereolab - Refractions In The Plastic Pulse (Autechre remix) Otto Von Schirach - Pandemonium Intelligence Russell Haswell - One Take Dub No Edit Cane - Blizz Unknown - Magnetic Fields Coil - The Snow Ralphie Rosario - In The Night DBX - Baby Judy Ultramarine - Hooter (Carl Craig Outtake) Russell Haswell - Gas Attack (DJ Stingray Atropine mix) Lakker - Oktavist (Mark Fell remix) Cristian Vogel - Transparent Fruit Mads Kjeldgaard - ((()))